Curriculum vitae  PERSONAL DETAILS Name: Professor Maddalena Mazzocut-Mis, Ph.D Nationality: Italian Date of birth: 28th February 1964  EDUCATION 1992-97: Ph.D in Philosophy – Aesthetics, Università degli Studi di Bologna (University of Bologna). 1991-93: International research fellowship at the École des Hautes Études en Sciences Sociales in Paris (under the supervision of Fernando Gil). 1989: First-class Honours degree in Philosophy of Science (tutor Giulio Giorello).  CURRENT POSITION 2012: National scientific qualification for full professorship (M-FIL/04-Aesthetics and Philosophy of Languages). 2002-present: Associate professor, Dept. of Cultural Heritage and Environment, Università degli Studi di Milano (University of Milan), Italy. Hereafter abbreviated to UMIL.  PREVIOUS POSITIONS 1998-2002: Researcher, Dept. of Philosophy, UMIL, Italy. 1999-2000: Visiting Lecturer in Aesthetics – Dept. of Architecture, Faculty of Architecture, Milan-Bovisa. 1996-1998: Guest Lecturer in Aesthetics – Dept. of Architecture, Faculty of Architecture, Milan-Bovisa.  MEMBERSHIP OF SCIENTIFIC SOCIETIES AND AWARDS  Memberships: ASA (American Society for Aesthetics); BSA (British Society of Aesthetics); ESA (European Society of Aesthetics); SIE (Soc. Italiana Estetica); SISSD (Soc. Italiana di Studi sul Secolo XVIII); ISECS (International Society for Eighteenth-Century Studies); SIEDS (Société Internationale d’Etude du Dixhuitième Siècle); SFSI (Soc. Filosofica Svizzera Italiana); Consulta Nazionale di Filosofia (2003-2007).  2016-present: Member of Centre for Sensory Studies, Concordia University, Montreal, Quebec, Canada.  2015-present: Member of Comité de rédaction des Chroniques de la recherche à l’ENSATT.  2011: The volume Le sens de la limite. La douleur, l’excès, l’obscène, Mimesis France-Vrin, Paris 2012, was awarded the funding of Centre National du Livre, FR. Établissement public du Ministère de la Culture et de la Communication (le CNL a pour mission d’encourager la création et la diffusion d’ouvrages de qualité).  MANAGEMENT OF AND PARTICIPATION IN SCIENTIFIC COMMITTEES OF JOURNALS AND SERIES  2011-present: Scientific Coordinator, Editor and Member of the Scientific Committee of the journal “Lebenswelt”.  2010-2013: Scientific Coordinator and Editor of the journal “Leitmotiv”.  2001-present: Founding member and Director, with G. Mormino, of the online journal “Itinera. Rivista di Filosofia e di Teoria delle Arti e della Letteratura”.  1999-present: Member of the Board of Directors of the journal “Materiali di Estetica”.  2013-present: Member of the Scientific Committee of the International journals 1) “Nouvelle revue d’esthétique”; 2) “Aisthema”.  Direction of collections: Morfologie, published by Mimesis, Milan; Filosofie del teatro, published by Mimesis, Milan; Le forme del sentire, published by LED, Milan.  2012-present: Member of the Scientific Committee of the collections 1) La coda dell’occhio. Arte e filosofia, Universitalia, Rome; 2) Quaderni di Gargnano. Teatro e teatro, Bulzoni, Rome; 3) Le fonti dello spettacolo teatrale, Bulzoni, Rome.  GRANTS (last ten years only)  CARIPLO FOUNDATION 2012 – Project leader and scientific director: “SENSES / THEATRE / PHILOSOPHY. Communication strategies in cultural spaces aimed at the education and encouragement of young audience theatre attendance” (25.000 €); PRIN 2009 (Research projects of significant national interest - Ministry of Education, University and Research, Italy) – Director of the Milan unit: “Beyond art. The crisis of the concept of art and new models of aesthetic experience”, co-funding 2009 (226.346 €); PUR (Programma Università Ricerca) UMIL 2009 – Role: Partner, “Il mondo della vita e le forme dell’esperienza estetica, etica e conoscitiva”; PUR-UMIL 2008 – Role: Partner, “La dimensione percettiva e la struttura dei processi immaginativi e cognitivi” (30.000 €); PUR-UMIL 2007 – Role: Partner, “Linguaggio, percezione ed esperienza nella riflessione contemporanea” (30.000 €); PUR-UMIL 2006 – Role: Partner, “Percezione, linguaggio, logica. Strutture dell’esperienza e forme di vita nella ricerca filosofica contemporanea” (32.005€).  CURRENT RESEARCH GRANTS, see “Funding ID” - Appendix.

