Welcome to the

2016 NC Thespian Festival March 17-19, 2016 Greensboro, NC

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NC Thespian Festival - Student Conduct Contract These are the expectations for behavior of all festival delegates. 

Attend all scheduled festival activities. Any delegate, who fails to attend workshops, performances, etc., will be reported to his/her troupe director and badge will be pulled.

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Wear the festival nametag at all times.

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Wear closed-toed shoes at all times.

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Be quiet in hallways to avoid interrupting workshops and performances.

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Once a show, workshop, or IE begins, do not expect to be admitted.

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Exhibit appropriate theatre etiquette at all times during performances and workshops.  Properly dispose of beverages, food, and gum before entering the performance and workshop areas.  Refrain from putting feet on seats, talking during performances, wearing hats, and other disruptive behavior that would prevent others from enjoying the performance.  Do not use video cameras or cameras—even without flash—in performance and workshop areas. Pictures and video may be taken outside of performance and workshop areas.  Do not leave in the middle of performances or workshops, except in extreme emergency.  Make sure cell phones are turned off during events. (Your phone vibrating will not constitute an emergency reason to leave a workshop or performance.)

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Do not use alcohol, drugs, or tobacco products at any time in or around the festival venues. Such use is strictly forbidden and will not be tolerated. Troupe directors are expected to remove offending students from the festival venue.

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Treat all festival grounds and buildings and your hotel grounds and buildings with respect. This includes disposing of all trash properly.

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Do not invite visitors or family members to drop by the festival, as all unregistered students and adults will be asked to leave.

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DO take advantage of the opportunity to meet and get to know fellow Thespians from across the state of North Carolina.

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DO take advantage of the chance to learn through workshops and watching other troupes perform.

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Behave at all times in a way that reflects well on NC Thespians, your troupe, and yourself personally. 2

2016 NC Thespian Festival Troupes in Attendance #72 – Enka High School, Enka Ms. Susan Stanley Marino, Troupe Director #780 – Myers Park High School, Charlotte Ms. Amanda Roberts, Troupe Director #2237 – Asheville High School, Asheville Ms. CJ Breland, Troupe Director #3377 – South Caldwell High School, Hudson Ms. Beth Woodard, Troupe Director #3662 – Avery County High School, Newland Ms. Shannon Perdue, Troupe Director #4198 – Needham Broughton High School Ms. Julie Florin, Troupe Director #4305 – Trinity High School, Trinity Mr. Michael Johnson, Troupe Director #4599 – Hoke County High School, Raeford Ms. Medina Demeter, Troupe Director, STO Liaison #5540 – Leesville High School, Raleigh Ms. Jeannine Wrayno, Troupe Director #5762 – Enloe High School, Raleigh Ms. Phoebe Dillard, Troupe Director #5765 – Durham School of the Arts, Durham Mr. Douglas Graves, Troupe Director #5828 – Camp Lejeune High School, Camp Lejeune Ms. Jenny Wassom, Troupe Director #6028 – Apex High School, Apex Ms. Laura Levine, Troupe Director

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#6570 – Greensboro Day School, Greensboro Ms. Ruthie Tutterow, Troupe Director #6725 – Cedar Ridge High School, Hillsborough Mr. Inkem Kaizen, Troupe Director #6786 – Mitchell High School, Bakersville Mr. Greg Franklin, Troupe Director #6961 – Bandys High School, Catawba Ms. Hollie Sherrill, Troupe Director #7093 – Western Guilford High School, Greensboro Ms. Linda Veneris, Troupe Director #7149 – Knightdale High School, Knightdale Nichole Gibbs, Troupe Director #7351 – Jessie C. Carson High School, China Grove Mr. Alex Reynolds, Troupe Director #7406 – Southeastern Guilford High School, High Point Mr. Christopher Veneris, Troupe Director NC Chapter Director #7993 – Grimsley High School, Greensboro Mr. Matt Ringrose, Troupe Director #8010 – Northwest Guilford High School, Greensboro Ms. Abby Cockman, Troupe Director #8107 – Mountain Heritage High School, Burnsville Ms. Angie Holtzclaw, Troupe Director #8206 – North Buncombe High School, Weaverville Mr. Ricky Webb, Troupe Director

Thank you,

City Arts of Greensboro, Greensboro Parks and Rec, The Drama Center, Grimsley High School, and Guilford County Schools for hosting 2016 NC Thespian Festival!

