Adam Bosze Recent Acquisitions December 2015

(2.)

Adam Bosze Budapest, 2015

© 2015 Ars Trade Kft.

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Terms of Sale All items are guaranteed as described. All items are returnable within 7 days if returned in the same condition as sent. All items remain the property of Bősze Ádám Zenei Antikvárium / Ars Trade Kft. until fully paid for. Items may be reserved by telephone, fax, or email. All items subject to prior sale. Payment should accompany order if you are unknown to us. Customers known to us will be invoiced with payment due in 14 days. Payment schedule may be adjusted for larger purchases. Institutions will be billed to meet their requirements. Collegaues receive 10% discount. We accept bank transfer, credit card and PayPal. Orders from this catalog will be shipped at cost.

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Autographs

1. Arnoldson, Sigrid: Photo on postcard, signed by Sigrid Arnoldson – No place [Budapest?] or date. Violet ink. 135x85 mm – Good. € 80,-

2. Battistini, Mattia: Photo on postcard, signed by Mattia Battistini - Wien, 1920. Black ink. 140x90 mm - Good. € 80,-

3. Kurz, Selma: Photo on postcard, signed by Selma Kurz - No place or date. Black ink. 135x85 mm - Good. € 30,-

4. Kurz, Selma: Photo on postcard, signed by Selma Kurz - No place or date. Black ink. 125x85 mm Good. € 30,-

5. Lehmann, Lotte: Photo on postcard, written and signed by Lotte Lehmann - New York, 1962. Blue pen. 140x85 mm - Good. € 60,-

6. Los Angeles, Victoria de: Photo on postcard signed by Victoria de Los Angeles - Wien, no date. Blue pen. 135x85 mm - Good. € 40,-

7. Negri, Pola: Photo on postcard, signed by Pola Negri - No place or date. Pink ink. 135x85 mm - Good. € 40,-

8. Rethberg, Elisabeth: Original photograph signed by Elisabeth Rethberg – No place or dat, brown ink. 175x125 mm – Used. Slightly broken. € 30,-

9. Seefrid, Irmgard: Photo on postcard, signed by Irmgard Seefrid - No place or date. Blue pen. 135x85 mm - Slightly used. € 30,

Books on music

10. Forster, Christian; Habert, Johannes Ev.: Zeitschrift für katholische Kirchenmusik. Organ des oberösterreichischen Diözesan-Cäcilien-Vereines. Herausgegeben vom oberösterreichischen Diözesan-Cäcilien-Vereine. Redigirt von Christian Forster und Johannes Ev. Habert. Sechster Jahrgang. 1877 – Gmunden, 1877, Habert. I-IV, 100 p. 250 mm – Half cloth. Notes with pencil. Used. € 35,Bound with: Habert, Joh. Ev. [ed.]: Zwei Choral-Litaneien mit Orgelbegleitung versehen von Joh. Ev. Habert – Leipzig, [c1877], Breitkopf & Härtel. VN -. 8 p. Habert, Johannes Ev.: Requiem in F dur No. 1 für 4 Singstimmen, 2 Violinen, 2 Hörner, Violon, Cello u. Orgel (oder für 4 Singstimmen mit Orgel allein) componirt von Johannes Ev. Habert. Op. 24. Beilage zur Zeitschrift für kathol. Kirchenmusik 1877 – Gmunden, 1877, Habert. VN -. 32 p. Habert, Johannes Ev.: Lauretanische Litanei in A-dur, No. 2, über den Choral componirt von Johannes Ev. Habert. Op. 25 – Leipzig, [c1877], Breitkopf & Härtel. VN -. 16 p. Habert, Johannes Ev.: Orgelkompositionen von Johannes Ev. Habert. 2. Heft. Op. 26. Beilage zur Zeitschrift für kathol. Kirchenmusik 1877 – Gmunden, 1877, Habert. VN -. 23, [1] p.

