OJOS DE BRUJO TECHNICAL RIDER 2011 · Please note that the sound and lighting system must be assembled and functioning by the time the band arrives. SOUND P.A. / MONITORS · A professional-quality Line Array sound processing system should be installed, capable to produce 120 dbs SPL signal in all frequencies at any space of the venue. ACCOUSTIC PRESSURE DURING THE CONCERT MUST BE SET BETWEEN 105-110 dbs, IN CASE OF LEGAL LIMITATIONS, PLEASE CONTACT US AS SOON AS POSSIBLE. · The sound system (P.A) must be placed correctly between the source and the band’s engineers, through prior study of the venue. Promoter must send the auditorium plan to ODB’s technical team, illustrating the situation of the stage and the audience and indicating any uneven ground. · The F.O.H. must be centrally situated in relation to the sound system, with a good overall stage view, on a flat surface at the same level to the audience and at a distance of 20 meters or less. · The monitor desk must be situated at the same level of the stage, FROM P.A. CONTROL VIEW, ON THE RIGHT SIDE OF THE STAGE. F.O.H REQUIREMENTS · Sound system Line Array D&B SERIE J capable to produce 120 dbs full range in any areas of the venue. · Desk YAMAHA PM 5D RH. · KLARK TEKNIK DN 370 · SUMMIT dcl 200 (cascade, in the outlet L R) · AVALON 737 vt · CD recorder/player. · F.O.H control will be installed on the floor, at the same level as the audience, at a distance of 20 meters. MONITORS REQUIREMENTS · Desk YAMAHA PM 5D RH (WE WILL NOT ACCEPT DIGICO DESK) · 8 L’ACOUSTICS 115XT HiQ. Monitors (1 for the keyboard, 1 for the guitar, 2 for main singer, 1 for percussion, 1 for chorus and 2 PFL) · 2 SIDEFILLS L’ACOUSTICS each one componed for 2 ARCS + SB118 · 4 in-ear systems SENNHEISER EW 300 G2 · 1 AVALON 737 vt · INTERCOM with F.O.H. · The desk should be located on the RIGHT side of the stage, visible from F.O.H. 1

BACKLINE · The band will need the following backline: In any case, the band will always need the following: · 6 Rosco platforms (2mt. x 1 mt.) height-regulable. · 1 armless chairs for the guitar player. · 1 Plain wood 2mt x 1mt for the Dance Floor. · Black clothes to cover the front and sides of the platfroms. DRUMS: · DW COLLECTOR’S SERIES · BASS DRUM 20” · SNARE DRUM 14” · TOM 10” · FLOOR TOM 14” · HARDWARE DW 5000 SERIES · HI HAT STAND 5500 D (3 LEGS) · SNARE STAND 5300 · 6 CYMBAL BOOM STANDS 5700 · ROUND THRONES 5100 · BASS DRUM PEDAL 5000 · SET CYMBALS ZILDJIAN A CUSTOM · SPLASH 10” · SPLASH 12” · CRASH 16” · RIDE 20” · CHINA 14” · HI HAT 13” AVEDIS PERCUSSION: · CONGA SET LATIN PERCUSSION GIOVANNI HIDALGO (2 CONGAS DE 11” ¾ + 1 TUMBADORA DE 12” ½) (QUINTO NO) NO NEED STAND. · 1 DARBUKA · 1 CAJON MLD · LP CONCERT SERIES BAR CHIMES BASS: · AMPEG SVT-CL + SVT 810E · BASS STAND KEYBOARDS: · ROLAND RD 700 · NORD WAVE SYNTHESIZER · DOUBLE KEYBOARD STAND

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INPUT LIST / MICROPHONES

Nº 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39

Instrument BD SN TOP SN REAR HI-HAT TOM 1 FLOOR TOM COWBELL OH L OH R CONGA CONGA CONGA CAJON (MAX) CAJON (CARLITOS) DARBUKA OH PERCUSSION BASS GUITAR GUITAR TROMPETA KEYBOARD 1 L KEYBOARD 1 R KEYBOARD 2 L KEYBOARD 2 R VOCAL (SUSI) CHORUS VOCAL (MAX) PERCU. VOCAL (MARINA) SINGER VOCAL (DANI) GUITAR VOCAL (JAVI) BASS SECUENCIES SECUENCIES SECUENCIES SECUENCIES SECUENCIES SECUENCIES SECUENCIES SECUENCIES CLIK FLOOR (DANCE) SPARE

