Turning pictures into profits
HOT OFF THE PRESS For nearly 20 years, we at Hot Press have served the framing and photographic markets with a wide range of premium laminating films, mounting adhesives and substrates. While our greatest claim to fame is undoubtedly the Hot Press brand of heated glass top vacuum presses, we think our hands-on technical support and legendary customer service is what truly sets us apart.
TRAINING DVDS JETMOUNTER 18/26/34
This instructional DVD helps you to set up and operate desk top laminators, specifically the Jetmounter 18, Jetmounter 26 and Jetmounter 34. Subjects covered include: • Mounting to various board types • Mounting of various art types • Various methods of over-lamination • Face mounting to Perspex • Creating floater frames and image wraps on MDF • Mounting images within wedding albums This is an essential for anyone wanting to maximize their work and revenue flow.
JETMOUNTER 55
This instructional DVD covers the set up and operation of larger laminators, with roll feed and take up bars, specifically the Jetmounter 55. Subjects covered include: • Setting up a laminator for continuous feed mounting • Setting up a laminator for continuous feed laminating • Using removable films for creating temporary displays • Mounting to various board types • Mounting to various art types • Various methods of over-laminating • Face mounting to Perspex This is an invaluable guide for anyone who is new to large laminator operations.
HOT GLASS PRESSES
This unique DVD covers the set up and operation of heated vacuum presses, specifically the HGP260/ HGP360 and HGP560. Subjects covered include: • Setting up a press and control feature explanation • Overview of essential accessories and tools needed for successful operation • Mounting techniques for various board and artwork combinations • Various over-laminating techniques • Canvas bonding of photographs and paper prints • Protection of inkjet canvases by the application of ultra thin laminates
CONTENTS 1. JETMOUNTERTM MANUAL LAMINATORS ................... 3
ML12..............................................................................................3 ML25..............................................................................................3
2. JETMOUNTERTM MOTORISED LAMINATORS............. 4
JM18, JM26, JM34 ........................................................................5 JM44SHA, JM55SHA ....................................................................5 JM55 FUZION................................................................................6 JM63 PRO......................................................................................6
3. PRESSURE SENSITIVE MOUNTING FILMS................ 7
DOUBLE-SIDED MOUNT FILM.....................................................7 SYNARTTM......................................................................................8 FYNARTTM......................................................................................8 WINDOW-ART MOUNT FILM........................................................8 SELF-WOUND MOUNT FILM, STANDARD..................................9 SELF-WOUND MOUNT FILM, ULTRA .........................................9 SELF-WOUND MOUNT FILM, WHITE..........................................9 SELF-WOUND MOUNT FILM, PERM/PEEL.................................9 TRANSFER MOUNT FILM, ULTRA...............................................9
4. PRESSURE SENSITIVE LAMINATES........................ 10
SATIN MATT................................................................................10 FULL MATT..................................................................................10 EARTH SMART MATT.................................................................11 FLEXI GLOSS..............................................................................11 STANDARD GLOSS. ..................................................................11 ULTRA GLOSS............................................................................11 EARTH SMART GLOSS..............................................................12 SAND TEXTURE..........................................................................12 FINE LINEN..................................................................................12 COARSE LINEN...........................................................................12 CANVASTEX................................................................................13 NATURAL LEATHER...................................................................13 STEEL..........................................................................................13 SHEENTEX..................................................................................13 CRYSTALTEX..............................................................................13
5. SPECIALITY SELF-ADHESIVE FILMS........................ 14
ADHESIVE BACKED VELOUR....................................................14 CHALKBOARD LAMINATE..........................................................15 EASY PEEL PROTECTION FILM................................................15
6. HOT GLASS VACUUM PRESSES.............................. 16 7. DRY MOUNTING TISSUES......................................... 20
UNIMOUNT CLASSICTM...............................................................20 VISTAMOUNTTM...........................................................................21 ARTSAFE 200TM...........................................................................21
8. HEAT ACTIVATED MOUNTING FILMS....................... 22
DRY MOUNT FILM - CLEAR.......................................................22 DRY MOUNT FILM - WHITE........................................................22 ACID-FREE MOUNT FILM...........................................................23 HEAT TRANSFER FILM..............................................................23
9. HEATSEAL LAMINATES............................................. 26
GLOSS LUSTRE..........................................................................26 SATIN MATT................................................................................26 FULL MATT..................................................................................27 SAND TEXTURE..........................................................................27 FINE LINEN..................................................................................27 COARSE LINEN...........................................................................27 CANVASTEX................................................................................27
10. ANCILLARIES ........................................................... 30
SILICONE RELEASE PAPER......................................................30 CLEAR SILICONE RELEASE FILM.............................................30 FOAM PLASTIC...........................................................................30 VACUFOAM.................................................................................30
11. CANVAS..................................................................... 31
PLAIN MOUNTING CANVAS ......................................................31 ADHESIVE COATED CANVAS ..................................................31 SUPER WHITE ADHESIVE CANVAS.........................................31
12. TOOLS OF THE TRADE............................................ 33
TACKING IRON............................................................................33 PIERCING TOOL.........................................................................33 STRETCHER PLIERS..................................................................34 SMOOTHING PADS.....................................................................34 PRINT SQUEEGEE.....................................................................34 PRINT ROLLER ..........................................................................34 NON-STICK TEFLONTM COATED SCISSORS............................35 ZIPPY CUTTER............................................................................35 OLFA KNIVES..............................................................................35 CUTTING MATS...........................................................................36 THE BIG PURPLE RULER..........................................................36 TAC CLOTHSTM............................................................................37 ANTI-STATIC CLOTH..................................................................37 ANTI-STATIC GLOVES................................................................37 ANTI-STATIC BRUSH..................................................................37 DUST REMOVAL SYSTEM ROLLER AND PADS......................38 MAGNETIC LAMINATOR CADDY...............................................38 MULETMAND WHIPTM...................................................................38
13. SUBSTRATES........................................................... 39
WHITE DISPLAY BOARD............................................................39 STIKIBOARDTM SELF-ADHESIVE BOARD..................................40 EASYMOUNTTM DRY MOUNT CARD..........................................40 RIGID PLASTIC STIFFENER.......................................................40 FOAM CENTERED BOARD. .......................................................40 SELF-ADHESIVE FOAM CENTERED BOARD...........................40 FOAM CENTERED BOARD HANGERS......................................41 VELCRO.......................................................................................41 FOAM TAPE.................................................................................41
14. MAGNETIC GRAPHIC SYSTEMS............................. 42
MAGNET RECEPTIVE PRIMER PAINT......................................42 MAGNETIC SHEETING...............................................................43 EDGE TO EDGE MAGNETIC STRIP...........................................43 MAGNETIC ‘A TO B’ STRIP.........................................................43
15. PLAQUE DECOR® EDGE FINISHING SYSTEM....... 44
SHAPER STATION......................................................................44 FOILER STATION........................................................................44 KEY HOLE ROUTER...................................................................44 PLAQUE DECOR® EDGING FOILS............................................45
16. INGLET VERTICAL CUTTER.................................... 46
VERDI BASIC...............................................................................46 VERDI TWIN................................................................................46 ACCESSORIES...........................................................................47
17. KEENCUT MEDIA CUTTERS.................................... 49
TECHNIC ADVANCED ROTARY CUTTER.................................50 STEEL TRAK VERTICAL CUTTER.............................................50 STEEL TRAK ACCESSORIES....................................................50 STEEL BLADE AND CUTTING WHEELS...................................50 STEEL TRAK V-GROOVING TOOL............................................50 EVOLUTION HIGH-PRECISION CUTTER BAR .........................51 JAVELIN XTRA............................................................................51 TEXTILE CUTTER.......................................................................52 STANDARD WORKBENCHES....................................................52 CUTTER BLADES........................................................................52 EXCALIBUR ................................................................................53 SIMPLEX......................................................................................53 SABRE SERIES 2........................................................................54 MAX..............................................................................................54 BIG BENCH..................................................................................54
www.hotpress.co.uk Tel: 0845 0700660 or +44 (0)117 958 6500
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JETMOUNTER MANUAL LAMINATORS Here at Hot Press we have always been known for supplying the best in quality equipment for professional print presentation. As new markets emerge we aim to deliver machinery that is perfect for the job. The home workshop and limited space retail sector has been growing in recent years and though many people would like a JetMounterTM or a Hot Glass Press – they simply do not have the room. With this in mind we are pleased to offer two new machines that will help users in this market.
ML12 MANUAL LAMINATOR
JETMOUNTER MANUAL LAMINATORS
This new manual laminator is perfect for the home user or for those who only need to laminate smaller items. Though built as a table top unit it is still capable of doing a wide variety of jobs. With its opening height of an impressive 20mm, it is perfect for people wanting to produce chunky style acrylic blocks and Citiblok style block mounts. The maximum working width of this model is 335mm which means that work up to the popular Super A3+ size can be accommodated. The height is set with twin adjusters and work is transported through the laminator by a hand crank handle. Due to its light weight construction, when not in use the laminator can be easily stored away. Please note this laminator requires some self assembly which will require a screwdriver.
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ML25 MANUAL LAMINATOR
Though the JetMounterTM 26 is the most popular machine in our laminator range, it may be a little over specified for the occasional or home user. With our huge range of 650mm wide materials we have been asked for a laminator that will handle this size, but is lighter in weight and with a more basic specification. The ML25 has a working width of 650mm and opens to 20mm high. Work is transported through the laminator by a hand crank handle. Due to its light weight construction and fold up feed tables, the laminator can be easily stored away, when not in use.
ML12
www.hotpress.co.uk Tel: 0845 0700660 or +44 (0)117 958 6500
ML25
JETMOUNTER MOTORSIED LAMINATORS JetMountersTM are designed to be easy to operate whilst producing work to the highest professional standards. They can handle all types of flat artwork, from photographs and paper posters to delicate plastics and vinyls. They are also ideal for processing most board stock, from simple card to MDF and Masonite.
Smaller JetMounters™ are designed to be operated on any desk or work bench and are light-weight for easy storing. Larger laminators can be bench mounted or fitted to a custom designed stand with wheels for easy manoeuvring. The largest JetMounter™ is built on a permanent stand that offers safe and rigid support but allows the operator access to the underside of the machine.
OPERATING WIDTHS
JetMounters™ come in a variety of sizes with maximum operating widths from 457mm to 1630mm. Small jobs can be processed on larger machines with ease, so it is important to consider the maximum width you will require.
BOARD THICKNESS AND ADJUSTMENT
For maximum versatility the JetMountersTM are fitted with variable height adjusters. From the thinnest graphic to the thickest panel it is simple to set up your JetMounter™ to use the right amount of pressure across your work. Please see the specification panel for further details.
FORWARD AND REVERSE OPERATION
Though JetMounters™ are designed to feed your work through from the front to the back, they have a useful reverse operation switch that allows for accurate positioning of precision jobs.
VARIABLE SPEED CONTROL
For new laminator users the variable speed control is a great feature which allows you to build your confidence by using the machine at slower speeds. As your expertise grows you can move to faster speeds and the top speed will save you time and money.
SAFETY FEATURES
Safety in the workshop is vital and the JetMounter™ range of laminators use ‘magic eye’ technology to stop the laminator when a possible obstruction enters the rollers. Additionally, emergency stop buttons and reset procedures ensure safe working conditions for operators.
AUTO OR FOOT OPERATION
JetMountersTM can be set to run automatically for the continuous feed of boards or can be set for foot switch operation.
www.hotpress.co.uk Tel: 0845 0700660 or +44 (0)117 958 6500
JETMOUNTER MOTORISED LAMINATORS
MACHINE POSITIONING
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INTRODUCING THE JM34 By popular demand the new-size JM34 has been created to fulfil a gap in the market. The JM34 is the ideal width for processing full sheets of mountboard, offering more versatility on commonly used board sizes.
JM26
JetMounter™ JM18, JM26 and JM34
These smaller, motorised tabletop laminators are operated by foot switch, leaving both hands free to handle the work being processed. The JM18, JM26 and JM34 are designed for mounting and laminating inkjet outputs but are equally capable of handling photographic or printed media. All models include a supply shaft and self-checking photocells for finger protection. Note: there are no rewind shafts on these models.
Exclusive to the JetMounter range: • Siliconised rollers • New higher 25mm opening height
JetMounter™ JM44SHA and JM55SHA
In addition to the standard features offered by all JetMounter™ electric models, including variable speed electric drive, silicone rollers, steel construction, foot pedal and photo-electric safety stop, the JM44SHA and JM55SHA also offer:
JETMOUNTER MOTORISED LAMINATORS
• •
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• • • •
single height adjustment controls an LCD pressure gauge display to allow more precision control of mounting and laminating operations unwind and rewind shafts bigger diameter rollers digital height readout front-mounted media unwind tray with supply shaft which can be used for feeding media, mounting adhesive or kraft paper
JM44SHA
Both models also come complete with stand with roll storage feature.
www.hotpress.co.uk Tel: 0845 0700660 or +44 (0)117 958 6500
JM55 FUZION
JM63 PRO
JetMounter™JM55 Fuzion and JM63 PRO Features:
The JetMounter™ JM55 Fuzion and JM63 Pro are versatile • wide-format roller laminators with roll to roll capability.The heavy duty construction with large heat-assist roller makes • • this model ideal for high volume print departments. • The JM63 Pro also has a front-mounted media unwind tray • with a supply shaft that can be used for feeding media, • mounting adhesive or kraft paper. The JM63 Pro is available • • with a heat assist roller that runs at 43.3° Celsius (110°F). •
AVAILABLE IN THE UK ONLY Due to their physical size and weight the JM55 Fuzion and the JM63PRO are only avaliable to the UK market.
• • • •
Top silicone roller has an adjustable temperature range from room temperature to 60oCelsius (140oF) Auto and foot pedal operation mode Nip pressure indicator Fold away front table Heavy duty lockable casters Two top mounted emergency stops Paper in-feed guide to hold paper flat Self-checking photo cells for finger protection Top and bottom auto-grip supply shafts with brake tension control Top and bottom wind-up with shafts adjustable speed Single mechanical height/pressure adjustment (no compressor needed) Extra rear windup shaft for rewinding roll to roll Two part construction (separate stand) to facilitate shipping and installation
Model
JM18
JM26
JM34
JM44SHA
JM55SHA
JM55 FUZION
JM63PRO
Max working width
465mm (18”)
670mm (26”)
890mm (34”)
1120mm (44”)
1400mm (55”)
1400mm (55”)
1600mm (63”)
Width
648mm (25.5”)
845mm (33.3”)
1050mm
1540mm
1790mm
1850mm
(41.3”)
(60.6”)
(70.5”)
(72.8”)
Depth
299mm (11.8”)
310mm (12.2”)
300mm (11.8”)
480mm (18.9”)
480mm (18.9”)
610mm (24”)
820mm (32.3”)
Height
340mm (13.4”)
340mm (13.4”)
340mm (13.4”)
480mm (18.9”)
480mm (18.9”)
1220mm (48”)
1270mm (50”)
Weight
23kg (51lbs)
24kg (53lbs)
32kg (70.5lbs)
110kg (242lbs)
150kg (330lbs)
260kg (573lbs)
420kg (925lbs)
Roller diameter
63.5mm (2.5”)
63.5mm (2.5”)
63.5mm (2.5”)
102mm (4”)
127mm (5”)
130mm (5.1”)
140mm (5.5”)
Max opening
25mm (1”)
25mm (1”)
25mm (1”)
25mm (1”)
25mm (1”)
50mm (2”)
50mm (2”)
76-305cm/min
76-305cm/min
76-305cm/min
91-550cm/min
61-550cm/min
0.3-65m/min
0.5-10m/min
(2.5-10fpm)
(2.5-10fpm)
(2.5-10fpm)
(3-18fpm)
(2-18fpm)
(0.37 -12fpm)
(1.6-33fpm)
Speed range
2080mm (82”)
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www.hotpress.co.uk Tel: 0845 0700660 or +44 (0)117 958 6500
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PRESSURE SENSITITVE MOUNTING FILMS Our comprehensive range of pressure sensitive mounting films are ideal for all standard mounting projects and a wide variety of applications, such as face mounting on acrylic and interchangeable graphics. As you would expect, all of our films use only the highest quality adhesives, carriers and release liners so you can always be assured of the best results.
