The First Conference of EUROPEAN ASSOCIATION FOR ASIAN ART AND ARCHAEOLOGY September 25-27, 2014 PALACKÝ UNIVERSITY OLOMOUC http://www.ea-aaa.eu/

PROGRAM Thursday September 25, 2014 (Morning Session) Conference Faculty of Education, Žižkovo náměstí 5, Olomouc Venue: 08:30–18:00 Registration (registration desk: Faculty of Education) 09:00–09:30 Coffee & Tea Break 09:30–10:00 Opening / Welcome Speeches (Assembly Hall) 10:00–11:00 Keynote Speech by Prof. Roderick Whitfield: The Concept of Change in Chinese Material Culture (Assembly Hall) Assembly Hall

Room #1

Round Table: Transcultural 11:30–13:00 Framings in Art History: Material, Three Views on Indian Art Display, Translation Chair/Organizer:

Organizers: Anna Grasskamp, 11:30–12:00 Melanie Trede Roundtable participants: Dorothy ARMSTRONG, Anna GRASSKAMP, 12:00–12:30 Christine GUTH, Franziska KOCH, MA Meng-ching, Dawn ODELL, 12:30–13:00 Melanie TREDE

13:00–14:30 Lunch Break

Room #2 Chinese Bronzes

J. Hegewald

L. von Falkenhausen

Isabella NARDI: Eclectic views: some stylistic considerations on the murals of the Garh-Mahal of Jhalawar Valdas JASKUNAS: Temples and Imperial Bodies in Early Medieval India: Reconsidering the Vaisnava Iconographic Program under the Gurjara Pratīhāras

Ondřej ŠKRABAL: The Chen Ni fu Tray and the Problem of Forgery in Collections of Early Chinese Bronzes

Anannya BOHIDAR: The Horror of Breasts: The stereotype of the ugly or malevolent breasts in Indian Visual Culture

LIU Yan: Research on decorative patterns of Zeng state's bronze vessels. Celine LAI: Copies of the Shang Taotie Motifs in the Bronze-Casting Workshops of the Yangtze River Regions

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Thursday September 25, 2014 (Afternoon Session) Assembly Hall

Room #1

Round Table: Transcultural Framings New Perspectives on Chinese 14:30–16:30 in Art History: Material, Display, Gardens I Translation Chair/Organizer: A. Hardie ZHOU Xiangpin: Gardens for Organizers: Anna Grasskamp, entertainment as commercial and inter14:30–15:00 Melanie Trede cultural public spaces in 19th-century Shanghai

Roundtable participants: 15:00–15:30 Dorothy ARMSTRONG,

Anna GRASSKAMP, Christine GUTH, 15:30–16:00 Franziska KOCH, MA Meng-ching, Dawn ODELL, Melanie TREDE 16:00–16:30

Room #2 Cosmological Elements in Ancient Tombs in East Asia I A. Perrin Lillian Lan-ying TSENG: Positioning Cardinal Emblems in Han Tombs

Room #3 Contemporary Art in India and Pakistan – A Platform for Exchange Beyond Borders I R. Höfer (Pakistan) Waheeda Bano BALOCH: Depiction of Hindu Deities in the work of Muslim artists of Indo-Pak

Julia FRITZ: Expression and Natasa VAMPELJ SUHADOLNIK: Two Bianca Maria RINALDI: From China to Cosmogonic Deities – Fuxi and Nüwa – in Processing of Social Events in Imran the West: Reading the Qing Gardens Gansu Wei Jin Tombs with Murals Qureshis' Works of Art Suriyya CHOUDHARY: Multan Now GAO Lei: Huizhou gardens as a living Ariane PERRIN: The Northern and and Then: An Exploration of the Four tradition: how materials, constructions, Southern Dipper Constellations in the layout and meanings reflect the unique Koguryŏ Tombs Located in Northeastern Sufi Sacred Sites Through geography and culture of Huizhou China and in North Korea Photography GU Liyuan: Construction Techniques of Chao-Hui Jenny LIU: Zhaoling and the Simone WILLE: Transcultural Art Rockwork from the Late Ming to Late representation of Star Constellations in Practice in South Asia Between 1900 Tang (618-907 CE) China Qing Dynasties and 2013

16:30–17:00 Coffee & Tea Break Complex Negotiations: Subversion

17:00–19:00 and Performativity in Contemporary Art Practice in Mainland China Chair/Organizer: M. Merlin

