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WEBSIDE WWW.NORSK-PERCUSSION.NO

www.norsk-percussion.no is the specially designed website covering the percussion publications and CDs published and released by our publishing house, Norsk Musikforlag A/S in Oslo, Norway. It also includes percussion music from some other important cooperating publishing houses. Norsk Musikforlag A/S was established 1 January 1909 here in Oslo, and is among the major independent music publishers in Europe.The Norsk catalog alone consists of appr. 16.000 printed editions, and percussion music is one of the fastest growing segment in our catalog. Of other catalogs highlighted here is the percussion music of Musikk-Husets Forlag A/S, also in Oslo, with appr. 4.000 printed editions. Norsk has been lucky to build up an important list of internationally well-known composers in the percussion field, like Sabine Diemer, David Friedman, Anna Ignatowicz, Peter Klemke, Anders Koppel, Echard Kopetzki, Minoru Miki,Wolfgang Reifeneder, Peter Sadlo, Matthias Schmitt, Emmanuel Séjourné,Wayne Siegel, Rob Waring and more, - and the music we have published are among the most performed by leading musicians and students around the world. Our close and friendly cooperation with our composers, and not to forget leading musicians have made all this possible in just a few years time. Without them and many more we wouldn’t have reached so far….so soon. And more is to come on the Norsk-ship!

All music and CDs on this website can be ordered directly from us. However in certain countries where we have an efficient dealership, we will recommend you to use this. Private customers: Payment by credit card (VISA, Mastercard or Amex). Dealers and institutions: On account customers deliveries with invoice. Payment within three – 3 – weeks. New customers: by credit card or payment before delivery by Telebank. Delivery: If not instructed otherwise,deliveries will follow through the Norwegian postal system: a) packages through the Carry On system; b) smaller deliveries with Air Mail letter post. Prices: The Norwegian retail prices in Norwegian Kroner (Crowns) are given. Ordering music: In case you cannot obtain our music from your normal dealer, you are welcome to order it directly from us. For certain countries, like Sweden, Germany, Austria, Switzerland and United States, we will inform our agent and/or recommended dealer about your order. You can order by E-mail, Fax,Telephone, or Post. (Order information: see page 23.)

Thank you for your interest in our music!

CONTENTS Bach, Johann Sebastian: Concerto No.1 for 2 Marimbas and String Orchestra (New) . . . . . . . . . . . . . . . . . . . Concerto No.3 for 2 Marimbas and String Orchestra (New) . . . . . . . . . . . . . . . . . . . . Concerto No.5 for 2 Marimbas and String Orchestra (New) . . . . . . . . . . . . . . . . . . . Biedrzycki, Michal M.: Three movements for Marimba and Double Bass . . . . . . Two Inventions for 2 Marimbas . . . . . . . . . . . . . . . . . . . . Brox, Beate / Schandy, Björn: Første Bok Melodisk Slagverk (First Book of Mallet Percussion) . . . . . . . . . . . . . . . . . Clarke, Rhona: Hidden – Chamber Work (New) . . . . . . . . . . . . . . . . Monsieur Marceau – Chamber Work (New) . . . . . . . Diemer, Sabine: Like Aphrodite – for Marimba Solo . . . . . . . . . . . . . . . . . The Miracle of God – for Marimba Solo . . . . . . . . . . . . . Singing Marimba Band 1 – for Marimba Solo (New) . Friedman, David: 7 Etudes – for Vibraphone and Piano (New) . . . . . . . Between Dusk and Dawn – for Marimba Solo (New) Four Renaissance and Baroque Pieces – for Marimba Solo (New) . . . . . . . . . . . . . . . . . . Hand Dance – for Marimba Quartet . . . . . . . . . . . . . . Inside Outside - Chamber Work (New) . . . . . . . . . . Izgalom – for Marimba Solo . . . . . . . . . . . . . . . . . . . . . . Lunch with Pancho Villa – for Mallet Trio . . . . . . . . . . . . . Marshmellow – for Marimba Solo . . . . . . . . . . . . . . . . . Texas Hoedown – for Vibraphone Solo . . . . . . . . . . . . . . Trying to say Goodbye – for Marimba Solo . . . . . . . . . . . Vibes and More – The David Friedman Songbook – for mallet instruments . . . . . . . . . . . . . . . . . . . . . . Hurum, Helge: Percussion in Groove – for Percussion Quartet . . . . . . . Hvoslef, Ketil: Sextet for Flute and Percussion – Chamber Work . . . . . . Ignatowiz, Anna: Passacaglia – Duo for Marimba and Vibraphone (New) Toccata – for Marimba Solo . . . . . . . . . . . . . . . . . . . . . . Instrall, Graham: Chasm – for Mixed Choir SATB and Percussion (1 Player) (New) . . . . . . . . . . . . . Johansen, Bertil Palmar: Basement Music – for Percussion / 5 Players . . . . . . . . . Klemke, Peter: Classical Music: Bach, J.S.: Air (from Suite No.3 in D) – for Marimba Quartet (New) . . . . . . . . . . . . . . . . Badinerie, BWV 971 – f for Mallet Quartet (New) . . . . . . . . . . . . . . . . . . Chopin, F.: Etude No. 1 (Op.10 No.1) – for Marimba Quartet (New) . . . . . . . . . . . . . . . . Etude No.7 (Op.10 No.10) – for Mallet Quintet (New) . . . . . . . . . . . . . . . . . . . Polonaise 3 (Op.40 No.1) – for Marimba Quartet (New) . . . . . . . . . . . . . . . . Eilenberg, R.:

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Petersburger Schlittenfahrt – for Mallet Trio and Sleighbells (New) . . . . . . . . . . 8 Gimenéz, G.: Intermedio de la Boda de Luis Alonso – for Mallet Quintet (New) . . . . . . . . . . . . . . . . . . . 8 Liszt, Fr.: Chromatischer Galopp – for Mallet Quintet (New) . 8 Peter, G.: Erinnerung an Zirkus Renz – for Mallet Trio (New) . 8 Strauss Jr., J.: Perpetuum Mobile, Op. 257 – for Mallet Quartet (New) 9 Popular Music: Abreu, Z.: Tico Tico – for Percussion Sextet (New) . . . . . . . . . . 9 Anderson, Leroy: The Typewriter – for Marimba Quintet, Typewriter, Rhythm (New) . . . . . . . . . . . . . . . . . . . . 9 Hernandez, R.: El Cumbanchero – for Percussion Sextet (New) . . . 9 Music of Scott Joplin: Joplin, Scott: The Cascades – for Mallet Quartet (New) . . . . . . . . The Easy Winners – for Mallet Quartet (New) . . . . . 9 The Entertainer – for Mallet Quartet (New) . . . . . . 9 The Favorite – for Mallet Quartet (New) . . . . . . . . . Heliotrope Bouquet – for Mallet Quartet (New) . . . 9 Lilly Queen – for Mallet Quartet (New) . . . . . . . . . . Maple Leaf Rag – for Mallet Quartet (New) . . . . . . 9 Palm Leaf Rag – for Mallet Quartet (New) . . . . . . . Peacherine Rag – for Mallet Quartet (New) . . . . . . 9 Pleasant Moments – for Mallet Quartet (New) . . . . . 9 The Rag-Time Dance – for Mallet Quartet (New) . . . 9 Kopetzki, Eckhard: Canzoni da Sonar – for Horn in F (Eb Alto Sax.) and Marimba . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10 Different Drums – for Timpani (New) . . . . . . . . . . . . 10 Drumming Rites – for Percussion Quartet (New) . . . 10 Kaskada – for Marimba Solo . . . . . . . . . . . . . . . . . . . . 10 The Garden of Love – for Soprano Voice,Viola and Marimba (New) . . . . . . . . . . . . . . . . . . . . . . . 10 Topf-Tanz – for Percussion Solo . . . . . . . . . . . . . . . . . . . 10 Koppel, Anders: Concerto No.1 - for Marimba and Orchestra . . . . . . . . . 10 Concerto No.1 - for Marimba and String Orchestra . . . 10 Tarantella – for Violin and Marimba . . . . . . . . . . . . . . . . 10 Toccata – for Vibraphone, Marimba and Orchestra . . . . 10/11 Toccata – for Vibraphone and Marimba . . . . . . . . . . . . 11 Toccata – for Marimba and Piano (New) . . . . . . . . . . . . 11 Kvam, Oddvar S.: Sonata for Clarinet and Percussion, Op. 53 . . . . . . . . . 11 Miki, Minoru: Concerto for Marimba and Orchestra 11 Marimba Spiritual – for Marimba Solo and Three Percussionists . . . . . . . . . . . . . . . . . . . . . . 11 Time for Marimba . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11 Z Concerto – for Marimba, Percussion and Orchestra . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11 Nystedt, Knut: Atterljom, Op.169 – for Flute, Clarinet and Marimba . . . 11 Messa per Percussione, Op.122 – for 3 Percussionists and Narrator (or Singers) . . . . 11/12

Pawassar, Rüdiger: Sculpture in Wood – for Marimba Quartet . . . . . . . . . . . Sculpture 3 – for 3 Marimbas . . . . . . . . . . . . . . . . . . . . . Rattkje, Maja S. K.: For Regndansere (For Raindancers) – for 4 Percussionists . . . . . . . . . . . . . . . . . . . . . . . . . . Reifeneder, Wolfgang: Ball Percussion – for 4 Players (using Basket Balls) (New) . . . . . . . . . . . . . . . . . . Boxing Day – for 4 Percussion Players (on Boxes) (New) Crossover – for Snare Drum Solo (New) . . . . . . . . . . Der Klapauker – for 4 Timpani (1 Player) (New) . . . . Ist da Jemand? – for Five Players & Metronome (New) Wal(t)zwerk Linz – for 3 Percussion Players (Body Percussion) (New) . . . . . . . . . . . . . . . . . . . Sadlo, Peter: C’era una volta… - for Marimba Solo (New) . . . . . . S.F. – for Marimba Solo (New) . . . . . . . . . . . . . . . . . Sagland, Odd Börge: Fiesta del la Estrella – for Marimba and Percussion Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . Hedda Gabler – for Marimba Solo . . . . . . . . . . . . . . . . . Saito, Taiko: Landscape IV – for Marimba Solo . . . . . . . . . . . . . . . . . . Samkopf, Kjell: Ingoma – for Percussion Quintet . . . . . . . . . . . . . . . . . . Variations on Parang Chant – for Percussion Sextet . . . . Schmitt, Matthias: Method: Let’s DruM Together – Book and CD (New) . . . . . . . Compositions: Arabesque, Kinderaugen – for Vibrafon solo . . . . . . . . . Corrido – for Marimba Solo . . . . . . . . . . . . . . . . . . . . . . Dreamland – Wonderland – for Marimba (2-Players) or Vibraphone/Marimba (New) . . . . . 3 Skizzen – for 2 Marimbas . . . . . . . . . . . . . . . . . . . . . . Eisblumen – for Vibrafon solo . . . . . . . . . . . . . . . . . . . . . Familiar – for Marimba Solo . . . . . . . . . . . . . . . . . . . . . . Ghanaia – for Marimba Solo . . . . . . . . . . . . . . . . . . . . . Ghanaia – for Marimba Solo & Percussion Ensemble (3) (New) . . . . . . . . . . . . . . . . . . . . . . . Meeting – for Percussion Ensemble . . . . . . . . . . . . . . . . Nocturne – for 2 Marimbas . . . . . . . . . . . . . . . . . . . . . . One World – Concerto for Marimba and String Orchestra . . . . . . . . . . . . . . . . . . . . . . . . . Once Upon A Time – for Marimba Solo . . . . . . . . . . . . . Pas de Deux – for Harp and Marimba (or other combinations) . . . . . . . . . . . . . . . . . . . . . . Sechs Miniaturen – for Marimba Solo . . . . . . . . . . . . . . Suite for Six – for 5 Mallet Instruments (or other Instruments) (New) . . . . . . . . . . . . . . . . 2-Gather - for 2 Marimbas . . . . . . . . . . . . . . . . . . . . . . A Tribute to Charlie – for Marimba Solo (New) . . . . . Wasserspiele – for Marimba Solo . . . . . . . . . . . . . . . . . . Young and Sweet (Suite) - Vol. 1-2–3 (with CDs) . . . . . . CD: “A Tribute To Charlie” – CD with Works by Matthias Schmitt (New) . . . . . Séjourné, Emmanuel: Concerto - for Marimba and Strings (New) . . . . . . . . “True Colors” – CD with Séjournés’ Concerto . . . . . . . Siegel, Wayne: 42nd Street Rondo – for 2 Percussionists (New) . . . . East L.A. Phase – for 4 Marimbas (or other instruments) (New) . . . . . . . . . . . . . . . Incantation – for 5 Percussion Players (New) . . . . . . Last Request – for Percussion Solo with Synth. (New)

