Special December

Issue 2015

INTERNATIONAL JOURNAL OF HUMANITIES AND CULTURAL STUDIES ISSN 2356-5926

A comparative study posters with metaphysical approach in Japan, France, Italy (with an emphasis on cultural posters) Babak Dehghani Department of Accounting, College of Human Sciences, Bandar Abbas Branch, Islamic Azad University, Bandar Abbas, Iran Azadeh Eftekhari MA Accounting Student, Bandar Abbas Branch, Islamic Azad University ,Bandar Abbas, Iran Master of Visual Communication Master of Dramatic Literature [email protected] [email protected] Abstract Many cultural phenomena express and display art, an expression of the concept of pay. Cultural, metaphysical nature posters through to enact the implicit message that nations have helped to understand the cultural foundations, Perhaps the comparative posters metaphysical approach in different countries to fill the gaps in the field of comparative cultural posters, This study and implementation posters metaphysical approach in three countries, Japan, France and Italy in the field of poster art is culture trying to prove through scientific and theoretical arguments, bills can be very influential in the field of cultural transmission. Qualitative research is interpretive model approach, gathering materials for a documentary style and with first and second sources have been taking notes. The results show that nonconventional and lack of communication with the audience is the most important factor in this type of work. Its posters instrumental artists have understood, this lack of communication with the audience and the silence that exists in the type of messaging indirectly, is connected. The major issue, move the message to the audience but also strengthen and extend it, which is important in cultural posters. The perspective of the artist's imagination is born into the artistic beauty that pushes the aim of art in terms of aesthetics of art. Keywords: metaphysics, cultural posters, posters Italy, Japan posters, France posters.

http://www.ijhcs.com/index.php/ijhcs/index

Page 55

Special December

Issue 2015

INTERNATIONAL JOURNAL OF HUMANITIES AND CULTURAL STUDIES ISSN 2356-5926

Introduction What's the metaphysical, from the beginning issues, the philosophy has been questioned. Each of philosophers, according to the scope and depth of his philosophical reflections, comments that have been made in this regard. Reflecting on the nature of metaphysics, philosophy and science with the advent of new unabated and in this period based on new attitudes and approaches, that is what metaphysics and its properties are discussed. ristotle, one of the world's greatest thinkers. He is a turning point in the history of philosophy and the West in general, in the history of thought that have influenced philosophers after him; For this reason, great importance in the history of philosophy. Aristotle on some knowledge and intellectual topics such as logic, explain the issue and for its role in the reality of things and the problem of identification and also in explaining the move, the founder and inventor of poses. As "metaphysics" is not Aristotle won. In his other works, the demands that these writings constitute major issue, as "first philosophy" or "first philosophy". About who the writings of Aristotle's metaphysics on those data, the difference between Arstvshnasan. Some, like Reiner, one of the researchers of philosophy, it Admvs Rdsy compared. Some others believe: Andronicus Redsy the title given to it, because after the thesis was related to the nature of a name for it. For this reason, as "metaphysics" or "Metaphysics" (what is the nature of the book) chose (Abolqasem Zadeh, 1389). The Aristotle's metaphysics contains fourteen metaphysical books in which the various issues addressed. The most fundamental problem of Aristotle's metaphysics, the question is 'existence'. Aristotle's Metaphysics by including "all human beings are known to seek in nature" begins (Kapsletvn, 1375). Aristotle's Metaphysics by including "all human beings to seek to understand the nature" begins and believes that all men are asked what they know (Zamiran, 1384). The Socrates is the belief in the paranormal and metaphysical up is impossible, but not an excuse to dream and drool! But practical as possible and it is necessary to establish a moral science. Socrates said it should be Midwifery spirit of the original moral facts is pregnant, Only the creator is necessary, he fans the way that art called Zayandn population, has invented (Torabi, 1375). The Greeks who asked metaphysical nature What is art? In the sense that the Fine Arts and Fine Crafts. Of course, later in painting and graphic art was also discussion of whether the logic of it? As the Muslim world and in the Middle Ages, agreed. Christian thinkers, including Thomas Aquinas and Bonaventure, were not considered art to practice the invention, but it is in the field of philosophy and theoretical reflection and intuition into their heart. However, the artwork is a special meaning Greek word invented by the imagination, the artist means, the technician "(Moshtaq, 1388).