DOUBLE-SIDED MOUNT FILM
PRESSURE SENSITIVE MOUNTING FILMS
This is our most popular pressure sensitive mounting film. It works well with all kinds of laminators and can even be applied by hand for specialist jobs. The product itself is formed from a clear central carrier film, which is coated on both sides with a very strong adhesive. Each adhesive layer is then protected by a grid-marked carrier paper. The two separate release liners mean that this adhesive can be rolled out on the work bench and simply cut to the correct size for each mounting job. Off-cuts of material need not be wasted, but used for smaller jobs later. This product is suitable for all kinds of artwork from plain paper and posters to inkjet and photographic media. Due to its strength and flexibility it also works well with plastic based media and textured art papers. Double-sided mount film works well with all kinds of mounting substrates, from white display board and foam centred boards to MDF and rigid plastic boards.
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Code
Size
PMDS12082
325mm x 25m (12.5” x 82’)
PMDS25016
650mm x 5m (25.5” x 16’)
PMDS25082
650mm x 25m (25.5” x 82’)
PMDS25328
650mm x 100m (25.5” x 328’)
PMDS33082
840mm x 25m (33” x 82’)
PMDS41082
1040mm x 25m (41” x 82’)
PMDS41328
1040mm x 100m (41” x 328’)
PMDS51082
1300mm x 25m (51” x 82’)
PMDS51328
1300mm x 100m (51” x 328’)
NEW SIZE NEW SIZE
NEW SIZE
www.hotpress.co.uk Tel: 0845 0700660 or +44 (0)117 958 6500
WINDOW-ART MOUNT FILM
NEW!
Mounting images to clear acrylic panels, originally practised in the sign making industry, has always been popular. Creating large, illuminated signs for shopping centres, airports and other public areas, where the work is viewed from a distance, only requires a basic, optically clear film. Polypropylene is used as the central core of this film and the product is fine for those looking for an economy product. Synart, as its name suggests, is primarily used for the production of acrylic signage; for artwork that is to be viewed in the home we would suggest looking at our superior Fynart product.
Code
Size
PMTS25082
650mm x 25m (25.5” x 82’)
PMTS41164
1040mm x 50m (41” x 164’)
PMTS51164
1300mm x 50m (51” x 164’)
TRANSPARENCY MOUNT FILM FYNARTTM
This is our more established and superior quality optically clear mounting film. For wall art and acrylic blocks this film offers much better colour rendition and is truly invisible even when viewed close up. Fynart is the choice of photographers, framers, digital artists and photo labs who want to produce the highest quality products and charge a premium for their work. If you require more information on how to produce acrylic blocks please contact us.
This mounting film has a number of uses. Its primary function is as an adhesive for applying artwork and signage to windows and other clear surfaces. The first side of the mount film has a conventional permanent adhesive and this is intended to be stuck to the front or back of the artwork itself, depending on the application. The second side of the film has a special release liner that, when peeled back, exposes a micro-pyramid pattern adhesive. The texture of the adhesive means that when the artwork or graphic is hand-applied to the window, the image rests with only the points of the micro-pyramids touching the glass. This has two benefits: air can easily be pushed out, leaving no bubbles and the image can easily be repositioned as required. Our PRINT SQUEEGEE is perfect for this kind of work. When the artwork is to be removed it does so cleanly from the glass with no residue left behind.
Code
Size
PMWA25016
650mm x 5m (25.5” x 16.4’)
PMWA25082
650mm x 25m (25.5” x 82’)
PMWA41164
1040mm x 50m (41” x 164’)
PMWA51164
1300mm x 50m (51” x 164’)
NEW SIZE
ALTERNATIVE USES A popular use of Window-art is application to
Code
Size
PMTF12016
325mm x 5m (12.5” x 16’)
PMTF25016
650mm x 5m (25.5” x 16.4’)
PMTF25082
650mm x 25m (25.5” x 82’)
PMTF41164
1040mm x 50m (41” x 164’)
PMTF51164
1300mm x 50m (51” x 164’)
NEW SIZE
the back of photographs, so that they can be stuck to wedding album pages and will still peel off if adjustment is required. When an album is completed to your satisfaction the prints can then be made permanent by pressing the images with our PRINT ROLLER, which ‘pops’ the micro-pyramids and gives a full adhesive coverage. Window-art is also ideal for making temporary signage for walls, doors, counter tops and even vehicles. When making signs the Window-art is applied to the back of the graphic and the graphic is usually laminated with a top film for durability. This method requires that the surface stuck to is clean and smooth.
PRESSURE SENSITIVE MOUNTING FILMS
TRANSPARENCY MOUNT FILM SYNARTTM
2
www.hotpress.co.uk Tel: 0845 0700660 or +44 (0)117 958 6500
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SELF-WOUND MOUNT FILM STANDARD
We offer various self-wound mounting films, for use with laminators that feature an unwind shaft on the top. Selfwound mounting films have only one release liner, which is non-stick on both sides. As the roll is unwound the adhesive layer is exposed, so these films cannot be used for cut sheet applications. Additionally the full width of the roll will always be used as the film passes through the laminator, making self- wound films more suited to volume jobs, where a large number of boards or images are to be processed at the same time. Our STANDARD film is a general purpose film that is suitable for most NEW! kinds of artwork, from plain paper and posters to inkjet and photographic media. Standard self-wound film works well with all kinds of mounting substrates, from white display board and foam centred boards to MDF and rigid plastic boards.
Size
PMSW25082
650mm x 25m (25.5” x 82’)
PMSW25164
650mm x 50m (25.5” x 164’)
PMSW41082
1040mm x 25m (41” x 82’)
PMSW41164
1040mm x 50m (41” x 164’)
PMSW41328
1040mm x 100m (41” x 328’)
PMSW51082
1300mm x 25m (51” x 82’)
PMSW51164
1300mm x 50m (51” x 164’)
PMSW51328
1300mm x 100m (51” x 328’)
PMSW51164
1400mm x 50m (55” x 164’)
PMSW61164
1550mm x 50m (61” x 164’)
PRESSURE SENSITIVE MOUNTING FILMS
9
NEW SIZE
NEW SIZE NEW SIZE NEW SIZE
NEW!
Our ULTRA option of self-wound mount film has been developed for more challenging applications, where the standard product may struggle. Mounting substrates such as corex or aluminium are notoriously difficult to get a strong bond to and this film will provide a better result. Similarly, when trying to wrap graphics around the edge of thicker substrates, such as MDF, the extra adhesion that this film provides will do the job.
Code
Size
PMSU25164
650mm x 50m (25.5” x 164’)
PMSU41164
1040mm x 50m (41” x 164’)
PMSU41328
1040mm x 100m (41” x 328’)
PMSU51164
1300mm x 50m (51” x 164’)
PMSU51328
1300mm x 100m (51” x 328’)
NEW!
Most self-wound mount films have a clear central layer. Our new WHITE option has been introduced at the request of our customers, who want an adhesive layer that improves the optical brightness of prints that are on thinner or translucent media. This film is also very thick at 75 microns, which means it will absorb minor imperfections in cheaper mounting boards and lessen the ‘orange peel’ effect, which is seen when using inferior board stock.
Code
Size
PMWT25164
650mm x 50m (25.5” x 164’)
PMWT41164
1040mm x 50m (41” x 164’)
PMWT51164
1300mm x 50m (51” x 164’)
SELF-WOUND MOUNT FILM PERM/PEEL
Code
SELF-WOUND MOUNT FILM ULTRA
SELF-WOUND MOUNT FILM WHITE
NEW!
This product is an unusual twist on the normal selfwound recipe. PERM/PEEL has two different kinds of adhesive built into one film. As the roll unwinds it exposes a permanent adhesive, which can be coated to the back of your artwork or onto a board. When the second layer is exposed it is a lower tack adhesive. This film is suitable for coating graphics that can be stuck to rigid plastic or expanded foam PVC boards. The graphic can be removed later, allowing the board to be re-used, thus saving money. When coated onto the board itself, it creates a repositionable surface for the application of complex artwork that may need to be applied by hand and re-arranged.
Code
Size
PMPP25164
650mm x 50m (25.5” x 164’)
PMPP41164
1040mm x 50m (41” x 164’)
PMPP51164
1300mm x 50m (51” x 164’)
TRANSFER MOUNT FILM ULTRA
NEW!
The ULTRA version of our transfer film features a more aggressive adhesive and, due to its carrierless construction, it is very good for wrapping images around edges, like thick MDF. This product is also recommended for flexible or roll works, such as pull up banners.
Code
Size
PMTU25328
350mm x 100m (25.5” x 328’)
PMTU41328
1040mm x 100m (41” x 328’)
PMTU51328
1300mm x 100m (51” x 328’)
www.hotpress.co.uk Tel: 0845 0700660 or +44 (0)117 958 6500
PRESSURE SENSITITVE LAMINATES The Hot Press range of pressure-sensitive, or cold, laminates is designed for use with the JetMounterTM and other quality roller laminators. The films work well at room temperature and provide superior protection from abrasion, moisture and pollutants. All contain UV stabilisers and absorbers to inhibit fading and discolouration from sunlight.
SATIN MATT 50µ
The overall finish of this film is a soft and smooth sheen effect. This film is often used to laminate paper posters and prints, as its subtle finish closely mimics that of the printed piece. The satin finish reduces glare but doesn’t reduce contrast. Another popular use for Satin Matt is as a protective laminate for images in wedding albums; as the film is relatively thin it doesn’t add too much bulk to the album.
Code
Size
PSSM25016
650mm 5m (25.5” x 16.4’)
PSSM25082
650mm x 25m (25.5 x 82’)
PSSM25328
650mm x 100m (25.5” x 328’) 840mm x 25m (33” x 82’)
PSSM41082
1040mm x 25m (41” x 82’)
PSSM41328
1040mm x 100m (41” x 328’)
PSSM51328
1300mm x 100m (51” x 328’)
NEW SIZE
The purpose of the complete matt finish of this film is to eliminate reflections. Full Matt film is most often used where lighting is unpredictable and uncontrollable, such as exhibition halls and other public places. This film is very useful for creating a protective surface that doesn’t actually look laminated, as it is virtually undetectable to the naked eye. It also offers additional UV protection when used behind plain glass, yet is almost invisible.
Code
Size
PSFM25016
650mm x 5m (25.5” x 16.4’)
PSFM25082
650mm x 25m (25.5” x 82’)
PSFM33082
840mm x 25m (33” x 82’)
PSFM41082
1040mm x 25m (41” x 82’)
PSFM41328
1040mm x 100m (41” x 328’)
PSFM51328
1300mm x 100m (51” x 328’)
NEW SIZE NEW SIZE
PRESSURE SENSITIVE LAMINATES
PSSM33082
NEW SIZE
FULL MATT 75µ
www.hotpress.co.uk Tel: 0845 0700660 or +44 (0)117 958 6500
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EARTH SMARTTM - MATT 50µ
NEW!
As our films are used for many different purposes, this new and revolutionary laminating film has been developed as an addition to our matt finish range. It consists of a certified biodegradable BIO PLASTIC laminating film with an aqueous (water-based) adhesive. This film is recommended for use with recyclable or compostable printable media and mounting boards. For short-term displays with a limited lifespan this product is friendlier to the environment.
Code
Size
PSEM25164
650mm x 50m (25.5” x 164’)
PSEM41164
1040mm x 50m (41” x 164’)
PSEM51164
1300mm x 50m (51” x 164’)
FLEXI GLOSS 75µ
STANDARD GLOSS 40µ
This long-established film, with its simple gloss finish, closely resembles the gloss surface of conventional photographic and inkjet media. It can be used to impart a glossy finish to any flat artwork, regardless of its original finish.
Code
Size
PSSG25016
650mm x 5m (25.5” x 16.4’)
PSSG25082
650mm x 25m (25.5” x 82’)
PSSG33082
840mm x 25m (33” x 82’)
PSSG41082
1040mm x 25m (41” x 82’)
PSSG41328
1040mm x 100m (41” x 328’)
PSSG51164
1300mm x 50m (51” x 164’)
PSSG51328
1300mm x 100m (51” x 328’)
Code
Size
PSCG25016
650mm x 5m (25.5” x 16.4’)
PSCG25082
650mm x 25m (25.5” x 82’)
PSCG25164
650mm x 50m (25.5” x 164’)
PSCG33082
840mm x 25m (33” x 82’)
PSCG41164
1040mm x 50m (41” x 164’)
PSCG41328
1040mm x 100m (41” x 328’)
PSCG51164
1300mm x 50m (51” x 164’)
PSCG51328
1300mm x 100m (51” x 328’)
ULTRA GLOSS 50µ
This film offers the highest level of gloss available and the finish is often compared to Cibachrome prints. With its incredibly smooth surface it delivers an almost mirror-like finish. The film is recommended for artwork where impact and vibrant colours are required. When mounting Ultra Gloss images a very high quality adhesive film and board type are highly recommended, such as SELF-WOUND MOUNT FILM WHITE in conjunction with composite aluminium board, such as DiBond.
Code
Size
PSUG25016
650mm x 5m (25.5” x 16.4’)
PSUG25082
650mm x 25m (25.5” x 82’)
PSUG41164
1400mm x 50m (41” x 164’)
PSUG51164
1300mm x 50m (51” x 164’)
GOT A PICTURE FRAMING QUESTION?
PRESSURE SENSITIVE LAMINATES
NEW SIZE
NEW!
A new gloss to our existing range. Unlike standard and Ultra Gloss our new Flexi Gloss has the ability to bend, making it suitable for wrap around applications, such as wrapping around thick MDF blocks. Flexi Gloss is also less prone to scratching, making it suitable for display purposes where the artwork may be handled a lot.
11
NEW SIZE
Hot Press is proud to support The Framers Forum. This is a forum site for picture framers and image makers worldwide. It is free to join and is a great place to share ideas, tips and recommendations on all things related to art presentation. The forum is run by picture framers – for picture framers. To get involved with this global community, simply point your browser at www.theframersforum.com and join in the fun!
www.hotpress.co.uk Tel: 0845 0700660 or +44 (0)117 958 6500
NEW SIZE
EARTH SMARTTM - GLOSS 50µ
NEW!
NEW!