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The NC Thespian Festival is sponsored by the North Carolina Educational Theatre Association, An affiliate of the Educational Theatre Association. Our festival is the qualifying event for the Thespian Festival held in Lincoln, Nebraska, each summer. Welcome to Ms. Tami LoSasso, our EdTA representative, and Ari Hayaud-Din, one of our International Thespian Officers.

Thursday March 17 12:00–1:00 pm – Registration on 1st Floor of Cultural Arts Building 1:00–2:00 pm – Opening of the 2016 NC Thespian Festival; Groups split. Tour of Facilities with STO’s and Rules and Regulations meeting with Mr. V State Director in Room 413. 2:15–3:15 pm – Workshops – Use the tickets in your name badge holder for admittance to workshops. If you did not get tickets, check with the registration desk. If workshops are canceled due to circumstances beyond our control, you may pick new workshop tickets at the registration desk.

3:30–4:45 pm – Workshops 5:30 pm–6:30 pm - Check into Hotel 7:00 pm–8:00 pm - Dinner at Embassy Suites Airport 8:00 pm–9:00pm - Dance and Scholarship Interviews 10:00pm – In Rooms 11:00 pm – Lights Out Please remember that your behavior reflects on NC Thespians, as well as on your own troupe. NCEdTA’s ability to book festival hotel rooms in the future is dependent on your good behavior.



Friday, March 18 Breakfast at hotels or on your own

8:30 am - Warm-Ups – Individual IE Rooms

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(8:00 am - Adjudicator briefing & bagel breakfast in City Arts Board Room.) When you are dressing and packing for the day—  Don’t forget your PROGRAM and your NAME TAG.  Dress neatly and professionally for Individual Events. No open-toed shoes!  Wear all BLACK for performance IEs.  Do not wear open-toed shoes per Thespian rules.  Remember your CDs, design event materials, etc.  Wear something you can move easily in for the afternoon workshops, or bring along a change of clothes.  Bring a pen to fill out critique sheets & take notes.

9:00 am – Individual Events General Information about Individual Events 

Pick up blank critique sheets at the registration desk in the Cultural Arts Building. Take one critique sheet per adjudicator per event.

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Fill out one critique sheet completely and legibly for each of the adjudicators. (Check the number of adjudicators per event listed near the critique sheets.)

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When filling out critique sheets for duos and groups, keep the names in the same order on each sheet, and introduce yourselves in that order before your performance.

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Arrive in your performance room at least 10 minutes before your performance time.

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Present critique sheets to the adjudicators just before you perform. Move into position and wait for them to acknowledge you before you begin your performance.

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Visit rooms to see performances and presentations in all sorts of areas. (Following your own troupe members around, while enjoyable, is not the best way to learn new things.)

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Please DO NOT APPLAUD after events, as this may slow the adjudicators’ deliberations and throw us off schedule. (Jazz hands are good!)

Tips for Performance Events from Our Adjudicators 1. Make eye contact with the adjudicators only during your introduction. 2. Do not direct your performance to the adjudicators. 3. Do not approach the adjudicators’ table. 4. At all times, maintain a professional, slightly formal, demeanor. Do not attempt to breach the boundary between the evaluator and the one being evaluated.

Purchase lunch from Street Vendors outside the Cultural Arts Building.

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2:00-4:00 pm – Freestyle Theatre Showcase - Historical Museum Theatre Time

Trp#

Play

Playwright

Pub Co

2:00

Introductions & Explanations

2:05

5540

Breaking the Chain

Valerie Smith

Samuel French

2:30

8107

Thistle Blossoms

Rosseanna Beth Whitlow

Pioneer

3:00

Adjudicator Comments

3:15

6725

Selfie

Bradley Hayward

Playscripts

3:50

Adjudicator Comments

2:30-3:30 pm – College Auditions – Rm. 109 2:30-4:45 pm – Tech Challenge – Atrium, 2nd Floor 2:30-4:45 pm – Workshops 4:45-5:30 pm – Move to Grimsley High School 5:30-7:00 pm – Potato Bar Dinner 7:30 pm – The Laramie Project, by Moises Kaufman and the Tectonic Theatre Project, an All Guilford County Schools Main Stage

11:30 pm – Lights Out NCEdTA’s ability to book hotel rooms in the future is dependent on your good behavior. Be quiet in the halls!