11. Niloff, Artur [pseud. of Heinrich Schenker]: Instrumentations-Tabelle von Artur Niloff – Wien, cop. 1908 [not later than 1912], Universal Edition. VN -. [4] p. [folding table], Oblong shape format, 200 mm [table 2000 mm] – First edition. With László Lajtha’s signature (crossed). Cover soiled and torn, plate with several slight tears. Rare. € 45,-

12. Schreker, Franz: Dichtungen für Musik. Erster [and] zweiter Band – Wien, 1920, 1921, Universal Edition. [2], 303, [1]; [2], 237, [1] p. 230 mm – Signed by Schreker, numbered copy 175 a/b. Half leather (tears on spine), soiled. € 95,

Printed music

13. Aggházy Károly: Könnyű rapszódiák (Rhapsodies faciles). No 1 – Budapest, [not after 1910], Rozsnyai. VN RK 235. 7, [1] p. 345 mm – Without wrappers. € 15,-

14. Alberti, H.: Les Diablotins. Morceau caractéristique par H. Alberti. Op. 81. Pour piano – Leipzig, [c1884], Cranz. VN 36037. 7, [1] p. 340 mm – Slightly used. Colourful cover image. € 35,-

15. Allaga Géza: Eredeti magyar rapszódiák saját dalaiból. Zongorára szerzette Allaga Géza [Original Hungarian Rhapsodies on his own melodies for Piano by Geza Allaga]. No 1 - Budapest, [between 1915 and 1918], Rozsnyai. VN RK 365. 11, [1] p. 340 mm – Soiled. € 15,-

16. Allaga Géza: Nyolc eredeti magyar rapszódia saját dalaiból. Zongorára szerzette Allaga Géza [Eight Original Hungarian Rhapsody on his own melodies for Piano by Geza Allaga]. No 2 - Budapest, [before 1915], Rozsnyai. VN A. G. 32. 7, [1] p. 340 mm – Soiled, slightly torn. € 15,-

17. Allaga Géza: Nyolc eredeti magyar rapszódia saját dalaiból. Zongorára szerzette Allaga Géza [Eight Original Hungarian Rhapsody on his own melodies for Piano by Geza Allaga]. No 4 - Budapest, [before 1915], Rozsnyai. VN A. G. 34. 7, [1] p. 340 mm – Soiled, slightly torn. € 15,-

18. Allaga Géza: Nyolc eredeti magyar rapszódia saját dalaiból. Zongorára szerzette Allaga Géza [Eight Original Hungarian Rhapsody on his own melodies for Piano by Geza Allaga]. No 5 - Budapest, [before 1915], Rozsnyai. VN A. G. 35. 7, [1] p. 340 mm – Soiled, slightly torn. € 15,-

19. Allaga Géza: Nyolc eredeti magyar rapszódia saját dalaiból. Zongorára szerzette Allaga Géza [Eight Original Hungarian Rhapsody on his own melodies for Piano by Geza Allaga]. No 6 - Budapest, [before 1915], Rozsnyai. VN A. G. 36. 7, [1] p. 340 mm – Soiled, slightly torn. € 15,-

20. Allaga Géza: Nyolc eredeti magyar rapszódia saját dalaiból. Zongorára szerzette Allaga Géza [Eight Original Hungarian Rhapsody on his own melodies for Piano by Geza Allaga]. No 7 - Budapest, [before 1915], Rozsnyai. VN A. G. 37. 7, [1] p. 340 mm – Soiled, slightly torn. € 15,-

21. Allaga Géza: Nyolc eredeti magyar rapszódia saját dalaiból. Zongorára szerzette Allaga Géza [Eight Original Hungarian Rhapsody on his own melodies for Piano by Geza Allaga]. No 8 - Budapest, [before 1915], Rozsnyai. VN A. G. 38. 7, [1] p. 340 mm – Soiled, slightly torn. € 15,-

22. Allaga Géza: 11-ik magyar rapszódia saját dalaiból zongorára szerzette Allaga Géza [Hungarian Rhapsody No 11 for Piano by Geza Allaga] – Budapest, [c1915], Nádor Kálmán. VN NK 1236. 11, [1] p. 340 mm – Cover disbound. Slightly soiled and torn. € 20,Géza Allaga (1841-1913), Hungarian composer, cellist and cimbalist, friend of Franz Liszt. He was a member of the Hungarian Royal Opera orchestra and published several compositions for cimbalom and piano.