This is another new introduction to our EARTH SMART range of products. It has an attractive gloss finish and creates impact. Again it consists of a certified biodegradable BIO PLASTIC laminating film with an aqueous (water-based) adhesive. This film is also recommended for use with recyclable or compostable printable media and mounting boards. For short term displays with a limited lifespan this product is also friendlier to the environment. TM
FINE LINEN 90µ
This delicate, linen-textured laminate is the finest of the three fabric textures in our range. It is often specified by photographers wishing to impart a subtle yet decorative finish to their work. It is non-reflective and quite scuff resistant making it ideal for wall prints in the home or for display. It is also useful for disguising minor creases and cracks in prints and posters.
Code
Size
PSFL25016
650mm x 5m (25.5” x 16.4’)
Code
Size
PSFL25082
650mm x 25m (25.5” x 82’)
PSEG25164
650mm x 50m (25.5” x 164’)
PSFL51082
1300mm x 25m (51” x 82’)
PSEG41164
1040mm x 50m (41” x 164’)
PSFL51164
1300mm x 50m (51” x 164’)
PSEG51164
130mm x 50m (51” x 164’)
COARSE LINEN 90µ
SAND TEXTURE 90µ
A long standing favourite in our cold range, this nonreflective film is ideal for artwork and graphics that will be subjected to prolonged exposure in public places, such as restaurants, cafes, pubs and hotels. It displays a pleasing sandy texture that is also very scuff-resistant. When used in conjunction with the correct base films, it forms a great top surface for floor graphics, as it has attained slip rating safety test standards. Information on this is available on request.
Code
NEW SIZE
Size 650mm x 5m (25.5” x 16.4’)
PSST25082
650mm x 25m (25.5” x 82’)
PSST25328
650mm x 100m (25.5” x 328’)
PSST33082
840mm x 25m (33” x 82’)
PSST41082
1040mm x 25m (41” x 82’)
PSST41328
1040mm x 100m (41” x 328’)
PSST51164
1300mm x 50m (51” x 164’)
PSST51328
1300mm x 100m (51” x 328’)
Code
Size
PSCL25016
650mm x 5m (25.5” x 16.4’)
PSCL25082
650mm x 25m (25.5” x 82’)
PSCL51082
1300mm x 25m (51” x 82’)
PSCL51164
1300mm x 50m (51” x 164’)
NEW SIZE
NEW SIZE
PRESSURE SENSITIVE LAMINATES
PSST25016
NEW SIZE
This film displays a mid-gauge fabric texture resembling rough cotton or hessian. It is commonly used on larger format artwork where a finer finish may be lost. The rougher gauge of this film is capable of hiding larger imperfections in prints and posters. Like most textured laminates it is quite scuff resistant.
www.hotpress.co.uk Tel: 0845 0700660 or +44 (0)117 958 6500
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CANVASTEX 190µ
NEW!
A very heavy-gauge fabric-texture film that is reminiscent of real canvas. This brand new addition to our range has already proved a massive hit, with pre-launch test volunteers. Canvastex is a good alternative to either printing to, or indeed mounting on, real canvas. The use of less expensive media and less ink make this product a cost effective alternative to more expensive printable canvases. The protection of inkjet canvas by lamination is highly recommended, as it is very susceptible to damage. But this is usually only possible using a heat-vacuum method. Canvastex opens up many new opportunities for cold laminator users to capitalise on the trend for canvas-look prints. Canvastex is very durable and, like all laminates, easy to clean, making it ideal for work that is on show in public areas, such as hotels, restaurants, cafes and clubs. Canvastex creates the illusion that the image has been printed onto canvas but is much tougher and easier to maintain. Canvastex is well suited to photographic portraiture, landscapes and many kinds of artwork that simulate paintings, both traditional and modern.
Code
Size
PSCN25016
650mm x 5m (25.5” x 16.4’)
PSCN25082
650mm x 25m (25.5” x 82’)
PSCN51082
1300mm x 25m (51” x 82’)
PRESSURE SENSITIVE LAMINATES
NATURAL LEATHER 190µ
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NEW!
In previous years we have offered a complete range of leather-look laminates, but sadly the finish of the base films went down in quality and we felt that they reflected badly on our reputation for only offering the very best. After extensive product development and testing we have been able to source a superior grade plastic and we are now able to re-introduce a leather finish to our range. The new NATURAL LEATHER is a medium grain texture and suits a wide variety of artwork. It can also be used to cover coloured papers to create a leatherlook covering for books and albums. When coated onto coloured mount boards it makes great leather mounts for picture surrounds. As leather is currently very popular for household furniture this is a great time to return a leather finish to our comprehensive list of finishes.
Code
Size
PSLT25016
650mm x 5m (25.5” x 16.4’)
PSLT25082
650mm x 25m (25.5” x 82’)
PSLT51082
1300mm x 25m (51” x 82’)
STEEL 90µ
This film was introduced in our last catalogue and is winning a very strong following. Its unique brushed steel finish looks good on both modern and traditional styles of artwork. The effect is technically known as a ‘florentine’ pattern. This pattern is common on gold and silver picture frame mouldings and when used together with our steel finish has a very harmonising effect. Steel can be used with modern images to create a contemporary feel, or traditional images to create a brush stroke effect.
Code
Size
PSSF25016
650mm x 5m (25.5” x 16.4’)
PSSF25082
635mm x 25m (25” x 82’)
PSSF51082
1300mm x 25m (51” x 82’)
NEW SIZE
SHEENTEX 90µ
Sheentex is a variant of our popular Sand Texture finish, with a satin rather than a matt base. This gives the same sandy texture, but with a little more sheen to the final result. As with sand texture, the built-in grain gives added protection from abrasion and helps reduce glare.
Code
Size
PSSN25082
650mm x 25m (25.5” x 82’)
PSSN41164
1040mm x 50m (41” x 164’)
PSSN51164
1300mm x 50m (51” x 164’)
CRYSTALTEX 90µ
This film has a tiny diamond faceted surface texture that scatters light to give a deep lustrous finish to print surfaces. It is reminicient of our very popular GLOSS LUSTRE heatseal finish. It is especially well suited to photographic style work.
Code
Size
PSCR12082
325mm x 25m (12.5” x 82’)
PSCR25016
650mm x 5m (25.5” x 16.4’)
PSCR25082
650mm x 25m (25.5” x 82’)
PSCR25328
650mm x 100m (25.5” x 328’)
PSCR33082
840mm x 25m (33” x 82’)
PSCR41164
1040mm x 50m (41” x 164’)
PSCR41328
1040mm x 100m (41” x 328’)
PSCR51164
1300mm x 50m (51” x 164’)
PSCR51328
1300mm x 100m (51” x 328’)
www.hotpress.co.uk Tel: 0845 0700660 or +44 (0)117 958 6500
NEW SIZE NEW SIZE
NEW SIZE
SPECIALITY SELF-ADHESIVE FILMS Hot Press is part of a large group of companies that specialise in different business sectors. We are pleased to be able to offer a collection of our sister companies’ product ranges - new products with very useful applications that differ from our normal materials.
ADHESIVE BACKED VELOUR
NEW!
Code
Size
PSVB25016
650mm x 5m (25.5” x 16’)
PSVB25082
650mm x 25m (25.5” x 82’)
PSVB51016
1300mm x 5m (51” x 16’)
CAN’T FIND WHAT YOU’RE LOOKING FOR? We are constantly striving to improve and increase our very diverse range or materials. If you have a product in mind, but can’t find it in our catalogue, please do not hesitate to contact us. We are here to help and always keen to chat with users of our products.
www.hotpress.co.uk Tel: 0845 0700660 or +44 (0)117 958 6500
SPECIALITY SELF-ADHESIVE FILMS
A rich black velvet look fabric with a self-adhesive backing. This product has many uses such as providing the perfect backing layer for chunky style acrylic blocks. By adding velour to the back of a finished block the product instantly looks more appealing and luxurious. Lots of companies are now entering the photo book and print folio market and our velour is proving popular as a liner for the inside covers of these trendy new products. A traditional use of black velour has been as a backing for decorative picture frames and this material works well for this application. Other framing applications include using velour as a liner for shadow box frames and to create velvet slips. Applying velour to cut and layered foam centred board creates perfect sunken mounts for displaying coins and medals.
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CHALKBOARD LAMINATE
NEW!
These two products are primarily designed for the production of chalkboards. The self-adhesive backing can be hand rubbed onto your chosen substrate or processed through a laminator. The film itself is tough, thick and opaque. It comes in a choice of traditional green or black. The specially prepared top surface has a grainy texture and allows chalk to be applied and later removed with a wet cloth or sponge. Chalkboards are popular not only in the class room, but are very useful in kitchens, workshops, offices, children’s rooms and anywhere that constantly changing information needs to be seen. Small chalkboards as ornaments or wall decoration in the home are a great way to use up short lengths of moulding in the picture framing workshop.
EASY PEEL PROTECTION FILM
It is often the case that plastic surfaces, such as acrylic blocks and art screen type glazing, would benefit from a protective layer whilst being transported. Unfortunately the film that originally covers these products often has to be removed on completion to inspect the surface or artwork underneath. Easy peel protection film is a great solution for returning this protection to your finished work. In the case of chunky acrylic blocks and acrylic wall panels you can simply hand-rub the film onto the finished acrylic and trim away the excess. If you choose to run the acrylic back through your laminator only use minimal pressure. This film has a low-tack adhesive formulation that peels away from the finished work without leaving a residue.
Code
Size
Code
Size
PSPF25082
650mm x 25m (25.5” x 82’)
PSCBB39016
1000mm x 5m (39.5” x 16’) Black
PSPF51164
1300mm x 50m (51” x 164’)
PSCBB39082
1000mm x 25m (39.5” x 82’) Black
PSCBG39016
1000mm x 5m (39.5” x 16’) Green
PSCBG39082
1000mm x 25m (39.5” x 82’) Green
ALTERNATIVE USE
SPECIALITY SELF-ADHESIVE FILMS
Black chalkboard film can be used as a backing for block mounted work on MDF. Not only does it look far superior to bare MDF but it eliminates the possibility of the block warping or bowing. When one side of thick MDF is sealed with adhesive and a print, the other side is left open to absorb moisture in the atmosphere. In extreme conditions this can cause the MDF to expand at the back giving a ‘banana effect’ to the board.
15
NEW!
www.hotpress.co.uk Tel: 0845 0700660 or +44 (0)117 958 6500
HOT GLASS VACUUM PRESSES Based on our unique and proven technology, the Hot Glass Vacuum Press, or quite simply ‘The Hot Press’ as it is fondly and almost universally known, sets the standard for excellence in all areas of heat mounting and lamination. Regarded by many as the ‘industry standard’ machine for picture framers, these machines are also commonly used by restorers and professional print finishers worldwide.
The HOT PRESS has been constantly evolving over the past twenty years and represents the most convenient and efficient way of hot mounting in the modern framing workshop. The Hot Press is capable of handling a wide range of presentation materials, from white display board, foam centred board and MDF to photographs, art prints, inkjet canvases and delicate fabrics. No great physical strength is required to operate the machine and all types of work can be processed with ease. Additionally the Hot Press can be filled with multiple projects, thus saving time and energy. The Hot Press will efficiently process 25mm thick MDF on one side of the bed, whilst simultaneously processing 1mm card on the other. The transparent top panel of the Hot Press allows work to be viewed throughout most standard dry mounting procedures.
The unique Hot Press heating system is widely acknowledged as the best press heating system in the world. By passing electricity across a special conductive coating on a sheet of toughened glass, a very even heat is created. This heat is monitored several times every second by a special sensor and can be controlled to within 2 ºc. The use of a glass platen, rather than a metal one, leads to fast warm- up times, from room temperature to working temperature and a very even distribution of heat across its surface. This eliminates the need for ‘press watching’ and increases productivity in the workshop. The adjustable temperature control allows all kinds of artwork to be dry mounted, even those that may be damaged by heat. The versatile temperature controller allows temperatures from 0 ºc to 115 ºc to be set on the machine. Cold operation of the Hot Press, by turning the temperature down, also means the machine can be used with wet adhesives for low-value jobs.
www.hotpress.co.uk Tel: 0845 0700660 or +44 (0)117 958 6500
HOT GLASS VACUUM PRESSES
HEATING SYSTEM
16
TIMING SYSTEM
The Hot Press comes with a built-in programmable process timer, so a time can be set and the timer started, leaving the operator free to prepare the next job. When the timing cycle is completed the vacuum pump will switch off, the atmospheric pressure is returned to the press and the timer resets for the next project. This again saves time. When processing large volumes of work, the programmable timer can be set to the minimum time required for each batch of work, again maximising productivity. The timer has two different and distinct modes of operation. The AUTO setting allows for timed operation on repetitive jobs, whilst the MANUAL setting allows the flexibility to set the machine running whilst you do other work. In this mode it will keep running until you are free to return to the job.
PRESSURE SYSTEM
HOT GLASS VACUUM PRESSES
The Hot Press typically deliver 14lbs of pressure per square inch and this is enough to process any kind of project. In fact, the pressure may even need reducing for certain jobs. This can be done by use of our pressure control valve, which fine-tunes the pressure to your exact needs. Hot Presses are supplied with their own dedicated vacuum pump. These units require no oiling, but they will collect moisture from damp artwork and boards. This moisture is collected in a moisture trap bowl, which should be emptied periodically. The variable pressure control ensures the right pressure is set for each individual job and minimises even heavy creases and wrinkles, whilst ensuring that delicate items such as foam board and embossed prints are not crushed.
17
www.hotpress.co.uk Tel: 0845 0700660 or +44 (0)117 958 6500
OTHER KEY FEATURES
The Hot Press comes in a choice of three sizes, to suit all business types and these are based around common board and graphics sizes. The rugged construction of the Hot Press offers both strength and durability. Its glass, steel and aluminium construction stop the press twisting for consistently good levels of vacuum. This rigidity means that you only need the simple set of rubber feet to support the machine stably. There is no need to adjust these feet or to balance the press with a spirit level, unlike other flimsier machines. We offer custom made press stands for each Hot Press model and these support the machine safely. Power for the dedicated vacuum pump is supplied directly from the press itself , which means there is no need for extra wiring and is fast to set up. The airline connections between the press and pump are simple push/pull fittings. Connecting the air line requires no tools and no specialist skills.
IS A PRESS RIGHT FOR ME? Hot Presses can be found in many different working environments such as: • • • • • • • •
Picture Framers Photographers Digital canvas printers Photo Laboratories Museums Art Restorers Graphic departments Educational Institutions
When it comes to safety the Hot Press is CE approved and features safety cut outs, which protect the machine and user from both power surges and short circuits. The lid of the Hot Press is supported by gas struts which means the opening and closing operation requires very little effort. The generous opening height of the lid also ensures good access to the working area so that work maybe accurately positioned on the working bed. The bed of the Hot Press is a heavy duty rubber diaphragm. This creates the pressure against the heated glass platen to sandwich the work in progress. The uniquely textured surface of our diaphragm allows air to move easily towards the air suction port, which removes the air from machine, so a vacuum may be formed. The easy to read vacuum gauge shows how much pressure is being applied and how long it takes to achieve the desired level of vacuum. Finally the Hot Press comes with a comprehensive training DVD, which is a great constant resource when learning new skills and all the capabilities of these very versatile machines.
