Teach Yourself Piano Overnight

Teach Yourself Piano Overnight!

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Teach Yourself Piano Overnight

Introduction Hello Future Musician,

I always like to stress to all of my students that playing music is not nearly as difficult as it seems. It does not take a genius to be a good musician. You can learn to do amazing things with your hands. It just takes the desire/motivation to do so….and don‟t forget practice! “Practice makes perfect.”

Think about it, to excel at any profession/activity/hobby/sport/etc. it takes a lot of practice. For example, NFL Football stars practice like CRAZY every day of the week for hours to maintain their ability…

Good News!

This course does not require an insane amount of practice. By the end of this lesson you will have a good idea of how to:

1. Play notes on the Piano/Keyboard 2. Play a simple song or two 3. Play your „major‟ scale in the Key of C 4. Learn Simple Chords 5. Tips to Practicing Piano! 6. and more…

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Let’s Get Started!

This is a Piano/Keyboard with the NOTES written on each key. Let me break it down for you. There are ONLY 12 notes in existence and they repeat themselves over and over again in what we call „Octaves.‟ Pronounced (Octives). An Octave obviously refers to the number 8 (Oct.) Musical Notes are identified by letters of the alphabet. The letters in music are A, B, C, D, E, F, G. There is NO „H‟. After „G‟ it simply starts over at „A‟ again (see above). How can you have more than one „A‟? The TONE of the note sounds the same, but the „pitch‟ is higher or lower. There are many „A‟s‟ on the piano and many of the other letters as well. The lowest „A‟ will sound extremely low like a Bass and will not be very distinguishable. The highest „A‟ will sound very high pitched like a flute or piccolo. The best example of an Octave I can think of is in the song „Happy Birthday.‟ The part in the middle where you sing “Happy BIRTH-day to so and so…” The word „Happy‟ let‟s say is a „C‟ note, the next word „BIRTH‟ would also be a „C‟ note but one octave above the „C‟ that you sang for the word „Happy‟. It‟s a big stretch, a whole 8 notes! So it‟s 8 notes from „A‟ to „A‟ and „C‟ to „C‟ and so on. Thus, it‟s called an „Octave‟. Award Winning Learn And Master Piano Course - (Special 3 Day Sale Now!) Click Here...

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OK, back to my original point. Did you realize what I said? There are ONLY 12 notes in existence! This makes music a lot easier than you though eh? EVERY SONG YOU‟VE EVER HEARD WAS MADE UP OF A COMBINATION OF THESE 12 NOTES. No matter how complicated of a Mozart song it is, there are only 12 notes to choose from: A, A#, B, C, C#, D, D#, E, F, F#, G, G# and then back to ‘A’. The Black Keys are in sets of 2 and 3. I call them „twins‟ and „triplets‟. At the beginning (the left) of the „Twins‟ is the note „C‟. At the beginning of the „triplets‟ is the note „F‟. The twins and triplets repeat themselves over and over again and the note at the beginning of them will always be the same. In front of every pair of twins will be „C‟ ALWAYS. This will help you memorize which notes are which, without writing the notes on each key! What do the „#‟ signs mean?! The # sign stands for “Sharp”. So if you see „A#‟ that means “ „A‟ Sharp.” C# = C sharp and so on. The Sharps (#‟s) are the black keys. The very next key to the RIGHT of any given key is the „Sharp‟ of that note.

On the piano, the distance between any note to the very next note (whether the next note is a black key OR white) is called a „half-step‟. So from „A‟ to „A#‟ is a half step. From „A#‟ to „B‟ is also a half step. NOW NOTICE „B‟ and „C‟. There are no sharps in between them but they are still considered a „Half-Step‟. This is very important to understand because a lot of people think that if you go a „halfstep‟ from one letter the next note will be that letter „Sharp‟. This is true for

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MOST notes except for „B to C‟ and „E to F‟. If you look at the piano above you‟ll see that E goes right to F and they are both white keys and the same for B to C. These are STILL HALF-STEPS. There is no „B#‟ because „B#‟ would just be called „C‟. An „E#‟ would just be called „F‟. These are the TWO exceptions. If you skip a half-step and go directly from let‟s say, „A‟ to „B‟, it is called a Whole Step. Remember those exceptions now! The difference from „B‟ to „C‟ is NOT a whole step. Remember, from „B‟ to „C‟ is a HALF-STEP because they are right next to each other. So from „B‟ to „C#‟ would be a WHOLE-STEP. Same goes for „E‟ to „F‟ (half step). From „E‟ to „F#‟ would be the WHOLE STEP. The reason why people make this mistake is because from every other white key to the next white key is a WHOLE STEP. (Because there is a black key in between which is the half step).

