Film  Spring  Open-­‐Air  2013  Program   Krakow,  26th  May  –  5th  June  2013    

26th  May  2013,  Sunday    

  Arrival   and   accommodation.   Organisation   of   shooting   groups.   Organisation   of   groups   that   have   their   own   educational   program.   The   following   projects   are   planned   to   promote   diversity   in   artistic   education   and   interdisciplinarity  in  film  architecture:     PREVIS   (coordinator   Sławomir   Idziak):   Groups   that   make   Previs   (film   drafts)   of   long-­‐length   feature   films.   Additional  lecture  “Previs  as  a  tool  to  support  financing,  planning  and  control  over  the  quality  of  a  future  film.”   GAME   JAM   (coordinator   Maciej   Miąsik,   One2Tribe):  Interdisciplinary   workshop   on   interactive   storytelling   and   combining  the  skills  of  game  developers  and  filmmakers.   INTERACTIVITY  (coordinator  Andrzej  Cichocki):  Cooperation  of  the  LARP  Group  (Flamberg  Group),  filmmakers   and  programmers  (InventCore  Group)  searching  for  a  new  format  of  a  film  show.   MUSIC  VIDEOS  ORANGE  GROUP  (coordinator  Anna  Maliszewska):  Groups  making  music  videos  on  the  basis  of   Previs  selected  in  the  competition  “Shoot  a  film  with  Orange”.   DOCUMENTARY   WORKSHOPS   (coordinators   Bogdan   Dziworski,   Jacek   Szymczak):   “Documentary   in   the   new   media.”   3D  GROUPS  (coordinator  Andrzej  Waluk):  Practical  use  of  new  Qubiq  3D  rigs.   CELLS  IN  LOVE:  Project  for  actors  who  play  in  their  own  films  flirting  with  a  selected  actor-­‐partner  holding  in   their  hands  mobile  phones  (cameras).  The  theme  of  short  films  is  love  stories.     Attention!  In  the  evening  –  shooting  of  the  “Interactivity”  project  (coordinator  Andrzej  Cichocki).     Cooperation   of   the   LARP   Group   (Flamberg   Group),   filmmakers   (among   them   students   of   the   Krzysztof   Kieślowski   Faculty   of   Radio   and   Television   at   the   University   of   Silesia   in   Katowice)   and   programmers   (InventCore   Group).   Request   for   active   cooperation   of   all   filmmakers   who   arrive   on   this   day   (in   particular   cinematographers  and  gaffers).      

27th  May  2013,  Monday  

DURING  THE  DAY  GROUPS  WITH  THEIR  OWN  EDUCATIONAL  PROGRAM  CONTINUE  THEIR  WORK       GAME   JAM   (coordinator   Maciej   Miąsik,   One2Tribe):   Interdisciplinary   workshop   on   interactive   storytelling   and   combining  the  skills  of  game  developers  and  filmmakers.   INTERACTIVITY  (coordinator  Andrzej  Cichocki):  Cooperation  of  the  LARP  Group  (Flamberg  Group),  filmmakers   and  programmers  (InventCore  Group)  searching  for  a  new  format  of  a  film  show.   MUSIC  VIDEOS  ORANGE  GROUP  (coordinator  Anna  Maliszewska):  Groups  making  music  videos  on  the  basis  of   Previs  selected  in  the  competition  “Shoot  a  film  with  Orange”.   DOCUMENTARY   WORKSHOPS   (coordinators   Bogdan   Dziworski,   Jacek   Szymczak):   “Documentary   in   the   new   media.”   PREVIS  (coordinator  Sławomir  Idziak):  Groups  that  make  Previs  (film  drafts)  of  long-­‐length  feature  films.   3D  GROUPS  (coordinator  Andrzej  Waluk):  Practical  use  of  new  Qubiq  3D  rigs.   CELLS  IN  LOVE:  Project  for  actors.       12:00  p.m.         FILM  SPRING  OPEN  IS  OPEN!   AULA    Press   conference   and   introduction   to   the   program   coorganised   with   the   Krakow   Film   Commission.          

 

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    14:00  p.m.     AULA       16:00  p.m.   AULA     16:00  p.m.     SMALL  ROOM  

  20:00  p.m.     OPEN-­‐AIR                                                                              

LECTURES  

   

FILM  SPRING  OPEN  IS  OPEN!   Sławomir  Idziak  Opening  of  the  Film  Spring  Open-­‐Air  2013.  