23. Bach, Johann Sebastian - Busoni, Ferruccio [ed.]: Joh. Seb. Bach Klavierwerke unter Mitwirkung von Egon Petri und Bruno Mugellini herausgegeben von Ferruccio Busoni. Band 1. Das wohltemperierte Klavier. Erster Teil Heft 2 - Leipzig, [not after 1920], Breitkopf & Haertel. VN 27451. [1], p. 54-98. 310 mm - Notes with pencil. Spine torn. € 20,-

24. Bach, Johann Sebastian - Busoni, Ferruccio [ed.]: Joh. Seb. Bach Klavierwerke unter Mitwirkung von Egon Petri und Bruno Mugellini herausgegeben von Ferruccio Busoni. Band 1. Das wohltemperierte Klavier. Erster Teil Heft 3 - Leipzig, [not after 1920], Breitkopf & Haertel. VN 27451. [2], p. 99-152. 310 mm - Notes with pencil. Spine torn. Used. € 15,-

25. Bach, Johann Sebastian - Busoni, Ferruccio [ed.]: Joh. Seb. Bach Klavierwerke unter Mitwirkung von Egon Petri und Bruno Mugellini herausgegeben von Ferruccio Busoni. Band 1. Das wohltemperierte Klavier. Erster Teil Heft 4 - Leipzig, [not after 1920], Breitkopf & Haertel. VN 27451. [2], p.153-207, [1]. 310 mm - Notes with pencil. Spine torn. € 20,-

26. Bach, Johann Sebastian - Busoni, Ferruccio [ed.]: Joh. Seb. Bach Klavierwerke unter Mitwirkung von Egon Petri und Bruno Mugellini herausgegeben von Ferruccio Busoni. Band 1. Das wohltemperierte Klavier. Erster Teil Heft 4 - Leipzig, [not after 1920], Breitkopf & Haertel. VN 27451. [2], p.153-207, [1]. 310 mm - Notes with pencil. Spine torn. € 20,-

27. Bach, Johann Sebastian - Busoni, Ferruccio [ed.]: Joh. Seb. Bach Klavierwerke unter Mitwirkung von Egon Petri und Bruno Mugellini herausgegeben von Ferruccio Busoni. Band 2. Das wohltemperierte Klavier. Zweiter Teil Heft 3 - Leipzig, [not after 1920], Breitkopf & Haertel. VN 27452. [1], p. 112-168. 310 mm - Notes with pencil. € 20,-

28. Bach, Johann Sebastian - Busoni, Ferruccio [ed.]: Joh. Seb. Bach Klavierwerke unter Mitwirkung von Egon Petri und Bruno Mugellini herausgegeben von Ferruccio Busoni. Band 2. Das wohltemperierte Klavier. Zweiter Teil Heft 4 - Leipzig, [not after 1920], Breitkopf & Haertel. VN 27452. [2], p. 169-217, [1]. 310 mm - Notes with pencil. € 20,-

29. Bach, Johann Sebastian - Busoni, Ferruccio [ed.]: Joh. Seb. Bach Klavierwerke unter Mitwirkung von Egon Petri und Bruno Mugellini herausgegeben von Ferruccio Busoni. Band V. Dreistimmige Inventionen - Leipzig, [not after 1920], Breitkopf & Haertel. VN 19275. 1 T., [2], p. 39, [1]. 310 mm Notes with pencil. € 20,-

30. Bach, J. S.: Joh. Seb. Bach Klavierwerke unter Mitwirkung von Egon Petri und Bruno Mugellini herausgegeben von Ferruccio Busoni. Band V: Dreistimmige Inventionen – Leipzig, 1915, Breitkopf & Härtel. VN 19275. 1 T., 39, [1] p. 320 mm – Second edition. Spine slightly torn. € 15,-

