Works Cited. Copyright material from - licensed to npg - PalgraveConnect

Akass, Kim, and Janet McCabe. “A Perfect Lie: Visual (Dis)Pleasures and Policing Femininity in Nip/Tuck.” Makeover Television: Realities Remodelled. E...
Author: Hortense Knight
2 downloads 0 Views 76KB Size
Akass, Kim, and Janet McCabe. “A Perfect Lie: Visual (Dis)Pleasures and Policing Femininity in Nip/Tuck.” Makeover Television: Realities Remodelled. Ed. Dana Heller. London: Tauris, 2007. 119–132. Print. Alcott, Louisa M. Little Women. 1868/69. New York: Harper Press, 2010. Print. Althusser, Louis. “Ideology and the Ideological State Apparatus (Notes towards an Investigation).” 1970. Cultural Theory: An Anthology. Ed. Imre Szeman and Timothy Kaposy. Chichester: Wiley-Blackwell, 2011. 204–222. Print. American Idol. FOX, 2002–present. Television. America’s Next Top Model. UPN (2003–2006), The CW (2006–present), 2003–present. Television. The American Society for Aesthetic Plastic Surgery. “Cosmetic Surgery National Data Bank Statistics 2013” and “15th Annual Cosmetic Surgery National Data Bank Statistics.” Surgery.org. 2009–2012. Web. 5 Nov. 2014. Andersen, Hans Christian. “The Ugly Duckling.” 1844. Configurations 15 (2007): 9–16. Print. Andrejevic, Mark. Reality TV: The Work of Being Watched. Lanham: Rowman & Littlefield Publishers, 2004. Print. Annesley, James. Blank Fictions: Consumerism, Culture and the Contemporary American Novel. London: Pluto, 1998. Print. Australia’s Next Top Model. FOX8, 2005–present. Television. Bakhtin, Mikhail. “The Grotesque Image of the Body and its Sources.” The Body: A Reader. Ed. Mariam Fraser and Monica Greco. London: Routledge, 2008. 92–96. Print. Baelo-Allué, Sonia. “From Solid to Liquid: Invisible Monsters and the Blank Fiction Road Story.” Chuck Palahniuk: Fight Club, Invisible Monsters, Choke. Ed. Francisco Collado-Rodríguez. London: Bloomsbury, 2013. 117–135. Print. Balsamo, Anne M. Technologies of the Gendered Body: Reading Cyborg Women. Durham: Duke University Press, 1996. Print. Banet-Weiser, Sarah, and Laura Portwood-Stacer. “‘I just want to be me again!’ Beauty Pageants, Reality Television and Post-Feminism.” Feminist Theory 7.2. (2006): 255–272. Print. Banner, Lois W. American Beauty. Chicago: University of Chicago Press, 1984. Print. Barthes, Roland. Camera Lucida: Reflections on Photography. New York: Hill and Wang, 1981. Print. Batman: The Dark Knight. Dir. Christopher Nolan. Perf. Christian Bale, Heath Ledger, Aaron Eckhart. Warner Bros. Pictures, 2008. Film. Battersby, Christine. “Her Body/Her Boundaries.” Feminist Theory and the Body: A Reader. Ed. Janet Price and Margrit Shildrick. New York: Routledge, 1999. 341–358. Print. Baudrillard, Jean. The Consumer Society: Myths and Structures. 1970. London: SAGE Publications, 2007. Print.

248

10.1057/9781137493798 - Transforming Bodies, Heike Steinhoff

Copyright material from www.palgraveconnect.com - licensed to npg - PalgraveConnect - 2017-01-22

Works Cited

249

———. “Transpolitics, Transsexuality, Transaesthetics.” The Disappearance of Art and Politics. Ed. William Stearns and William Chaloupka. New York: St. Martin’s Press, 1992. 9–26. Print. ———. Simulacra and Simulation. 1981. Ann Arbor: University of Michigan Press, 2006. Print. ———. The Transparency of Evil: Essays on Extreme Phenomena. 1990. New York: Verso, 2009. Print. ———. “Telemorphosis.” CTRL Space: Rhetorics of Surveillance from Bentham to Big Brother. Ed. Thomas Y. Levin. Karlsruhe: ZKM, 2002. 480–485. Print. Beaumont, Charles. “The Beautiful People.” Mind-Rain: Your Favorite Authors on Scott Westerfeld’s Uglies Series. Ed. Scott Westerfeld. Dallas: BenBella Books, Inc., 2009. 133–154. Print. Big Brother. CBS. 2000–present. Television. The Biggest Loser. NBC, 2004–present. Television. The Birds. Dir. Alfred Hitchcock. Perf. Rod Taylor, Tippi Hedren, Suzanne Pleshette. Universal Pictures, 1963. Birke, Lynda I. A. “Bodies and Biology.” Feminist Theory and the Body: A Reader. Ed. Janet Price. New York: Routledge, 1999. Print. ———. Feminism and the Biological Body. New Brunswich: Rutgers University Press, 2000. Print. Blackman, Lisa, et. al. “Creating Subjectivities.” Subjectivity 22 (2008): 1–27. Web. 1 Oct. 2012. Blanchet, Robert. “Quality TV: Eine kurze Einführung in die Geschichte und Ästhetik neuer amerikanischer TV-Serien.” Serielle Formen: Von den frühen FilmSerials zu aktuellen Quality-TV- und Onlineserien. Ed. Robert Blanchet. Marburg: Schüren Verlag GmbH, 2010. 37–70. Print. Blue Velvet. Dir. David Lynch. Perf. Isabella Rossellini, Kyle MacLachlan, Dennis Hopper. De Laurentiis Entertainment Group, 1986. Film. Blum, Virginia L. Flesh Wounds: The Culture of Cosmetic Surgery. Berkeley: University of California Press, 2003. Print. Boisvert, Anne-Marie. “On Bricolage: Assembling Culture with Whatever Comes to Hand.” Horizon Zero 08 (2003). Web. 10 Oct. 2012. Bondebjerg, Ib. “The Mediation of Everyday Life: Spectacle, Discourse and Genre in Reality-TV.” Realism and ‘Reality’ in Film and TV. Ed. Anne Jerslev. Copenhagen: Northern Lights, Film and Media Studies Yearbook, 2002. 159–193. Print. Boothroyd, Dave. “Cultural Studies and the Extreme.” New Cultural Studies. Ed. Gary Hall and Clare Birchall. Edinburgh: Edinburgh University Press, 2006. 274–292. Print. Bordo, Susan. “Feminism, Foucault and the Politics of the Body.” Feminist Theory and the Body: A Reader. Ed. Janet Price and Margrit Shildrick. New York: Routledge, 1999. 246–257. Print. ———. The Male Body: A New Look at Men in Public and in Private. 1st ed. New York: Farrar, Straus and Giroux, 1999. Print. ———. Unbearable Weight: Feminism, Western Culture, and the Body. 10th ed. Berkeley: University of California Press, 2003. Print. Bradbury, Ray. Fahrenheit 451. 1953. London: Flamingo, 1993. Print. Bradley, Peri. “Monstrous Makeovers: Transforming Monsters into Beauty Queens.” Dark Reflections, Monstrous Reflections: Essays on the Monster in Culture 43 (2008): 23–31. Web. 10 Oct. 2012.

