Walter Aaron Clark. Education

Walter Aaron Clark Professor of Musicology Director, Center for Iberian and Latin American Music University of California Riverside, CA 92521 (951) 82...
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Walter Aaron Clark Professor of Musicology Director, Center for Iberian and Latin American Music University of California Riverside, CA 92521 (951) 827-2114 (work) (951) 827-4651 (fax) (951) 461-7842 (home) (951) 740-2041 (cell) [email protected] (e-mail) Education Doctor of Philosophy in Music (historical musicology) University of California, Los Angeles, June 14, 1992. Dissertation title: “‘Spanish Music with a Universal Accent’: Isaac Albéniz’s Opera Pepita Jiménez.” Dissertation Adviser: Robert M. Stevenson. Fulbright Grant Staatliche Hochschule für Musik, Karlsruhe, West Germany, 1984-86. Studied interpretation of early music with lutenist Jürgen Hübscher. Master of Arts in Music Performance (classical guitar) University of California, San Diego, June 16, 1984. Recital/thesis topic: “New Music for Guitar” (original transcriptions of works by J. S. Bach, and new works by UCSD composers). Student of Pepe Romero. Bachelor of Music (classical guitar) University of North Carolina School of the Performing Arts, May 31, 1975. Student of Jesús Silva. Performer in the Andrés Segovia master class, January 22-24, 1975. Undergraduate Coursework (majored in music and art history, respectively) University of Minnesota and University of Illinois, Chicago, 1970-74. Experience Professor of Musicology (Step VIII O/S) University of California, Riverside, 7/2003-present. Courses Taught (1-99, lower division; 100-199, upper division; 200 and above, graduate; * indicates a course I developed): MUS 2: Introduction to Western Music MUS 6: Introduction to World Music MUS 15: Latin American Folk and Popular Styles*

MUS 16: Latin American Classical Heritage* MUS 18: Music of Spain* MUS 112A: History of Western Music: Middle Ages to 1700 MUS 112B: History of Western Music: 1700-1900 MUS 112C: History of Western Music: Twentieth Century MUS 114: History of Opera MUS/DNC 155E (with Prof. Linda Tomko): Representations of Spain in Music and Dance, 1700-Present* MUS 195: Senior Thesis MUS 199H: Senior Honors Research MUS 200: Music Bibliography and Research Methods MUS 206: Proseminar in Musicology MUS 253: Seminar in Advanced Music Theory* MUS 262: Seminar in Music Theory from Ancient Greece to the Renaissance* MUS 263: Seminar in Flamenco and Spanish Nationalism* MUS 263: Seminar in Tango and Astor Piazzolla* MUS 290: Directed Studies MUS 299: Research for Thesis or Dissertation Professor of Musicology University of Kansas, 8/1993-7/2003. Courses Taught (100-200, lower division; 300-400, upper division; 500-700, graduate/upper division; 800-900, graduate seminar and advising; * indicates a course I developed): GUIT 121: Classical Guitar Instruction* MUSC 136/336: Masterworks of Music MUSC 240: World Music/Medieval (new music-major history sequence)* MUSC 305: Music of Latin America* MUSC 340: Western Music 1400-1700 (new music-major history sequence) MUSC 392: Romantic-Modern (old music-major history sequence) MUSC 432: Medieval-Renaissance (old music-major history sequence) MUSC 440: Western Music 1700 to 1850 (new music-major history sequence) MUSC 472: Baroque-Classical (old music-major history sequence) MUSC 560: Music in World Cultures MUSC 752: Music of the Middle Ages MUSC 755: Music of the Classical Period MUSC 756: Music of the Romantic Period MUSC 760: History of Opera MUSC 766: History of the Concerto MUSC 778: History of Music Theory (with Prof. Deron McGee, theory)* MUSC 801: Research Methods and Bibliography MUSC 899: Master’s Thesis MUSC 940: 20th-century Hispanic Masters: Falla, Chávez, Villa-Lobos & Ginastera* MUSC 940: New Directions in Musicology*

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MUSC 940: MUSC 940: MUSC 970: MUSC 972: MUSC 999:

Italian Opera from Rossini to Puccini* Wagner* DMA Lecture-Recital DMA Document Doctoral Dissertation

PHD, MM/MA, Senior Thesis & Senior Honors Thesis Advising: I have directed the following graduate and advanced undergraduate research in musicology at UCR: Daniel Castro, “Guillermo Uribe Holguín and the Birth of Colombian Musical Identity.” Ph.D. dissertation in progress. Robert Wahl, “The Spanish Tinge: Music and Musicians from Spain and their US Impact during the Cold War.” Ph.D. dissertation in progress. Erin Thomson, “Scotland in the Southland: A History of the Costa Mesa Scotsfest, 1932-2012.” M.A. thesis, 2013. Pricila Chávez: “From Hemet to New York: My Year on the Podium, 2010-11.” Senior Honors thesis, 2012. Erin Thomson, “Hollywood, Broadway, and Bagpipes.” Senior Honors thesis, 2010. Taylor Greene: “Julian Bream’s 20th Century Guitar: An Album’s Place in British Avant-garde Guitar Music.” M.A. thesis, 2010. Hartzell Lemons: “Walter Gossette: A Perspective on Classical Music in Black Chicago,” M.A. thesis, 2008. David Kendall, “The Myth of the Bach Trumpet,” M.A. thesis, 2007. Susan Arlene Roe, “The Opera Goyescas by Enrique Granados: An Investigation of Stylistic Influences and Performance Practice with Concentration on Tableau III,” DMA thesis, UCLA, 2004. I directed the following dissertations and master’s theses in musicology at KU (listed chronologically, then alphabetically): Krista Blackwood, “Why Pants? Cross-Dressing in Opera,” M.M. thesis, 2003. Sarah Hamilton, “Uma canção interessada: Mozart Camargo Guarnieri, Mário de Andrade and the Politics of Musical Modernism in Brazil, 1900-1950,” Ph.D. diss., 2003.

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David Vlado Moskowitz, “Robert Nesta ‘Bob’ Marley: Music, Text, and Context,” Ph.D. diss., 2001. David Pickering, “Aeolian-Skinner Op. 1309: A History,” M.M. thesis, 2001. Scott Murphy, “Korngold and Kings Row: A Semiotic Interpretation of Film Music,” M.M. thesis,1998. Jennifer Oates, “A Stylistic Analysis of the Concerted Sacred Choral Works of Francis Poulenc,” M.M. thesis, 1997. Lisa Overholser-Becker, “The Piano Music of Zoltán Kodály: Its Characteristics and Influences,” M.M. thesis, 1997. Alan Anbari, “La Cecchina, ossia La buona figliuola by Niccolò Piccinni and Carlo Goldoni: Its Creators, Literary Sources, and Musical Style,” M.M. thesis, 1996. Cory Hall, “Temporal Relations in the Keyboard Music of J.S. Bach,” M.M. thesis, 1994. DMA Advising: I have guided the following DMA lecture-recitals and documents (indicated by *) at KU (listed chronologically, then alphabetically): In-Jin Kim, “Flute Music by Korean Composers,” flute, 2003. Felix Tao Chang, “Nicolas Medtner and His Piano Music,” piano, 2003. Liwen Loo, “Larry Bell’s Reminiscences and Reflections for Piano,” piano, 2003. Keith Wright, “Arthur Ephross: An Editor’s Impact on American Flute Literature,” flute, 2003. Sarah Holman, “Nosferatu: Silence to Sound,” voice, 2002.* Robert Horton, “Applying J.S. Bach’s Techniques of Concerto Arrangement,” organ, 2002. Ruby Poulson, “America Finds a Voice: Gems of American Art Song from the Library of Jean Sloop,” voice, 2002. Darcy Prilliman, “Ripples Radiating from a Center: An Analysis of Dominick Argento’s To Be Sung upon the Water,” piano, 2002. Mitos Andaya, “Seven Last Words from the Cross (1993) by Scottish composer James MacMillan (b. 1959): An Amalgam of Styles and Techniques,” choral conducting, 2001.

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Giselle Hillyer, “Stylistic Continuities in the Violin Works of Ellen Taaffe Zwilich,” violin, 2001. David Pickering, “The Organ Works of Leroy Robertson,” organ, 2001. Holly Swartzendruber, “Romantic Ideals: Nineteenth-century Settings for Solo Voice of the Poetry of Friedrich Rückert (1788-1866),” voice, 2001. Gary Barnett, “A Golden Age of Romanticism in Argentine Piano Music of the Twentieth Century,” piano, 2000. Pamela Haynes, “Emma Lou Diemer: “Solo-piano Compositions of the Last Decade,” piano, 2000. Elizabeth Schellman, “Joaquín Turina’s Canto a Sevilla for Soprano and Piano or Orchestra: A Stylistic Study,” voice, 2000. Sheila Schmitt, “Eighteenth-century Spanish Keyboard Sonatas: A Survey of Selected Single-movement Sonatas by Spanish Composers,” piano, 2000. Dina Evans, “Pedagogical Performance Pieces: A Historical Overview of Organ Works Written for Didactic Purposes and Public Performance,” organ, 1998. Kevin Kellim, “The Choral Cycles of Kirke Mechem: A Study of Selected Works,” choral conducting, 1998.* Chris Thompson, “An American Bard in Queen Victoria’s Realm: British Song Settings of Poems by Walt Whitman, 1899-1938,” voice, 1998. Lynn Trapp, “The Legacy of André Marchal,” organ, 1997. Cory Hall, “The Piano Études of György Ligeti, Book 1,” piano, 1995. Ruth Robertson, “The ‘Immoral’ Woman as Social Conscience: Autobiographical Dimensions of Thirza's role in Ethel Smyth's Opera The Wreckers,” voice, 1995. Service responsibilities (in rough chronological order): UCR Committee on Eductional Policy (2014-17) Graduate Advisor (2014-17) Editor-in-Chief, Ibero-American area, Grove Music Online Editorial board, Música em contexto (2014-) Editorial board, Monumentos de la música española (2014-)