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 SCIENTIFIC DIRECTOR AND COORDINATOR OF NATIONAL AND INTERNATIONAL RESEARCH PROJECTS  2013-present: I direct the European Seminar of Aesthetics. Scientific responsibility: Maddalena Mazzocut-Mis, Maria Filomena Molder (Universidade Nova-Lisboa), Carole Talon-Hugon (Université de Nice-Sophia Antipolis).  2009-present: I direct five national and international research groups: (1. Trasmissione culturale dell’immagine e circolazione dei modelli iconici a partire dai Salons di Diderot; 2. Gusto e disgusto: tra estetica della rappresentazione e teorie dell’immagine; 3. Filosofie dello sport: teatro e cinema; 4. L’evoluzione delle forme; 5. Victorien Sardou: polifonia della rappresentazione), having established partnerships with various institutions and universities including: Université Aix-Marseille, Utpictura 18, France; Max Planck Institute for Empirical Aesthetics, Germany: University of Alberta, Canada; Université Sophia Antipolis, Nice, France; Centro Italiano di Psicologia Analitica, Milan, Italy; Université Lumière Lyon2, France; ENSATT - École Nationale Supérieure des Arts et Techniques du Théâtre - France.  SUPERVISION OF GRADUATE/DOCTORAL STUDENTS, POSTDOCTORAL FELLOWS  2000-present: Supervisor of over 300 theses (at both Bachelor’s and Master’s level).  2016: Président du jury - Diplôme National Supérieur d’Expression Plastique en Art & Scénographie Ecole supérieure d’art plastiques de la ville de Monaco, Pavillon Bosio.  2013-present: Member of the teaching body for the Doctoral School in Humanae Litterae, UMIL; 2013present: Collaboration with the Doctorate in Metodi e Metodologie della ricerca archeologica e storicoartistica, University of Salerno; 2015-present: Collaboration with the Doctorate in Scienze filologicoletterarie, storico-filosofiche e artistiche, University of Parma; 2000-2013; Member of the teaching body for the Doctorate of Philosophy, UMIL.  2006-present: Joint supervisor of four doctoral theses at UMIL in partnership with Lyon 2 and Université Sorbonne Nouvelle-Paris.  2012-present: Supervisor of 3 postdoctoral fellows – UMIL.  INSTITUTIONAL RESPONSIBILITIES  2012-present, Faculty delegate for the PARI project – Progetto Accertamento Requisiti in Ingresso (Project Assessment in Requirements for Admission).  2004-2007, Faculty delegate for COSP – Centro per l’Orientamento allo Studio e alle Professioni (Centre for Orientation to Study and Work).  2004-2011, Erasmus Coordinator – UMIL; 2006-2011: Supervisor of Erasmus exchange (Charles De Gaulle - LILLE III; Université Paul Valéry - MONTPELLIER III; PARIS-SORBONNE - Paris IV).  PARTICIPATION IN SELECTION COMMITTEES  Academic year 2014-2015: Referee for faculty professor position in “Theory of Architecture” at the School of Architecture, Civil & Environmental Engineering (ENAC) within the Ecole Polytechnique Fédérale de Lausanne in Switzerland (EPFL).  Academic year 2012-present: Inspector GEV 11. I am on the register of inspectors for the evaluation of research outputs and projects (ANVUR). Active in the inspection of products VQR 2004-2010. External and anonymous inspector for SIR products (Scientific Independence of young Researchers), 2015.  Academic year 2008-2009: Member of the selection panel for the evaluation of candidates for a post of university researcher, sector M-FIL/04 (DR n. 3835 del 28.12.2007), University of Calabria.  2008-present: Member of seven committees for admission exams or final doctoral exams at UMIL, University of Palermo, Parma, Siena, Naples-L’Orientale; Lyon 2, France.  TEACHING ACTIVITIES  2002-present: University courses in aesthetics and the aesthetics of performance, at UMIL; 1996-2002: University courses in aesthetics at the Faculty of Architecture Milan-Bovisa and UMIL.  Visiting professor and academic visitor roles (over the last two years only): July 2016 – Faculty of Philosophy – Oxford University, UK; May 2016 – Universitatea Dunarea De Jos Din – Galati, Romania; April 2016 – Université D’Avignon et des Pays de Vaucluse, France; September 2015 – Université de Aix-Marseille, Faculté des Arts, Lettres, Langues et Sciences Humaines, France; July 2015 – Department of Philosophy – Faculty of Arts and Humanities, York University, UK.