10.1057/9781137493798 - Transforming Bodies, Heike Steinhoff

Copyright material from www.palgraveconnect.com - licensed to npg - PalgraveConnect - 2017-01-22

Works Cited

Works Cited

Braidotti, Rosi. “Signs of Wonder and Traces of Doubt: On Teratology and Embodied Differences.” Feminist Theory and the Body: A Reader. Ed. Janet Price. New York: Routledge, 1999. 290–301. Print. ———. Metamorphoses: Towards a Materialist Theory of Becoming. Cambridge: Polity Press, 2002. Print. Brandt, Jenn. “Reading Nip/Tuck as an Interrogation of Hegemonic Masculinity and Cosmetic Femininity.” Nip/Tuck: Television that Gets under Your Skin. Ed. Roz Kaveney and Jennifer Stoy. London: I B Tauris & Co Ltd, 2011. 19–36. Print. Brandt, Stefan L. The Culture of Corporeality: Aesthetic Experience and the Embodiment of America, 1945–1960. Heidelberg: Winter, 2007. Print. Bratich, Jack. “Programming Reality: Control Societies, New Subjects, and the Powers of Transformation.” Makeover Television: Realities Remodelled. Ed. Dana Heller. London: Tauris, 2007. 6–22. Print. Bridalplasty. E!, 2010–2011. Television. Bordhead, Richard H. “Sparing the Rod: Discipline and Fiction in Antebellum America.” Representations 21.1 (1988): 67–96. Print. Bröckling, Ulrich. Das Unternehmerische Selbst: Soziologie einer Subjektivierungsform. Frankfurt am Main: Suhrkamp, 2007. Print. ———, et al. Gouvernementalität der Gegenwart: Studien zur Ökonomisierung des Sozialen. Frankfurt am Main: Suhrkamp, 2000. Print. Bronfen, Elisabeth. Over Her Dead Body: Death, Femininity and the Aesthetic. Manchester: Manchester University Press, 1992. Print. ———. “Pin-Ups and the Violence of Beauty.” The Body as Interface: Dialogues between the Disciplines. Ed. Sabine Sielke and Elisabeth Schäfer-Wünsche. Heidelberg: Winter, 2007. 81–94. Print. Brown, Joanne, and Nancy St. Clair. Declarations of Independence: Empowered Girls in Young Adult Literature, 1990–2001. Lanham: Scarecrow Press, 2002. Print. Brush, Pippa. “Metaphors of Inscription: Discipline, Plasticity and the Rhetoric of Choice.” Feminist Review 58 (1998): 22–43. Print. Burke, Edmund. Philosophical Inquiry into the Origin of Our Ideas of the Sublime and Beautiful with an Introductory Discourse Concerning Taste, and Several Other Additions 1756. Adelaide: The University of Adelaide, 2012. Web. 20 Oct. 2012. Butler, Judith. Gender Trouble: Feminism and the Subversion of Identity. New York: Routledge, 1990. Print. ———. Bodies That Matter: On the Discursive Limits of “Sex.” New York: Routledge, 1993. Print. ———. “What is Critique? An Essay on Foucault’s Virtue.” eipcp 2001. Web. 20 Oct. 2012. Cabot, Meg. The Princess Diaries. London: Macmillan Children’s, 2001. Print. Campbell, Neil. “Introduction: On Youth Cultural Studies.” American Youth Cultures. Ed. Neil Campbell. Edinburgh: Edinburgh University Press, 2000. 1–30. Print. Chiang, Ted. “Liking What You See: A Documentary.” Mind-Rain: Your Favorite Authors on Scott Westerfeld’s Uglies Series. Ed. Scott Westerfeld. Dallas: BenBella Books, Inc., 2009. 155–196. Print. Clark, Suzanne. “Fight Club: Historicizing the Rhetoric of Masculinity, Violence, and Sentimentality.” JAC 21.2 (2001): 411–420. Print. Clueless. Dir. Amy Hecklering. Perf. Alicia Silverstone, Stacey Dash, Brittany Murphy. Paramount Pictures, 1995. Film.

10.1057/9781137493798 - Transforming Bodies, Heike Steinhoff

Copyright material from www.palgraveconnect.com - licensed to npg - PalgraveConnect - 2017-01-22

250

251

Cohen, Jeffrey J. “Monster Culture (Seven Theses).” Monster Theory: Reading Culture. Ed. Jeffrey J. Cohen. Minneapolis, Minn.: University of Minnesota Press, 1996. 3–25. Print. Collado-Rodríguez, Francisco. “From Theory to Practice: Blank Fiction, Ethics, and Hybridism in Palahniuk’s Stranger Than Fiction and Invisible Monsters.” Masculinities, Femininities and the Power of the Hybrid in U.S. Narratives: Essays on Gender Borders. Ed. Nieves Pascual Soler, L. Alonso Gallo, and Francisco Collado-Rodríguez. Heidelberg: Winter, 2007. 191–202. Print. ———. Chuck Palahniuk: Fight Club, Invisible Monsters, Choke. London: Bloomsbury, 2013. Print. Collins, Suzanne. Hunger Games. Praha: Fragment, 2010. Print. Covino, Deborah C. Amending the Abject Body: Aesthetic Makeovers in Medicine and Culture. New York: State University of New York Press, 2004. Print. Craik, Jennifer. The Face of Fashion: Cultural Studies in Fashion. New York: Routledge, 1994. Print. Creeber, Glen. Serial Television: Big Drama on the Small Screen. London: BFI Publishing, 2004. Print. Creed, Barbara. The Monstrous-Feminine: Film, Feminism, Psychoanalysis. New York: Routledge, 1994. Print. CSI. CBS, 2000–present. Television. Cuntz, Michael. “‘Tell Me What You Don’t Like About Yourself’: Hypernormalisierung und Destabilisierung der Normalität in der US-Fernsehserie Nip/Tuck.” KultuRRevolution:  Zeitschrift für angewandte Diskurstheorie 53 (2008): 68–76. Print. Davis, Kathy. Reshaping the Female Body: The Dilemma of Cosmetic Surgery. New York: Routledge, 1995. Print. ———. Dubious Equalities and Embodied Differences: Cultural Studies on Cosmetic Surgery. Lanham: Rowman & Littlefield, 2003. Print. Desperate Housewives. ABC. 2004–2012. Television. Deutschland sucht den Superstar. RTL, 2002–present. Television. Dexter. Showtime. 2006–present. Television. Di Mattia, Joanna L. “The Gentle Art of Manscaping: Lessons in HeteroMasculinity from the Queer Eye Guys.” Makeover Television: Realities Remodelled. Ed. Dana A. Heller. London: Tauris, 2007. 133–149. Print. Doidge, Norman. The Brain that Changes Itself: Stories of Personal Triumph from the Frontiers of Brain Science. London: Penguin Books, 2008. Print. Douglas, Mary. Natural Symbols: Explorations in Cosmology. Rev. ed. London: Routledge, 1996. Print. Dr. 90210. E! 2004–2008. Television. Duden, Barbara. The Woman beneath the Skin: A Doctor’s Patients in EighteenthCentury Germany. Cambridge, Mass. Harvard University Press, 1991. Print. ———. Disembodying Women: Perspectives on Pregnancy and the Unborn. Cambridge, Mass: Harvard University Press, 1993. Print. Dunne, Katharine. Geek Love. London: Abacus, 1989. Print. Dyer, Richard. Seven. London: British Film Institute, 1999. Print. ———. White. London: Routledge, 1997. Print. Eagleton, Terry. “It Is Not Quite True That I Have a Body, and Not Quite True That I Am One Either.” London Review of Books 27.5 (1993):7–8. Print.

