PROFESSIONAL PRACTICE. A component of Professional Studies

PROFESSIONAL PRACTICE A component of Professional Studies Course title: Location: Course duration: rd Professional Studies (3 year Professional P...
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PROFESSIONAL PRACTICE A component of Professional Studies

Course title: Location: Course duration:

rd

Professional Studies (3 year Professional Practice Core) 3Cr pts Jewish Museum, Thursday 3.00pm-4.00pm 1 hour per week / semester II

Aim: To investigate and apply professional work habits of arts practitioners by, o developing basic skills of financial organisation and business principles o attaining basic knowledge of legal issues pertaining to the visual artist o establishing promotional strategies as appropriate to the visual artist o investigating various gallery systems o identifying alternative funding sources, professional support organisations, occupations and employment in the visual arts Week

Topic

Speakers

1.

July 21

Professional Practice overview Assignment & Assessment guidelines.

John Bloomfield. NAS Program Coordinator

2.

July 28

Gallery Systems I: The Commercial Gallery Approaching the gallery and artist/gallery relationships.

Will Sturrock: Sydney Manager, Michael Reid Gallery. http://www.michaelreid.com.au/

3.

August 4

Tax issues and the Impact of the GST on Artists.

Adam Micmacher: Lowensteins Arts Management. http://www.lowensteins.com.au/

4.

August 11

Professional support organisations/ Codes of Practice, Prizes, awards, grants and other sources of income.

General Manager Penelope Benton: NAVA. http://www.visualarts.net.au/

5.

August 18

Promotional /marketing strategies for Artists. NAVA

Brianna Munting: NAVA. http://www.visualarts.net.au/

6.

August 25

Copyright and moral rights

Jennifer Arnup: Solicitor, Arts Law Centre. http://www.artslaw.com.au/

7.

Sept 1

Contracts in the arts

Arts Law Centre. http://www.artslaw.com.au/

8.

Sept 8

Practical Approaches to exhibitions.

Tony Mighell (MCA).

9.

Sept 15

Gallery Systems II: ARI’s - Artist Run Initiatives.

Lisa Jones: Gallery Manager/Curator Outcomes and opportunities

10.

Sept 22

Guide to the Professional Practice assignment.

John Bloomfield: NAS Program Coordinator.

SPRING BREAK Sep 26-Oct 7 Assignments accepted by Student Services, due: October 19, 2016. or emailed to [email protected]



Note: Course details may be subject to change.

GALLERY APPLICATIONS

Cover le@er Emily Marks 2/29 Robertson Road Camperdown Sydney NSW 2050

BENTON CARR GALLERY 68 Conrad Road, Woollahra Sydney NSW 2025

29 November 2020

Dear Mr Benton, I would like to introduce myself as an emerging artist with a professional interest in the Benton Carr Gallery. I have frequently admired the potential of the gallery in terms of its layout and the quality and diversity of the artists represented. I feel that my work is very much in keeping with the aesthetic and vision of the gallery, and I believe it would look fantastic in your space! I would appreciate any opportunity to introduce my work through your gallery program. Please find enclosed a selection of images, exhibition proposal, biography and press release for your perusal, you can also view more artwork at my website. emilymarks.com.au I very much look forward to hearing from you or your representative. Thank you for your time and consideration. Sincerely, Emily Marks Mobile 0412678123

[email protected]

MOP GALLERY



CURRENT UPCOMING SATELLITE PROJECTS ARCHIVE PUBLICATIONS ABOUT APPLICATION CONTACT

DOWNLOAD PDF FLOOR PLAN

Curriculum Vitae

KEVIN CONNOR 1932

Born in Sydney, Australia

Connor has lived and worked in Sydney, painting full time between 1963 to 1976 and 1987 to the present, with periods of overseas work and travel throughout his career. BIOGRAPHY 2005 2003 2001-2002 1999 1998 1996 1995 1994 1991 1988 1985 1981-87 1979 1976-87 1966-68 1965-66 1954-57