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Member, search committee, Lecturer in Music Theory (2014) Consultant, 2015 Bard Festival in New York City, devoted to Carlos Chávez (2012-15) Member, search committee, Executive Vice Chancellor/Provost (2013-14) Organizer, Encuentros/Encounters 2014, February 21-22, 2014, at UCR Reviewer, American Council of Learned Societies (2013) Member, dissertation committee of Marina Picazo Gutiérrez, Universidad de Cádiz, Spain (2013) Search Committee, CHASS Director, Academic Personnel (2013) Reviewed Full Professor appointment file, UC Irvine (2013) Organizer, Encuentros/Encounters 2013, April 25-26, 2013, at UCR Member, dissertation committee of Patricia Caicedo, Universidad Complutense, Madrid (2013) Editorial board, Revista de Musicología [peer-reviewed Journal of the Sociedad Española de Musicología] (2013-) Reviewed tenure and promotion file, Cornell University (2013) Reviewed assistant professor appointment file, Cornell University (2013) Editorial board, Soundboard-Scholar [peer-reviewed journal of the Guitar Foundation of America] (2012-) Member, dissertation committee of Alfonso Pérez, Universidad Complutense, Madrid (2012) Reviewed Full Professor promotion file, CSULB (2012) Reviewed Full Professor promotion file, UCLA (2012) Reviewed Full Professor appointment file, UC Davis (2012) Reviewed Senior Lecturer with Security of Employment file, UC Irvine (2012) Organizer, Encuentros/Encounters 2012, February 24 and October 26, 2012, UCR Music faculty liaison to the Music Library (2011-) Host/local organizer, meeting of Southwest-Pacific Chapter of American Musicological Society, UCR, February 26, 2011 Search committee, band director (winter/spring 2011) Organizer, Encuentros/Encounters 2011, February 16-18, 2011, at UCR Committee on Academic Personnel (CAP) (2010-13); CAP chair (2011-12) Reviewed tenure file, SUNY Stony Brook (2010) Reviewed tenure file, University of North Carolina, Chapel Hill (2010) Search committee for lecturers to teach MUS 2, 30, 31/131, and 138 (2010) Co-organizer, Encuentros/Encounters 2010, February 3-5, 2010, at UCR Search committee, Vice Provost for Academic Personnel (2009) Organizer, Encuentros/Encounters 2009, January 30, 2009, at UCR Institutional Research Coordinating Group (IRCG) (2008-09) Barn Area Master Planning Study Planning Committee (2008-09) Coordinator, American Musicological Society’s Ibero-American Music Study Group (2008-13) Fulbright screening committee (2008-10; 2012) Search committee, Coordinator of Undergraduate Research and Civic Engagement (2008) Interviewed candidates for development positions in CHASS (2008)

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Global Studies Steering Committee (2008-11) Culver Center Committee (2007-08) Department Chair Task Force (2007-08) Search committee, musicologist (2007-08) Reviewed tenure file, University of North Texas (2007) Editorial board, Encyclopedia of Latin American Popular Music (New York: Greenwood Press) (2006-13) Campus Art Committee (2006-08) Search committees, MSO for performing-arts departments (2006 & 2007) Organized planning/fundraising, Philip Brett Memorial Peace Garden (2005-08) Advisory Committee, Center for Ideas & Society (2005-08) Chair, Music Department (2005-09) International Advisory Committee to the EVC/Provost (2005-06) Academic Plan Committee, Downtown Arts Initiative (2005) Graduate Advisor, Music Department (2004-05) Organizer, Encuentros/Encounters 2008, April 21-30, 2008, at UCR Co-organizer, Encuentros/Encounters 2007, February 21-23, 2007, at UCR Co-organizer, Encuentros/Encounters 2006, February 22-24, 2006, at UCR Organizer, Encuentros/Encounters 2005, February 23-25, 2005 at UCR Chair, sub-committee to write a proposal for a Ph.D. program in music (2004-06) Founder and Director, Center for Iberian and Latin American Music (2004-) Executive Committee, College of Humanities, Arts, and Social Sciences (2004-06) Course Proposal Review Sub-committee (winter 2005) University Club planning committee (2004-06) Search committees for ethnomusicologist (2004), musicologist (2007-08) Member, Ad Hoc Committee on Academic Personnel (winter 2004) University Senate, Faculty Welfare Committee (2003-06) KU KU Faculty Council (2001-) KU Graduate Council (2001-); Graduate Council Executive Committee (2002-) Program Advisory Committee, Lied Center for the Performing Arts (2000-) General Research Fund Selection Committee (2000) Committee on Review and Revision of Music and Dance Bylaws (1999-2000) Faculty Evaluation Committee (1999-2002) Executive Committee, Hall Center for the Humanities (1999-2002; chair, 2001-02) Committee on Undergraduate Studies in Music (1998-2001; chair, 1998-99) Executive Committee, Department of Music and Dance (1998) KU Fulbright/GDX Screening Committee (1998-2003) Music Library Committee (1998-99) Promotion and Tenure Committee, School of Fine Arts (1998-99) Co-chair, Local Arrangements Committee, National Meeting of the American Musicological Society in Kansas City, November 4-7, 1999 (1997-99) Executive Committee, Center of Latin American Studies (1997-98) Chair, organizing committee for 1997 Fiesta de la Cultura Mexicana (1996-97)

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Committee on Graduate Studies in Music (1993-96) Search committees for musicologist (1994; 2000), music librarian (1995-96), music theorist (1997-98; 2001), composer (1997-98), ethnomusicologist (chair; 2000-01), editor of AMS Newsletter (2001), Spencer Museum Composerin-Residence (2001) Local organizer, AMS Midwest Chapter Meeting at KU, April 1-3, 1995 (1994-95) Acting director, Musicology Division (spring 1994, 2001, and 2002) Other teaching positions: Lecturer in music theory, Pomona College, 1993 (spring semester). Fundamentals of Music. Lecturer in musicology, Scripps College, 1991-93 (spring semesters). Introduction to Music. Visiting assistant professor in musicology, UCLA, 1992 (fall quarter). Music 26A (Medieval). Lecturer in world music, CSULB, 1992 (fall semester). Music Cultures of the World. Teaching fellow in music history, UCLA, 1987-92. Wide variety of courses. Awards, Fellowships, and Grants UCR Office of Research and Economic Development grant for international research (PI), $4,000 Academic Senate COR Research Fellowship, 2013, $9,000 Office of Research and Economic Development grant for Encuentros/Encounters 2014 (PI), $8,000 Center for Ideas and Society grant for Encuentros/Encounters 2014 (PI), $8,060 Publication subvention from the John Daverio Endowment of the American Musicological Society (for a biography of Federico Moreno Torroba; see below), 2012, $1,000 Academic Senate Travel Grant, 2012, $1,275 Academic Senate Travel Grant, 2011, $700 Conference Grant, Program for Cultural Cooperation between Spain’s Ministry of Culture and United States Universities (2010) for Encuentros/Encounters 2011 (PI), $2,000 Center for Ideas and Society grant for Encuentros/Encounters 2011 (PI), $4,000 Academic Senate COR Research Fellowship, 2010, $1,250 Center for Ideas and Society grant for Encuentros/Encounters 2010 (Co-PI), $9,250 Academic Senate Travel Grant, 2009, $1,000 Academic Senate COR Research Fellowship, 2009, $4,750 University of California Humanities Research Institute grant for Encuentros/Encounters 2008 (PI), $7,000 Center for Ideas and Society grant for Encuentros/Encounters 2008 (PI), $7,000 Robert M. Stevenson Award, for the Granados biography (see below), 2006, $1,000 Center for Ideas and Society grant for Encuentros/Encounters 2006 (Co-PI), $3,000 PacRim Council grant for Encuentros/Encounters 2006 (Co-PI), $5,000 University of California Humanities Research Institute grant for Encuentros/Encounters 2006 (Co-PI), $5,000 Minigrant for Encuentros/Encounters 2005 (PI), $200

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Conference Grant, Program for Cultural Cooperation between Spain’s Ministry of Culture and United States Universities (2004) for Encuentros/Encounters 2005 (PI), $3,000 Curriculum diversification grant (2003), $17,000 KU (and previous) Humanities Research Fellowship, Hall Center for the Humanities (2002) NEH Summer Stipend (2002) “Excellence in Teaching” Annual Award from KU Center for Teaching Excellence (2001) William T. Kemper Fellowship for Teaching Excellence (2000), $5,000 General Research Fund Awards, University of Kansas (1996, ’97, ’99, 2001, ’02) Faculty Travel Grant, Hall Center for the Humanities (1996, 2002) Research Grants, Program for Cultural Cooperation between Spain’s Ministry of Culture and United States Universities (1995, ’96, 2001) New Faculty Research Grant, University of Kansas (1995) Ralph Vaughan Williams Research Fellowship (1992) Ingolf Dahl Award (1991) Walter H. Rubsamen Award (1991) Del Amo Endowment Grants for Dissertation Research in Spain (1990, ’91) Hortense Fishbaugh Memorial Fellowship (1990) Atwater-Kent Awards (1989, ’90) Munich Exchange Fellowship for study at Ludwig-Maximilians Universität (1988) National Arts Association Award (1987) Fulbright Grant to West Germany (1984-85; renewed 1985-86) Websites Azulejos: The Online Institute for Albéniz-Granados Studies. Future project in early stages of development. Journal Editor Diagonal (Journal of the Center for Iberian and Latin American Music) 7 (2011). Proceedings of the conference “Communities of Song: The Abrahamic Religions in Medieval Iberia.” Encuentros/Encounters 2014, University of California, Riverside, February 14, 2014. http://cilam.ucr.edu/diagonal/issues/2011/index.html. In preparation. Diagonal (Journal of the Center for Iberian and Latin American Music) 7 (2013). Proceedings of the conference “Tango: Argentine Music and Dance, Argentine Identity.” Encuentros/Encounters 2013, University of California, Riverside, April 26, 2013. http://cilam.ucr.edu/diagonal/issues/2011/index.html. Diagonal (Journal of the Center for Iberian and Latin American Music) 7 (2011). Proceedings of the conference “Music and Dictatorship in Franco’s Spain, 1936-1975.” Encuentros/Encounters 2011, University of California, Riverside, February 18, 2009. http://cilam.ucr.edu/diagonal/issues/2011/index.html.