http://www.ijhcs.com/index.php/ijhcs/index

Page 56

Special December

Issue 2015

INTERNATIONAL JOURNAL OF HUMANITIES AND CULTURAL STUDIES ISSN 2356-5926

The realization of the true nature of art, the nature of philosophy as well as the realization of the truth. The graphic is an art, and an element that is involved in this art, the essential element through which meanings are expressed and the "role". That is the role for the graphics and visual elements, and the role of the journalist visual elements or type, is a manifestation of a sense.the Graphic effect now, in any form or means. If the poem is a word or phrase, as in the graphic and visual elements. The Stencils and visual elements that color and specific measures to bring its point and graphic universe and prove to be expressed in art. Meaning in all the arts "world" or "whole" is. In all the arts is a manifestation of meaning and every period of history, the artist deals with meaning and truth, the truth is too much, which eventually reaches a fact that is the facts.So experienced the meaning of art. The contact sense, is the essence of graphic experience that said, any period of historical periods in order "Naturally graphic .As one of the forms of artistic experience and the experience of origin. And the face of astonishment and fear, conscious of the fact that the intro and the beginning of the experience of art and Made In connection with the origin (principle) is a graphic effect, in any period of notice periods (Madadpour, 1372). Naturally, metaphysical posters similarity between graphic works are serious. Graphic Art experience is one of the ways it manifests and expresses the truth and proves it. Martin Heidegger in his book "The Origin of the Work of Art" or "origin and nature of artistic creation" believes that the history of philosophy, art, the struggle between these two theories is more predominant theory of Plato and Aristotle imitation is indeed the way it has recognized. The Greek art artist does not exceed the sensible world Even Aristotle, Plato placed in front of Plato's theory very severe criticism is also deemed to artists of art. Plato's cave artists caught lying and far from the truth and illusion thought and said, These are busy and cannot cave in the world with the truth that beyond the ghosts of artistic twice, communicate. That is, with tangible objects, the objects shadow effects and subtle and examples are immortal and eternal like. The Artists associated with ghosts that three of the Drvnd. So, the artist has no immediate reality of a work of art, truth does not manifest immediately. Artist In fact, the specter and shade of the cypress concerns itself (Kapslovn, 1375). ietzsche (art as pure metaphysical stretch) According to descriptions such as Nietzsche, we note that says: The world was reminded that, like art, which always begins "(Moshtaq, 1388). Schopenhauer art knows the only thing, which is derived from the free will of the backend objects. Schopenhauer art is not wanted. And thereby away from the world is not even suggested.

http://www.ijhcs.com/index.php/ijhcs/index

Page 57

Special December

Issue 2015

INTERNATIONAL JOURNAL OF HUMANITIES AND CULTURAL STUDIES ISSN 2356-5926

Schopenhauer says art is genius and genius is Bakhvast truck. Schopenhauer and Hegel’s contemporaries also were against him. Instead of "absolute mental," Hegel, "will" as the foundation of the institution (Carroll, 1387). The China Coke fourteenth century painter believed that painting is superior to reality and landscape of the area "spirit" takes full. According to Marcel Duchamp: "Dada is a metaphysical way of thinking, a kind of nihilism (nihilism), a way to escape from a state of mind - avoid the influence of the environment or the last release is the latest release stereotypes. Ideas also influenced by Surrealist artists the theory of the unconscious, “Sigmund Freud”. The mental process of the artist to explore nature, the nature of the unconscious mind and achieved (Ahmadi, 1378). André Breton in "crazy love" is said that the beauty of the scope of "eros" (love) is the realm of pleasure and lust. The metaphysical anti-aesthetic aesthetic "Bavmgartn" (Non Mgz, 1390). Holistic concept Graphics have always used the word in different meanings, As the name graphics that come Larousse Encyclopedia of Greek origin «Graphikos» means writing or drawing out what the marks, designs and generally show a linear plot something. In all the methods and practices of artistic design lines and colors gravure, Stereotypes, and even staged lithography can be described this way (Rezaei, 1380) The Posters French equivalent of an English word is "posters" and the German "banner" is called. Persian equivalent for this word is not used. But in Iran, "poster" and placards are used by mistake for two separate means, namely, that the fabric slogans as "signs" and stands Illustrated wall "poster" they say. Posters Wall declaration is a type of calligraphy, painting, photography, symbols, signs and even pasting objects on board, elements comprise it. Posters kind of Graphic Arts is a very old history signboard, handbill, leaves and etc. But since the invention of lithograph showing the new features have been proposed (Pakbaz, 1381). Metaphysics: metaphysics name of a set of issues to constitute the general terms and sometimes metaphysical philosophy is one of the new terms. Physics in the original Greek word means nature, and Meta means beyond, and we are after. The metamaterial in Persian metaphysics, and metaphysics and etc. have a wonderful (Azadivar, 1379) Cultural Posters: advertising for Cultural Affairs graphics are not separate from the base. In the meantime, designers Pvstrfrhngy each country relying on the professional audience dominant culture and Graphic Works connection with the rest of the world are creating their works. Because this type of posters with the news and attracting audiences are used to culture (Karimi Moghaddam, 1381). Italy Posters: to portray a tangible and concrete plan it with the help of graphic elements, the contest is between the hands and minds relying on the culture that we see on posters Italy And the idea that the mind is an artist with a resolute sense of conveying the (same).