Lived and worked in Paris and London for two months Lived and worked in Paris for two months Worked in Paris for five months Lived and worked in Paris and London for five months Lived and worked in Paris and London for two months Lived and worked in Paris and London for three months Worked in Paris for two months Worked in Paris for two months Three week drawing expedition of war damaged areas in Iraq Three week drawing expedition in Jordan, Syria and Jerusalem Two months drawing and making lithographs with Jacques Champfleury in Paris Three months study tour of Egypt, Paris and London Trustee of the Art Gallery of New South Wales Six months study tour in Egypt and Paris Lecturer in painting and drawing at the National Art School, Alexander Mackie College of Advanced Education and the City Art Institute, Sydney Lived and worked in New York, United States of America Thirteen months travel in Europe including a seven month stay in Spain Travelled, lived and worked overseas in Canada and England

SOLO EXHIBITIONS 2007 2006 2001 2000 1998 1996 1994 1993 1992 1990 1989-90 1989 1988

1987 1986 1985 1984 1983 1981 1979 1978 1976

Kevin Connor: Paintings, Liverpool Street Gallery, Sydney Kevin Connor: Sketchbooks, Drawings and Studies for Paintings and Sculptures, Art Gallery of New South Wales Kevin Connor: Painting & Sculpture, Liverpool Street Gallery, Sydney Dickerson Gallery, Melbourne BMG Art, Adelaide Rex Irwin Gallery, Sydney Rex Irwin Gallery, Sydney Rex Irwin Gallery, Sydney BMG Art, Adelaide Australian Galleries, Melbourne Australian Galleries, Sydney Realities Gallery, Melbourne Spanish and American Paintings, Charles Nodrum Gallery, Melbourne BMG Fine Art, Adelaide Kevin Connor – Paintings and Drawings 1947-1988, Art Gallery of New South Wales, Sydney; Heide Park and Art Gallery, Melbourne; Tasmanian Museum and Art Gallery, Hobart; The Broken Hill City Art Gallery, New South Wales Roslyn Oxley 9 Gallery, Sydney Kevin Connor – Harbour Paintings 1964-1967, Manly Art Gallery and Museum (and New South Wales Bicenntennial Council) Kevin Connor – Selected Portraits 1964-1987, Ivan Dougherty Gallery, City Art Institute, Sydney Realities Gallery, Melbourne Gallery Rosyln Oxley 9 Gallery, Sydney Roslyn Oxley 9 Gallery, Sydney Roslyn Oxley 9 Gallery, Sydney Ray Hughes Gallery, Brisbane Axiom Gallery, Melbourne Ray Hughes Gallery, Brisbane Barry Stern’s Exhibiting Gallery, Sydney Powell Street Gallery, Canberra Ray Hughes Gallery, Brisbane Anna Simons Gallery, Canberra

1975 1974 1973 1972 1971 1970 1969 1968

1966 1965

1963 1962

Ray Hughes Gallery, Brisbane Anna Simons Gallery, Canberra Macquarie Galleries, Sydney Toorak Gallery, Melbourne Macquarie Galleries, Canberra Johnstone Gallery, Brisbane Macquarie Galleries, Sydney Macquarie Galleries, Canberra Australian Galleries, Melbourne Macquarie Galleries, Sydney Johnstone Gallery, Brisbane Macquarie Galleries, Sydney Johnstone Gallery, Brisbane Macquarie Galleries, Canberra Macquarie Galleries, Sydney Bonython Gallery, Sydney Bonython Gallery, Adelaide Australian Galleries, Melbourne Commonwealth Institute, London Macquarie Galleries, Sydney Macquarie Galleries, Sydney Australian Galleries, Melbourne Bonython Gallery, Adelaide Macquarie Galleries, Canberra Johnstone Gallery, Brisbane Bonython Gallery, Adelaide Australian Galleries, Melbourne Macquarie Galleries, Sydney Australian Galleries, Melbourne Macquarie Galleries, Sydney