12 12 12 12 12 12 12 13 13 13 13 13 13 14 14 14 15 15 15 15 16 16 16 16 16 16 16 16 16 16 16 16 16 16 17 17 17 17 17 18 18 18 18

Savanna – for Percussion Duo (New) . . . . . . . . . . . . Semittic Dance – for 2 Clarinets and 4 Percussionists (New) . . . . . . . . . . . . . . . . . Other Works by Siegel: Three Lorca Songs – for Choir (New) . . . . . . . . . . . . Tres Cantes – for Chamber Orchestra (New) . . . . . . Tarantula – for Violin and Ensemble (New) . . . . . . . . Sima, Libor: The Blues Thing – for 4 Marimbas . . . . . . . . . . . . . . . . . . Sommerfeldt, Öistein: Music for One Percussion Player . . . . . . . . . . . . . . . . . . . . Thingnæs, Frode: Liten Konsert for Marimba and Band . . . . . . . . . . . . . . . . Thrower, John: Aurora Borealis – for Marimba and Percussion Ensemble . . . . . . . . . . . . . . . . . . . . . Vea, Ketil: Evolution – for Flute and 2 Percussionists . . . . . . . . . . . Waldek, Gunter: Waiting for T – for Marimba Solo . . . . . . . . . . . . . . . . . . Waring, Rob: Concerto for Vibraphone and Chamber Ensemble (New) . . . . . . . . . . . . . . . . . . . . . . . . . . Crystallizations for Percussion Sextet (New) . . . . . . . . . Seven Etudes for Xylophone (New) . . . . . . . . . . . . . . . Sikoté Sukán – for Percussion Trio (New) . . . . . . . . . Smithereens – for amplified Vibraphone and Live Electronic (New) . . . . . . . . . . . . . . . . . . Westbye, Öivind: Concertino for Marimba and Orchestra . . . . . . . . . . . . . . Wilkomirski, Jozef: Concert Suite – for Marimba and Chamber Orchestra (New) . . . . . . . . . . . . . . . . . METHODS / SKOLER Samkopf, Kjell: Praktisk trommeskole Del 1A, 1B and 2 . . . . . . . . . . . . . Sandbakk, Ernst Wiggo: Hvordan spille moderne trommesett w/CD . . . . . . . . . . . Mer moderne trommesett m/CD . . . . . . . . . . . . . . . . . . . Midt i blinken 1 Trommer w/CD (New) . . . . . . . . . . . Min egen slagverkskole Bok 1-2 . . . . . . . . . . . . . . . . . . . Min egen trommeskole Bok 1-2 w/CDs . . . . . . . . . . . . . Doble basstrommer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21 Trommemarsjer w/CD . . . . . . . . . . . . . . . . . . . . . . . . Daglige Øvelser for den kreative slagverker w/CD . . . . . . Schmitt. Matthias: Let’s DruM Together w/CD (New) . . . . . . . . . . . . . . . Seldal, Rolf K.: Hvordan lære tradisjonelle trommeslåtter w/CD . . . . . . . . Shutu /Sandbakk: Afro-Groove for Djembe Book 1-2-3w/CDs (New) . . .

18 18 18 18 18 19 19 19 19 19 19 19 20 20 20 20 20 20

21 21 21 22 22 22 22 22 22 15 22 21

CDs Bogdan Bácanu: True Colors (with Séjourne’s Concerto for Marimba) (New) . . . . . . . . . . . . . . . . . . . . . . . . 17 Evgenija Kavalzhieva: A Tribute to Charlie – Works by Matthias Schmitt (New) 17 Katarzyna Mycka: ´ Marimba Concerto . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23 Marimba Dance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23 Marimba Sculpture . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23 Marimba Spiritual . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23 Katarzyna Mycka ´ / Bogdan Bácanu: Johann Sebastian Bach Cembalo/Marimba Concertos . . . . 5/23

JOHANN SEBASTIAN BACH (1685-1750) Three of Bach’s famous Cembalo Concertos have been edited in versions for two marimbas by Bogdan Bácanu, and recorded by Katarzyna Mycka and him. Printed editions of these three concertos are now available from the publisher:

Edited by Bogdan Bácanu. Full Score (N.M.O.) . . . . in 2007 Piano Reduction w/solo parts (N.M.O.) in 2007 Orchestral parts on hire.

BIEDRZYCKI, MICHAL M. (Poland)

New

• CONCERTO NO. 3 FOR 2 MARIMBAS AND STRING ORCHESTRA D-MAJOR, BWV 1054 (Konzert Nr. 3 für 2 Marimbas & Streicher D-dur) Edited by Bogdan Bacanu. Full Score (N.M.O.) . . . . in 2007 Piano Reduction w/solo parts (N.M.O.) . . . . . . . . . . . . . in 2007 Orchestral parts on hire.

New

• CONCERTO NO. 5 FOR 2 MARIMBAS AND STRING ORCHESTRA F-MINOR, BWV 1056 (Konzart Nr.5 für 2 Marimbas & Streicher F-Moll) Full Score (N.M.O.) . . . . in 2007 Piano Reduction w/Solo parts (N.M.O.) . . . . . . . . . . . . . in 2007 Orchestral parts on hire.

New

• CONCERTO NO.1 FOR 2 MARIMBAS AND STRING ORCHESTRA D-MINOR, BWV 1052 (Konzert Nr.1 für 2 Marimbas & Streicher D-Moll)

Michal M. Biedrzycki was born in 1979 in Gdansk, Poland. Biedrzycki has studied environmental protection and management in Gdansk and environmental engineering in Denmark were he lives. Apart from engineering and issues related to saving our planet’s natural environment, his main interest remains music. Biedrzycki graduated from the F. Chopin Music School in Gdansk, where he played classical percussion and piano for almost 8 years. Ever since his early days he has been interested in composition and have composed a number of pieces for marimba, piano and strings. More info see: www.michalbiedrzycki.com

ILABLE

CD-AVA

• TWO INVENTIONS FOR 2 MARIMBAS Short expressive duets for marimbas. No.1 composed 2002, and No.2 Composed 2006. (N.M.O. 12202). . . . . . . . kr. 90,00 • THREE MOVEMENTS FOR MARIMBA AND DOUBLE BASS 1. MARCH OF THE ANT’S ARMY 2. SERENADE FOR AN ALLEY CAT 3.The Shrewd Squirrel Dance. Score and parts (N.M.O. 12203) . . . . . . . kr. 180,00

BEATE BROX/BJÖRN SCHANDY (Norway) • FØRSTE BOK MELODISK SLAGVERK

JOHANN SEBASTIAN BACH CEMBALO / MARIMBA CONCERTOS Katarzyna Mycka & Bogdan Bácanu (Marimba) / National Radio Orchestra Bucharest. ClassicConcert Records, Salzburg. www.classicconcert.com (CCR 05 BM 01) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . kr. 150,00

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(First Book Mallet Percussion) med/with Play-Along CD. En absolutt begynnerbok for melodisk stavspill (og Orff-stavspill) med toneomfang C1-C2. The very first collection of pieces for mallet instruments (and OrffInstruments) - 1 octave C1 - C2. Kjente barnesanger med tekster / Famous children songs (lyrics included, some Norwegian): Ole har en liten bil - Lille snegle - Lisa gikk til skolen - Ode to joy (Beethoven) - Nede på stasjonen - London Bridge Morgenstemning (Morning Mood) (Grieg) - Mai vi har (Alles neu, macht der Mai) - Bjørnen sover - Long, long ago - Fløy en liten blåfugl - Lille Petter Edderkopp (Eenie weenie spider) - Alle fugler (Alle Vöglein schon sind da). (NMO 12054) Bok m/CD . . . . . . . . kr. 159,00 (x)

Monsieur M

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for Marimba , Guitar and Ha rpsichord

SCORE

AND PA RTS

SABINE DIEMER (GERMANY)

RHONA CLARKE (Ireland):

ew

N • HIDDEN Chamber work for clarinet in Bb/bass clarinet, 2 percussion and guitar. Percussion I: vibes - Percussion II: marimba / tambourine / snare / sus. cymbal. Composed 2003. Dur.: 7’. Premiered in 2003 at Bibliotop-Kultur in Dachboden, Austria.Score and parts (NMO 12332). . . . . . . . . kr.250,00 New

• MONSIEUR MARCEAU Chamber work for guitar, marimba and harpsichord. Composed 1999. Dur.:5’ Commissioned by Donne in Musica, International Festival, Italy. Score and parts (NMO 12333). . . . . . . . . kr.250,00

• LIKE APHRODITE Two Pieces for Marimba Solo (NMO 12002). . . . . . . . . kr. 100,00

Music for Percussion

Born 1958 in Dublin, she studied music at University College, Dublin, pursued composition studies with John Buckley and James Wilson, and completed a Ph. D.at Queen’s University, Belfast. Her aim as a composer can be put into her own words: “To express the sensual and spiritual in the simplest, clearest way is what I try, and hope, to achieve.” Her music has been performed and broadcast throughout Ireland and Europe. Her output includes choral, chamber, orchestral and electronic works.

Sabine Diemer was born in Alsfeld in Germany in 1966. She studied percussion and piano at the Peter-Cornelius Konservatorium in Mainz, and specialized during her studies on marimba.While building up her career as soloist and musician in different ensembles and orchestras, she teached percussion at the conservatory. Since 1999 Sabine Diemer has worked freelance, combining concert activities, teaching and composing. Her educational publication, “Singing Marimba” is much admired as well as her other two pieces published by us.