31. Barraud, Henry: Le Testament Villon. Cantate de Chambre pour Ténor, Piano et Choeur a Capella – Paris, cop. 1947, Durand. VN D. & F. 13289. [2], 43, [3] p. 345 mm – Cover used. Some notes with pencil. € 35,Henry Barraud (1900-1997), French composer. He began to compose at the age of 16 when he was studying harmony and counterpoint in Bordeaux, but his parents intended him for the wine trade, and he trained for this in London. However, he decided on a musical career, and entered the Paris Conservatoire in 1926 to study composition with Dukas, fugue with Caussade and, on the advice of Schmitt, composition and orchestration with Louis Aubert. He was soon expelled from the Conservatoire for having written a string quartet (now lost) that was considered outrageously innovatory. With Rivier he founded the Triton concerts in 1933, and in the same year Monteux conducted a symphonic finale, following this in 1934 with his Poème. He helped to organize Resistance broadcasting in occupied France; after the war he was made head of music for Radiodiffusion Française, becoming director of the Programme National in 1948. Besides raising French standards of orchestral playing and choral singing, he gained for French radio a reputation for welcoming music of all types, particularly new music. He continued to compose, but much of his finest work was done after his retirement in 1965. (Jonathan Griffin and Richard Langham Smith in Grove Online)

32. Bibl, Rodolphe: Les Adièux, Impromptu. Op. 5 – Wien, [c1860], Spina. PN C. S. 16672. 5, [1] p. 340 mm – Very used. Soiled, torn. € 10,-

33. Bossi, Adolfo: Six Morceaux pour Orgue par C. Adolfo Bossi. Op. 37. No. 1-6 – Leipzig, cop. 1911. Aug. Cranz. VN C. 42865. 25, [1] p. 305 mm – Waterstained. € 20,-

34. Bossi, Enrico: Cinq morceaux pour Piano par M. Enrico Bossi. Op. 95 – Leipzig, 1894, J. RieterBiedermann. VN 1912. 14, [2] p. 330 mm – Without wrappers. Slightly cut. € 20,-

35. Carpenter, Gary: Lamentation III for Chorus or 16 Solo Voices a Cappella. Full score – London, 1980, author’s edition. VN -. [2], 14 p. Oblong-shape format, 300 mm – Soiled. € 35,-

36. Dohnányi, Ernst von: Humoresken in Form einer Suite für Klavier von Ernst von Dohnányi. Op. 17. No. 4. Pastorale – Berlin, cop. 1908, N. Simrock. VN 12348. 7, [1] p. 340 mm – Vázsonyi2 p. 359. First edition. Soiled. € 15,-

„forced rather than urged” 37. Dohnányi, Ernst von: Passacaglia für Pianoforte componiert von Ernst von Dohnányi. Op. 6 – Wien, [1899], Doblinger. VN D. 2963. 29, [1] p. 340 mm – Vázsonyi2 p. 358. First edition. Rare. Cover disbound. € 65,„On 17 December 1898 the first London performance of Dohnányi’s Quintet took place with the cooperation of Lady Hallé and the Pops Quartet. The success was so great that a second performance was demanded during the same season. Thir performance, which took place on 4 March 1899, was Dohnányi’s last appearance that season at a Popular Concert. It was at this concert that he premiered his new piano composition, the Passacaglia, op. 6, which he dedicated to Mrs. Oliverson. […] The Passacaglia was completed only on the stage; Dohnányi had to improvise the last bars, because he was so busy with his concert obligations and social activities that he could not find time to compose. Dohnányi would frequently program pieces on which he was still at work. Although he always believed that he would get them ready in time without having to rush them, his compositions were often not finished until the last minute, or, a sin the case of the Passacaglia, their endings were improvised. He cheerfully admitted he could work better by being forced rather than urged to complete something by a certain date.” (Dohnányi, Ilona von: Ernst von Dohnányi. 2002. p. 32.)

38. Dohnányi, Ernst von: Variationen und Fuge über ein Thema von E. G. für Pianoforte componirt von Ernst von Dohnányi. Op. 4 – Wien, [1897], Doblinger. VN D. 2843. 27, [1] p. 340 mm – Vázsonyi2 p. 358. First edition. Rare. € 65,This piece is based on a theme by Emma Gruber (later Mrs. Zoltán Kodály), to whom it was dedicated. Dohnányi had also dedicated his Walzer for piano, four hands, op. 3, to Emma Gruber.

39. Dohnányi, Ernst von: Winterreigen. Zehn Bagatellen für Pianoforte von Ernst von Dohnányi. Op. 13. No. 1-10 [complet] – Wien, [1906], Doblinger. VN D. 3488. 39, [1] p. 340 mm – Vázsonyi2 p. 359. Without wrappers, slightly torn. € 60,Signed by Mici Dohnányi, sister of the composer.