SELECTED GROUP EXHIBITIONS 2009 2008 2007 2006

2003 2001 2000 1997 1996 1994 1993-2005 1992 1990 1989 1987 1986 1982 1981

Summer Exhibition, Liverpool Street Gallery, Sydney Melbourne Art Fair, (Liverpool Street Gallery), Melbourne, Victoria Summer Exhibition, Liverpool Street Gallery, Sydney The Year in Art, S.H. Ervin Gallery, The National Trust, Sydney Summer Exhibition, Liverpool Street Gallery, Sydney Painting, Liverpool Street Gallery, Sydney Melbourne Art Fair, Liverpool Street Gallery, Royal Exhibition Buildings, Melbourne Dobell Prize for Drawing – The First Ten Years, Art Gallery of New South Wales A Studio in Paris, SH Ervin Gallery, The National Trust, Sydney National Sculpture Prize and Exhibition, National Gallery of Australia Galerie Beckel Odille Boicos, Paris Metropolis, Museum of Sydney Selection from the University of Western Sydney Art Collection Australian Drawings, Art Gallery of New South Wales Expressive Figuration, Art Gallery of New South Wales; Lawrence Wilson Gallery; University of Western Australia; Albury Regional Gallery, New South Wales Drawing on Inspiration, Ivan Dougherty Gallery, Sydney Everyday Life, Art Gallery of New South Wales, Art Gallery of New South Wales Seven Dobell Prize for Drawing Exhibitions, Art Gallery of New South Wales Contemporary Australian Drawings, Art Gallery of New South Wales Animals on Paper, Art Gallery of New South Wales Campus Collections, Art of the University of New South Wales and College of Fine Arts, Ivan Dougherty Gallery, Sydney th Blaxland Gallery’s 60 Anniversary Exhibition, Blaxland Gallery Monash University Collection, Monash University Museum of Art Face to Face, Australian portraits, Art Gallery of New South Wales, touring exhibition around New South Wales Face of a Nation, The Australian Portrait Exhibition, Melbourne The Archibald Prize 1921-1981, SH Ervin Gallery, The National Trust, Sydney Three Decades of Australian Landscape Paintings from 1945, Art Gallery of New South Wales, touring to China and Papua New Guinea Three Years On, Art Gallery of New South Wales

1979 1973 1972 1970 1967-68 1966 1965 1963 1963-2004 1962-2004 1961-1994 1951-1973

Sydney Harbour, SH Ervin Gallery, The National Trust, Sydney Biennale of Sydney, Sydney Opera House Group Exhibitions in New Zealand and Chile Post-war Paintings, Eliot Aldridge Collection, South Australia School of Art Australian Painters 1960-67, touring the United States of America Harkness Fellows Exhibition, Leicester Galleries, London Australian Painters, Kyoto and Tokyo, Japan Blaxland Gallery’s Fifth Anniversary Exhibition, Blaxland Gallery Twelve Sulman Prize exhibitions, Art Gallery of New South Wales Twenty-two Archibald Prize exhibitions, Art Gallery of New South Wales (twenty-six entries exhibited) Seven Wynne Prize exhibitions, Art Gallery of New South Wales Blake Prize exhibitions

SELECTED AWARDS 2005 1997 1993 1991 1988 1985 1977 1975 1973 1966

Dobell Prize for Drawing Sir John Sulman Prize Dobell Prize for Drawing Sir John Sulman Prize Visual Arts/ Craft Board: Professional Development of Artists – Fellowship Grant University of New South Wales Portrait Award The Archibald Prize (Portrait of Robert Klippel) The Archibald Prize (Portrait of Sir Frank Kitto) Sir William Angliss Memorial Invitation Art Prize, Melbourne Harkness Fellowship (21 months in the United States of America)

COLLECTIONS Adelaide University Albury City Regional Art Gallery Art Gallery of New South Wales Art Gallery of South Australia Art Gallery of Western Australia Australian Embassy, Washington DC Australian National University Australian War Memorial, Canberra Ballarat Fine Art Gallery Bendigo Art Gallery Broken Hill Regional Art Gallery Burnie Regional Art Gallery Cairns Regional Art Gallery College of Fine Arts, University of New South Wales Darling Harbour Authority, Sydney Darnell Trust, Queensland University Deakin University Library Edith Cowan University Griffith University Latrobe Regional Gallery Manly Art Gallery and Museum Melbourne University Monash University Mosman Art Gallery National Gallery of Australia National Gallery of Victoria New England Regional Art Gallery Newcastle Region Art Gallery Orange Regional Art Gallery Parliament House Collection, Canberra Print Council of Australia Inc. Queen Victoria Museum and Art Gallery, Launceston, Tasmania Queensland Art Gallery

Queensland University of Technology SH Ervin Gallery, National Trust, Sydney Sydney University Tamworth Regional Art Gallery Tasmanian Museum and Art Gallery University of Canberra University of New England University of New South Wales University of Technology, Sydney University of Western Sydney Wagga Wagga City Art Gallery Wollongong City Art Gallery Private collections throughout Australia, United Kingdom and the United States of America