Sabine Diemer

LIKE APHRODITE Two pieces for Marimba Solo

• THE MIRACLE OF GOD Für Marimbaphon Solo (NMO 12003). . . . . . . . . kr. 125,00

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• SINGING MARIMBA BAND 1 14 leichte Stücke für Marimbaphon mit Begleitung (Klavier oder Marimba). Dieses Heft beinhaltet eine Sammlung leichter 2-Schlegel- kompositionen Für Anfänger am Marimba. Der Schwierigkeitsgrad steigt systematisch mit jedem Stück, beginnen im Fünftonraum. Die Begleitung ist sowohl auf Klaver, als auch auf C-Marimba möglich, Wobei dafür kein weites Marimba nötig ist. Ausserdem soll der Text zum mitsingen anregen, was auch hilfreich ist, Wenn kein Begleitinstrument vorhanden ist. 1. Marimba - 2. Auf und ab - 3. Auf der Schaukel - 4. Gummibälle - 5. Versteckspiel - 6.Walzer - 7. Mein Pferd - 8. Etüde - 9. Karusell - 10. Menuett - 11. Geburtstagslied - 12.Tanz - 13. Glocken läuten - Schlittenfahrt. (NMO) Partitur u. Stimme. . . . . . kr. 180,00

(USA/Germany) David Friedman, internationally renowned vibraphonist, marimbist, composer and jazz educator, has his own musical message, born of fascina-

STUDIES

New

• 7 ETUDES From Friedman’s famous method book, “Vibraphone Technique, Dampening and Pedaling” for vibraphone and piano.With piano accompaniment by Jordi Vilaprinyó. (N.M.O. 12335). . . . . . . . kr. 180,00 29-09-06

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• FOUR RENAISSANCE AND BAROQUE PIECES New Arranged for marimba solo by David Friedman. Includes pieces originally composed for lute: Air (Thomas Robinson) – Gigue (Leopold Sylvius Weiss) – Gigue (Robert de Visée) – Pavan No. 6 (Luis Milan). With biographies and descriptions. (N.M.O.) . . . . . . . . . . . . . in 2007 • HAND DANCE for marimba quartet. Revised by Jeroen Goldsteen. As played by David Friedman on “Air Sculpture” (Traumton Records). (NMO 12000) Score and parts . . . . . . . . . kr. 190,00

n Friedma David

es 7 Etud

• INSIDE OUTSIDE New For Marimba,Violin and String Bass. On Nancy Zeltsman’s repertoire. Score and parts (NMO) . . . . . . . . . . . . . . kr. 250,00

e, chniqu one Te ling» ibraph da from «V ning and Pe Dampe no and Pia aphone For Vibr nt ime ompan no acc ò With Pia di Vilapriny by Jor

• IZGALOM For Solo Marimba. (N.M.O. 12142) . . . . . . . . kr. 140,00 David Friedman

Between Dusk and Dawn

• LUNCH WITH New PANCHO VILLA For Mallet trio (Vibraphones and/or Marimbas). Score and parts (NMO 12205). . . . . . . . . kr. 250,00

a modern chorale

For Solo Marimba

COMPOSITIONS

New

• BETWEEN DUSK AND DAWN A modern chorale for marimba solo. Dedicated to Katarzyna Mycka. Dur.:3’ (NMO 12243). . . . . . . . . kr. 75,00

• MARSHMELLOW For Solo Marimba. (N.M.O. 12140). . . . . . . . kr. 75,00 • TEXAS HOEDOWN For Vibraphone solo. (NMO 12001). . . . . . . . . kr. 84,00

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More Vibes and The an David Friedm Songbook

Music for Percussion

DAVID FRIEDMAN

tingly diverse musical influences. In 1977, Friedman co-founded the unique vibe-marimba duo, Double Image, and their album “Double Image”, was just re-released as a special edition by Enja Records. As a leader in percussion and jazz education, David Friedman heads the Jazz Department at the Hochschule der Künste in Berlin. He is a Professor of Jazz studies since 1989. He is the author “Vibraphone Technique, Dampening and Pedaling” (Steve Weiss Music). Friedman’s more recent CD projects have been hailed as masterpieces. In that respect, “Air Sculpture” must be mentioned, called “a humble masterpiece” by the press. His partnership of 20 years with Dave Samuels is well known and admired throughout the world. Many of the pieces from Friedman’s CD-projects can be found in his book “Vibes and More”.

ruments For all inst

David Friedman

TEXAS HOEDOWN For Vibraphone Solo

• TRYING TO SAY GOODBYE For solo Marimba. Dedicated to Nancy Zeltsman. (N.M.O. 12141). . . . . . . . kr. 68,00 • «VIBES AND MORE» The David Friedman Songbook David Friedman, internationally renowned vibraphonist, marimbist, composer and jazz educator, has collected a fairly broad spectrum of musical projects spanning about a 20-year period in this book. Few jazz musicians can claim as broad a spectrum of performing and recording experience with such varied personalities as Leonard Bernstein, Luciano Berio, Bobby McFerrin,Wayne Shorter,Yoko Ono, Joe Henderson, Horace Silver, Dave Samuels, Ron Carter, Chet Baker, Enya and more.We are proud to present “David Friedman Songbook”, featuring Composition from 20 years of compositions. 2004) - This book contains:The Snake (on “Air Sculpture”1994) - 3+1=5 (from “Shades of Change” 1982 and “Peace (with Chet Baker) 1987) - For Now (“Peace” (with Chet Baker) 1987, Birds of the Feather” 1998, and more) - Lunch with Pacho Villa and Penta é Uno (on “Rios” 1994, “Airfood” 2004 - “ Movie Music” (with Dave Samuels on “Duotones”) Tiffany, Bin Laden, Mossad or the CIA, Freedom of Choice, Cancion de Triste (these compositions were written 2003 and 2004 and were recorded with Trio Tambour (on “Earfood”, 2004) - National pride, Say one thing,do another (two new compositions, not yet recorded) - Everybody’s Bossa but my own (recorded 2001 with Jamey Haddad, Peter eniger and Pepe Berns) - Galliano, Before the Rain, and Fortuna (these three pieces are unrecorded). 32 pages.. (NMO 12130). . . . . . . . kr. 190,00

HELGE HURUM (Norway) • PERCUSSION IN GROOVE For Percussion Quartet. Score and parts (NMO 10186). . . . . . . . . kr. 159,00

KLEMKE, PETER (Germany) Peter Klemke was born 1944 in Berlin. He completed his training as percussionist at the Bayrischen Staatskonservatorium in Würzburg with professor Siegfried Fink. After graduation, Klemke got an engagement in 1970 at the Pfalztheater Kaiserslautern, and from 1974 as solo timpanist with the Nordwestdeutschen Philharmonie in Herford. From 1976-1992 Klemke also worked at the Konservatorium in Osnabrück as percussion teacher.

KETIL HVOSLEF (Norway) • SEXTET FOR FLUTE AND PERCUSSION For Flute solo and five percussionists. Written for Manuela Wiesler and the Kroumata Percussion Ensmeble. Dur.: 21’ Score (NMO 10470A) . . . . . . . kr. 255,00 Solo flute and percussion parts are available on hire.

Polish Marimba Music

Anna Ignatowicz

Passacaglia

“Peter Klemke Percussion Series”: A series of arrangements for mallet and percussion instruments Both classical and popular music.

CLASSICAL MUSIC:

Bach, Johann Sebastian (1685-1750): • AIR (FROM SUITE NO.3 IN D), BWV 1068 Arr. for Marimba Quartet by Peter Klemke. Easy. Dur.: 4,39’’. Score and parts (N.M.O. 12252). . . . . . . . kr. 125,00

na marimbeC i wibrafon / for Marimba and Vibraphone

12252 N.M.O. 1314-2 M-065-1

• TOCCATA For Marimba Solo. (N.M.O.12193) . . . . . . . . kr. 140,00

BERTIL PALMAR JOHANSEN (Norway) • BASEMENT MUSIC For Percussion (1983). 5 players. Dur.: 4’ 30’’ (1. 2 bongos, 1 triangle - 2. 2 tom toms, 1 wood block - 3. 3 temple blocks, maracas - 4. snare drum, 2 susp.cymb. - 5. bass drum, vibraslap.) Playing Score (NMO 11131). . . . . . . . . kr. 114,00

New

ries

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N • PASSACAGLIA Duo for marimba and vibraphone. Composed for Katarzyna Mycka Marimba Akademie in Wrochlaw, Poland 2003. Dur.: 8 to 11’ (N.M.O. 12404). . . . . . . . kr. 180,00

WORKS PUBLISHED IN THE NEW

cussion Se

(Poland) Anna Ignatowicz-Glinska was born in Warsaw in 1968. She studied composition at the Frederic Chopin Academy of Music in Warsaw, from which she graduated in 1996. She also studied piano improvisation with Szabolcs Esztenyi. Works by Ignatowics-Glinska have been performed at the “Warsaw Autumn” (Musica Polonica Nova) in Wroclaw, and at other festivals. Her marimba work “Toccata” can be found on Katarzyna Mycka’s latest solo-CD “Marimba Sculpture” (Audite 92.511 SACD).

ke Per Peter Klem

ANNA IGNATOWICZ

Air

68) BWV 10 3 in D, ite No. et (from Su a Quart Marimb Arr. for by KLEMKE PETER RTS AND PA

New

• BADINERIE, BWV 971 Arr. for Mallet Quartet (Vib and 3 Mar.) by Peter Klemke. Easy. Dur.: 1’08’’. Score and parts (N.M.O. 12253). . . . . . . . kr. 125,00

New Chopin, Frederic (1810-1849): • ETUDE NO.1 (OP.10 NO.1) Arr. for Marimba Quartet by Peter Klemke. Difficult. Dur.: 2’11’’. Score and parts (N.M.O. 12254). . . . . . . . kr. 150,00

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• POLONAISE 3 (OP.40 NO.1) Arr. for Marimba Quartet by New Peter Klemke. Advanced. Dur.: 5’33’’. Score and parts (N.M.O. 12256). . . . . . . . kr. 250,00 Eilenberg, Richard (1848-1927): • PETERSBURGER New SCHLITTENFAHRT (Petersburger Sleigh Ride) Arr.for Xyl, 2 Marimbas and Sleighbells Tinkle by Peter Klemke. Moderate. Dur,; 2’41’’. Score and parts (N.M.O. 12257). . . . . . . . kr. 150,00 Gimenéz, Géronimo (1854-1923): • INTERMEDIO DE LA BODA DE LUIS ALONSO New A famous Spanish zarzuela composed 1896/7, arr. for Mallet Quintet (Xyl,Vib and 3 Mar.) by Peter Klemke. Difficult. Dur.: 5’25’’.. Score and parts (N.M.O. 12258). . . . . . . . kr. 250,00

an Bach Sebasti Johann 50) (1685-17

SCORE

• ETUDE NO.7 (OP.10 NO.10) Arr. for Mallet Quintet (Xyl and 4 Mar.) by Peter Klemke. New Advanced. Dur.: 1’41’’. Score and parts (N.M.O. 12255). . . . . . . . kr. 150,00

Liszt, Franz (1811-1886): • CHROMATISCHER GALOPP Arr. for Mallet Quintet (Xyl and 4 Mar.) by Peter Klemke. New Advanced. Dur.: 5’00’’. Score and parts (N.M.O. 12259). . . . . . . . kr. 250,00 Peter, Gustav (? -1919): • ERINNERUNG AN New ZIRKUS RENZ Arr. for Mallet Trio (Xyl and 2 Mar.) by Peter Klemke. Easy. Dur.: 2’45’’. Score and parts (N.M.O. 12260). . . . . . . . kr. 150,00

eries Percussion S

io ke Percuss Peter Klem

n Series

Anderson, Leroy: • THE TYPEWRITER New Famous popular classic arr. for Marimba Quintet (or Xyl and 4 Mar.), Typewriter (Schreibmaschine), Guiro and Bells by Peter Klemke. Advanced. Dur.: 1’31’’. Score and parts (N.M.O. 12263) . . . . . . . . kr. 150,00

Eilenberg Richard 7)