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Diagonal (Journal of the Center for Iberian and Latin American Music) 5 (2009). Proceedings of the conference “Music and Musicians of the California Missions.” Encuentros/Encounters 2009, University of California, Riverside, January 30, 2009. http://cilam.ucr.edu/diagonal/issues/2009/index.html. The Musical Quarterly 92/3-4 (fall 2009). Special issue on Latin American music. Wrote preface (see under “Articles” below); solicited/edited articles by Melanie Plesch (Argentina), Cristina Magaldi (Brazil), Craig Russell (colonial California), Leonora Saavedra (Mexico), Rebecca Bodenheimer (Cuba), and Carolina Santamaria (Andean Colombia). Diagonal (Journal of the Center for Iberian and Latin American Music) 4 (2008). Proceedings of the conference “Rediscovering a Hispanic Nation: The Fine and Performing Arts in the Philippines before the Invasion of 1898.” Encuentros/Encounters 2008, University of California, Riverside, April 23-25, 2008. http://cilam.ucr.edu/diagonal/issues/2008/index.html Diagonal (Journal of the Center for Iberian and Latin American Music) 1 (2005). Proceedings of the conference “Music in the Time of Goya, and Goya in the Time of Granados.” Encuentros/Encounters 2005, University of California, Riverside, February 23-25, 2005. http://cilam.ucr.edu/diagonal/issues/2005/contents.html. Series Editor Currents in Latin American and Iberian Music, Oxford University Press, 2005-. Editions of Music María del Carmen. A critical edition of the Spanish opera in three acts by Enrique Granados. Barcelona: Tritó. In preparation. Follet. A critical edition of the Catalan opera in three acts by Enrique Granados. Barcelona: Tritó, 2013. Edited Volumes (Co-editor with Leonora Saavedra) Carlos Chávez and His World. Princeton: Princeton University Press. In preparation. (Co-editor with Michael O’Connor) Treasures of the Golden Age: Essays on Music of the Iberian and Latin American Renaissance in Honor of Robert M. Stevenson. New York: Pendragon Press, 2012. (Contributing editor; Robin Moore, managing editor) Musics of Latin America. New York: W. W. Norton, 2012.

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(Co-editor with Luisa Morales) Antes de Iberia: de Masarnau a Albéniz. Garrucha, Almería: Asociación Cultural LEAL, 2009. (Editor) From Tejano to Tango: Latin American Popular Music. Series: Perspectives in Global Pop. Gage Averill, series editor. New York: Routledge, 2002. Reviews: Ethnomusicology 49/1 (Winter 2005): 138-39, by Frederick Moehn Journal of Popular Music Studies 16/1 (April 1, 2004): 85-88, by Maria Teresa Velez Notes of the Music Library Association 59/4 (June 2003): 881-82, by Victoria L. Levine Monographs Fandango: The Story of a Spanish Song and Dance. Future project in early stages of development. Enrique Granados: Poet of the Piano. Rev. ed. Foreword by Alicia de Larrocha. New York: Oxford University Press. Future project in early stages of development. Isaac Albéniz: Portrait of a Romantic. 2d ed. Foreword by Pepe Romero. New York: Oxford University Press. Future project in early stages of development. Los Romero: The Saga of an Andalusian Family of Guitarists. Forewords by Sir Neville Marriner, Rafael Frühbeck de Burgos, and Jesús López Cobos. Proposal in preparation for Oxford University Press. Enrique Granados: Poeta del Piano. Trans. Patricia Caicedo. Barcelona: Boileau. In preparation. (Spanish translation of the book below.) Isaac Albéniz: A Research and Information Guide. Foreword by Jacinto Torres Mulas. New York: Routledge. In preparation. (Co-author with William Krause) Federico Moreno Torroba: A Musical Life in Three Acts. Foreword by Ángel, Celín, and Pepe Romero. Series: Currents in Latin American and Iberian Music. New York: Oxford University Press, 2013. (Received $1,000 publication subvention from the John Daverio Endowment of the AMS, 2012.) Reviews: Choice 52/1 (January 2014): 36, by Stanley C. Pelkey. Classical Guitar (London) (January 2014): 46, by Graham Wade. Soundboard 40/1 (2014): 72, by David Grimes. Zarzuela.net (London), by Christopher Webber. Enrique Granados: Poet of the Piano. Paperback, slightly revised (see below). Series: Currents in Latin American and Iberian Music. New York: Oxford University Press, 2011.

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Enrique Granados: Poet of the Piano. Foreword by Alicia de Larrocha. New York: Oxford University Press, 2006. (Won 2006 Robert M. Stevenson Award from the American Musicological Society.) Reviews: Music and Letters 89/2 (May 2008): 270-72, by Michael Cristoforidis. Piano (London) 15/6 (November-December 2007): 33, by Bettina Neumann. College Music Society Symposium 46 (2006), by Alexandra David. Global Rhythm 15 (March 2006): 51. Isaac Albéniz: Portrait of a Romantic. Paperback, slightly revised (see below). Oxford: Oxford University Press, 2002. Isaac Albéniz: Retrato de un romántico. Trans. Paul Silles. Madrid: Turner Publicaciones, 2002. (Revision and Spanish translation of the following book.) Reviews: ABC, February 28, 2002, by S. Gaviña. ABC, March 23, 2002, by José Luis García del Busto. El Mundo, February 28, 2002. El País, February 28 and March 29, 2002, by Jesús Ruiz Mantilla. La Razón, February 28, 2002. La Vanguardia, August 3, 2002, by Jorge de Persia. Isaac Albéniz: Portrait of a Romantic. Oxford: Oxford University Press, 1999. (This book is available on the Internet in digitalized format through Questia.) Reviews: Times Literary Supplement, September 24, 1999, 21, by Tess Knighton. BBC Music Magazine (September 1999): 84, by Jessica Duchen. Classical Guitar (London) 17/12 (August 1999): 50, by Allan Clive Jones. Classical Music, September 4, 1999, 34, by Robert Sargant. Revista de Musicología 22/2 (1999): 294-302, by Jacinto Torres. Choice 37/4 (December 1999), 731-32, by F. Goosen. The Musical Times 141/1870 (Spring 2000): 70-71, by Andrew Thomson. Notes of the Music Library Association 56/4 (June 2000): 946-48, by Carol Hess. Chamber Music 17 (October 2000): 194. Context: Journal of Music Research (Melbourne) 18 (Winter 2000): 88-89, by Michael Christoforidis. Feature article on Albéniz (“Composer of the Month”) highlighting author’s research, BBC Music Magazine, May 2000, 36-40. Les Cahiers de la Guitare (Paris), nos. 79-80 (2001): 72-73, by Rafael Andia. Online Journal, MusicTeachers.co.uk, 2/8 (February 2001): by Gavin Meredith. Piano (London) 15/6 (November-December 2007): 33, by Bettina Neumann.

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Isaac Albéniz: A Guide to Research. Composer Resource Manuals, 45. New York: Garland Publishing, 1998. Reviews: American Reference Books Annual 30 (1999), 469. Notes of the Music Library Association 56/3 (March 2000), 697-99, by Carol Hess. Articles, Book Chapters, and Entries in Reference Works “Whatever Happened to María del Carmen? Birth, Death, and Resurrection of Granados’s Operatic chef d’oeuvre.” In preparation. Grove Music Online. New York: Oxford University Press. In preparation. Málaga (co-authored with José Manuel Gil de Gálvez) “Variedad dentro de la lógica: clasicismo en la obra de Isaac Albéniz.” Actas del Congreso F. J. Haydn (1732-1809) y I. Albéniz (1860-1909): Clasicismo y Nacionalismo en la Música Española, Festival de Música Española, Cádiz, November 21, 2009. MAR (Música de Andalucía en la Red), the online journal of music department of the Universidad de Granada. In press. Encyclopedia of Latin Music. Ed. Jennifer Acker and Ilan Stevens. New York: ABCClio/Garland. In press. Flamenco Spain (with William Craig Krause) “Federico Moreno Torroba’s Monte Carmelo and Cultural Politics under Franco during the 1940s.” In Music and Francoism. Ed. Gemma Pérez Zalduondo, 349-66. Series: Speculum Musicae, 20. Turnhout: Brepols, 2013. (with William Craig Krause) “Federico Moreno Torroba and Andrés Segovia in the 1920s: Turning Point in Guitar History.” Soundboard Magazine: The Journal of the Guitar Foundation of America 38/3 (2012): 8-13. “The Iberian World: The Philippines, Latin America, and Spain.” In Nineteenth-Century Choral Music. Ed. Donna M. Di Grazia, 449-71. Series: Studies in Musical Genres, ed. R. Larry Todd. New York: Routledge, 2012. The Musics of Latin America: An Introduction. Ed. Robin Moore and Walter Aaron Clark. New York: W. W. Norton, 2012. Chapter 10: Latin American Impact on Contemporary Classical Music, 371-96 Appendix: The Elements of Music, 434-53 The New Grove Dictionary of American Music. 2d ed. Ed. Charles Hiroshi Garrett. New York: Oxford University Press, 2012. Plácido Domingo Miguel Lerdo de Tejada