Our custom built Press stands are constructed of heavy gauge steel and designed to hold your press safely and securely. Whilst some people choose to build their own press bench, our press stands can be modified, with a little ingenuity. By adding a thick MDF or similar sheet to the bracing cross members, a very handy shelf can be constructed. By attaching steel cups to the side bars, rolls can be supported on cross poles too.
www.hotpress.co.uk Tel: 0845 0700660 or +44 (0)117 958 6500
HOT GLASS VACUUM PRESSES
PRESS STANDS
3
18
HGP260
HOT GLASS VACUUM PRESSES Model
HGP260
HGP360
HGP560
Weight
72kgs
111kgs
210kgs
Width
975mm
1194mm
1422mm
Depth
1300mm
1800mm
2615mm
Height
160mm
160mm
950mm inc. stand
Time to vacuum (secs)
20
30
30
Time to Temperature (mins)
12
12
15
Working dimension
890 x 1195mm
1095 x 1705mm
1276 x 2496mm
Weight
90kgs
145kgs
447kgs
Width
1400mm
1920mm
2800mm
Depth
1150mm
1360mm
1620mm
Height
320mm
320mm
620mm
Voltage
230V 50/60Hz
230V 50/60Hz
230V 50/60Hz
Wattage
2500W
4200W
5750W
Current (amps)
11
18
25
Vacuum Press Stands
HGP260
HGP360
HGP560
Code
STA260
STA360
Stand included
HOT GLASS VACUUM PRESSES
Packed Weights and Dimensions
19
www.hotpress.co.uk Tel: 0845 0700660 or +44 (0)117 958 6500
DRY MOUNTING TISSUES Dry mounting, using heat and pressure to bond artwork to boards, is hardly new technology. In fact it has a pedigree that goes back well over 100 years. Dry mounting tissues are the simplest of products to use, but we continue to make sure that ours set the highest standards in the print finishing industry.
UNIMOUNT CLASSICTM DRY MOUNTING TISSUE
Code
Size
HMUT20082
520mm x 25m (20.5” x 82’)
HMUT25082
650mm x 25m (25.5” x 82’)
HMUT25164
650mm x 50m (25.5” x 164’)
HMUT25328
650mm x 100m (25.5” x 328’)
HMUT41082
1040mm x 25m (41” x 82’)
HMUT41164
1040mm x 50m (41” x 164’)
HMUT41328
1040mm x 100m (41” x 328’)
HMUT51082
1300mm x 25m (51” x 82’)
HMUT51164
1300mm x 50m (51” x164’)
HMUT51328
1300mm x 100m (51” x 328’)
www.hotpress.co.uk Tel: 0845 0700660 or +44 (0)117 958 6500
DRY MOUNTING TISSUES
This premium grade dry mounting tissue is widely regarded as the industry standard for the permanent mounting of all types of flat artwork. It is especially popular among bespoke framers and photo processors due to its superb lay flat properties. Unimount Classic™ is a high grade adhesive on a porous, pH neutral tissue. The tissue itself has excellent breathability, which allows air to escape from the various layers of your work. Unimount Classic™ is suitable for mounting posters, prints, photographs, inkjets, pastels, charcoals, colour copies, maps, charts, blue prints and plans. Unimount Classic™ is compatible with a wide variety of substrates, including mount board, pulp boards and grey boards, foam centred boards, hardboard, MDF and of course, Hot Press’ own specialist mounting substrate, White Display Board. Unlike some lesser tissues, Unimount Classic™ has a very wide activation temperature range, from around 70ºc to 115ºc, making it ideal for a huge range of jobs.
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ARTSAFE 200TM DRY MOUNTING TISSUE
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VISTAMOUNTTM DRY MOUNTING TISSUE
Vistamount™ is an economy grade dry mounting tissue and as such is not of the same quality as Unimount Classic™. Vistamount™ is made with cost in mind and is most often used by contract framers, who may need to work within very tight budgets. This cost effective tissue offers a permanent bond for posters and prints and it is suitable for mounting artwork to MDF and most types of mounting board.
Code
Size
HMVM24082
622mm x 25m (24.5” x 82’)
HMVM24328
622mm x 100m (24.5” x 328’)
HMVM41082
1040mm x 25m (41” x 82’)
HMVM41328
1040mm x 100m (41” x 328’)
HMVM49082
1245mm x 25m (49” x 82’)
HMVM49328
1245mm x100m (49” x 328’)
This high-quality, buffered, acid free, stable and safe adhesive tissue is made for mounting your most treasured giclee prints, posters, photographs, fine art, prints or clippings. It was first developed in conjunction with the British Library for paper restoration work, as tissue tape. It has undergone simulated age testing showing it to withstand 200 years ageing without degradation. Artsafe 200TM activation temperatures are purposefully very low, for extra safety on fragile items, with 70ºc to 75ºc being set as a standard working temperature. Further testing has shown that the tissue will activate as low as 60ºc if required. Artsafe 200TM tissue is much thinner than other tissues and is supplied on a special carrier release paper. To use Artsafe 200TM simply cut a piece of tissue to your chosen size and place it face down on your mounting board (archival recommended). Then Hot Press the assembly at full pressure and at the desired temperature for approximately 1 minute, before removing the board from the press and allowing it to thoroughly cool down. The carrier release paper can now be removed to expose the heat sensitive tissue. The second stage is to carefully place the artwork on the tissue and cover with clear silicone release film. Then re-press the assembly under heat and pressure for between 1 to 4 minutes, dependant on artwork size and board type.
Code
Size
HMAS39016
985mm x 5m (39” x 16’)
HMAS39082
985mm x 25m (39” x 82’)
BASIC DRY MOUNTING PROCEDURE Dry mounting is the process of bonding an image to a mounting substrate. The process is simple and takes only a few minutes, but there are a number of issues to be considered. For an in-depth understanding of dry mounting techniques, we invite you to attend one of our free training schools.
DRY MOUNTING TISSUES
In the meantime, the important fundamentals of dry mounting are summarised below.
21
Firstly, consider the artwork you wish to mount. How will it react to heat? Does it require pre–drying to remove excess moisture? Does it require pre–pressing to remove any creases? Is the artwork clean and free from dust / dirt / stickers or tape? Is the artwork porous? Does it have an image that may shift (as in the case of pastels)? All these points should be considered before proceeding. With a little experience they will become second nature. Secondly, determine what type of substrate is compatible with your artwork. What is the optimum thickness? Is quality or price your primary objective? Will the substrate need to be pre–dried? Would a smooth substrate benefit the artwork? Does the substrate need to be coloured or textured? Is it porous? Based on these conclusions, identify the best adhesive for this combination of artwork and substrate. Please consult individual product descriptions, recommendations and charts to arrive at the best match - or call us for more technical help. * See pages 21 - 23 for more information
www.hotpress.co.uk Tel: 0845 0700660 or +44 (0)117 958 6500
HEAT ACTIVATED MOUTING FILMS
NEW!
NEW!
As well as our superb range of dry mounting tissues, Hot Press offer a complete range of heat activated mounting films for your more challenging or specialist jobs. By choosing the right combination of adhesive and mounting board the possibilities are virtually unlimted. This is the most aggressive hot adhesive in our range and is the perfect partner to Unimount Classic™ tissue. Where Unimount Classic™ is good for most jobs, Dry Mount Film Clear steps in when tougher challenges arise. The product itself is formed from a clear central carrier film, which is coated on both sides with a very strong, heat activated adhesive. Each adhesive layer is then protected by a grid-marked carrier paper. The two separate release liners mean that this adhesive can be rolled out on the work bench and simply cut to the correct size for each mounting job. When the adhesive is exposed at room temperature it has a low level of tackiness. This allows the film to be positioned or tacked onto either your artwork or mounting board as desired. Dry Mount Film Clear is especially recommended for woods, MDF, plastics, textured art papers, canvases and other fabrics. This adhesive will bond well to both highly textured and very smooth surfaces. The main difference between dry mount tissues and heat activated films is that films do not ‘breathe’. Therefore we recommend that this film is pierced with a piercing tool prior to use.
NEW SIZE
Code
Size
HMFC25016
650mm x 5m (25.5” x 16’)
HMFC25082
650mm x 25m (25.5” x 82’)
HMFC41082
1040mm x 25m (41” x 82’)
HMFC41328
1040mm x 100m (41” x 328’)
HMFC51082
1300mm x 25m (51” x 82’)
HMFC51328
1300mm x 100m (51” x 328’)
DRY MOUNT FILM - WHITE
Similar in almost every respect to Dry Mount Film Clear, the white variant of this film has a thicker high-white central layer. This makes it very conformable on uneven surfaces and has a very high degree of grab on fabrics. Because the white central layer reflects light it has the effect of brightening translucent items, such as technical plans and blueprints. Dry Mount Film White was traditionally used with plain beige canvas, for canvas bonding high key or bridal images. Again we recommend that this film is pierced with a piercing tool prior to use.
Code
Size
HMFW25082
650mm x 25m (25.5” x 82’)
HMFW51082
1300mm x 25m (51” x 82’)
HMFW51328
1300mm x 100m (51” x 328’)
HOW TO PIERCE DRY MOUNT FILMS We are unable to pre pierce dry mount films during the manufacturing process, as they have a peel off liner on both sides.
Piercing through either of the liner papers
would lead to tiny specks of paper being embedded in the film itself and create a poor finish. To pierce dry mount films yourself we recommend that you cut a piece to the desired size and place it on a cutting mat. Then peel off one release paper, to expose the bare adhesive layer. Now pierce with a piercing tool, making sure to cover the whole area with holes at a minimum of less than 1cm apart. You cannot really pierce too much and more holes are better than fewer. Now apply the pierced film to your artwork or board as required. The tiny pieces of plastic that are punched out will embed in the bottom paper layer, which is discarded later.
www.hotpress.co.uk Tel: 0845 0700660 or +44 (0)117 958 6500
HEAT ACTIVATED MOUNTING FILMS
DRY MOUNT FILM - CLEAR
22
HEAT TRANSFER FILM
GOT A TECHNICAL QUESTION? Email us at
[email protected]
ACID FREE MOUNT FILM
Acid Free Mount Film is a pure film adhesive. The acid free adhesive melts as it is heated up and bonds as it cools and solidifies. It is widely believed that in most instances, this bond can be reversed by re-heating the adhesive, though we would caution against this and offer no guarantee of success. Acid Free Mount Film also conforms well to uneven surfaces such as watercolour paper and fabrics, making it a versatile adhesive for most types of artwork and substrates.
Code
Size
HMAF25082
620mm x 25m (24.5” x 82’)
HMAF41082
1020mm x 25m (40.5” x 82’)
HMAF48082
1220mm x 25m (48.5” x 82’)
This new film is something a little different and is actually based on our pressure-sensitive transfer films. Transfer mount films have no central carrier layer. Without the central layer the film simply transfers to what it touches. Transfer films are less expensive, as they only contain one layer of adhesive and no carrier. For those who see cost savings as the highest factor on their priority list, transfer films are an ideal solution. Heat transfer film is really designed to be passed through a heated roller laminator and works well with all kinds of mounting substrates, from white display board and foam centred boards to MDF and hardboard. Once coated to a board it offers a low tack surface for artwork to be applied and then re-processed.
Code
Size
HMHT25328
650mm x 100m (25.5” x 328’)
HMHT38328
965mm x 100m (38” x 328’)
HMHT41328
1040mm x 100m (41” x 328’)
HMHT51328
1300mm x 100m (51” x 328’)
HOW TO USE HEAT ACTIVATED MOUNTING TISSUES AND FILMS • •
• • • • •
Set your press for the correct temperature (usually 90 ºC) and allow it to warm up Once the press has warmed up, pre-press your substrate or artwork if required. This process requires placing the material in the press and pressing it for two or three minutes. Remember to let it cool down again after the drying process has been completed Cut the adhesive to size (normally 5mm (1/4”) bigger than the artwork) Cut the substrate to size (normally 25mm (1”) bigger than the artwork) Make sure you have silicone release film or paper available to cover any exposed adhesive areas If you are going to use the timer, now is the time to set it. Don’t set it when your project is already in the press. Now you can assemble your project!
HEAT ACTIVATED MOUNTING FILMS
Silicone Release Film or Paper
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Artwork Adhesive Substrate The assembly should be set up as shown here, from top to bottom.
www.hotpress.co.uk Tel: 0845 0700660 or +44 (0)117 958 6500
ASK THE EXPERTS... Step 2.
DRY MOUNTING If you are working with a hard or soft bed press, or if the project needs to be very precisely positioned, it may be necessary to tack the assembly together. Tacking is used to keep the components of an assembled project together and stop them from moving around in relation to each other. Tacking may be performed in a variety of ways. SPRAYS – If you must use spray adhesive for tacking, spray a fine short burst onto the substrate and position the tissue on top. Remember, your objective is to position the tissue, not actually bond it, so go easy on the spray. Then spray the top of the tissue and position the artwork. NOTE: We do not recommend spray adhesives for mounting artwork. GLUE STICKS – The same procedure may be performed with glue sticks, but remember, only use a dab!
Trimming the excess tissue away is common when (1) a project is to be displayed without a frame, or (2) when a picture will sit in the middle of a board with other information on it or (3) any other situation that would expose the tissue to the viewer. Having tacked your tissue onto the top third of the artwork, the tissue should next be tacked onto the bottom third of the board as shown in Step 2. Step 3.
TAPE – Assuming the board is the largest component and the artwork is the smallest, you can place a piece of masking tape at the edge of the print so it also covers the tissue and board.
All the methods mentioned previously are ‘make do’ ideas that do work. However, anyone tacking on a regular basis should really consider the use of a tacking iron. A tacking iron is a small spot heater and is used as shown below. Step 1.
Only one tack should be used on each surface, so that all the components, though secured to each other, are still free to float across each other. This method of tacking is often referred to as an “S” or “Z “ tack, because when viewed from the side the tissue forms an “S” or “Z” between the artwork and board. See Step 3. NOTE: Tacking in more than one place on the artwork or substrate will lead to tension in the tissue and cause creasing.
First, tack the tissue to the back of the artwork. Place a small piece of silicone release paper in between the tissue and the iron head to prevent the iron from becoming covered in glue. Tack the tissue onto the top third of the artwork as shown in Step 1. You can then trim away any excess tissue around the print before tacking the print into position on the board.
www.hotpress.co.uk Tel: 0845 0700660 or +44 (0)117 958 6500
DRY MOUNTING
USING A TACKING IRON
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Size
1mm White Display Board
2mm White Display Board
5mm Foam Board
10mm Foam Board
1mm Easimount Card
2mm Easimount Card
3mm MDF
6mm MDF
9mm MDF
18mm MDF
203 x 254mm
1
1
2
2
2
2
1
2
3
4
254 x 305mm
1
1
2
2
2
2
1
2
3
4
305 x 406mm
2
2
3
3
3
3
2
3
4
5
406 x 508mm
2
2
3
3
3
3
2
3
4
5
508 x 762mm
2
2
3
3
3
3
2
3
4
5
762 x 1016mm
3
3
4
4
N/A
N/A
3
4
5
6
1016 x 1524mm
N/A
3
4
4
N/A
N/A
3
4
5
6
1219 x 2438mm
N/A
N/A
4
4
N/A
N/A
3
4
5
6
* 25.4mm = 1 Inch Timings based on working temperature of 90oC
PROCESSING
The graph above provides suggested processing times for basic dry mounting procedures. Times shown are in minutes. The graph should only be used as a guide, as processing times will vary from press to press and are dependant on the specific project. If in doubt, always ask for advice or run a test. SPECIAL NOTES – This time guide assumes that you are working with artwork that is porous and that you are using Unimount Classic™ dry mount tissue. For non-porous artwork such as R.C. photographs, add 25% more time. The guide assumes that when working with Foam Centred Board, you will be using a reduced pressure; again the time recommendations are based on this assumption.