10.1057/9781137493798 - Transforming Bodies, Heike Steinhoff

Copyright material from www.palgraveconnect.com - licensed to npg - PalgraveConnect - 2017-01-22

Works Cited

Works Cited

Eckel, Julia, Alissa Krusch, Heike Steinhoff, and Jana Wiechers. “Selbst-/ Medientechnologien in der Modelcastingshow Germany’s Next Topmodel.” 2007. Ruhr-University Bochum. Master of Arts Media Studies Project. DVD. Eggington, William. “The Best or the Worst of Our Nature: Reality TV and the Desire for Limitless Change.” Configurations 15 (2007): 177–191. Print. The Elephant Man. Dir. David Lynch. Perf. Anthony Hopkins, Anne Bancroft, John Hurt. Brooksfilms, 1980. Film. Elliott, Anthony. Making the Cut: How Cosmetic Surgery is Transforming Our Lives. London: Reaktion, 2008. Print. Emergency Room. NBC, 1994–2009. Television. Escoffery, David S., ed. How Real is Reality TV? Essays on Representation and Truth. Jefferson, NC: McFarland, 2006. Print. Extreme Makeover. ABC, 2002–2007. Television. Faludi, Susan. Backlash: The Undeclared War against American Women. 1st ed. New York: Anchor Books, 1992. Print. Favazza, Armando R. Bodies under Siege: Self-Mutilation and Body Modification in Culture and Psychiatry. 2nd ed. Baltimore: Johns Hopkins University Press, 1996. Print. Featherstone, Mike, Mike Hepworth, and Bryan S. Turner. The Body: Social Process and Cultural Theory. London, Newbury Park, Calif: SAGE Publications, 1991. Print. Featherstone, Mike, ed. Body Modification. Thousand Oaks, Calif: SAGE Publications, 2000. Print. ———. “The Body in Consumer Culture.” The Body: Social Process and Cultural Theory. Ed. Mike Featherstone, Mike Hepworth, and Bryan S. Turner. London, Newbury Park, Calif: SAGE Publications, 1991. 170–196. Print. Feher, Michel, Ramona Naddaff, and Nadia Tazi, eds. Fragments for a History of the Human Body. New York: Zone, 1989. Print. Fight Club. Dir. David Fincher. Perf. Brad Pitt, Edward Norton, Helena Bonham Carter. Twentieth Century Fox. 1999. Film. Flanagan, Victoria. “Girl Parts: The Female Body, Subjectivity and Technology in Posthuman Young Adult Fiction.” Feminist Theory 12.1 (2011): 39–53. Print. Flannery, Denis. On Sibling Love, Queer Attachment and American Writing. Aldershot: Ashgate, 2007. Print. Ford, Elizabeth, and Deborah C. Mitchell. The Makeover in Movies: Before and After in Hollywood Films, 1941–2002. Jefferson: McFarland, 2004. Print. Foucault, Michel. Discipline and Punish: The Birth of the Prison. 1975. New York: Vintage, 1995. Print. ———. The History of Sexuality: An Introduction. Vol.1. 1976. New York: Vintage, 1990. Print. ———. The History of Sexuality: The Use of Pleasure. Vol. 2. 1984. New York: Vintage, 1990. Print. ———. The History of Sexuality: The Care of the Self. Vol.3. 1984. London: Penguin, 1990. Print. ———. “On the Genealogy of Ethics: An Overview of Work in Progress.” Ethics: Subjectivity and Truth. Ed. Paul Rabinow. New York: The New Press, 1997. 253–280. ———. “The Subject and Power.” The Essential Foucault: Selections from Essential Works of Foucault, 1954–1984. Ed. Paul Rabinow and Nikolas S. Rose. New York: New Press, 2003. 126–144. Print.

10.1057/9781137493798 - Transforming Bodies, Heike Steinhoff

Copyright material from www.palgraveconnect.com - licensed to npg - PalgraveConnect - 2017-01-22

252

253

———. “Technologies of the Self.” The Essential Foucault: Selections from Essential Works of Foucault, 1954–1984. Ed. Paul Rabinow and Nikolas S. Rose. New York: New Press, 2003. 145–169. Print. Frangos, Maria. “Embodied Subjectivity and the Quest for Self in Televised Narratives of Body Modification.” Bodies in the Making: Transgressions and Transformations. Ed. Nancy N. Chen and Helene Moglen. Santa Cruz: New Pacific Press, 2006. 54–62. Print. Fraser, Mariam, and Monica Greco. “Introduction.” The Body: A Reader. Ed. Mariam Fraser and Monica Greco. London: Routledge, 2008. 1–42. Print. Freese, Peter. Die Initiationsreise: Studien zum Jugendlichen Helden im Modernen Amerikanischen Roman. 1971. Tübingen: Stauffenburg, 1998. Print. Freud, Sigmund. “The ‘Uncanny’.” 1919. Web. 13 Oct. 2012. Furedi, Frank. Therapy Culture: Cultivating Vulnerability in an Uncertain Age. London: Routledge, 2004. Print. Galán, Nely. “How to Swan Yourself.” The Swan: The Complete Series. Xenon Pictures, 2004–2005. DVD. Garland-Thomson, Rosemarie G. “Introduction: From Wonder to Error – A Genealogy of Freak Discourse in Modernity.” Freakery: Cultural Spectacles of the Extraordinary Body. Ed. Rosemarie G. Thomson. New York: New York University Press, 1996. 1–22. Print. ———. Extraordinary Bodies: Figuring Physical Disability in American Culture and Literature. New York: Columbia University Press, 1997. Print. ———. “Disability and Representation.” PMLA 120.2 (2005): 522–527. Print. Gibson, William. Neuromancer. New York: Ace Books, 1984. Print. Giddens, Anthony. Modernity and Self-Identity: Self and Society in the Late Modern Age. Cambridge: Polity Press, 1991. Print. Gill, Pat. “Making a Killing in the Marketplace: Incorporation as Monstrous Process.” Monsters In and Among Us: Toward A Gothic Criminology. Ed. Caroline J. Picart and Cecil E. Greek. Madison: Fairleigh Dickinson University Press, 2007. 142–163. Print. Gill, Rosalind. “Postfeminist Media Culture: Elements of a Sensibility.” European Journal of Cultural Studies 10.2 (2007): 147–166. Print. Gilman, Sander L. Creating Beauty to Cure the Soul: Race and Psychology in the Shaping of Aesthetic Surgery. Durham: Duke University Press, 1998. Print. ———. Making the Body Beautiful: A Cultural History of Aesthetic Surgery. Princeton: Princeton University Press, 1999. Print. Ginés, Isabel C. “To Live and Die in Front of a Mirror: From Dandyism to Aesthetic Surgery.” Nip/Tuck: Television that Gets Under Your Skin. Ed. Roz Kaveney and Jennifer Stoy. London: I B Tauris & Co Ltd, 2011. 96–113. Print. Ginsberg, Elaine. “The Female Initiation Theme in American Fiction.” Studies in American Fiction 3 (1975): 27–38. Print. Giroux, Henry A. “Private Satisfactions and Public Disorders: Fight Club, Patriarchy, and the Politics of Masculine Violence.” JAC 21.1 (2001): 1–31. Print. Grimm, Wilhelm, and Jacob Grimm. Märchen der Brüder Grimm. 1819/1837. Ed. Nikolaus Heidelbach. Weinheim: Beltz & Gelberg, 1995. Print. Grossberg, Lawrence, ed. Cultural Studies. New York: Routledge, 1992. Print. Grosz, Elizabeth A. Volatile Bodies: Toward a Corporeal Feminism. Bloomington: Indiana University Press, 1994. Print.