http://www.ijhcs.com/index.php/ijhcs/index

Page 58

Special December

Issue 2015

INTERNATIONAL JOURNAL OF HUMANITIES AND CULTURAL STUDIES ISSN 2356-5926

Japan Posters: Japan cannot be understood at the moment. This design approach simply does not understand people, poster Japan through grace, Antzash and oblique message can be understood. Before any attempt to understand the effectiveness of the immediate and must be understood (the same) France posters: the impact of the country's cultural imagery in posters And the willingness of the Japanese style in the design lines of the examples of visual scenes Poster And the metaphysical effects of cultural practices in the country, the style poster (same). Theory and research literature Santag (1385) in the early 1920 in his famous article entitled "inhuman art" Modern Art features (impersonality, hostility to the past, Gaming Headset, voluntary commitment to a particular style, lack of political commitment and moral) to the youthful spirit of our times dominant, which he believes is appointed. Robert Goldwater and Marco Rios (1380) writes Italian painter Carlo Karka: The rdinary objects are simple shapes reveal to us and through them we can present excellent state and more meaningful to the recipient understand the magnificent art. Gioriode artist who fascinated the imagination and metaphysical elements, co-founder of metaphysical painting style, writes: Each object has two aspects one aspect that generally all to see and other aspects of the ghostly and metaphysical that only a small number of people, especially in moments of insight and focus to be able to see it. A work of art is to express something more than your appearance and near objects hidden in graphics effect to the spirit and the curtain aside and we entered the wonderful mystery. Burton believes in art should look for a surprising effect that is created for adult humans. in his book "Surrealism and Painting": "The eye is savage in position" The elementary art position or fetus is in a state of fact that must be viewed to the world. A key point in metaphysical aesthetic wonders. His perception of beauty free of any contract "the most important mission during the world." In his view, the beauty if not shocking, it's beautiful, is not. Avini (1377) believes that the poster metaphysical, intuitive discovery and creation through imagination ... but not as anyone's imagination to take anywhere. Free imagination is meaningless, unless your graphics to be free, free from attachment to the world of the imagination expanded with the same facts in its statements as allegory closes. Avini own research concludes that the poster metaphysics, like other aspects of human life, regardless of its relation with the general truth manifested and so not only lost its true meaning, but the meaning has been reversed. Social and political commitment, to each individual job cum graphic abstract and sensual fantasies and illusions that the new round of art will lead to the symbolic. Moshtaq (1389) in another study points out that one of the qualities that God has given to man, talent and creativity. The talent on the field of "invention" is. Allows the interpretation that a work of art to be experienced. The interpretation of the relationship between the audience and the effect makes contact.