DRY MOUNTING
When the time and temperature have been determined, you should place the assembled job in the press. After checking that everything is clean and lined up properly, processing should be started straight away. When using a Hot Glass Press it is possible to view the work as it is processed. When processing has been completed, remove the finished job from the press and leave it to cool on a flat surface. Your dry mount is now complete!
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www.hotpress.co.uk Tel: 0845 0700660 or +44 (0)117 958 6500
HEATSEAL LAMINATES Our range of heat activated lamination films, or heatseals as they are commonly known, are widely regarded as the industry standard for heated press print finishing. All our heatseal films are made in our own factory in Bristol, UK and contain UV inhibitors in both the film and adhesive. This stops the films from turning yellow or becoming brittle over time. This attention to detail has the beneficial side effect of increasing the fade resistance of the artwork underneath. Heatseal films are incredibly durable, easy to keep clean and come in a variety of popular finishes.
This is our most popular heatseal laminate. This film offers a unique finish that conforms to the surface it is pressed against (under heat and vacuum). The normal result is a very rich lustre finish, which is achieved by pressing the film against the surface of the foam blanket in the Hot Press. This normal finish is very reminiscent of the lustre texture found on photographic paper. To change the finished texture, the artwork can be repressed against other textured or smooth surfaces to give an almost limitless choice of textures, from a single roll of film. This film can also used as a glossy top coating when prints are bonded to canvas, or printed inkjet canvases are laminated.
Code
Size
HSGL25016PP
650mm x5m (25.5” x 16’)
HSGL25082PP
650mm x 25m (25.5” x 82’)
HSGL25328PP
650mm x 100m (25.5” x 328’)
HSGL41082PP
1040mm x 25m (41” x 82’)
HSGL41328PP
1040mm x 100m (41” x 328’)
HSGL51082PP
1300mm x 25m (51” x 82’)
HSGL51328PP
1300mm x 100m (51” x 328’)
NEW SIZE
SATIN MATT 50µ
The overall finish of this film, once processed, is a stippled sheen effect. This film is often used to laminate posters and prints, as its subtle finish closely mimics that of the printed piece. The satin sheen finish reduces glare, but does not reduce contrast, as the film is relatively thin. This film can also used as a satin top coating when prints are bonded to canvas, or printed inkjet canvases are laminated.
Code
Size
HSSM25016PP
650mm x 5m (25.5” x 16’)
HSSM25082PP
650mm x 25m (25.5” x 82’)
HSSM25328PP
650mm x 100m (25.5” x 328’)
HSSM41082PP
1040mm x 25m (41” x 82’)
HSSM41328PP
1040mm x 100m (41” x 328’)
HSSM51082PP NEW SIZE
1300mm x 25m (51” x 82’)
HSSM51328PP
NEW SIZE
1300mm x 100m (51” x 328’)
NEED A SAMPLE? If you need a sample of a particular material to try before you buy just drop an email to sales@ hotpress.co.uk
www.hotpress.co.uk Tel: 0845 0700660 or +44 (0)117 958 6500
HEATSEAL LAMINATES
GLOSS (LUSTRE) 50µ
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FULL MATT 75µ
This film is characterised by a full matt finish that completely eliminates reflections. It offers additional UV protection when used behind glass, but is almost invisible. Full matt film is most often used where lighting is unpredictable and uncontrollable, such as exhibition halls and other public areas. Additional heat applied during processing will give the matt film a heavily textured and very scuff resistant surface. This film can also used as a matt top coating when prints are bonded to canvas, or printed inkjet canvases are laminated.
Code
COARSE LINEN 90µ
This film displays a mid-gauge fabric texture resembling rough cotton or hessian. It is often used on larger format artwork where a finer finish may be lost. The rougher gauge of this film is capable of hiding large imperfections in prints and posters. Like most textured heatseals it is quite scuff resistant.
Size
HSFM25016PP
650mm x 5m (25.5” x 16’)
HSFM25082PP
650mm x 25m (25.5” x 82’)
HSFM25328PP
650mm x 100m (25.5” x 328’)
HSFM41082PP
1040mm x 25m (41” x 82’)
HSFM41328PP
1040mm x 100m (41” x 328’)
HSFM51082PP
1300mm x 25m (51” x 82’)
HSFM51328PP
1300mm x 100m (51” x 328’)
NEW SIZE
Size
HSCL25016PP
650mm x 5m (25.5” x 16’)
HSCL25082PP
650mm x 25m (25.5” x 82’)
HSCL51082PP
1300mm x 25m (51” x 82’)
NEW SIZE
CANVASTEX 190µ
This is a very heavy gauge fabric textured film that is reminiscent of real canvas. Canvastex is often used as an economical alternative to canvas printing or canvas bonding. DUE TO ITS THICKNESS THIS FILM IS SUPPLIED UNPIERCED, BUT SHOULD BE PIERCED BEFORE USE.
SAND TEXTURE 90µ
This non-reflective film is ideal for graphics that will be subjected to prolonged exposure in public places, such as restaurants, cafes, pubs and hotels. It displays a pleasing sandy texture that is also very scuff resistant. Due to its tough nature, sand texture is an ideal surface coating for decorative place mats and coasters.
Code
Code
Code
Size
HSCN25016
650mm x 5m (25.5” x 16’)
HSCN25082
650mm x 25m (25.5” x 82’)
HSCN51082
1300mm x 25m (51” x 82’)
HSCN51328
1300mm x 100m (51” x 328’)
NEW SIZE
A
Size
HSST25016PP
650mm x 5m (25.5” x 16’)
HSST25082PP
650mm x 25m (25.5” x 82’)
HSST41082PP
1040mm x 25m (41” x 82’)
HSST51082PP
1300mm x 25m (51” x 82’)
HSST51328PP
1300mm x 100m (51” x 328’)
NEW SIZE
FINE LINEN 90µ
This delicate, line-textured laminate is the finest of the three fabric textures in our heatseal range. It is often preferred by photographers wishing to offer a subtle yet decorative finish to their work. Fine Linen is non-reflective and quite scuff resistant making it ideal for wall prints in the home or office. It is also useful for disguising minor HEATSEAL LAMINATES
creases and cracks in prints and posters.
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Code
Size
HSFL25016PP
650mm x 5m (25.5” x 16’)
HSFL25082PP
650mm x 25m (25.5” x 82’)
HSFL51082PP
1300mm x 25m (51” x 82’)
HSFL51328PP
1300mm x 100m (51” x 328’)
NEW SIZE
www.hotpress.co.uk Tel: 0845 0700660 or +44 (0)117 958 6500
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ASK THE EXPERTS... HOW TO LAMINATE USING HEATSEAL LAMINATES Step 1 – Switch on your press and set it to 90°C. While the press warms up, set your timer. More information on processing times for different films is shown in the table on the opposite page. Make sure you have a sheet of silicone release film in the base of the press and a sheet of vacufoam or foam plastic (dependant on machine type) over the silicone release film. Step 2 – Measure the image to be laminated and cut a piece of heatseal film that is 15mm (1/2”) larger than the image all the way round. For a 406mm x 508mm (16” x 20”) image, the film should be cut to 432mm x 533mm (17” x 21”). Step 3 – Peel back the release liner of the heatseal film to expose about 25mm (1”) of adhesive and firmly crease back the release liner. Place your artwork (face up) on a clean, flat and cool surface and position the film at the edge of the artwork. Move the film around until it completely covers the artwork. The creased release liner will hold the exposed adhesive away from the artwork while you position it. When you are satisfied with the positioning, press the leading edge of exposed film down onto the artwork using very light pressure. Then slowly peel back the release paper, until the entire image is covered by the film. Smooth out any wrinkles, lifting and repositioning the film from the corners if necessary. Step 4 – Now trim off most of the waste film. Be careful not to trim too close to the image, as the film may shift. Take the heatseal assembly and place it in your press, under a sheet of vacufoam or foam plastic and process it according to the table on the opposite page. Step 5 – When all the air has escaped from your heatseal assembly and the adhesive has been activated, remove the artwork from the press and allow it to cool thoroughly. Step 6 – Any remaining film around the edge of the image should now be trimmed away with a straight edge and craft knife or scalpel.
Foam Blanket Laminating Film Print Silicone Release From top to bottom the assembly should be set up as shown here
Lamination guards artwork against finger marks, moisture, UV light, smudging, abrasion, ozone exposure, cigarette smoke and other airborne pollutants. Laminates also protect artwork from damage due to handling by rolling or in shipping. Lamination can also deepen and brighten the colours of your artwork as well as reduce glare under challenging lighting conditions. Laminated images are less prone to showing dirt, but are also easier to clean, with most non-abrasive household cleaning products.
HEATSEAL LAMINATES
WHY LAMINATE?
2
www.hotpress.co.uk Tel: 0845 0700660 or +44 (0)117 958 6500
28
SUGGESTED PROCESSING TIMES FOR HEATSEAL LAMINATION FILMS 254 x 305mm
305 x 406mm
406 x 508mm
Gloss Lustre
5
5
6
H/D Gloss Lustre
9
9
10
Satin Matt
5
5
6
Matt
8
8
Sand Texture
9
Fine Linen
508 x 762mm
762 x 1016mm
1016 x 1524mm
7
8
10
11
12
14
7
8
10
9
10
11
13
9
10
11
12
14
9
9
10
11
12
14
Coarse Linen
9
9
10
11
12
14
Canvas Texture
15
15
18
19
20
22
Polyester Gloss
4
4
5
6
7
8
*25.4mm = 1 inch Timings based on working temperature of 90oC The times shown above are in minutes and are based on artwork that is porous i.e. posters and prints. If your artwork is non-porous then it is advisable to increase these times. The operating temperature is another key variable. As more heat is used, processing times decrease. Processing times increase with lower temperature settings. It is common for Fine and Coarse linen to be processed at lower temperatures (80°C) to maintain the texture of the weave pattern; the same applies to Satin Matt and Matt, where a smooth finish is required. Due to its thickness and strong weave pattern, Canvastex is often processed at 110°C to decrease the processing time. Similarly Gloss (Lustre), Satin Matt and Matt are often processed at 100°C to obtain a heavy texture to their surface. If you are laminating artwork that has already been mounted to a board, the thickness, moisture content and porosity of the board will have an effect on processing times.
LAMINATE OR GLAZE?
HEATSEAL LAMINATES
Laminating films are more economical when compared to speciality (or even plain) glass, yet add a perceived value to the finished artwork that means more profit for the image maker. Due to the innate qualities of laminating film, unlike glass, it cannot be broken. Therefore where safety is a factor, especially in shopping centres, airports, schools, retirement homes, children’s rooms, hospitals and other public places, lamination is superior to glass. Internet galleries are booming and it is no coincidence that artwork without glass, such as canvases, block mounts and acrylic images are very popular. This is because they can be shipped without the fear of broken glass.
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2
www.hotpress.co.uk Tel: 0845 0700660 or +44 (0)117 958 6500
ANCILLARIES To ensure that your mounting and laminating experience is profitable and problemfree, Hot Press offers a complete range of ancillaries to complement our products and further improve performance. FOAM PLASTIC
A grid patterned paper, coated on one side with a standard quality silicone release agent. This economy grade product is used to cover exposed adhesives during pressing and can be used in all kinds of mounting and laminating presses.
Code
Size
HASP25033
650mm x 10m (25.5” x 33’)
HASP25082
650mm x 25m (25.5” x 82’)
HASP41033
1040mm x 10m (41” x 33’)
HASP41082
1040mm x 25m (41” x 82’)
HASP51033
1300mm x 10m (51” x 33’)
HASP51082
1300mm x 25m (51” x 82’)
CLEAR SILICONE RELEASE FILM
A transparent film coated on both sides with a superior quality silicone release agent. This product is used to cover exposed adhesives during processing. Though primarily designed for use with glass-topped presses, this film can be used in any heated press. Its life expectancy is over ten times that of silicone release paper.
Code
Size
HASF25033
622mm x 10m (24.5” x 33’)
HASF25082
622mm x 25m (24.5” x 82’)
HASF41033
1040mm x 10m (41” x 33’)
HASF41082
1040mm x 25m (41” x 82’)
HASF51033
1270mm x 10m (50” x 33’)
HASF51082
1270mm x 25m (50” x 82’)
A 13mm thick foam used to cover heatseal laminates during pressing. This foam may be used with all heated press types and is extremely durable.
Code
Size
HAFPF
Full sheet 2700mm x 1600mm x13mm (106” x 63” x 1/2”)
HAFPH
Half sheet 1350mm x 1600mm x13 mm (53” x 63” x 1/2”)
HAFPQ
Quarter sheet 1350mm x 800mm x 13mm (53” x 31.5” x 1/2”)
VACUFOAM
A 5mm thick foam used to cover heatseal laminates during pressing. This foam is only suitable for use in vacuum presses.
Code
Size
HAVFF
Full sheet 2700mm x 1600mm x 5mm (106” x 63” x 1/5”)
PLEASE NOTE
NEW It is always advisable to pre-treat a new sheet SIZE
of foam before using it on any work. All foam contains fire retardants and these activate when the foam is initially heated. New foam needs to be heat conditioned in the press under pressure for a period of time to cook it into a flat shape. Failure to condition your foam can lead to invisible memory marks being embedded into the foam’s surface. These can then show up on subsequent jobs as ghost marks. If you would like more information on preventing this please feel free to contact us.
www.hotpress.co.uk Tel: 0845 0700660 or +44 (0)117 958 6500
ANCILLARIES
SILICONE RELEASE PAPER
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CANVAS Though inkjet canvas media has become very popular in the last few years for producing artwork that resembles paintings, many people still prefer the look and feel of an image that has been bonded to real canvas. These canvases are much heavier and have much bigger weave patterns than inkjet canvas media, leading to images with lots of impact. Canvas bonding is a heat process and requires a Hot Press. PLAIN MOUNTING CANVAS
A heavy duty beige cotton based fabric used as the substrate for canvas bonded photographs and prints. This material should be used in conjunction with either clear or white dry mount film and is suitable for stretching images around stretcher frames. Three styles are available, each with its own unique appearance. The MODERN variant offers a very regular weave structure that is quite open and imparts a deep line pattern. The COARSE variant is more irregular in its weave pattern, with a definite slub to the threads, producing a very heavy impression. The TRADITIONAL variant also has a slub pattern, but with a closed weave. This version imparts a softer, though still distinct impression.
Code
Size
HPCC50033
1270mm x 10m (50” x 33’) (Coarse)
HPCM50033
1270mm x 10m (50” x 33’) (Modern)
HPCT50033
1270mm x 10m (50” x 33’) (Traditional)
CANVAS
FIND US ON YOUTUBE
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You can watch our videos on YouTube They show you how to canvas bond and so much more. Simply point your browser at http://www.youtube.com/user/ HOTPRESS999
ADHESIVE COATED CANVAS
These canvases are the same are our plain mounting canvases, but they have been pre-coated with a very strong, heat activated, clear adhesive. The addition of this coating means that you do not need to buy a separate roll of dry mount film.