Saturday March 19 – Grimsley High School Breakfast at hotels or on your own

8:00 am – Load-In and Tech Meeting for Troupes Performing 8:20 am-12:15 pm – One-Act Showcase Time

Trp#

Play

Playwright

8:20

780

Masterpiece

Nathan Metcalf

Pub Co Samuel French

9:15

2237

Small Actors

Stephen Gregg

Dramatics

10:00

Adjudicator comments

10:20

4198

Brave New World

Aldous Hudey

Dramatics

11:10

4305

The Great Pretender

Emily Brown

unpublished

12:00

Adjudicator comments

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12:20-1:15 pm – Box Lunches 1:20-5:15 pm – One-Act Showcase Time

Trp#

Play

Playwright

Pub Co

1:20

4599

Red Herring

Russell D. Jones

Heuer

2:00

Imperfect Proposal

Lisa Perry

Pioneer

2:45

8107 Adjudicator comments

3:05

5540

3:55

7093

The Diviners Romeo and Juliet:A 45 minute Foray into Shakespeare

Jim Leonard Jr Rosina Mason Whitfield

4:45

7993 Ajudicator comments

Almost Maine

John Cariani

5:05

Samuel French Eldridge Dramatists

5:25 pm – Giant Game of Statues in front of GHS (Critics’ Choice report to the stage.)

6:00 – Closing Ceremonies

Our Workshop Presenters Michael Baron is the Producing Artistic Director of Lyric Theatre of Oklahoma. Directing credits include- Lyric Theatre: Bernice Bobs Her Hair, Big Fish, Oklahoma!, A Little Night Music, Les Miserables, Triangle, Big River, Disney's Tarzan, The Glass Menagerie, Irma Vep, Call Me Madam, Spring wakening, Ragtime, Oliver!, Always...Patsy Cline, The Rocky Horror Show, Lyric's A Christmas Carol; Ford's Theatre: A Christmas Carol; ZACH Theatre: Peter and the Starcatcher; Signature Theatre: The Little Dog Laughed; Goodspeed Musicals: Meet John Doe; Adventure Theatre: Big Nate, James and the Giant Peach. Training: MFA, Trinity Repertory; BA, Wake Forest. CJ Breland received her BA from Belmont University, MA from Ohio University. She taught Theatre in Tennessee and Florida before becoming Theatre Director at Asheville High School in 2000. She has performed in the Asheville area with the Southern Appalachian Repertory Theatre, Immediate Theatre Project, Different Strokes Performing Arts Collective, and in Catalyst Series productions at NC Stage Company. She studied playwriting under Vincent Cardinal and Charles Smith at Ohio University and has been through four levels of teacher training with Young Playwrights, Inc., of NYC, in addition to other training through NCTAE. Her play Canteen was performed in Fall 2014 by Asheville High School Theatre. Lindsey Clinton-Kraack received her BFA in Theatre and Dance from Valdosta State University in GA and her MFA in Directing from Brooklyn College in New York. Mrs. Clinton-Kraack is a member of the Lincoln Center Directors Lab in NYC. In 1998 Mrs. Clinton-Kraack was certified in unarmed, rapier and quarter staff weapons with the Society for American Fight Directors. Professional credentials include work with the Prospect Theatre Company in NYC, Pennsylvania Renaissance Festival, Jekyll Island Musical Theatre Festival, Camden Summer Theatre (Camden, GA), Footworks and Performance Edge Dance Studios (Orlando, FL), numerous production companies in Los Angeles, CA and the Southeastern premier of Les Miserables School Edition in 2004 for Clayton Alliance for Summer Theatre (Jonesboro, GA). Meredith DiPaolo Stephens is an actor, director and producer, working formerly with the NC Shakespeare Festival and now Shared Radiance. Meredith holds a BA in English from the University of North Carolina at Greensboro and an NC teaching license in English and Theatre. Best known for her work with Shakespeare, Meredith has studied at