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Irvan Pérez Romero Guitar Quartet Grove Music Online. New York: Oxford University Press, 2011-12. Revision of previous entries on: Emilio Arrieta Paulo Chagas (originally by Gerard Béhague) Francis Money-Coutts Federico Moreno Torroba (with William Krause) Felipe Pedrell Silvano Picchi Julio Sagreras Mariano Soriano Fuertes “‘Vulgar Negroid Sambas’: Issues of National Identity, Race, and Gender in That Night in Rio, with Carmen Miranda.” Diagonal (Journal of the Center for Iberian and Latin American Music) 6 (2010). Proceedings of the conference “Rethinking Race and Ethnicity in Brazilian Music: 1600-Present.” Encontro Brasileiro 2010, University of California, Riverside February 3-4, 2010. “The Death of Enrique Granados: Context and Controversy.” Anuario musical, n65 (JanuaryDecember 2010): 177-88. “Francisco Tárrega and the Art of Guitar Transcription.” Iberian and Latin American Music Society website (London, 2010). http://www.ilams.org.uk/media/walter-clark-tarregaguitar-transcription.pdf. 21 pp. “The Romeros: Living Legacy of the Spanish Guitar. An Interview with Celín Romero.” Soundboard Magazine: The Journal of the Guitar Foundation of America 36/2 (2010): 60-64. “Isaac Albéniz y su opereta The Magic Opal.” Ópera Actual, n127 (January-February 2010): 4445. “Francisco Tárrega, Isaac Albéniz, and the Modern Guitar.” Soundboard Magazine: The Journal of the Guitar Foundation of America 36/1 (2010): 5-13. “La España de Albéniz y Granados: Dos pasados, dos futuros.” In Música y cultura en la Edad de Plata, 1915-1939. Ed. María Nagore, Leticia Sánchez de Andrés, and Elena Torres, 129-41. Madrid: Instituto Complutense de Ciencias Musicales, 2009. “What Makes Latin American Music ‘Latin’? Some Personal Reflections.” The Musical Quarterly 92/3-4 (Fall-Winter 2009): 167-76.

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“Antes de ‘Iberia’: de Masarnau a Albéniz”/”Pre-Iberia: From Masarnau to Albéniz.” Report (in Spanish and English) on the conference Pre-Iberia: From Masarnau to Albéniz. Ninth International Symposium on Spanish Keyboard Music “Diego Fernández,” MojácarGarrucha, Almería, October 10-12, 2008. Mundoclasico.com/2009/documentos/docver.aspx?id=f7/Mundoclasico.com/2009/docum entos/doc-ver.aspx?id=2c/. “Bajo la palmera: Yradier, Albéniz, and the Lure of the Cuban ‘Tango.’” In Antes de Iberia: de Masarnau a Albéniz. Ed. Luisa Morales and Walter A. Clark, 141-50. Garrucha, Almería: Asociación Cultural LEAL, 2009. “Piano Works by Albéniz Completed or Arranged by Granados.” In Antes de Iberia: de Masarnau a Albéniz. Ed. Luisa Morales and Walter A. Clark, 201-06. Garrucha, Almería: Asociación Cultural LEAL, 2009. “Selected Bibliography/Discography of Recent Research on Albéniz, 1994-2009.” In Antes de Iberia: de Masarnau a Albéniz. Ed. Luisa Morales and Walter A. Clark, 255-62. Garrucha, Almería: Asociación Cultural LEAL, 2009. “‘Música espanyola amb accent universal: Isaac Albéniz i el seu món.” In the catalog of the exposition “Isaac Albéniz, artista i mecenes” organized by the Museu Diocesà de Barcelona, July-September 2009. Pp. 57-69. “Isaac Albéniz, 1860-1909.” Revista de la Fundación Juan March, n381 (January 2009): 2-7. “Granados and Goyescas at the Met: American Reception of a Spanish Opera, and Spanish Perceptions of an American Premiere.” Inter-American Music Review 17/1, Festschrift for Ismael Fernández de la Cuesta (Summer 2007): 257-64. “Goya at the Keyboard: The Pianism of Enrique Granados.” Piano 15/5 (November-December 2007): 17-26. “Lost and Found: Granados’s Cant de les Estrelles for Piano, Organ, and Chorus.” FIMTE: Five Centuries of Spanish Keyboard Music. Murcia: FIMTE, 2007. Pp. 363-68. “Enrique Granados: Spain’s ‘Poet of the Piano.’” Festscrift for J. Bunker Clark. Ed. William Everett and Paul Laird, 115-22. Series: Detroit Monographs in Musicology. Detroit: Harmonie Park Press, 2007. “Fernando Sor’s Guitar Studies, Lessons, and Exercises (Opp. 6, 29, 31 & 35) and the London Pianoforte School.” Estudios sobre Fernando Sor/Sor Studies. Ed. Luis Gásser, 359-72. Barcelona: Instituto Complutense de Ciencias Musicales, 2003. “Ralph Vaughan Williams and the ‘Night Side of Nature’: Octatonicism in Riders to the Sea.” Vaughan Williams Essays. Ed. Byron Adams and Robin Wells, 55-72. Aldershot: Ashgate Publishing, 2003.

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“King Arthur and the Wagner Cult in Spain: Isaac Albéniz’s Opera Merlin.” King Arthur in Music. Ed. Richard W. Barber, 51-60. Woodbridge, Suffolk: Boydell & Brewer, 2002. “A Spaniard in Queen Victoria’s Court: Isaac Albéniz, Francis Money-Coutts, and ‘The National Trilogy’ King Arthur.” Nineteenth-Century British Music Studies, vol. 2. Ed. Bennett Zon, 114-25. London: Ashgate Publishing, 2002. “Doing the Samba on Sunset Boulevard: Carmen Miranda and the Hollywoodization of Latin American Music.” From Tejano to Tango: Latin American Popular Music. Ed. Walter Aaron Clark, 252-76. Series: Perspectives in Global Pop. Gage Averill, series editor. New York: Routledge, 2002. The New Grove Dictionary of Music and Musicians. 2nd ed. Ed. Stanley Sadie and John Tyrrell. New York: Grove’s Dictionaries, 2001. Emilio Arrieta Alfredo Carrasco Luis Jordá Miguel Lerdo de Tejada Francis Burdett Money-Coutts Federico Moreno Torroba (with William Krause) Felipe Pedrell José Perches Silvano Picchi Salvador Ranieri Julio Sagreras Mariano Soriano Fuertes José Teodor Vilar Valentín de Zubiaurre Die Musik in Geschichte und Gegenwart (new ed.). Kassel: Bärenreiter, 1998/99. Isaac Albéniz (biographical section) Alfredo Carrasco Reader’s Guide to Music: History, Theory, and Criticism. Chicago: Fitzroy Dearborn Publishers, 1999. Isaac Albéniz Manuel de Falla Flamenco “The Music of Latin America.” Latin America: An Interdisciplinary Approach. Ed. Gladys Varona-Lacey and Julio López-Arias, 233-53. New York: Peter Lang Publishing, 1998.

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“Luys de Narváez and the Intabulation Tradition of Josquin’s Mille regretz.” Journal of the Lute Society of America 26-27 (1993-94): 17-52; revised version, Treasures of the Golden Age: Essays on Music of the Iberian and Latin American Renaissance in Honor of Robert M. Stevenson. Ed. Walter Aaron Clark and Michael O’Connor, 265-95. New York: Pendragon Press, 2012. “Genesis of a Legacy: Spanish Musicology in the Age of Robert Stevenson.” Newsletter of the International Hispanic Music Study Group 2/2 (Spring 1996): 1-3. “‘Cavalleria Iberica’ Reassessed: Critical Reception of Isaac Albéniz’s Opera Pepita Jiménez.” Actas del XV Congreso de la Sociedad Internacional de Musicología, in Revista de Musicología 16/6 (1993): 3255-62. “Isaac Albéniz’s Faustian Pact: A Study in Patronage.” The Musical Quarterly 76/4 (December 1992): 465-87. The New Grove Dictionary of Opera. London: Macmillan, 1992. Francis Burdett Money-Coutts Felipe Pedrell Mariano Soriano Fuertes Valentín de Zubiaurre “Albéniz en Bruselas y Leipzig: Nuevas luces sobre una vieja historia.” Revista de Musicología 14/1-2 (1991): 213-18. “Albéniz in Leipzig and Brussels: New Data from Conservatory Records.” Inter-American Music Review 11/1 (Fall-Winter, 1990): 113-16. “Georges Bizet.” Great Lives from History: Renaissance to 1900. Pasadena: Salem Press, 1989. Reviews of Publications/Recordings Orringer, Nelson R. Lorca in Tune with Falla: Literary and Musical Interludes. Toronto: University of Toronto Press, 2014. Hispanic Review. In preparation. Kun, Josh, Van Dyke Parks, and Amy Inouye. Songs in the Key of Los Angeles. Los Angeles: Angel City Press, 2013. Journal of the Society for American Music. In press. Gurza, Agustin, Jonathan Clark, and Chris Strachwitz. The Arhoolie Foundation’s Strachwitz Frontera Collection of Mexican and Mexican American Recordings. Los Angeles: UCLA Chicano Studies Research Center Press, 2012. Journal of the Society for American Music. In press.

