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Contemporary Art

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Catalogue raisonné

THOMAS HENEAGE

Vol 45 MMVI

Winter 2006

THE ART BOOK SURVEY The world’s most comprehensive review of new and forthcoming art books

contents 19th Century Painting 20th Century Decorative Arts Ancient Art Architecture Art and Artists from Picasso to Now British Art Byzantine Art Chinese Art Clocks & Watches Conservation Current Exhibition Catalgues Drawings and Prints Enamels European Ceramics Fashion Furniture Gardens General Works Glass Icons Illuminated Manuscripts India Tibet and South Asia Islamic Art Japanese Art Jewels and Gems Medieval Art Museology Old Masters Order Form Palaces, Houses and Interiors Photography Pillage Plaquettes and Medals Primitive Art Russian Art Scientific Instruments Sculpture Silver Tapestries and Carpets Textiles Women in the Arts Works of Art Wunnderkammer

Thomas Heneage Art Books 42 Duke Street St James’s London SW1Y 6DJ England Tel: +44 (0) 20 7930 9223 Fax: +44 (0) 20 7839 9223 [email protected] www.heneage.com

The James A. de Rothschild Collection at Waddesdon Manor: Drawings for Architecture, Design and Ornament. 2 volumes

84905

12 17 26 16 2 14 23 27 22 15 29 13 21 21 20 18 16 12 22 23 24 27 26 28 19 23 15 6 32 18 28 15 25 28 22 22 24 19 20 20 14 26 25

£250.00

Ceramics

Silver

Jewellery

Sculpture

Maioliche ispano-moresche

Silver from Dunham Massey

The Wolfers Dynasty

Melchiorre Cafà

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THE ART BOOK SURVEY

ART & ARTISTS FROM PICASSO TO NOW

Les Avant-Gardes en Belgique 1880-1915. De l’ Impressionisme à l’ Expressioninisme by Michel Draguet and William Hauptman Exhibition: Lausanne, Fondation de l’Hermitage, 2007. 176pp with 134 colour illustrations. Wrappers, 29x24cms From Impressionism, neoimpressionism, symbolism and expressionism., this exhibition looks at the development of painting in Belgium over the period through over one hundred works from artists as diverse as Ensor, Khnopff, Meunier, Rysselberghe, Rops, Spilliaet and Henry van de Velde. Text in French. Not yet published, expected January 2007. 86726 £26.00

Francis Bacon. Die Gewalt des Faktischen by Armin Zweite et al

Karel Appel: Retrospective 1945-2005 by Gerard Meulensteen et al 2006. 144pp with 150 colour and 15 monochrome illustrations. Cloth, 32x24cms Examines Appel’s post-war work, when he rebelled against his

studio training, founding several avant garde groups including Cobra, to become a leading Expressionist as well as a ceramicist and sculptor. Analyses his use of colour, materials and subject matter and his close tie to the American art community. 85478 £38.50

Exhibition: Düsseldorf, Kunstsammlung NordrheinWestfalen, 2006. 224pp, with 110 colour illustrations. Cloth, 29.5x24cms 60 works from 1945 to 1991 by the important British artist (19091992) including ten triptychs and innumerable figure paintings of friends and lovers are examined. Text in German. 86233 £24.95

Ernst Barlach und Käthe Kollwitz im Zwiegespräch edited by Martin Fritsch Exhibition: Berlin, Käthe Kollwitz-Museum, 2006. 144pp, with 20 colour and 140 monochrome illustrations. Cloth, 27x24cms Examination of the work of the two German sculptors and graphic artists Barlach (18701938) and Kollwitz (1867-1945) comparing and contrasting their works and artistic ideas to form a dialogue. Text in German. 86116 £19.95

Max Beckmann. The Watercolors and Pastels. Catalogue Raisonné of the Works on Paper by Max Beckmann et al 2006. 373pp with 211colour and 15 monochrome illustrations. Cloth First volume of the catalogue raisonné of the watercolours and pastels on paper by the German artist, published to coincide with an exhibition of some of the works at the Schirn Kunsthalle, Frankfurt. 85762 £24.00

Art, Ethnography and the Life of Objects. Paris, c.1925-35 by Julia Kelly Joseph Beuys: The Multiples edited by Jorg Schellman Francis Bacon in the 1950s by Michael Peppiatt 2006. 224pp with 70 colour and 20 monochrome illustrations. Cloth, 26.5x24.5cms 86611 £29.99

An Atlas of Drawings. Transforming Chronologies by Luis Perez-Oramas

Thomas Heneage Art Books 42 Duke Street, St. James’s London, SW1Y 6DJ U.K. Tel: +44 (0)20 7930 9223 Fax: +44 (0)20 7839 9223 [email protected]

2006. 62pp with 38 colour illustrations. Wrappers, 30.5x21cms Illustrates the work of this important Italian conceptual artist through a dialogue with three of his friends and collaborators, describing the artist’s various phases, highlighting original ways of interpreting his work, and reflecting on the materials used. They discuss his multi-faceted career using collages, squared papers, maps, flags, stamps, tarot cards, silk-screen prints, watercolours and indian ink drawings. 86192 £19.50

Boldini, Helleu, Sem. Protagonisti e Mitit della Belle Epoque by Francesca Dini Exhibition: Castiglioncello, Castello Pasquini, 2006. 336pp with 95 colour and 35 monochrome illustrations. Wrappers, 31x24cms The complex relationship between art, literature and fashion during the Belle Epoch is studied through the friendship shared between Boldini, Helleu and Sem. Text in Italian. 69345 £28.00

Pol Chambost. SculpteurCéramiste, 1960-1983 by Émilie Bonaventure

2006. 176pp with 40 monochrome illustrations. Cloth, 24x17cms In the 1920s and 30s anthropology and ethnography provided new ways of rethinking of what art could be and the forms which it could take. This study examines the impact of the emergence of these disciplines on the artistic avant-garde in Paris, analysing texts, photographs and artworks. Not yet published, expected December 2006. 85984 £55.00

Exhibition: New York, Museum of Modern Art, 2006. 232pp with 182 colour illustrations. Cloth in a slipcase, 23.5x19cms MoMA’s drawing collection is presented by a specific sequences of forms, rather than the traditional focus on artistic movements, tendencies and influences. Divided in to six groupings, they include Faces, Movement, Tectonics, Digital, Figures and Constructions. 86072 £24.95