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Shakespeare's Globe Theatre in London and the American Shakespeare Center in Virginia. Performing since 2001, Meredith is AEA and SAG eligible. Michael Ferrell is the writer, director, and star of the feature film Twenty Million People, which played at 20 different film festivals around the world and will be released by Factory Film Studios in the spring of 2016. He has made numerous short films and web series and has written, produced, and starred in many plays in New York City. He studied acting at UNCG, The Barrow Group in NYC, and improv at I.O. in Chicago. Todd Fisher is an Actor, Playwright, Dancer, Producer, Teacher, Lighting Designer, Husband, Beer Brewer, and sometimes, if it’s your birthday, Singer. Todd is a graduate of UNCG with BA in Theater and Dance minor where he first experienced Contact Improv. He has been teaching and performing CI for 23 years .Todd has studied with the SITI Company, is the director of the Greensboro Fringe Festival, Co-Artistic Director of the Informall Theater Company, and member of the John Gamble Dance Theater. He works for City Arts as the Drama Center Director. J E R Friedenberg (BA Wake Forest University, MFA Carnegie Mellon University) Director of Theatre and Senior Lecturer at Wake Forest University where he has taught for over 25 years including courses in producing & directing, theatre management, and stage management. Known by his initials, Jerf is a director, producer, KC/ACTF Respondent, and Adjudicator for State and Thespian organizations for design, stage management, marketing, and 1-act events and organizes the college and graduate school auditions for the Southeastern Theatre Conference. He is on the board of the NC Thespians. Denise Gabriel is currently on the Performance Faculty at the University of North Carolina at Greensboro, and Movement Director for Triad Stage. Ms. Gabriel is a professional Theatre academic and Movement Specialist, and Director. Gabriel’s most recent Movement Director work outside of Greensboro has been “Theatr Genedlaethol Cymru” (Wales), “Diary of a Madman”, directed by Sinéad Rushe, and “Alice in Wonderland” (Hobart and Smith, Rochester). She has worked with various professional companies such as Paper Lantern Theatre Company, Alabama Shakespeare Festival, The Old Globe Theatre, Cincinnati Playhouse, Shanghai Theatre Academy, Salsburg Austria at Schloss Leoploidron and Artscape Theatre Center and Dance for All (Cape Town, South Africa). She is a founding Board Member of the ATME and Associate Member of SDC. Website: DeniseLGabriel.Com Christopher Gonzalez La Corte is the Artistic Director of Explore Theatre & Dance Co. (Orlando, FL). A graduate of Wake Forest University, he relocated to Orlando to restart Explore which he began at age 17, as a senior in high school. Chris works as a freelance theatre and dance instructor as well as for the Dr. Phillips Center for the Performing Arts as a PNC Teaching Artist, teaching arts integration to VPK programs in Orlando. Chris is also currently a dancer with COBY Project (Orlando) and AHHA Dance (Orlando), and has acted in numerous productions from North Carolina to Florida. John Gulley, Associate Professor of Theatre at UNC Greensboro. John is also a professional free-lance director, and he’s been teaching the Meisner Technique for over 30 years. Phoebe Hall - With a B.F.A in Acting from Western Carolina University and an M. F. A. in Acting from the University of Louisville, KY, Ms. Hall has taught at Fayetteville State University since 2000 and served as Director of Theatre from 2004-2011. Professional actress for over 29 years, she embraces a dedication to quality performances. Former jobs include speech writer and campaign manager (twice) for NC State Senate Candidate, stage manager for various theatres, over 130 roles on stage, director of more than 45 shows, performances in regional television commercials, and more than 19 years of teaching experience. She divides her time between teaching, performing, and active community service and offers workshops as well as private lessons in acting, voice and diction, audition techniques both individually and in area schools. Publications include in-house study guides for all children's theatre productions 2000-current, Original scripts: Dueling Shakespeare; The Living Slave Narratives; adaptation of Every Man Heart Lay Down by Lorenzo Graham; Stage adaptation of Moliere's Tartuffe, and several other adaptations for the stage. Original Children's plays include: Anansi and Friends around the World! (Produced February 2009); Anansi and Friends: The Joke's on YOU (Produced February 2007)