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 PUBLISHED ARTICLES (A SELECTION) Sublime giocatore e guastafeste. Una lettura de “Il nipote di Rameau”, “Acme. Annali della Facoltà di Studi Umanistici dell’Università degli Studi di Milano”, vol. 69, n. 1, 2016: 179-187. Picture, Poetry and Theatricality. Writing the Salons is ‘describing’ the Salons, “Lebenswelt”, 6, 2016: 68-80. La acción y la materia. La estética de Dino Formaggio, “Eikasia”, Revista de filosofia, 62, extraordinary, February 2015: 55-66. Dalla scala al piano. Appunti per un’indagine interpretativa, “Aisthesis”, 7, 2, 2014: 7-24. La bonne cuisine et le siècle des Lumières, “Nouvelle Revue d’esthétique”, PUF, Paris, 14, 2014: 115-129. L’arte del gesto. Diderot e il ruolo della pantomima nella recitazione, “Historia Philosophica, an international journal”, 12, 2014: 75-85. Gesto e pantomima. Azione e rappresentazione nel Settecento francese, “Acting Achives Review”, 5, 2013: 1-52. Classificare i mostri: I. Geoffroy Saint-Hilaire e la tassonomia teratologica, “Aesthetica Preprint”, 96, 2013: 9-14. Fare per osservare, “Aisthesis”, 5, 2012: 33-41. L’Émotion incarnée. Kant, Diderot, Balzac, “Faces. Journal d’Architecture”, 69, 2011: 7-11.  MONOGRAPHS (AUTHOR) La forma della passione. Linguaggi narrativi e gestuali del Settecento francese, Mondadori-Le Monnier, Florence 2014, pp.144. Mostro. L’anomalia e il deforme nella natura e nell’arte, Guerini, Milan 2013, pp. 250. Gli enigmi della forma. Un’indagine morfologica tra biologia ed estetica, Mimesis, Milan 2012, pp. 176. Le niais sublime. Du pathétique au kitsch, trans. into French by O. Weyer, Mimesis France, Paris 2010, pp. 171. Corpo e voce della passione. L’estetica attoriale di Jean-Baptiste Du Bos, LED, Milan 2010, pp. 122. Il senso del limite. Il dolore, l’eccesso, l’osceno, Mondadori-Le Monnier, Florence 2009, pp. 187. Translations: Le Sens de la limite. La douleur, l’excès, l’obscène, trans. into French by O. Weyer, Mimesis France-Vrin, Paris 2012, pp. 211; How Far Can We Go? Pain, Excess and the Obscene, trans. into English by J. Coggan, Cambridge Scholars Publishing, Newcastle upon Tyne 2012, pp. 175.  BOOKS (CO-AUTHOR) Lineamenti di Estetica, Mondadori-Le Monnier, Florence 2015, pp. 168. Entrare nell’opera: i Salons di Diderot, Mondadori-Le Monnier, Florence 2012, pp. 328. Estetica dello spettacolo e dei media, Led, Milan 2012, pp. 232. Estetica. I nomi, i concetti, le correnti, B. Mondadori, Milan 2010, pp. 344. Estetica della fruizione. Sentimento, giudizio di gusto e piacere estetico, Lupetti, Milan 2008, pp. 446. Estetica. Temi e problemi, Mondadori-Le Monnier, Florence 2006, pp. 403.  