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Rothe, Larry. Music for a City, Music for the World: 100 Years with the San Francisco Symphony. San Francisco: The San Francisco Symphony, 2012. Journal of the Society for American Music. In press. Hotel Mariachi: Urban Space and Cultural Heritage in Los Angeles. Albuquerque: University of New Mexico Press, 2012. Journal of the Society for American Music. In press. Harper, Nancy Lee. Portuguese Piano Music: An Introduction and Annotated Bibliography. Lanham, MD: Scarecrow Press, 2013. Music & Letters 94/3 (August 2013): 529-31. “Recent Recordings of Granados’s Music for Solo and Collaborative Piano.” FIMTE Journal: Revista de Música de Tecla Española y Latinoamericana. In press. Knighton, Tess, and Bernadette Nelson, eds. Pure Gold: Golden Age Sacred Music in the Iberian World. A Homage to Bruno Turner. Reichenberger: Kassel, 2011. Music & Letters 94/2 (May 2013): 339-41. Labonville, Marie Elizabeth. Juan Bautista Plaza and Musical Nationalism in Venezuela. Bloomington: University of Indiana Press, 2007. Journal of the Society for American Music 5/4 (November 2011), 559-62. Torres, Jacinto. Las claves madrileñas de Isaac Albéniz. Madrid: Ayuntamiento de Madrid, 2009. Notes of the Music Library Association (March 2010): 533-35. Guatemala. Volume 3. Manuel Martínez-Sobral. Suzanne Husson, piano. Marco Polo 8.225104, 1999; Volume 4. Ricardo Castillo. Massimiliano Damerini, piano. Marco Polo 8.225077, 2000; Volume 5. Manuel Martínez-Sobral. Suzanne Husson, Michel Bourdoncle, pianos. Marco Polo 8.225188, 2002. American Music 2/3 (August 2008): 445-47. Albéniz, Isaac. Obras para voz y piano. Rev. and ed. Mac McClure and Frances Barulich. 3 vols. Barcelona: Boileau, 2006. Notes of the Music Library Association (June 2008): 816-19. Thompson, Donald. Music in Puerto Rico: A Reader’s Anthology. Lanham, MD: Scarecrow, 2002. American Music 1/4 (November 2007): 521-23. Perrone, Charles, and Christopher Dunn. Brazilian Popular Music and Globalization. New York: Routledge, 2002. American Music 24/2 (Summer 2006): 243-46. Albéniz: Sonatas para piano no. 3, 4, 5; L’automne (Valse). Albert Guinovart, piano. Harmonia Mundi, 1957007; Granados: Goyescas. Albert Guinovart, piano. Harmonia Mundi, HMA 1957017. Nineteenth-Century Music Review 3/1 (2006): 136-39.

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Contributing Editor in charge of reviewing books and articles from Colombia, Ecuador, Peru, and Venezuela for the Handbook of Latin American Studies 60 (Austin: University of Texas Press), 2005. Frogley, Alain. Vaughan Williams’s Ninth Symphony. Series: Studies in Musical Genesis and Structure. Oxford: Oxford University Press, 2002. Journal of Musicological Research 21/4 (October-December 2002): 355-58. Torres, Jacinto. Catálogo sistemático descriptivo de las obras musicales de Isaac Albéniz. Madrid: Instituto de Bibliografía Musical, 2001. Notes of the Music Library Association 59/2 (December 2002): 332-33. Hess, Carol. Manuel de Falla and Modernism in Spain, 1898-1936. Chicago: University of Chicago Press, 2001. Notes of the Music Library Association 59/2 (December 2002): 342-44. Contributing Editor in charge of reviewing books and articles from Colombia, Ecuador, Peru, and Venezuela for the Handbook of Latin American Studies 58 (Austin: University of Texas Press), 2002. Sturman, Janet L. Zarzuela: Spanish Operetta, American Stage. Champaign-Urbana: University of Illinois Press, 2000. Notes of the Music Library Association 58/1 (September 2001): 117-18. González, Guillermo, and Jacinto Torres. Isaac Albéniz’s Iberia: Facsimile, urtext, and performing editions. Madrid: EMEC-EDEMS, 1998. Notes of the Music Library Association 56/4 (June 2000): 1011-14. Olsen, Dale H., and Daniel E. Sheehy, eds. Garland Encyclopedia of World Music. Vol. 2: South America, Mexico, Central America, and the Caribbean. New York: Garland Publishing, 1999. Notes of the Music Library Association 56/3 (March 2000): 1009-12. Bellman, Jonathan, ed. The Exotic in Western Music. Boston: Northeastern University Press, 1998. Notes of the Music Library Association 56/1 (September 1999): 101-03. Mäkelä, Tomi, ed. Music and Nationalism in 20th-century Great Britain and Finland. Hamburg: von Bockel Verlag, 1997. Notes of the Music Library Association 55/3 (March 1999): 680-82. Roberto Sierra (Koss Classics KC-1021). American Music 16/1 (Spring 1998): 110-11. Tania León: Indígena (Composers Recordings CD-662). American Music 15/3 (Fall 1997): 421-ß22.

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“Recent Researches in Spanish Music 1800 to the Present.” Inter-American Music Review 16/1 (Summer-Fall, 1997): 85-94. Contains reviews of the following: Baytelman, Pola. Isaac Albéniz: Chronological List and Thematic Catalog of His Piano Works. Warren, Mich.: Harmonie Park Press, 1993. Bevan, Clifford. “Albéniz, Money-Coutts and ‘La Parenthèse londonienne.’” Ph.D. dissertation, University of London, 1994. Bretón, Tomás. Diario 1881-1888. Ed. Jacinto Torres Mulas. Madrid: Acento Editorial, 1995. Falces Sierra, Marta. El Pacto de Fausto. Estudio lingüístico-documental de los lieder ingleses de Albéniz sobre poemas de Francis Money Coutts. Granada: Universidad de Granada, 1993. Hess, Carol A. Enrique Granados: A Bio-Bibliography. New York: Greenwood Press, 1991. __________. “Manuel de Falla’s The Three-Cornered Hat and the Advent of Modernism in Spain.” Ph.D. dissertation, University of California, Davis, 1994. Selleck-Harrison, Maria B. “A Pedagogical and Analytical Study of ‘Granada’ (‘Serenata’), ‘Sevilla’ (‘Sevillanas’), ‘Asturias’ (‘Leyenda’) and ‘Castilla’ (‘Seguidillas’) from the Suite Española, Opus 47 by Isaac Albéniz.” D.M.A. essay, University of Miami, 1992. Torres Mulas, Jacinto. Las publicaciones periódicas musicales en España (1812-1990). Madrid: Instituto de Bibliografía Musical, 1991. Carlos Surinach (New World Records 80428-2). American Music 13/2 (Summer 1995): 254-55. Craggs, Stewart. William Walton: a source book. Aldershot: Scolar Press, 1993. Notes of the Music Library Association 51/1 (September 1994): 153-54. Reviews of Manuscripts/Proposals (authors’ names included only in those cases where the book/article was published or the author knows I reviewed his/her work) Miranda, Laura. Franco’s Re-invented Spain: Spanish Film Music in the 1940s. Ashgate Publishing, 2014 Moreda-Rodríguez, Eva. The Exiles Who Never Left: Republican Composers in the Musica Life of Francoist Spain. Ashgate Publishing, 2014. Hess, Carol. Aaron Copland in Latin America: A Composer’s Diary. Indiana University Press, 2013. Fernando Sor: A Bibliography of Published Literature and Music. Pendragon, 2013. “The Music of Social Climbing: Spanish Vihuela Prints as Commonplace Books.” The Musical Quarterly, 2012. “Música en la conquista espiritual de Tenochtitlán.” Acta Musicologica, 2012.

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“Dramaturgia musical de San Antonio de la Florida de Albéniz.” MAR (Música de Andalucía en la Red), the online journal of music department of the Universidad de Granada, 2012. “‘The Glory of Having a National Music”: A Translation of and Critical Commentary on the First Two Sections of José Subirá's ‘La tonadilla escénica: sus obras y sus autores’ (1933).” Music & Letters, 2011. Saavedra, Leonora. “Spanish Moors and Turkish Captives in fin de siècle Mexico: Exoticism as Strategy.” Journal of Musicological Research, 2011. Music in Portugal and Spain: Experiencing Music, Expressing Culture. Series: Global Music, ed. Bonnie Wade. Oxford University Press, 2011. “Two Centuries of Nun Musicians in Spain’s Imperial City.” TRANS: Transcultural Music Review (Madrid), 2011. Schwartz-Kates, Deborah. Alberto Ginastera: A Research and Information Guide. New York: Routledge, 2009. “Where Did Granados Continue Azulejos? A Study of Albéniz’s Posthumous and Unfinished Work.” The Musical Quarterly, 2008. Russell, Craig. From Serra to Sancho: Music and Pageantry in the California Missions. Oxford University Press, 2008. “Latunes: An Introduction.” Latin American Research Review, 2007. “Hacia una antropología política del sonido misional. Paraguay, siglos XVII y XVIII.” Music & Politics, 2007. “The Rhythmic Component of Afrocubanismo in the Art Music of Cuba.” Latin American Music Review, 2006. Wood, Andrew G. Sell Your Love Dearly: Agustín Lara and the Golden Age of Mexican Bolero. Oxford University Press, 2006. Schwartz, Roberta Freund. The Pursuit of Liberality: Music and Musicians in Courts of the Spanish Nobility, 1470-1640. Harmonie Park Press, 2005. Shelemay, Kay Kaufman. Soundscapes. 2d ed. W. W. Norton, 2005. “Latin Tinge or Mosaic?: Mexican and Cuban Composers in New York City, circa 1880-1920.” Historia Mexicana (published by El Colegio de México), 2004. Mendoza, Zoila. Crear y Sentir lo Nuestro: Folklore, Regionalism and Nationalism in Twentieth-Century Cusco. Pontificia Universidad Católica del Perú, 2004.