BIBLIOGRAPHY Monographs Kolenberg, H, Kevin Connor – The Haymarket Drawings, Centaur Press, Berrima, 1990 (Limited Edition) Pearce, B, Kevin Connor, Craftsman House, Sydney, 1989 Books Kolenberg, H, Sketchbook, drawings by Kevin Connor in Sydney, Paris and London, Art Gallery of New South Wales, Sydney, 2006 Wilkins, L, Artists in Action, Australian War Memorial, Canberra, 2003 Gray, A, Australian Art in the National Gallery of Australia, National Gallery of Australia, Canberra, 2002 Pearce, B, Australian Art in the Art Gallery of New South Wales, Art Gallery of New South Wales, 2000 Ross, P, Let’s Face It: The History of Archibald Prize, Art Gallery of New South Wales, 1999 Kent, J, The Satin Bowerbird, Hale and Ironmonger, Sydney, 1998 McCulloch, A, The Encyclopaedia of Australian Art, (revised by Susan McCulloch) Allen and Unwin, 1994 The Art Gallery of New South Wales’ Collections, Art Gallery of New South Wales, 1994 Dirks, J, Sydney Downtown, Kangaroo Press, New South Wales, 1994 Phelan, N, Mosman Impressions, Mosman Municipal Council, Sydney, 1993 Drury, N, Images in Contemporary Australian Painting, Craftsman House, Sydney, 1992 Germaine, M, Artists and Galleries of Australia, Boolarong Publications, 1984 Campbell, J, Australian Watercolour Painters 1780-1980, Rigby, Adelaide, 1983 Waldmann, A, The Archibald Prize: An Illustrated History 1921-1981, Ure Smith, Sydney, 1982 Bonython, K, Modern Australian Painting 1975-80, Rigby, Adelaide, 1980 Bonython, K, Modern Australian Painting 1950-75, Rigby, Adelaide, 1980 McGrath, S, & Walker, R, Sydney Harbour Paintings from 1794, Jacaranda Press, Sydney, 1979 Germaine, M, Artists and Galleries of Australia of New Zealand, Lansdowne, 1979 Craig, E, Australian Art Auction Records 1970-75, Currawong, Sydney, 1978 Bonython, K, & Lynn, E, Modern Australian Painting 1970-75, Rigby, 1975 Craig, E, Australian Art Auction Records 1973-75, Currawong, Sydney, 1975 Horton, M, & Thomas, D, Australian Painters of the Seventies, Ure Smith, Sydney, 1975 Millar, R, Civilised Magic, Sorrett, Melbourne, 1974 Smith, B, Australian Painting 1788-1970, Oxford University Press, Melbourne, 1971 Gleeson, J, Modern Painters 1931-1970, Lansdowne, 1971 Bonython, K, Modern Australian Painting 1960-1970, Rigby, 1970 Gleeson, J, Masterpieces of Australian Painting, Lansdowne, 1969 Luck, RK, A Guide to Modern Australian Painting, Sun Brooks, Melbourne, 1969 Kroeger, J, Renniks Australian Artists, Renniks & Co, Adelaide, 1969 McCulloch, A, Encyclopaedia of Australian Art, Hutchinson, London, 1968 Horton, M, Present Day Art in Australia, Ure Smith, Sydney, 1966 Catalogues Kevin Connor, Painting and Sculpture, essay by Christopher Allen, Liverpool Street Gallery, Sydney 2006 Kolenberg, H & Ryan, A, The Dobell Prize for Drawing 1993-2004, Art Gallery of New South Wales, Sydney, 2005 Kolenberg, H & Ryan, A, The Dobell Prize for Drawing – The First Ten Years 1993-2002, Art Gallery of New South Wales, Sydney, 2003