40. Einem, Gottfried von: Acht Hafis-Lieder. Op. 5 für hohe Singstimme und Klavier. Gesang und Klavier - Wien, cop. 1945, date on cover: XI/45., Universal-Edition. VN UE 11569. 310 mm – Good. € 45,-

41. Einem, Gottfried von: Vier Klavierstücke - Wien-Leipzig, cop. 1944, date on cover: VI/44., Universal Edition. VN UE 11471. 11, [1] p., Oblong shape format, 235 mm - Good. € 30,-

42. Eisler, Hanns: Zwei Elegien (Bertolt Brecht). Gesang und Klavier - Wien, 1945, Universal-Edition. VN UE 11631. 8 p. 310 mm - Good. € 30,-

43. Eisler, Hanns: Sonate für Klavier zu zwei Haenden von Hanns Eisler. Op. 1. Arnold Schönberg in grösster Verehrung Wien, cop. 1924, date on cover: II. 1924., Universal Edition. VN UE 7475. 19, [1] p. 310 mm - Good. € 65,-

44. Fioravanti, Valentino: Die Dorfsängerinnen. (La Cantatrice Villane.) Komische Oper in zwei Acten. Text nach dem italienischen. Musik von Valentino Fioravanti. Klavierauszug mit Text und vollständigem Dialog. Nach der Partitur berichtigt und neu bearbeitet von Richard Kleinmichel – Wien, [c1920], Universal Edition. VN UE 3162. 203, [1] p. 275 mm – Half cloth. Cover torn and soiled. € 25,-

45. Heiller, Anton: Toccata. Zwei Klaviere zu vier Haenden - Wien, 1946, Universal-Edition. VN UE 11644. 27, [1] p. 310 mm - Zwei Exemplare. € 30,-

46. Kauders, Emanuele: Gavotte per Violino o Violoncello con accompagnamento di Pianoforte Op. 9 – Torino, [c1880], Marcello Capra. VN M. 501 C. 4, [4] p. 330 mm – Inscribed by the author. € 20,-

47. Kauders, Emanuele: Preludio per Harmonium. Op. 11 – Torino, [c1880], Marcello Capra. VN M. 351 C. 3, [1] p. 300 mm – Inscribed by the author. € 20,-

48. Klerr, J. B.: Postillon-Quadrille „aus der Oper” Der Postillon von Lonjumeau für das Pianoforte componirt und dem gefeierten Künstler Herrn Theodor Wachtel achtungsvoll gewidmet von J. B. Klerr Kapellmeister – Pest, [1861], Engel u. Mandello. PN -. [8] p. 320 mm – Mona 2665. Rare. Cut. Litographed print. € 25,-

49. Kodály Zoltán: Jézus és a kufárok vegyeskarra a cappella. Partitura [Score] – Budapest, 1934, Magyar Kórus. VN MK 66. 8 p. 240 mm – Eősze 87. First edition. Soiled. € 20,-

50. Mahler, Gustav: Lieder und Gesänge für eine Singstimme und Klavier von Gustav Mahler. Ausgabe für hohe Stimme. Heft I – Mainz, [c1920], Schott. VN 25183ff. 15, [1] p. 310 mm – Cover slightly torn. € 25,-

51. Mahler, Gustav: Rheinlegendchen / Rhine Legend [Ein Lied für hohe Stimme] – Wien, [date on cover: IX/1920], Universal Edition. VN -. UE 1692a 3645a. 7, [1] p. 305 mm – German-English edition. Soiled. € 25,-

52. Martinů, Bohuslav: Lidice. Partitura – Prague, 1946, Melantrich. VN M 276. 20, [2] p. 340 mm – First edition. Fine. € 45,„Memorial to Lidice” was written within a few days in August 1943 at Darien (Connecticut, USA), under the impression of the horrible news which announced the extermination of the Czechslovak village Lidice (near Prague) by the Nazis. The composition was first performed on the 2th [sic] October 1943 at the Carnegie Hall, New York, by the New York Philharmonic Orchestra under Artur Rodzinski, at the celebration of the 25th aniversary [sic] of the Czechoslovak Republic. The first performance in Prague was conducted by Rafael Kubelík on the 14th of March 1946, when the Czech Philharmonic Orchestra played it on the eve of the seventh aniversary [sic] of the German occupation of Czechoslovakia. [Foreword]