 

Jan  Heugel,  Application  Engineer,  ARRI  “Presentation  of  the  new  ALEXA  XT.”  

 

FINANCING  SOURCES  FOR  YOUNG  EUROPEAN  FILM  PRODUCTION    Young   Producer   Section   at   the   Polish   Audiovisual   Producers   Chamber   (KIPA)   “Financing  sources  for  young  European  production  of  feature  films.”  Experiences  of   young   producers.   Discussion   panel   on   how   to   use   the   budget   effectively   in   small   feature  film  productions.  

 

OPENING  PARTY      Music  performance.  

 

 

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  28th  May  2013,  Tuesday  

DURING  THE  DAY  GROUPS  WITH  THEIR  OWN  EDUCATIONAL  PROGRAM  CONTINUE  THEIR  WORK     GAME   JAM   (coordinator   Maciej   Miąsik,   One2Tribe):   Interdisciplinary   workshop   on   interactive   storytelling   and   combining  the  skills  of  game  developers  and  filmmakers.   INTERACTIVITY  (coordinator  Andrzej  Cichocki):  Cooperation  of  the  LARP  Group  (Flamberg  Group),  filmmakers   and  programmers  (InventCore  Group)  searching  for  a  new  format  of  a  film  show.   MUSIC  VIDEOS  ORANGE  GROUP  (coordinator  Anna  Maliszewska):  Groups  making  music  videos  on  the  basis  of   Previs  selected  in  the  competition  “Shoot  a  film  with  Orange”.   DOCUMENTARY   WORKSHOPS   (coordinators   Bogdan   Dziworski,   Jacek   Szymczak):   “Documentary   in   the   new   media.”   PREVIS  (coordinator  Sławomir  Idziak):  Groups  that  make  Previs  (film  drafts)  of  long-­‐length  feature  films.   3D  GROUPS  (coordinator  Andrzej  Waluk):  Practical  use  of  new  Qubiq  3D  rigs.   CELLS  IN  LOVE:  Project  for  actors.       10:00  a.m.     ARRI  WORKSHOPS   OPEN-­‐AIR   Jan  Heugel  “Hands  on  ALEXA  XT.”       LECTURES     9:30  a.m.    DOCUMENTARY   SMALL  ROOM    Bogdan  Dziworski,  Jacek  Szymczak  “Documentary  in  the  new  media.”     14:15  a.m.                                  FINANCING  SOURCES  FOR  YOUNG  EUROPEAN  FILM  PRODUCTION   AULA    Meeting  with  Mr.  Marek  Sowa,  the  Marshall  of  Małopolska  Voivodeship,  and  Mrs.   Magdalena   Sroka,   the   Deputy   Mayor   of   the   City   of   Krakow   for   Culture   and   City   Promotion:   “Support   for   young   European   film   production   offered   by   the   Małopolska   province  and  the  City  of  Krakow.”       15:00  p.m.       HOW  TO  MAKE  FILMS  BETTER  AND  CHEAPER   AULA   Sławomir   Idziak   “Future-­‐oriented   model   of   feature   film   production".   During   the   lecture:   presentation   of   CINEBUS   project,   a   special   vehicle   for   feature   film   production  in  cooperation  with  Polish  bus  coach  manufacturer  AUTOSAN  S.A.       17:00  p.m.     DIGITAL  POSTPRODUCTION   AULA    Rafał  Hanzl  “Trends  in  modern  postproduction  in  reference  to  combining  computer-­‐ generated   images   with   images   from   the   set."   Review   of   modern   trends   in   CGI.”  Piotr   Szczepanowicz,   NoLabel   “Practical   use   of   previsualisation   in   film   production   planning."  Case  study  on  the  basis  of  film  productions  of  NoLabel.     SCREENINGS     20:00  p.m.     HOW  DID  I  MAKE  MY  FILM   AULA    Screening   of   “Inny   Świat”   dir.   Dorota   Kędzierzawska.   After   the   screening   meeting   with  the  authors  and  film  analysis.  Dorota  Kędzierzawska  and  Arthur  Reinhart.     22:00  p.m.    SCREENING  OF  PARTICIPANTS’  FILMS     SMALL  ROOM      Screening  of  participants’  films,  discussions  and  analysis.  Night  screenings.    