National Sculpture Prize and Exhibition, National Gallery of Australia, Canberra, 2001 Dobrijevich, I, Lismore Regional Gallery Collection, Lismore, 2001 Webb, B, Images of Sydney, University of New South Wales, Sydney, 2000 Kolenberg, H, Australian Drawings, Art Gallery of New South Wales, Sydney, 1998 Kolenberg, H, Expressive Figuration, Art Gallery of New South Wales, Sydney, 1996 Kolenberg, H, 1880s – 1990s, Australian watercolours from the Gallery’s collection, Art Gallery of New South Wales, Sydney, 1995 Kolenberg, H, Everyday Life, Art Gallery of New South Wales, Sydney, 1994 Murray, L, The Kingfisher Prize Exhibition, Gallery 460, Gosford, 1989 Pearce, B, & Kolenberg, H, Kevin Connor, Art Gallery of New South Wales, Sydney,1989 Gilchrist, M, & Connor, M, Kevin Connor: Selected Portraits, Ivan Dougherty Gallery, City Art Institute, Sydney, 1988 Borlase, N, Kevin Connor – Harbour Paintings 1964-1987, Manly Art Gallery and Museum, 1987 Game, P, Face of a Nation – The Australian Portrait Exhibition, The Herald and Weekly Times, 1986 Prunster, U, Face to Face – Australian Portraits, Art Gallery of New South Wales, Sydney, 1986 The Mary Turner Collection of the Orange Regional Gallery, Orange Regional Gallery, 1982 The Boxer Collection – the Sydney Alternative, Australian Government Publishing Service, Canberra, 1982 Pearce, B, 3 Years On – 1978-81, Art Gallery of New South Wales, 1981 Biennale of Sydney, exhibition catalogue, 1973 Thomas, D, Pacific Cities Loan Exhibition, Wakefield Press, Auckland, 1971 Samstag, G, Collection Elliott Aldridge – post-war paintings, South Australian School of Art, 1970 Pittsburgh International Exhibition of Contemporary Painting and Sculpture, Carnegie Institute Press, USA, 1967 Luck, R, The Australian Painters 1964-1966, Griffen Press, Adelaide, 1967 Young Australian Painters, Japan, 1965 Journal Articles Wall + Paper, Look, Art Gallery of New South Wales, July 2006, p15 Sykes, J, Drawing on an Artist’s Life, Look, Art Gallery Society of New South Wales, April 2006, pp20-23 Nisbett, C, Drawing From Experience, Look, Art Gallery of New South Wales, August 2004, p54 Kolenberg, H, Drawing a Winner, Look, Art gallery of New South Wales, August 2003, p24 Taylor, E, National Sculpture Prize and Exhibition, artonview, no.28, National Gallery of Australia, 2001, p24 Kolenberg, H, Expressive Figuration, Look, Art Gallery of New South Wales, December 1996, p18 Kolenberg, H, Everyday Life, Look, Art Gallery of New South Wales, October 1994, p12 Gray, A, “Gulf War Art”, Art and Australia, vol.31, no.2, Fine Arts Press, Sydney, 1993 Hendrikson, G, through a child’s eyes, Oz Arts, Issue 1, 1992 Tunny, D, Trustees’ Portfolio – Four Artists: A Conversation with Kevin Connor, Art Gallery of New South Wales, July 1991 Delaruelle, Kevin Connor, Art Monthly Australia, no.26, November 1989 Pearce, B, The City The Source – Recent Sydney Paintings of Kevin Connor, Art and Australia, vol.27, no.1, Fine Arts Press, Sydney, 1989 Pearce, B, Kevin Connor and his art, Look, Art Gallery of New South Wales, September 1989 Evans, D, From the University Art Collection, University of New England Convocation Bulletin, no.59, 1986 Impact – Staggering Sydney, Follow Me, Sydney, September 1985 Slutzkin, L, An Open Invitation to Come and Paint a Still Life in the Art Gallery of New South Wales, Australian Artist, March 1985 Connor, K, Artist’s Statement, Art Almanac, August, 1986 Borlase, N, The Archibald and its Challengers, Quandrant, March 1982 Waldmann, A, The Archibald Prize, Art and Australia, vol.20, no.2, Sydney, 1982 Cover, Quandrant, Issue.128, vol.XXII, no.3, March 1978 Our New Portrait, The Monash Reporter, no.38, April 1975 Reeve, E, Vogue Australia, September 1973 Borlase, N, Some Tallish Poppies in the Mediocre Corn, The Bulletin, Sydney, January 1973 Rowlinson, E, Exhibition Commentary, Art and Australia, vol.10, no.1, July 1972 Shannon, M, The Art of Collectors: 6: Elliott Aldridge, Art and Australia, vol.5, no.3, 1967 A Grand Display of Australian Art in the US, Life, April, 1967 Spencer, C, First One Man Exhibitions, Art and Australia, vol.4, no.3, Sydney, 1966 Hackett, E, The Importance of Being Adelaidean, The Bulletin, Sydney 1963