What precisely are key and time signatures and why is gaining in intimate knowledge of them critical? Because without this information, absolutely no written music can be disseminated into notes played on the piano keyboard. Neither can unwritten music, for that matter.

Key Signatures and Time Signatures

Key signatures dictate that musical scales and notes that the piece is written in,

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and is to be played in. If there are no flats or sharps in the key signature then the key is either "C Major" or A Minor, represented by the white keys on the piano keyboard.

There can be up to seven flats or sharps, representing all the other possible iterations of major and minor keys. Then, there are exceptions, notated by specific sharp or flat symbols next to the notes themselves. A student taking beginner piano lessons must learn to recognize these exceptions to the initial key signature and make the appropriate corrections.

This would be analogous to a policeman waving you through a red light--you need to be on your toes and be ready to adapt to changes along the way.

Then, there are the various time signatures that dictate the number of beats in each measure of the piece, as well as what type of note gets assigned the one-beat value. The most common of these is known as: 4/4. This corresponds to there being four beats in each measure with a quarter note getting one beat.

Although extremely ubiquitous, don't take this for being the same thing as "dull". Virtually all music ever written by the Beatles was in 4/4 time. The body of work created by the Beatles has been regarded as simply brilliant by listeners and musicians for eons, so this is proof that the time signature is not that important, in as far as the quality of the music written in it is concerned.

The time signature 3/4 is another classic, as it describes music written in "three". This is the time signature for every "waltz" ever written, and it gives the music a nice airy bounce. Once again, the "4" designates that the quarter note receive one beat.

Although 4/4 and 3/4 are by far the most common times signatures, many others have been used, most notably in jazz. Tunes written in "five" (5/4) tend to give Award Winning Learn And Master Piano Course - (Special 3 Day Sale Now!) Click Here...

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the piece an offbeat "snap" which is particularly intriguing. The famous jazz musician Dave Brubeck was quite fond of writing works in "five".

Okay... now, what if that bottom number is not a 4? Instead, let's say it's a 2. Is this possible? Yes, of course! Though less common, it's absolutely something used often enough. Referring back to Item B above, that 2 means what?

That's right - a half note gets one beat! Now, this is not the "typical" situation we were referring to earlier. But don't fret... because, although we've changed the value of a half note in this case, all the other note values take on a value that is proportionate to that half note.

In other words, a quarter note is worth half of a half note - always. Therefore, if a half note gets 1 beat, then a quarter note will get half a beat. And, yes, all the other note values have values proportionate as well. It's just simple math.

Whether in common or in less fashionable key and time signatures, the competent student must be prepared to accommodate abrupt changes as created by the composer if he/she wants to be able to faithfully reproduce written music accurately. Starting on the road to this state of ease is the job of every student of beginner piano lessons.

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How to Play 3 Easy Piano Chords Piano chords provide the harmony and backing to any tune. If you are a singer, it is great away to accompany yourself. Once you know a few chords, there is no limit to what you can use them for in music, by varying the way that you play them.

The 3 easy chords you are going to learn are C major, F major and G major. Major means happy and bright in music.

A piano chord consists of 3 alternate notes on the piano. To play this shape you need to form a matching shape with your hand. Your fingers are numbered thumb =1, index finger = 2, middle finger = 3 and so on. If you are playing a chord with your right hand the fingering is 1 3 5. If you are playing with your left hand, the fingering is 5 3 1.

Allow your hands to relax on your lap. Slightly raise fingers 2 and 4. Feel the chord triangle on your lap. A very important part of playing chords is to keep your wrists relaxed. Play the chord and follow through afterwards. Your wrists should never feel tense or tight.

Sitting at the piano, find C. C is the white note on the left of 2 black notes together. With your right hand form the chord triangle 1 3 5 and place your thumb on C. Your 3 fingers should be covering C E and G. Play the chord cleanly and follow through.

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Practice this using your left hand, lower down the piano. You will use the same triangle shape using the fingering 5 3 1.

The 2nd chord is F major. Move the hand shape so that your end finger is on F. F is 3 white keys above C. The 3 notes that make up the chord of F major are F A and C.

The 3rd chord is G major. This consists of G B and D.

Practice the chords with each hand separately. Then play them together. You will get a rich warm sound. Experiment with different rhythms and begin to unlock the magical effect of piano chords!

How to Play 3 Minor Chords on Piano When you play minor chords on the piano you give an air of mystery to your playing. Minor in music means sad. A chord means 3 or more notes played together. So minor chords on the piano consist of 3 alternate notes, played together, that have a sad and mysterious sound.

