Winter 2015: Collected Works List of Works
John Baldessari (1931) Camel (Albino) Contemplating Needle (Large), 2013 fiberglass, aluminum, stainless steel, acrylic and paint camel: 107 x 106 x 31 1/2 inches (271.8 x 269.2 x 80 cm) needle: 126 1/2 x 4 x 3 inches (321.3 x 10 x 7.6 cm)
Jota Castro (1965) Motherfuckers Never Die!, 2008 mirror 55 1/8 x 39 3/8 inches (140 x 100 cm)
Hugh Scott-Douglas (1988) Untitled, 2014 UV curable ink on styrene wrapped in polyester with tape, in 12 parts overall: 65 1/4 x 34 inches (165.7 x 86.3 cm) each: 16 1/4 x 11 1/4 inches (41.2 x 28.5 cm)
Jota Castro (1965) Motherfuckers never die, 2003 light boxes, diptych each: 70 7/8 x 47 1/4 inches (180 x 120 cm)
Hugh Scott-Douglas (1988) Untitled, 2014 UV curable ink on styrene in wrapped in polyester with tape, in 12 parts overall: 65 1/4 x 34 inches (165.7 x 86.3 cm) each: 16 1/4 x 11 1/4 inches (41.2 x 28.5 cm)
Tavares Strachan (1979) I Belong Here (Exploded), 2011 neon 137 3/4 x 295 1/4 inches (350 x 750 cm)
Winter 2015: Collected Works List of Works
Dan Halter (1977) When the Bag Tears the Shoulders Get a Rest, 2011 plastic mesh bag, fabric, embroidery 43 x 28 inches (109.2 x 71 cm)
John Wesley (1928) The Signing of the Declaration, 1976 acrylic on canvas 42 x 50 inches (106.7 x 127 cm)
Men’s room door made from First National Bank of Oklahoma City (1901- 1972) 66 x 30 x 8 5/8 in (167.6 x 76.2 x 21.9 cm)
Hank Willis Thomas (1976) Intentionally Left Blanc, 2012 screenprint on retro-reflective paper 61 1/4 x 40 15/16 inches (155.5 x 104 cm)
Glenn Ligon (1960) Untitled (America America), 2015 neon and blackened steel each: 22 x 125 x 10 inches (55.8 x 317.5 x 25.4 cm)
Tim Rollins and K.O.S. (1984) Animal Farm '92 (after George Orwell), 1992 acrylic, book pages on canvas, caption tablet 109 7/8 x 541 3/8 inches (279 x 1375 cm)
Winter 2015: Collected Works List of Works
Ai Weiwei (1957) Coloured Vases, 2009 7 Han Dynasty vases and industrial paint each: 12 x 15 x 9 inches (30.6 x 38 x 22.8 cm)
Judy Chartrand If this is what you call “Being Civilized” I’d rather go back to being a “Savage”: Sunrise Hotel, 2003 low-fired ceramic, underglaze, glaze, luster 4 1/2 x 13 inches (11.4 x 33 cm)
Brian Jungen (1970) Prototype for New Understanding #10, 2001 Nike Air Jordans, metal stand 14 x 23 x 11 inches (35.5 x 58.4 x 28 cm)
Judy Chartrand If this is what you call “Being Civilized” I’d rather go back to being a “Savage”: Astoria Hotel, 2003 low-fired ceramic, underglaze, glaze, luster 4 1/2 x 13 inches (11.4 x 33 cm)
Judy Chartrand If this is what you call “Being Civilized” I’d rather go back to being a “Savage”: Empress Hotel, 2003 low-fired ceramic, underglaze, glaze, luster 4 1/2 x 13 inches (11.4 x 33 cm)
Judy Chartrand If this is what you call “Being Civilized” I’d rather go back to being a “Savage”: Balmoral Hotel, 2003 low-fired ceramic, underglaze, glaze, luster 4 1/2 x 13 inches (11.4 x 33 cm)
Winter 2015: Collected Works List of Works
Judy Chartrand If this is what you call “Being Civilized” I’d rather go back to being a “Savage”: Dodson Hotel, 2003 low-fired ceramic, underglaze, glaze, luster 4 1/2 x 13 inches (11.4 x 33 cm)
Kevin Beasley (1985) …ain’t it?, 2014 hooded sweatshirt, resin 37 x 21 x 2 1/2 inches (53.3 x 94 x 6.3 cm)
Kerry James Marshall (1955) Heirlooms and Accessories, 2002 3 inkject prints in colours, on wove paper, in artist’s rhinestone encrusted wooden frames each: 56 5/8 x 53 3/4 inches (143.8 x 136.5 cm)
Remy Jungerman (1959) Nobody is Protected, 2000 wooden sheets, microphones 59 x 71 x 47 inches (149.8 x 180.3 x 119.4 cm)
Mark Lewis (1958) Things Seen, Speakers Corner, 1990 photograph 80 1/2 x 50 1/2 inches (204.4 x 128.2 x 1.6 cm)
Hank Willis Thomas (1976) Priceless, 2004 photograph 71 x 90 inches (180.3 x 228.6 cm)
Winter 2015: Collected Works List of Works
Mike Kelley (1954-2012) Timeless/Authorless, 1995 fifteen black and white photographs, mounted on museum board each: 32 1/2 x 25 1/4 inches (81.9 x 64 cm) Catherine Opie (1961) Pig Pen (Tattoos), 2009 c-print 32 x 24 inches (83.2 x 62.8 cm)