Code
Size
HCCC50033
1270mm x 10m (50” x 33’) (Coarse)
HCCM50033
1270mm x 10m (50” x 33’) (Modern)
HCCT50033
1270mm x 10m (50” x 33’) (Traditional)
SUPER WHITE ADHESIVE CANVAS
These canvases are the same as the beige adhesive coated canvases, but they have been bleached and starched to produce a brilliant white base for canvas bonded work. Super white canvases are preferred by photographers and image makers producing high key or bridal work. Super white canvases are only available in COARSE and MODERN weave patterns.
Code
Size
HWCC50033
1270mm x 10m (50” x 33’) (Coarse)
HWCM50033
1270mm x 10m (50” x 33’) (Modern)
www.hotpress.co.uk Tel: 0845 0700660 or +44 (0)117 958 6500
ASK THE EXPERTS... THE CANVAS BONDING PROCESS FOR PAPER PRINTS Here is a simple step by step guide to using our canvases to make a canvas bonded print from a simple paper poster.
This will happen when the water has completely soaked into the image. Generally speaking, thicker prints and larger prints take longer to process. The whole procedure will require anywhere from around 3 minutes (for small thin images) up to an hour (for large thick prints that have been lightly crumpled). NOTE: Lightly crumpling the print before soaking will break the paper fibres and speed up the process, but do not overdo this.
STEP 1 – Set the press temperature to 90 °C. While it warms up, set the timer for 5 to 10 minutes. Make sure you place a sheet of silicone release film in the base of the press and a sheet of vacufoam over the silicone release film.
STEP 8 – While your print is soaking, prepare a work area with a smooth shiny surface. The area should be larger than your whole assembly. Glass, Perspex, Melamine and Acrylic are all good working surfaces to use.
STEP 2 – Measure the image to be bonded and cut a piece of heatseal film that is 76mm (3”) larger than the image all the way round. For example, with a 406 x 508mm (16” x 20”) image, the film should be cut to 559 x 660mm (22” x 26”). Our Gloss Lustre, Satin Matt or Full Matt heatseal films may be used for this process.
STEP 9 – When your print is completely soaked, lay it on the smooth work area, picture face up, wet paper side down. Smooth the image onto the surface to remove any air, then lift a corner of the film. As the back side of the wet print grips the smooth surface, you should find the picture is now starting to delaminate. Place your thumb on the delaminated corner and peel the image and film back until it has completely delaminated from the paper backing.
STEP 3 – Cut a piece of coated canvas to the same dimensions as the heatseal film. STEP 4 – Peel back the release liner of the film to expose about 102mm (4”) of adhesive. The film should be face down with the adhesive face up. Line up your image so it is centred within the film (image faced down), then lightly tack down the leading edge of the image to the adhesive. Peel back more release film until the entire image is in contact with the adhesive. This should leave you with 76mm (3”) of film still attached to the release paper. Allow the free release paper to fall back and cover the back of the image and exposed edges of adhesive, smoothing as you go. STEP 5 – You now have a ‘heatseal envelope’ with the image trapped between the film and its release liner. Place the envelope into your press, with the film side facing up and under a sheet of vacufoam. Process this under vacuum for 5 to 10 minutes at 90°C.
STEP 10 – Before proceeding further, allow your delaminated image to dry naturally. Do not force dry it with heat. When the image has dried, peel back 100mm (4”) of the release paper on your coated canvas and line up your image squarely. Remove more release paper about 50mm (2”) at a time. As you do this, smooth your image onto the exposed adhesive of the canvas, avoiding air bubbles and wrinkles as you go. When this process is complete, trim off 6mm (¼”) to 13mm (½”) all around the edge of the assembly and place it back in your press for 2 to 5 minutes. The assembly should be placed on top of the foam, with the image face down and the back of the canvas facing up. Process this under vacuum for 5 to 10 minutes at 90°C. This completes the process and if desired the finished canvas can be stretched on to a frame.
STEP 6 – When all the air has escaped and the adhesive has activated, remove the envelope from the press. Allow the envelope to cool, then remove the silicone release paper from the back.
CANVAS
STEP 7 – Completely immerse the heatsealed image in a bath of room-temperature water and soak it until the back of the image turns a uniform grey...
www.hotpress.co.uk Tel: 0845 0700660 or +44 (0)117 958 6500
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TOOLS OF THE TRADE They say a craftsman is only as good as his tools. So here at Hot Press we have put together a comprehensive range of finishing tools and accessories that are designed to help you achieve a professional finish for all your mounting and laminating work. TACKING IRON
An electrically heated hand iron with a small precision tip. The tacking iron is a very useful tool for fixing drymount tissue to the back of a print and or board, prior to activation in a press. The tacking iron allows precision trimming and positioning of tissue and artwork on complex jobs. Code
Description
TIRON
Tacking Iron
TSTAND
Tacking Iron Stand
PIERCING TOOL
TOOLS OF THE TRADE
These precision engineered rollers are specially designed to perforate heat activated mount films and PVC heatseal films, to allow air to pass through them during processing in a Hot Press. Though most of our films now come pre-pierced as standard, both clear and white drymount film require hand perforation, as does our very thick canvastex heatseal. The piercing tool comes in two widths and has hundreds of very sharp spikes that are used to create the pin sized holes required for air to escape during the mounting and laminating process.
33
Code
Description
PT5
Piercing Tool 5 Wheels
PT10
Piercing Tool 10 Wheels
www.hotpress.co.uk Tel: 0845 0700660 or +44 (0)117 958 6500
STRETCHER PLIERS
These wide jawed pliers are used to clamp and stretch canvas, whilst it is stapled on to stretcher bars. They make working with canvas easier and allow the best result to be achieved.
Code
Description
PLIERS
Stretcher Pliers
SMOOTHING PADS
NEW!
An indispensable tool for removing air bubbles in films and artwork, without scratching surfaces. These rigid felt pads are also ideal when wrapping artwork around corners and edges, such as when creating edge wrapped MDF blocks. For people mounting work by hand, they offer a great alternative to print rollers and can reach into tight areas such as book spines.
Code
Description
SMOOTH
(pkt of 4)
PRINT SQUEEGEE
NEW!
This silver, hard-edge plastic squeegee is specially designed for applying film such as WINDOW-ART MOUNT FILM to windows. It is also suitable for applying graphics to vehicles and signs. The smooth but rigid edges press down films and remove air bubbles without scratching the surface. Made of reinforced nylon.
Code
Size
SQUEEG
70cm x 10cm
PRINT ROLLER
NEW!
This small hand-held tool is used to expel air whilst handapplying artwork to substrates such as our STIKIBOARD. It is also very useful for removing air that may be trapped around the edges of laminated prints.
Size
ROLLER
102mm Hand Roller
TOOLS OF THE TRADE
Code
2
www.hotpress.co.uk Tel: 0845 0700660 or +44 (0)117 958 6500
34
NON-STICK TEFLONTMCOATED SCISSORS
NEW!
These specially designed scissors are ideal for cutting tapes and adhesive films with ease. The Teflon-coated blade surface virtually eliminates adhesive build-up, giving a clean cut every time.
Code
Size
SCISSR
8” Non-Stick Scissors
ZIPPY CUTTERTM
NEW!
A very handy tool that is perfect for quickly cutting tissues, lamination films and other roll materials. NEW! Simply place the Zippy at the edge of the material and slide the cutter across the roll. The blade on this safety knife is fully enclosed by the moulded plastic handle, to protect fingers, and can be used on laminators without fear of cutting the rollers. Replacement blades are quick and easy to install.
Code
Description
ZIPPYK
Zippy Cutter
ZIPPYB
Spare Blades (pkt of 12)
OLFA KNIVES
TOOLS OF THE TRADE
The original and still the best ‘snap-off blade’ cutters in the world. OLFATM invented this system in 1956 and it has been widely copied in recent years and often very badly. We offer both the standard and heavy duty knives. The standard is the most popular cutter in the entire OLFATM range. It is comfortable in the hand, pocket sized, features a blade snapping clip and most importantly cuts straight and evenly every time. The heavy-duty knife is the cutter of choice for many mounting and laminating professionals. With its rubber grip and screw tightening blade lock, this knife is perfect for cutting all kinds of boards, from White Display Board and Foam Centred Board to Foamex and even thinner MDF panels. Replacement blades are fast and easy to fit, but unlike inferior copy blades they snap off accurately and cleanly. The snap-off blade system from OLFATM is far superior to single blade utility knife systems.
35
Code
Description
STDKNF
Standard Knife
STDBLD
Spare Blades - Standard (pkt of 10)
HDYNKF
Heavy Duty Knife
HDYBLD
Spare Blades - H.D. (pkt of 10)
www.hotpress.co.uk Tel: 0845 0700660 or +44 (0)117 958 6500
CUTTING MATS
Unlike many ‘hobby grade’ cutting mats, our industrial grade mats feature a tri-layered, self-healing surface, which is designed to offer a clean, smooth and flat cutting space. They come in a range of sizes and are ideal for covering all of your work benches. They feature an antislip surface and help keep cutting tools and piercing tools sharp. They are also double-sided, for extra longevity. Only our smallest cutting mat has any gridlines, as most professionals prefer to work without them.
Code
Size
CM2435
620mm x 900mm (24” x 35.5”)
CM3959
1000mm x 1500mm (39” x 59”)
CM3978
1000mm x 2000mm (39” x 78”)
NEW!
THE BIG PURPLE RULER
A superbly designed aluminium cutting edge and safety ruler. It features a special non slip, wide foam pad on the base that prevents slippage and keeps the trim line straight and true. This special pad will not mark artwork in the same way that rubber grips often do. Embedded in the cutting edge of the ruler is a hardened steel rod. This is what your cutting blade runs against, so you won’t cut into the aluminium itself, creating gouges in your ruler. A very high safety guard rail prevents the cutting blade from riding up onto fingers and hands and behind this is a generous flat face for hand clamping the ruler firmly in place.
Code
Size
BPR28
710mm (28”)
BPR40
1016mm (40”)
BPR52
1320mm (52”)
BPR64
1625mm (64”)
BPR96
2438mm (96”)
We don’t live in a perfect world, but if we did then our print finishing workshops would conform to these basic rules. Dust and dirt would be easy to spot and easy to clean away, by having working surfaces covered with good quality cutting mats. We would have good lighting to help us align and inspect our work more thoroughly. We would have a still atmosphere that stops airborne dirt infecting our work. And finally, we would have a warm and dry environment to store our materials and keep them in good condition.
www.hotpress.co.uk Tel: 0845 0700660 or +44 (0)117 958 6500
TOOLS OF THE TRADE
THE IDEAL WORKSHOP
36
TAC CLOTHSTM
These soft and slightly tacky cloths are great for cleaning work surfaces, machinery, boards and your artwork, prior to mounting or laminating. Please do not confuse them with other inferior ‘tack rags’ which can leave a nasty residue on your important work. Tac clothsTM work by removing dirt, rather than just moving it around. They are also great for removing dust from glass, MDF, Perspex and mountboard, prior to assembling picture frames. Each individual cloth is good for hundreds of wipes and its special coating is suitable for cleaning dust and debris from most kinds of print media.
Code
Size
TAC1
241mm x 457mm (9 1/2” x 18”) Single
NEW SIZE
TAC5
241mm x 457mm (9 1/2” x 18”) Pkt of 5
NEW SIZE
TAC25
241mm x 457mm (9 1/2 x 18”) Pkt of 25
ANTI-STATIC CLOTH
This is a lint-free cloth used to prepare prints and plastic substrates, such as acrylic, prior to mounting or laminating. This special material is composed of a knitted blend of non-toxic, soft synthetic fibres and non-abrasive conductive filaments.
Code
Size
ASC
254mm x 457mm (10” x 18”)
ANTI-STATIC GLOVES
These special gloves serve two purposes. With their special conductive fibre make-up, they dissipate electrostatic charges from plastic or metal surfaces, such as acrylic. They also abolish the chance of creating greasy finger marks on delicate plastics and media.
Code
Size
ASG
2 pairs - one size
TOOLS OF THE TRADE
ANTI-STATIC BRUSH
37
The Anti-Static Brush is designed to clean artwork and substrates prior to mounting or laminating, by dissipating any static charge that may be present. The special conductive fibres gently whisk away harmful dust, lint and dirt. The anti-static brush is supplied with a grounding cord wire. This cord should be attached to your press stand or your laminator and will further absorb any static picked up by the brush.
Code
Size
ASB
279mm (11”)
www.hotpress.co.uk Tel: 0845 0700660 or +44 (0)117 958 6500
DUST REMOVAL SYSTEM ROLLER AND PADS
A great tool for any mounting or finishing room, the Dust Removal System (DRS) roller removes dust and dirt from prints, substrates or film without leaving a tacky residue. The roller is durable with a steel handle and is cleaned easily by rolling it over the special adhesive pad. The roller and pad are sold separately.
Code
Description
DSR
DRS Roller
DSRPAD
DRS Replacement Pads (50)
MAGNETIC LAMINATOR CADDY
A very handy little accessory. The caddy keeps gloves, cloths, tape measures, Zippy Cutter™, knives and pencils close at hand, yet away from the laminator rollers and emergency stops. It has strong rubber-covered magnets that attach the caddy firmly to the side of your laminator while protecting the surface finish. The caddy will stick by magnetism to any flat steel surface.
Code
Size
CADDY
One Size
MULETM AND WHIPTM
The best way to store our films is in an upright position. The Mule™ is a safe and convenient mobile storage trolley, which can hold up to 12 rolls of Hot Press laminating films, mounting adhesives, canvases and print media. It fits through standard commercial doors (36”, 914 mm) and holds up to 800 lbs. (363 kg). The mule will accommodate both 2” and 3” (51mm and 76mm) roll core sizes. The Hot Press Whip™ can be used in conjunction with the Mule™ to allow for the easy lifting of heavy rolls of laminate and media from either the Mule™ or the floor.
MULE WHIP
Size Mule
TM
Storage Trolley (32” x 38” x 14H) WhipTM
TOOLS OF THE TRADE
Code
www.hotpress.co.uk Tel: 0845 0700660 or +44 (0)117 958 6500
38
SUBSTRATES Hot Press adhesives will adhere to many kinds of boards. For the best dry mounting results, however, we recommend using boards that have been developed with dry mounting in mind. Hot Press specialise in over- sized boards and popular cut sizes.
WHITE DISPLAY BOARD
This popular board has won a multitude of fans in recent years. White Display Board is a 2000 micron board with a very dense core. Unlike many mount boards - which are softer and more open structured - White Display Board does not absorb a lot of moisture, additionally the core is smoother than ordinary pulp boards, reducing the effect of orange peel on glossy artwork. The clay-coated, high white board liners act as a good key for adhesives and also help repel moisture. White Display Board is also porous, which is an added advantage when using a vacuum press. As with all Hot Press boards, White Display Board is a pH neutral product, priced competitively for such a specialised product. A 1250 micron version is also available.