New Perspectives on Chinese Gardens II

Cosmological Elements in Ancient Tombs in East Asia II

Contemporary Art in India and Pakistan – A Platform for Exchange Beyond Borders II

A. Hardie

L. Tseng

R. Höfer (India)

Lukas NICKEL: discussion

Bindu BHADANA: Notions of Transculturality in Contemporary South Asian Art

Josépha RICHARD: Regions and culture in

17:00–17:30

Ros HOLMES: Visual Culture and Digital the gardens of China: Challenging the Dissent in Contemporary China concept of ‘The Chinese garden’

Monica MERLIN: Subversion and the 17:30–18:00 Politics of Gender in Art by Chinese Women

WANG Ting: Huizhou classical private garden’s inheritance, development and conservation - a case study of Biyuan, a private garden at the World Heritage Site Hongcun, China

Atreyee GUPTA: Art Practice, Art History, and Art Historiography Across the Radcliffe Line

Wenny TEO: ‘Pao zhuan yin yu’: The 18:00–18:30 Brick as a Stratagem for Subversion in Contemporary Chinese Art

Elena VOYTISHEK: Traditional celebration of poetry and calligraphy Feast by the Meandering Stream in China, Korea, and Japan: arts and game behavior as social ritual in Eastern Asia

Jamila ADELI: Nationality Sells: ”Indianess” and the Global Art Market

18:30–19:00

19:00–21:00 Welcome Reception / Banquet (Faculty of Education, foyer)

Regina HÖFER: final discussion 2

Friday September 26, 2014 (Morning Session) Conference Art Centre, Faculty of Arts, Univerzitní 3, Olomouc Venue:

08:30–18:30 Registration (registration desk: Art Centre) 08:30–09:00 Coffee & Tea Break Chapel The Representation of Tibet and the 09:00–11:00 Himalayas in Material and Visual Culture I Chair/Organizer: D. Lange & B. Arthur

Room #1

Room #2

Re-use at the Borders of South Asia: Chinese Ceramics Himalayas and South India I C. Bignami, E. Freschi, J. Hegewald

L. Olivová

Bríd ARTHUR: Portraits of Lhasa: examining Elisa FRESCHI: Re-use in Texts and the

Noor Jahan CHUNKA: Landscapes and

10:00–10:30

Sabrina RASTELLI: Redifing Song Julia A. B. HEGEWALD: The Theory of ReCeramics in the Light of Recent use as a Method in Art-historical Research Archaeological Finds

Hans-Werner KLOHE: The lineage of the Lamdre Gerald KOZICZ: The re-use of the nidhi masters and their visual representation in 16th century Tibetan art: A study on Lamdre statue sets iconography in the Tibetan context and Tibetan Art of portraiture

Verena WIDORN: The use and re-use of aesthetic concepts in the Himalayan area

10:30–11:00

Ritual and Symbolic Objects in Ancient China An Jiayao Maria A. KUDINOVA: Visiting the Little Demons

09:00–09:30 the painted representations of Tibet's capital Arts: The Case of Hayagrīva’s Descriptions 09:30–10:00 Monasteries in Ladakhi Mural Paintings

Room #3

Heena YOUN: The Cult and Imagery of Guanyin in Chinese Ceramic Sculpture

Jakub MARŠÁLEK: Status and ritual: pig lower mandibles in the graves of the Late Dawenkou and Shandong Longshan Cultures

YU Xiyun, WANG Fengzhu: The Concepts of Yin-Yang reflected on paintings of Xiyin pottery

WU Ruoming: From Tradition to Transition: LI Zhang: How to Square a Circle: The Transmission and Social Meanings of Decorative Style and Function of Kraak Porcelain Jade Bi and Cong

11:00–11:30 Coffee & Tea Break The Representation of Tibet and the 11:30–13:00 Himalayas in Material and Visual Culture II Chair/Organizer: D. Lange & B. Arthur

11:30–12:00

Re-use at the Borders of South Asia: Western Arts in Qing China Himalayas and South India II

C. Bignami, E. Freschi, J. Hegewald Diana LANGE: The visual representation of Cristina BIGNAMI: The re-use of the 19th century Tibet: the British Library’s Wise iconography of the lion/tiger in the Collection Karnataka Medieval sovereignty

Mareike WULFF: State mask dances as unifier

12:00–12:30 and self-expression of Bhutanese (cultural) identity in the 20th & 21st century LAI Imann: Nepalese Craftsmen at Emperor