Film Patrician Films, I am a painter, (15 mins.) Australian Broadcasting Corporation, Sydney, 1965

YOUR CV

Chris Bond 1975

Born Melbourne

Education 1997

Bachelor of Arts in Fine Art (Painting) Honours RMIT

1994-96 Bachelor of Arts in Fine Art (Painting) RMIT

nellie castan gallery

12 river street south yarra victoria 3141 australia t: +613 9804 7366 www.nelliecastangallery.com

Solo Exhibitions 2009

Watchers, Nellie Castan Gallery, South Yarra, Melbourne

2008

White, Nellie Castan Gallery, South Yarra, Melbourne

2005

Shelved, Nellie Castan Gallery, South Yarra, Melbourne

2004

Retrospective 2000–2004, Bus, Melbourne

2004

Project Room, Melbourne Artfair 04, Royal Exhibition Buildings, Carlton, Melbourne

2003

Original Title: Translated, Gertrude Contemporary Art Spaces, Fitzroy, Melbourne

2002

The Hitchcock / Feldmar Affair, Gertrude Contemporary Art Spaces, Fitzroy, Melbourne

2002

Still Life, idspace contemporary art gallery, Melbourne

2001

Typecasting, 1st Floor Artists and Writers Space, Fitzroy, Melbourne

2000

The Cutting Room Floor, Latrobe St Gallery, Melbourne

2000

44x, TCB Art Inc., Melbourne

Group Exhibitions 2009

Curtain Call, Blindside Gallery, Melbourne Shilo Project, The Ian Potter Museum of Art, The University of Melbourne Sneak Peek, Nellie Castan Gallery, Melbourne Persuasion Equation, Linden Gallery, St Kilda, Melbourne The Counihan Connection, Counihan Gallery In Brunswick, Melbourne

2008

Forms of Deceit, Counihan Gallery, Brunswick, Melbourne New 08, Australian Centre for Contemporary Art, Melbourne United Artists, Palais Theatre, St Kilda, Melbourne The Space In Between [Book Project], VCA Margaret Lawrence Gallery, Melbourne, Melbourne

2007

Small Quiet Gestures, Linden Centre for Contemporary Arts, Melbourne

2005

Awkward Balance, Blindside Gallery, Melbourne Selekta, West Space Inc, Melbourne Collision, Jarmbi Gallery, Upwey, Victoria Self-made Man, Spacement Gallery, Melbourne Address Book, Bus Gallery, Melbourne A Portable Model of, Plimsoll Gallery, Hobart, Tasmania Covered, Canberra Contemporary Art Space, Manuka, Canberra, ACT. Brainstorms: momentary psychological disturbances, GrantPirrie Gallery, Redfern, NSW.

2004

Compendium Ikon Museum of Art, Deakin University, Burwood Third History, TCB inc Art, Melbourne Cult Classic, Gertrude Contemporary Art Spaces, Fitzroy Adrift, Platform 2, Flinders Street Station, Melbourne

2003

Christopher Dean, Chris Bond and Christine Morrow, Studio 11, Metro Arts , Brisbane, Queensland Red Spot Special, Nellie Castan Gallery, South Yarra I heard it on the grapevine..., Heide Museum of Modern Art, Bulleen Glacier, Benalla Art Gallery, Benalla, Vicoria Depth of Field, Shepparton Art Gallery, Shepparton /Monash Museum of Art, Clayton Compendium, Platform, Melbourne The Museum Aesthetic, Gallery 101, Melbourne Art and Film, Centre for Contemporary Photography, Fitzroy

2002

Studio Artists exhibition, Gertrude Contemporary Art Spaces, Fitzroy The last show, 1st Floor Artists and Writers Space, Fitzroy Artfair 2002, Royal Exhibition Buildings, Melbourne Fresh Cut, Ben Grady Gallery, Canberra, ACT. Light Trap (collaboration with Natasha Johns-Messenger), Bus Gallery, Melbourne