Alighiero e Boetti

2006. 560pp with 320 colour and 525 monochrome illustrations. Cloth, 30c21cms Reprint of the catalogue raisonné of multiples and prints 19651986, with an introductory conversation with Beuys commenting on the meaning and significance of this body of work within his overall oeuvre. 86280 £63.00

The Avant-garde Movements 1900-1919. edited by Valerio Terraroli Series: Art of the Twentieth Century, 1. 2006. 456pp, with 379 colour illustrations. Cloth, 29x22cms First volume in new series devoted to interdisciplinary analysis and examination of the development of modern art, beginning with the 1900 Exposition Universelle in Paris where technology inspired modernistic and contemporary artistic ideas as an alternative to figurative art and closing with the initial phase of the Dada movement in Zurich and the foundation of the Bauhaus in Germany. 85784 £34.00

2006. 208pp with 220 illustrations. Cloth, 26x22cms Retraces the creative journey of this artist, who trained as a sculpture and focussed on ceramics from 1932 onwards. Primavera at atelier du Primtemps took him on as one of their collaborators in the 1950s, increasing his artistic audience. Looks at the curvaceous and sensual forms he created which epitomised the 1950s. With an exhibition opening at the Galerie Thomas Fritsch in Paris. Text in French. 86400 £35.00

Jake and Dinos Chapman edited by Christoph Grunenberg The Jean-Michel Basquiat Show by Gianni Mercurio Exhibition: Milan, Triennale, 2006. 332pp with 250 colour and 180 monochrome illustrations. Cloth, 30x30cms Breaking with tradition and exposing the true modern life, Basquiat’s work ranges in subject matter, from symbols of mass culture to interpretations on death and references of modern music and jazz, This extensive monograph looks at the range of his work and the development of his artistic career. Text in Italian. 86530 £49.00

Boccioni. Pittore Scultore Futurista by Laura Mattioli Rossi Exhibition: Milan, Palazzo Reale, 2006. 160pp with 80 colour and 50 monochrome illustrations. Wrappers, 28x24cms Compares the sculptural work of this Futurist artist with his paintings and graphic work. Text in Italian. 75619 £22.00

Exhibition: Liverpool, Tate Gallery, 2006. 96pp, with 65 colour illustrations. 27x21cms Major survey of the Chapmans’ art presenting important works from all phases of their career, revealing a diverse body of work in many media. This is the first thorough intellectual investigation of their work, revealing the continuing themes and concerns and contextualising their art historically and critically. What emerges is a body of work that is deeply complex and forms an intelligent art that is highly relevant and timely. 86047 £TBA

A REVIEW OF NEW AND FORTHCOMING ART BOOKS PUBLISHED WORLDWIDE 3

Jake and Dinos Chapman by Nick Hackworth

Maurice Denis by J-P Bouillon et al

Series: Modern Artists. 2006. 128pp, with 100 colour illustrations. Wrappers, 27x21cms Short, concise study of two popular contemporary British artists. 86046 £14.99

Exhibition: Paris, Musée d’Orsay and otrher venues, 2006. 320pp with 230 colour illustrations. Wrappers, 28.5x26cms Retrospective exhibition dedicated to this Nabis artist, with over 100 paintings on view. The exhibition looks at his development as an artist, the force of his modernism and colour sense, his artistic relationship to Puvis de Chavannes and Vuillard amongst others. Essays examine Denis as a theorist, a decorator and his rapport with music, photography and sacred art. Text in French. 86578 £32.00

Da Dada a Dada. 1916-2006 by Achille Bonito Oliva Exhibition: Pavia, Castello Visconteo, 2006. 240pp with 160 colour and 20 monochrome illustrations. Wrappers, 30x24cms Ninety years after the formation of the Dada movement, this exhibition looks at the development of the movement and its continuing practice today. Includes some 150 works by artists such as Duchamp, Man Ray, Hans Richter, Raoul Haussmann, John Cage, Joseph Beuys, Ugo Carrega and many more. Examines the impact and influence of the Dadaists on other movements including Surrealism. Text in Italian. 47055 £26.00

Maurice Denis Dessinateur. L’ Oeuvre Dévoilé by Agnès Delannoy Exhibition: Saint-Germain-enLaye, Musée du Prieuré, 2006. 240pp with 180 illustrations. Wrappers Chronologically arranged, this exhibition display the range of Denis artistic output, examining over 150 of his drawings held in the museum. Text in French. 86647 £25.00

Diving Trips. Drawing as Reportage by Clemens Krümmel et al Damien Hirst, David Salle, Jenny Saville. The Bilotti Chapel by Mark Rosenthal and Gianni Mercurio 2006. 120pp with 30 colour and monochrome illustrations. Wrappers, 26x22cms The works created by these three contemporary artists for the newly built Bilotti chapel in Rome are discussed and examined. 86378 £24.95

2006. 232pp with colour and monochrome illustrations. Cloth, 28x21.5cms The renewed interest in the medium of drawing, through the medium of reportage, is examined through the works of many artists including Jessica Abel, David B., Monika Baer, Alice Creischer, Steve Bell, Alberto Giacometti, Ernst Mach, Henry Moore, John Singer Sargent and many more. Text in English and German. 85929 £39.00

Max Ernst. Werke 1964-1969. Vol. 7. by Werner Spies 2007. c.785, and approx. 400 monochrome illustrations. Cloth, 30x24cms Subscription price £214.00 for orders received before 28.02.07, then price rises to £263.00. Text in German. Not yet published, expected March 2007. 86031 £214.00 Volumes 1–5 are still available:

Max Ernst. Werke 19541964. Vol 6. 65535

£278.00

Other volumes on request.