Gilbert and George (1967) Bomb, 2006 triptych overall: 132 1/4 x 574 3/8 inches (335.9 x 1458.9 cm)
Mircea Cantor (1977) One Piece, the Same, 2010 table, tripod, mirror, plexiglas 118 1/8 x 39 3/8 inches (300 x 100 cm)
Thomas J Price (1981) Plain to See, 2016 bronze 36 x 15 x 10 inches (91.4 x 38 x 25.4 cm)
Mona Hatoum (1952) Witness, 2009 biscuit porcelain 19 1/4 x 9 5/8 x 9 5/8 inches (48.9 x 24.4 x 24.4 cm)
Winter 2015: Collected Works List of Works
Christian Boltanski (1944) Monument: La Fete de Pourim, 1989 folded clothes, stacked on a wood panel, black and white photograph, electrical 108 1/4 x 31 1/2 x 5 1/2 inches (275 x 80 x 14 cm)
Gary Simmons Passin' Me By, 1998 Chalk, Chalkboard, Wood 84 x 79 x 26 3/4 inches (213.3 x 200.6 x 68 cm)
Douglas Gordon (1966) Faust 1224 -1237, 1992 blue neon tubes 4 1/2 x 39 x 1 1/2 inches (11.4 x 99 x 3.8 cm)
Cathleen Lewis Naming, 1998 wooden desk with carved letter 24 1/2 x 31 3/8 x 28 inches (62.2 x 79.7 x 71 cm)
Carlos Vega (1963) Untitled, 2007 acrylic and collage on canvas 8 x 10 inches (20.3 x 25.4 cm)
Robert Beck (1959) Thirteen Shooters, 2001 13 inkjet pigment prints each: 60 x 40 inches (152.4 x 101.6 cm)
Winter 2015: Collected Works List of Works
Larry Clark (1943) Tulsa, 1980 50 hand printed gelatin silver prints 18 7/8 x 14 3/4 inches (48 x 37.5 cm)
Robert Beck (1959) “Glove Skinning” (Bruised) (The Modern Man’s Guide the Life by Denise Boyles, Alan Rose, and Alan Wellikoff), 2003 charcoal and thread on paper 43 x 64 inches (109.2 x 162.5 cm)
Bill Owens (1938) Suburbia “I don’t feel that Richie playing with guns will have a negative effect on his personality. (He already wants to be a policeman.) His childhood gun playing won’t make him into a cop shooter. By playing with guns he learns to socialize with others”, 1973/1999 silver gelatin print 23 1/2 x 19 inches (59.7 x 48.2 cm)
Marco Perego Saldana Where did you go?, 2015 stuffed animal 20 x 27 inches (50.8 x 68.6 cm)
Untitled photograph by Benedict J Fernandez 22 1/2 x 17 inches (57x 43.2 cm)
Jim Hodges (1957) When the light comes on, 1998 cotton and polyester 48 x 32 x 1 3/4 inches (121.9 x 81.3 x 4.4 cm)
Winter 2015: Collected Works List of Works
Salla Tykka (1973) American Dream, 1999 c-printed mounted on aluminum 29 7/8 x 24 3/4 inches (76 x 63 cm)
Andres Serrano (1950) Fatal Meningitis, 1992 cibachrome, silicone and plexiglas in wood frame 49 1/2 x 60 inches (125.7 x 152.4 cm)
Sophie Calle (1953) Baby, 1990 black and white photograph 70 7/8 x 43 1/4 inches (180 x 109.8 cm)
Sophie Calle (1953) Mother, Father, No. 37, 1990 black and white photograph each: 71 1/4x 43 3/4 inches (181 x 111 cm)
Andres Serrano (1950) The Morgue (Knifed to Death I and II), 1992 cibachrome print diptych each: 45 x 37 5/8 inches (114.3 x 95.6 cm)
Rashid Johnson (1977) Stay black and Die from the series Things I need to do, 2006 spray enamel and glitter on felt 76 x 88 inches (193 x 223.5 cm)
Winter 2015: Collected Works List of Works
Kerry James Marshall (1955) As Seen on TV, 1998-2000 enamel on plastic vase, famed video still, wood and glass shelf with steel bracket and chain, plastic flowers 66 x 46 x 25 inches (167.6 x 116.8 x 63.5 cm)
Brian Jungen (1970) I Shall Be Released, 2015 Nike Air Jordan shoes 28 7/8 x 26 x 12 inches (73.3 x 66 x 30.5 cm)
Larry Johnson (1959) Untitled (Your Name Here / Jesus B. Christ), 1990 13 colour photographs each: 18 x 15 1/2 inches (45.7 x 39.4 x 3.8 cm) Jonathan Horowitz (1966) Crucifix for Two, 2005/2010 douglas fir 80 1/4 x 110 1/4 x 7 inches (203.8 x 280 x 17.8 cm)
General Idea (1967-1994) Black AIDS (prototype), 1991 oil on canvas 28 1/2 x 28 1/2 inches (72.4 x 72.4 x 4.4 cm)
Glenn Ligon (1960) The Period, 2005 neon 7 7/8 x 60 5/8 inches (20 x 154 cm)
Winter 2015: Collected Works List of Works
Anton Kannemeyer (1967) B is for Black, 2007 acrylic on paper 29 1/4 x 25 inches (75 x 63.5 x 2.5 cm)
Norman Rockwell (1894-1978) On Top of the World, 1933 collotype 36 x 30 inches (91.4 x 76.2 cm)
Anton Kannemeyer (1967) W is for White, 2007 acrylic on paper 29 1/4 x 25 inches (75 x 63.5 cm)