10.1057/9781137493798 - Transforming Bodies, Heike Steinhoff

Copyright material from www.palgraveconnect.com - licensed to npg - PalgraveConnect - 2017-01-22

Works Cited

Works Cited

———. “Intolerable Ambiguitiy: Freaks as/at the Limit.” Freakery: Cultural Spectacles of the Extraordinary Body. Ed. Rosemarie G. Thomson. New York: New York University Press, 1996. 55–68. Print. Gugutzer, Robert. “Der Body Turn in der Soziologie. Eine Programmatische Einführung.” Body Turn: Perspektiven der Soziologie des Körpers und des Sports. Ed. Robert Gugutzer. Bielefeld: transcript, 2006. 9–56. Print. Gunning, Tom. “The Cinema of Attraction: Early Film, Its Spectator and the Avant-Garde.” Wide Angle 8.3/4 (1986): 63–70. Print. Haiken, Elizabeth. Venus Envy: A History of Cosmetic Surgery. Baltimore: Johns Hopkins University Press, 1997. Print. Halberstam, Judith. Skin Shows: Gothic Horror and the Technology of Monsters. Durham: Duke University Press, 2006. Print. Hall, Stuart. Encoding and Decoding in the Television Discourse. University of Birmingham, Centre for Contemporary Cultural Studies, 1973. Print. Hantke, Steffen. “Blood on the Bookstore Floor: Chuck Palahniuk and the Case of the Fainting Reader (Diary, Lullaby, Haunted).” Reading Chuck Palahniuk: American Monsters and Literary Mayhem. Ed. Cynthia G. Kuhn and Lance Rubin. New York: Routledge, 2009. 196–210. Print. Haraway, Donna. “A Manifesto for Cyborgs: Science, Technology, and Socialist Feminism in the 1980s.” 1985. Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch. New York: Norton, 2001. 2269–2299. Print. ———. “The Promises of Monsters: A Regenerative Politics for Inappropriate/d Others.” Cultural Studies. Ed. Lawrence Grossberg. New York: Routledge, 1992. 295–337. Print. ———. “The Biopolitics of Postmodern Bodies: Determinations of Self in Immune System Discourse.” Differences: A Journal of Feminist Cultural Studies 1.1 (1989): 3–43. Print. Harvey, Sarah N. Plastic. Victoria, BC: Orca Book Publishers, 2010. Print. Harwood, Valerie. “Theorizing Biopedagogies.” Biopolitics and the “Obesity Epidemic:” Governing Bodies. Ed. J. Wright and V. Harwood. New York: Routledge, 2009. 15–30. Print. Hayles, N. K. How We Became Posthuman: Virtual Bodies in Cybernetics, Literature, and Informatics. Chicago: University of Chicago Press, 1999. Print. Hebdige, Dick. Subculture: The Meaning of Style. 1979. New York: Routledge, 2010. Heinricy, Shana. “The Cutting Room: Gendered American Dreams on Plastic Surgery TV.” How Real is Reality TV? Essays on Representation and Truth. Ed. David S. Escoffery. 149–164. Jefferson: McFarland, 2006. Print. Heller, Dana, ed. The Great American Makeover: Television, History, Nation. 1. ed. New York: Palgrave Macmillan, 2006. Print. ———, ed. Makeover Television: Realities Remodelled. London: Tauris, 2007. Print. ———. “Before: ‘Things Just Keep Getting Better …’.” The Great American Makeover: Television, History, Nation. Ed. Dana Heller. 1. ed. New York, NY: Palgrave Macmillan, 2006. 1–10. Print. ———. “Introduction: Reading the Makeover.” Makeover Television: Realities Remodelled. Ed. Dana Heller. London: Tauris, 2007. 1–5. Print. Heyes, Cressida J. “Cosmetic Surgery and the Televisual Makeover: A Foucauldian Feminist Reading.” Feminist Media Studies 7.1 (2007): 17–32. Print. ———. Self-Transformations: Foucault, Ethics, and Normalized Bodies. New York: Oxford University Press, 2007. Print.

10.1057/9781137493798 - Transforming Bodies, Heike Steinhoff

Copyright material from www.palgraveconnect.com - licensed to npg - PalgraveConnect - 2017-01-22

254

255

———, and Meredith Jones, eds. Cosmetic Surgery: A Feminist Primer. Farnham: Ashgate Pub., 2009. Print. Holmes, Su, and Deborah Jermyn. Understanding Reality Television. London: Routledge, 2004. Print. Hornbacher, Marya. Wasted: A Memoir of Anorexia and Bulimia. 1998. New York, NY: Harper Perennial, 2006. Print. House, MD. FOX, 2004–2012. Television. Huffington Post. “Phillip Toledano’s ‘A New Kind Of Beauty’ Comes To Kopeikin Gallery.” Huffington Post 30 May. 2012. Web. 20 Oct. 2012. Huxley, Aldous. Brave New World. 1932. London: Vintage Books, 2004. Print. I’m a Celebrity … Get Me Out of Here. ITV, 2012–present. Television. Jackson, Kimberly. “Editing as Plastic Surgery: The Swan and the Violence of Image-Creation.” Configurations 15.1 (2007): 55–78. Print. Jacobs, Jason. Body Trauma TV: The New Hospital Dramas. London: British Film Institute, 2003. Print. Jain, Anil K. “Differences in Difference – A Cultural Mapping of the Landscape of Otherness.” The Discourse of Sociological Practice 7.2 (2005): 261–267. Print. Jameson, Fredric. “Postmodernism and Consumer Society.” The Cultural Turn: Selected Writings on the Postmodern. London: Verso, 1998. 1–20. Print. Jancovich, Mark, and James Lyons. Quality Popular Television: Cult TV, the Industry and Fans. London: British Film Institute, 2003. Print. Jerslev, Anne. “Cosmetic Surgery and Mediated Body Theatre: The Designable Body in the Makeover Programme The Swan.” New Review of Film and Television Studies 6.3 (2008): 323–341. Print. Johnson, Andy. “Bullets and Blades: Narcissism and Violence in Invisible Monsters.” Sacred and Immoral: On the Writings of Chuck Palahniuk. Ed. Jeffrey A. Sartain. Newcastle upon Tyne: Cambridge Scholars Pub, 2009. 61–72. Print. Jones, Meredith R. “Media-Bodies and Screen-Births: Cosmetic Surgery Reality Television.” Continuum: Journal of Media & Cultural Studies 22.4 (2008): 515–524. Print. ———. Skintight: An Anatomy of Cosmetic Surgery. New York, N.Y: Berg, 2008. Print. Kavadlo, Jesse. “The Fiction of Self-Destruction: Chuck Palahniuk, Closet Moralist.” Stirrings Still: The International Journal of Existential Literature 2.2. (2005): 105–115. Web. 10 Oct. 2012. Kaveney, Roz, and Jennifer Stoy, eds. Nip/Tuck: Television that Gets under Your Skin. London: I B Tauris & Co Ltd, 2011. Print. Kaveney, Roz. “Ryan Murphy and Nip/Tuck: The Diminishing Returns of Misanthropy.” Nip/Tuck: Television that Gets under Your Skin. Ed. Roz Kaveney and Jennifer Stoy. London: I B Tauris & Co Ltd, 2011. 1–18. Print. ———. “Telling Truth and Selling Lies: Ryan Murphy’s Game of Gothic Consequences.” Nip/Tuck: Television that Gets under Your Skin. Ed. Roz Kaveney and Jennifer Stoy. London: I B Tauris & Co Ltd, 2011. 145–171. Print. Kent, Le’a. “Fighting Abjection: Representing Fat Women.” The Body Reader: Essential Social and Cultural Readings. Ed. Lisa J. Moore and Mary Kosut. New York: New York University Press, 2010. 367–383. Print. Kerns, Susan S. “A Double Concerto: Sean and Christian as Single-Bodied Conjoined Twins.” Nip/Tuck: Television that Gets under Your Skin. Ed. Roz Kaveney and Jennifer Stoy. London: I B Tauris & Co Ltd, 2011. 128–144. Print.