Die Eroberung der Straße. Von Monet bis Grosz by Dominik Bartmann et al Exhibition: Frankfurt, Schirn Kunsthalle, 2006. 280pp, with 100 colour and 100 monochrome illustrations. Cloth, 28x24.5cms Examination of works by the French Impressionists and German Expressionists who were fascinated, respectively, by modern life as it appeared on the streets of Paris in the late 19th century and Berlin in the early 20th century, with comparative images in lithographs, historical photographs, maps and plans. Text in German and English. 86232 £24.95

Gerardo Dottori, Catalogo generale ragionato. 2 vols. edited by M Duranti 2006. Together 1030pp with colour plates and monochrome illustrations throughout. Cloth, 29x25cms Documents and organises the vast artistic output of this member of

Gego 1957-1988. Thinking the Line by Nadja Rottner et al 2006. 248pp, with 62 colour and 111 monochrome illustrations. Wrappers, 26.7x21.6cms Monograph on the Venezuelan artist Gertrud Luise Goldschmidt (1912-1994) who went under the name of Gego, who was a prominent member of the school of geometrical abstraction and produced kinetic sculptures and installations under the influence of the New York avant-garde of the 1960s, the Bauhaus and Russian Constructivism. 86105 £26.00

Gego. Between Transparency and the Invisible by Mari Carmen Ramirez et al

Tracey Emin by Carl Freedman 2006. 352pp with 300 colour illustrations. Cloth, 32x25cms Compiled in close collaboration

with the artist this book features drawings, paintings, sculptures, appliqués, embroideries, neon and video stills as well as her own writings. 86678 £45.00

Exhibition: Houston, Museum of Fine Arts, 2006. 256pp, with 85 colour and 25 monochrome illustrations. Wrappers, 24x20cms Retrospective on the South American kinetic artist. Text in English and Spanish. 86059 £30.00

Alberto Giacometti Sculpture in Plaster by Ernst Scheidegger and Christian Klemm 2006. 120pp with 114 monochrome illustrations. Cloth, 23x20cms Initially working in clay, Giacometti would often work up the plaster cast, before the final bronzing. The intermediate plaster versions were sometimes also exhibited. The photographs, taken by Giacometti’s friend Scheidegger, are mainly taken between the 1940s and his death in 1966 and display his creative process. 86238 £19.99

Douglas Gordon: Motion / Pictures by Klaus Biesenbach

Dan Flavin. New Light edited by Jeffrey Weiss 2006. 192pp with 60 monochrome illustrations. Wrappers, 25.5x18cms Light has been Flavin’s primary medium. In this study six scholars examine his use of light, its painterly quality, the fact that although object-based it remains situational and the sculptural quality of his work. Looks at the relationship of his drawings to his installation practice. 86056 £15.99

Filippo Tommaso Marinetti’s Futurist Movement. With various essays on his movement from the academy to Futurism, his treatment of Futurism, his mural art and his approach to nature and spirituality. Text in Italian and English. 86100 £150.00

Glitter and Doom. German Portraits from the 1920s by Sabine Rewald et al Exhibition: New York, Metropolitan Museum, 2006. 352pp, with 125 colour and 150 b/w illustrations. Cloth, 28.5x22.8cms First book to focus exclusively on the portraits painted during the short-lived Weimar Republic. Forty paintings and sixty drawings by artists such as Otto Dix, Max Beckmann and Georg Grosz, who epitomise the Neue Sachlichkeit (New Objectivity), and whose subjects in this tumultuous social and political period included actors, poets, prostitutes, profiteers, doctors, lawyers and businessmen. 85787 £40.00

Exhibition: New York, Museum of Modern Art, 2006. 296pp with 344 colour illustrations. 32.5x24.5cms Focuses on Gordon’s filmbased work, exploring the relationship between film and psychoanalysis, and the way in which these systems of thought affect the idea of individual biography. A collaboration with Gordon himself, the exhibition involves a collection of images and texts from the last forty years that deal with the idea of visual memory and knowledge. 86084 £32.00

Thomas Heneage Art Books 42 Duke Street, St. James’s London, SW1Y 6DJ U.K. Tel: +44 (0)20 7930 9223 Fax: +44 (0)20 7839 9223 [email protected]

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THE ART BOOK SURVEY

Frida Kahlo edited by Ortrud Westheider and Karsten Müller

Pierre Klossowski edited by Anthony Spira and Sarah Wilson

Exhibition: Hamburg, Bucerius Kunst Forum, 2006. 192pp, with 160 colour and 20 monochrome illustrations. Cloth, 28x22.5cms Frida Kahlo’s art cannot be separated from her personality or her love of the Mexican tradition, but this is an examination of her place in the history of the European avant-garde movements from which her art originated: Pittura Metafisica, Dada, Neue Sachlichkeit and Surrealism. Text in German. 86235 £22.00

Exhibition: London, Whitechapel Art Gallery and other venues. 2006. 208pp, with 75 colour illustrations. Cloth, 28x23cms The French artist (1905-2001) started producing erotic drawings after being commissioned to illustrate a novel in 1954, but though he continued producing erotic work with mythological, allegorical and philosophical connotations this has remained largely unknown, and this catalogue is an examination of this important body of work. 86104 £29.95

Land Art by Ben Tufnell

Eva Hesse. Catalogue Raisonné. 2 Vols. edited by Renate Petzinger and Barry Rosen 2006. Vol. 1: Paintings, 328pp, with 140 colour and 13 monochrome illustrations; Vol. 2: Sculpture, 396pp, with 164 colour and 44 monochrome illustrations. Cloth in a slipcase, 29.8x24.1cms First two of projected four volumes on the complete work in all media of the German artist Eva Hesse (1936-1970). During

her career in the 1960s and 1970s Hesse produced 135 paintings and 176 sculptures, objects and test pieces, and the first volume includes 28 previously unknown paintings, including works from her time as an art student at Yale University, and the second volume includes 21 previously unknown sculptures, including two painted wooden boxes from 1964, the year in which her work shifted from painting to sculpture. 85804 £145.00

The Art of Jehangir Jani by Shivaji K. Pannikar et al 2006. 120pp with 80 colour illustrations. Cloth, 28x23cms Referring to himself as a promiscuous artist, Jani works in many mediums, from oils to installations using sound, neon lights and a mix of materials, to sculptures in terracotta, ceramic and sheet metal. Concentrating on his return to oil painting, this study looks at the impact on his oil paintings of having worked in so many other mediums. 85942 £30.00

Asger Jorn: Revised Supplement to the oeuvre catalogue of his paintings from 1930 to 1973. Supplement to three volumes. by Guy Atkins and Troels Andersen

Jasper Johns. An Allegory of Painting. 1955-1965 by Jeffrey Weiss Exhibition: Washington, National Gallery of Art, 2007. 272pp with 160 colour illustrations. 29x21.5cms Focussing on John’s output between 1955 and 1965, this study analyzes such important pieces as ‘Target with Four Faces’, ‘Diver’, ‘Periscope’ and ‘Arrive-Depart’, from new critical and historical perspectives. Not yet published, expected February 2007. 86055 £35.00