ESSAYS AND CHAPTERS IN BOOKS (A SELECTION) “Il sipario scende lentamente”. Estremizzazione del melodramma: la Théodora di Sardou, in Victorien Sardou. Polifonie della rappresentazione, Mimesis, Milan 2015: 11-27. A tavola! …nel Settecento, in Dal gusto al disgusto. L’estetica del pasto, Cortina, Milan 2015: 61-97. A ideia do fazer, in Creative processes in art, CIEBA – Centro de Investigação e Estudos em Belas-Artes, Faculdade de Belas-Artes da Universidade de Lisboa 2014: 41-50. Un poème pathétique. Diderot au tombeau de Mausole, in Une Absence présente. Figures de l’image mémorielle, Mimesis France, Paris 2013: 45-57. Jean-Baptiste Dubos: l’esthétique de l’acteur entre musique et geste, in La musique face au système des arts, Vrin, Paris 2013: 45-56. Il linguaggio del corpo. Considerazioni sul gesto dell’attore in Jean-Baptiste Du Bos e Denis Diderot, in Le origini del linguaggio, ETS, Pisa 2012: 267-287. Racconto/Romanzo, in Forme letterarie della filosofia, Carocci, Rome 2012: 207-242. As origens setecentistas da categoria do abjecto, in O feio para além do belo, LDA, Lisboa 2012: 129-138. Recitare la passione. Dall’estetica dell’actio all’estetica attoriale, in Studi sul teatro in Europa, Bulzoni, Rome 2010: 417-439. Il Piacere di piangere. La fruizione del dolore nel secolo dei Lumi, in “Sensibilia 4”, Mimesis, Milan 2010: 257-270. L’ombra del paradosso nell’estetica attoriale di J.-B. Du Bos, in La filosofia a teatro, “Quaderni di Acme”, 118, Cisalpino, Milan 2010: 495-514. Della felicità. Bonheur, passioni e sentimenti misti, in Il secolo dei Lumi e l’oscuro, Mimesis, Milan 2008: 85-125. La mente di Murphy, in Tra le lingue tra i linguaggi. Cent’anni di Samuel Beckett, Cisalpino, Milan 2007: 185200.  ORGANISATION OF STUDY DAYS AND NATIONAL CONFERENCES 1998-present: I have organised 23 study days and seminars and 9 national conferences, predominantly at UMIL, and in collaboration with the Faculty of Architecture, Milan-Bovisa; Fondazione Collegio delle Università Milanesi; “LabΔrama 2014” - Centro Studi classicA, Venice; University of Parma.  ORGANISATION OF INTERNATIONAL SCIENTIFIC MEETINGS (a selection from the past 10 years) Le théâtre et les cinq sens. Théories, esthétiques, dramaturgies, Paris, Cité internationale universitaire, Maison de l’Italie, 13-14 June 2016, publication of proceedings forthcoming; Le corps en spectacle. Quel(s) discours sur le corps dans les arts du spectacle contemporains ? Festival Mode d’emploi: festival d’idées en région Rhône-Alpes, France, 18 November 2015; Gusto e disgusto nell’estetica e nelle arti, UMIL, University of Parma, Centro Studi e Archivio della Comunicazione, Parma, 14, 15, 16 October 2015, publication of proceedings forthcoming; Estetica, etica e sapere enciclopedico. Attualità di Diderot, UMIL,