(1848-192 rt hlittee)nfah rger Sc igh Rid Petersbu rger Sle sbu ter (Pe bas,

Peter Klemk e

7 .O. 1225 5-11319-7

rim ne, 2 Ma Xylopho angle and Tri Arr. for ls Tinkle Sleighbel by KE EM KL PETER TS AND PAR SCORE

Leroy And erson

The Typew riter Arr. for Marim

ba Quinte (or Xylo phone and t 4 Marimb Typewriter as) (Guiro) and Bells by PETER KL EMKE SCORE AND PAR TS

Hernandez, R.: New • EL CUMBANCHERO The world famous rumba, arr. for Percussion Sextet (Xyl, 2 Marimbas, Drums, Agogo and Congas) by Peter Klemke. Easy. Dur.: 1’25’’. Score and parts (N.M.O. 12264). . . . . . . . kr. 150,00

JOPLIN, SCOTT (1868-1917): Scott Joplin is considered to be the first great Afro-American composer. He grew up in the town of Texarkana on the Texas-Arkansas border. He had few early educational opportunities, but a German immigrant musician, Julius Weiss, taught the young Joplin and played a major role in forming the young student. It is also considered undisputed that Joplin created a place for himself as an important contributor in both serious music and as an innovator in the development of piano jazz, - and in fact in jazz

O. 12267 5-11329-6

lin Scott Jop 7) (1868-191

Moderate. Dur.: 3’42’’. Score and parts (N.M.O. 12270). . . . . . . . kr. 150,00

Peter Klemke Percussion Series

Abreu, Z.: New • TICO TICO Latin American pop tune, arr. for Percussion Sextet (Xyl, 2 Marimbas, Bongos, Congas and Claves). Moderate. by PeterKlemke. Dur.: 5’20’’. Score and parts (N.M.O. 12262). . . . . . . . kr. 250,00

Peter Klemk e Percussio n Series

POPULAR MUSIC:

as a whole. Joplin’s syncopated musical style found expression in the popular idiom of piano ragtime. Many contemporary serious composers were influenced by Joplin, - and no doubt most of popular music composers later. Peter Klemke has selected a number of Joplin’s enduring classics, and arranged them for a quartet of mallet instruments.

ssion Series u rc e P e k m Peter Kle

Strauss, Johann II (1825-1899): • PERPETUUM MOBILE, OP. 257 Arr. for Mallet Quartet (Xyl and 3 Mar.) by Peter Klemke. New Advanced. Dur.: 5’40’’. Score and parts (N.M.O. 12261). . . . . . . . kr. 250,00

Scott Joplin & A. Marshall

Lilly Queen Arranged for MALLET QUARTET (Xylophone & 3 Marimbas)

by PETER KLEMKE SCORE AND PARTS

ainer The Entert for Arranged QUARTET MALLET imbas) & 3 Mar (Xylophone

by EMKE PETER KL

TS AND PAR SCORE

Scott Jop lin (1868-191 7)

Palm Leaf

Rag

Arranged for MALLET QUARTET (Xylophone & 3 Mar imbas)

by PETER KL EMKE SCORE

AND PAR TS

• THE CASCADES ew A piano rag composed 1904. N Arr. for Mallet Quartet (Xyl and 3 Mar.) by Peter Klemke.. Advanced. Dur.: 2’16’’. Score and parts (N.M.O. 12265). . . . . . . . kr. 150,00 • THE EASY WINNERS ew A piano rag composed 1901. N Arr. for Mallet Quartet (Xyl and 3 Mar.) by Peter Klemke.. Moderate. Dur.: 3’10’’. Score and parts (N.M.O. 12266). . . . . . . . kr. 180,00

• MAPLE LEAF RAG ew A piano rag composed 1899. N Arr. for Mallet Quartet (Xyl and 3 Mar.) by Peter Klemke. Advanced. Dur.: 2’30’’. Score and parts (N.M.O. 12271). . . . . . . . kr. 180,00 • PALM LEAF RAG ew A piano rag composed 1903. N Arr. for Mallet Quartet (Xyl and 3 Mar.) by Peter Klemke. Moderate. Dur.: 2’43’’. Score and parts (N.M.O. 12272). . . . . . . . kr. 150,00 • PEACHERINE RAG New A piano rag compsed 1901. Arr. for Mallet Quartet (Xyl and 3 Mar.) by Peter Klemke. Moderate. Dur.: 2’28’’. Score and parts (N.M.O. 12273). . . . . . . . kr. 150,00

• THE ENTERTAINER w A piano rag composed 1902. Ne Arr. for Mallet Quartet (Xyl and 3 Mar.) by Peter Klemke. Advanced. Dur.: 3’32’’. Score and parts (N.M.O. 12267). . . . . . . . kr. 180,00

• PLEASANT MOMENTS A ragtime waltz composed New 1909. Arr. for Mallet Quartet (Xyl and 3 Mar.) by Peter Klemke. Moderate. Dur.: 2’51’’. Score and parts (N.M.O. 12274). . . . . . . . kr. 150,00

• THE FAVORITE ew A piano rag composed 1904. N Arr. for Mallet Quartet (Xyl and 3 Mar.) by Peter Klemke. Advanced. Dur.: 2’41’’. Score and parts (N.M.O. 12268). . . . . . . . kr. 150,00

• THE RAG-TIME DANCE A piano rag composed 1906. New Arr. for Mallet Quartet (Xyl and 3 Marimbas) w/stamp by Peter Klemke. Moderate. Dur.: 2’57’’. Score and parts (N.M.O. 12275). . . . . . . . kr. 150,00

• HELIOTROPE BOUQUET A piano rag composed 1907 ew w/L. Chauvin. Arr. for Mallet N Quartet (Xyl and 3 Mar.) by Peter Klemke. Advanced. Dur.: 2’38’’, Score and parts (N.M.O. 12269). . . . . . . . kr. 180,00 • LILLY QUEEN New A piano rag composed 1907 w/A.Marshall. Arr. for Mallet Quartet (Xyl and 3 Mar.) by Peter Klemke.

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• DIFFERENT WAYS New FOR TIMPANI Two pieces for 4 timpani – 1 player: 1.Mountain Paths – 2.Freedom Trail (N.M.O.) . . . . . . . . . . . . . kr.150,00

ECKHARD KOPETZKI (Germany) Eckhard Kopetzki was born in Hannover in 1956. He studied music at the University in Osnabrück and at the Hochschule für Musik/Würzburg. Since 1985 he teaches music theory and percussion at the Berufsfachschule für Musik in Sulzbach-Rosenberg in Bavaria. He has published elementary pieces for a variety of percussion instruments, as well as concert music for chamber groups and orchestra music. In 2002 he won the 1st Prize in the PAS (Percussive Arts Society) Composition Contest with his set-up piece “Canned Heat”, and another winner in 2003 with a solo marimba piece. His “Kaskada” is one of the most widely used solo marimba pieces around the world.

• DRUMMING RITES New For Percussion Quartet. Dedicated to Franz Lang. Instrumentation: I: Bass drum/tam tam/shout/3 muted Gongs; II: 4 Tom toms/3 cans/Splash-crash cymbal/shout/shaker; III: 3 Brake drums/tom toms/China cymbal/timpani/2 Almglocken/crash cymbal/shout; IV: Bass drum/bongos/shout/ splash cymbal/ 3 bells. Score and Parts (N.M.O. 12251). . . . . . . . kr. 250,00 • KASKADA For Marimba solo. Dedicated to Katarzyna (“Kaska”) Mycka. (NMO 11305). . . . . . . . . kr. 120,00

• CANZONI DA SONAR For Horn (in F) (or Eb Alto Saxophone) and Marimba (NMO 12128). . . . . . . kr. 250,00

Kopetzki Eckhard

CANZONAIR DA SON

H HORN R FRENC DUO FO MARIMBA X) AND Eckha SA O LT rd K (OR A

opetz ki

DRUMMI RITES NG

PERC USSIO N QU ARTE T SCO RE A ND P ARTS

• THE GARDEN OF LOVE For Soprano Voice,Viola and New Marimba. Lyrics:Williams Blake. Score and Parts (N.M.O. 12250). . . . . . . . kr. 250,00 • TOPF-TANZ For Percussion solo. Instrumentation: bass drum, 2 tomtoms, bongos, tambourine (on low bongo) resonant (e.g. enamelled pots). (NMO 11306). . . . . . . . . kr. 120,00

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ANDERS KOPPEL (Denmark)

Anders Koppel composer and musician was born 1947. Played the piano as a child and later clarinet.Was the co-founder of the Rock group “Savage Rose” in 1967, which toured all over Europe and The U.S.A. In 1976 he co-founded the trio “Bazaar”, which has released 9 albums. As a composer he has an extensive list of important works behind him.Among mallet percussion players around the world he is famous for his “Toccata for Vibraphone and Marimba” (1990) and his “Concerto for Marimba and Orchestra”, which was commissioned by the International Marimba Competition in Luxembourg in 1995 and have since been performed all over the world. Both are now considered among the standard literature for mallet instruments. (Recording of the Marimba Concerto can be found on page 23. Katarzyna Mycka: Marimba Concerto (Audite 97.478).) • CONCERTO (NO.1) FOR MARIMBA AND ORCHESTRA Commissioned as a set piece by the International Percussion Competition in Luxembourg 1995. Dur.: 13’ 30’’ Full Score (NMO 10768A) . . . . . . . kr. 305,00 Piano Reduction with Solo Part (NMO 10768B). . . . . . . . kr. 200,00 Cadenza, III.Movement (insert at bar 105). 8 pages. (NMO 11768A&B Addendum) . . . . . . . . . . . . . . . . . . . . kr. 68,00 Orchestral parts on hire. • NEW Addition 2003! Arrangement for Marimba & Strings (by the composer). Score (NMO 10768C) . . . . . . . kr. 305,00 String parts on hire. • TARANTELLA For Violin and Marimba. Dur.: 8’ (NMO 11126). . . . . . . . . kr. 128,00 • TOCCATA For Vibraphone, Marimba and Orchestra. Instrumentation: picc, bsn, trp, perc, timp, str. Dur.: 13’

(Norway) • SONATA FOR CLARINET AND PERCUSSION, OP. 53 (MH 2262) . . . . . . . . . . . kr. 165,00

MINORU MIKI (Japan)

Music for P ercussion

KVAM, ODDVAR S.

Minoru Mik i

CONCERTO for

Marimba and Orchestra Marimba/Pia no version by Hirohisa Akigishi & Natsuko Tog awa NEW REVIS ED VERSION

N.M.O.