http://www.ijhcs.com/index.php/ijhcs/index

Page 59

Special December

Issue 2015

INTERNATIONAL JOURNAL OF HUMANITIES AND CULTURAL STUDIES ISSN 2356-5926

Abedi (1384) in his book "Graphic workshops" and refers to the division that pays the bills by subject is divided as follows: A: Cultural posters :(such as special poster art festivals, religious, sports and appeal to the population to educational and recreational activities). B) movie poster: (Although it can be a series of cultural posters, but because of the importance and scope of its work has been separately). (C) Political Poster: (Order application vendors such posters related legal entity with administrative and political. Form contained in this has systematic, with the exception of special cases, lacks variety and innovation ideas are applicable). Mohammad Ghorbaniali, Sahar Rafiee, (1392) in an article entitled thematic posters and poster based on the purpose of producing any effect, bills are divided into the following: Commercial posters, Commercial poster for the product, Posters commercial services, Posters events, Posters occasion, Educational posters, Posters lesson, Competitive posters, Posters gallery, Educational posters The overall objectives, specific objectives and research questions The purpose of this study was to evaluate the comparative posters metaphysical approach countries, Japan, France, Italy (with an emphasis on posters culture). special-purpose and necessity of the research include: Familiar with multiple aspects of metaphysics and its impact on the cultural posters. Revealing the extent and nature of metaphysics in cultural posters three countries Japan, France, Italy during 1913 to 1923.according to general purpose and special purpose research, the main research question have been assigned as follows: What metaphysical shared view of the impact of cultural posters Japan in three countries - France - Italy in the decade 1913 to 1923 there? Research Methodology Since this study was a comparative study of metaphysical approach posters with countries Japan, France, Italy (with an emphasis on cultural poster), research document counts And is evaluated for matching resources to needs analysis, a comparative study is analytical. In this study helps document the method of comparative analysis with matched data components related to posters metaphysics in Japan, France and Italy, to obtain a greater understanding of the properties. Discussion Metaphysical painters

http://www.ijhcs.com/index.php/ijhcs/index

Page 60

Special December

Issue 2015

INTERNATIONAL JOURNAL OF HUMANITIES AND CULTURAL STUDIES ISSN 2356-5926

The secret romantic or metaphysical painting in 1917, after meeting Jorgo Dicrico and Karlvkara (Futurist Painting) in a convent in Frara- the military hospital during the war turned and brother Dicrico "carlokara" has emerged in which treatment was and not so long after the First World War (about 1920) continued. Dkyrykv and efficient chose things that were unusual in itself and the relations between them were confusing. However, lack of movement and silence style, surprised the audience effects of stimulation we receive. Jrjv Dkrykv course of 1912 the way it always was for. I Dicrico in July 1888 in Greece even Italian-born parents. His father was an engineer and her mother was a gentleman. His first painting lessons with famous Greek painter "Mavrvdys" began. After the death of his father and the family moved to Germany to pursue his studies at the Academy of Munich, and the literature and culture of German philosophy (and especially Nietzsche) Bvklyn Arnold also met and studied art. In 1919, his first solo exhibition was held in the art gallery Anton Giolio Bragaglia And many need special exhibitions held in France And his work had a great impact on many painters Max Arnst- such that it can be other underlying together two elements in his works proved The two elements together in his works proved another field and in the case imperceptible, was such a strange and secret. in fact, Dicreko visual expression to their attitude towards the world (Pakbaz, 1381). Dicrico believed that a work of art is to express something that lies beyond the appearance of things. Objects and sculptures as well as works of art that are appearing Art work are appearing in poetic form have to turn and speak to us of something that Many of them away and through material forms have been hidden from us. He believed that a work of art to achieve true immortality should get rid of all human constraints (Norbert, 1383). Metaphysical reality and illusion have intertwined in the paintings and sculpted the human form is suspended in a vacuum. Dicrico paintings full of tall buildings and walls And Infinite and long dark shadows that have been reflected on the ground. In many of his works see the squares, streets and walkways should be a place of movement and connects people to each other, the empty space, dismal and full of terrible vacuum that has become Where only isolated figures and statues can be seen. In fact, Dicrico boards represent "the terrible void that Nietzsche speaks. (Pakbaz, without date). Metaphysical abstraction works of this painter paintings strength terror nightmare time and space, and endless melancholy. Squares, towers and objects all have found in the exaggerated perspective. As if in a vacuum, with and cold and cruel light shining on them from a source unknown Ancient figures and statues of gods and semi-classical era are also reminded everyone. In paintings such as tablets Dicreco "great metaphysician" man deprived of his soul and been just a puppet without a face (Goldwater, 1380). Kara Carlo Italian painter (1881- 1966), an artist who passed away between two world wars profound effect on Italian art. He spent time students in Milan. Joined the Group Futurists (1909) and the first statement signed Futurism (1910). He has the character of Cubist Futurist Painting, hence, it has no signs of moving. After getting afraid Rico (1915), influenced by the metaphysical painting he turned. Finally, in 1920, works quietly and somewhat Tbytgranh