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Milton, John. The Fallen Nightingale [biographical novel of Enrique Granados]. Swan Books, 2004. Magaldi, Cristina. Music in Imperial Rio de Janeiro: European Culture in a Tropical Milieu. Scarecrow Press, 2003. Casablancas Domingo, Benet. El humor en la música: Broma, parodia e ironía. Un ensayo. Kassel: Reichenberger, 2000. Reviewed book in 2003 for University of Rochester Press, which was considering publishing an English translation. Hess, Carol A. Sacred Passions: The Life and Music of Manuel de Falla. Oxford University Press, 2003. Totton, Robin. The Song of the Outcasts: An Introduction to Flamenco. Amadeus Press, 2002. Larsen, Arved. Music Appreciation. Wadsworth Publishing, 2001. Hess, Carol A. Manuel de Falla: A Historical Essay. Oxford University Press, New York, 2000. Azzi, María Susana, and Simon Collier. Le Grand Tango. Astor Piazzolla: A Biography. Oxford University Press, New York, 1998. Program Notes Concert by Brasil Guitar Duo, Da Camera Society, February 5, 2012. Concert by Cuarteto Latinoamericano, selection of works by Latin American composers for string quartet, Da Camera Society, January 21, 2012. Concert version of Isaac Albéniz’s operetta The Magic Opal, Auditorio Nacional (Madrid), February 27, 2010, 6-7. (“‘Muy por delante de sus rivales’: Isaac Albéniz y su opereta inglesa The Magic Opal.”) Recital of Spanish art song by Yvonne Regalado Martin (soprano) and David Spear (piano), UCR, May 15, 2009. Production of Enrique Granados’s María del Carmen, Wexford Opera Festival (Ireland), October 17-November 1, 2003, 52-57. (“Whatever Happened to María del Carmen? Birth, Death, and Reincarnation of Granados’s Operatic chef d’oeuvre.”) Production of Enrique Granados’s Goyescas, Central City Opera (Colorado), summer 2003, 20-21. (“Granados and Goyescas.”) Interview in Family Study Guide, 25-29. (“The Music of Enrique Granados.”)

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Production of Isaac Albéniz’s zarzuela San Antonio de la Florida, Teatro de la Zarzuela (Madrid), April 2003, 9-19. (“La vida artística de Isaac Albéniz: innovación y renovación.”) Concerts by Kansas City Chamber Orchestra, 1999-2003. CD Liner Notes (with William Krause) Guitar Works by Federico Moreno Torroba: Diálogos, Aires de la Mancha, Suite castellana, Concerto flamenco, Pepe Romero, Vicente Coves, guitars, Orquesta Sinfónica de Granada, Manuel Coves, conductor, Naxos 8.573255, 2014. Isaac Albéniz’s Iberia, Luis Grané, piano, PlayClassics, 12394. Enrique Granados’s Follet, orchestra and singers of the Teatre del Liceu, Tritó, 03498120348. Enrique Granados’s Goyescas and 12 Danzas españolas, Sebastian Stanley, piano, EMEC, E105/6, 2012. Enrique Granados’s Goyescas, Garrick Ohlsson, piano, Hyperion, CDA67846, 2012. Isaac Albéniz’s Iberia (arr. solo guitar), Javier Riba, Tritó, TD0050, 2008. Enrique Granados’s Goyescas (piano, arr. guitar trio), Trio Campanella, Naxos 8.557709, 2006. Isaac Albéniz’s Pepita Jiménez, Plácido Domingo, tenor, Deutsche Grammophon Gesellschaft 002894776234, 2006. Albéniz Iberia, Marc-André Hamelin, piano, Hyperion A67476/7, 2005. Complete Piano Works of Isaac Albéniz, vol. 5, Miguel Baselga, piano, BIS 1443, 2005. Isaac Albéniz’s Henry Clifford, Plácido Domingo, tenor, Decca 473937-2, 2003. Scholarly Presentations/Sessions Chaired/Guest Teaching “La política cultural franquista de los años 40 a través de la obra de Moreno Torroba.” I Simposio sobre Teatro Lírico Hispano y Cine, Universidad de Oviedo, June 19-21, 2014. “Paco de Lucia’s Entre dos aguas and the Politics of Rehabilitation in Franco’s Spain.” National meeting of the American Musicological Society, Pittsburgh, November 7-10, 2013.

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“Interpreting Moreno Torroba: The Zarzuelas.” International Convention of the Guitar Foundation of America, University of Louisville, June 26, 2013; University of Southern California, Saddleback College, California State Universities at Northridge, Fullerton, Dominguez Hills, and Pepperdine University, January 27-31, 2014. “Eternal Spain: Federico Moreno Torroba, Miguel de Unamuno, and the Musical Aesthetics of the Franco Dictatorship, 1936-1975.” Conference on Spanish Musics and their [Western] Others: Negotiating Identity and Exoticism, University of Melbourne, December 8, 2012. Master class for performers on music of Albéniz and Moreno Torroba, Melbourne Conservatorium of Music, December 7, 2012. Panel participant, presentation of Susan Boynton’s Silent Music (New York: Oxford, 2011) at CUNY Graduate Center, October 31, 2011. “Robert M. Stevenson’s Inter-American Music Review: Thirty Years of Landmark Publishing.” Cultural Counterpoints: Examining the Musical Interactions between the U.S. and Latin America, Latin American Music Center, Indiana University, October 22, 2011; joint meeting of the Southern and Northern California chapters of the American Musicological Society, UCLA, April 27, 2013; National meeting of the American Musicological Society, Pittsburgh, November 7, 2013 (session chair). “Eternal Spain: Federico Moreno Torroba, Miguel de Unamuno, and the Musical Aesthetics of the Franco Dictatorship, 1936-1975.” Joint meeting of the Northern California and Pacific Southwest Chapters of the American Musicological Society, University of California, Santa Barbara, April 30, 2011. “Federico Moreno Torroba’s Relations with the Franco Regime.” Encuentros/Encounters 2011: Music and Dictatorship in Franco’s Spain, 1936-1975. University of California, Riverside, February 18, 2011. “La influencia de Chopin en la obra pianística de Albéniz y Granados.” Class taught for the Universidad Internacional de Andalucía, Baeza (Jaén), August 20, 2010. “Albéniz y la imagen de España en su música.” Lecture at a symposium and roundtable discussion organized by the Spanish Embassy in Berlin, May 28, 2010. Taught various classes at School of Music, University of Kansas, April 6-9, 2010. “Operas of Isaac Albéniz” (MUSC 940, Musicology Seminar [graduate]) “Russian Nationalism” (MUSC 756, Music of the Romantic Period [graduate]) “Evolution of the Tango” (MUSC 560, Music in World Cultures [undergraduate])

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“‘Vulgar Negroid Sambas’: Issues of National Identity, Race, and Gender in That Night in Rio, with Carmen Miranda.” International Hispanic Music Study Group, national meeting of the American Musicological Society, Indianapolis, November 5, 2010; Merienda Lecture Series, Latin American Studies, University of Kansas, April 8, 2010; pre-screening lecture during Encuentros/Encounters 2010, “Rethinking Race and Ethnicity in Brazilian Music: 1600-present,” UCR, February 4, 2010. “The Death of Enrique Granados: Context and Controversy.” University of Kansas, April 7, 2010; joint meeting of the Pacific Southwest and Northern California Chapters of the American Musicological Society, University of California, Los Angeles, April 14, 2007. “Nuevas vistas en el estudio de la música y vida de Isaac Albéniz.” Informal talk for students and faculty at the Real Conservatorio Superior de Música de Granada, November 25, 2009. “En busca de la España verdadera: Albéniz y Andalucía.” Universidad de Granada. November 24, 2009. (Spanish version of 10/29/09 USC lecture below. “Variedad dentro de la lógica: clasicismo en la obra de Isaac Albéniz.” Congreso F. J. Haydn (1732-1809) y I. Albéniz (1860-1909): Clasicismo y Nacionalismo en la Música Española, Festival de Música Española, Universidad de Cádiz, November 21, 2009. “In Search of the ‘Real’ Spain: Albéniz and Andalucía.” Lecture to musicology and guitar students and faculty, University of Southern California, October 29, 2009. “Isaac Albéniz and the Rise of Spanish National Opera.” All-day seminar for doctoral students from NYU, Columbia, and CUNY Graduate Center, sponsored by the Foundation for Iberian Music, CUNY Graduate Center, October 24, 2009. “Luys de Narváez and the Intabulation Tradition of Josquin’s Mille regretz.” Renaissance Society of America, national meeting, Los Angeles, March 19, 2009. “From Darkness into Light: Death and Redemption in the Score for Sideways.” Pacific Coast Chapter of AMS, USC, February 28, 2009; Conference on Music and the Moving Image, New York University, June 1, 2008; UCLA Musicology Department, Distinguished Lecturer Series, November 27, 2007. “Danza Mora: North Africa in Flamenco, and Flamenco in North Africa.” Conference in honor of the Twelve-hundredth Anniversary of the Founding of Fez, Morocco. University of California, Los Angeles, November 14, 2008. “A ‘Globalized’ Approach to the Musics of Iberia and Its Former Colonies.” International Hispanic Music Study Group, national meeting of the American Musicological Society, Nashville, TN, November 8, 2008.

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“Bajo la palmera: Yradier, Albéniz, and the Lure of the Cuban ‘Tango.’” Pre-Iberia: From Masarnau to Albéniz. Ninth International Symposium on Spanish Keyboard Music “Diego Fernández,” Mojácar-Garrucha, Almería, October 10-12, 2008. “Piano Works by Albéniz Completed or Arranged by Granados.” Pre-Iberia: From Masarnau to Albéniz.Ninth International Symposium on Spanish Keyboard Music “Diego Fernández,” Mojácar-Garrucha, Almería, October 10-12, 2008. “La España de Albéniz y Granados: Dos pasados, dos futuros.” Seminario sobre Música y cultura en la Edad de Plata, 1915-1939, Universidad Complutense de Madrid, April 19, 2008. “Cante jondo and All That Jazz: Andalucismo in the Music of Albéniz, Falla, and Turina.” Presented at the conference “Federico García Lorca: The Man in the ‘Child of the Moon.’” University of California, Los Angeles, March 5, 2005. Organizer and chair of the conference “Music in the Time of Goya, and Goya in the Time of Granados.” Encuentros/Encounters 2005, UC Riverside, February 25, 2005. “Lost and Found: Granados’s Cant de les estrelles for Piano, Organ, and Chorus.” Encuentros/Encounters 2005, UC Riverside, February 25, 2005; Fifth International Symposium on Spanish Keyboard Music “Diego Fernández.” Mojácar, Spain, October 9, 2004. “Spain the ‘Eternal Maja’: Goya, Majismo, and the Reinvention of Spanish National Identity in Granados’s Goyescas.” Encuentros/Encounters 2005, UC Riverside, February 25, 2005; International Hispanic Music Study Group, national meeting of the American Musicological Society, Seattle, November 13, 2004. Organizer and chair of the session “Issues of Music and Identity in Spain, Mexico, and Brazil.” International Hispanic Music Study Group, national meeting of the American Musicological Society, Seattle, November 13, 2004. Chair of the session “The Sacred in Spain and New Spain,” National Meeting of the American Musicological Society, Houston, November 14, 2003. “Doing the Samba on Sunset Boulevard: Carmen Miranda and the Hollywoodization of Latin American Music.” Dance Colloquium, UC Riverside, November 12, 2003. International Hispanic Music Study Group, national meeting of the American Musicological Society, Atlanta, November 15, 2001; national meeting of the Society for American Music, Toronto, November 3, 2000. Chair of the session “Music, Performance, and Culture in the African Diaspora,” and participant in the final roundtable, “Key Issues in Approaching and Understanding the African Transatlantic.” Africa and Latin America: Histories, Connections, Identities. A Workshop. University of Kansas, February 28-March 1, 2003.

