the luxury of craftsmanship

C ATA L O G U E 2 0 1 5 the luxury of craftsmanship CRAVT Original offers an exclusive collection extraordinary interior objects, luxury furniture, ...
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C ATA L O G U E 2 0 1 5

the luxury of craftsmanship CRAVT Original offers an exclusive collection extraordinary interior objects, luxury furniture, eye-catching lighting and refined accessories. The combination of traditional craftsmanship and CRAVT Original design makes our collection unique. Operating from our headquarters in The Netherlands, we supply exclusive interior products to thousands of customers worldwide. The collection finds it’s way to luxurious interiors in over 90 countries. What makes our collection so special? To begin with every product we make has a natural finish derived from materials provided by Mother Earth. We know where to find it and just as important, how to incorporate it into our products in a highly skillful way. The distinctive features of the Art of Craftsmanship are explained successively. The precision, perseverance and attention to detail are unequalled. It’s this unsurpassed level of craftsmanship that imbues our products with a quality best described as ‘luxury’. This enables CRAVT Original to present you a unique collection. This catalogue provides you an extensive source of inspiration to create your personal signature in interiors, as well as information. Encounter the world of CRAVT Original and enjoy the carefully styled setting of our interiors. We look forward to be connected with you soonest. CRAVT Original team

we give a new future to old crafts

index

Stingray and parchment

6

Bone

36

Horn

50

Leather

62

Eggshell

76

Silverleaf and lacquerware

88

Mother of pearl

102

Seashell

116

Stainless steel

134

Fine iron

148

Metal casting

156

Metal hammering

172

Semi precious stone Petrified wood

184 200

Selenite stone

212

Glass

222

Special materials

234

Samples and finishes

238

Lampshades

240

Silverleaf colours

242

Metal finishes

244

Horn samples

245

Contact

248

stingray and parchment

6

7

cravt original

stingray and parchment

Polished, cut, inlayed

8

9

stingray and parchment

cravt original

stingray Stingrays, phantoms of the deep, have captured the mind and imagination for centuries. They’re large and usually friendly but in precarious situations stingrays can be extremely lethal. Their strong image perfectly represents their skin, which is rough and tough but gorgeous. Stingray and shark skin is called ‘shagreen’ and was originally used to rub, polish or file. A master leatherworker in the court of Louis XV (Jean-Claude Galluchat) first popularised the use of stingray leather, using it as veneer on a variety of items including sheaths, wig cases, perfume flacons, sewing and snuff boxes. Later the artisan John Paul Cooper wrote ‘shagreen is possessing some of the qualities of both mother of pearl and leather’. The qualities for which this fine leather is valued are also what make it so difficult to work with. It’s combination of extreme hardness and elastic softness requires great patience and skill to produce flawless products.

10

11

stingray and parchment

cravt original

703419 TEACH Desk, antique stingray and ebony 92 x 45 x 87 cm

703430 REST Chair, antique stingray, ebony and suede 49 x 54 x 84 cm

12

13

stingray and parchment

cravt original

703415 VULGAN OVAL Mirror, gold leaf antique stingray, antique parchment, brown penn shell cracked and ebony 120 x 10 x 180 cm

703417 BLOCKS DRESSER Dresser, blocks brown cracked penn shell, gold leaf antique stingray, ebony black, antique parchment, ebony veneer and stainless steel 193 x 54 x 101 cm

14

15

cravt original

703423 LEULEY

703421 NIEC

703426 TIFANIE

Chair, antique stingray and ebony

Side table, antique stingray and ebony

Jewel chest, silver antique stingray, cow bone,

65 x 30 x 59 cm

50 x 30 x 77 cm

mirror and ebony recon with silver handles 43 x 43 x 124 cm

703425 AFTERNOON

703411 BLOCKS COFFEE TABLE LIGHT

703420 SAFE

Table double deco, antique stingray, ebony and

Coffee table, blocks in white mother of pearl S3054,

Jewel chest, antique stingray and ebony

stainless steel

antique stingray S3034, bleached parchment S3003,

veneer with silver handles

Dia. 58 x 66 cm

ebony veneer and stainless steel

70 x 38 x 141 cm

150 x 120 x 45 cm

16

17

cravt original

stingray and parchment

703422 MAKE UP

703424 LEGRAIN

Dresser art deco, antique stingray and ebony with

Chair, antique stingray and ebony

silver and mother of pearl handles

56 x 26 x 59 cm

138 x 29 x 168 cm

18

19

cravt original

stingray and parchment

20

398435 ARMOIRE

703427 JACK

703308 DEAL

703309 KABINET

Cabinet, tabac resin stingray, dark greywood and

Chest diamond, silver antique stingray and

Table, dark fog stingray with white bone

Window display, caviar stingray, caviar parchment,

brass

ebony veneer

Dia. 100 x 72 cm

ebony veneer and glass

90 x 55 x 180 cm

40 x 30 x 180 cm

398433 CENTRY SILVER

398434 CENTRY TABAC

703291 HOLD LARGE

703292 HOLD MEDIUM

Pillar, white resin stingray and polished stainless

Pillar, tabac resin stingray and brass frame

Tray table, caviar stingray and grey stone

Side table, caviar stingray and grey stone

steel frame 40 x 40 x 120 cm

40 x 40 x 120 cm

100 x 50 x 90 cm

50 x 50 x 65 cm

100 x 35 x 200 cm

21

cravt original

703428 VEGAS Game table, gold leaf antique brown stingray, loura faya veneer and cow bone with gold stingray handles 79 x 79 x 75 cm

22

23

cravt original

stingray and parchment

24

703222 STOUT

703332 STOUT TURQUOISE

398386 ISTANBUL ANTIQUE

398385 ISTANBUL

Vase, black blue stingray

Vase, turquoise stingray and stainless steel

Box, antique stingray with stainless steel trim

Box, blue stingray with brass trim

38 x 10 x 40 cm

38 x 10 x 40 cm

40 x 20 x 20 cm

40 x 20 x 20 cm

660020 WIPE RED

660021 WIPE BLUE

703440 HAVANA CAVIAR

703441 HAVANA GOLD

Tissue box, red stingray and white bone

Tissue box, navy blue stingray and white bone

Ashtray, caviar stingray and black cracked mother of pearl

Ashtray, old gold stingray and brown cracked penn shell

13 x 13 x 15 cm

13 x 13 x 15 cm

23 x 15 x 5 cm

23 x 15 x 5 cm

660016 FRET ANTIQUE MEDIUM

660017 FRET RED MEDIUM

660015 RAISE

660014 STOW STINGRAY

Picture frame, antique stingray

Picture frame, red stingray

Box, kingfisher stingray with one skin on top

Box, navy blue stingray with one skin on top

24 x 19 x 3 cm

24 x 19 x 3 cm

34 x 27 x 6 cm

34 x 27 x 6 cm

25

stingray and parchment

cravt original

parchment Writing has always been a form of art, but it’s hard to imagine that the production of writing materials used to be a form of art too. Today we simply grab a pen and a piece of paper but in ancient times it took months, just to produce something to write on: parchment. Parchment is a thin material made from hide, usually from calf-, sheep- or goatskin and often split. The distinction between leather and parchment is that parchment is limed and not tanned; therefore, it’s very reactive to changes in relative humidity and is not waterproof. Finer-quality parchment is called vellum. Parchment was developed in Pergamon, from which it’s believed the word ‘parchment’ evolved, as a substitute for papyrus. To make the parchment more aesthetically pleasing or more suitable for the scribes, special treatments are used. Thin pastes of lime, flour, egg whites and milk are rubbed into the skin to make it smooth and white but there are recipes to tint parchment in a variety of colours including purple, indigo, green, red and peach. Rubbing pumice powder into the flesh side of parchment, while it’s still wet on the frame, is used to make it smooth and to modify the surface to enable inks to penetrate more deeply. Powders and pastes of calcium compounds were also used to help remove grease so the ink would not run.

26

27

stingray and parchment

cravt original

703324 SHAPE XL Table, dark fog stingray, light fog, ebony black parchment, wenge veneer and white bone 400 x 200 x 76 cm

703414 SHAPE XL ANTIQUE Table, gold leaf antique stingray, antique, ebony black parchment, wenge veneer and ebony 400 x 200 x 76 cm

28

29

stingray and parchment

cravt original

703416 ELVIN LIGHT Mini bar, bleached, water grey, ebony black, dark grey parchment and pastor stone and ebony 79 x 54 x 180 cm