10.1057/9781137493798 - Transforming Bodies, Heike Steinhoff

Copyright material from www.palgraveconnect.com - licensed to npg - PalgraveConnect - 2017-01-22

Works Cited

Works Cited

Kimberley, Maree. “Neuroscience and Young Adult Fiction: A Recipe for Trouble?” M/C Journal 14.3 (2011): n.pag. Web. 2 Sep. 2012. Klesse, Christian. “‘Modern Primitivism’: Non-Mainstream Body Modification and Racialized Representation.” Body Modification. Ed. Mike Featherstone. Thousand Oaks: SAGE, 2000. 15–38. Print. Kokkola, Lydia. “Sparkling Vampires: Valorizing Self-Harming Behavior in Stephenie Meyer’s Twilight Series.” Bookbird: A Journal of International Children’s Literature 49.3 (2011): 33–46. Print. Kosut, Mary, and Lisa J. Moore. “Introduction: Not Just the Reflexive Reflex: Flesh and Bone in the Social Sciences.” The Body Reader: Essential Social and Cultural Readings. Ed. Lisa J. Moore and Mary Kosut. New York: New York University Press, 2010. 1–30. Print. Kosut, Mary. “Extreme Bodies/Extreme Culture.” The Body Reader: Essential Social and Cultural Readings. Ed. Lisa J. Moore and Mary Kosut. New York: New York University Press, 2010. 184–200. Print. Kristeva, Julia. Powers of Horror: An Essay on Abjection. New York: Columbia University Press, 1982. Print. Kubisz, Marzena. Strategies of Resistance: Body, Identity and Representation in Western Culture. Frankfurt am Main: Peter Lang, 2003. Print. Kuhn, Cynthia G., and Lance Rubin, eds. Reading Chuck Palahniuk: American Monsters and Literary Mayhem. New York: Routledge, 2009. Print. ———. “Introduction.” Reading Chuck Palahniuk: American Monsters and Literary Mayhem. Ed. Cynthia G. Kuhn and Lance Rubin. New York: Routledge, 2009. 1–8. Print. Laqueur, Thomas W. Making Sex: Body and Gender from the Greeks to Freud. Cambridge, Mass: Harvard University Press, 1990. Print. Lauretis, Teresa de. Technologies of Gender: Essays on Theory, Film, and Fiction. Bloomington: Indiana University Press, 1987. Print. Lee, Terry. “Virtual Violence in ‘Fight Club’: This Is What Transformation of Masculine Ego Feels Like.” Journal of American and Comparative Cultures 25.3/4 (2002): 418–423. Print. Legally Blonde. Dir. Robert Luketic. Perf. Reese Witherspoon, Luke Wilson, Selma Blair. Metro-Goldwyn-Mayer, 2001. Lemke, Thomas. “Foucault, Governmentality, and Critique.” Rethinking Marxism Conference, University of Amherst, September 21–24, 2000. Conference Presentation. PDF. 1–13. Web. 20 Oct. 2012. Levin, Ira. The Stepford Wives. New York: Random House, 1972. Print. Lingis, Alphonos. Excesses: Eros and Culture. New York: State University of New York, 1984. Print. Lorenz, Konrad. “Die angeborenen Formen möglicher Erfahrung.” Zeitschrift für Tierpsychologie 5.2 (1943): 235–409. Print. Lyons, James. “‘Miami Slice’: Surgical Shockings in Nip/Tuck.” Journal of Popular Film and Television 35.1 (2007): 2–12. Print. Maasen, Sabine. “Schönheitschirurgie. Schnittflächen flexiblen Selbstmanagements.” Artifizielle Körper – lebendige Technik: Technische Modellierungen des Körpers in historischer Perspektive. Zürich: Chronos, 2005. Print. Manhunt. Bravo, 2004. Television. Marshall, P. David. Celebrity and Power. Minneapolis: University of Minnesota Press, 1997. Print.

10.1057/9781137493798 - Transforming Bodies, Heike Steinhoff

Copyright material from www.palgraveconnect.com - licensed to npg - PalgraveConnect - 2017-01-22

256

257

———. “Introduction.” The Celebrity Culture Reader. Ed. P. D. Marshall. New York: Routledge, 2006. 1–15. Print. Marwick, Alice. “There’s a Beautiful Girl Under All of This: Performing Hegemonic Femininity in Reality Television.” Critical Studies in Media Communication 27.3 (2010): 251–266. Print. Mauss, Marcel. “Techniques of the Body.” The Body: A Reader. Ed. Mariam Fraser and Monica Greco. Reprinted. London: Routledge, 2008. 73–77. Print. McCabe, Janet, and Kim Akass, eds. Quality TV. London: I.B. Tauris, 2007. Print. ———. “Introduction: Debating Quality.” Quality TV. Ed. Janet McCabe and Kim Akass. London: I.B. Tauris, 2007. 1–12. Print. McKinley, Robin. Beauty: A Retelling of the Story of Beauty & the Beast. 1st ed. New York: Harper Trophy, 1993. Print. McNay, Lois. Foucault: A Critical Introduction. New York: Continuum, 1994. Print. McRobbie, Angela. The Aftermath of Feminism. London: Sage Publications Ltd., 2008. Print. McRuer, Robert. Crip Theory: Cultural Signs of Queerness and Disability. New York: New York University Press, 2006. Print. Meyer, Stephenie. Twilight. New York: Little, Brown and Co., 2005. Print. Millard, Kenneth. Coming of Age in Contemporary American Fiction. Edinburgh: Edinburgh University Press, 2007. Print. Miskec, Jennifer, and Chris McGee. “My Scars Tell a Story: Self-Mutilation in Young Adult Literature.” Children’s Literature Association Quarterly 32.2 (2007): 163–178. Print. Modleski, Tania. Feminism without Women: Culture and Criticism in a “Postfeminist” Age. New York: Routledge, 1991. Print. Morgan, Kathryn P. “Women and the Knife: Cosmetic Surgery and the Colonization of Women’s Bodies.” Cosmetic Surgery: A Feminist Primer. Ed. Cressida J. Heyes and Meredith Jones. Burlington, VT: Ashgate, 2009. 49–78. Print. Morreale, Joanne. “Faking It and the Transformation of Personal Identity.” Makeover Television: Realities Remodelled. Ed. Dana Heller. London: Tauris, 2007. 95–106. Print. Moseley, R. “Makeover Takeover on British Television.” Screen 41.3 (2000): 299–314. Print. Mueller, Juergen. “Plastic Surgery in the Movies.” Aesthetic Surgery. Ed. Angelika Taschen. Köln: Taschen. 138–167. Print. Munsch, Robert N. The Paper Bag Princess. 1980. Cambridge, Ont: Golden, 1990. Print. Murray, Susan, and Laurie Ouellette, eds. Reality TV: Remaking Television Culture. New York: New York University Press, 2004. Print. Na, An. The Fold. New York: G.P. Putnam’s Sons, 2008. Print. Ng, Andrew H.-S. Dimensions of Monstrosity in Contemporary Narratives: Theory, Psychoanalysis, Postmodernism. New York: Palgrave Macmillan, 2004. Print. ———. “Destruction and the Discourse of Deformity: Invisible Monsters and the Ethics of Atrocity (Invisible Monsters).” Reading Chuck Palahniuk: American Monsters and Literary Mayhem. Ed. Cynthia G. Kuhn and Lance Rubin. New York: Routledge, 2009. Print. Nip/Tuck. Created by Ryan Murphy. FX. 2003–2010. Television. Nip/Tuck: Season 1. FX Network, 2007. DVD. Nip/Tuck: Season 6. Warner Home Video, 2010. DVD.