Minoru Miki was born in Tokushima, Japan in 1930 and graduated from Tokyo National University of Music as a composition major. He founded Pro Musica Nipponia in 1964 and served as Artistic Director for 20 years, and as a composer he has a vast oeuvre of works. His cooperation with Keiko Abe, and later the Safri Duo has lead to some very important works for marimba. Works dedicated to Keiko Abe are: Concerto for Marimba and Orchestra, Marimba Spiritual, and Time for Marimba. They are all considered to be “classics” among the marimba Repertoire. For the Safri Duo he wrote the Z-Concerto. Orchestration of the duo version written for the Safri Duo. Score (N.M.O.10549) . . . kr. 305,00 Orchestral parts on hire. • TOCCATA For Vibraphone and Marimba. The original version of «Toccata» written for and recorded by the Safri Duo (Chandos CHAN 9330). Dur.: c.10’. Perfoming Score (NMO 10549B). . . . . . . . kr. 159,00 • TOCCATA New Edition for Marimba and Piano (2004/printed 2006)). The composition was originally composed for Vibraphone, Marimba and Orchestra (1990).The composer has also made a separat duo version for marimba and vibraphone.This new version of this popular “Toccata” makes the work even more practical for the marimbist.The vibaphone and orchestra parts have been sensible reduced into the piano version. Dur.: ca. 13’ (NMO 12345). . . . . . . . . kr. 250,00

• CONCERTO FOR MARIMBA AND ORCHESTRA Composed 1969 and selected for the World Marimba Competition in Stuttgart 1996. 1st performed by Keiko Abe with the Tokyo Philharmonic Orchestra, Oct 17,1969. Score (Manuscript copy) (NMO 10903A) . . . . . . . kr. 375,00 Orchestral parts on hire. • CONCERTO FOR MARIMBA AND ORCHESTRA for Marimba and Orchestra New Marimba/Piano Version by Hirohisa Akigishi and Natsuko Togawa. (NMO 10903B). . . . . . . . kr. 375,00 • MARIMBA SPIRITUAL For Marimba Solo and Three Percussionists. Dedicated to Keiko Abe.1st performed 1984 in Amsterdam with Ms. Keiko Abe and the Nieuwe Slagwerk Groep Amsterdam. Dur.: 13’ 24’’. Performing Score (NMO 10953). . . . . . . . . kr. 140,00

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• TIME FOR MARIMBA For Solo Marimba. Dedicated to Keiko Abe. (NMO 11304). . . . . . . . . kr. 90,00 • Z CONCERTO For Marimba, Percussion and Orchestra. Commissioned by the Danish Broadcasting Orchestra with the Safri Duo (1992). Dur.: 17’ (22’ with players cadenza). Score (NMO 10550). . . . . . . . . kr. 375,00 Solo Parts for sale: Marimba solo (NMO 10550A) . . . . . . . kr. 90,00 Percussion solo (NMO 10550B). . . . . . . . kr. 90,00 Orchestral parts on hire.

KNUT NYSTEDT (Norway) • «ATTERLJOM» («Memories of Old Days»), Op.169 For Flute, Clarinet and Marimba. Dur.:19’. 4. Movements. Score and parts (NMO) . . . . . . . . . . . . . . in work • MESSA PER PERCUSSIONE, OP.122 For 3 Percussionists and Narrator (or Singers). Gregorian Chant. Dur.: 23’ (with 5’ Chant or Narrator). Commissioned by the Swedish ensemble Spectra in 1992.With the exception of the «Gloria», the entire work is

derived from ecclesiastical (Gregorian) monophony. A Gregorian choral group may sing the intonation, – or a narrator may read the text before each Mass movement. Performing Score (NMO 10920A) . . . . . . . kr. 128,00 (Performing Score in large format on loose sheets for easy use may be obtained on special order from the publisher.)

RÜDIGER PAWASSAR (Germany) • «SCULPTURE IN WOOD» For Marimba Quartett (1995). Dedicated to the Marimba Art Ensemble Basel. Score and parts (NMO 11765). . . . . . . . . kr. 250,00

MAJA S. K. RATTKJE (Norway)

• BOXING DAY New For 4 percussion players (on boxes) / for 4 Perkussionisten (auf Schachteln). Written for the ensemble “All Percussion” 1998. Dur.: 3’ Score and parts (NMO 12347). Medium+ diff. . . . . . . . . . kr. 180,00

• FOR REGNDANSERE (For Raindancers) A piece for 4 Percussionists. Dur ca.14’. 1st perf. 1996 at the UNM-Festival in Copenhagen. (Instruments: Player 1: triangle, susp. tamb., 2 congas, stormplate, 4 timpanis, ratchet - Player 2: 3 tom-toms, susp. cymbal, vibraslap, anvil, bass drum Player 3: woodblock, tom-tom, 2 crotales, susp.cymb., bass drum - Player 4: 2 timpanis, maracas, washboard, slapstick, sleighbells, snare drum, ratchet, vibraslap.) Score (NMO 11109A) . . . . . . . kr. 128,00 Set of parts (NMO 1109B). . . . . . . . . kr. 159,00

WOLFGANG REIFENEDER

• «SCULPTURE 3» Version for 3 Marimbas. Suitable for music schools and groups with limited resources. Score and parts (NMO 11766). . . . . . . . . kr. 250,00

• BALL PERCUSSION New For 4 players (using basket balls) / für 4 Spieler (mit Basketbällen). Written for the ensemble “Uppercussion” 2001. Dur.: 3’ Score and parts (NMO 12346). Medium+ diff. . . . . . . . . . kr. 180,00

(Austria) Born 1960 in Wels/Austria. Studied classical percussion at the Brucknerkonservatorium in Linz and at the Universität für Musik und Darstellende Kunst in Vienna. Concluded his studies with a guest study with Professor Peter Sadlo at the Universität Mozarteum Salzburg. Founder and member of the percussion ensembles “All Percussion” and

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• CROSSOVER New For snare drum solo / für kleine Trommel solo. Dur.: 7’ In four distinctive movements: I.Militärisch, traditionell – II. Hochgradig wienerisch – III.Ländlich – IV.Temperamentsvoll, ausgelassen. Dedicated to his friend, Professor Peter Sadlo. Composed 1999. (NMO 12348) Advanced. . . . . . . . . . . . . kr. 125,00 (Recorded by Professor Sadlo on his CD “Xenakis Rebounds” and other Works for Percussion”) • DER KLAPAUKER New For 4 timpani (1 player) / für 4 Pauken (1 Spieler). Dur.: 4’ Composed 2003. (NMO 12349) Advanced. . . . . . . . . . . . . Kr. 125,00

“Uppercussion”.Together with Professor Sadlo initiator and organizer of “Percussion in Power”, 2003 Brucknerhaus, Linz and 2006 in Villach. As soloist,Wolfgang Reifeneder has appeared with various orchestras and bands. NEW exciting pieces for percussion by this Autrian composer and percussionst. The following works are now published by our publishing house:

Side 3

ercussio P r o f c Musi

n

(Germany)

The of W olfga ng R eifen eder

Boxing

day e 3

n)/ hachtel (auf Sc s) nisten (on Boxe rkussio Players für 4 Pe rcussion for 4 Pe

Wolfg ang R eifen eder

Cros sove r

für k lein for Sn e Tromm el are D rum solo/ Solo

gang of Wolf

tbällen)/ it Baske ieler (m t Balls) für 4 Sp ing Baske yers (us for 4 Pla

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cussion Ball Per

New

• IST DA JEMAND? For five players & metronome / für fünf Spieler & Metronom. Composed 2002. Dur.: 2’20’’ Instrumentation: Player I: (bamboo) chimes / Tam Tam Player II:Waldteufel flute / Crash cymbal / Player III:Vibraslap / Cabasa Player IV: Quiro / Claves / Bird Whistle Player V:Timpani in E / Maracas. Score and parts (NMO 12350) Easy. . . . . kr. 180,00 • WAL(T)ZWERK LINZ For 3 percussion players / New for 3 Perkussionisten ( or in any group who would like to try BODY PERCUSSION. Great fun! Composed 1991. Dur.: ca. 3’ Score and parts (NMO 12351) Medium+. . . . . . . . . . . . . kr. 180,00 All six works above previously published by Musikverlag Thomas Reingruber, but taken over by our publishing house 31.August 2006.

This world famous musician teacher and composer has had an extraordinary career, all based on his exceptional talent in the area of percussion. At the age of twelve years, he began studies at the prestigious “Meistersinger-Konservatorium” in Nürnberg. Shortly after, another decisive event occurred in the life of the talented drummer, - acceptance into the “Musikhochschule Würzburg” where Sadlo met the doyen of German percussion art at that time, Siegfried Fink, who would support and mentor him. In 1982, when Sadlo was only 20 years old, he accepted the position as solo timpanist at the Munich Philharmonic.There, and for the second time, Sadlo would meet a master who would strongly influence his future development: Sergiu Celibidache, the charismatic conductor of the Munich Philharmonic. Since 1983 he has taught at the Münchner Musikhochschule, and 28 years of age he was appointed professor at the prestigious University Mozarteum in Salzburg. The two marimba pieces here are both dedicated to people who have meant a great deal to Sadlo, as friends and mentors, the composer Bertold Hummel, and his teacher Siegfried Fink. • C’ERA UNA VOLTA….. New Dedicated to Bertold Hummel. For marimba solo (C-marimba 5Octaves). Dur.: 6’20’’ (NMO 12409). . . . . . . . . kr. 90,00

Peter Sadlo

C’era una volta... For Marimba Solo

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lo Peter Sad

S.F. For Solo Marimba

ODD BÖRGE SAGLAND (Norway) • FIESTA DEL LA ESTRELLA For Marimba and Percussion Ensemble (3 percussionists: I. Claves, vibra-slap, II. Guiro, maracas, III. 2 congas) (NMO 11946). . . . . . . . . kr. 250,00 Score and parts

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• “S.F.” New Dedicated to Siegfried Fink. For marimba solo (5-Octaves). Dur.:8 (NMO 12410). . . . . . . . . kr. 140,00

PETER SADLO

Music for Percussion

10:30

Music for Percussion

14-11-06

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Odd Börge Sagland

Fiesta de la estrella para Marimba e percussion

N.M.O. 11946

• HEDDA GABLER Intermezzo for Marimba solo (NMO 11945). . . . . . . . . kr. 84,00

TAIKO SAITO

SAMKOPF, KJELL

(Japan)

(Norway)

Taiko Saito started playing marimba at the age of 6. From 1995 till 1998 she studied classical marimba and percussion at the Toho School of Music with Keiko Abe and Kyoichi Sano. In 1996 she won the 3rd price in the World Marimba Competition in Stuttgart. From 1998 till 2004 she studied jazz vibraphone and composition with David Friedman at the Hochschule der Künste in Berlin. Her composition “Landscape IV” received an originalityprize from the 2nd International Marimba Competition.Taiko Saito was the winner of the 3eme Concours International de Vibraphone Claude Giot in October 2005. She has performed at various festivals and concerts around the world.

Kjell Samkopf was born in 1952 and is a composer, percussionist, pedagogue and author of a popular Norwegian drum method. He studied at the Norwegian Academy of Music and took his diplomas in composition in 1977 (under Professor Finn Mortensen) and in percussion in 1978. Further studies in Aarhus (Denmark), at the Institute for Sonologi in Utrecht, Holland and jazz vibraphone at the Berklee School of Music in Boston. He has played percussion instruments in various orchestras in Norway and contemporary music ensembles. Samkopf is now professor at the Norwegian Academy of Music.