30

703409 SEPARATE LIGHT

703410 SEPERATE DRESSER LIGHT

Table, top block pattern in bleached S3003, water grey

Dresser, block pattern in bleached S3003, water grey

S3002, ebony black S3109 and dark grey parchment

S3002, ebony black S3109, dark grey parchment S3031,

S3031 with metal leg

ebony lines and wenge veneer

150 x 150 x 76 cm

204 x 54 x 90 cm

31

stingray and parchment

32

cravt original

703285+ DIFFERENT SQUARE

703290 EVERLASTING

703321 TABLEAU XXL

Table lamp, water grey, caviar stingray, water grey,

Coffee table, caviar, water grey stingray, caviar, dark

Dining table, caviar parchment, grey stone, wenge

dark grey parchment and grey stone with shade

grey and water grey parchment

veneer with white bone

(see page 240) 50 x 50 x 90 cm

149 x 183 x 50 cm

300 x 110 x 77 cm

703283 DIFFERENT

703284+ DIFFERENT ROUND

703311 NEW LABOR DARK

Side table, water grey, caviar stingray, water grey, dark

Table lamp, water grey, caviar stingray, water grey, dark

Console, black blue stingray, caviar parchment, grey

grey parchment and grey stone

grey parchment with shade (see page 240)

stone and wenge veneer

200 x 40 x 90 cm

Dia. 50 x 89 cm

129 x 40 x 90 cm

33

stingray and parchment

cravt original

703334 FILE PRESENT XS

703359 BUXUM MEDIUM black

703386 MARCEL WOLTERINCK BOX SQUARE HIGH

660028 CAN

Box, turquoise, water grey stingray, caviar

Box, antique silver stingray, ebony black, water grey

Box, natural antique parchment, ebony and bronze

Box, water grey parchment and ebony

parchment, black cracked mother of pearl, python

parchment and ebony

brushed

9 x 9 x 11 cm

wood and white bone

45 x 28 x 12 cm

15 x 15 x 18 cm

703360 BUXUM SMALL BLACK

703366 TITULARI DARK GREY WHITE

660031 STALL

703364 BUXUM LARGE ANTIQUE SILVER WHITE

Box, antique silver stingray, ebony black, water grey

Napkin holder, dark grey parchment, lime oak veneer

Tissue box, water grey parchment and ebony

Box, antique silver stingray, bleached parchment and

parchment and ebony

and white bone

25 x 14 x 10 cm

ebony

28 x 28 x 12 cm

6 x 6 x 6cm

703376 PLATEAU SMALL DARK GREY

703380 BUXUM MEDIUM TURQUOISE

703442 MUTUALLY LARGE

703385 MARCEL WOLTERINCK BOX OVAL

Tray, ebony black stingray, dark grey parchment, ebony

Box, turquoise stingray, bleached, turquoise parchment,

Tray, gold leaf antique stingray, antique parchment and

Box, natural antique parchment and ebony

and white bone

lime oak veneer and white bone

ebony

30 x 15 x 18 cm

34 x 30 x 4 cm

45 x 28 x 12 cm

64 x 30 x 4 cm

15 x 15 x 10 cm

34

70 x 28 x 12 cm

35

bone

36

37

cravt original

bone

Cut, glued, inlayed

38

39

bone

cravt original

Bones literally are the structure of life. They carry us around and keep us safe from harm. Although bones and skeletons have a strong connection with death, there are cultures that offer them a second life through works of art and utensils. In a way that’s a beautiful thing: giving birth to something new through the use of such a strong symbol for ‘the end’. And the results are astonishing. Incredible works of art, inlaid or decorated with pieces of bone. The history of people using bone objects is long and rich. In China for example, as early as during the Hemudu Culture (circa 5000 BC), people used bone items as tools. After noticing the bones’ natural beauty, they started to use bone for decorative purposes as well as utensils. The bone artwork featured excellent craftsmanship and was exquisitely designed. Inlay, lay-on or a combination of these techniques can be used to create a beautiful effect in level. This makes the bone to transcend the wooden base. This traditional craft has been further developed in modern times and is traditionally used in fine furniture. Today bone is also applied for interior decoration of modern hotels and high-end residences. For this technique generally buffalo or camel bone is used.

40

41

bone

cravt original

MALE / FEMALE Chiffonnier Antrophomorphe Design by André Groult ( 1884 - 1966 ) Design classics in art deco style designed by André Groult in 1925. A round curved dresser designed specially for women and a more squared dresser especially designed for men. Both dressers are inlayed with antique stingray and white bone. The original dressers are exposed at the Musée des Arts Décoratifs, Paris

44

660010 LOUIS

660011 MARIE ANTOINETTE

Male cabinet, antique stingray, white bone with

Female cabinet, antique stingray, white bone with

inside ebony veneer

inside ebony veneer

80 x 32 x 150 cm

76 x 36 x 145 cm

45

bone

cravt original

320409 MASTER

320408 BOSS

320237 CHESS BOX

Bowl, bone antique with pattern inside

Bowl, bone antique with pattern inside

Box chess board, bone, including bone chess

Dia. 37 x 8 cm

Dia. 46 x 15 cm

pieces 31 x 31 x 6 cm

320396 PAIL

320399 CHEERY

320244 ALANO CHESS

Wine bottle cooler, bone tile with stainless steel

Box, bone antique with black lines

Table chess, buffalo horn and bone polished,

Dia. 21 x 22 cm

15 x 10 x 7 cm

including bone chess pieces Dia. 43 x 48 cm

46

320397 WAIVE

320226 TYREE

320243 ALANO WHITE

Box, bone with horn etching

Tray, plain buffalo bone polished

Table, buffalo white bone ploshed

15 x 10 x 7 cm

30 x 30 x 4 cm

Dia. 43 x 48 cm

47

bone

48

cravt original

320205 PELIAS

320230 ASWIN LARGE

Box, square buffalo bone polished

Tray, plain buffalo bone polished with black grips

21 x 13 x 5 cm

44 x 30 x 4 cm

320209 PIERINO

320232 PARFAIT LARGE

Box, buffalo bone and sheesham wood polished

Box, buffalo bone polished

21 x 13 x 3 cm

21 x 21 x 8 cm

320227 TAJ

320233 AELWYN

Tray, taj print buffalo bone polished with black grips

Box, carved buffalo bone polished

34 x 22 x 4 cm

Dia. 20 x 8 cm

49

horn

50

51

cravt original

horn

Heated, bended, pressed

52

53

horn

cravt original

Horn is one of those typical symbols of power and strength. Cattle depend on horn for self-defence against natural enemies or to make clear who has the right to mate. But there’s more than meets the eye. Who looks beyond what maybe the obvious, discovers incredible textures, which can be used for the decoration of a variety of products. Horn is unadulterated beauty provided by mother Nature. Our collection is made of horns coming from African cattle and domesticated Vietnamese water buffalos. The artisans working with horn are true specialists in creating and working with this material. Horn is a material is very difficult to process; it’s incredibly strong and hard. This makes it sound obvious that many years of experience and a high level of skills are key ingredients for our craftsmen. Required to create exquisite and incredibly beautiful products, our artisans rely on knowledge passed by their ancestors. They represent over 400 years of tradition, but to reach the status of ‘skilled artisan’ they must work hard to reach this goal. Horn has been used as human adornment and jewellery for centuries. A wide variety of products, such as table tops, cutlery, side plates and other dishes, lamps, bathroom accessories, tools, blades, combs, buttons and jewellery is known. To summarize, horn products are very durable, strong, exclusive and incredibly beautiful. The hands of a talented and skillful artisan, which literally give our products a personal touch, have processed each and every inch of horn you’ll find in our collection.

54

55

horn

56

cravt original

950100-E TAMIM BROWN SMALL

950100-B TAMIM BOLD SMALL

350010+ COWLIGHT MARBLED

350011+ COWLIGHT

Table, top brown cow horn 5 x 5 cm squares with soft

Table, top black and white cow horn 10 x 10 cm squares

Lamp, square blocks in marbled horn,

Lamp, square blocks in colouful horn,

epoxy layer on 950100-L1 darkened metal frame (see

with soft epoxy layer on 950100-L1 darkened metal

metal stand with shade (see page 240)

metal stand with shade (see page 240)

page 245)

frame (see page 245)

35 x 35 x 90 cm

35 x 35 x 90 cm

100 X 100 x 73 cm

100 X 100 x 73 cm

950100-F TAMIM BROWN LARGE

950100-G TAMIM WHITE SMALL

350012+ COWLIGHT FIREFLY

350013+ COWLIGHT COLOURFUL

Table, top brown cow horn 10 x 10 cm squares with soft

Table, top white cow horn 5 x 5 cm squares with soft

Lamp, rectangular in horn, firefly design,

Lamp, rectangular colourful horn, metal

epoxy layer on 950100-L2 darkened metal frame

epoxy layer on 950100-L2 darkened metal frame

metal feet with shade (see page 240)

feet with shade (see page 240)

(see page 245)

(see page 245)