2006. 76pp with 17 colour and 341monochrome illustrations. Cloth, 30x21cms The revised supplement from the earlier publication begun in 1968 and completed in 1986, consisting of three volumes. This new edition concludes forty five years of research and brings together another 123 paintings, identified over the last twenty years. Hugely influential in twentieth century painting, Jorn’s oeuvre can now be considered complete. 86665 £45.00

Download an order form on

www.heneage.com/ abs/orderdetails.pdf

Kandinsky Drawings. Catalogue Raisonné Volume 1. The Individual Sheets by Vivian Endicott Barnett 2006. 610pp, with 75 colour and 1250 monochrome illustrations. Cloth, 30x27cms First volume of the complete catalogue of drawings by the Russian abstract artist (18661944), comprising 1236 individual sheets from all periods of his career, from his beginnings in Moscow, through his time in Munich and Berlin, travels in Europe and Africa, and his time as teacher at the Bauhaus, and his final years in France. 86178 £199.00

Alex Katz Paints Ada by Robert Storr Exhibition: New York, Jewish Museum, 2006. 136pp with 84 colour and 5 monochrome illustrations. 28x24cms For almost 50 years, Katz has painted portraits of his wife Ada. This study examines these portraits within the context of his other works and uses them to gain deeper insight into his working methods. Compares Katz’s greatest muse to those which other artists used over the centuries. 86058 £25.00

Paul Klee. Tempel - Städte Paläste edited by Ralph Melcher Exhibition: Saarbrücken, Saarland Museum, 2006. 200pp, with about 200 colour illustrations. Cloth, 28x21cms Paul Klee’s interest in and knowledge of antique, classical, medieval and Islamic architecture, which provided him with themes and motives for his pictures, is examined and its symbolism discussed. Text in German. 86103 £29.95

2006. 144pp, with 72 colour illustrations. Wrappers, 27x21cms In the 1960s, a group of young artists on both sides of the Atlantic turned away from the enclosed space of the gallery, and went out into the landscape, to make a new type of art. Land Art, or as it has been described, Earth Art, Earthworks or Environmental Art, encompasses a wide range of practices, and includes elements of minimalism, photography, performance, sculpture and conceptual art. This book offers an overview of the many international manifestations of Land Art, or the philosophical, geographical and cultural contexts from which it arose. They include the importance of walking to Richard Long and Hamish Fulton; the manipulation of natural light by James Turrell and Robert Morris; sculptures made in the landscape by Andy Goldsworthy and NilsUdo; the garden of Ian Hamilton Finlay and the Meadow of Herman de-Vries; the political consciousness of Ana Mendiata and Alan Sonfist; and the social activism of Joseph Beuys. Contemporary artists, including Francis Alys and Tacita Dean, whose work is informed by the themes and traditions of Land Art, are also included. 86045 £18.99

Lempicka by Patirck Bade 2006. 208pp with c. 120 illustrations. Cloth, 28x24cms Traces her life from turn of the century Poland, to Tsarist Russia, through to her successful years in Paris, her decline and neglect in America, and then her triumphant rediscovery in the 1970s when her portraits gained iconic status. Celebrates the sleek and streamlined beauty of her work produced in the 1920s and 30s, examining her broad influences, from the classical techniques to touches of Cubism and her inspiration from portraitists like Bronzino to Ingres. 86075 £25.00

Magritte Tout en Papier. Gouaches, Dessins, Collages by Michel Draguet Exhibition: Paris, Musée Maillol, 2006. 240pp with 250 illustrations. Wrappers, 28x24cms This exhibition focuses on Magritte’s works on paper, his preparatory drawings, gouaches, sketches and collages which reveal his working methods and thought processes carried out to produce his larger better known pieces. Text in French. 85998 £25.00

Masterworks of Modern Art from the Museum of Modern Art, New York by Glenn D. Lowry 2006. 336pp with 270 colour illustrations. 29x24cms Published to celebrate the opening of the newly constructed Museum of Modern Art, this book reproduces some 270 of MoMA’s most important works including Van Gogh’s Starry Night, Picasso’s Mademoiselles d’Avignon and Dali’s Persistence of Memory as well as 22 recently acquired works by artist such as Chris Ofili, Martin Puryear, Kiki Smith and Sarah Lucas. Each piece is illustrated with detail catalogue description. 86085 £40.00

Tamara de Lempicka by Gioia Mori et al Exhibition: Milan, Palazzo Reale, 2006. 208pp with 150 colour and monochrome illustrations. Cloth, 32x21cms First retrospective exhibition held in Italy on Lempicka, this catalogue offers an overview of her work, examining her artistic legacy, its impact on fashion and design and the manner in which her work has come to define an era. Follows her development as an artist from her work in Paris to that in California. Text in Italian. 86529 £28.00

Sol LeWitt by Giovanni Accame and Ester Coen 2006. 102pp with 90 illustrations. Wrappers, 22X22cms Wall drawings, gouaches and sculptures are brought together with an introduction on the artists working methods. Text in English and Italian. 67710 £17.00

Matisse e Bonnard. Viva la Pittura! by Philippe Cros Exhibition: Rome, Complesso del Vittoriano, 2006. 352pp with 200 colour and monochrome illustrations. Cloth, 28x24cms Matisse and Bonnard always remained in contact, exchanging ideas and opinions on art and the visual world. This exhibition examines the differences in their works despite their similar concepts of painting. Text in Italian. 86318 £43.00

UNA REVISTA DE LIVROS DE ARTE NOVOS E PRESTES A SER PUBLICADOS MUNDIALMENTE 5

New Art on View Exhibition: Walsall, New Art Gallery, 2006. 176pp with 120 illustrations. Wrappers, 25x21cms The role of museums in collecting contemporary art and craft is discussed, with the central focus on the Special Collection Scheme, run by the Contemporary Art Society and funded by the Arts Council Lottery. Features works by Tracey Emin, Julian Opie, Cornelia Parker, Gavin Turk and many more. With a series of interviews with contemporary artists discussing the inspiration and role of public collections for them. 86380 £19.95

New German Painting by Christoph Tannert and Graham Bader

Claes Oldenburg e Coosje van Bruggen by Ida Gianelli and Marcella Beccaria Exhibition: Rivoli, Castello di, 2006. 368pp with 250 colour and 50 monochrome illustrations. Cloth, 28x24cms Working as a sculptural duo, this exhibition examines the evolution of their work from the mid 1980s