Music for Percussion

• LANDSCAPE IV For Marimba Solo (NMO 12133). . . . . . . . . kr. 140,00

Taiko Saito

LANDSCAPE IV

• INGOMA For Percussion Quintet. Perc 1:Tom-tom, Suspended Cymbal, Tambourine, Claves, Large Cowbell, Bamboo chimes,Trinangle Perc 2:Tom-tom. Suspended Cymbal, Bongos, Guiro, Large Woodblock Perc 3: 4 Timpani,Timpano w/Almglocken, Suspended Cymbal, Tambourine, Anvil Perc 4: Grand Cassa,Tom-tom, Suspendes Cymbal, 5 Templeblocks, Vibraslap, Marcas Perc 5:Tom-tom, Snare Drum, Hand Ratchet, Suspended Cymbal Metal Cylinder Score and Parts (MH 2502) . . . . . . . . . . . kr. 160,00

For Marimba Solo

14

• VARIATIONS ON PARANG CHANT For Percussion Sextet. Perc 1: Marimba, Claves, Small susp. cymbal Perc 2: Medium susp cymbal, Bongos, Trinagle Perc 3: Large susp. cymbal,Timbales, 2 Maraccas Perc 4: 3 Temple blocks,Tambourine, Conga Perc 5: Bass drum,2 maraccas, Guiro, Cowbell Perc 6: 2 Timpani, ClavesPerc 1: Marimba, Claves, Small susp. cymbal Perc 2: Medium susp cymbal, Bongos, Triangle Perc 3: Large susp. cymbal,Timbales, 2 Maraccas Perc 4: 3 Temple blocks,Tambourine, Conga Perc 5: Bass drum,2 maraccas, Guiro, Cowbell Perc 6: 2 Timpani, ClavesScore and Parts (MH 2417) . . . . . . . . . . . kr. 160,00

Matthias Schmitt

MATTHIAS SCHMITT (Germany) Matthias Schmitt was born in Würzburg in 1958 and was introduced to music at the age of 4. As many of his generation, he got involved in popular music as a listener and musician in bands. At the end of the 70’s, Schmitt came in contact with the composer and percussion teacher, Siegfried Fink. which led to studies and greater involvement with percussion instruments, which eventually made his career as a composer and teacher. Since 1996 Schmitt has focused on percussion music, and has created some of the most popular marimba pieces on the market, like “Ghanaia”, “Sechs Miniaturen”, “Corrido” and “Nocturne” to name a few. His great interest in education shows Clearly in his threevolume collection “Young and Sweet (Suite)”, which now are available with a CD in each volume. For more information about Matthias Schmitt: please ask for his composer brochure!

METHOD Let’s DruM Together

New

Method for Djembe and Conga for Individual and Group Lessons / Schule für Djembe und Conga im Einzel- und Gruppenunterricht Matthias Schmitt has been teaching drumming groups and drum students djembe and conga for over twenty years. As a result of his percussion, composing and piano studies and his broad experience with classic, pop, jazz and contemporary music, he has been able to incorporate this multi-faceted experience in to this method. Under all lies his deep respect for the musical heritage of the cultures where these instruments come from. Based on his experience, this is an excellent method for establishing Fundamental rhythmic basics. With the book follows a CD with all music examples. Book more than 100 pages. A Polyhymnia/Norsk Musikforlag co-production! Book and CD (N.M.O. 12420/ Polyhymnia Nr. 1035) kr. 248,00 (x)

COMPOSITIONS • ARABESQUE, KINDERAUGEN Für Vibrafon solo. Dur.ca. 5’ (NMO 12126) . . . . . . . kr. 120,00 • CORRIDO Mexican Impressions for Marimba solo. Nadja Vranska gewidmet. (NMO 11262). . . . . . . . . kr. 120,00 • DREAMLAND-WONDERLAND

30 Ballads, Romantic w Fantasies, Meditations Ne for 2 players on a 5-Octave Marimba or 2 players on Vibraphone/Marimba. “Dreamland-Wonderland” with all its

15

Matthias Schm

itt

Arabesque Kinderaugen Für Vibrafon Solo

Arr.: Pete r Sadlo

Matthias Schmitt

Dreamland – Wonderland 30 Ballads, Romantic Fantasies and Meditations For 2 Players on a 5-Octave-Marimba (or 2 Players on Vibraphone / Marimba)

pieces was first completed as a collection for piano or el.piano by the composer. A separate collection with a CD is available for piano/el.piano. The pieces range from 30 seconds to over 3 minutes, and are a variation of styles and moods. Excellent as training pieces, small encore pieces, concert pieces or mood music. Of titles to mention are: On the riverbank – Little dragon – Dreamy poet – Farewell – Marionette – Echoes – Wide plain – Down in New Orleans – Alex’ Waltz – Variation on “Song of Joy” – CapricornVariations – Way back in time. 49 music pages. (N.M.O. 12365). . . . . . . . kr. 250,00 (Also published: Edition for Piano, E-Piano and Clavinova, w/CD-included. (N.M.O. 12364)

• 3 SKIZZEN Für 2 Marimbas. Allegro - Lento cantabile, moderato Presto, moderat, Presto. Dur. 9’16’’. Franz Bach und Katarzyna Mycka gewidmet. (NMO 11788). . . . . . . . . kr. 150,00

• MEETING For Percussion Ensemble (6-10 Players) and Piano: Players 1, 2a, 2b, 3, 4: Marimba - Players 5a, b, c:Timpani - Players 6a, b: Vibraphone - Players 7: Piano. Performing Score (NMO 11505). . . . . . . . . kr. 140,00

• EISBLUMEN Für Vibrafon solo. In memoriam Edgar Guggeis. (NMO 11901). . . . . . . . . kr. 75,00

• NOCTURNE Für 2 Marimbas. (NMO 11764). . . . . . . . . kr. 125,00

• FAMILIAR for Marimba Solo. Dedicated to Bogdan Bácanu. Dur.: appr. 4'. (N.M.O. 12242). . . . . . . . kr. 120,00 • GHANAIA Für Marimba Solo. Dur.: 7’. Edgar Guggeis gewidmet. (NMO 11261). . . . . . . . . kr. 105,00

• “ONE WORLD” Concerto for Marimba and String Orchestra (or with String Quintet). World premiere during the Marimba Festival in Linz 2004: Soloist: Katarzyna Mycka / Linz Festival Orchestra / Conductor: Matthias Schmitt Score (NMO 11999A) . . kr. 375,00 Ed. for Marimba and Piano (NMO 11999B). . . . . . . . kr. 200,00

Player 1: vibraphone Player 2: Marimba Player 3: Marimba, 3 timpani, tom tom and clapping Player 4: Marimba, gran cassa, ride becken (cymbal), shaker, tom tom, and clapping Player 5: Marimba, sizzle Becken (cymbal), bongos, bass and snare Drum, hi hat, tom tom and clapping Player 6: Marimba, crash becken (cymbal), 5 temple blocks, bongos, And clapping. In five movements connecting Schmitt’s meetings with different styles of music like classic, jazz, pop, minimalism, salsa and funk. All movements are thematically linked together I: Statement – II. Interlude I (a chorale) – III. Dialoge (a blues) – IV. Interlude II (inspired by Steve Gadd) – IV: Solution (a resume). Score and Parts: (N.M.O. 12337). . . . . . . . kr. 375,00 Suite lag -

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15:49

Side 2

Suite for Six s Schmitt Matthia

Familiar Matthias

orange for Six

Schmitt

Für tt on-Sexte Percussi

For on Sextet Percussi

for Marimba Solo

Parts Score and

2-Gather Matthia s Schmitt

for Marimb a Duo

Ghanaia Schmitt Matthias

ITT S SCHM MATTHIA

for Solo Marimba

r Sadlo Arr.: Pete

• ONCE UPON A TIME For Marimba solo. Dur.: ca. 7’ (NMO 12125). . . . . . . . . kr. 125,00

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N • GHANAIA The World famous marimba solo piece, arranged and recorded by Peter Sadlo on Drum Together (Peter Sadlo & Friends),Teldec. for marimba solo and percussion ensemble (3). Dur.: 7’ Player I: Rainmaker, African Bell (or Cow Bell), Caxixi - small (or Shaker) Player II: Kalimba, Sangba (or Conga), Caxixi – large (or Shaker) Player III: Shaker, Dun-Dun (or Floor Tom), Afuché. Score and Parts (NMO 12336). . . . . . . . . kr. 250,00 Score and parts

• PAS DE DEUX For Harp and Marimba (+ Vibrafon alternativ); or Piano and Marimba (+ Vibraphone alternativ), or Percussion-Quartet. Score and parts (NMO 11506). . . . . . . . . kr. 200,00 • SECHS MINIATUREN Für Marimba solo. Katarzyna Mycka gewidmet. (NMO 11325). . . . . . . . . kr. 140,00 • SUITE FOR SIX New Percussion-Sextet For 6 mallet instruments: 1 Vibraphone and 5 Marimbas and other percussion instruments:

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LO IMBA SO FOR MAR

• 2-GATHER Duo for 2 Marimbas. Dur.:5’20’’. (NMO 12127). . . . . . . . . kr. 125,00 • A TRIBUTE TO CHARLIE The composers inspirations have New been the films of Charlie Chaplin. Mvm. I: inspired by “Modern Times” Mvm. II: inspired by “The Kid” – Mvm. III: inspired by “City Lights”. Dedicated to Evgenya Kavaldzhieva gewidmet. (NMO 12411). . . . . . . . . kr.180,00

EMMANUEL SÉJOURNÉ “A TRIBUTE TO CHARLIE! Evgeniya Kavaldzhieva feat. Works for marimba and vibraphone by Matthias Schmitt.

WITH MUSIC BY MATTHIAS SCHMITT! e A Tribut

e-B To Charli

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28 0

va Kavaldzhie Evgeniya ba and vibraphone by for marim Schmitt Matthias

feat. works

Incl. Schmitt’s “classics” as well new compositions: • A Tribute to Charlie • Eisblumen • Sechs Miniaturen • Familiar • Corrido • Wasserspiele • Once upon a time • Arabesque – Kinderaugen • Ghanaia

New With bonus tracks from Schmitt’s “Young and Sweet (Suite)” Production: Matthias Schmitt. Extensive information about each work in German and English in the CD booklet. (NMO 11412) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . kr. 150,00 • WASSERSPIELE Für Marimba solo. Mark Lutz gewidmet. (NMO 11902). . . . . . . . . kr. 140,00

New

YOUNG AND SWEET (SUITE) (NOW WITH CD!)

(NMO 11903) Book and CD . . . . . . . . . kr. 250,00 • YOUNG AND SWEET (SUITE) Volume 2 4 Octave-Marimba / 3 Mallets. Timeless Dream - Flickering Candle Forgotten Letter - Roulette - Trump Floating Hands - Spring Time - Tricky Waltz - Skydiver - Easy Bossa. (NMO 11904) Book and CD . . . . . . . . . kr. 275,00 • YOUNG AND SWEET (SUITE) Volume 3 4-Octave Marima / 4 Mallets. Bright Echoes - Dancing Leaf Companion - Rock on the Boat Dusk - Waltz for Linda - Two Hands Make Five - Number 9 - Waterfall. (NMO 11905) Book and CD . . . . . . . . . kr. 290,00

Easy and progressive pieces for 4-octave marimba. Published in three volumes each containing 10 short pieces. Each piece can be played as a solo piece or as part of a suite.To each piece, the composer has made an attractive etude as an introduction. CD-recording made by Evgeniya Kavaldzhieva / Producer: Matthias Schmitt.

(France)

Emannuel Séjourné was born July 16, 1961 in Limoges. After classical studies at the National Conservatory of Strasbourg, he was introduced by Jean Batigne, Director and Founder of the Percussions de Strasbourg, to the world of percussion, particular in contemporary and improvised music. After studying percussion, Séjourné specialized himself in keyboard percussion instruments (vibraphone and marimba). Since 1981 he has been active as a performer and composer. Acclaimed by members of the percussion community, Séjourné’s works have been performed by the foremost soloists and groups around the world. • CONCERTO FOR MARIMBA AND STRINGS New Commissioned by the International Marimba Competition in Linz, Austria 2006. Score (N.M.O. 12195A) . kr. 375,00 Edition for Marimba and Piano (N.M.O. 12195B). . . . . . . kr.200,00 Orchestral parts available on hire.