36 x 16 x 46 cm

36 x 16 x 46 cm

100 X 100 x 30 cm

100 X 100 x 30 cm

57

horn

cravt original

320211 BURRIT NET LARGE

320215 BRINIO

Bowl, net print buffalo horn polished

Bowl, inside plain outside carved buffalo horn

Dia. 21 x 8 cm

polished Dia. 17 x 7 cm

320213 BURRIT CIRCLE SMALL

320216 BYRON

Bowl, circle print buffalo horn polished

Bowl, inside burnished outside polished

Dia. 13 x 5 cm

buffalo horn 26 x 23 x 9 cm

58

320214 BAILEY

320220 BRUNO LARGE

Bowl, plain buffalo horn polished

Bowl, buffalo horn polished

31 x 22 x 14 cm

Dia. 17 x 7 cm

59

horn

60

cravt original

320392 CATCHER

320188 TRISTAN SMALL

320384 MAMA

320387 GRAND MOTHER

Box, horn with bone squares

Box, buffalo horn polished

Picture frame, bone pipe with horn and wood rings

Picture frame, bone with brass nails

20 x 13 x 5 cm

13 x 7 x 5 cm

24 x 19 x 2 cm

27 x 17 x 2 cm

320190 TRIJNCO LARGE

320393 CATCH

320383 UNCLE

320389 GRAND FATHER

Box, etching buffalo horn polished

Box, horn with squared pattern

Picture frame, horn with bone squares

Picture frame, horn triangle pattern

19 x 13 x 6 cm

18 x 13 x 5 cm

32 x 27 x 2 cm

22 x 17 x 2 cm

320394 WRAP

320405 LIVELY

320385 PAPA

320410 GOD FATHER

Box, horn with crazycut pattern with handle

Box, horn diagonal inlayed and black border

Picture frame, horn with bah rings

Picture frame, horn pipe with metal rings

41 x 18 x 19 cm

18 x 13 x 5 cm

22 x 17 x 2 cm

24 x 19 x 3 cm

61

leather

62

63

cravt original

leather

Dye, dry, sew

64

65

leather

cravt original

The natural cow hide provides an indefinite source to create a wide variety of unique finishes. The sign of animal life such as scars, chafes and stamp marks are characteristics that show the roughness of the leather that is used to create a rusty finish. The hairy cow leather is selected from natural beige colours and drum dyed into specific colours. As each individual hide is unique, tone differences are likely to show. Paper lamination is a special technique for luxury silver, gold, platinum and brass finishes that subsequently can be drummed to create a specific, natural or antique look. A specified pattern chosen to a particular product can be laser cut and every piece is hand treated for its final look. Specific hallmarks for fine furnishing are provided by a luxury vertigo and nubuck. As the vertigo finish is a slightly waxy rustic look, the nubuck shows a very soft and velvety feeling. Suede is yet another specific finish with a significantly more hairy effect. Fur is an extremely soft and a 100% natural product. All different types of fur are selected with special care and sorted by hand. Fur is adored and used because of its natural beauty. Feel the softness and enjoy the characteristic and chic look. Beautiful items can be created with sheep fur, like the Tibet sheep with the particular long curly fur or the patchwork of Tuscany sheep. Luxury frost fox fur provides a very particular look with soft grey tones and some white. By using the fox leg fur a light beige mix with some grey brown tones it has a very distinctive look. A wave pattern can be realized by using a mix of long and short hair. Bunny and rex fur is very fine and provide an incredibly soft and very dense fur.

66

67

leather

68

cravt original

850224 GHILBY

850226 CLASSIC

850231 BORSA COPPER

Sofa, leather ghilby ebony brown

Chair, leather flotter purple

Pouf, leather hairy brown copper

250 x 95 x 65 cm

80 x 94 x 86 cm

85 x 90 x 80 cm

850225 PANCA

850228 LEOPARD BROWN

850229 PANTHER BLACK

Sofa, leather nubuck oyster olive grey

Chair, leather gotic berjer leopard brown

Chair, leather gotic berjer black

320 x 105 x 74 cm

84 x 87 x 124 cm

84 x 87 x 124 cm

850222 DORMEUSE BEIGE PLATINUM

850227 RETRO GREY

850233 BORSA AGAT

Daybed, leather hairy beige platinum

Chair, leather ghilby black and hairy

Pouf, leather black mat agat

and black blacebock

grey

85 x 90 x 80 cm

90 x 175 x 102 cm

70 x 90 x 87 cm

69

leather

cravt original

850010 SQUARE NATURAL SILVER

850134 PION BLACK

850195 STOCKHOLM HAIRY GREY

850157 HELSINKI BEIGE

Pouf, buck hide natural silver

Coffee table, cow leather black rusty

Chair with arms, cow hide hairy grey

Chair, cow hide beige hairy

45 x 45 x 45 cm

with mirror glass top

70 x 61 x 84 cm

54 x 61x 84 cm

Dia. 45 x 45 cm

850028 SQUARES LARGE BLACK

850026 SQUARES LARGE BEIGE GOLD

850212 HELSINKI ROUND BEIGE

850155 MADRID PLATINUM

PLATINUM

Pouf, cow hide beige gold

Chair, cow hairy leather beige and

Chair with arms, cow leather antique

Pouf, cow hide black platinum

100 x 100 x 40 cm

brown

black platinum rusty

55 x 59 x 97 cm

64 x 59 x 80 cm

100 x 100 x 40 cm

70

850019 BOLD BROWN

850271 OYSTER

850163 GOTEBORG BLACK PLATINUM

850256 STOCKHOLM BARCHAIR GREY

Pouf, lamb from Tibet brown

Pouf, leather nubuck oyster olive grey

Barchair, cow leather black platinum rusty,

Barchair with arms, leather vertigo grey

Dia. 90 X 40 cm

120 x 120 x 38 cm

with legs iron covered with shiny nickel

lucido with bronze feet

45 x 43 x 90 cm

72 x 61 x 113 cm

71

leather

72

cravt original

850217 NEXUS SINGLE

850219 NEXUS LONG

Element bench part 1, leather cow hairy

Element bench part 3, leather cow hairy

grey, straight cutting rusty black platinum,

black, flotter nubuck light grey, straight

cow hairy black and rugan antique black

cutting rusty black platinum and rugan

90 x 90 x 70 cm

antique black 90 x 200 x 70 cm

850218 NEXUS CORNER

850220 NEXUS ISLAND

Element bench part 2, leather flotter

Element bench part 4, leather rugan anti-

nubuck light grey, cow hairy grey, cow

que black, cow hairy black, flotter nubuck

hairy black and rugan antique black

light grey and straight cutting rusty black

90 x 90 x 70 cm

platinum 90 x 200 x 70 cm

73

leather

cravt original

850248 CURLY GOLD

850251 HUG WHITE GOLD

850238 PONERE BROWN

850239 PONERE FABRIC BEIGE

Cushion, leather curly lambskin white

Cushion, leather white gold mat and

Throw, leather Toskana brown brissa

Throw, leather melody fabric beige

gold

back in fabric

180 x 140 cm

270 x 260 cm

Dia 20 x 80 cm

60 x 60 cm

850054 HOLD GOLD

850098 BORDER BROWN TIPPING

850237 PONERE BLACK

850235 PONERE GREY

Cushion, cow hide gold

Cushion, Toscana sheep brown tipping

Throw, leather Toskana black

Throw, leather frost grey black

40 x 40 x 20 cm

with rugan brown back

180 x 140 cm

180 x 120 cm

60 x 30 cm

850254 CONIGLIO BLACK

850051 HUG BROWN

850240 CONEJO BEIGE

850236 PONERE BEIGE

Cushion, rabbit fur black drop cutting

Cushion, lamb from Tibet brown and

Throw, rabbit fur beige drop cutting

Throw, leather Toskana beige

50 x 25 cm

cow hide platinum

220 x 50 cm

220 x 240 cm

60 x 30 x 20 cm

74

75

eggshell

76

77

cravt original

eggshell

Broken, burned, inlayed

78

79

eggshell

cravt original

Eggshells are one of those typical, true wonders of nature. They protect, feed and give birth to new life. Therefore there’s great and meaningful resemblance with the art of eggshell inlay created by our craftsmen in Vietnam. Using one of Mother Earths most fragile materials, they give birth to incredible works of art. The art of eggshell inlay originated in China around the time of the Tang Dynasty (618 – 907). The technique spread from China to Japan via Korea and ultimately became one of Vietnams most well known traditional crafts. Using eggshell requires the skills of true artisans, who inherited their knowledge from generations of craftsmen and brought it to perfection in order to create the true treasures. The eggshell is inlaid into one of natures most durable products: lacquer. The combination of these two materials, using centuries-old techniques, result in the most exquisite and original lacquerware crafted by hand today. Eggshell inlay uses (hatched) duck eggs, because of their inherent thickness and whiteness. The eggshells are cleaned, arranged in a pan and roasted over a bed of hot charcoal. A range of coloration can be achieved: from light mocha to deep chocolate and from burnished gold to ash black. Contemporary

artisans

manufacture

fiberglass

moulds enabling them to create exceptional forms of variable size and scale: enormous planters, oversized vases and bowls, long tables, chairs, consoles, mirrors, boxes, decorative plates and frames. Each piece of eggshell is glued on to the mould with great attention for it’s effect on the overall design. Multiple layers of lacquer are then applied. The piece is finished with purified beeswax polished to a high gloss.

80

81

eggshell

cravt original

742692 SPHERE VASE BROWN Vase, matt brown, brown silverleaf and matt dark eggshell Dia. 89 x 96 cm

742695 SPHERE VASE SILVER Vase, plain silverleaf, white lacquer and matt light eggshell filled with white lacquer Dia. 89 x 96 cm