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Jody Kaizen teaches Theatre and Arts Management at the University of North Carolina at Greensboro (UNCG) since 2000. She also serves the UNCG School of Music, Theatre and Dance as Program Director for the Arts Administration major and minor. Ms. Kaizen holds a Masters degree from Saint Mary's University of Minnesota in Arts Administration and a BFA in Performance from Northern Kentucky University. Prior to her appointment at UNCG, Ms. Kaizen worked in marketing and management at HartfordStage, Centerstage in Baltimore, The Barn Dinner Theatre, The National Theatre of the Deaf and The Cincinnati Playhouse in the Park. At UNCG, Ms. Kaizen manages the marketing campaign for UNCG Theatre, the North Carolina Theatre for Young People, and Theatre 232, the collaborative summer theatre venue at Triad Stage. She is the recipient of a Building Entrepreneurship through Lifelong Learning (BELL) grant--awarded to travel and visit theatre companies and research/interview for written case study analysis. Ms. Kaizen is an active arts consultant and has served as moderator and participant in such conferences as The Association of Arts Administration Educators, Wake Forest University Creativity Conference, The UNCG Bryan School of Business's Entrepreneurship in the Arts forum, The Art of Public Memory Conference, Southeastern Theatre Conference (SETC), and the Southern Entrepreneurship in the Arts annual conference. Sheila Kerrigan, mime, teaching artist, and author of The Performer’s Guide to the Collaborative Process, performs, directs, and teaches in schools, with at-risk youth, and in community settings. She performs “The Mime Who Talks!” for young people, and “Mime Explains String Theory” for old people. She toured the eastern US with TOUCH Mime Theater, performing, teaching, and collaboratively creating twenty original performances. She has performed and taught in prisons, juvenile detention centers, hospitals, street festivals, and on television. She uses drama to teach communication, creativity, conflict resolution and collaboration. She works with youth to create performances about issues important to them. She taught Community-Based Performance at Duke. She served on the Alternate ROOTS Resources for Social Change Training Team and was a fellow with A+ Schools. She is president of the Southeast Center for Arts Integration. Ali Kitterman has been dancing for 15 years and has assistant taught at her home studio for 2. She has trained for 15 years in contemporary ballet, 13 years in Broadway tap (specializing in rhythm tap methods for the last 3 years), 11 years in Broadway Jazz, 3 years in modern, and 2 years in hip hop. She will be an intern with ADF (The American Dance Festival) in Raleigh this summer as a junior Arts Administrator. Dance is one of her main passions and intends to pursue dance therapy through Meredith College. Randy McMullen is a set designer and teaches design at UNCG where he is a Professor in the Department of Theatre. Randy is a member of the professional design union, United Scenic Artists – New York. He has designed at Triad Stage along with many productions at regional theatres and as a guest artist at numerous universities. He was awarded the National Design Fellowship, “Outstanding Accomplishment as a Teaching Artist”, by Kennedy Center/ American College Theatre Festival, Washington, DC., 2002. Christine Morris is an actor, voice/dialect coach and director. She is an associate professor of theatre at UNC Greensboro, as well as resident vocal coach for Triad Stage, an Equity theatre in downtown Greensboro. She is a designated master teacher of "Embodying Vocal Archetypes" as well as an experienced song leader, regularly leading "Community Sing", a regular "pop-up" activity at UNCG. Her professional memberships include Actors Equity, SAG-AFTRA, and Voice & Speech Trainers Association (VASTA). Justin Nichols holds a BA in Drama and an MPA in Nonprofit Management from the University of North Carolina at Greensboro. He has worked with the regional, nonprofit theater, Triad Stage, since 2007 when he begged the Managing Director for an internship that the company hadn’t budgeted for. He found his own funding from a local scholarship fund and started a week later and is thrilled by the work he helps produce. Caitlin Osborne is instructor of dance and theatre arts at Pennsylvania State University, Altoona. She teaches acting, voice & movement, and theatre history as well as jazz, modern, and ballet technique. Recent directing credits for Penn State include The All New Old Time Vaudeville Vanities (an original script with period music) and Five Women Wearing the Same Dress. Additionally, she is the resident director/choreographer for Ivyside Dance Ensemble, PSA’s student dance company. She is an actor with Next Stage Theatre Company, with recent roles in School For Lies, Shirley Valentine, Independence, and Circle Mirror Transformation.