       

 

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  29th  May  2013,  Wednesday  

DURING  THE  DAY  GROUPS  WITH  THEIR  OWN  EDUCATIONAL  PROGRAM  CONTINUE  THEIR  WORK     GAME   JAM   (coordinator   Maciej   Miąsik,   One2Tribe):   Interdisciplinary   workshop   on   interactive   storytelling   and   combining  the  skills  of  game  developers  and  filmmakers.   INTERACTIVITY  (coordinator  Andrzej  Cichocki):  Cooperation  of  the  LARP  Group  (Flamberg  Group),  filmmakers   and  programmers  (InventCore  Group)  searching  for  a  new  format  of  a  film  show.   MUSIC  VIDEOS  ORANGE  GROUP  (coordinator  Anna  Maliszewska):  Groups  making  music  videos  on  the  basis  of   Previs  selected  in  the  competition  “Shoot  a  film  with  Orange”.   DOCUMENTARY   WORKSHOPS   (coordinators   Bogdan   Dziworski,   Jacek   Szymczak):   “Documentary   in   the   new   media.”   PREVIS  (coordinator  Sławomir  Idziak):  Groups  that  make  Previs  (film  drafts)  of  long-­‐length  feature  films.   3D  GROUPS  (coordinator  Andrzej  Waluk):  Practical  use  of  new  Qubiq  3D  rigs.   CELLS  IN  LOVE:  Project  for  actors.         9:30  a.m.     DIGITAL  POSTPRODUCTION   EDITING  ROOM       Piotr  Szczepanowicz,  NoLabel     “Creating  previsualizations  using  simple  tools  in  2D  and  3D  software."       9:30  a.m.     DIGITAL  POSTPRODUCTION   EDITING  ROOM      Rafał  Hanzl  "Photorealistic  rendering"  –  issues  related  to  Mental  Ray  render  and  the   creation  of  virtual  scenery  (Maya)   1.  Basis  for  modelling   2.  Realistic  lighting  of  3D  scenes   3.  Real  camera  and  virtual  camera     4.  MIA  -­‐  physically  correct  material     5.  Realistic  texturing   6.  Interaction  between  rendering  and  real  pictures     10:00  a.m.     FILMING  IN  DIFFICULT  CONDITIONS   OPEN-­‐AIR   Łukasz   Baka.   Workshops   which   include   filming   scenes   in   difficult   conditions   (for   example  in  low  light,  colourful  light,  with  large  amount  of  details  in  the  frame).  The   effect  will  be  a  film  of  all  materials  made  during  workshops.     12:00  p.m.    Maciej  Misiewicz,  Partner  Account  Manager  Workstations,  HP     EDITING  ROOM   “Professional   HP   solutions   for   professionals”.   W-­‐Series   mobile   workstations:   performance,   work   in   the   field.   Z-­‐Series   workstations:   Z1   first   workstation   in   the   world  all  in  one.  IPS  Monitors,  the  colour  is  important.     LECTURES     12:00  p.m.     MUSIC  VIDEOS  ORANGE  GROUP   AULA   Anna  Maliszewska,  director,  coordinator  of  the  Orange  group  making  music  videos   at  the  Film  Spring  Open-­‐Air.  “Rhythm.  Not  only  in  music.”  Screening  of  music  videos.     14:00  p.m.    INTERACTIVITY   SMALL  ROOM   InventCore  Group  “Techniques  of  making  interactive  films  and  designing  non-­‐linear   feature  film  models.”     14:00  –  18:00  p.m.   DIGITAL  POSTPRODUCTION   TRIP     Visit   at   the   FX   Studio   of   TVN   in   Krakow.   Green   Box   workshops:   “Case   Study   on   making  car  scenes  in  the  studio."      

 

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    18:00  p.m.     AULA     21:00  p.m.   AULA     22:00  p.m.   SMALL  ROOM    

 

SCREENING  

HOW  DID  I  MAKE  MY  FILM   Screening   of   “In   a   Bedroom”   dir.   Tomasz   Wasilewski.   After   the   screening,   meeting   with  the  author  and  film  analysis.  Small  budgets.  Big  awards.   PREVIS  SCREENINGS:  “Pęknięta  żyłka”  (0’48)  dir.  Rafał  Zyguła.  After  the  screening,     meeting  with  the  author  and  Previs  analysis      SCREENING  OF  PARTICIPANTS’  FILMS      Screening   of   participants’   films,   discussions   and   analysis.   Screening   of   materials   made  at  the  workshops  “Filming  in  difficult  conditions.”  