12:30–13:00 Qianlong’s Court: A Set of Statuettes of Buddha and Tara, dated 1745

Tiziana LORENZETTI: Appropriation and reinterpretation of symbolic and architectural elements in the Lingayat religiosity

Mallica Kumbera LANDRUS: Sharing and Reshaping Collective Memories in Portuguese Goa

Han Archeology

L. Olivová

M. Prüch

GUO Fuxiang: The Exchange and Mélange of Chinese and European Art: Research on Guangzhou Clocks in the Qing Dynasty

AN Jiayao: The Archaeology and Demonstration of the Site of Daming Palace

Niklas LEVERENZ: Emperor Qianlong’s East Turkestan campaign copperplate engravings

LIU Yan: Illuminating Early Han Society, New Archaeological Discoveries in the mid‐Yangzi Region WANG Lianming: Visualizing the French Royal Jiří JAKL: Silk in pre­Islamic maritime Power: Missionary Artists and the First European Southeast Asia: archeological, inscriptional Garden in Early Modern China and literary evidence

13:00–14:30 Lunch Break & EAAA Board Meeting I (room #3) 14:30–16:30

GUIDED TOUR OF OLOMOUC: For those interested, there will be guided tours in English, in small groups (max. 20 persons), free of charge. You can sign in for the tour at the registration. / CHINET WORKSHOP (Approaching and Studying Chinese Art: My Own Experience , open for all, mainly for Palacký University students, for more information see www.chinet.cz, room: Chapel)

16:30–17:00 Coffee & Tea Break

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Friday September 26, 2014 (Afternoon Session) Chapel

Room #1

Production, Distribution and 17:00–18:30 Appreciation: New Aspects on East Asian Lacquer Wares I Chair/Organizer: M. Prüch Soon-Chim JUNG: Technical Innovation 17:00–17:30 and Material Diversity: Tang Dynasty Lacquer Ware Nanhee LEE: A Study on an Early Goryeo Dynasty Lacquer Incense Box 17:30–18:00 Decorated with Flora and Waterfowl Motifs

Room #2

Re-use at the Borders of South Asia: Old Printing and Painting in Japan Himalayas and South India III C. Bignami, E. Freschi, J. Hegewald

M. Trede

Elena MUCCIARELLI: The Plucking of Different Flowers: Re-use in Kerala Theatrical Tradition

FENG Heyang: “Fishing and Reclusion”: A Chinese Theme in Japanese Ink-paintings of the Fifteenth Century

Final discussion

Helena HONCOOPOVÁ: SHUTEN DÔJI EMAKI Five Scrolls with the legend of the “Monster from Mount Ôe”, 17th century

Ajay Kumar SINGH: Art Style of Indo-

Patricia FRICK: Simplicity and Reserve: Tibetan region in Western Himalayan 18:00–18:30 during the Period of Second Diffusion of Song Dynasty Lacquer Ware Buddhism

Silvia VESCO: Newly discovered ukiyoe masterpieces in Venice Oriental Art Museum: a special focus on Katsushika Hokusai’s illustrated books

Saturday September 27, 2014 (Morning Session) Conference Art Centre, Faculty of Arts, Univerzitní 3, Olomouc Venue:

08:30–18:30 Registration (registration desk: Art Centre) 08:30–09:00 Coffee & Tea Break Chapel

Room #1

Production, Distribution and 09:00–10:30 Appreciation: New Aspects on East Asian Art Collections in Europe I Asian Lacquer Wares II Chair/Organizer: A. Kieser H. B. Thomsen Margarete PRÜCH: Han Dynasty Lacquer Boxes on the Crimea: Remarks 09:00–09:30 on their possible Place of Manufacture and Distribution Chikako SHIGEMORI BUČAR: Japan Annette KIESER: New aspects on Six and East Asia in 1920s: artifacts 09:30–10:00 Dynasties lacquer ware brought back by Alma Karlin and archived in Slovenia Michelle Ying-ling HUANG: Crossing the Boundary between Tradition and 10:00–10:30 Abstraction: The Display of Modern Chinese Paintings in 1960s Britain

Room #2 Korea P. Frick Beatrix MECSI: Women Portraits from Late Joseon Korea. Identification of a Sad Beauty from the Ferenc Hopp Museum, Budapest Anna SHMAKOVA: The transformation of the term '근대 미술' (geundae misul, modern art) in Korea in the beginning of the 20th century Hee Sook LEE-NIINIOJA: Sipjangsaeng as a Means of Koreans’ Spiritual and Emotional Expressions in Art and Architecture