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“Ralph Vaughan Williams and the ‘Night Side of Nature’: Octatonicism in Riders to the Sea.” College Music Society national meeting, Kansas City, September 29, 2002; Ralph Vaughan Williams Symposium, Godalming, England, July 24, 2000. “Isaac Albéniz and the Birth of Spanish National Music.” Musicology Guest Lecturer Series, University of South Dakota, September 19, 2002. “A Spaniard in Queen Victoria's Court: Isaac Albéniz, Francis Money-Coutts, and ‘The National Trilogy’ King Arthur.” Second Biennial Conference of Nineteenth-Century Music in Britain, University of Durham, England, July 9, 1999. “Nationalism and Folklore in the Music of Isaac Albéniz (1860-1909).” Society for Spanish and Portuguese Historical Studies, University of California, San Diego, April 17, 1999. “To Languish or to Stab: Constructions of ‘Spanishness’ in Music Criticism of the Late Nineteenth Century.” International Hispanic Music Study Group, national meeting of the American Musicological Society, Boston, October 30, 1998. “From Villancicos to Villa-Lobos: Four Centuries of Latin American Music.” Waggoner Research Colloquium, University of Kansas, October 16, 1997 (with Prof. Paul Laird). “Mixing Partridge with Custard: Juan Valera, Isaac Albéniz, and the Opera Pepita Jiménez.” Kentucky Foreign Language Conference, University of Kentucky, Lexington, April 18, 1997. “Elite/Popular Problematics: Salon Music of the Nineteenth Century.” Hall Center for the Humanities, Mini-Course on Popular Culture, February 18, 1997. “Up from Frivolity: Recent Researches in the Music of Albéniz and Granados.” International Hispanic Music Study Group, national meeting of the American Musicological Society, Montreal, November 7, 1993. “Felip Pedrell’s Opera Els Pirineus and the Wagner Cult in Spain.” International Meeting of the North American Catalan Society, University of California, Berkeley, June 4, 1993. “Isaac Albéniz’s Faustian Pact: A Study in Patronage.” Pacific Southwest Chapter of the American Musicological Society, California State University, Los Angeles, November 21, 1992. “‘Cavalleria Iberica’ Reassessed: Critical Reception of Isaac Albéniz’s Opera Pepita Jiménez.” International Musicological Society, Madrid, April 6, 1992. “To See Ourselves As Others See Us? Isaac Albéniz’s Pepita Jiménez and Spanish Opera ‘al fin de siglo.’” Joint meeting of Northern California and Pacific Southwest Chapters of the American Musicological Society, Los Angeles, April 21, 1991 (won Ingolf Dahl Award).

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“Albéniz en Bruselas y Leipzig: Nuevas luces sobre una vieja historia.” Tercero Congreso de la Sociedad Española de Musicología, Granada, May 26, 1990. Public Lectures “The American Experience: Los Romero in Santa Barbara, 1957-1960.” Lobero Theater, Santa Barbara, April 14, 2013. “Los Romero: Saga of an Andalusian Family of Guitarists. Part 2.” Encuentros/Encounters 2012, “Lecture-Demonstration with Romero Guitar Quartet.” UCR, October 26, 2012. “Flamenco: Art and Soul of Spain.” Oaks North Travel Club, September 14, 2012. “Los Romero: Saga of an Andalusian Family of Guitarists. Part 1.” Encuentros/Encounters 2012, “Lecture-Demonstration with Classical and Flamenco Guitarist Pepe Romero.” UCR, February 24, 2012. “Mozart Is for Lovers: The Battle of the Sexes in The Marriage of Figaro.” Continuing Education Center at Rancho Bernardo, February 9, 2012. “Triumph over Fate: Beethoven and His Fifth Symphony.” Continuing Education Center at Rancho Bernardo, September 15, 2011. “Love-Death: The Life and Operas of Richard Wagner (1813-83).” Continuing Education Center at Rancho Bernardo, April 21, 2011. “Mission from God: The Life and Music of Ludwig van Beethoven (1770-1827).” Continuing Education Center at Rancho Bernardo, March 24, 2011. “The Music of Central America and El Salvador: Undiscovered Riches.” Unión Salvadoreña de Estudiantes Universitarios, January 29, 2011, at UCR (attended by Salvadoran students from around California). “Porteño Passions: A History of the Tango.” Continuing Education Center at Rancho Bernardo, November 17, 2010. “Flamenco: Art and Soul of Spain.” Continuing Education Center at Rancho Bernardo, May 19, 2010. “Pyotr Ilyich Tchaikovsky and the Twilight of Imperial Russia.” Continuing Education Center at Rancho Bernardo, February 17, 2010. “Francisco Tárrega, Isaac Albéniz, and the Modern Spanish Guitar.” Pre-concert lecture for a faculty recital of works by Albéniz and Tárrega on the centenary their deaths. University of Southern California, October 30, 2010.

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“El andalucismo de Albéniz.” Pre-concert lecture given at a music festival organized by the Escuela Superior de Música Reina Sofia and the Fundación Isaac Albéniz in Madrid. Auditorio Sony, October 13, 2009; Auditorio Nacional de Música, October 14, 2009. “Francsco Tárrega and the Art of Guitar Transcription.” Presented at a festival organized by the Iberian and Latin American Music Society in commemoration of the centenary of the death of the Spanish guitarist and composer Francisco Tárrega (1852-1909). Venezuelan Embassy, London, September 18, 2009. “Spanish Music with a Universal Accent: Isaac Albéniz and His World.” Isaac Albéniz Commemorations in Honor of the Centennial of His Death. Skidmore College, Saratoga Springs, New York, March 24, 2009. “What Puts the ‘Latin’ in Latin American Music? Defining the Borders That We Cross.” Festival on the Hill 2008: Transcending Borders: Latin American and Latina/o Music in North Carolina and the United States, University of North Carolina, Chapel Hill, March 27, 2008. “¿Qué es flamenco?” Lecture-demonstration for Sweeney Arts Day, UC Riverside, November 7, 2007; November 8, 2006; November 16, 2005; and November 12, 2003; University of Missouri, Columbia, April 21, 1999. “From Pampa to Puerto: The Argentine Guitar and Its Many Contexts.” Boston GuitarFest 2007: The Latin American Legacy, New England Conservatory of Music, June 8, 2007. “Granados in New York.” Granados symposium, Foundation for Iberian Music, The Graduate Center, City University of New York, October 25, 2005. “Granados and London.” Granados symposium, Iberian and Latin American Music Society, London, October 10, 2005. “The Melancholy of the Plain: Albéniz, Granada, and La vega.” Peace College, North Carolina, April 20, 2005. Presentation on Hispanic studies in musicology at UCR, MUNDO student group, UC Riverside, January 21, 2005. “Chachachá: ¡Viva la música cubana!” Lecture given as part of Hispanic Heritage Month, September 27, 2002; previously given in conjunction with the special exhibition Contemporary Art from Cuba at the Spencer Museum of Art, University of Kansas, February 25, 2001. “Whatever Happened to Classical Music?” Hall Center for the Humanities, Outreach Symposium, Unity Temple, Kansas City, April 12, 2001.

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“Leonard Bernstein: The Man, the Music, the Passion.” Two lectures given for KU’s Community Education Program at the Lied Center for the Performing Arts, March 29 and April 5, 2001. “From Rags to Riches: Music in America during the Gilded Age.” Lecture given as part of the Gilded Age exhibit at the Spencer Museum of Art, University of Kansas, September 28, 2000. “Twentieth-century Mexican Music: A Search for Identity.” Lecture given as part of a special exhibition of Mexican prints at the Spencer Museum of Art, University of Kansas, September 30, 1999. “Mambo, Merengue, and All That Jazz: Popular Music of the Caribbean and Eastern United States.” Latin American Studies Lecture Series, University of Kansas, October 22, 1998. “It Took More Than Two to Make the Tango: The Origins and History of Argentina’s National Song and Dance.” Latin American Studies Lecture Series, University of Kansas, November 6, 1997. “Dance in Ceremonial Context I: Cuban rumba, Brazilian samba, and Panamian cumbia.” “Dance in Ceremonial Context II: Argentinean tango, Mexican jarabe, and Peruvian huayno.” Two lecture/discussions presented at the Latin American Studies Summer Workshop entitled Art and Culture: Expressions of Diversity in Latin America, University of Kansas, June 17-21, 1996. “The Jaguar’s Golden Voice: Music in Pre-Columbian Mesoamerica.” Lecture given as part of the special exhibition Gold, Jade, Forests: Costa Rica. Spencer Museum of Art, University of Kansas, April 19, 1996. “Voices in the Wilderness: Bloch, Bernstein, and the Jewish Musical Experience.” Pre-concert lecture, Kansas City Camerata, March 8, 1996. “The Joy of Research: Tales of a Life Musicological.” Talk given to students at Northwest Missouri State University (Maryville), November 13, 1995. “Genesis of a Legacy: Spanish Musicology in the Age of Robert Stevenson.” International Hispanic Music Study Group, national meeting of the American Musicological Society, New York, November 6, 1995. “Popular Music in Cuba” and “Intersection of Classical and Popular Traditions in the Music of Mexico, Brazil, and Argentina.” Two lecture/discussions presented at the Latin American Studies Summer Workshop entitled Popular Culture and the Arts in Latin America, University of Kansas, June 12-16, 1995.