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University of Parma, Casa della Musica, Parma, 10-11 October 2013, publication of proceedings forthcoming; Processos Criativos em Arte, Faculdade de Belas Artes da Universidade de Lisboa, 12-13 September 2013, proceedings published; Verdi e il grottesco, UMIL, University of Parma, ATIR-Teatro Ringhiera, Milan, 22 May 2013, proceedings published; Victorien Sardou: polifonia della rappresentazione, UMIL, 20-21 March 2013, proceedings published; Etica della forma, UMIL, 28-29 November 2012, proceedings published; Una presente assenza. Figure dell’immagine memoriale, UMIL, 9-10 November 2011, proceedings published.  PARTICIPATION IN CONFERENCES AS KEYNOTE SPEAKER (a selection from the past ten years) Over the past ten years I have delivered over 50 conference presentations, a representative set is listed here: Immagine. Storia e teoria di un’esperienza filosofica, Fondazione Collegio San Carlo di Modena, Italy, 27.11.2015. «Les animaux se repaissent, l'homme mange ; l'homme d'esprit seul sait manger», Université de Nice-Sophia Antipolis, UFR LASH, 18.9.2015. Intensification et contrôle du regard: le spectateur entre intérêt et désintérêt esthétique, Université Nice-Sophia Antipolis, 11.02.2014. Processos Criativos em Arte, Faculdade de Belas Artes da Universidade de Lisboa, 12-13.09.2013. Beau, sublime, kitsch, Bibliothèque départementale des Bouches-Du-Rhône, Marseille, 11-12.05.2012. Riconcepire l’Estetica, Facoltà di scienze della formazione, Florence, 17.02.2012. O Feio para Além do Belo, Faculdade de Letras da Universidade de Lisboa, 17-18.03.2011. Sensibilia (“Il dolore”), Villa Mondragone (Monte Porzio Catone, Sala San Pietro e Paolo), Rome, 28.05.2010. La musique face au système des beaux-arts, ou les vicissitudes de l’imitation, Centre Allemand d’Histoire de l’Art, Paris, 17-19.02.2010. L’immaginazione come camera oscura dei processi narrativi, Villa Vigoni (Como) Italy, 18-21.11.2007.  MAJOR CONTRIBUTIONS TO THE EARLY CAREERS OF OUTSTANDING RESEARCHERS  Six of my students who achieved their research doctorates are now fellows at various institutions: UMIL; University Ca’ Foscari Venice; Lyon2, France; Universidade Nova-Lisboa. Others are employed as teachers on fixed-term contracts at Universities or Academies: UMIL; Collegio Santa Caterina da Siena / University of Pavia; NABA (Nuova Accademia di Belle Arti), Milan; Universidade Nova-Lisboa; Accademia CarraraBergamo.  From the scope of the ACRI project, 14 postdoctoral researchers and fellows from all over the world were selected. They will be given the opportunity to develop research under the guidance of university tutors from the partner universities of the project I direct.  PLAYWRITING ACTIVITY AND COLLABORATION WITH THEATRES AND FESTIVALS 2002-present: I have devoted part of my research to theatre, in addition to the figurative arts, combining my scientific research with dramaturgy. I have written 17 dramatic texts that were performed in major theatres in Milan and Italy, as well as at prestigious festivals. This has allowed me to establish important cultural collaborations, through workshops and seminars, with: Piccolo Teatro - Teatro d’Europa, Milan; Teatro Olimpico, Vicenza; Teatro Franco Parenti, Milan; Accademia Perosi (Institue of music), Biella; Teatro Elfo Puccini, Milan; Ravenna Festival; Teatro Comunale Giuseppe Verdi, Pordenone; Teatro Bibiena, Mantua; Teatro I, Milan; Teatro Ringhiera, Milan; Teatro Verdi – Buratto, Milan; Teatro Oscar, Milan. I have worked to translate the aesthetic category of the sublime into theatrical representation at a theoretical level (see publications), at an educational level (dedicating to theatre and the sublime a number of monographic courses), and also as a playwright (reinterpreting through performance the work of classic authors such as Sophocles, Shakespeare, Brecht, Hugo, etc.). Some examples of my work include: …tra la carne e il cielo (2015), lead voice, soprano, cello, piano and orchestra, music by A. Corghi, Ed. Ricordi, commission: Teatro Comunale G. Verdi, Pordenone. Un sogno. A Midsummer Night’s Dream (2013), supported by Fondazione Cariplo. Elena (2013), music by A. Corghi, Ed. Ricordi. Il re si diverte, da Le roi s’amuse di Victor Hugo (2012), Teatro Franco Parenti, Milan. Cardo rosso – Teatro Dubrovka, 26 ottobre 2002 (2010), music by G. Sollima, commission: Ravenna Festival, Hystrio, n. 2/2010. Giocasta (2009), lead voice, solo voice, solo viola, a cappella choir, orchestra, music by A. Corghi, Ed. Ricordi, commission: Teatro Olimpico, Vicenza.