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Saturday September 27, 2014 (Morning Session) 10:30–11:30 EAAA General Assembly (room #1) 11:30–11:45 Coffee & Tea Break Chapel 11:45–13:15

Room #1

New Approaches to Theory in Chinese Archaeology I

Chair/Organizer: N. Vogt & C. Kost

Jeanette WERNING: The 11:45–12:15 Archaeological Dictionary ChineseGerman project Roderick CAMPBELL: Ancient States, their

12:15–12:45 Economies and the Myths that Surround Them (Anthropological and Otherwise) Maria KHAYUTINA: Understanding new

12:45–13:15 archaeological finds from the Western Zhou period (ca. 1045-771 BCE) in China

Room #2

Asian Art Collections in Europe II

Contemporary Art in China

H. B. Thomsen

W. Teo

Regina HÖFER: Practices of Colonial Photography in South Asia: Examples of Image Commission and Circulation

Daniela ZHANG CZIRÁKOVÁ: Writing without Words – An Influence of the Chinese Calligraphy on the Contemporary Ink Painting in the Mainland China

Filip SUCHOMEL: Chinese Porcelain in Voon Pow BARTLETT: A very short Czech Aristocratic Collections in the introduction to Chinese Art History 18th and 19th Century Helena REDDINGTON: Highgatehill Murugan Temple

ZHOU Weiwei: Contemporary Dongba Arts and the Revival of Ancient Dongba Pictograph in the Old Town of Lijiang

13:15–14:30 Lunch Break & EAAA Board Meeting II (room #3)

Saturday September 27, 2014 (Afternoon Session) 14:30–16:30

New Approaches to Theory in Chinese Archaeology II

Chair/Organizer: N. Vogt & C. Kost Catrin KOST: Taking small Step(pe)s Network theory and the investigation of 14:30–15:00 exchange processes in the Northern Chinese Steppe (5th-1st centuries BCE)

Enno GIELE: The Archaeology of 15:00–15:30 Stringed Defensive Works Nicholas VOGT: Collecting Bronzes,

Asian Art and More: Iconographic Dialogues in the Visual and Material

Chinese Painting

Y. Kadoi

S. Fraser

Sara KUEHN: On the Iconographic Jekaterina KOORT: Landscape Theme and Cross-Cultural Diffusion of painting in a moral and political the "Sēnmurv" discourse of the Song dynasty China Yuka KADOI: Çintamani: An Iconographic Journey from Inner Eurasia to Ottoman Anatolia Barbara KARL: Ambiguous

15:30–16:00 Collecting Ancestors: Theorizing Ancient Iconographies: Indian textiles for the Chinese Bronze Sets and Hoards Svetlana PANKOVA: Chinese silks from the

16:00–16:30 Oglakhty cemetery, Southern Siberia

Portuguese Market

Kristína SCHRÖDER: Book Illustrations in Late Imperial China: Did Honglou meng illustrations serve as visual scaffolding for people of inadequate literacy?

Lucie OLIVOVÁ: Chen Shizeng and his Peking Street Characters

Iván SZÁNTÓ: Questioning the Original: CHUNG Yupin: Exposing China: John Copying European Iconography in Persian Thomson's Shanshui Artistic Traditions (15th-19th Centuries)

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Saturday September 27, 2014 (Afternoon Session) 16:30–17:00 Coffee & Tea Break Chapel 17:00–19:00

New Approaches to Theory in Chinese Archaeology III

Chair/Organizer: N. Vogt & C. Kost

Lothar von FALKENHAUSEN: 17:00–17:30 discussion/closing remarks

17:30–18:00

Room #1

Room #2

Buddhist Cave Temples S. Müller

Ladislav STANČO: Buddhist Art and Architecture of Western Central Asia: remarks on chronology Nicoletta CELLI: Unseen Details: Clues for a History of Early Buddhist Art in China

18:00–18:30

Kateřina SVOBODOVÁ: The western motifs in the decoration of the Yungang caves

18:30–19:00

Mei-Yen LEE: The Musical Iconography in the sixth grotto in Yungang Grottoes of Mainland China

Sunday September 28, 2014 09:30–16:00

Optional Post-Conference Trip to Kroměříž (Kremsier, UNESCO World heritage site, 70 km from Olomouc, arch-episcopal baroque palace and gardens, picture gallery incl. Tiziano) Fees: 60 EUR, compulsory reservation. The program is subject to changes.

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