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“Throing Music Out the Window? The Issue of Prodigality in Albéniz’s Iberia.” Pre-concert lecture, University of Texas, Austin, February 2, 1995; also at Skidmore College, Saratoga Springs, New York, October 9, 1994; and at the University of Kansas, October 1, 1994. “Beethoven and His ‘Immortal Beloved’: Fiction Meets Fact.” Pre-concert lecture, Kansas City Camerata, January 15, 1995. “Returning the Favor: Latin American Influence on Spanish Folk Music.” Latin American Studies Lecture Series, University of Kansas, March 10, 1994. “Yes, Virginia, There Is Nineteenth-century Spanish Opera.” Topeka Opera Society and Concert Association, Menninger Foundation, February 11, 1994. “The String Quartet and the Art of Musical Conversation.” Pre-concert lecture, Cleveland String Quartet, Da Camara Society, Los Angeles, January 10, 1993. Media Appearances Interviewed for Barcelona-based MundoArts website devoted to Ibero-American music, October 1, 2013. Interviewed Catalunya Music (Barcelona classical-music station) about my Granados research, October 1, 2013 Interviewed on radio program All Strings Considered, Scott Wolf, Whittier College, 2013. Interviewed in documentary Federico Moreno Torroba and the Guitar, Halpern Productions, New York, 2012 (also served as consultant to the filmmaker). Interviewed in documentary Manuel de Falla, Halpern Productions, New York, 2011. Interviewed about Spanish music in Classical Guitar Magazine (London) 30/3 (November 2011): 22-29. Interviewed about my research on Albéniz and Granados in Diario Jaén (province of Jaén), Spain, August 21, 2010, 33. Interviewed about my research on Albéniz and Granados in El Mundo (Spanish national daily), August 21, 2010, 20. Interviewed for article on Latin American music in the U.S., Christian Science Monitor, April 13, 2010. http://www.csmonitor.com/The-Culture/Music/2010/0401/Latin-music-Salsamerengue-and-samba-rhythms-come-to-the-concert-hall Interviewed in documentary Albéniz, El Color de la Música, López-Li Films, Madrid, 2009.

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Interviewed in documentary Enrique Granados, A Musical Portrait, Halpern Productions, New York, 2008 (also served as consultant to the filmmaker). Featured on Scenes from a Classroom on CHASS website and YouTube, 2008. Interviewed about Spanish piano music in Piano 15/5 (November-December 2007): 41. Interviewed by Catalan Radio on program Catalunya Música about Granados biography, January 19, 2007. Writer and host of Flamenco: Art and Soul, an educational DVD produced by Early Music Television at the University of Oklahoma, 2005. Participated in discussion of María Pagés and contemporary flamenco on National Public Radio’s “The Connection,” June 19, 2003. Interviewed about Albéniz research on Radio Nacional de España, “Fiebre del Sabado,” April 23, 2002. Interviewed about Albéniz biography in Classical Guitar (London) 18/8 (April 2000), 30-34. Membership in Professional Organizations American Musicological Society College Music Society Guitar Foundation of America Ibero-American Music Study Group of the American Musicology Society Sociedad Española de Musicología Society for Spanish and Portuguese Historical Studies North American British Music Studies Association Languages Spanish (fluent); German (fluent); French (reading knowledge); Catalan (reading knowledge) Performances UCR Mayupatapi concert, UCR, May 31, 2013 With Mayupatapi, World Music Concert, UCR, May 17, 2013 With Mayupatapi, Dean’s Patio Concert Series, March 11, 2013 Development reception, home of the DeWolfes, Riverside, March 8, 2013 Discover Day, UCR, March 19, 2011 Opening of Culver Center for the Arts, Riverside, CA, October 9, 2010.

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Canciones españolas recital, with Yvonne Regalado Martin (soprano) and David Spear (piano), UCR, May 16, 2009 UCR Orchestra Family Concert, UCR, April 26, 2009 Reception dinner for UC Regents, Chancellor’s inauguration, March 17, 2009 Welcome reception for Chancellor, UCR, May 15, 2008 ¿Qué es flamenco? (lecture-demonstration), UCR Sweeney Arts Day, 2003, 2005, 2006, 2007 Reception, Chancellor’s Residence, UCR, October 28, 2007 Reception, Citizens University Committee, UCR, October 10, 2007 Farewell reception for Chancellor, UCR, June 27, 2007 Reception, Watkins Society, Temecula, CA, November 16, 2006 Reception, Anderson Graduate School of Management, UCR, October 26, 2006 Reception, Citizens University Committee, UCR, September 16, 2006 Reception for Nobel laureate Richard Schrock, Chancellor’s Distinguished Lecture Series, UCR, January 25, 2006 Emeritus Breakfast, UCR, November 3, 2005 Fiesta de la Familia, Riverside, October 15, 2005 (with UCR Rondalla Ensemble) World Music Concert, UCR, June 3, 2005 (with UCR Rondalla Ensemble) Orange Blossom Festival, Riverside, May 21, 2005 (as soloist and with UCR Rondalla Ensemble) UCR Achievement Awards, Riverside, October 29, 2004 Reception for UC Regents, UCR, April 13, 2004 Dean’s Staff Holiday Party, UCR, December 12, 2003 KU (* signifies performance as music director of and principal accompanist for the Kansas Citybased Spanish dance company Olé) Keith Wright, DMA flute recital (music by Villa-Lobos for flute and guitar), February 11, 2003. Collegium Musicum, Eighteenth-Century American Songs with Guitar (in honor of Washington’s Birthday), February 24, 2003, Spencer Museum of Art; February 9, 2003, Park College, Parkville, MO Joyce Castle, mezzo-soprano, recital in Swarthout Recital Hall, December 2, 2002 (accompanied her in three bossa novas by Jobim) Performed in recital of Hispanic music for voice and guitar (with Genaro Mendez) as part of Hispanic Heritage Month, Swarthout Recital Hall, September 16, 2002 Soloist with KU Men’s Glee Club, Spencer Museum of Art, April 16, 2001 (in a work entitled Whalen’s Fate) Spencer Museum of Art, Exhibition of Contemporary Cuban Art, January 19, 2001 KU Dance Concert, Lied Center, December 4-5, 2000* Spencer Research Library, May 12, 2000 Spencer Museum of Art, University of Kansas, December 12, 1999* Hispanic American Leadership Organization, University of Kansas, October 15, 1999* Trinity Episcopal Church, Lawrence, September 26, 1999 Spencer Museum of Art, Exhibition of Mexican Prints, August 21, 1999 Festival of Nations, University of Kansas, April 23, 1999* ¿Qué es flamenco? (lecture-demonstration), University of Missouri, Columbia, April 19, 1999 Spotlight on Culture: Gypsies, City in Motion, Kansas City, March 6, 1999*

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Brazilian Carnival Concert, KU, February 26, 1999 Cairo on the Kaw IV: Gypsies, Lawrence Community Center, July 11, 1998* Plymouth Congregational Church, Lawrence, Kansas, December 14, 1997 (accompanied church choir in Conrad Susa's Christmas in the Southwest) KU Collegium Concert, April 13 & 20, 1997 (guitar part in the villancico Sereníssima una noche by Gerónimo González) KU Holiday Vespers, December 8, 1996 (accompanied Oread Consort in Conrad Susa's Christmas in the Southwest) Unity Temple, Kansas City, November 29, 1996* Harvest of Arts Festival, Lawrence, Kansas, October 6, 1996* Fiesta Hispana, Kansas City, Missouri, September 15, 1996* Medieval Academy, Nelson-Atkins Museum, Kansas City, Missouri, April 11, 1996 Overland Trail Middle School, Kansas City, Missouri, March 15, 1996* State Fair Community College, Sedalia, Missouri, February 20, 1996* Lawrence Arts Center, January 19 & 20, 1996* La Causerie française, Kansas City, Missouri, December 15, 1995* Lawrence Civic Choir, December 2, 1995 (realized continuo part in a Schütz motet) Clay-Platte Montessori School, Kansas City, Missouri, November 16, 1995* Stillwell Elementary School, Kansas City, Missouri, October 10, 1995* Kansas City Community College, October 6, 1995* Fiesta Hispana, Kansas City, Missouri, September 16, 1995* Boulevard Cafe, Kansas City, Missouri, May 13, 1995* Olé Cafe, Columbia, Missouri, May 12, 1995* Walt Disney Children's Festival, Jefferson City, Missouri, May 12 & 13, 1995* Lawrence Chapter of the AARP, April 20, 1995 Lee's Summit Middle School, March 31, 1995* Boulevard Cafe, December 31, 1994* Lawrence Children's Choir, November 20 1994 (accompanied arrangement of a Dowland song) KU Choirs Concert, November 16, 1994 (realized the continuo part in a villancico by Cristóbal de San Jerónimo) Kauffman Foundation, November 20, 1994* Benefit for the Greater Kansas City Hispanic Scholarship Fund, Granada Theatre, Kansas City, Kansas, November 13, 1994* KU Midwestern Music Camp Concert, July 2, 1994 (accompanied the Concert Choir) KU Dance Concert, April 21 & 22, 1994* KU Opera's production of Don Giovanni (mandolin part in Act II serenade “Deh, vieni alla finestra”), March 16 & 17, 1994 Habitat for Humanity Benefit Concert, Liberty Hall, Lawrence, Kansas, February 11, 1994*

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