10.1057/9781137493798 - Transforming Bodies, Heike Steinhoff

Copyright material from www.palgraveconnect.com - licensed to npg - PalgraveConnect - 2017-01-22

Works Cited

Works Cited

Novas, Carlos, and Nikolas Rose. “Genetic Risk and the Birth of the Somatic Individual.” The Body: A Reader. Ed. Mariam Fraser and Monica Greco. Reprinted. London: Routledge, 2008. 237–241. Print. Now, Voyager. Dir. Irving Rapper. Perf. Bette Davis, Paul Henreid, Claude Rains. Warner Bros. Pictures, 1942. Film. Orlan. “Carnal Art.” Orlan.net. 2012. Web. 20 Oct. 2012. Orwell, George. Nineteen Eighty-Four. 1949. London: Viking, 2008. Print. Ouellette, Laurie, and James Hay. Better Living through Television. Oxford: Blackwell, 2007. Print. Ovid and D. A. Raeburn. Metamorphoses: A New Verse Translation. London: Penguin, 2004. Print. [Original: Ovid. Metamorphoses. 8 AD]. Owens, Craig. Beyond Recognition: Representation, Power, and Culture. Berkeley: University of California Press, 1992. Print. Palahniuk, Chuck. Fight Club. 1996. London: Vintage, 1997. Print. ———. Invisible Monsters. 1999. London: Vintage, 2003. Print. ———. Choke: A Novel. 2001. New York: Anchor Books, 2008. Print. ———. Diary: A Novel. New York: Doubleday, 2003. Print. ———. Haunted: A Novel of Stories. New York: Doubleday, 2005. Print. ———. Invisible Monsters Remix. [New ed.]. New York: W. W. Norton, 2012. Print. Palmer, Gareth. Discipline and Liberty: Television and Governance. Manchester: Manchester University Press, 2003. Print. ———. “The New You: Class and Transformation in Lifestyle Television.” Understanding Reality Television. Ed. Su Holmes and Deborah Jermyn. London: Routledge, 2004. 173–190. Print. Peirse, Alison. “Horrible Women: Abjection, Gender and Ageing in Nip/Tuck.” Nip/Tuck: Television that Gets under Your Skin. Ed. Roz Kaveney and Jennifer Stoy. London: I B Tauris & Co Ltd, 2011. 66–86. Print. Peterfreund, Diana. “Team Shay.” Mind-Rain: Your Favorite Authors on Scott Westerfeld’s Uglies Series. Ed. Scott Westerfeld. Dallas, TX: BenBella Books, Inc.; Distributed by Perseus Distribution, 2009. 41–54. Print. The Pickup Artist. VH1, 2007–2008. Television. Pitts-Taylor, Victoria. In the Flesh: The Cultural Politics of Body Modification. New York: Palgrave Macmillan, 2003. Print. ———. Surgery Junkies: Wellness and Pathology in Cosmetic Culture. New Brunswick: Rutgers University Press, 2007. Print. Pop Idol. ITV, 2001–2003. Television. Postcards from the Future: The Chuck Palahniuk Documentary. Dir. Dennis Widmyer. Kinky Mule Films, 2003. DVD. Poster, Mark. “Swan’s Way: Care of Self in the Hyperreal.” Configurations 15 (2007): 151–175. Print. Potter, Nancy Nyquist. “Commodity/Borderline/Sign: Borderline Personality Disorder and the Signification of Self-Injurious Behavior.” Philosophy, Psychiatry, and Psychology 10.1 (2003): 1–16. Print. Pretty Woman. Dir. Garry Marshall. Perf. Richard Gere, Julia Roberts, Jason Alexander. Touchstone Pictures, 1990. Film. Princess Diaries. Dir. Garry Marshall. Perf. Anne Hathaway, Julie Andrews, Hector Elizondo. BrownHouse Productions, 2001. Film. Prosser, Jay. Second Skins: The Body Narratives of Transsexuality. New York: Columbia University Press, 1998. Print.

10.1057/9781137493798 - Transforming Bodies, Heike Steinhoff

Copyright material from www.palgraveconnect.com - licensed to npg - PalgraveConnect - 2017-01-22

258

259

Queer Eye for the Straight Guy. Bravo, 2003–2007. Television. Quick, Catherine S. “‘Meant to Be Huge’: Obesity and Body Image in Young Adult Novels.” The Alan Review 35.2 (2008): n. pag. Web. 20 Oct. 2012. Rabinow, Paul and Nikolas S. Rose. “Introduction.” The Essential Foucault: Selections from Essential Works of Foucault, 1954–1984. Ed. Paul Rabinow and Nikolas S. Rose. New York: New Press, 2003. vii–xxxv. Print. Rail, G., and M. Lafrance. “Confessions of the Flesh and Biopedagogies: Discursive Constructions of Obesity on Nip/Tuck.” Medical Humanities 35 (2009): 76–79. Print. Read, Jacinda, and Rachel Moseley. “‘Having it Ally’: Popular Television (Post-) Feminism.” Feminist Media Studies 2.2 (2002): 231–249. Print. The Real World. MTV. 1992–present. Television. Red Riding Hood. Dir. Catherine Hardwicke. Perf. Amanda Seyfried, Gary Oldman, Billy Burke. Warner Bros. Pictures, 2011. Film. Reynolds, Kimberley. Radical Children’s Literature: Future Visions and Aesthetic Transformations in Juvenile Fiction. Basingstoke: Palgrave Macmillan, 2010. Print. Rheindorf, Markus. “Split Masculinities and Homosocial Desire in Nip/Tuck and Six Feet Under.” Screening Gender. Ed. Heike Paul and Alexandra Ganser. Berlin: LIT, 2007. 130–147. Print. Richardson, Niall. “As Kamp as Bree: Post-Feminist Camp in Desperate Housewives.” Reading Desperate Housewives: Beyond the White Picket Fence. Ed. Janet McCabe and Kim Akass. London: I.B. Tauris, 2006. 86–94. Print. ———. Transgressive Bodies: Representations in Film and Popular Culture. Burlington, VT: Ashgate Pub, 2010. Print. Riekki, Ron. “Brandy, Shannon, Tender, and the Middle Finger: Althusser and Foucault in Palahniuk’s Early Novels.” Sacred and Immoral: On the Writings of Chuck Palahniuk. Ed. Jeffrey A. Sartain. Newcastle upon Tyne: Cambridge Scholars, 2009. 89–101. Print. Ringrose, Jessica, and Valerie Walkerdine. “Regulating the Abject: The TV MakeOver as Site of Neo-Liberal Reinvention toward Bourgeois Femininity.” Feminist Media Studies 8.3 (2008): 227–246. Print. Robertson, A.F. Greed: Gut Feelings, Growth and History. Cambridge: Polity Press, 2001. Print. Rose, Nikolas. Inventing Our Selves: Psychology, Power and Personhood. Cambridge: Cambridge University Press, 1998. Print. ———. Powers of Freedom: Reframing Political Thought. Cambridge: Cambridge University Press, 1999. Print. ———. Politics of Life Itself: Biomedicine, Power, and Subjectivity in the Twenty-First Century. Princeton: Princeton University Press, 2007. Print. Rosenberg, Ingrid. “From Devilish Fantasies to Cool Routine: The Boom of Cosmetic Surgery and Its Reflection in the American TV-Series Nip/Tuck.” Fantastic Body Transformations in English Literature. Ed. Sabine Coelsch-Foisner. Heidelberg: Winter, 2006. 211–223. Print. RuPaul’s Drag Race. Logo, 2009–present. Television. Russo, Mary J. The Female Grotesque: Risk, Excess, and Modernity. New York: Routledge, 1995. Print. Salzhauer, Michael Alexander. My Beautiful Mommy. Savannah: Big Tent Books, 2008. Print.