Microphone AKG D112 SHURE BETA 57 SENNHEISER E 604 SHURE SM 81 SHURE BETA 98 SHURE BETA 98 SHURE BETA 98 AKG C 414 AKG C 414 SHURE BETA 98 SHURE BETA 98 SHURE BETA 98 SHURE BETA 91 SHURE BETA 91 SHURE SM 57 SHURE SM 81 BSS DI BSS DI DPA 4060 AUDIO-TECHNICA ATM 350 BSS DI BSS DI BSS DI BSS DI SHURE BETA 58 SHURE UHF UD4 BETA 58 SHURE UHF UD4 BETA 58 SHURE SM 58 SHURE SM 58 BSS DI BSS DI BSS DI BSS DI BSS DI BSS DI BSS DI BSS DI AKG C 411 SHURE UHF UD4 BETA 58

Comments COMPRESOR

COMPRESOR COMPRESOR COMPRESOR COMPRESOR

AVALON

737 VT

ONLY MONITORS

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STAGE · The stage must have the following requirements: 14 m. opening x 14 m. at the back and height of at least 2 m. · It must possess wings with enough space for the P.A. position and monitor control. · The stage must be always clean and free of cables. RISERS / MONITORS

MONITOR SIDEFILL

SEND IN-EAR SEND

INPUT CHANEL Nº AC POWER

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LIGHTING · STRUCTURE: · Ground Support of 12m x 10m x 8m (complete, motors, winds) · 1 bridge crosspiece of the structure to 5m of the mouth. · ROBOTIZED MACHINE AND DMX: · 12 SPOT · 12 WASH · 4 STROBOS 1000 w · 2 Smoke machine HAZER with turbine. · EQUIPMENT OF REGULATION: · 7 SOURCE POUR ETC 750 W 19º · 8 BLINDER 4 cell · 3 Serials of A.C.L. PAR64 · DESK AND FOLLOW SPOTS: · AVOLITES PEARL · 2 FOLLOW SPOT

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PRODUCTION · DRESSING ROOMS · It will be provided 2 independent dressing rooms for the exclusive use of the band and the technical crew. · Dressing rooms should have door locks, giving the keys to the Stage Manager. They will have to contain a body mirror, tables, chairs, water and 20 washed towels. · CATERING ·For catering we need a place for such effect (in case of not having this space one will settle in the greatest dressing room). · FOOD: Bread and wheat bread 600 gr Serrano ham (Jabugo) 400 gr Ham Cheese selection 200 gr sausage 2 Potato Omelett 2 Pate 1kg Ripe Tomato 2 Salads Olive oil and salt Mixed nuts Various Fruits Black Chocolate/chocolates 1 Tub of cream cheese (Philadelpia) Honey Sugar ·DRINKS: Coffe Milk Tea (Earl Grey / Green tea) 1 Bottle of RUM Havana 7 / Varadero 7 . 72 Small bottles of water. 2 Box of cold beer 2 Box of refreshments varied (orange,lemon,tonic,coca-cola and coca-cola zero) 12 Isotonic drinks (aquarius,gatorade) · Glasses, cups, cutlery, ice and openers

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LOCAL STAFF · The following local support staff will be necessary: · It will be provided a production responsible with full and detailed knowledge of the contract and the venue and with plain power to take decisions, being able to solve any problem or unforeseen factor that can take place during the day of the show. · One electrician. · One sound engineer with full knowledge of the sond system. · One monitor engineer with full knowledge of the monitor system · 2 microphone assistants. · One lighting engineer with full knowledge of the lighting system. · 2 people for loading/unloading to assist the band with the unload and the backline, before and after the show.

SOUND CHECK · The band will need 180 minutes for staging and carrying out the sound test. · The front door, for the audience access, will not be opened without the consent of the Road Manager. If there is any problem unrelated to the group that may delay the sound check, the Road Manager may delay the door opening if deemed necessary. The Stage Manager will have the control for the lighting levels of the venue.

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