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The white notes on a piano are named after the first 7 letters of the alphabet: A B C D E F G. Piano fingering is the way that the fingers are numbered. It is identical in both hands. The thumb is 1, the index finger is 2, the middle finger is 3 and so on.

You are going to learn the chords of A, D and E minor.

On the piano find A. First find a group of 3 black keys and play the top black key. Slide onto the white key immediately to the left. This is A.

The chord of A Minor consists of every alternate white note from A. The notes are A C E.

To play the A minor chord in the right hand, place fingers 1 3 5 on the alternate notes A C E. Form a clear triangle, play the 3 notes cleanly together and follow through in your wrist.

To play the chord of A minor in the left hand, place fingers 5 3 1 on A C E. Play as above.

Your 2nd chord is D minor. The notes are D F A.

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To play the chord of D minor in the right hand, place fingers 1 3 5 on D F A. Play as above. To play the chord of D minor in the left hand, place fingers 5 3 1 on D F A. Play as above.

Your 3rd chord is E minor. The notes are E G B.

To play the E minor chord in the right hand, place fingers 1 3 5 on E G B. Play as above.

To play the E minor chord in the left hand, place fingers 5 3 1 on E G B. Play as above.

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Let’s learn the ‘C’ major scale! This is a very important fundamental of music. This „Scale‟ makes up the sounds „Do-Re-Mi-Fa-So-La-Ti-Do.‟ It‟s called the „Major Scale‟ and it is one of the MAIN modes of music. There are „major‟ and „minor‟. The „major‟ scale sounds more happy while the „minor‟ scales sound sad. Every song you‟ve ever heard was either in a „major‟ or „minor‟ key. OK so your RIGHT hand is numbered as follows… Your thumb is finger number 1, index finger is number 2, middle finger is number 3, ring finger number 4, and pinky finger number 5.

Your LEFT hand is the same. Thumb is finger number one, and so on. They go opposite ways but the thumb is still number 1 and so on.

We are going to learn the scale with our RIGHT hand first. The right hand is the lead hand in the piano and plays the important lead melodies of a song. The left hand is an accompaniment and plays chords and bass lines. So the „C Major Scale‟ is as Follows:

C, D, E, F, G, A, B, C Moving from LEFT to RIGHT. Finger number One will play the first „C‟.

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Then finger number 2 plays „D‟ followed by Finger #3 which plays „E‟.

NOW PAY ATTENTION: On the FOURTH Note which is „F‟, you will cross your thumb underneath your middle finger (finger #3) and play the „F‟ with your THUMB! This allows you to finish the rest of the scale with the rest of your hand. Fingers 1, 2, 3, 4, 5. So, in case this was confusing, the fingering for C. D. E, F, G, A, B, C would be fingers: 1, 2, 3, 1, 2, 3, 4, 5. After the third note; „E‟ you CROSS your thumb UNDERNEATH your middle finger (which is still on „E‟) and play the next note to the right of „E‟ which is „F‟ with your Thumb. Now, when you come back down the scale…(to the left) you play every note that you played on the way up the scale AND with the SAME fingers.

So, the scale would be C, D, E, F, G, A, B, C, B, A, G, F, E, D, C.

Fingers are: 1, 2, 3, 1, 2, 3, 4, 5, 4, 3, 2, 1, 3, 2, 1. The Bold letters and numbers are going „up‟ the scale which is left to right. Then on the way back „down‟ the scale, (not bold) it is right tgo left. ‘Up’ refers to UP IN PITCH. and ‘Down’ refers to DOWN IN PITCH.

When you play notes from left to right you will always be going UP in pitch from a LOW sound all the way on the left, it gets higher and higher as you move to the right and all the way on the right is the HIGHEST pitched note. So thus, when Award Winning Learn And Master Piano Course - (Special 3 Day Sale Now!) Click Here...

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you play to the right you are going „up‟. The video that I included in this report will show you what the „C Major Scale‟ looks and sounds like! I play it slow at first, then medium, then fast. That‟s just the „C‟ Major scale. There is a Major scale for EVERY key. There is an „A Major Scale‟ a „B Major Scale, even for the #‟s. „A# Major Scale, starts on a black key „A#‟). They ALL sound like „Do-Re-Mi…‟ but they just start on a different pitch. But don’t worry, I HAVE A SECRET WEAPON! Everyone loves the „C Major Scale‟ because it is ALL white keys. Every other scale has a black key in it, whether it‟s one, two, three or more!