Marie-Louise von Motesiczky 1906-1996 edited by Jeremy Adler and Birgit Sander Exhibition: Liverpool, Tate Gallery, 2006. 224pp with 100 colour and 70 monochrome illustrations. Cloth, 28x21cms This study, on the centenary of Motesiczky’s birth, explores her transition from edgy realism to the poetic softer paintings of her later career. Essays explore her youth in Vienna, her time spent studying with Beckmann and later in exile in London and her friendship with Kokoschka. Text in English and German. 86169 £35.00

The Writings of Robert Motherwell by Robert Motherwell 2006. 416pp with 14 monochrome illustrations. Cloth, 28x20cms One of the leading American Abstract Expressionists, Motherwell was also a theorist and exponent of the movement. His writings echoed the intent of the New York School, Pollock, de Kooning, Gottlieb, Franz Kline and Gorky amongst others. Founder of the Documents of Modern Art Series (later renamed as Documents of 20th Century Art), Motherwell gave modern artists a voice. This collection includes some of his essays, lectures and interviews. 31696 £41.95

Ron Mueck by Robert Rosenblum Exhibition: Paris, Fondation Cartier pour l’Art Contemporain, 2006. 110pp with c. 90 colour illustrations. 28x22cms 86086 £19.95

to the present, looking at the close relationship between their monumental sculptural works and the architecture that surrounds their pieces. Includes an interview with he artists, a duo-biography and a new work ‘Three-Way Plug’ designed especially for the exhibition. Text in Italian. 69064 £45.00

2006. 240pp with 160 colour and 30 monochrome illustrations. Cloth, 30x24.5cms Chronicles the rediscovery of figurative art in Germany following the collapse of the Communist regime, from the New Leipzig School and the Dresden Pop School. Analysing the work of each painter individually, looking at the factors behind the movements. 86168 £35.00

Bruce Nauman: Make Me Think Me edited by Laurence Sillars Exhibition: Liverpool, Tate Gallery, 2006. 96pp, with 65 colour illustrations. Wrappers, 27x21cms Focussing on Nauman’s preoccupation with the human condition with over sixty works illustrated and discussed including sculpture, neons, videos, performance, installations and drawings. 86048 £TBA

Video Art. The Castello di Rivoli Collection edited by Ida Gianelli and Beccaria, Marcella 2006. 286pp, with 485 colour illustrations. Wrappers, 21x15cms Panoramic view of the history of this innovative artistic medium from its origins in the 1960s to today, with approximately 60 artists’ work discussed including major figures such as Joseph Beuys, Bruce Nauman, William Kentridge, Tony Oursler, Sophie Calle and Bill Viola. 85903 £16.95

Thomas Heneage Art Books 42 Duke Street, St. James’s London, SW1Y 6DJ U.K. Tel: +44 (0)20 7930 9223 Fax: +44 (0)20 7839 9223 [email protected]

Emil Nolde. Paare edited by Nils Ohlsen Exhibition: Emden, Kunsthalle, 2006. 200pp, with 114 colour and 29 monochrome illustrations. Cloth, 31x24cms The German Expressionist painter Emil Nolde (1867-1956) produced more than 100 double portraits of men and women, and this exhibition is an examination of a selection of these, full of character and sometimes humour. Text in German. 86091 £22.00

Picasso. La Joie de Vivre 1946-1949 by Jean-Louis Andral and Pierre Daix Exhibition: Venice, Palazzo Grassi, 2006. 272pp with 200 colour illustrations. Wrappers, 28x24cms In 1946 Picasso was offered the use of a large studio at Antibes Castle in which to work. He continued producing work for the castle, which later created the first museum in France dedicated to his work in 1966. This exhibition brings together 200 paintings, drawings, ceramics and sculptures from this period alongside photographs of his time spent there. Text in Italian. 86528 £45.00

Black Paintings. Robert Rauschenberg, Ad Reinhart, Mark Rothko, Frank Stella edited by Stephanie Rosenthal Exhibition: Munich, Haus der Kunst, 2006. 172pp, with 120 colour and 30 monochrome illustrations. Cloth, 32x24.5cms Examination of the monochromatic work of the most famous American Abstract Expressionist artists working in the 1940s and their experimental theoretical ideas of revolt, antiformality and improvisation behind the creation of their intensive so-called Black Paintings. 86106 £34.00

Ad Reinhardt by Michael Corris 2006. 256pp with 80 colour and 90 monochrome illustrations. Wrappers, 28x21cms Along with excerpts from the artist’s own writings, this book features previously unpublished illustrations of his paintings, cartoons and public installations and a comprehensive account of his life and work. 83020 £25.00

The Paintings of Cynthia Polsky. Interior, Exterior and Scenic by Karen Wilkin

Joe. With photgraphs of Hiroshi Sugimoto by Jonathan Safran Foer

2006. 128pp with 52 colour illustrations and 4 colour foldouts. Cloth, 27x24cms The complexities of Polsky’s paintings and works on paper are examined. With an essay discussing the artist’s own observations to her works. Not yet published, expected December 2006. 86635 £30.00

2006. 96pp with 40 illustrations. Cloth, 40x30cms Hiroshi Sugimoto’s photography of Richard Serra’ s immense steel sculpture at the Pulitzer Foundation for the Arts, St. Louis, is displayed alongside Jonathan Safran Foer’s poetic text. 86180 £45.00

Theo van Rysselberghe Retrospective ENGLISH EDITION edited by Olivier Bertrand

explored many other forms of painting. This study looks at his close relationships with a range of personalities, artists and writers including Seurat, Signac, Toulouse-Lautrec, Verhaeren and Gide. Looks at his life and development of an artist and travels in Italy, Morocco and France. 85628 £45.00

Meret Oppenheim. Retrospective. An Enormously Tiny Bit of a Lot Exhibition: Bern, Kunstmuseum, 2007. 360pp with 243 colour and 69 monochrome illustrations. Cloth, 23x28cms Presents the multifaceted work and glittering life of this surrealist artists and muse, being photographed by Man Ray. Known for her ‘fur cup’, this exhibition seeks to provide a richer view of her oeuvre, looking at there drawings, paintings, collages, assemblages and plasters. 86387 £36.00

Les Picasso dans la Collection Berggruen by Anne Baldassari Exhibition: Paris, Musée Picasso, 2006. 252pp. 28x22cms The first time that all the works from the prestigious Berggruen collection are displayed together in France, this exhibition presents some 100 of Picasso’s works from all his periods. Text in French. 86410 £43.00