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Current projects include voiceover work for Penn State’s Clearinghouse for Military Family Readiness and an upcoming role in Harold Pinter’s Betrayal. Caitlin holds degrees from Williams College (BA in anthropology) and the University of Massachusetts (MA in history). Cameron Prevatte is an artist, educator, and activist in Greensboro, NC. He has performed with Paperhand Puppet Intervention, NC Shakespeare Festival, NC Theatre for Young People, Artists Reaching Children in the Hospitals, and is a guest puppetry/circus skills teacher at UNC School of the Arts and The Arts Center in Carrboro. He currently teaches visual art and drama at The Piedmont School, an oasis for kids with learning disabilities in High Point. Joshua Purvis is the Director of Theatre Education at UNC Greensboro, coordinating the BFA Theatre Education program for the Department of Theatre. During the past fifteen years, Purvis has taught in multiple settings: Myers Park High School in Charlotte, West Johnston High School in Benson, as well as UNCG. He has also worked with elementary/middle students at Cary Youth Theatre, in both instructional and directorial capacities. As a member of AEA, Purvis has acted with Triad Stage's UpStage Cabaret and with Deep Dish Theater in Chapel Hill. Holding a BFA in Theatre Education and an MFA in Acting, Purvis provides instruction for Teaching Methods, Acting I/II and also facilitates the student teaching experience for future teachers. Sherri Raeford is the Artistic Director and founder of Shared Radiance Performing Arts Company and is the former Outreach & Education Director for the North Carolina Shakespeare Festival. She studied at Shakespeare’s Globe Theatre in London through an international program called Shakespeare Lives and has an M. Ed. in Theatre from UNC Greensboro. Sherri is an avid ballroom dancer and movement practitioner and directs and teaches with an emphasis on creative movement and rhythm. Matt Ringrose teaches theatre and film at Grimsley High School in Greensboro, NC. He also runs Drama Center Pictures, the film production group for the Drama Center of City Arts in Greensboro. Ringrose, as a local filmmaker, has participated in the creation of many short films, the River Town web-series, and has even worked on films for the 48 Hour Film Project. Keith Taylor has more than 25 years’ experience working with community, church, and school theatre. He has a wide range of experience as actor, director, designer, playwright, and stage manager. His diverse resume includes experience with both classic and modern theatre, opera, musicals, television, and film, as well as working with churches to produce theatrical events and integrate drama into weekly services. He has worked with traveling drama teams, the BALD KNOB Passion Play, and helped found a community theatre. He currently teaches and directs for the school of theatre@weaver.

NCEdTA Board Members Christopher Veneris, North Carolina Chapter Director Linda Veneris, Vendor & College Liaison Phoebe Dillard, Workshop Liaison & Eastern Region Representative John E. R. Friedenberg, Wake Forest University, Executive Board Beth Woodard, NC Young Playwrights Coordinator Cassy Whitley, Jr. Thespian Coordinator Elaine Malone, Jr. Thespian Advisor Aaron Williams, Webmaster & Adjudicator Trainer CJ Breland, Executive Board, Former Chapter Director Medina Demeter, STO Liaison, Coastal Region Representative Matt Ringrose, Western Piedmont Representative David Navalinski, University of North Carolina – Chapel Hill Michael Johnson, Tech Challenge Coordinator 11

State Thespian Officers (STO) Talie Patalano is a senior at Southeast Guilford High School. This is her 2nd year serving as a NC STO. This fall Talie plans to attend The American Musical and Dramatic Academy in New York. Megan Munroe is a senior in high school and has been involved in theatre for about four years. Megan will attend college at UNCP and plans to major in theatre. Megan’s favorite thing to do is to spend time with friends and read. Steve Williams, Jr. is a senior and this is his second year as STO. Theatre and dance is what he lives for. As a STO he will try to make Thespian Festival as fun and comfortable as possible, and he hopes you have has much fun as he will!

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Bri Klaver, VP of Troupe #4305, is an active member of the International Thespian Society. She has performed as Lorraine, All Shook Up; Silly Girl, Beauty and the Beast; and she will soon play Morticia in The Addams Family Musical. However, her favorite role is Imogene Wilfong from Blue by Joyce Moyer Hostetter, who said "Don't forget, you white!" Houston, we have a problem. Phoebe Greene is a first time STO, so cut her some slack, please. She implores you to provide a home for the retired astronaut ducks that will be sold throughout the Festival, as she can only buy so many. In closing, Pluto IS a planet. May the Force be with you. Morgan Diiorio & Caroline Evans are also STO.

Selfie Challenge #NCFest16 Take a selfie with each of the following. Use the hashtag #NCFest16 and post to Instagram. A winner will be chosen from all of the screen names with the most complete items. o o o o o o o o o o o o o o

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3 people together wearing a festival shirt Mrs. D and Mr. V together In your seat during an intermission Tree B An STO member (not from your troupe) Your troupe number spelled out of people A gaggle of STO members together A reenactment of a piece of art A new acquaintance with a fact about that person Workshop leader The people at your dinner table DJ at the dance An actor from a one act (not during their one act) A college recruiter

o o o o o o o o o o o o o

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Someone with the same shoes/outfit as you 2 people together wearing sunglasses Planet tour group Giving a compliment clip Your whole troupe together A bus driver A space duck on an STO’s head Food truck server A “solar system” of space ducks Spell ITS out of glow sticks Your space costume for the dance A video of your troupe in “0 gravity” Bringing Mr. V a cup of Tea Create an alien language. Make a video of you conversing in said language