Size
WDB3244
815mm x 1120mm (32” x 44”) 2000 micron, Qty 10
WDB4161
1040mm x 1550mm (41” x 61”) 2000 micron, Qty 10
WDB0810
204mm x 254mm (8” x 10”) 2000 micron, Qty 20
WDB1012
254mm x 305mm (10” x 12”) 2000 micron, Qty 20
WDB1114
279mm x 355mm (11” x 14”) 2000 micron, Qty 20
WDB1216
305mm x 406mm (12” x 16”) 2000 micron, Qty 20
WDB1620
406mm x 508mm (16” x 20”) 2000 micron, Qty 20
WDB2024
508mm x 610mm (20” x 24”) 2000 micron, Qty 20
WDB3244T
815mm x 1120mm (32” x 44”) 1250 micron, Qty 10
JUMBO
SUBSTRATES
Code
39
www.hotpress.co.uk Tel: 0845 0700660 or +44 (0)117 958 6500
STIKIBOARDTM SELF-ADHESIVE BOARD
As its name implies, this 2000 micron board has a strong and permanent, pressure sensitive adhesive coating. Unlike many self adhesive boards, that use a soft mountboard base, Stickiboard uses our very tough White Display Board as its base. Additionally, to avoid warping, the back of the board is coated with a polypropylene balancing film. StikiboardTM can be used for mounting images by hand, with the aid of a Hot Press SMOOTHING PAD or PRINT ROLLER, but for best performance we suggest that this board be used in conjunction with a JetMounter™ laminator. A laminator will help assure a strong bond and smooth finish, even on photographs and other smooth backed artwork. Our new JetMounter™ 34” laminator is perfect for coating even full sized boards. A thinner 1300 micron version is also available, where stiffness, but not thickness are required.
Code
Size
PSAB3244
815mm x 1120mm (32” x 44”) 2000 micron, Qty 5
PSAB0810
204mm x 254mm (8” x 10”) 2000 micron, Qty 20
PSAB1012
254mm x 305mm (10” x 12”) 2000 micron, Qty 20
PSAB1216
305mm x 406mm (12” x 16”) 2000 micron, Qty 20
PSAB1620
406mm x 508mm (16” x 20”) 2000 micron, Qty 20
PSAB2024
508mm x 610mm (20” x 24”) 2000 micron, Qty 20
PSAB3244T
815mm x 1120mm (32” x 44”) 1300 micron, Qty 10
EASYMOUNTTM DRY MOUNT CARD
This is a heat activated board that really works! EasymountTM Dry Mount Card has the same base board and advantages as White Display Board, with the addition of a dry adhesive coating. This special coating is based on our micro pyramid technology, which ensures air can move across the surface of the board and escape, before a solid bond is produced. The coating works best at 90ºC, the same as all other Hot Press heat activated products. At this temperature your work has time to breathe, which helps prevent air becoming trapped beneath your artwork.
Code
Size
HBEM3244T
815mm x 1120mm (32” x 44”) 1000 micron, Qty 10
HBEM3244
815mm x 1120mm (32” x 44”) 2000 micron, Qty 10
RIGID PLASTIC STIFFENER
NEW!
This is a new product to our range and has a number of uses. To describe it in layman’s terms it is a stiff, white backing material with an adhesive that is suitable for use with JetmounterTM laminators. It can be used to stiffen prints that are to be framed, without adding undue thickness to the print. Rigid Plastic Stiffener is opaque, meaning that light will not pass through it. This makes it particularly suitable for producing rollable pop-up or pull-up displays, especially when used in conjunction with our Crystaltex laminate.
Code
Size
PSPS25164
650mm x 50m (25.5” x 164’)
PSPS35164
880mm x 50m (34.5” x 164’)
PSPS41164
1040mm x 50m (41” x 164’)
PSPS51164
1300mm x 50m (51” x 164’)
FOAM CENTERED BOARD
Foam centred board is an old favourite and has many uses. For high gloss artwork, it offers a smooth surface that helps prevent ‘orange peel’. Where weight is a consideration, we recommend our Foam Centred Board, as it is light weight, yet dimensionally stable. Our standard version is 5mm thick and is faced with high quality clay coated liners, for a good adhesive key. Unlike some foam centred boards, the dense core of this board is suitable for processing in a Hot Press.
Code
Size
BFCB2030
508mm x 762mm (20” x 30”) 5mm, Qty 25
BFCB3040
762mm x 1016mm (30” x 40”) 5mm, Qty 25
BFCB4060
1016mm x 1524mm (40” x 60”) 5mm, Qty 25
JUMBO
SELF-ADHESIVE FOAM CENTERED BOARD
NEW!
As above, but with the addition of a strong self adhesive coating on one side.
Code
Size
SFCB2030
508mm x 762mm (20” x 30”) 5mm, Qty 25
SFCB3040
762mm x 1016mm (30” x 40”) 5mm, Qty 25
SFCB4060
1016mm x 1524mm (40” x 60”) 5mm, Qty 25
JUMBO
2
www.hotpress.co.uk Tel: 0845 0700660 or +44 (0)117 958 6500
40
FOAM CENTRED BOARD HANGERS
Premium stainless locking hinge hangers provide quick hanging solutions for art or graphics mounted on foam board. For reference the hole size is 7mm.
Code FBH
Size Stainless Steel Hinged Push in Hangers (pkt 100)
VELCRO
Our self adhesive Velcro has a variety of uses. It is mainly used for attaching graphic panels to ‘loop’ style backdrops on traditional display systems. When used together, our hook and loop can provide very clean looking, permanent displays on plain walls. Another popular use of our self adhesive Velcro is as a method of displaying moulding chevrons with frame shops.
Code
Size
VHS
Hook 20mm x 25mm
VLS
Loop 20mm x 25mm
FOAM TAPE
This is an ultra aggressive tape that is made from a thick foam base. It is sticky on both sides and can be used to bond a wide variety of materials together on a permanent basis. It works well on Dibond, Aluminium, wood, MDF, foam centred board, card, acrylic sheeting and most smooth and flat surfaces.
Size
FOAMTAPE
25mm x 66m (1” x 217’)
Choosing the right board for any given mounting or laminating project is vital to the ultimate success or failure of the job. With so many choices of board or ‘substrate’ available, it is easy to get confused about which board is best. The answer to this dilemma is often complicated and a lot of misinformation is spread around, by well intentioned, if ill-informed people. Your choice of board depends on many factors, such as... • • • • • • • • • •
COST WEIGHT SMOOTHNESS DENSITY CUT QUALITY COLOUR THICKNESS POROSITY RIGIDITY SIZE
Here at Hot Press we keep a close eye on trends within the board market and we constantly test new products as they come along. With our vast experience of display and presentation techniques we are able to advise our customers of the ideal products to use and where to buy them from. So if you need to know which board is best for a certain job, or where to source the right board at the right price. Please feel free to contact us on: Tel: +44 (0)117 958 6500 Email:
[email protected] We’re here to help!
SUBSTRATES
Code
CHOOSING THE RIGHT BOARD
41
2
www.hotpress.co.uk Tel: 0845 0700660 or +44 (0)117 958 6500
MAGNETIC GRAPHIC SYSTEMS Our new range of magnetic products are the latest trend in visual communications. They can be combined to create innovative changeable graphic environments or simply used as individual components in a wide range of display applications, including trade show stands, interactive showrooms and even for hanging pictures in art galleries. MAGNET RECEPTIVE PRIMER PAINT
NEW!
This new and very special latex primer paint transforms almost any flat facade into a metalized and magnetic receptive surface. It is most commonly used as a priming coat on walls, that are then over painted to match the rest of the surroundings. When this is done you have an ‘active wall’ where objects can be displayed, added, moved and changed at will. Two main uses that are proving very popular are moulding display walls in framing shops and activity walls within schools and hospitals etc. In the case of frame shops, mouldings can be displayed similarly to on a nyloop panel. The differences are, a magnetic strip is fixed to the back of each chevron, rather than Velcro. The look is cleaner and brighter than fabric panels and mouldings can be arranged and moved more easily. Picture frames can be hung too, using multiple lengths of magnetic strip. In the case of schools and hospitals, the wall can be painted with drawings, patterns or colours etc to create a play surface that children can stick magnetic objects to. A small strip of magnetic tape, added to the bottom of some colourful plastic cars, has recently been used in a school as a progress chart – where each child’s car moves along a painted race track, every time they excel in class. This type of wall display is washable, which is important in public places.
Size
MAGPAINT
1 US Gallon
MAGNETIC GRAPHIC SYSTEMS
Code
www.hotpress.co.uk Tel: 0845 0700660 or +44 (0)117 958 6500
42
MAGNETIC SHEETING
NEW!
This wide format magnetic sheeting has a white face and a magnetised rear. By mounting laminated artwork or graphics to the front face, the artwork can be displayed on any magnetic receptive surface, such as ‘active walls’, car, vans and machinery. Vehicle graphics for temporary or promotional use often use this style of sheeting, as it is fast to apply and remove from the vehicle. Magnetic sheeting is also good for making fridge magnets and magnetic photo gifts. It can be easily cut with a craft knife to form complex shapes if required.
Code
Size
MAGSHT 24
619mm X 15m (24” x 50’)
MAGSHT 39
1000m x 10m (39” x 33’)
EDGE TO EDGE MAGNETIC STRIP
MAGNETIC ‘A TO B’ STRIP
These more conventional 13mm wide magnetic strips are often used as a pair, like hook and loop Velcro. They have a self adhesive face and the reverse faces are of different polarities. When sticking graphics or artwork to MAGNETIC RECEPTIVE panels, such as ‘active walls’, vehicles, machinery or other metal objects, either tape A or tape B may be used.
Code
Size
MAGNETA
13mm x 30m (1/2” x 100’) Side A
MAGNETB
13mm x 30m (1/2” x 100’) Side B
NEW!
This specialised 7mm wide magnetic strip has a self adhesive face that is mounted at the back edge of graphics, where multiple panels need to sit flush with each other. Because the edges of the strips have different magnetic polarities the panels will want to grip each other firmly and seamlessly.
Size
MAGEDGE
7mm x 10m (1/4” x 33’)
MAGNETIC GRAPHIC SYSTEMS
Code
43
NEW!
www.hotpress.co.uk Tel: 0845 0700660 or +44 (0)117 958 6500
PLAQUE DECOR® EDGE FINISHING SYSTEM PlaqDecor® is a profitable way to create stunning visual presentations from artwork of almost any kind. This imaginative process is a less expensive alternative to framing, but with an elegant, yet understated visual impact. Virtually anything that can be framed is suitable for PlaqDecor® such as photographs, prints, posters, drawings, certificates. Unusual types of art and novel visual subjects are perfect for PlaqDecor®, for example textured items such as leaves and flowers. PLAQUE DECOR® EDGE FINISHING SYSTEM
NEW!
This economical edge finishing system for plaques and block mounts is ideal for producing small to medium volumes of plaques. The Plaque Decor® system consists of two separate machines and creating a PlaqDecor® block is a three step process. Firstly your artwork is dry mounted to a 9mm MDF block and laminated with a heatseal film. Then the block is passed through the shaper station and finally edged by the foiler station.
Code
Description
SHAPER
Edge Finishing Shaper
FOILER
Edge Finishing Foiler
ROUTER
Key Hole Router
NEW!
The foiler station is a free-standing machine. It houses a hot foil application wheel and a roll of your chosen edge foil. Simply let the foiler heat up and then pass your bevelled panel along the feed table by hand. As the panel crosses the heated application wheel the foil will be transferred to the edge of the panel.
KEY HOLE ROUTER
NEW!
For the ultimate finish on a Plaque Decor® panel or any block mounted image, this new key hole router station is just the thing. Keyholes in block mounts allow them to be fitted flush to the wall, for a much better look and safer presentation.
NEW!
The shaper station is a bench-mounted cutting unit that is used to apply a 45 degree bevel to the top edge of an MDF or tempered hardboard panel. The cutting head is simply switched on and the plaque is passed through the cutter by hand, along the feed table. This creates the bevel and smoothes the edge of the mounted and laminated work on the face.
KEY HOLE ROUTER
www.hotpress.co.uk Tel: 0845 0700660 or +44 (0)117 958 6500
® PLAQUE DECOR EDGE FINISHING SYSTEM
SHAPER STATION
FOILER STATION
44
PLAQUE DECOR® EDGING FOILS
NEW!
We have a huge choice of finishes for Plaque Decor® panel edges. Please note, for the best results, certain colours will need the background primer foil adding first, as follows – Red, Green, Blue, Yellow, Orange, – Bordeaux and Sky Blue.
PLAQDECOR® VARIATIONS
® PLAQUE DECOR EDGE FINISHING SYSTEM
Float and flush mount presentations expand the
45
Code
Size
possibilities for bespoke plaque products. Both
TTWHT
25mm x 335m - White
concepts use 3 mm (1/8”) tempered hardboard as a
TTBLK
25mm x 305m - Black
substrate, minimising total weight for larger images.
TTSIL
25mm x 305m - Silver
TTGLD
25mm x 305m - Gold
Float mount – This method creates the illusion that
TTWNT
25mm x 305m - Walnut
the image is floating away from the wall. This is
TTWNG
25mm x 305m - Wengue
TTRED
25mm x 305m - Red
TTGRN
25mm x 305m - Green
TTBLU
25mm x 305m - Blue
TTYLW
25mm x 305m - Yellow
TTORG
25mm x 305m - Orange
TTBRD
25mm x 305m - Bordeaux
TTSBL
25mm x 305m - Blue Sky
TTPRM
25mm x 305m - Background Primer
achieved by fixing two or more strips of 2.5 cm or 5 cm MDF to the back of the substrate. Flush Mount – A MDF boxframe is attached to the back of the tempered hardboard, flush with the edges, creating a three- dimensional effect. After adhering the MDF frame, foil is applied in one pass to the edge and beveled surfaces of both hardboard and frame.
SHAPER
www.hotpress.co.uk Tel: 0845 0700660 or +44 (0)117 958 6500
FOILER
INGLET VERTICAL CUTTERS .
This range of vertical circular saw cutters is designed to make easy work of MDF, Hardboard, Acrylic, Rigid PVC’s, Aluminium Composite Boards such as Dibond and many other types of substrates and with the addition of the Pneumatic cutter, foam board and card stock can also be easily trimmed down. The cutters come in both automatic and manual models and a choice of four sizes, all using a unique circular saw design to allow the user to cut mass production quantities to a high standard. There are two models avaliable, the Verdi Basic for cutting rigid panels and the Verdi Twin, with two multi-substrate cutters in one.
VERDI BASIC
The versatile Verdi Basic cutter comes equipped with a saw blade (250 x 30 mm / 80 teeth), allowing cuts on rigid panels up to 22 mm thick and 305cm high. The Verdi Basic can cut rigid panels such as Dibond, Acrylics, MDF, Wood and Forex.
Code
Description
728510
Basic - 122cm cutting height
728515
Basic - 157cm cutting height
728530
Basic - 244cm cutting height
728540
Basic - 305cm cutting height
VERDI TWIN
The Verdi Twin deliverers two-in-one performance with two multi-substrate cutters in one. The Verdi Twin acts as a power saw and as a pneumatic utility blade cutter. The Verdi Twin can cut the rigid panels as listed for the Verdi Basic plus semi-rigid panels such as Foam board, Gatorboard, Mat board, Honeycomb board and Cardboard.
Code
Size
728550
Twin - 122cm cutting height
728551
Twin - 157cm cutting height
728552
Twin - 244cm cutting height
728553
Twin- 305cm cutting height
VERDI TWIN
INGLET VERTICAL CUTTERS
VERDI BASIC
www.hotpress.co.uk Tel: 0845 0700660 or +44 (0)117 958 6500
46
ACCESSORIES SAW BLADES
DUST COLLECTOR
A specially designed dust collector suitable for all Verdi vertical cutters.
Replacement saw blades.