Exhibition: Brussels, Palais des Beaux-Arts, 2006. 263pp with colour plates and illustrations throughout. Cloth, 30x25cms An emblematic figure of NeoImpressionism with Seurat and Signac, van Rysselberghe also

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THE ART BOOK SURVEY

Francis Newton Souza. Bridging Western and Indian Modern Art edited by Aziz Kurtha 2006. 216pp with 196 colour and 62 monochrome illustrations. Cloth, 28x23cms A founder member of the Progressive Artists Group, Souza was largely responsible for shaping the Modern Art Movement in India. This monograph looks at the range of his work from still-lifes, landscapes, nudes and icons of Christianity and examines the range of his influences- from the folk art of his native Goa, the Catholic paintings of the Renaissance, 18th and 19th century landscapes and 20th century modern paintings. 86002 £40.00

OLD MASTERS Altdeutsche und Altniederländische Malerei. Alte Pinakothek by Martin Schawe

Jean Tinguely. Catalogue raisonné, volume 3, Sculptures and Reliefs 19861991 + Cd Rom. vol 3. by Christina Bischofberger 2005. 404pp, 560 monochrome illustrations. Cloth, 29.5x24cms The 3rd volume of the authoritative study of Tinguely’s sculptural work. With a full bibliography, index and notes on the provenance of each piece. . Text in German, French and English. 85970 £155.00

Previous volumes are still available: Jean Tinguely. Catalogue raisonné sculptures and reliefs 1969-1985. Vol 2. 41774

£160.00

Volume One available on request

Léon Spilliaert. Le Regard de l’ âme by Anne AdriaensPannier 2006. 336pp with 400 illustrations. Cloth, 30.5x24cms Both involved in the symbolist movement and interested in the avant-garde, Spilliaert’s oeuvre and ideas cannot be defined by one movement. This study examines the spectrum of his work both as a painter and as an illustrator. Text in French. 68915 £36.00

Cy Twombly. New Sculptures 1998-2005 by Reinhold Baumstrak et al 2006. 144pp with 33 colour plates and 60 colour illustrations. Cloth, 34.5x25cms Though primarily known for his paintings and drawings, this catalogue accompanies an exhibition that presents 33 of his sculptures produced between 1998-2005. Examines the way in which Twombly transforms mundane objects such as crates, broomsticks, napkins, stools, strings and paper into fanciful, witty and sarcastic forms, giving them both meaning and a new beauty. 86181 £62.00

Thomas Heneage Art Books 42 Duke Street, St. James’s London, SW1Y 6DJ U.K. Tel: +44 (0)20 7930 9223 Fax: +44 (0)20 7839 9223 [email protected]

Exhibition: London, Victoria & Albert Museum, 2007. 368pp with 350 colour illustrations. Cloth, 29x25cms From Dali’s Mae West Lips Sofa to Schiaparelli’s Tear dress, this exhibition looks at the impact of Surrealism on the wider field of design, the decorative arts and the commercial world. Includes works by Jean Cocteau, Pablo Picasso, Man Ray, Alexander Calder, Max Ernst and Joan Miro and objects as wide ranging as painting, sculptures, bookbindings, jewellery, ceramics, glass, textiles, furniture, fashion, film and photography. Not yet published, expected February 2007. 86601 £40.00

Undercover Surrealism. Georges Batailles and DOCUMENTS by Dawn Ades et al Exhibition: London, Hayward Gallery, 2006. 240pp, with 200 colour and monochrome illustrations. Wrappers, 27x21cms Drawing its inspiration from ‘Document’, the groundbreaking Surrealist magazine, edited by the French thinker Georges Bataille, the exhibition aims to re-invest some of the best-known modern masterpieces with some of the explosive vitality of the cultural and intellectual climate of Paris in the 1920s. Looks at works by artists such as Picasso, Dali, Miró and Giacometti. 84685 £27.99

The Magic of Remedios Varo by Luis-Martín Lozano 2006. 152pp, with 90 colour and 4 monochrome illustrations. Wrappers, 27.9x21.5cms Remedios Varo was a popular Spanish female surrealist artist who died in 1963, whose works were influenced by Yves Tanguy, but which evoke a unique and complex intellectual world that is sometimes ironic and questioning. 86142 £14.95

Andy Warhol - Eros and Mortality: The Late Male Nudes 2006. 70pp, with 60 monochrome illustrations. Wrappers, 31x23cms Photography was central to the American Pop artist’s aesthetic practice from his earliest pictures of Marilyn Monroe and Elvis Presley, but it was also central to his response to the male nude which became more highly developed in his last years. 85894 £39.00

USA Today by Maeghan Dailey and Norman Rosenthal Exhibition: London, Royal Academy, 2006. 320pp with 300 illustrations. 30x24.5cms Featuring over 300 works from the Saatchi Gallery collection, this exhibition showcases thirtyfive emerging young artists working in America. The works concentrate on the artist’s view of world events and America’s place in our global society. With essays and text on each artist. 86683 £29.95

Léon Spilliaert by Anne Adriaens-Pannier et al Exhibition: Paris, Musée d’Orsay, 2006. 208pp, 200 illustrations. Wrappers, 22x27cms A contemporary of Ensor, Munch, Picasso and Redon and known for his intense introspection, a certain constructed expressionism and a geometrical abstraction with a Japanese use of space, the catalogue celebrates the 125th anniversary of this Belgian painter. 86741 £25.00

Surreal Things. Surrealism and Design edited by Ghislaine Wood

Visual Culture in Spain and Mexico by Anny Brooksbank Jones 2007. 256pp with 11 monochrome illustrations. Cloth, 23.5x15.5cms Analyses films, paintings and museum exhibitions to show how aspects of Hispanic visual culture manage and mediate risk as articulated stylistically and ideologically in the visual artefact. The first 3 chapters deal with aspects of life in Mexico city and the last 3 with aspects of cultural appropriation in the Basque country. Not yet published, expected February 2007. 85986 £45.00

2006. 360pp, with 300 colour illustrations. Cloth, 22.3x17cms The collection of more than 700 Old Masters in the Alte Pinakothek in Munich is being systematically catalogued in five volumes. This volume covers the early German and Netherlandish paintings, and includes masterpieces by Altdorfer, Dürer, Rogier van der Weyden and Hans Memling. Text in German. 86099 £24.95