http://www.ijhcs.com/index.php/ijhcs/index

Page 61

Special December

Issue 2015

INTERNATIONAL JOURNAL OF HUMANITIES AND CULTURAL STUDIES ISSN 2356-5926

enjoying painting created by jet. Among his works: Syndicate, a woman on the balcony (19121913), the drunkard (1917), peat bisexual (1917). Dreamlike paintings of (Dicrico and efficient) of space, typically an imaginary landscapes in Italy And in appearance, unconventional layout of objects, visual world of physical reality in front of our eyes with the Marva’ immediately affects our subconscious mind. Metaphysical movement, an important sector for the development of the Dada movement (Dada) and Surrealism provided. Kara, including prominent painter and pioneer was futurism. In this style of painting, a nature seems illogical. Using an alternate logic efficient and Dicrico, Several typical things and objects placed next to each other that For example, includes a replica of the building geometric and harsh, classical statues, trains and wooden sculptures were. They are mainly targeted measures such as display art humor of the people, Objects and actions embodied in a controlled environment, could also mysterious, motionless and silent seem and the form and nature of their usual fade away and be In the middle of the war, Zhan poetic and dream-like and powerful ways correcting for the tendency of disintegrated and fragmented enter the field of modernism (Robert, 1380). The desire to rebuild the former Italian art, he also focused on an efficient and economic paintings of that period than was Dicrico paintings, was stronger. finally, we will explore the ambiguous nature of the everyday world in a wider arena continued (same.). Japan and Cultural Poster Japanese poster, pleasant sight, vibration or moment of pleasant surprises and like the other two miracles impossible to interpret, understand a poster through abstract understanding of the possible and its message be understood before it can be felt. Many people in Japan enigmatic vague, incomprehensible and far-flung know. Japan is for people with ideas and collective mentality that cannot be penetrated mass. More native religion of Japan. "shifito" complex form (Spirit) by which the spirits called “kami” reside everywhere. Public worship in temples or small shrines in their homes on foot, done. Palatine resident of communicating with the world. Is the most important duty of man. Kami is to be respected so that they are mutually respected. Shinto come yet earth and the spirit world are in fact one. Among the principles he believes the ceremony, more than anything else is the emphasis on purity. Particular actions that are consistent with and promote world harmony, gross actions are actions that harm the harmony of the world. Shinto, as a priest especially Taoism and Buddhism Chinese believe that it is influenced by religion. Posters Posters of Japanese traditional culture and particular techniques cannot always be understood in the moment. This design approach simply does not understand people. Posters Japan through grace, indirect messages and lack of communication moment the effect can be understood. Before any attempt to understand the effectiveness of the immediate and Travtsh remember understood. More than anything, a species interacts, cultural, and after a kind of cultural propaganda. Posters in Japan works with the viewer feels impact to reach his poetic pleasure. Brbrkhvrd always subjective sensory and logical approach is preferred in Japan. This feature allows the designer with his simple illustration of the impact our emotions and that's what