82

83

eggshell

cravt original

742470 BOTTLE TALL

742651 BOTTLE TALL BIRD

742599 SHOVE DARK

742590 FREE DARK EGGSHELL SMALL

Vase, coloured eggshell inlay

Vase, coloured lacquer, eggshell and brown mother of

Pillar 4 layers, polished eggshell filled with black

Block, grey lacquer S2009 and front eggshell

40 x 25 x 190 cm

pearl inlay S2216

lacquer S2017, silverleaf S2250, eggshell S2014 inlay

inlay S2016

40 x 25 x 190 cm

and black lacquer S2037

50 x 60 x 50 cm

60 x 60 x 51 cm

742652 BOTTLE BIRD

742471 BOTTLE BELLY

742600 SHOVE LIGHT

742587 FREE DARK EGGSHELL

Vase, medium brown silverleaf S2228, copper

Vase, black lacquer S2037, champagne gold

Pillar 4 layers, polished eggshell filled with white lac-

Block, grey lacquer S2009 and front eggshell

silverleaf S2436, black lacquer S2037, eggshell and

silverleaf S2035 and eggshell inlay

quer S2012, silverleaf S2039, eggshell S2014 inlay and

inlay S2016

brown mother of pearl inlay

55 x 35 x 170 cm

white lacquer S2036

50 x 40 x 100 cm

35 x 100 x 160 cm

84

60 x 60 x 51 cm

85

cravt original

742680 CLOSE EGGSHELL MATT Vase, coloured matt eggshell light to dark Dia. 40 x 130 cm

742679 COARSE EGGSHELL MATT Vase, coloured matt eggshell dark to light Dia. 65 x 200 cm

86

87

silverleaf and lacquerware

88

89

cravt original

silverleaf and lacquerware

Mall, silverleaf, brushed

90

91

silverleaf

cravt original

Silver and great achievements are inextricably linked. Gold symbolizes coming in first while silver often holds the maybe even more interesting dramatic euphoria of being second best. It’s clear that mankind always has had special interest in the gleaming jewels of nature. Talks about precious metals, like silver, always raise the antennae. The art of applying silverleaf to decorative objects, including lacquerware, is known as gilding. ‘silver beating’ is the term for the process of pounding silver into leaves. Nowadays the process of producing silverleaf is largely mechanized but the gilding itself, is done by artisans who realize ‘precious achievements’ on a daily base. It’s a delicate process. First the surface is primed. Next it’s sized. Individual leaves are laid onto the surface using a gilders tip. This is a fine camel hairbrush set in a thin cardboard folder. The leaf is held to the tip by static electricity generated by gently rubbing the tip against the gilders hair. The slightest breath can send the leaf flying. Once the gilding is complete the leaf-covered surface is burnished to a high lustre using surgical grade cotton. Wood moulds are the preferred cores for lacquerware, though wickerwork, leather and textile can also be used. The imparted shape bespeaks it’s utility implement, vessel, furniture etc. It’s ornamentation is unique to the creator. Decorative motifs are drawn and transferred by hand on to the receptacle. These are inlaid with silverleaf, Mother of pearl, seashell, and fine powder pigments, according to the specifications of the design. Silver plating is ideally suited to create objects in special colour nuances.

92

93

silverleaf

cravt original

742701 GRANATE BROWN SMALL Vase, coloured silverleaf champagne gold S2035, copper S2436, medium brown S2228, base white crackshell S2396 in S2486 and white crackshell S2396 in platinum Dia. 60 x 90 cm

742697 GRANATE GREEN LARGE Vase, coloured silverleaf dark grey S2467, grey lacquer S2464, light blue lacquer S2442, base white crackshell S2396 in light green S2480 and white crackshell S2396 Dia. 60 x 140 cm

94

95

silverleaf

96

cravt original

742336 + S2039 GEORGE SMALL

742676 + S2430M BAROQUE LOW

Vase, coloured silverleaf, available in different

Vase, coloured silverleaf, available in different

coloured silverleaf (see page 242)

coloured silverleaf (see page 242)

Dia. 40 x 70 cm

Dia. 110 x 80 cm

742419 + S2033 COARSE

742678 + S2467M COARSE

Vase, coloured silverleaf, available in different

Vase, coloured silverleaf, available in different

coloured silverleaf (see page 242)

coloured silverleaf (see page 242)

Dia. 65 x 200 cm

Dia. 108 x 130 cm

97

silverleaf

cravt original

742630 BOOKSHOP Bookcase, silverleaf ebony brown S2435, yellow S2413 and eggshell inlay 160 x 100 x 254 cm

742708 BOOKSHOP SILVER Bookcase, silverleaf antique S2032, light champagne S2223 and dark grey S2467 160 x 100 x 254 cm

98

99

silverleaf

cravt original

742598 THROUGH BLACK

742594 THROUGH PEBBLES

742699 HEXAGON BOWL

Mirror, platinum silverleaf S2033 and black

Mirror, dark silverleaf S2430, black lacquer

Bowl, coloured silverleaf S35, medium brown S2228,

silverleaf S2435

and mother of pearl inlay S2056

base white crackshell S2396 in S2486, light green

80 x 70 x 10 cm

220 x 120 x 20 cm

S2480, dark grey blue S2478 and dark grey S2485 Dia. 50 x 40 cm

100

742596 THROUGH SILVER

742597 THROUGH EGGSHELL

742702 HEXAGON BOWL SILVER

Mirror, dark silverleaf S2430 and polished

Mirror, platinum silverleaf S2033 and eggshell

Bowl, coloured silverleaf silver, S2039, S2223,

eggshell filled with silverleaf S2029

inlay S2014

white crackshell S2396 and black mother of pearl

200 x 180 x 20 cm

100 x 80 x 13 cm

Dia. 50 x 40 cm

101

mother of pearl

102

103

cravt original

mother of pearl

Shaped, cracked, inlayed

104

105

mother of pearl

cravt original

The worlds oceans are often considered the ultimate source of life: an immense force, which has an effect on the weather, our climate and our life in general. Keeping this in mind it’s not a surprise that this true element of life holds wonderful treasures for us to enjoy. Mother of pearl is certainly one of them. Mother of pearl is the term for to the reflective substance on the inside of mollusc shell. This substance, known as nacre, is the same as the mollusc uses to coat a foreign particle that made it into it’s mantle, irritating it’s muscular tissue. A pearl is a result of this self-protective process. The Asians were among the first to cultivate mollusc for the lustrous quality of their inner shells. Once harvested, artisans cut the shells into predetermined shapes with a coping saw to create the most intricate designs. The cut pieces of Mother of pearl are approximately 2 millimeters thick. Just as individual shapes are first drawn onto the prepared shells, the patterned design is drawn directly onto a mould. The pieces, cut to precision, are glued on the surface pattern. Once the Mother of pearl has been laid on, layer upon layer of lacquer, then plaster, lacquer, then plaster, is applied successively, until the lacquered surface is equal to the level of the Mother of pearl. Each layer is dried and then rubbed smooth using fine sandpaper and water. A final polished glaze of lacquer finishes the piece. Mother of pearls unique undulating grain is the result of seasonal fluctuations in a molluscs diet. Darker layers arise during winter months. Lighter layers during warmer summer months.

106

107

mother of pearl

cravt original

742694 SPHERE SIDE TABLE Table, top white cracked mother of pearl and leg matt medium brown silverleaf 200 x 52 x 82 cm

742681 SPHERE TABLE Table, top white cracked mother of pearl and leg matt medium brown silverleaf Dia. 150 x 76 cm

108

109

mother of pearl

110

cravt original

742489 THEO SKETCH

742493 COARSE SKETCH

742408 RHINE WHITE

742339 NILE BLACK

Vase, black lacquer S2037 with mother of

Vase, black lacquer S2037 with mother of

Vase, white lacquer S2036 and mother of pearl

Vase, black lacquer S2037 and mother of pearl

pearl inlay

pearl inlay

inlay

inlay

100 x 60 x 100 cm

Dia. 65 x 200 cm

Dia. 60 x 55 cm

90 x 22 x 29 cm

742433 ETERNAL

742420 ETERNAL MEDIUM

742340 MISSISSIPPI BLACK

742407 MISSISSIPPI WHITE

Vase, platinum silverleaf and mother of pearl inlay

Vase, platinum silverleaf and mother of pearl inlay

Vase, black lacquer S2037 and mother of pearl

Vase, white lacquer S2036 and mother of pearl

S2045

S2045

inlay

inlay

61 x 15 x 63 cm

Dia. 40 x 130 cm

Dia. 40 x 125 cm

Dia. 40 x 125 cm

111

cravt original

398294 CAVE MEDIUM Mirror, cracked polished black lip shell and cracked raw mother of pearl Dia. 100 x 10 cm

398293 CAVE LARGE Mirror, cracked polished black lip shell and cracked raw mother of pearl Dia. 150 x 15 cm

112

113

mother of pearl

cravt original

742687 SCISSORS MEDIUM Table, top dark grey coloured cracked mother of pearl, leg dark grey matt silverleaf 165 x 40 x 90 cm

742688 SCISSORS LARGE Table, top dark grey coloured cracked mother of pearl, leg dark grey matt silverleaf 300 x 110 x 76 cm

114

115

seashell

116

117

cravt original

seashell

Raw, cracked, polished

118

119

seashell

cravt original

Seashells are the abundant armours of the sea. They protect the extremely vulnerable molluscs, which are living inside it and keep them safe from life-threatening dangers around them. But apart from that, haven’t we all experienced memorable times while searching seashells? It’s just that that makes seashell one of those typical “feel good” products. They look incredibly beautiful, bring back memories and put a smile on people’s faces. Seashell have been used as human adornments and jewellery since prehistory. They were used for items such as beads, buttons, brooches, hair combs and rings. Shell necklaces have been found in Stone Age graves as far inland as the Dordogne Valley in France. Seashell textures and uniqueness make them very decorative and suitable for finishing a variety of objects, like bowls, vases and lamps. Each and every object will shimmer like a treasure of the sea and truly come alive. There’s a surprising degree of variation in the shape, pattern and ornamentation of seashells. Reason for the exquisite colouring of a given species is not always clear. Sometimes it is for it’s protection, as camouflage against predators. But just as often there doesn’t appear to be any practical reason at all. But one thing is sure: the shells are simply beautiful. The process of cutting, shaping, grinding and polishing the shells renders them magnificent. Large numbers of seashells in numerous colours and structures can be used to create inlays for mosaics, decorative walls, furniture, vases, boxes and accessories. Processing seashells is a very hard and difficult task, which can only be carried out by an experienced specialist. Therefor a craftsperson relies on knowledge passed down from his ancestors and years of interned experience before he can claim mastery of this exceptional craft. No school can teach what these artisans need to know. Practice, patience and passion are key requirements to becoming a true master.