Arte in Terra d’Arezzo: il Seicento by Liletta Fornasari and Alessandra Giannotti 2003. 304pp with over 300 colour and monochrome illustrations. Boards, 29x25cms Extensive study on art in 16th century Arezzo, the influences from other regions in Italy including Siena, Florence and the Veneto, looking at painting, architecture, textiles, sculpture. With an essay on Pietro da Cortona and bibliography. Text in Italian. 86249 £48.00

At Home. The Domestic Interior in Art by Frances Borzello 2006. 192pp with 160 colour illustrations. Cloth, 26x28cms 86320 £24.95

Atelierdarstellungen in der Niederländischen Genremalerei des 17. Jahrhunderts by Katja Kleinart Looking into Walt Whitman, American Art 1850-1920 by Ruth L. Bohan 2006. 261pp with 103 colour and monochrome illustrations. Cloth, 26x18.5cms Along with tracing Whitman’s connection to artists and art institutions, this study surveys all of the known paintings and sketches done of Whitman during his lifetime. Looks at the close dynamic links which Whitamn seeked to establish between his poetry and visual representation through successive editions of Leaves of Grass. Looks at his impact on artists such as Thomas Eatkins, Joseph Stella and Marsden Hartley. 86538 £35.00

2006. 304pp, with 130 illustrations. Cloth, 30x22cms From the 1630s genre painting in the Netherlands developed a new theme, that of the artist in his studio. This book examines artistic practice as seen in Dutch and Flemish paintings, and the significance of a self-portrait element in many of the works. Text in German. 86214 £49.95

Thomas Heneage Art Books 42 Duke Street, St. James’s London, SW1Y 6DJ U.K. Tel: +44 (0)20 7930 9223 Fax: +44 (0)20 7839 9223 [email protected]

EEN OVERZICHT VAN DE NIEUWE EN NOG KOMENDE WERELDWIJD GEPUBLICEERDE KUNSTBOEKEN 7

In Het Licht van het Zuiden. Nicolaes Berchem 1621/221683. Meester van het Italieniserende Landschap. by Pieter Biesboer et al Exhibition: Haarlem, Frans Halsmuseum, 2006. 176pp with 150 colour illustrations. Wrappers, 26.5x25cms A prolific painter, Berchem was inspired by Italian landscape, though no proof exists that he ever travelled to Italy. His panoramic views, bathed in warm southern light, were very popular and his mediterranean harbour scenes, allegories and mythological subjects represent his diversity of themes. Text in Dutch. 86706 £19.00

Josef van Bredael (16881739). Paintings with Critical Catalogue by Claus Ertz and Christa Nitze-Ertz 2006. Series: Flemish Painters in the Circle of the Great Master Volume 7. 215pp with 23colour plates and 250 monochrome illustrations. Cloth, 30x25cms. The catalogue raisonnée of this Flemish artist born in Antwerp.

Nostalgic paintings of mainly village and small town life, his narratives are centrally focussed with backgrounds thrown into soft contrast. He moved to Paris becoming a member of the French Royal Academy and in 1736, was appointed the Court Painter to the Duke D’orleans. Text in German. 85059 (limited stock) £130.00

Canaletto in England. A Venetian Artist Abroad, 1746-1755 by Charles Beddington et al

Catalogue Sommaire Illustré de la Peinture Italienne du Musée du Louvre

Exhibition: New Haven, Yale Center for British Art, 2006. 220pp, with 120 colour and 30 b/w illustrations. Cloth, 22.9x27.9cms The Venetian artist Canaletto’s nine year sojourn in London was one of the most productive periods of his career, fuelled by the popularity of his works amongst the English ‘milordi’ on the Grand Tour. This is a full study of his English period, with fifty paintings and twenty drawings discussed, including depictions of London landmarks, Warwick Castle, Alnwick Castle, and Badminton House. Included are some of the caprices of Renaissance palaces and Classical ruins in fanciful juxtaposition, as well as imaginary views. 85815 £40.00

2006. 448pp with 1518 colour and monochrome illustrations. 22.5x15.5cms From the 13th to beginning of 19th century, this exhaustive catalogue presents the Italian paintings in the Louvre collection. Each entry is given an historic and bibliographical description. Text in French. 80092 £47.00

Citizens and Kings. Portraiture in the Age of David and Goya. 1770-1830 by Sebastian Allard et al

Hans Baldung Grien (1484/85 - 1545) Marienbilder in der Reformation by Sibylle Weber am Bach 2006. 232pp, 8 colour & 75 b/w illustrations. Cloth, 28x22cms Examination of the work of the German Renaissance artist’s paintings of the Virgin Mary. Text in German. 86028 £45.00

Annibale Carracci by Daniele Benati and Eugenio Riccomini Exhibition: Bologna, Museo Civico Archeologico, 2006. 400pp with 180 colour illustrations. Cloth, 28x24cms Monographic exhibition catalogue on Annibale Carracci, bringing together some 160 works from across Europe, America and Russia looking at the range of his oeuvre from portraits, genre pieces, religious and mythological paintings and altarpieces. Text in Italian. 86457 £28.00

Exhibition: London, Royal Academy, 2007. 368pp with 220 illustrations. Cloth, 30.5x23cms From portrait busts of the Ancient Régime to paintings of philosophers, architects, writers and revolutionary figure, this study explores portraiture in Europe and America. Examines the manner in which artists such as Reynolds, Gainsborough, Lawrence, David, Ingres and Goya contributed to the changing presentation of the individual in portraiture. Not yet published, expected February 2007. 86366 £45.00

Fabrizio Boschi (1572-1642) Pittore Barocco di ‘Belle Idee’ e di ‘Nobilità di Maniera’ by Riccardo Spinelli Willem van Bemmel (16301708). Monographie und Werkverzeichnis der Gemälde by Wolf Eiermann 2006. 240pp, with 180 illustrations. Cloth, 21x21cms Willem van Bemmel was born in Utrecht, studied landscape painting under Cornelis van Saftleven in Rotterdam, and spent six years in Italy, before going briefly to England. He then spent six years in Kassel after being summoned there by the Landgrave of Hesse, then worked in Augsburg before moving in 1662 to Nuremburg. Today he is considered the father of the Nuremburg romantic landscape school, that preceded the Dresden school. His son, Johann Georg, and Heinrich Roos, often painted the figures in his landscapes. Text in German. 86217 £28.00