 

 

 

30th  May,  Thursday  

DURING  THE  DAY  GROUPS  WITH  THEIR  OWN  EDUCATIONAL  PROGRAM  CONTINUE  THEIR  WORK     GAME   JAM   (coordinator   Maciej   Miąsik,   One2Tribe):   Interdisciplinary   workshop   on   interactive   storytelling   and   combining  the  skills  of  game  developers  and  filmmakers.   INTERACTIVITY  (coordinator  Andrzej  Cichocki):  Cooperation  of  the  LARP  Group  (Flamberg  Group),  filmmakers   and  programmers  (InventCore  Group)  searching  for  a  new  format  of  a  film  show.   MUSIC  VIDEOS  ORANGE  GROUP  (coordinator  Anna  Maliszewska):  Groups  making  music  videos  on  the  basis  of   Previs  selected  in  the  competition  “Shoot  a  film  with  Orange”.   DOCUMENTARY   WORKSHOPS   (coordinators   Bogdan   Dziworski,   Jacek   Szymczak):   “Documentary   in   the   new   media.”   PREVIS  (coordinator  Sławomir  Idziak):  Groups  that  make  Previs  (film  drafts)  of  long-­‐length  feature  films.   3D  GROUPS  (coordinator  Andrzej  Waluk):  Practical  use  of  new  Qubiq  3D  rigs.   CELLS  IN  LOVE:  Project  for  actors.     9:30  a.m.     DIGITAL  POSTPRODUCTION       EDITING  ROOM     Rafał  Hanzl  "3D  Camera  Tracking"  –  issues  related  to  the  restoration  of  camera   workflow  in  digital  environment  (After  Effects,  Mocha,  Nuke)   1.  Setting  the  parameters  of  the  camera  for  tracking,   2.  Camera  stabilization  in  postproduction,   3.  Movement  tracking  based  on  a  sample,   4.  Surface  tracking,   5.  Tracking  cameras  in  3D  space,   6.  Methods  of  cooperation  of  trackers  and  3D  programs.     10:00  a.m.       FILMING  IN  DIFFICULT  CONDITIONS   OPEN-­‐AIR   Łukasz   Baka.   Workshops   which   include   filming   scenes   in   difficult   conditions   (for   example  in  low  light,  colourful  light,  with  large  amount  of  details  in  the  frame).  The   effect  will  be  a  film  of  all  materials  made  during  workshops.     LECTURES     10:00  a.m.     PREVIS  YOUR  FUTURE     SMALL  ROOM     Sławomir  Idziak  “Dramaturgy  of  Previs  projects,  Road  map  of  the  future  film."     12:00  p.m.     SCREENINIGS   AULA     Screening  of  films  by  Zbigniew  Rybczyński.     14:00  p.m.     INTO  THE  FUTURE   AULA     Zbigniew   Rybczyński   “Concept   of   special   effects   in   new   technologies.   The   Audiovisual  Technology  Centre.”    

 

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SCREENINGS     20:00  p.m.   AULA  

 

SCREENING   Films   of   the   international   group   of   our   faithful   participants,   Red   Eyes   Cool,   shot   at   Film  Spring  Open-­‐Air  in  2011  and  2012.    

  Review   of   the   best   films   from   the   33rd   International   Short   Films   Festival   Images   In   Cabestany  organised  by  one  of  the  leaders  of  Red  Eyes  Cool  Group,  Florent  Paralles.   (1’30):     -­‐ THE  TEETH  OF  THE  POUND  II  /  LES  DENTS  DE  LA  MARE,  LE  RETOUR  dir.  Daniel   AUCLAIR  (26  min)  Jury  Grand  Prize  –  Documentary,     -­‐ HYMEN  dir.  Cédric  PROVOST  (25  min.)  Professional  public  prize  –  Fiction,     -­‐ DEAL  dir.  Wilfried  MEANCE  (9  min.)  Young  Creation  public  prize  –  Fiction,     -­‐ THE  BRIDGE  /  LE  PONT  dir.  Philippe  DONAVILLE    (5  min.)  Amateur  public  prize  –   Fiction,     -­‐ THE  ORANGES  /  LES  ORANGES  dir.  Yannick  PECHERAND-­‐MOLLIEX    (6  min.)  Public   Grand  Prize  –  Fiction.    