Music for Percussion

NEW CD

Emmanuel Séjourné

Concerto For Marimba and Strings Edition for Marimba and Piano

CD med Séjourné’s concerto: • “TRUE COLOURS” Bogdan Bácanu – Marimba plays Bach, Thrower, Séjourné. 1.J.S.Bach: Chaconne d-moll, BWV 1004 2.Thrower:True Colours 3.Thrower: Rhythms of Life 4.+5. Séjourné: Concerto for Marimba and String Orchestra Salzburg Solisten / Conductor: Ewald Donhoffer (Classic Concert Records CCR 62004)

• YOUNG AND SWEET (SUITE)

Volume 1 4 Octave-Marimba / 2 Mallets: Unicorn-Variations - Muskrat - Hippo’s Dance - Little Ant - On the shore Little Lullaby - Anna’s Waltz - Eagle Restive Donkey - Last Farewell.

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WAYNE SIEGEL (U.S.A./Denmark) Wayne Siegel was born in Los Angeles in 1953. Most important in the way of early musical influence was the American folk tradition (Pete Seeger, Woody Guthrie, etc.). Major influences during the 1960’s include the AfroAmerican blues tradition and avant garde rock.

Siegel Wayne

do reet Ron 42nd St for n Duo Percussio

• SAVANNA (1997) Way ne Si

egel East L.A. Pha se Four for Mar imba (or Tw s or Four Guita o Pian rs os) Play ing Sc ore

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N • EAST L.A. PHASE For 4 marimbas or 4 guitars (or two pianos).This piece combines rock music, Mexican folk music and minimal music. Playing Score. Durata: 8-12’ (NMO 12415). . . . . . . . . kr. 90,00

The Music of Wayne Siegel

The Mus ic of Way ne

12414 N.M.O. 504-7 M-065-11

• INCANTATION New (2005) For 5 percussion players.Written for Malmö Percussion Edition and with World Premiere in Gothenburg. I: Marimba (high), cymbals, 4 tom toms – II. Marimba (low), concert bass drum, tam tam – III. Congas, 6 timbales and crash cymbal. – IV:2 Congas, 6 timbales, Crash cymbal – V: 4 Tom toms, 2 cowbells, 2 temple blocks, crash cymbal. Score 28 pages. Dur.: 15’ (NMO). . . . . . . . . . in production • LAST REQUEST New (1986) For percussion solo with synth (Yamaha DX 7).Written for Gert Sörensen. (3 tom toms, 2 bongos, 2 cowbells, cymbal) 3 mvms.: I. Drums of Freedom – 2.Voices (DX 7)- 3. Last Request. Dur.: 16’ (NMO). . . . . . . . . . in production

Siege l

gel ayne Sie W f o ic s The Mu

• 42ND STREET RONDO New (1984) For 2 percussionists with two sets of matched percussion instruments Commissioned by the Danish Percussion Group, and has been widely performed by the Safri Duo and other others ever since. Dur.: 15-18’. (NMO 12414). . . . . . . . . kr. 90,00

From 1971 to 1974 he studied composition and philosophy at the University of California at Santa Barbara. After three years at UCSB he decided to complete his Bachelor of Arts degree while studying with Per Nørgård in Aarhus, Denmark. He remained in Aarhus and in 1977 received his Danish degree in composition from the Royal Academy of Music there. In 1986 he was appointed director of the newly founded national electronic music center, DIEM (The Danish Institute of Electroacoustic Music). In 2003 DIEM became part of the Royal Academy of Music in Aarhus, and Siegel was appointed professor of electronic music. Siegel’s extensive list of works includes the percussion duos written for the famous Safri Duo, “Savanna” (1997), but even more popular is his “42nd Street Rondo” (1984) to name a few.

New

Wayne Siegel

Savanna for Percussion Duo

18

For percussion duo, written for the Safri Duo for their British tour in December 1997. For 2 marimbas and unpitched perc. Instruments. Each part play: Marimba, crash cymbal, 2 tom toms, 2 cowbells, woodblocks, 2 timbales; Dur.: 12-15’ (NMO 12416). . . . . . . . . kr. 125,00 • SEMITIC DANCE New (1978) For 2 clarinets (or other melodic instruments) and 4 percussionists. Players 1-2: for non-pitched percussion instruments (cowbells,temple blocks, tom toms, woodblock, bongos, congas, steel drum.); Players 3-4: for two identical pitched percussion instruments (e.g. two marimbas, two vibraphones,Two xylophones or on two pianos, etc.);Players 56: may be played by the following melodic instruments (clarinet, saxophone, oboe, flute, viola, violin.The composer has a preference which instruments should be played on each part). Large playing score. Dur.: 15’ (NMO 12416). . . . in production Other works by Wayne Siegel to be published by Norsk: • THREE LORCA SONGS For a cappella choir (2003) mixed choir). Lyrics from Fredrico Garcia Lorca “Seis Caprochos”. Commissioned by the Vocal Group Ars Nova: 1)Adivinanza de la guitarra – choir SAA(T)TB – 2)Candil – choir SATB – 3)Crótalo – choir SAA(T)TB. Spanish text.Total durata: 10’. Each song published separately. • TRES CANTES For Chamber Orchestra (2004). Commissioned by the Randers Chamber Orchestra. I.Muchacha Morena – II.Paisaje – III.Le Redonda. Instr.:fl ,ob, cl/bcl, bsn, hn, strings. Dur.: 15’. Score on sale. Orchestral parts available on hire. • TARANTULA For Violin and Ensemble (2001). Commissioned by Esbjerg Ensemble. Instr.:Violin solo, fl, ob, cl,, bsn, hn, perc, pno, vln 1-2, vla, vlc, cb. Dur.:12’. Score on sale. Orchestral parts available on hire.

KETIL VEA

ROB WARING

(Czech Republic) • THE BLUES THING For 4 Marimbas. Score and Parts (N.M.O.12132) . . . . . . . . kr. 160,00

(Norway) • EVOLUTION For Flute Player and 2 Percussionists (1996). Perc. I: Piatti sospesi, piccolo, medio e grande, 2 bongos e 2 timbales - Perc. II: vibraphone/marimba. Dur. Ca.14’. Score (NMO 11522A) . . . . . . . kr. 140,00 Set of parts (NMO 11522B). . . . . . . . kr. 200,00

(Norway)

^

Libor Síma

THE BLUES THING For 4 Marimbas Score and parts

ÖISTEIN SOMMERFELDT (Norway) • MUSIC FOR ONE PERCUSSION PLAYER Percussion solo. (NMO 8871). . . . . . . . . . kr. 60,00

JOHN THROWER (Canada) • AURORA BOREALIS For Marimba and Percussion Ensemble. Dedicated to Katarzyna Mycka. Dur.: 12’. Score (NMO 11175). . . . . . . . . kr. 140,00 Score and parts (NMO 11176). . . . . . . . . kr. 275,00

GUNTER WALDEK (Austria) Professor Gunter Waldek was born in Linz in 1953. He studied organ, piano and Music theory at Bruckner Konservatorium and went on to Salzburg and the Hochschule “Mozarteum” and the university for further studies. Autumn 1982 Waldek went back to Bruckner Konservatorium and took over the responsibility for the compositions and theory classes. As a composer, Gunter Waldek has a large production of works and in most areas of serious music. • WAITING FOR T. New For Marimba Solo. (N.M.O. 12194). . . . . . . . kr. 125,00

• CONCERTO FOR VIBRAPHONE AND CHAMBER ENSEMBLE Commissioned by Collage w Dance Company. Completed Ne 1984. Ensemble Instrumentation: Flute, Bass Clarinet,Violin,Violoncello and Timpani. Dur.: 30’ Solo Vibraphone part (N.M.O. 12342B). . . . . . . kr. 125,00 Score (N.M.O. 12342A) . kr. 375,00 All other parts on hire. ag gul - omsl aphone for Vibr oncerto

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(Norway) • LITEN KONSERT for Marimba og korps (Little Concterto for Marimba and Band) Ed. for marimba and piano (FMMN 0101) . . . . . . . . . kr. 305,00 Score and band parts on hire.

Music for Percussion

THINGNÆS, FRODE

Rob Waring was born in Yonkers, New York in 1956 and lived in Manhattan from 1974 until he moved to Oslo in 1981. He studied Percussion at the Juilliard School of Music (1974-79) studying with Saul Goodman and Elden “Buster” Bailey. He studied jazz vibraphone in 1975 with Dave Samuels. Since moving to Oslo,Waring has been active as a performer, composer and teacher and a central figure in the contemporary music scene in Norway.Waring has composed works for soloists, chamber and jazz ensembles, choir, percussion ensemble and electroacoustic works. His works published by our publishing house shows a broad spectrum of Waring’s diversity and broad experience in both acoustic and electronic instruments.

Gunter Waldek

WAITING FOR T. For Marimba Solo

19

io Percuss r o f c i s Mu

Music for Percussion

LIBOR SIMA

ring

Rob Wa one ibraph o for V Concert and le b m er Ense Chamb 84) (19

SCORE

• CRYSTALLIZATIONS FOR PERCUSSION SEXTET New Instrumentation: Player I: 2 timpani, crotales, tam-tam, large and small cymbals (susp.) Player 2: 2 timpani, vibraphone Player 3: 2 timpani, glockenspiel Player 4 & 5 each: marimba, bass drum, 2 triangles Player 6: xylophone, tam-tam, 2 triangles, flat ride cymbal. Dur:15’ Score and parts: . . in production • SEVEN SHORT ETUDES FOR XYLOPHONE New Excellent teaching and shorter concert pieces. (N.M.O. 12244). . . kr. 140,00

WESTBYE, ÖIVIND (Norway) • CONCERTINO FOR MARIMBA AND ORCHESTRA Published in alternative editions with orchestra or concert band. Edition for Marimba and Orchestra: Score (MH 2926) . . . . . . kr. 225,00 Edition for Marimba and Concert Band: Score (MH 2924) . . . . . . kr. 225,00 Edition for Marimba and Piano (MH 2928) . . . . . . . . . . . kr. 160,00 Orchestral and Concert Band Material available on hire.

klĺder/The Emperor's New Clothes 4. Brzydkie kaczątko/Den grimme Elling/The Ugly Duckling 5. Calineczka /Tommelise/Thumbelina 6. Słowik /Nattergalen/The Nightingale 7. Królowa Śniegu (Snedronningen/ The Snow Queen Appr. 90 pages. Durata: Score (N.M.O.) . . . in 2007 Solo part (N.M.O.) in 2007

Orchestral parts on hire. NEW SERIES!

“PERCUSSION AND CHOIR”

The first edition in this NEW EXCITING series mixing voices and percussion:

Music for Percussion

GRAHAM INSTRALL (England)

Rob Waring

Seven Short Etudes For Solo Xylophone

JÓZEF WIŁKOMIRSKI

w

New

for Marimba and Chamber Orchestra (Suita koncertowa na marimbę i orkiestrę kameralną) Inspired by H.C. Andersen's Fairy Tales (na podstawie baśni H.C. Andersena) Dedicated to Katarzyna Mycka / dedykowana Katarzynie Myćce Części/Movements: 1. Dzielny ołowiany żołnierz/ Den standhaftige Tindsoldat/The Steadfast Tin Soldier (Den standhaftige tinsoldat) 2. Dziewczynka z zapałkami/Den lille pige med svovlstikerne/The Little Match Girl 3. Nowe szaty cesarza/Kejserens nye

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Side 3

Per

on Percussi TB and Choir SA

• CONCERT SUITE

slag

r Music fo

oir and Ch cussion

d For Mixe

• SMITHEREENS For amplified vibraphone and live electronic. Dur.: 7’45’’ For sale: printed score and CD. . . . . . . . . . . . . . . . In production.