120

121

seashell

122

cravt original

398396 SINGAPORE

398410 MUSHROOM BROWN LARGE

398411 MUSHROOM MEDIUM

398412 MUSHROOM SMALL

Cabinet, tab37 cracked shell and matt brass

Vase, tab39 cracked polished shell

Vase, tab37 cracked polished shell

Vase, green cracked polished penn

122 x 50 x 91 cm

and brass top rim

and brass top rim

shell and brass top rim

68 x 46 x 130 cm

49 x 32 x 80 cm

44 x 30 x 53 cm

123

seashell

cravt original

742689 C’S LARGE Table, top copper silverleaf, 2 legs brown penn shell and 2 legs matt copper silverleaf 270 x 45 x 90 cm

742691 C’S Table, top brown cracked penn shell, 2 legs matt copper silverleaf and 2 legs copper silverleaf 300 x 130 x 76 cm

124

125

seashell

cravt original

398388 APPLE ORANGE

398393 BUENOS AIRES BROWN

Box, tab37 cracked polished shell with brass

Box, brown penn shell crazycut with brass stand

19 x 15 x 22 cm

40 x 25 x 15 cm

398387 APPLE WHITE

398392 BUENOS AIRES GREEN

Box, white kabibe cracked polished with stainless

Box, green penn shell crazycut with brass stand

steel

40 x 25 x 15 cm

19 x 15 x 22 cm

126

398390 APPLE BROWN

398391 BUENOS AIRES

398419 SEOUL LARGE

398418 SEOUL SMALL

Box, tab55 cracked polished shel lwith brass

Box, leopard cracked penn shell, black resin with

Vase, red tab cracked polished crazycut and brass

Vase, red tab cracked polished crazycut and brass

19 x 15 x 22 cm

brass stand 40 x 25 x 15 cm

Dia. 76 x 110 cm

Dia. 29 x 42 cm

127

seashell

cravt original

398397 TORTOISE STUD Cabinet, tortoise shell cracked polished, mirror glass and black powder coated frame 110 x 60 x 175 cm

128

129

seashell

cravt original

397793 CEE SMALL

398108 AFFECT

Vase, radica brown lip shell

Object, black tab shell raw outside and white

90 x 20 x 90 cm

kabibe shell polished inside 75 x 30 x 70 cm

398401 TOKIO Table, toise yellow cracked penn shell and leg in medallon 50 x 50 x 55 cm

398068 TRANSFORM

397775 TONY BROWN

Bowl, black lip shell with inlay from raw to cracked

Bowl, radica brown lip shell

polished

Dia. 40 x 22 cm

Dia. 50 x 50 cm

130

397966 CIRCULAR WHITE LARGE

398300 DROP BLUE

398399 VENETIAN

Bowl, brown lip, white kabibe shell and

Bowl, blue paua shell crazycut outside and

Table tripod, tortoise yellow cracked

stainless steel top rim

cracked polished inside

and brass medallon

Dia. 52 x 31 cm

Dia. 13 x 5 cm

Dia. 60 x 60 cm

131

seashell

cravt original

398323 BUOY BOMBS LARGE

398168 FLUE TIGER

Vase, radica mother of pearl raw

Vase, cracked tiger tab shell

Dia. 55 x 110 cm

Dia. 50 x 120 cm

397963 EGG LARGE

398315 CYLINDER LARGE

Vase, cracked black tab shell raw and black lip

Vase, crazycut black lip shell polished

shell polished

Dia. 6 x 25 cm

Dia. 53 x 73 cm

132

398329 BUOY KOI

397930 SPIRAL BOLD

397794 FRAIL

Vase, black lip shell, cracked mother of pearl raw

Vase, cracked black tab shell raw and stainless

Vase, crazycut black lip, brown lip shell and

and stainless steel koi pattern

steel

stainless steel polished

Dia. 90 x 140 cm

Dia. 100 x 70 cm

17 x 10 x 45 cm

133

stainless steel

134

135

cravt original

stainless steel

Cut, bended, polished,

136

137

stainless steel

cravt original

Stainless steel, as a metal and decorative item, is a true mirror of life. Sometimes it reflects the bright side of life; sometimes it’s ‘glazed’. And what to think of the discrepancy between flexibility and toughness? Stainless steel represents a form of purity that attracts and touches many of us, so maybe having a heart of steels isn’t that bad after all. Stainless steel is the ultimate form of hardware. It’s robust, strong, ethically correct and easy to maintain. Besides there’s an endless list of possibilities and functionalities it can be used for: stainless steel is incredibly versatile and the look of it can be combined with many types of interior design. Stainless steel, also known as inox, is an alloy (iron, nickel and a maximum of 1,2 % carbon) with a minimum chromium percentage of 11 to 12 added. Stainless steel doesn’t easily corrode, rust or stain with water like ordinary steel does. Today, adding elements such as titanium and silicon enriches many types of steel. French metallurgist Pierre Berthier, who noted the resistance against attack by acids and suggested the use in cutlery, first recognized the corrosion resttance of iron-chromium alloys in 1821. Hammering does curving the stainless steel parts for inlaying on objects. At the end of the inlaying process, the stainless steel is totally brushed or polished.

138

139

cravt original

140

398415 SNAKE LARGE

398416 SNAKE SMALL

Vase, natural snakeskin and stainless steel

Vase, natural snakeskin and stainless steel

Dia. 70 x 52 cm

Dia. 42 x 30 cm

141

stainless steel

cravt original

397934 NEATLY BLACK

397926 TOGETHER WHITE

Holder, black tab, black lip shell and stainless

Tray, brown lip, white kabibe, beige paua shell and

steel polished

stainless steel

10 x 10 x 10 cm

32 x 12 x 3 cm

397924 CLEANLY WHITE

397938 NEAT BLACK

Cotton box, brown lip, white kabibe, beige paua

Tissue box, black tab, black lip shell and stainless

shell and stainless steel polished

steel polished

10 x 10 x 10 cm

25 x 14 x 9 cm

320297 TIDY LARGE and 320299 TIDY SMALL

397936 BRIGHT BLACK

397928 INFLATE WHITE

Shelf, textured stainless steel and translucent fiber.

Dispenser, black tab, black lip shell and stainless

Box, brown lip, white kabibe, beige paua shell and

Available in different colours, ivory white, black,

steel polished

stainless steel polished

silver, antique brass, antique copper and antique

10 x 10 x 18 cm

30 x 21 x 12 cm

nikkel 220 x 50 x 203 cm and 50 x 50 x 203 cm

142

143

stainless steel

144

cravt original

398421 USHUAIA LARGE

398420 USHUAIA SMALL

Vase, stainless steel crazycut and kabibe cracked

Vase, stainless steel crazycut and kabibe cracked

85 x 85 x 110 cm

41 x 41 x 46 cm

145

stainless steel

cravt original

398395 MR. PIGGY

398394 MRS. PIGGY

320376 DIOR

398280 BUOY STAINLESS STEEL MIX EXTRA LARGE

Babe object, stainless steel

Babe object, stainless steel

Dog bed, polished stainless steel balls with cushion in

Vase, crazycut black tab shell, crazycut stainless steel

80 x 32 x 42 cm

80 x 30 x 42 cm

black hairy cow hide, sides and back in black fabric

polished and black grout

110 x 80 x 41 cm

Dia. 88 x 140 cm

398081 ICE LARGE

398080 ICE MEDIUM

398111 SLIDE MEDIUM

398291 LADY KILLER STAINLESS STEEL

Seat, black resin and stainless steel

Seat, black resin and stainless steel

Pillar 4 layers, cracked black tab shell raw and black lip

Bowl, stainless steel polished

150 x 95 x 40 cm

80 x 60 x 45 cm

shell polished, mahogany wood and stainless steel

Dia. 61 x 60 cm

60 x 60 x 51 cm

146

147

fine iron

148

149

cravt original

fine iron

Frame, wirework, finishing

150

151

fine iron

cravt original

Wirework, or tinkery, is a unique concept of solid and relatively cheap materials being transformed into gracious and sometimes complex eyecatchers. This form of craftsmanship, which turns expressionless iron wire into elegant pieces of fine art, is part of Slovak folk and dates back to the late 17th century. The craft originated among people living in the infertile mountainous area of the country’s northwest region. As with any folk art, tinkery originally is a utilitarian enterprise. Tinkers travelled the countryside repairing earthenware by embedding it with handcrafted wire nets. Soon they started producing household utensils and rudimentary farm tools. Hammered, drawn, coiled, pulled and cut, these unique handcrafted wirework objects were not only functional but also aesthetically beautiful. A local phenomenon, born of economic necessity, spread throughout Western Europe to Northern Africa, Asia and the Americas. By the mid to late 19th century, tinkery loomed large as a popular art. As happened to many forms of craftsmanship, industrialization temporarily overshadowed interest. By the mid-20th century wirework was considered a thing of the past. Luckily views changed. Today there’s a strong market for fine iron wirework. While the wire is no longer hand drawn, the work itself is entirely carried out by hand. Each piece bears the signature of the steady hand and eye that formed it. True craftsmanship. A skilled and experienced tinker can craft what can be imagined. Baskets, bottle racks, serving dishes, plant stands, trivets, tables, fixtures, lamps, large, small, ornate, austere. The tinker manipulates the pliant material, turning, twisting, and weaving the flexible strands into a firmly fixed form. The process is slow and exacting. The result: material form unlike any other.