Code
Description
Code
Description
14 03 70
Universal
02 12 06
Dust collector - both models
14 03 60
Plastic
LASER SIGHT GUIDE
This optional laser attachment makes aligning your substrates for cutting easy - it can be aligned with one or both cutting areas.
Code
Description
14 20 06
Laser for Verdi Basic
14 20 06
Laser for Verdi Twin
CUTTING HEAD AND WHEELS FOR GLASS
Add this cutting head to your Verdi cutter to be able to cut glass.
Code
Description
45 17 80
Cutting head for glass
14 07 43
Cutting wheels for glass
DUST COLLECTOR
PNEUMATIC CUTTER (VERDI BASIC)
Turn your Verdi Basic into a Verdi twin by adding the pneumatic cutter accessory.
Code
Description
72 85 11
Pneumatic cutter
1m ARM EXTENSION
INGLET VERTICAL CUTTERS
For very large pieces of work we recommend using the arm extension.
47
Code
Description
14 20 02
1m arm extension
EXTRA MEASURING TAB (VERDI TWIN)
Add the extra measuring tabs to tailor the Inglet cutter to cut your required sizes.
Code
Description
45 11 11
Extra measure tab - right
45 11 75
Extra measure tab - left
www.hotpress.co.uk Tel: 0845 0700660 or +44 (0)117 958 6500
PNEUMATIC CUTTER
TECHNICAL DATA
VERDI TWIN 728550 / Twin 122
728551 / Twin 157
728552 / Twin 224
728553 / Twin 305
Saw Operation
Manual
Manual
Electronic
Electronic
Blade Operation
Pneumatic
Pneumatic
Pneumatic
Pneumatic
Speed head control
No
No
Yes
Yes
Saw blade
250 x 30mm
250 x 30mm
250 x 30mm
250 x 30mm
Cutting max height
122cm
157cm
244cm
305cm
Thickness allowed
22/22/1.5 - 3mm
22/22/1.5-3mm
22/22/1.5-3mm
22/22/1.5-3mm
Engine power
1.5hp
1.5hp
1.5hp
1.5hp
Engine speed
2700RPM
2700RPM
2700RPM
2700RPM
Voltage
220V / 110V
220V / 110V
220V / 110 V
220V / 110 V
Dimensions
212H x 250 x 50cm
242H x 250 x 50cm
345H x 250 x 50cm
395H x 250 x 50cm
Weight
138Kg / 304lb
161kg / 355lb
203kg / 448lb
233kg / 514lb
728510 / Basic 122
728515 / Basic 157 728530 / Basic 244
728540 / Basic 305
Saw Operation
Manual
Manual
Electronic
Electronic
Speed head control
No
No
Yes
Yes
Saw blade
250 x 30mm
250 x 30mm
250 x 30mm
250 x 30mm
Cutting max height
122cm
157cm
244cm
305cm
Thickness allowed (rigid)
22mm
22mm
22mm
22mm
Engine power
1.5hp
1.5hp
1.5hp
1.5hp
Engine speed
2700RPM
2700RPM
2700RPM
2700RPM
Voltage
220V / 110V
220V / 110V
220V / 110V
220V / 110V
Dimensions
212H x 250 x 50cm
242H x 250 x 50cm 345H x 250 x 50cm
395H x 250 x 50cm
Weight
125kg / 276lb
145kg / 320lb
205kg / 452lb
Rigid/semi-rigid/glass
VERDI BASIC
CUT FOREX
CUT HARDBO ARD
CUT CARD
CUT ACR YLIC
CUT MDF
CUT MASO NITE CUT FOAM BOAR
D
CUT FOAM EX
CUT HONEYC OMB BOARD
www.hotpress.co.uk Tel: 0845 0700660 or +44 (0)117 958 6500
CUT GLASS
CUT GATO RBOA RD
INGLET VERTICAL CUTTERS
CUT DIBO ND
178kg / 393lb
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KEENCUT MEDIA CUTTERS Though we do not manufacture trimmers ourselves, we are often asked which trimmers we recommend. For this reason we have teamed up with Keencut to bring you a comprehensive range of trimmers, wall cutters and benches that are unrivalled in their field. TECHNIC ADVANCED ROTARY CUTTER
KEENCUT MEDIA CUTTERS
Made possible with the power of computer aided design, this patented “advanced rotary cutter” system eliminates the instability of overhead rail cutters. The unique subsurface monorail bearing system gives a clear view of the cut line. The mechanism cannot distort under heavy cutting pressure. Two clamp rollers provide secure double clamping during cutting with up to double the gripping effectiveness of any other rotary cutter. The two tungsten steel cutting wheels give unrivalled performance and long life with two way cutting on every one of the 13 models in the range. The Technic is available in sizes from 30.5cm (12”) to 305cm (120”). Models from 76cm (30”) upward feature a wide entry clamp and adjustable squaring arm as standard.
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Code
Size
KT07
106cm - 42”
KT10
152cm - 60”
KT12
254cm - 100”
KT13
305cm - 120”
AVAILABLE IN THE UK ONLY As we do not manufacture the Keencut range it is only avaliable in the UK.
www.hotpress.co.uk Tel: 0845 0700660 or +44 (0)117 958 6500
STEEL TRAK VERTICAL CUTTER
The Keencut SteelTrak vertical cutter cuts even the thickest materials - up to 5mm Dibond flawlessly. Each of the four attached tools cuts on the same line. No mistakes, no special operator knowledge, no color coded production stops. All cutting tools are permanently mounted on the cutting head. Just turn the wheel and the Utility Blade, Scoring Blade, Glass Scoring Wheel, and Twin Wheel Cutting Head is ready. New accessory items include the new V-Groove Cutting Tool for POP and architectural signs and the Aluminum Twin Wheel Cutting Wheel which can cut up to .063” Aluminum. The SteelTraK is available in a 65” or 82” cut size and is backed by Keencut’s unprecedented 5 year general warranty on all parts (except blades and cutting wheels) and a 20 year warranty on the bearings used in the cutting head.
Code
Size
ST165
165cm - 65”
ST210
210cm - 82”
New pateted V-GROOVE attachment
STEEL TRAK ACCESSORIES Code
Description
FSK165
Free standing kit for ST165
FSK210
Free standing kit for ST210
STGLC
Glass cutting kit
STEEL BLADE AND CUTTING WHEELS Code
Description
STALC
Aluminium sheet cutting head
STCOC
Composite/MDF cutting head
CA50/015
TC glass cutting wheel
CA50/019
Medium duty utility blades
Code
Size
ST90V2
2mm
ST90V3
3mm
ST90V4
4mm
ST90V5
5mm
ST90V6
6mm
ST90VB
Blade (5 pack)
www.hotpress.co.uk Tel: 0845 0700660 or +44 (0)117 958 6500
KEENCUT MEDIA CUTTERS
STEELTRAK V-GROOVING TOOL - 90O ANGLE
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EVOLUTION HIGH-PRECISION CUTTER BAR
The new Keencut Evolution-E2 is an integrated wide format cutting system designed to revolutionise the speed, accuracy and convenience of the finishing process. Intended to fit any bench the all new Evolution-E2 shares the same outstanding 1:15000 straightness accuracy guarantee of the first generation Evolution and the world renowned Javelin Xtra cutter bar. The unique four piece cutter slideway and torsion bar extrusion combines with the full length base plate to create a cutting machine that will meet the challenges of the most demanding operator and enhance valuable artwork. NEW!
Code
Size
EVO160
1.6m (160cm - 64”)
EVO210
2.1m (210cm - 84”)
EVO260
2.6m (260cm - 104”)
EVO310
3.1m (310cm - 124”)
EVO360
3.6m (360cm - 144”)
JAVELIN XTRA
Guaranteed straight to within 0.2mm (0.008”). The Javelin meets today’s very high standards for accurate butt joints on sectional panels, trade show graphics and pop-up systems. Javelin models are available in widths from 40” to 120”.
Size
KJ11
1.1m (110cm - 44”)
KJ12
1.6m (160cm - 64”)
KJ13
2.1m (210cm - 84”)
KJ14
2.6m (260cm - 104”)
KJ15
3.1m (310cm - 124”)
KEENCUT MEDIA CUTTERS
Code
51
www.hotpress.co.uk Tel: 0845 0700660 or +44 (0)117 958 6500
TEXTILE CUTTER
Using a razor-sharp ultra-thin circular blade the new textile cutter will transform every Keencut Javelin, Practik, Max or Sabre into a machine that will cut the finest of flag, textiles and paper. Offering super straight cutting up to 5 metres long without fraying or rippling, the Textile Cutter offers a safe, sure way of cutting thin, high tensile and delicate materials that cannot be cut by conventional methods. Attach in seconds to any Keencut cutter bar, past and present, with no tools. Economical disposable circular blades are available in packs of 10. An integral safety guard protects fingers when the textile cutter is not in use.
Code
Description
KX21
Textile cutter
KX29
Circular knives (10 pack)
NEW!
STANDARD WORKBENCHES
The PROTEUS bench is a strong, elegant, modular system designed to enable any business, large or small, to specify and assemble the exact work, display or storage units needed to create a perfect working environment. As business grows and develops any PROTEUS structure can be re-configured and expanded, quickly and economically to work in complete harmony with the new demands. No extra tools are necessary, assembly is ultra-simple and the applications are endless.
Code
Size
PA02
W122 x L91 x H75
PA03
W152 x L91 x H75
PA05
W183 x L91 x H75
PB02
W122 x L75 x H90
PB03
W152 x L75 x H90
PB05
W183 x L75 x H90
PC02
W122 x L91 x H90
PC03
W152 x L91 x H90
PC05
W183 x L91 x H90
CUTTER BLADES Code
Description
CA50/019
Medium duty utility blade
CA50/027
Keencut XR
CA50/015
Tungsten Carbride glass cutting wheel
www.hotpress.co.uk Tel: 0845 0700660 or +44 (0)117 958 6500
KEENCUT MEDIA CUTTERS
Replacement blades.
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EXCALIBUR
The unique Excalibur 5000 features two cutting heads offering four cutting tools mounted for instant selection. The integral counterbalance ensures an easy glide cutting action, prevents damage when loading sheet materials, minimizes operator fatigue and increases production. The Excalibur is ideal for applications where the high performance of the SteelTraK is not required. With a cutting capacity of 163 cm the Excalibur 5000 is equipped to cut Glass, PVC Foamboard, Fomecore, Cardboard, Acrylic (Plexi), Xanita, DiBond (3mm), Polycarbonate, MDF and much more without noise, dust or significant debris. The unique Excalibur 1000x series vertical cutter features a single sliding counter-balanced head with 3 cutting and scoring tools ready for instant use. With a rigid clamping system, a set-for-life squaring mechanism and the standard wall mounting or optional free-standing kit, the Excalibur 1000X provides a noiseless, dust-free and cost effective cutting solution for many of the materials used in a modern sign or graphic workshop.
Code
Size
KE02/000
Excalibur 5000 160 - 63”
KE07/000
Excalibur 1000X 160 - 63”
SIMPLEX
The innovative design of the Keencut Simplex offers exact accuracy for general purpose cutting of wide format materials up to 3.1 metres in width. The Simplex carries a straightness guarantee of 1.00mm or 1:3000 over the entire length and is an economical alternative to the Javelin when less extreme accuracy is required. The lightweight portable Simplex is ideal for cutting PVC foamboard, vinyl, woven fabrics, foam centred board, honeycomb and corrugated plastics, film, paper, tissue and many more flexible and rigid materials.
Size
SIM110
1.1m - 44”
SIM160
1.6m - 64”
SIM210
2.1m - 84”
SIM260
2.6m - 104”
SIM310
3.1m - 124”
KEENCUT MEDIA CUTTERS
Code
53
www.hotpress.co.uk Tel: 0845 0700660 or +44 (0)117 958 6500
SABRE SERIES 2
Efficiently engineered for one-off or volume production, the Keencut SABRE offers the same exact cutting capabilities as the Keencut PRACTIK and is constructed on an anodized aluminium baseboard. The SABRE is designed for use on a bench or attached to the optional stand. Using the lockable casters (included) Sabre can be moved and positioned alongside any wide-format printer.
Code
Size
KS11/000
1.0m - 40”
KS12/000
1.5m - 60”
KS13/000
2.0m - 80”
KS14/000
2.5m 100”
KS15/000
3.0m - 120”
MAX
If the requirement is for super-wide format cutting then the unique and rigid profile of the Keencut MAX will ensure accurate cutting of materials up to 5 meters in width. Available in four sizes from 4 meters, the unique Keencut MAX offers the only precise way to cut large format display materials up to 5 meters wide and is guaranteed straight to 2.0mm (1:2500) over its full length.
Code
Description
KM02/000
4m - 160”
KM03/000
4.5m - 180”
KM04/000
5m - 200”
BIG BENCH
Code
Description
KB01/000
1.1m - 44”
KB02/000
1.6m - 64”
KB03/000
2.1m - 84”
KB04/000
2.6m - 104”
KB05/000
3.1m - 124”
KB07/000
4.0m - 160”
KB08/000
4.5m - 180”
KB09/000
5.0m - 200”
www.hotpress.co.uk Tel: 0845 0700660 or +44 (0)117 958 6500
KEENCUT MEDIA CUTTERS
A great tool for any mounting or finishing room, the Dust Removal System (DRS) roller removes dust and dirt from prints, substrates or film without leaving a tacky residue. The roller is durable with a steel handle and is cleaned easily by rolling it over the special adhesive pad. The roller and pad are sold separately.
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TRAINING HOT PRESS UK TRAINING SCHO
OLS
Have you ever attended the famous “Hot Press Training School”? Do you want to be able to get more from your press than just beautifully mounted prints? Are you up to date with all the latest techniques for adding value to your work? Do you have staff members that wan t to learn about mounting laminating and more? Well this is thei r chance and yours!!! If you have a hot press of virtually any description it can be used for a who le host of things. Mounting and laminating techniques are constan tly being improved and new techniqu es are being developed all the time. So with this new catalogu e, we thought it would be a great time to remind everyone about our free training opportunities. We cover everything – from basic mountin g and laminating – to fabric wrapping of mounts and transferring photographs or paper posters to can vas. With such a comprehensive range it is easy to miss products that could mak e your life so much simpler and increase the value of the prod ucts that you produce. Additionally, we will guide you through the maze of artwork types that you may encounter – telling you how to approac h each kind of media and offer valuable tips that will improve the quality of your work. Many companies experience staff changes from time to time and vita l knowledge is often lost when people move on. Allow us to train you r staff how to use your machinery to its full potential. Training is a great motivator and shows your peo ple that they are valued members of your team. “Seeing is believing” as they say – but watching and doing are two very diffe rent things. In our hands on sessions you will learn how to tack le all kinds of projects and then actu ally produce them for yourself. We provide everything you need – including lunch – so why not take the time to catch up on all the latest products and techniques, on our superb training days. For details of your nearest training school - please consult our website at www .hotpress.co.uk. Then, simply go to the training section and view the current dates available. If you have any specific questions abo ut what is covered in our training sch ools just call our customer service department and ask. If you want to learn about something that is not normally covered then we would be pleased to try and add it into your session. We look forward to seeing you ther
e.
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6500
www.hotpress.co.uk tel: 0845 0700660 or +44 (0)117 9586500
HOT PRESS Filwood Road Fishponds Bristol BS16 3RY Tel: 0117 958 6500 Fax: 0117 965 4411 www.hotpress.co.uk
[email protected]