Chasm-om

CHASM

New

• CHASM For mixed choir SATB and percussion. 1 player: tubular bells (c3), bass drum, 3 toms, sus.cymbals, vibraphone and marimba. Composed for the English choir Cantate Youth Choir and Daniella Ganeva. Score/Choral Score (NMO 12352A . . . . . . . . kr. 96,00 Solo Percussion Part (NMO 12352B). . . . . . . . kr. 60,00

Instral Graham

Ne • SIKOTÉ SUKÁN For Percussion Trio. Commissioned by Sisu Percussion Trio. 1.perf. 1999 at the Ultima Festival in Oslo. Dur.: 30’ Instrumentation: Percussion I: xylophone, 1 pair cengceng, 3 tom-toms, 3 cowbells, 1 gong, 1 cymbal; Percussion II: vibraphone + the same as Perc. I; Percussion III: marimba + the same as Perc I. Score and parts . . in production

(Poland) Born 1926 in Kalisz, spent his childhood in Łódź. At the age of five, as his father wished, he started learning music, continuing this education in cello class in Music Conservatory in Łódź till the outbreak of the war. In most of his life he has been a musician and conductor. After Lódz he first worked in the Warsaw Opera as a cellist, while studying conducting. As conductor he has performed with all Polish philharmonic orchestras, in the Teatr Wielki – Polish National Opera in Warsaw and in the Wrocław Opera. He has conducted in more than twenty countries across Europe, America and Asia; in twelve capital cities, including four concerts in Paris. In 1968 he started composing; his works have been thus far performed in fourteen countries, among others in the USA, Iran, Turkey.

New

Graham

Instrall

Chasm Percussion

ed For Mix

TB and Choir SA (1 Player)

COOL

METHODS/SKOLER

GROOVE SERIES!

POPULÆR TROMMESKOLE AV

Julius Charo Shuto & Ernst Wiggo Sandbakk: Afro-grooves for djembe

KJELL SAMKOPF • PRAKTISK TROMMESKOLE En populære serie lærebøker for begynnerundervisningen i 3 bind. Del 1A (MH 2260) . . . . . kr. 135,00 Del 1B (MH 2261) . . . . . kr. 110,00 Del 2 (MH 2319) . . . . . . kr. 135,00

MER MODERNE TROMMESETT

–

ET PRAKTVERK AV EI LÆREBOK

LÆR Learn African djembe-grooves. Presented with original folk songs from The Giriama People in Kenya. Published in three volumes, each with a listening and play-along CD.

SLAGVERK MED

ERNST WIGGO SANDBAKK! MER MODERNE TROMMESETT er blitt et praktverk av ei lærebok, med fin progresjon, lettfattelig metode, klare notebilder og enkel tekst.

w

Ne Book 1 Introduction on Kenya,The Giriama people as well as The Giriama music / The djembe / How to play the djembe / Baic techniques / Leo / Djungumale / Shera / Muhaso / Ghosts / Kara / Zombe / Zungula. CD with examples and listening and playalong tunes. 60 pages. (NMO 12186) Book w/CD . . . . . . . . . kr. 248,00 (x) Book 2 New Introduction / Karomaindo / Abongomale Jole / Animayo Munagaya / Vunja Milimo / Derngere / Breal I / Murisa Wango / Zowera / Dodo / Sengenya. (NMO) Book w/CD. . . kr.248,00 (x) Book 3 Kolowa - Kamba - Bulushi - Jini N’ gombe - Break 2 - Mwana Mulungo Gongolo - Chemula Mbega - Majaliwa Thari - Kalama. (NMO ) Book w/CD . . . in production

MER MODERNE TROMMESETT er skrevet som en naturlig viderføring av Hvordan spille moderne trommesett.Ved å spille gjennom øvelsene og lytte til cd-en vil du bli kjent med en mengde nye groover, og få innsikt i hva som rører seg i ulike stilarter i dagens flora av samtidsmusikk. MER MODERNE TROMMESETT 144 SIDER • STIVBIND M/CD . . . . . . . . . . . . . . . . . kr. 375,00(x)

• HVORDAN SPILLE MODERNE TROMMESETT Bok md CD (NMO 10491A) . . . . . . . Kr. 305,00 CD’en kan også kjøpes separat: CD (NMO 10491B) . . . . Kr. 128,00

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• MIDT I BLINKEN 1 TROMMER

Bok 1 m / CD (NMO 11307). . . . . . . . . Kr. 255,00 Bok 2 m / CD (NMO 11406). . . . . . . . . Kr. 298,00

DAILY

Begynnerbok for tromme (skarptromme o.l.) for musikkskoler, korps m.m.. Bygger på den populære Midt i blinkenserien for blåsere. Bok med CD (NMO 12341) kr. 198,00

• MIN EGEN SLAGVERKSSKOLE Begynnerskole på slagverk. Boka baseres på pedagogisk nytenkning: 1. Gruppeundervisning: hele grunnstam men i slagverket, fra «kjøkken» til melodisk; 2. Vektlegger gehørspill (balansert med notebasert opplæring).

Ernst-Wiggo Sandbakk:

• DOBLE BASSTROMMER Steg for steg . . . . . . . . . . . . . . . . . . . Kr. 298,00

21 TROMMEMARSJER

Sandbakk’s skoler for trommesett og slagverk, er nå supplert med denne skolen for skarptromme. Mye av lærestoffet er lik det i «Min egen slagverkskole», slik at disse kan brukes paralellt. TIL HVER AV BØKENE FØLGER «MELODI – KOMP – CD», SLIK AT ELEVENE KAN ØVE TIL CD’EN.

DRILLS!

SANDBAKK’S ØVRIGE UTGIVELSER:

Del 1 er på 100 sider, – del 2 på ca. 110. Bok 1 (NMO 11065). . . . . . . . . Kr. 160,00 Bok 2 (NMO 11404). . . . . . . . . Kr. 190,00

• MIN EGEN TROMMESKOLE

bildet. Dersom det er flere stemmer av stor vanskelighetsgrad, er skarptrommestemmen i venstre kanal, mens tomtomtenortrommestemmen er i høyre kanal. Slik kan en velge om man vil lytte til en enkelt stemme om gangen. 21 trommemarsjer for korps er en samling som gir slagverkgruppa muligheten til å sette sammen sin helt spesielle trommemarsj. Man kan fritt velge deler fra forskjellige marsjer, og arbeide fram en form på en egen trommemarsj, helt tilpasset egen smak. Nok et helt unikt konsept av Ernst-Wiggo Sandbakk! Hefte med CD (NMO 11551). . . . . . . . . . . Kr. 200,00

For korps, med CD Sandbakk utga for flere år siden noen trommemarsjer på Frost Music. Disse har vært utgått fra forlaget i flere år, og Sandbakk har nå redigert om og utvidet samlingen til hele 21 trommemarsjer. Disse trommemarsjene egner seg meget godt til bruk i gata. De er varierte både i stil, besetning og vanskelighetsgrad.Alle marsjene er innspilt på CD’en som følger samlingen. Denne er mikset og panorert med god separasjon av stemmene i stereo-

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Daglige øvelser for den kreative slagverker (Daily Drills for the Creative Drummer) Kreative daglige øvelser for slagverk med CD / Creative daily drills for the drummer with Play-Along CD). (NMO 12185) Book and CD . . . . . . . . kr. 298,00(x)

ROLF K. SELDAL:

• HVORDAN LÆRE TRADISJONELLE TROMMESLÅTTER How to learn traditional Drum tunes The Norwegian Drumtune tradition is a cultural and musical tradition from the 17th century and was most important in Norway during the 19th century. This book is an introduction of the Norwegian Drumtune tradition, the History, the Drum and the Technique. CD included.The tunes on the CD are played in slow and normal tempo Bok m/CD (MH 3160) . . kr. 225,00

´ Recordings by Katarzyna Mycka

NEW

Works dedicated to

KEIKO ABE

RECORDING!

Katarzyna Mycka ´ & Bogdan Bácanu Plays Bach!

Minoru Miki CONCERTO for Marimba and Orchestra

´ KATARZYNA MYCKA

• JOHANN SEBASTIAN BACH CEMBALO/MARIMBA CONCERTOS Incl.: Concerto I D-moll BWV 1052 / Concerto III BWV 1054 D-dur / Concerto V BWV 1056 F-moll ´ Soloists: Katarzyna Mycka/Bogdan Bacánu / National Radio Orchestra Bucharest. (Classic Concert

• MARIMBA SCULPTURE Franz Bach /Eckhard M. Stromer Rüdiger Pawassar: Sculpture 3 / Leander Kaiser: Hurricane’s Eye / Matthias Schmitt: 3 Skizzen / Ney Rosauro:Variations over Evelyn Glennie’s “A Little Prayer” / Keiko Abe: Kozak Lullaby / Steve Reich: Nagoya Marimba / Anna Ignatowicz:Toccata / Keiko Abe: Reflections on Japanese Children’s Songs II. (Audite 92.511 SACD)

MARIMBA SPIRITUAL For Marimba Solo and Three Percussionists

TIME FOR MARIMBA For Marimba Solo

Works dedicated to

KATARZYNA ´ MYCKA David Friedman BETWEEN DUSK AND DAWN A Modern Chorale for Marimba

Anna Ignatowicz PASSACAGLIA Recoords CCR05 –BM01)

´ KATARZYNA MYCKA

• MARIMBA CONCERTO Franz Bach ´ - Marimba / Franz Katarzyna Mycka Bach - Marimba / RundfunkSinfonieorchester Saarbrücken / Conductor: Dominique Fanal. Incl.: Koppel: Concerto (No.1) / Kopetzki: Konzert / Köper: Samba Classique / Keiko Abe: Prism Rhapsody II.

´ KATARZYNA MYCKA / MARIMBA SPIRITUAL ´ - Marimba / Franz Bach Katarzyna Mycka - Ineke Wulf - Klaus Dreher - Thomas Keltsch - Biao Li - Michael Schüller (Percussion). Incl.: Matthias Schmitt: Ghanaia - Minoru Miki: Marimba Spiritual, as well as works by Keiko Abe, Ney Rosauro, David Maslanka, Markus Halt, Siegfried Fink, Rich O’Meara, Anders Koppel and Paul Smadbeck. (Audite 97.450)

Duo for Marimba and Vibraphone

Eckhard Kopetzki KASKADA Für Marimba Solo

Matthias Schmitt SECHS MINIATUREN Für Marimba Solo

DREI SKIZZEN Für 2 Marimbas ´ and (Katarzyna Mycka Franz Bach)

John Thrower AURORA BOREALIS For Marimba and Percussion Ensemble (Audite 97.478)

Katarzyna Mycka ´ / MARIMBA DANCE ´ - Marimbaphon / Katarzyna Mycka Franz Bach - Thomas Keltsch - Michael Schüller (Percussion). Incl.: Matthias Schmitt: Miniaturen (Sechs) - Eckhard Kopetzki: Kaskada John Thrower: Aurora Borealis - as well as works by Keiko Abe, Andrew Thomas, Ney Rosauro, Emmanuel Sejourné and Benjamin Wittiber. (Audite 97.462)

For concert engagement etc. please ´ at: contact Mycka E-mail: [email protected] www.marimbasolo.com

This catalog is published by:

NORSK MUSIKFORLAG A/S Postboks 1499 Vika, N-0116 Oslo Norway Tel (+47) 23 00 20 10 Fax (+47) 23 00 20 11 E-mail: [email protected]

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Peter Sa dlo

S.F. For Marimba Solo

Wayne Siegel

42nd Street Rondo for Percussion Duo