152

153

fine iron

cravt original

701527+ BALANCE CHROME

701572+ ELEMENTS

Table lamp, fine iron wire chromed with

Table lamp, fine iron wire anthracite with

shade (see page 240)

shade (see page 240)

Dia. 60 x 75 cm

45 x 18 x 83 cm

701613 TUMBLE XXL Hanging lamp, fine iron wire anthracite with glass drops, 50 lights Dia. 144 x 365 cm

154

701571 HIVE

701541 RAIN CHROME

Hanging lamp, fine iron wire anthracite

Hanging lamp, fine iron wire chromed

Dia. 20 x 40 cm

Dia. 15 x 100 cm

701528+(Y) TORCH CHROME

701601 CROWN XXXL

701614 TUMBLE EXTRA LARGE

Floor lamp, fine iron wire chromed with

Floor chandelier, fine iron wire anthracite

Hanging lamp, fine iron wire anthracite

shade (see page 240)

and glass drops, 13 lights

with glass drops, 21 lights

Dia. 50 x 236 cm

Dia. 95 x 300 cm

Dia. 110 x 200 cm

155

metal casting

156

157

cravt original

metal casting

Moulding, casting, brushing

158

159

metal casting

cravt original

Metal casting is the result of a molecular process full of contradictions. Created by one of the strongest and most destructive elements on earth: fire. Melting and mixing copper, brass and lead by the use of the disastrous force of fire, allows our craftsmen to mould incredible shapes and forms: decorative jewels. Metal casting is an ancient craft that origins around approximately 3600 BC. At least that’s the age of the oldest casting in existence, found in Mesopotamia. In a nutshell, the process of casting begins with the preparation of a mixture of pure beeswax, resin from a tree and groundnut oil. Using a spatula, knife and scarper, this substance is fashioned into the pattern. The surface of this model is coated with layers of various clays to form a completed mould. An alloy of copper, brass and lead is made. The lead grants malleability, thus facilitating the chiselling and engraving of the pattern. Brass is added to the copper to lower the melting point of the alloy and to add an enduring lustre to the finished product. This molten alloy is carefully poured into a previously heated mould; once cooled, the mould is broken and the details of the pattern are engraved. The metal surface is smoothed with fine-grade emery paper and finally the piece is brushed with polishing sand and water.

160

161

metal casting

cravt original

320321 BLOCK SQUARE SILVER

320322 BLOCK SILVER

320482 FUSED LARGE

320279 FUSED

Table, top pyrite overlay, leg pinched rod shiny and

Table, top pyrite overlay, second layer brown

Table, top mix agate, branch leg antique brass

Table, top black agate, branch leg antique brass

matt polish with antique brass plating

smoke glass, leg pinched rod shiny and matt

plating

plating

40 x 40 x 71 cm

polish with antique brass plating

Dia. 95 x 76 cm

Dia. 55 x 53 cm

69 x 47 x 43 cm

320096 MATHIS BRASS

320084 MARX BRASS

320270 CHIPS DINING

320072 MENNO

Table, top in polished brass, leg in brass relief

Table block, in flat polished brass, sides in bubbles

Table, top brown glass, potato chips leg matt brass

Table, top in flat matt brass, legs in cast brass

Dia. 90 x 73 cm

cast brass

Dia. 95 x 73 cm

gravel and smooth polished brass

60 x 50 x 55 cm

162

Dia. 75 x 60 cm

163

metal casting

164

cravt original

320272+ CHIPS LIGHT LARGE

320275+ CORAL BRASS

Lamp, bark metal chips in antique brass powder

Lamp, coral design in antique brass highlighted

coating with shade (see page 240)

with shade (see page 240)

Dia 30 x 186 cm

Dia 25 x 86 cm

320497 GEKKO COPPER

320291+ CHIPS WHITE MEDIUM

320466+ CORAL STAND WHITE

Wall lamp, gekko copper plating

Lamp, bark metal chips in ivory white powder

Lamp, coral design ivory white powder coating

54 x 20 x 5 cm

coating with shade (see page 240)

with shade (see page 240)

Dia 25 x 104 cm

Dia 25 x 86 cm

165

metal casting

166

cravt original

320296 BREAK A LEG

320460 BREAK A LEG SAND

Side table, top black agate, chicken leg antique

Side table, top sepataria stone, chicken leg

brass with highlights

antique brass with highlights

Dia. 28 x 50 cm

Dia. 28 x 50 cm

320450+ COOP LIGHT

320449 COOP BENTED

Lamp, bented antique brass highlighted,

Candle holder, bented antique brass plating,

chicken leg with shade (see page 240)

chicken leg for 1 candle

Dia. 25 x 92 cm

Dia. 2 x 40 cm

167

metal casting

168

cravt original

320313+ AMATIST LIGHT

320469+ GIRAPH AMATIST

320467+ CORAL HANG

320375+ CORAL WHITE HANG

Lamp, pinched shiny brass with amethyst ball

Lamp, pinched shiny brass with amethyst ball

Wall lamp, coral design antique brass plating

Wall lamp, coral design ivory white powder

with shade (see page 240)

with shade (see page 240)

with shade (see page 240)

coating with shade (see page 240)

Dia. 45 x 190 cm

Dia. 30 x 117 cm

Dia. 25 x 69 cm

Dia. 25 x 69 cm

320470+ ROSE QUARTZ MEDIUM

320468+ ROSE QUARTZ SMALL

320483 COOP STRAIGHT

320448 CANDLE

Lamp, pinched light antique brass with rose

Lamp, pinched light antique brass with rose

Candle holder, antique brass plating, chicken

Candle holder, pinched shiny copper, branch

quartz ball with shade (see page 240)

quartz ball with shade (see page 240)

leg for 1 candle

leg for 12 candles

Dia. 30 x 117 cm

Dia. 25 x 76 cm

Dia. 3 x 65 cm

Dia. 40 x 70 cm

169

metal casting

cravt original

320444 PARTY XL

320445 PARTY L

Vase, top in glass, base pinched matt brass with

Vase, top in glass, base pinched matt brass

amethyst ball

Dia. 7 x 80 cm

Dia. 7 x 110 cm

170

320486 COOP TRAY

320473 OSTRICH

Tray, on stand, top brass plated aluminium, chicken

Candy bowl, half egg antique brass plating outside

leg antique brass highlighted

and high polished inside, duck leg

Dia. 30 x 27 cm

Dia. 18 x 15 cm

320443 PARTY SHINY

320484 PARTY MATT

320489 PLATTER SMALL

320490 PLATTER MEDIUM

Champagne glass, pinched shiny brass with

Champagne glass, pinched matt brass with

Platter, pinched sheet matt brass

Platter, pinched sheet matt brass

amethyst ball

amethyst ball

Dia. 20 x 5 cm

Dia. 30 x 6 cm

Dia. 5 x 40 cm

Dia. 5 x 40 cm

171

metal hammering

172

173

cravt original

metal hammering

Hammering, pinching, cladding

174

175

metal hammering

cravt original

To some the sound of metal being hit sounds meditative. To others it’s an awful noise they can hardly withstand. What’s for sure is that the art of metal hammering has played a great role in both Indian culture and history. The Indians have known the art of hammering metals for nearly 5000 years. This craft tradition withstood the ravages of time and numerous foreign invasions and continues to flourish. The craft of hammering metals in India revolved around religious beliefs and needs of patrons, royalty and common people. Foreign and domestic trade also influenced it. The first blacksmiths were seen as visionaries who could craft beautifully shaped and useful objects out of very inflexible materials. Because of their skills and talents for working with metals, ancient civilizations gave the master workers predominance over those who lacked these skills. The earliest examples of Indian crafts were found in the ruins of the Indus Valley Civilization (approximately 3000 to 1700 BC). Originally metal was derived from meteorites, which were also considered sacred. For that reason only special objects were made from it. Later it was discovered that metals could be found below the earth’s surface. Traditionally, Indian craftsmen used different kinds of metal like iron, copper, silver and alloys such as bronze, bell metal and white metal to produce hammered items. Typical items are pots, pans, utensils, photo frames, sculptures of deities, mythological figures and animals. In the field of metal work a variety of styles are seen in different parts of India.

176

177

metal hammering and cladding

320498 ROTATE LARGE

320461 ROTATE SHINY

Bar table, top in black agate, rings leg in light

Bar table, top in black agate, rings leg in shiny

antique brass

brass

Dia. 95 x 110 cm

Dia. 95 x 110 cm

398404 BALOO

320317 BOMBAY

320456 STRAGGLE BLACK

Cabinet, brass polished, hermes orange leafing

Side table, white metal polished sheet cladding

Side table, top black agate, leg hammered

and shelving with mirror

Dia. 70 x 56 cm

bronze textured shiny brass

136 x 95 x 200 cm

178

cravt original

Dia. 45 x 60 cm

179

metal hammering and cladding

cravt original

320318 PEACOCK

320277 TAJ MEDIUM

Chair, polished copper cladding

Chair, polished copper cladding

71 x 90 x 113 cm

104 x 62 x 88 cm

320278 TAJ EXTRA LARGE Sofa, polished copper cladding 215 x 71 x 94 cm

180

181

metal hammering and cladding

cravt original

320069 BARTO LARGE

320056 BARTO MEDIUM

Vase, tall with brass finish

Vase, medium with brass finish

Dia. 60 x 90 cm

Dia. 70 x 70 cm

398414 GRAB

320114 ALBRAN

Bowl, tab37 shell blocks, snakeskin and brass

Bowl, hammered waffle gold wash brass

hammered crazycut

Dia. 14 x 6 cm

398383 MAMMOTH LEG COPPER Side table, copper plate brushed crazycut and top in baguio stone 130 x 65 x 92 cm

65 x 58 x 30 cm

398381 MAMMOTH DESK

320119 ALBIN

320117 ALBÉRIC

Cabinet, copper plate brushed crazycut and top

Bowl, hammered pottery matt copper

Bowl, hammered fine line antique brass

in baguio stone

Dia. 12 x 7 cm

Dia. 25 x 14 cm

110 x 62 x 95 cm

182

183

semi precious stone

184

185

cravt original

semi precious stone

Raw, cut, polished

186

187

semi precious stone

cravt original

Gemstones have always been desirable objects for both their energy and beauty. According to some it’s the gem that connects the chain, referring to silver or golden necklaces designed around a gorgeous glistening semi precious stone. No matter your taste, there’s a stone for everyone. Semi precious stone, or gemstone, is a cut and polished piece of mineral, which is used to make jewellery or other adornments. Besides jewellery, engraved stones and hardstone carvings are major luxury art forms. Most semi precious stones are hard. Nevertheless some soft minerals are used in jewellery because of their lustre or other physical properties that have a certain aesthetic value. Rarity is another characteristic that lends value to a stone. Grinding wheels and polishing agents are used to grind, shape and polish rough stones into the desired smooth dome shape. Stones, which are transparent, are normally faceted; a method that shows the optical properties of the stones interior to its best advantage. Maximizing the reflected light, which is perceived by the viewer as a sparkle, does this.