22:00  p.m.   AULA     22:00  p.m.     SMALL  ROOM          

PREVIS  SCREENING:  „Animus”  (0’53)  dir.  Patryk  Jurek.  After  the  screening,     meeting  with  the  author  and  Previs  analysis     SCREENING  OF  PARTICIPANTS’  FILMS     Screening  of  participants’  films,  discussions  and  analysis.  Night  screenings.  

31st  May,  Friday  

DURING  THE  DAY  GROUPS  WITH  THEIR  OWN  EDUCATIONAL  PROGRAM  CONTINUE  THEIR  WORK     GAME   JAM   (coordinator   Maciej   Miąsik,   One2Tribe):   Interdisciplinary   workshop   on   interactive   storytelling   and   combining  the  skills  of  game  developers  and  filmmakers.   INTERACTIVITY  (coordinator  Andrzej  Cichocki):  Cooperation  of  the  LARP  Group  (Flamberg  Group),  filmmakers   and  programmers  (InventCore  Group)  searching  for  a  new  format  of  a  film  show.   MUSIC  VIDEOS  ORANGE  GROUP  (coordinator  Anna  Maliszewska):  Groups  making  music  videos  on  the  basis  of   Previs  selected  in  the  competition  “Shoot  a  film  with  Orange”.   DOCUMENTARY   WORKSHOPS   (coordinators   Bogdan   Dziworski,   Jacek   Szymczak):   “Documentary   in   the   new   media.”   PREVIS  (coordinator  Sławomir  Idziak):  Groups  that  make  Previs  (film  drafts)  of  long-­‐length  feature  films.   3D  GROUPS  (coordinator  Andrzej  Waluk):  Practical  use  of  new  Qubiq  3D  rigs.   CELLS  IN  LOVE:  Project  for  actors.     9:30  a.m.     DIGITAL  POSTPRODUCTION   EDITING  ROOM    Rafał  Hanzl  "Compositing  footage  and  renderings"  –  issues  related  to  the  processing   of  3D  film  renderings  (After  Effects,  Nuke),   1.  Creating  HDRI  panorama  and  their  use  in  postproduction,   2.  The  meaning  and  application  of  linear  colour  space,   3.  Rendering  layer  –  types  of  components,   4.  How  to  set  renderings  properly  to  postproduction  treatment,   5.  Methods  of  connecting  3D  rendering  of  components,   6.  Specification  of  formats  used  in  postproduction.            

 

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    12:00  p.m.     AULA     14:00  p.m.     AULA         16:00  a.m.     SMALL  ROOM       17:00  p.m.   AULA      

   

LECTURES  

Canon  Polska  “EOS  Cinema,  EOS  DSLR,  XF  Series  –  range  of  possibilities  to  create  all     film  forms  in  Canon”   Adrian  Cranage,  cinematographer  “Contemporary  Workflow:  From  Script  to  Screen.”   PREVIS  YOUR  FUTURE   Sławomir   Idziak   “Previs   as   a   draft   showing   the   style   of   the   finished   film.   Safe   experiments."   HOW  DID  I  MAKE  MY  FILM   Bodo  Kox,  director  Analysis  of  his  first  feature  “A  Girl  from  the  Wardrobe”   SCREENINGS  

  20:00  p.m.     AULA     22:00  p.m     SMALL  ROOM    

SCREENING    Films  produced  in  the  micro-­‐budget  scheme  “Microwave”  producer  Mia  Bays.     SCREENING  OF  PARTICIPANTS’  FILMS      Screening   of   participants’   films,   discussions   and   analysis.   Screening   of   materials   made  at  workshops    “Filming  in  difficult  conditions.”  