http://www.ijhcs.com/index.php/ijhcs/index

Page 62

Special December

Issue 2015

INTERNATIONAL JOURNAL OF HUMANITIES AND CULTURAL STUDIES ISSN 2356-5926

metaphysics is no exception. Japanese people mind their religion reflects the complex. Understanding such complex mind to understand the Japanese religious life is important. And many Japanese are within an atheist. Adam and religious traditions of Japanese life is very commonplace. Japanese religious traditions, but they do not feel they are doing a religious obligation. More Japanese national religion, tradition or customs and traditional heritage and we do not care about the meaning of religion. People coexist with each other, but this reaction is more pronounced in Japan. Arts such as tea ceremony - Floral, New View (noh) Kamakura and Muromachi were formed in medieval ages, all body requires dexterity, hard work, mental and spiritual discipline of the religious hard into the recall actions. The perception of the choice of employment and became a spiritual redemption. Today, the beliefs of many religious denominations Japanese theme can be found. In 1920 led to the emergence of Japan's Western lifestyle on philosophical issues for Japanese designers, because they seek to preserve national age and influence, and effectiveness of, the universe. Ray Yvaychy or Mayshrv (d. 1920) is a successful example in achieving this goal. Japanese graphic artists or performing his desire to solve the intuitive traditions and heritage of the simple figurative forms changed. Japanese designers instead of asymmetrical balance structuralism, more central position and Qsa organized around a central axis, tended. This composition reflects the tradition of many arts and crafts of Japan. Several of Japan's in graphic design sense and express deep emotions can be seen that there is opposition in traditional forms of thinking. he contrasts between tradition and modern culture and natural and cars and east-west, light, darkness, and Japan is a center for creative graphics. in the beautiful graphics and poster Japanese Cultural greater emphasis on cognition. The major issue, move the message to the audience but also strengthen and extend it. French Cultural Poster French industrialization was adopted with enthusiasm and speed similar to Great Britain But the progress of Decorative Arts and the Louvre was opened in 1905, was not at all modern. Since the mid-19th century with the work of "Zul" of the general conditions for the production poster art activities were provided. Posters were created in France in the field of culture and art with political and social developments in countries that have a similar, very different. About attractiveness beautician aesthetic of the posters and their designers will judge the originality of concepts and skills. These works of art or collectible or decorative objects are favorite goods. Poster, even more than pure visual Hnrahay, a means of visual communication and is subject to constraints related to its function. Graphic design constraints that they accept the offer. For example, it is necessary for the visitor explained that in France there is no professional poster design, it is thought that the profession is placed in Advertising Arts. Number of cultural and social aspects is posters on the walls of France is relatively limited, this is an important point. France has a very rich cultural heritage, which is usually its critical impact on poster design using the visualization becomes a source of credit for it. French posters of sag to Cassander and Savynyak always as they arise.

http://www.ijhcs.com/index.php/ijhcs/index

Page 63

Special December

Issue 2015

INTERNATIONAL JOURNAL OF HUMANITIES AND CULTURAL STUDIES ISSN 2356-5926

France wants the original poster social or cultural entity in the liberal order and facing the correct audience. The posters show culture in France. Simplification of details and reciprocity and Between positive and negative dynamic forms and a common philosophy and lifestyle and social values to create this contrast had an effect. Use the side lines posing in a strong contrast between geometric shapes and organic composition reflects the influence of Japanese prints. Japanese art, impressionist style, design and edge lines Degas view of French culture in 1893 had a profound effect on the posters. Custom work directly on lithographic stones were depicted as fresh and lively. And to achieve color shading effects of the method used for painting. Flat painted surfaces and fluid lines used posters and prints, posters Japanese works of his time resembled the French culture. In order to create more color or print accurate colors on the sheet that had been previously published in French graphic artists began to experiment. Italy and Cultural Poster In the history of graphic design, classic literature and works of Italian humanists of the Renaissance in a new approach, linked together in poster design. Italian researcher’s printer and font design, layout, visualization and even their overall design appeal. The flowering of a new approach to graphic design, poster design that is independent of Germany, and also began. Posters that look like a ladder with a metaphysical approach to using it, facts will lead to the overall reality Metaphysical poster unveiling of the face and tells appearance but this meta-realism to your work style does not impotent but a new version of the message states, It can be acquired during the previous poster designs alchemists role and also see that the reality is apparent contradiction objects. Surely this poster projection of reincarnation hidden in the world of objects. Internal perceptions coexist with open outward signs appear. What cultural poster with this approach seeks to evoke moments of the Spirit in them with all the force that powers are hypocritical.in theory arises Yong fans. Comparative cultural posters in three countries: Japan, France, Italy metaphysical approach and that cannot be understood in an instant message poster. So do not be completely indirect message to the audience induce known principle. Purposeful and deliberate ambiguity that surrounds these posters vital to them beyond the ephemeral and disposable granted. The vague wording unexpected and surprising and imaginative ideas are conveyed complex. That the forms used in them. Major issue, move the message to the audience but also strengthen its expansion. With a simple illustration of the effects of our emotions, and that's what metaphysics is no exception. Advertising posters for cultural affairs of the rule, although the graphics are not isolated developments to date in terms of diversity of many, but not much change task performance graphic content. This design approach simply does not understand people; poster Japan through grace, indirect message can be understood. Before any attempt to understand the effectiveness of