10.1057/9781137493798 - Transforming Bodies, Heike Steinhoff

Copyright material from www.palgraveconnect.com - licensed to npg - PalgraveConnect - 2017-01-22

Works Cited

Works Cited

Sartain, Jeffrey A., ed. Sacred and Immoral: On the Writings of Chuck Palahniuk. Newcastle upon Tyne: Cambridge Scholars Pub, 2009. Print. Scott, Kristi N., and M. H. Dragoo. “The Baroque Body: A Social Commentary on the Role of Body Modification in Scott Westerfeld’s Uglies Trilogy.” Critical Issues: Humanity in Cybernetic Environments (2010): 51–60. Web. 10 Oct. 2012. Seier, Andrea, and Hanna Surma. “Schnitt-Stellen – Mediale Subjektivierungsprozesse in The Swan.” Schön Normal: Sozial- und kulturwissenschaftliche Blicke auf somatische Selbsttechnologien. Ed. Paula I. Villa. 1st ed. Bielefeld: Transcript, 2008. 173–198. Print. Seltzer, Mark. Serial Killers: Death and Life in America’s Wound Culture. New York: Routledge, 1998. Print. Shildrick, Margrit. Embodying the Monster: Encounters with the Vulnerable Self. London: SAGE Publications, 2002. Print. ———. “This Body Which Is Not One: Dealing with Differences.” Body&Society 5.2–3 (1999): 77–92. Print. Shilling, Chris. The Body and Social Theory. 2nd ed. London: SAGE Publications, 2003. Print. Slade, Andrew. “Invisible Monsters and Palahniuk’s Perverse Sublime.” Chuck Palahniuk: Fight Club, Invisible Monsters, Choke. Ed. Francisco Collado-Rodríguez. London: Bloomsbury, 2013. 81–96. Print. Siebert, Verena, and Heike Steinhoff. “The Female Body Revamped: Beauty, Monstrosity and Body Transformation in the Twilight Saga.” Kultur&Geschlecht 8 (2011). Web. 20 Oct. 2012. Silverman, Kaja. The Threshold of the Visible World. New York: Routledge, 1996. Print. Simpson, Mark. “Here Come the Mirror Men: Why the Future is Metrosexual.” The Independent 15 Nov. 1994. Web. 13 Oct. 2012. Smit, Alexia. “White Men with Scalpels: Technology, Bodies and ‘Male Melodrama’ in Nip/Tuck.” eSharp: Electronic Social Sciences, Humanities, and Arts Review for Postgraduates (eSharp) 12 (2008): 1–23. Web. 20 Oct. 2012. Smith, M. W. Reading Simulacra: Fatal Theories for Postmodernity. Albany: State University of New York Press, 2001. Print. Snow White and the Huntsman. Dir. Rupert Sanders. Perf. Kristen Stewart, Charlize Theron, Chris Hemsworth. Universal Pictures. 2012. Film. Sobat, Gail S. “Why the Prince Bites It.” Mind-Rain: Your Favorite Authors on Scott Westerfeld’s Uglies Series. Ed. Scott Westerfeld. Dallas, TX: BenBella Books, 2009. 69–82. Print. Sontag, Susan. “Notes on Camp.” 1964. Web. 9 Oct. 2012. ———. Illness as Metaphor. New York: Vintage Books, 1979. Print. The Sopranos. HBO. 1999–2007. Television. Spitzack, Carole. “The Confession Mirror: Plastic Images for Surgery.” Canadian Journal of Political and Social Theory 12.1–2 (1988): 38–50. Web. 20 Oct. 2012. Stafford, Barbara M. Body Criticism: Imaging the Unseen in Enlightenment Art and Medicine. Cambridge, Mass: MIT Press, 1993. Print. Steinhoff, Heike. “Monstrous Makeovers: Self-Transformation, Gender Trouble and Bodily Resistance in Chuck Palahniuk’s Invisible Monsters.” El cuerpo del significante. La literatura contemporánea desde las teorías corporales. Eds. Falconí, Diego and Noemí Acedo. Barcelona: UAB, 2011. 257–266. Print.

10.1057/9781137493798 - Transforming Bodies, Heike Steinhoff

Copyright material from www.palgraveconnect.com - licensed to npg - PalgraveConnect - 2017-01-22