Instead of memorizing EACH of the 12 Major Scales which would take a lot of time, you can use my secret formula that will allow you to play any major scale based on a pattern. Anything you can do in one spot on the piano, you can do. Remember I talked about Whole Steps and Half Steps? Well, if you look at the „C‟ major scale you can see that the pattern is as such: After the starting „C‟, the next note is „D‟. The distance between these notes is a Whole Step (because you skip over C# and go to D). Lets call a Whole Step „W‟ and a Half Step „H‟. The pattern of the C Major scale is W, W, H, W, W, W, H.

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step followed by three whole steps and a half step. This holds true EVERY MAJOR SCALE!!! Whoa. That makes it A LOT EASIER. Let‟s test this out…The next Major Scale, the „D Major Scale‟ would be D, E, F#, G, A, B, C#, D. This obeys the rule! After the first note „D‟ it follows the pattern: W, W, H, W, W, W, H.

D, E, F#, G, A, B, C#, D 1st W, W, H, W, W, W, H.

The first note can not be a whole step or a half step because you need to be referring to the distance between TWO notes to have a whole step or a half step. Check out the video to see how the „C Major Scale‟ looks and sounds! This scale is so important because EVERY song that is in a „Major‟ key will be made up of ONLY THE NOTES OF THE MAJOR SCALE. So, if the song is in „C Major‟ such as THOUSANDS of songs are… the song would consist of ONLY THE NOTES OF THE C MAJOR SCALE!

Example: The song „Mary Had a Little Lamb‟ is in the key of „C Major‟. This means that every note in this song will be a note in the „C Major Scale‟.

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Here are the notes for „Mary Had a Little Lamb.‟

3, 2, 1, 2, 3, 3, 3, 2, 2, 2, 3, 5, 5 E, D, C, D, E, E, E, D, D, D, E, G, G

3, 2, 1, 2, 3, 3, 3, 2, 2, 3, 2, 1 E, D, C, D, E, E, E, D, D, E, D, C.

The numbers are the fingers you should use. The letters are the notes on the piano. The numbers are right above the corresponding letter.

Piano Fingering Piano fingering is as important as footwork in a dance routine! Using the right finger on the right note enables you to play smoothly and evenly. If your fingering is wrong, you will either run out of fingers in a tune, or it will just feel awkward. Here are some tips on piano fingering.

The finger numbers are identical in each hand. The thumb is 1, the index finger is 2, the middle finger is 3, your "ring" finger is 4 your pinky finger is 5.

Try out this simple 5 finger exercise on the piano.

In the right hand place your 5 fingers on any adjacent white keys and play this pattern -

1 2 3 4 5 4 3 2 1. This starts and ends with the thumb. The sound will rise then

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fall.

Now place your left on 5 adjacent keys and play this pattern -

5 4 3 2 1 2 3 4 5. This starts and ends with your pinky finger. The sound will again rise and fall.

Fingering is written above or below a specific note in piano sheet music. The fingering is written in for the first note in both your left hand and right hand notes. When you see the fingering attached to a particular note make sure that you use that finger. It sounds obvious, but it is a common problem that people have when they are learning to play the piano - they ignore the finger numbers!

Our wonderful opposable thumbs enable us to move around the piano smoothly. The thumb is used as a pivot and a lever to move the hand up and down the keys.

Find C (the white key to the left of any 2 black keys) and place your right hand thumb on it.

Try out this exercise using the notes - C D C B C D C B C. You are only allowed to use 2 fingers!

Play C D C B C D C B C using the fingering 1 2 1 2 1 2 1 2 1. You pivot your index finger (finger 2) over and back, over and back.

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How Do I Play the Black Keys Playing the piano is a combination of finger dexterity, co-ordination and timing. Good fingering is a vital part of playing smoothly.

The fingers are number from 1 to 5. The thumb is 1 and the little finger is 5. You play the black keys with fingers 2, 3, 4 and 5. The job of the thumb is to act as a pivot. Your thumb rests gently on the white keys, allowing your arm to feel balanced and light as you play.

When you place your hands onto the piano, first make sure they are relaxed. Your thumb should be at least 1cm from the edge of the piano.

Finger Exercise 1 - Play C with your right hand thumb. Place finger 2 on C# (C sharp). C# is the black key immediately to the right of C. Rock gently between C and C#, backwards and forwards.

Exercise 2 - Now take your 2nd finger and move it to the side, to play D. Try not to move your hand backwards. Play the notes C and D using fingers 1 and 2.