http://www.ijhcs.com/index.php/ijhcs/index

Page 64

Special December

Issue 2015

INTERNATIONAL JOURNAL OF HUMANITIES AND CULTURAL STUDIES ISSN 2356-5926

immediate or seepage must be understood. First of all, a kind of cultural communicate and then a kind of cultural propaganda posters to stand, not emotional. In France the image of the cultural poster features visual examples of governing are some metaphysical implications make posters with the countries style. The emergence of metaphysics in painting style that creates a mysterious and enigmatic but the profile of this style. Conclusion Cultural posters with a detailed study of metaphysical approach in the context of specific social or geographic regions sight. Special artistic and cultural induction to create posters that requires familiarity with traditional techniques, such as: in the three countries, Japan, Italy, France, subtle color maps, forms and designs mysterious metaphor that influenced so and credit research methods in extracting information from the monuments of culture and tradition and reasonable copying them first and foremost importance. So cornerstone comparative in the three countries, Japan, France and Italy hypotheses to find the relationship between the raw data. And without a clear hypothesis research analysis leads to a dead end. Comparative cultural identity and purpose in posters can be interpreted in various ways. they provide the correct answer achieve the same samples. For the application of comparative research in the field of graphics and poster art and culture has been developed. Graphic Works is in an outstanding position in comparative studies in many fields are very important to the Gyrdkh each. By studying these fields to call in Cultural Posters can easily reach many of your questions. In addition, through this comparative can be much the same fields in search of metaphysical Posters studied. Using comparative studies can lead to the development of the concept of metaphysics in many graphic works related to the cultural posters.is connected.

http://www.ijhcs.com/index.php/ijhcs/index

Page 65

Special December

Issue 2015

INTERNATIONAL JOURNAL OF HUMANITIES AND CULTURAL STUDIES ISSN 2356-5926

References AzadiVar, e. (1379) in physics and metaphysics in art, Art Quarterly, Issue 46. Avini. (1377) Theoretical Principles of Art (second), Press Institute prophetic. A. Zadeh, M. (1389) "metaphysics of Aristotle", epistemology, Volume 5, Issue 3. Ahmadi, b. (1378) Truth & Beauty Lessons of philosophy of art (first), publishing center. Without Mgz, F. (1390) History of Graphic Design (fifth), Press and published by the Ministry of Culture. Pakbaz, b. (1381) Encyclopedia of Art (III), contemporary culture. Pakbaz, b. (Two-up) in search of a new language (printing), contemporary culture. Torabi, M. (1375) metaphysics (first), publisher of library development company. Rezai, a. (1380) Book of the month art (I), Nshrhnrkdh. Sontag, S. (1385) a new culture and sensitivity, translation Nima Malek Mohammadi, visual arts journal, Volume 20, Number 16. Immediate, d. (1384) Aristotle's philosophy thousand (first), published by the Academy of Arts. Abedi, AS. (1384) Workshop on Graphics (first), publishing Akhtar. Ali, d. Tall, SA. (1392) poster species for its theme, the development of education, Issue 1, Volume XI. Kapslvn, p. (1375) History of Philosophy (first), the translation of Sayyid Jalal al- Din Asad, Scientific and Cultural Publishing Company. Kapslvn, p. (1375) from Wolff to Kant (first), translation Ismail Manouchehr Saadat and BOZORGMEHR.BRANCH, Soroush Publications. Carroll, n. (1387) Introduction to the Philosophy of Art (second), translation Saleh Tabatabaei, published by the Academy of Arts. Karimi Moghaddam, AS. (1381) The effect of cultural propaganda poster, unpublished thesis, Tehran University of Art. Goldwater. R, triose, d. (1380) artists about art, the translation of Sima Zolfaghari (first), publishing butler.

http://www.ijhcs.com/index.php/ijhcs/index

Page 66

Special December

Issue 2015

INTERNATIONAL JOURNAL OF HUMANITIES AND CULTURAL STUDIES ISSN 2356-5926

Madadpur, d. (1372) manifestation of the truth in the realm of art (I), leaves release. enthusiastic, Str. (1388) exam Master (IV), published libertarians Norbert, L. (1383) Modern Art, translated by Ali Ramin (II), Reed Publishing.

http://www.ijhcs.com/index.php/ijhcs/index

Page 67