260

261

Stephens, Elizabeth. “Queer Monsters:  Technologies of Self-Transformation in Bulwer’s Anthropometamorphosis and Braidotti’s Metamorphoses.” Somatechnics: Queering the Technologisation of Bodies. Ed. Nikki Sullivan and Samantha Murray. Farnham: Ashgate, 2009. 171–186. Print. Stephens, John. “Constructions of Female Selves in Adolescent Fiction: Makeovers as Metonym.” Papers: Explorations into Children’s Literature 9.1 (1999): 5–13. Print. Stone, Sandy. “The ‘Empire’ Strikes Back: A Posttranssexual Manifesto,” 1994 (2nd version). Web. 9 Oct. 2012. Stoy, Jennifer. “Brighter Discontents: Sean McNamara, His Mid-Life Crisis and the Failure of Individualist Transformation.” Nip/Tuck: Television that Gets under Your Skin. Ed. Roz Kaveney and Jennifer Stoy. London: I B Tauris & Co Ltd, 2011. 172–196. Print. Sullivan, Nikki, and Samantha Murray, eds. Somatechnics: Queering the Technologisation of Bodies. Farnham: Ashgate, 2009. Print. ———. “Introduction.” Somatechnics: Queering the Technologisation of Bodies. Ed. Nikki Sullivan and Samantha Murray. Farnham: Ashgate, 2009. 1–12. Print. Survivor. CBS. 2000–present. Television. The Swan. FOX. 2004. Television. The Swan: The Complete Series. Xenon Pictures, 2006. DVD. Sweetman, Paul. “Anchoring the (Postmodern) Self? Body Modification, Fashion, Identity.” Body Modification. Ed. Mike Featherstone. Thousand Oaks, Calif: SAGE, 2000. 51–76. Print. Ta, Lynn M. “Hurt So Good: Fight Club, Masculine Violence, and the Crisis of Capitalism.” The Journal of American Culture 29.3 (2006): 265–277. Print. Tait, Sue. “Television and the Domestication of Cosmetic Surgery.” Feminist Media Studies 7.2 (2007): 119–135. Print. Taschen, Angelika, ed. Aesthetic Surgery. Köln: Taschen, 2008. Print. Tenga, Angela. “Dexter Morgan and Christian Troy: Wielding Knives in Miami.” Florida Studies: Proceedings of the 2009 Annual General Meeting of the Florida College English Association. Ed. Claudia Slate and Carole Policy. Newcastle: Cambridge Scholars, 2010. 137–158. Print. Thompson, Robert J. Television’s Second Golden Age: From Hill Street Blues to ER. Syracuse: Syracuse UP, 1997. Print. Toledona, Phillip. A New Kind of Beauty. Stockport: Dewi Lewis, 2011. Print. ———. “A New Kind of Beauty.” Mr. Toledano 2008–2010. Web. 20 Oct. 2012. Transamerica. Dir. Duncan Tucker. Weinstein Company, 2005. Film. Trites, Roberta S. Disturbing the Universe: Power and Repression in Adolescent Literature. Iowa City: University of Iowa Press, 2000. Print. Truffin, Sherry R. “‘This Is What Passes for Free Will’: Chuck Palahniu’s Postmodern Gothic (Survivor, Invisible Monsters, Lullaby).” Reading Chuck Palahniuk: American Monsters and Literary Mayhem. Ed. Cynthia G. Kuhn and Lance Rubin. New York: Routledge, 2009. 73–87. Print. Turner, Bryan S. Regulating Bodies: Essays in Medical Sociology. London: Routledge, 1992. Print. Turner, Frederick Jackson. “The Significance of the Frontier in American History.” 1893. University of Virgina 1996. n.pag. Web. 20 Oct. 2012. The Twilight Saga (Film Series). Dir. Catherine Hardwick (Twilight 2008), Chris Weitz (New Moon 2009), David Slade (Eclipse 2010), Bill Condon (Breaking

10.1057/9781137493798 - Transforming Bodies, Heike Steinhoff

Copyright material from www.palgraveconnect.com - licensed to npg - PalgraveConnect - 2017-01-22

Works Cited

Works Cited

Dawn 2011–2012). Perf. Kristen Stewart, Robert Pattinson, Taylor Lautner. Summit Entertainment, 2008–2012. Film. Vermeulen, Thimoteus, and Robin van Akker. “Notes on Metamodernism.” Journal of Aesthetics and Culture 2 (2010): 1–14. Web. 9 Oct. 2012. Vermeulen, Thimoteus. “Hard-Boiled Wonderland, Blue Velvet and The End of Postmodernism.” 2010. Notes on Metamodernism Web. 9 Oct. 2012. Virino, Concepción C. “Quality Exploitation: Nip/Tuck and the Politics of Provocation in FX Dramas.” Nip/Tuck: Television that Gets under Your Skin. Ed. Roz Kaveney and Jennifer Stoy. London: I B Tauris & Co Ltd, 2011. 114–127. Print. Viskovic, Richard, and Eluned Summers-Bremner. “The Opposite of a Miracle: Trauma in Invisible Monsters.” Chuck Palahniuk: Fight Club, Invisible Monsters, Choke. Ed. Francisco Collado-Rodríguez. London: Bloomsbury, 2013. 97–115. Print. What not to Wear. TLC, 2003–present. Television. W.W. Norton & Company. Invisible Monsters Remix 2012. Web. 10 Oct. 2012. Wann, Marilyn. Fat! So? Because You Don’t Have to Apologize for Your Size! Berkeley: Ten Speed Press, 1998. Print. Weber, Brenda. “Beauty, Desire, and Anxiety: The Economy of Sameness in ABC’s Extreme Makeover.” Genders Journal 41 (2005). Web. 10 Oct. 2012. ———. “What Makes the Man? Television Makeovers, Made-Over Masculinity, and Male Body Image.” International Journal of Men’s Health 5.3 (2006): 287–306. Print. ————. Makeover TV: Selfhood, Citizenship, and Celebrity. Durham: Duke University Press, 2009. Print. Wegenstein, Bernadette. Getting Under the Skin: The Body and Media Theory. Cambridge, Mass. MIT Press, 2006. Print. ———. The Cosmetic Gaze: Body Modification and the Construction of Beauty. Cambridge, Mass.: The MIT Press, 2012. Weldon, Fay. The Life and Loves of a She-Devil. New York: Ballentine Books, 1983. Print. Weiss, Dennis, and Rebecca Kukla. “The ‘Natural Look’: Extreme Makeovers and the Limits of Self-Fashioning.” Cosmetic Surgery: A Feminist Primer. Ed. Cressida J. Heyes and Meredith R. Jones. Farnham: Ashgate, 2009. 117–132. Print. Westerfeld, Scott. Uglies. New York: Simon Pulse, 2005. Print. ———. Pretties. New York: Simon Pulse, 2005. Print. ———. Specials. New York: Simon Pulse, 2006. Print. ———. Extras. New York: Simon Pulse, 2007. Print. ———, ed. Mind-Rain: Your Favorite Authors on Scott Westerfeld’s Uglies Series. Dallas: BenBella Books, 2009. Print. ———, Devin K. Grayson, and Steven Cummings. Uglies: Shay’s Story. New York: Del Rey, 2012. Print. Wheatley, Helen. Gothic Television. Manchester: Manchester University Press, 2006. Print. Wilde, Oscar. The Picture of Dorian Gray. 1890. Ware: Wordsworth Classics, 1992. Print. Williams, Linda. “Film Bodies: Gender, Genre, and Excess.” Film Quarterly 44.4 (1991): 2–13. Print. The Wire. HBO. 2002–2008. Television.

10.1057/9781137493798 - Transforming Bodies, Heike Steinhoff

Copyright material from www.palgraveconnect.com - licensed to npg - PalgraveConnect - 2017-01-22

262

Works Cited

263

Copyright material from www.palgraveconnect.com - licensed to npg - PalgraveConnect - 2017-01-22

Wolf, Naomi. The Beauty Myth. London: Chatto & Windus, 1990. Print. Woodstock, Louise. “Skin Deep, Soul Deep: Mass Mediating Cosmetic Surgery in Popular Magazines, 1968–1998.” The Communication Review 4.3 (2001): 421–442. Print. Younger, Beth. Learning Curves: Body Image and Female Sexuality in Young Adult Literature. Lanham, Md: Scarecrow Press, 2009. Print. Žižek, Slavoj. Welcome to the Desert of the Real (Reflections on WTC). Lacan.com. 2001. n. pag. Web. 2 Sep. 2012. Zylinska, Joanna. “Of Swans and Ugly Ducklings: Bioethics between Humans, Animals, and Machines.” Configurations 15 (2007): 125–150. Print.

10.1057/9781137493798 - Transforming Bodies, Heike Steinhoff

Suggest Documents