188

189

semi precious stone

190

cravt original

320464 STRAGGLE EXTRA LARGE

320457 STRAGGLE GREEN

Table, top black agate, leg hammered

Side table, top green agate, leg hammered

bronze textured shiny brass

bronze textured matt brass

Dia 95. x 76 cm

Dia. 45 x 60 cm

320458 ROTATE DARK

320294 ROTATE BLUE

Side table, top black agate, rings leg in light

Side table, top blue agate with rings leg in shiny

antique brass

brass

Dia. 35 x 70 cm

Dia. 35 x 70 cm

191

semi precious stone

cravt original

320429 PRECIOUS COOLER

320426 PRECIOUS TABLE

Wine bottle cooler, rock crystal, leg in brass

Table, top rock crystal, 3 legs brass sheet

sheet

157 x 91 x 45 cm

157 x 81 x 110 cm

192

320430 PRECIOUS ROCK TABLE

320431 PRECIOUS GRAND

Table, top rock crystal, leg in brass sheet

Champagne bowl, rock crystal, leg in brass

157 x 91 x 110 cm

sheet 148 x 92 x 80 cm

193

cravt original

194

320380 COFFEE GREY

320494 COFFEE RED

Table, top grey agate, leg pinched rod cross

Table, top red agate, leg pinched rod cross matt

shiny brass

and shiny brass plating

Dia. 45 x 55 cm

Dia. 45 x 55 cm

320379 THEE GREEN

320493 THEE BLACK

Table, top green agate, leg pinched rod round

Table, top black agate, leg pinched rod round

shiny brass

matt and shiny brass plating

Dia. 45 x 55 cm

Dia. 45 x 55 cm

195

semi precious stone

cravt original

320507 AGATE

320424 PRECIOUS ROCK + 320425 SPIKE

Lamp, agate pencils on aluminium with brass

Decorative centre piece, rock crystal on

plating with shade (see page 240)

aluminium plating. 320425 pillar, gold brass spikes

Dia. 28 x 82 cm

33 x 39 x 52 cm and 40 x 40 x 110 cm

320300 GRAND CRYSTAL

320301 PIERRE PRECIEUSE

320312 PRECIOUS ROCK BOWL

Special large champange bowl, bowl in clear

Bowl, rock crystal

Bowl, top and inside polished rock crystal,

crystal overlay at random, base in wood with

Dia. 57 x 33 cm

outside pencil wild rock crystal

white mother of pearl and brass sheet claddding

Dia. 60 x 25 cm

Dia. 140 x 91 cm

196

197

semi precious stone

198

cravt original

320311 PRECIOUS BOX

320310 PRECIOUS RCOK TRAY

320441 PRECIOUS QUARTZ LARGE

320442 PRECIOUS QUARTZ MEDIUM

Box, top pencil rock crystal, inside and outside

Tray, top polished rock crystal, top border and

Bowl, smoke quartz

Bowl, rose quartz

polished rock crystal

sides in pencil rock crystal

39 x 23 x 8 cm

32 x 24 x 9 cm

15 x 15 x 10 cm

20 x 20 x 3 cm

320433 PRECIOUS PLATTER

320437 PRECIOUS PYRAMID

320501 CRYSTAL MEDIUM

320504 QUARTZ RAW MEDIUM

Platter, rock crystal with metal handles

Bowl, rock crystal

Bowl, rock crystal

Bowl, smokey quartz

30 x 18 x 4 cm

38 x 28 x 10 cm

40 x 28 x 9 cm

33 x 16 x 7 cm

320439 PRECIOUS PLATE

320440 PRECIOUS AMETHYST

320505 QUARTZ RAW LARGE

320506 ROSE QUARTZ RAW

Platter, rock crystal

Bowl, amethyst

Bowl, smokey quartz

Bowl, rose quartz

29 x 19 x 3 cm

27 x 16 x 8 cm

38 x 22 x 13 cm

35 x 22 x 11 cm

199

petrified wood

200

201

cravt original

petrified wood

Sliced, shaped, polished

202

203

petrified Wood

cravt original

Fossils are incredibly interesting and, in a way, contain lots of information about an era in a certain region. Petrified wood literally witnessed a piece of history. Keeping in mind just that makes it legitimate to say petrified wood is a material that contains lots of soul. Petrified wood is pure nature in it’s most ultimate form: fossilized remains of earthly vegetation. In most cases it’s millions of years old. Nowadays scientists are able to significantly speed up the process. Our products however, are the result of millions of years of earthly developments. The process of turning wood into stone is called permineralization. This means that all organic materials are being replaced by minerals (mostly a silicate, like quartz) while keeping the original structure of the wood. Petrified wood can only come into existence with a lot of patience. The petrifiction of wood is an underground process in which wood is buried under sediment and is initially preserved due to a lack of oxygen, which inhibits aerobic decomposition. Groundwater drips through for a long period of time and deposits minerals in the plants cells. As the plants lignin (a complex polymer of aromatic alcohols and an integral part of the secondary cell walls of plants) and cellulose breakdown, a stone mould forms in it’s place. Petrified wood is a unique member of the ‘fossil family’. Unlike other types of fossils petrified wood remains a three-dimensional representation of the original. In other words: petrified trees still look like the original tree. Other fossils are more or less impressions or compressions.

204

205

petrified Wood

206

cravt original

423148+ BASU NATURAL

423149+ BASU BLACK

423210+ FLORES NATURAL

423211+ FLORES BLACK

Lamp, foot in natural petrified wood polished on

Lamp, foot in black petrified wood polished on

Lamp, foot in rustic block natural petrified wood on

Lamp, foot in rustic block black petrified wood on

stainless steel base with shade (see page 240)

stainless steel base with shade (see page 240)

stainless steel base (see page 240)

black powder coated iron base (see page 240)

30 x 30 x 66 cm

30 x 30 x 66 cm

30 x 30 x 66 cm

30 x 30 x 66 cm

423152+ BANGURAN

423154+ RUPAT

423160+ SEBUKU

423181+ GALANG BLACK

Lamp, foot in natural petrified wood rustic on

Lamp, foot in natural petrified wood rustic on

Lamp, foot in natural petrified wood slice on stainless

Lamp, foot in black petrified wood polished on

stainless steel base with shade (see page 240)

stainless steel base with shade (see page 240)

steel base with shade (see page 240)

stainless steel base with shade (see page 240)

35 x 35 x 88 cm

55 x 18 x 104 cm

55 x 18 x 71 cm

35 x 35 x 86 cm

207

petrified Wood

cravt original

320295 LAND Table, top petrified wood, leg textured matt and polished brass 150 x 110 x 45 cm

208

209

petrified Wood

cravt original

423191 RONDO MIXED MEDIUM Table round, top in black and white petrified wood on antique black powder coated iron base Dia. 60 x 55 cm

423193 JAVA MIXED Coffee table, top in black and white petrified wood on antique black powder coated iron base 140 x 140 x 40 cm

423189 STIFF MIXED Table, top in black and white petrified wood on antique black powder coated iron base 40 x 40 x 55 cm

210

423194 JAVA NATURAL

423200 SOLOR

Coffee table, top in natural petrified wood on

Table, solid top in black assorted petrified wood on

stainless steel base

antique black powder coated iron base

140 x 140 x 40 cm

140 x 65 x 40 cm

211

selenite stone

212

213

cravt original

selenite stone

Excavate, raw, sliced

214

215

selenite stone

cravt original

From respected ancient cultures to modern society it’s believed, and sometimes even proven, that the moon has great effect on life on earth. Think about the change from low to high tide for example. Keeping that in mind it’s not a big surprise that the ancient Greek named Selenite stone after the reflecting friend, high up in the sky. Selenite, which means moonstone, is a transparent crystal (mineral) of which the old Greek believed it waxed and waned with the moon, like the tide. This had a lot to do with the moonlight effect from cleavage surfaces. Selenite is a variety of Gypsum that occurs in transparent crystals or crystalline masses. There are four crystalline varieties of mineral gypsum that branch together to form selenite. Selenite is often colourless with a vitreous or pearly lustre. They are found as pure white, translucent rock, with defined striations. Before extraction from the mines, selenite is very warm because the thermal hot water temperature is approximately 50°C (122°F). Amazingly, once extracted from the mines, it’s very cool to touch and has a luminescent lunar quality. Selenite crystals are one of the more powerful healing stones. The vibration of Selenite is very high but also very calming so it’s excellent for clarity, understanding and concentration, as well as keeping specific areas of a room clear of unwanted energy. It can also be used to form a protection grid in the home in order to literally turn your house into a safe place. Selenite itself doesn’t need to be cleaned.