53. Marx, Joseph: Sechs Klavierstücke von Joseph Marx. Ballade - Wien, cop. 1916, date on cover: XII. 1917, Universal-Edition. VN UE 5778. 11, [1] p. 310 mm - Good. € 30,-

54. Meyerbeer, Giacomo: Krönungsmarsch, Walzer, Redowa, Schlittschuhtanz und Galopp für das Pianoforte von G. Meyerbeer. [No 5] Galopp – Leipzig, [c1850], Breitkopf & Härtel. PN 8011. 11, [1] p. 340 mm – Used. Torn, waterstained, notes with pencil. € 15,-

55. Plum, J. M. Fr. OSM: Trois Pièces pour Orgue avec oédale obligée par P. J.-M. Plum OSM – Brussels, 1928, L’Art Belge. VN AB 187 1-3. 15, [1] p. 305 mm – Cut. € 20,-

56. Plum, J. M. Fr. OSM: Trois Pièces. In: Le Grand Orgue revue trimestrielle – Paris, 1928, H. Hérelle. VN H. & Cie. 1597. [2], 7, [3] p. 305 mm – Cut and disbound. € 15,-

57. Puccini, Giacomo: La Fanciulla del West di G. Puccini. Tre riduzioni facili per Pianoforte di Alessandro Peroni. Atto III. Aria di Johnson: Ch’ella mi creda libero e lontano – Milano, 1911, G. Ricordi. VN 113669. 3, [1] p. 345 mm – Soiled. € 15,-

58. Puccini, Giacomo: La Fanciulla del West di G. Puccini. Due fantasie per Pianoforte di Hans T. Siefert [complet] – Milano, cop. 1911, G. Ricordi. VN 113885, 113886. 18, 18 p. 345 mm – Soiled. Slightly torn. € 25,-

59. Renner, Josef jun.: Seconda Messa ad una voce […] con accompagnamento d’organo o d’armonium – Torino, 1902, Marcello Capra. VN M. 412 C. 15, [1] p. 290 mm – Disbound. € 15,-

60. Rheinberger, Joseph: Zwölf Characterstücke für Orgel komponiert von Jos. Rheinberger. Op. 156. Heft 1 – Wien, [date on cover: VI 08], Universal Edition. VN FECL 4097. 19, [1] p. 330 mm – Dog-eared. Used. € 15,-

61. Schönberg, Arnold: Fünf Orchesterstücke von Arnold Schönberg. Opus 16 – Leipzig, [1959?], Edition Peters. VN 9663. 60 p. 340 mm – Titelauflage der revidierten Ausgabe der Dirigierpartitur. € 35,-

62. Simon, Ernst: Fröhliche Christnacht. Joyous Christmas. Fantasie für Pianoforte von Ernst Simon Leipzig etc., cop. 1893, Bosworth. VN B & Co. 345. 7, [1] p. 340 mm – Litographed cover picture. Spine torn. € 15,-

63. Tavener, John: Ultimos Ritos ad Honorem San Juan de la Cruz. Full score – London, cop. 1972, J. & W. Chester Ltd. VN -. [2], 116, [2] p. 340 mm – Hire material, first or early edition. A letter from the publisher is enclosed, dated 28 May 1975. € 90,-

64. Weckerlin, Jean-Baptiste: Chansons et rondes enfantines des provinces de la France avec notices et accompagnement de piano par J.-B. Weckerlin. Ouvrage enrichi de huit dessins en chromotypographie par F. Lix – Paris, 1889, Garnier Fréres. VN -. I-IX, [1], 91, [3] p. 280 mm – Full cloth. Gilt. Soiled. € 60,-

65. Zilcher, Paul: Die Engel und die Hirten. Fantasie von Paul Zilcher. Op. 152, No. 2 – Augsburg, [c1910], Böhm. VN 6020-2. 5, [1] p. 340 mm – Slightly used, soiled. € 15,-

66. Zilcher, Paul: Schlaf wohl du Himmelsknabe. Fantasie von Paul Zilcher. Op. 152, No. 1 – Augsburg, [c1910], Böhm. VN 6019-1. 5, [1] p. 340 mm – Slightly used, soiled. € 15,