    ALL  DAY   EDITING  ROOM       OPEN-­‐AIR      

1st  June,  Saturday   Editing  and  sound  design  of  shooting  materials  made  by  FSO  participants.   Individual  consultations  (all  lecturers  are  available).   Adrian  Cranage  “Tests  for  feature  film  in  contemporary  digital  technology.”   LECTURES  

  14:00  p.m.   AULA  

 

  18:00  p.m.   AULA       20:00  p.m.     AULA         22:00  p.m.                                                   AULA     20:00  p.m.     SMALL  ROOM          

HOW  TO  MAKE  FILMS  BETTER  AND  CHEAPER   Mia   Bays,   producer,   Missing   in   Action   Films   “Low   and   micro-­‐budget   film   production   of   Film   London   Microwave.”   Discussion   panel   about   the   future   of   young   European   film   production.   Moderator:   Małgorzata   Tusk,   Producer   of   Film   Spring   Open   Foundation.    CinePost  “Colour  correction  on  the  basis  of  selected  films.  Transfer  system  for     sending  shooting  materials  to  the  film  crew  through  tablets  and  the  Copra  software.”   SCREENINGS   SCREENINGS   Screening  of  “My  Nikifor”  dir.  Krzysztof  Krauze.   PREVIS  SCREENING:  “Papierośnica”  (1’30)  dir.  Konrad  Aksinowicz.  After  the     screening,  meeting  with  the  author  and  Previs  analysis                                                                       SCREENING  OF  PARTICIPANTS’  FILMS     Screening  of  participants’  films,  discussions  and  analysis.  Night  screenings.  

 

 

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  ALL  DAY   EDITING  ROOM       OPEN-­‐AIR         14:00  p.m.   AULA  

 

2nd  June,  Sunday  

  Editing  and  sound  design  of  shooting  materials  made  by  FSO  participants.   Individual  consultations.  (all  lecturers  are  available)   Adrian  Cranage  “Tests  for  feature  film  in  contemporary  digital  technology.”   LECTURES   HOW  DID  I  MAKE  MY  FILM    Krzysztof  Krauze  and  Joanna  Kos-­‐Krauze  meeting  with  authors  and  analysis  of  their   recent  film  “Papusza".  

    20:00  p.m.   AULA       22:00  p.m.   AULA     20:00  p.m.   SMALL  ROOM      

SCREENINGS      

SCREENING   Screening  of  “Love”  dir.  Sławomir  Fabicki.   PREVIS  SCREENING:  “Skupienie”  (0’40)  dir.  Jakub  Charon.  After  the  screening,     meeting  with  the  author  and  Previs  analysis                                                                        

   

  ALL  DAY   EDITING  ROOM       OPEN-­‐AIR      

SCREENING  OF  PARTICIPANTS’  FILMS   Screening  of  participants’  films,  discussions  and  analysis.  Night  screenings.  

3rd  June,  Monday   Editing  and  sound  design  of  shooting  materials  made  by  FSO  participants.   Individual  consultations.  (all  lecturers  are  available)   Adrian  Cranage  “Tests  for  feature  film  in  contemporary  digital  technology.”   LECTURES  

  14:00  p.m.   AULA      

   

SCREENINGS  

  17:00  p.m.       SMALL  ROOM       20:00  p.m.   AULA    

HOW  DID  I  MAKE  MY  FILM   Sławomir  Fabicki,  director  about  the  making-­‐of  his  recent  film  “Love”.  

 

SCREENING   Screening   of   interactive   films   with   voting.   (Films   made   at   the   FSO   during   the   “Interactivity”  project  searching  for  a  new  format  of  a  film  show).   THE  FINAL.  SCREENING  OF  ALL  PARTICIPANTS’  MATERIALS.    

4th  June,  Tuesday  

 

16:00  p.m.  

 

  20:00  p.m.  

 

Last  meetings  and  consultations  on  participants’  projects.     Sławomir  Idziak.  Summary  of  the  Film  Spring  Open-­‐Air  2013.     Sławomir   Idziak   will   provide   individual   consultations   of   Previs   projects   during   one-­‐ year  until  finishing  Previs  projects,  that  is  until  next  year’s  Film  Spring  Open-­‐Air  2014.   CLOSING  PARTY.    

 

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5th  June,  Wednesday  

 

Departures.     ADDITIONAL  INFORMATION     FSO  Location    

   

Jagiellonian  University  “Przegorzały”  Guesthouse,  13  Jodłowa  Street,  Krakow,  Poland   Food  is  paid  separately  (is  not  included  in  the  accommodation)   Breakfast  (buffet):  8:00  –  9:00   Lunch:  13:00  –  14:00   Dinner:  19:00  –  20:00  

 

 

 

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