216

217

selenite stone

218

cravt original

890043L+ SELENITE LAMP WHITE

890047L+ SELENITE LAMP WHITE SMALL

Lamp, selenite massive white, black powder coated

Lamp, selenite white, black powder coated frame,

frame, led lighting with shade (see page 240)

led lighting with shade (see page 240)

50 x 50 x 83 cm

30 x 30 x 50 cm

890044L+ SELENITE LAMP NECTAR

909097-DM SELENITE NIGHT LAMP SQUARE

909103-DM SELENITE STANDING LAMP

Lamp, selenite massive nectar, black powder coated

Night lamp, in darkened metal finish

Standing lamp, in darkened metal finish

frame, led lighting with shade (see page 240)

with selenite sticks, 1 light (see page 244)

with selenite sticks, 10 lights (see page 244)

50 x 50 x 75 cm

20 x 20 x 59 cm

Dia. 60 x 190 cm

219

selenite stone

cravt original

909092-DM SELENITE CHANDELIER LARGE Chandelier, in darkened metal finish with selenite sticks, 13 lights (see page 244) Dia 90 x 155

220

909099-DM SELENITE CHANDELIER HIGH

909100-DM SELENITE CHANDELIER RECTANGULAR LARGE

Chandelier, in darkened metal finish with selenite

Chandelier, in darkened metal finish with selenite

sticks, 12 lights (see page 244)

sticks, 5 lights (see page 244)

Dia 100 x 200 cm

160 x 40 x 65 cm

221

glass

222

223

cravt original

glass

Heating, blowing, carving

224

225

glass

cravt original

The art of glass blowing looks as easy as blowing soap bubbles. Gifted artisans master the principle of transporting an exact amount of breath through a thin blowpipe in order to create crystal clear and gracious works of art. But as always, things aren’t as easy as they seem. Especially when it comes to the craft of transforming 1130 °C liquid glass into perfect shapes. Glassblowing is a glass forming technique that involves inflating molten glass into a bubble, with the aid of a blowpipe. A person who blows glass is called a glassblower, glass smith or gaffer. A lamp worker manipulates glass with the use of a torch on a smaller scale, such as in producing precision laboratory glassware out of borosilicate glass. Glassblowing has been practiced for approximately 5500 years, which makes it one of the oldest crafts we know of. In Mesopotamia archaeologists found pieces of glass that date back to 3500 BC. The wellknown blowpipe is a Syrian invention. Around the start of calendar they first succeeded to create a liquid mass out of sand, chalk and sodium carbonate. The blowpipe was used to craft the desired shapes. The Syrians developed the art of glassblowing and took it to the highest level. Since that time not much has changed.

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227

glass

cravt original

320342 RUBBED LARGE

320338 BLUE CREAM

Vase, glass blue cream

Vase, glass blue and cream with stone

Dia. 24 x 24 cm

cut Dia. 16 x 46 cm

320361 STRIPED SMALL

320337 BLUE STRIPED

Vase, glass blue and smoke rib design

Vase, glass blue and smoke with stripe

Dia. 15 x 24 cm

cut Dia. 25 x 38 cm

228

320341 TRANSLUCENT LIGHT

320340 TRANSLUCENT

Vase, glass oval translucent grey

Vase, glass oval translucent grey

28 x 12 x 22 cm

19 x 10 x 43 cm

229

glass

230

cravt original

320345 CRAFTY LARGE

320373 MILKY MEDIUM

Vase, glass clear white

Vase, glass milky white matt

Dia. 15 x 30 cm

Dia. 20 x 44 cm

320349 CRAFTY SLIM MEDIUM

320366 SAND BLAST SMALL

Vase, glass clear white

Vase, glass hexagonal milky white

Dia. 10 x 46 cm

Dia. 15 x 26 cm

550010 PELLUCID

550011 SEE THROUGH

Vase, glass oval bottle

Vase, glass edge

18 x 5 x 33 cm

Dia. 11 x 30 cm

231

glass

cravt original

320325 CREAM LARGE

320328 TORPEDO SMALL

320360 DENT SMALL

320351 SLYLY LARGE

Vase, glass brown and cream

Vase, glass amber and cream with

Vase, glass dented brown two ply finish

Vase, glass black with grey rings

Dia. 17 x 37 cm

stone cut

Dia. 18 x 43 cm

Dia. 18 x 36 cm

Dia. 20 x 32 cm

320364 HONEYCOMB SMALL

320479 RUBY MEDIUM

320334 HONEYCOMB BLACK

320353 SLYLY SLIM LARGE

Vase, glass red and cream

Vase, glass red

Vase, glass clear black

Vase, glass black and grey

Dia. 17 x 23 cm

Dia. 20 x 23 cm

Dia. 13 x 31 cm

Dia. 8 x 39 cm

320330 SMOKE AMBER

320371 CONICAL MEDIUM

320358 GREY CIGAR LARGE

320324 SMOKE STRIPED

Vase, glass amber and cream with

Vase, glass milky grey and white

Vase, glass black and grey rib design

Vase, glass smoke with matt sanddunes cut

stone cut

Dia. 17 x 62 cm

Dia. 14 x 31 cm

Dia. 38 x 53 cm

Dia. 19 x 30 cm

232

233

special materials

234

235

special materials

cravt original

Besides your personal selection within our range of products, you are of course also searching for ways to further elaborate and create your signature in an interior. CRAVT Original claims to be a contemporary company and subsequently we are open to your ideas. Are you aware of the opportunity to influence the appearance of our product? The CRAVT Original team will be happy to tune into your suggestions in size, shape and use of materials. By doing so, you can transform our products into your personal treasures. However, you can even take this a step further by using our special materials to design a fully customized interior. Create special wall panels, refined furniture, inlay elements, door fronts, lighting objects or any other decorative idea you might have. Working with you on products, design and projects is an unique oppertunity. Challenge us!

236

237

samples - finishes

238

239

lampshades

cravt original

CATEGORY Y - OUTSIDE

CATEGORY Z - OUTSIDE

The CRAVT Original lamps are provided including shades. For pricing please refer to the lamps in the price list. The lampshades are categorized in 2 price ranges. In total CRAVT Original provides 28 lampshade options. Please personalize your lamp by choosing your own preferred shade. Category Y and Z are standard not fire retardant but can be impregnated on your request. Please contact our sales team for more information.

INSIDE FOR 3, 4, 5, 6, 7 & 8

3C - Vinyl light beige with inside antique silver 3D - Vinyl light beige with insde antique gold

3A - Vinyl light beige with inside silver 3B - Vinyl light beige with inside gold

A - Silver

4C - Vinyl dark taupe with insde antique silver 4D - Vinyl dark taupe with insde antique gold

4A - Vinyl dark taupe with inside silver 4B - Vinyl dark taupe with inside gold

B - Gold

5C - Linen metallic light beige with inside antique silver 5D - Linen metallic light beige with inside antique gold

5A with 5B with

Linen metallic light beige inside silver Linen metallic light beige inside gold

6C - Linen metallic dark taupe with inside antique silver 6D - Linen metallic dark taupe with inside antique gold

6A with 6B with

Linen metallic dark taupe inside silver Linen metallic dark taupe inside gold

7C - Velvet light beige with inside antique silver 7D - Velvet light beige with inside antique gold

7A - Velvet light beige with inside silver 7B - Velvet light beige with inside gold

8C - Velvet dark grey with inside antique silver 8D - Velvet dark grey with inside antique gold

8A - Velvet dark grey with inside silver 8B - Velvet dark grey with inside gold

PRICE CATEGORY Category Z

Category Y

3 - C,D

3 - A,B

4 - C,D

4 - A,B

5 - C,D

5 - A,B

6 - C,D

6 - A,B

7 - C,D

7 - A,B

8 - C,D

8 - A,B 9 - A,B,C,D

OUTSIDE 9A - Linen white basic white matt Inside: transparant foil

INSIDE C - Antique silver

D - Antique gold

240

9B - Linen rose basic white matt Inside: transparant foil

9C - Linen grey basic dark Inside: transparant foil

9D - Linen black basic dark Inside: transparant foil

241

silverleaf colours

242

cravt original

S2032 Antique silverleaf

S2033 Platinum silverleaf

S2035 Champagne gold silverleaf

S2423 Dark red silverleaf

S2428 Light blue silverleaf

S2430 Dark silverleaf

S2039 Silverleaf

S2225 Light green silverleaf

S2226 Green silverleaf

S2431 Red purple silverleaf

S2433 Pink silverleaf

S2434 Dark grey blue silverleaf

S2228 Medium brown silverleaf

S2417 Turquoise silverleaf

S2419 Dark blue silverleaf

S2435 Dark brown silverleaf

S2436 Copper silverleaf

S2467 Dark grey silverleaf

243

metal finishes - selenite lamps

SS Stainless steel

OM Old messing

244

horn samples - table top

OB Old bronze

WH White powder coated

DM Darkened metal

BL Black powder coated

cravt original

950100-A

950100-B

950100-C

Black and white horn. x cm

Black and white horn, x cm

Black horn, x cm with clear

with soft epoxy layer

with soft epoxy layer

soft layer

950100-D

950100-E

950100-F

Black horn, x cm with soft

Brown horn, x cm with soft

Brown horn, x cm with soft

epoxy layer

epoxy layer

epoxy layer

950100-G

950100-H

White horn, x cm with soft

White horn, x cm with soft

epoxy layer

epoxy layer

245

we give a new future to old crafts

www.cravtoriginal.com Contact us: [email protected] +31 20 7608010

Visit us: Headquarter & showroom CRAVT Original Joop Geesinkweg 901 1114 AB AMSTERDAM The Netherlands CRAVT Original showroom by Akoya Design Unit 372-373 17 30 La Croisette Porto Arabia The Pearl Qatar

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