Exercise 3 - Putting these 2 exercises together - play C with 1 (your thumb), play C# with finger 2, C with 1, then D with 2, over and over again:

C C# C D C C# C D (using fingers 1 2 1 2 1 2 1 2)

Remember to take your 2nd finger across and back, across and back. Keep your arm steady. Feel the flow of using your hands freely with minimum movement. It should feel smooth and fluid.

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The secret of playing the piano is to place fingers 2 3 and 4 just beyond the "boundary line" where the black keys start. You will then have easy access to play any key - black or white.

Do I Need to Buy a Metronome When I Am Learning the Piano? When you are learning the piano, the essentials that you need to buy are - a decent instrument to play; a seat that is the right height for you and a direct light to avoid eye strain. A metronome is not essential when you starting, but it will come in very useful when you have been learning for 6 to 12 months. If you want to get one straight away - you can practice playing along with it.

A metronome is a device that ticks at a regular pulse. They are either mechanical (they need winding up) or electronic (they run from a battery). The regular pulse is measured in beats per minute, or BPM. The second hand on a clock ticks at 60 beats per minute. All the BPM speeds are directly related to this.

80 BPM is a very slow pace that is used for relaxing music. 120-140 BPM is the speed for dance music.

To practice along with a regular beat, set the level at a comfortable speed (approximately 90 BPM) and allow it to tick for at least 4 beats. Listen to the beat and when you are ready to start playing - count yourself in. If the music has 4 beats in a bar, count yourself in "1 2 3 4."

The beat is the backbone of music. Without a steady beat, music would just

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become "a load of notes". Practice playing a simple exercise along with the ticking beat, just to get used to it. When you feel confident, use the ticking beat to play along with a piece that you know.

Ways to Play More Accurately When you are learning the piano it can be very frustrating when you keep making mistakes. They can spoil your otherwise lovely playing. Here are 6 great ways to play more accurately.

#1 - Practice S..L..O..W..L..Y! This is the number 1 cause of all mistakes playing the piano too fast when you are learning a new piece. The problem is, your brain is "hearing" the tune already complete. Slow the speed down by up to 50%. This will give you extra thinking time.

#2 - Relax! If your muscles are tight this will cause hesitations in your playing. Allow your arms to hang loosely by your side for a moment. When they feel relaxed, place them gently onto the keys.

#3 - Look ahead! When you are reading music it is very important to look ahead so that you can see what is coming next.

#4 - Do not start until you are ready! This sounds very obvious but many pianists do this. Look at your first bar of music and get your fingers ready. Scan through the piece to look for similar shapes and patterns before you begin.

#5 - Try not to look at the piano too much! The temptation to look at your fingers can feel overwhelming. Think of this ratio - look at the piano sheet music 90% of the time; look at the piano 10% of the time.

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#6 - Read the top and bottom staffs equally! When you read text, your eyes are conditioned to travel from left to right and ignore the text below. Train your eyes to look down at the left hand part. Most mistakes occur in the left hand because the notes are often guessed!

How Often Should I Practice Piano? When you start to play the piano you are embarking on a hobby for life. It is stimulating, at times frustrating, but the ultimate rewards of mastering this beautiful instrument are huge. But - it involves practice. Here are 7 great tips on how often to practice and how to get the most out of these sessions.

#1 - Try to play every day. Even if it is only for 2 minutes, the more you play the better you will get.

#2 - Aim to play for 10 - 15 minutes a day. That works out at over 1 hour per week. You will really start to hear your progress.

#3 - If you are not in the mood, do something else! Wail until you feel inspired and enthusiastic. That way you will always build up a positive association with practising.

#4 - Set yourself a specific goal. Aim to master the rhythm first. Tap or clap through the rhythm before adding in the notes. Look for the highest note and the lowest note in the piece.

#5 - Practice slowly. Your brain is trying to co-ordinate reading music symbols and sending the message to 10 individual fingers. If you play slowly, the music Award Winning Learn And Master Piano Course - (Special 3 Day Sale Now!) Click Here...

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will flow much better.

#6 - Before you start, doodle on the keys. Make up a simple finger exercise and just allow your fingers to flow. Relax and unwind as you doodle.

#7 - At the end of every week, if you have the facilities, record yourself playing. Use a mobile phone to record your playing, or buy a dictaphone. Listen back to your playing objectively. Praise yourself for how well you are doing. Be proud of every step you take.

Closing Words I want to add that you should not only have long-term goals, but short term ones as well. Each time you sit down to practice piano, have a mini-goal that you wish to accomplish for the day. If there is anything I've learned in life from successful people, it's that having goals both big and small will always make a difference in everything that you are doing (and piano is no different).

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