Exhibition: Florence, Casa Buonarroti, 2006. 160pp with 46 colour and 81 monochrome illustrations. Wrappers, 29x24.5cms With some twenty paintings and over 30 drawings,this exhibition illustrates the development of the art of Fabrizio Boschi, with drawings that provide information about both works that are lost and his frescoes. Examines his role in Florentine art in the early years of the seventeenth century, when Boschi was the unchallenged leader and an early exponent of the most modern Baroque language, intelligently oriented towards the culture of the city. Text in Italian. 86698 £25.00

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Rethinking Boucher edited by Melissa Hyde and Mark Ledbury 2006. 292pp with 19 colour and 66 monochrome illustrations. Wrappers, 26x18cms Having been so identified with the French Rococo, this study places Boucher as an individual artist in his own right, looking at his diverse talents and the variety of visual and intellectual traditions with which he worked. Explores the social and cultural context in which he worked, including the commercial print market, the theatres of Paris and the world and use of the exotic. 85276 £35.00

Hieronymus Bosch by Larry Silver 2006. 416pp, with 310 colour illustrations. Cloth, 32.5x27.5cms Monograph on the early

Netherlandish artist (c.14501516) written in the light of new research and discoveries made since the important exhibition in Rotterdam in 2001. 86226 £95.00

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THE ART BOOK SURVEY

Visions of Savage Paradise. Albert Eckhout, Court Painter in Colonial Dutch Brazil by Rebecca Parker Brienen 2006. 288pp with 15 colour and 63 monochrome illustrations. Wrappers, 22.5x17.3cms As well as still-life paintings, chalk sketches and oil studies on paper of the local people, plants and animals in Brazil, Eckhout created life-size paintings of Amerindians, Africans and peoples of mixed ‘racial’ backgrounds as part of the Dutch West Indian Company’s program to document different peoples and natural resources in the colony. This study examines his work and compares to those of his contemporaries in the Dutch Republic. Not yet published, expected December 2006. 86674 £36.00

Ferraù Fenzoni by Giuseppi Scavizzi and Nicolas Schwed

Rosalba Carriera. Catalogue raisonné by Bernardina Sani 2006. 344pp, with 32 colour and 335 monochrome illustrations. Cloth, 30.5x21cms The great 18th-century female Italian artist (1675-1758) made her name as the most accomplished proponent of the art of pastel portraits. Born in Venice, trained as a miniaturist, she visited Paris in 1720-21 and was influenced by French

Catalogue des Peintures Françaises des XVIIe et XVIIIe Siècles des Musées d’Amiens by Matthieu Pinette 2006. 272pp with 200 illustrations. Wrappers with CDROM, 30x23cms Some 150 paintings by Boucher, Fragonard, Chardin, Vouet as well as lesser known artists are presented from the Musées d’Amiens. Text in French. 86394 £30.00

El retrato español Espano. De Greco a Picasso by Leticia Ruiz Gomez Exhibition: Salamanca, Universidad, 2006. 207pp with colour plates and illustrations throughout. Wrappers, 28x23cms The portrait tradition in Spain is examined from 1490 to 1800. Each painting is illustrated with detailed catalogue description and biographies of the artists including Luca Giordano, El Greco, Goya, Velazquez, Mengs and Murillo. Text in Spanish. 86266 £35.00

portraiture of the period. In Paris her work was in huge demand and brought her fame, and she subsequently travelled throughout Europe executing portraits of the aristocracy and royalty; for example, in England she made portraits of the family of Frederick Prince of Wales and his children. This fully revised and updated catalogue includes more than 400 works. Text in Italian. Not yet published, expected February 2007. 84743 £45.00

2006. 430pp with 550 colour and monochrome illustrations. Soft covers, 32x25cms Includes a catalogue raisonné of the paintings, drawings and prints. Fenzoni (1562-1645) originally from Faenza was active in Rome, Umbria and the Romagna. Text in Italian and English. 69051 £99.00

Gonzales Coques (16141684). Der Kleine Van Dyck by Marion Lisken-Pruss Series: Pictura Nova., XIII. 2006. 300pp, with 52 monochrome illustrations. Cloth, 25x19cms Flemish portrait painter, active in Antwerp and England. He excelled in painting diminutive portraits and family groups of the middle classes and aristocracy with meticulously executed backgrounds. The elegance of his cabinet-size paintings won him the title ‘the little Van Dyck’. Text in German. Not yet published, expected February 2007. 85065 £72.00

Neue Sichtweisen auf/New Aspects of Giorgione by Wolfgang L. Eller 2006. 352pp, with 70 colour illustrations. Cloth, 32x24cms Major reassessment and catalogue raisonné of the career of the elusive Venetian 16th century painter (1475-1510), whose colour and atmospheric effects were highly influential on other artists including Titian. Text in German + English summary. 86215 £83.00

Charles de la Fosse, le maitre des Modernes 16361716. 2 vols. by Clémentine Gustin-Gomez

Der Schlaf der Vernunft Goyas Caprichio 43 in Bildkunst, Literatur und Musik. by Helmut Jacobs

660pp with 600 colour illustrations. Cloth In the forefront of the radical change of taste in France at the end of the 17th Century, de la Fosse was taught by Charles le Brun but his colour was lighter and more decorative. This in depth study reveals how successful he became, his patrons including the royal family. Text in French. 85788 £TBA

2006. 696pp with 100 monochrome illustrations A treatise on the influence of Goya’s capricho 43 ‘the sleep of reason produces monsters’ on literature music and the visual image. Text in German. 86739 £60.00

Les Fragonard de Besançon by Pierre Rosenberg Exhibition: Besançon, Musée des Beaux-Arts, 2006. 288pp with 400 colour illustrations. Wrappers, 28x24cms On the bicentenary of his death, this exhibition brings together all the paintings, drawings and pastels held in Besançon on this important 18th century artist. With a critical essay on his work and development as an artist and his influence from both Chardin and Boucher. Text in French. Not yet published, expected December 2006. 86723 £33.00

I Fiori del Barocco: Pittura a Genova dal naturalismo al rococo by Anna Orlando Exhibition: Genoa, 2006. 311pp with 110 colour plates. Wrappers, 28x23cms From portraits, still-lifes and landscapes to genre and religious paintings, this study looks at the use of flowers, animals and nature in Genoese art from the 17th to 18th century. Text in Italian. 86200 £35.00

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