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Appendix: Main ongoing and submitted grants and funding of the PI (Funding ID) On-going Grants Project Title ObLoMoV: Obesity and Low Motility Victims – “physical short shocks” and “theatre short stories” to convert inactive victims into HEPA social actors

Funding source ERASMUS+: SPORT 2016,

Amount (Euros) 399.582,50 €

Period

Role of the PI

2017-19

Project Leader, Scientific Director and Leader of the trans-national project

Round 2 Collaborative partnerships

EAT - Enjoyment Analysis for a new Theatre

CARIPLO FOUNDATION

50.000 €.

2016-18

Passages des frontières. De la France à l’Italie et vice-versa, de la recherche à la création, d’un art à l’autre Aesthetics Unlimited

COOPERA Région Auvergne Rhône-Alpes

10.000 €.

2016-18

DANISH COUNCIL FOR INDEPENDENT RESEARCH – HUMANITIES CREATIVE EUROPE – 2015 559485-CREA-12015-1-IT-CULTCOOP1

134.317 €.

2016-18

€199.995,85

2015-17

SENSES: the sensory theatre. New transnational strategies for theatre audience building

Partners

Description

Italy: University of Milan: Department of Cultural Heritage and Environment and Department of Biomedical Sciences for Health; Italy: Fondazione Piccolo Teatro di Milano - Teatro d’Europa; Italy: Associazione Atelier Europeo; Finland: University of Jyvaskyla, Faculty of Sport and Health Sciences; Greece: University of Thessaly - School of Physical Education and Sport Sciences; Poland: Sport Support Foundation - Foundation of Physical Activity and Health; Belgium: University of Liège Department of Sport and Rehabilitation Sciences

Stemming from the philosophical research about selfawareness, the Project proposes a new pedagogic method aimed at tackling the inactivity problem as an effective strategy to reduce physical inactivity among adolescents. It intervenes through a method based on innovative theatrical technique, able to decode and transfer a “sport culture” to preteen students

Scientific Project Leader: ScenAperta teatri. Partner: EAT is a new tool for the interaction between audience Director and University of Milan, Atelier Europeo and theatre through quantitative and qualitative Partner monitoring of theatre audiences Co-Project Co- Project Leader University of Milan and Lyon2, The project aims to popularize through theatre great Leader and France. Partners: Scuola di Teatro Paolo Grassi, Italian literature in France (and vice versa) Scientific Italy; ENS-Lyon, France; ENSATT-Lyon, France Director Partner

Project Leader: University of Roskilde, Denmark. Partners: Université de Nice Sophia Antipolis, France; Université catholique de Louvain, Belgium; Universidad de Murcia, Spain, University of Milan

Series of international conferences on modern and contemporary aesthetics

Project Université D’Avignon et des Pays de Vaucluse, The project starts from a philosophical investigation of Leader, France; Universitatea Dunarea De Jos Din – Galati, the role of the five senses involved in theatre Scientific Romanie; Teatrul Muzical “Nae Leonard” – Galati, appreciation: 4 university laboratories in the three Director and Romanie; Associazione Culturale ScenApertapartner countries, 3 theatre performances that will Leader of the Altomilanese Teatri, Italy; University of Milan circulate within Europe transnational project

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Project Title

Funding source

Amount (Euros)

Period

Role of the PI Project Leader and Scientific Director

Aesthetics of Emotions: Arts and cognitive science

ACRI 2015 (Association of Foundations and Savings Banks) “YOUNG INVESTIGATOR TRAINING PROGRAM”

46.000 €

2015-16

Let’s go on stage! Sport and Theatre: the issue of childhood obesity and sedentary lifestyle

CARIPLO FOUNDATION

37.000 €.

2014-16

Funding source

Amount (Euros)

Period

Partners

University of Milan, Palermo, Florence, Salerno, The project involves collaborations between all research Naples - L’Orientale, Calabria, Parma, Università centres in order to foster the participation of young Cattolica del Sacro Cuore. With the collaboration: researchers working in research institutes abroad Department of Philosophy, Faculty of Arts and Humanities – University of York, UK; Nova Institute of Philosophy, Faculty of Social and Human Sciences, Portugal; Max Planck Institute for Empirical Aesthetics - Max Planck Society Frankfurt am Main, Germany; Institut Jean Nicod CNRS-EHESS-ENS - research centre, Paris, France; Thumos – Centre for Affective Science, Research Group – University of Geneva, Switzerland; Music Psychology Group, Department of Psychology of the Uppsala University, Sweden Project Dept. of Cultural Heritage and Environment and We aim to investigate, from a philosophical point of Leader and Dept. of Biomedical Sciences for Health University view, the difference between body schema and body Scientific of Milan; Department of Health Sciences University image. Theatre is a privileged medium to get at younger Director of Milan; COSP – University of Milan Service for people's sensitivity Studies and Professional Guidance; Teatro del Buratto – Teatro Verdi, Milan; Biomedical Humanities Unit of the Department of Experimental Oncology – European Institute of Oncology, Milan

Application Project Title ZADIG: Je suis Zadig

Description

Role of the PI

199.998,19 € 24 months Scientific CREATIVE Director of the EUROPE Support for Refugees project and Integration Projects Responsible for drama labs

Partners Associazione Atelier Europeo (PI) IT; University of Milan, Italy; Music and Drama Association ''Athens Conservatoire - 1871", Greece; Masthuggsteatern ekonomisk förening, Sweden; Örkény István Színház Nonprofit Kft., Hungary

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