Undercurrent, idspace contemporary art gallery, Melbourne 2001

Studio Artists exhibition, 200 Gertrude Street, Fitzroy Glacier, RMIT Gallery, Melbourne Mediations, Mass Gallery, Fitzroy Sample, Venus & Mars / Centre for Contemporary Photography, Fitzroy

2000

Square, Gallery 101, Melbourne Docklands, Glass Street Gallery, North Melbourne Melbourne ArtFair, Royal Exhibition Buildings, Melbourne Stand 33 at Gallery 101, Gallery 101, Melbourne In the Mind’s Eye, Next Wave Festival, Linden Gallery, St Kilda A Brush with Death, LaTrobe St Gallery, Melbourne

1999

TCB Fundraising Exhibition, TCB Art Inc., Melbourne Review ‘99 - Curators’ Choice, Gallery 101, Melbourne

1997

Naked, RMIT Honours (Painting) Exhibition, Stripp Gallery, Fitzroy Honours year painting, Faculty Gallery, RMIT, Melbourne

1996

RMIT 3rd Year Painting Graduate Show, RMIT Building 2, Melbourne Alphabet Soup, First Site Gallery, Melbourne Box, Next Wave Festival, RMIT Building 2, Melbourne

Awards, Residencies 2002 Arts Victoria arts development grant 2001-03 Studio residency at Gertrude Contemporary Art Spaces, Fitzroy 1997 Short listed for RMIT / National Gallery Trustees Award Collections Artbank Included in private collections in Australia, South America and the USA.

Press Release - ArJst statement

nellie castan gallery 12 river street south yarra victoria 3141 australia t: +613 9804 7366 www.nelliecastangallery.com

DOCUMENTATION 40 x 60cm ArJst name – Title – Year – Media – Dimensions 2D Height - first x Width - second. 3D Height x Width x Depth

40 x 60 x 20cm

Chris Bond, Watcher, 2009, oil on linen, 41 x 45cm

Chris Bond, Watcher, 2009, oil on linen, 41 x 45cm

Image Size for PowerPoint

h@p://www.plantpath.cornell.edu/Photolab/KnowledgeBase/DigiPhotoTips/PowerPointSize.htm

Open the image you wish to insert into a

PowerPoint presentaJon in Photoshop and open the Image Size Dialog Box. Make sure the Scale Styles, Constrain ProporJons are checked and set Resample Image to Bicubic. Note that this image requires 10.1 Megabytes of space (uncompressed) to save. This is a very large file and inserJng only a few images of this size into your presentaJon will require alot of memory and likely slow down or even crash the computer. Images do not need to be this big to appear well when projected so we want to reduce the pixel dimensions before inserJng into PowerPoint.

•  PowerPoint defines the area of one slide (in On-screen Show sefng of Page Setup) as if it were a piece of paper 7.5" high and 10" wide at 100 ppi. This gives an area of 750 x 1000 pixels. Compare this to the iniJal pixel dimensions of the image to be inserted. All those extra pixels are not necessary, as PowerPoint will not use them. Lets go back to Photoshop and change the size of the image to more economically fit into PowerPoint.

Image scaled to 1000 pixels wide at 100dpi

John Bloomfield, CBD1, 2010 Ultrachrome pigment on Arches Rag 75 X 125cm

Professional Studies (PRS300) (3CrPts). Third Year Professional Practice assignment. 80% required attendance. An assessable component of Professional Studies.



1. Compile as a Powerpoint presentation, a submission for an exhibition or project show, at either a Commercial gallery or an Artist Run Initiative (ARI). Or 2. Create a comprehensive Blog or personal Website Each task should include your: • CV • Artist Statement or Press release, 150 – 200 words maximum. • 6 - 12 Examples of recent work indicating, Title/Dimensions/Medium and appropriately resized as Jpeg images, for Web or to Powerpoint. You may base the content of your Statement/Press release on your proposal for the self-directed project in your major discipline. Refer to the listed gallery websites for examples of Press release/Artist statement and CV layout. These documents may also assist as a support mechanism for submission to higher academic programs, grants and residencies. Reference: Gruen, John. The Artist Observed. Chicago: a cappella books, 1991. pressPLAY: Contemporary Artists in Conversation 1995 - 2005. London: Phaidon, 2005. Sussler, B, ed. Bomb, Speak Art. New York: New art publications, 1997. Weintraub, L. Making Contemporary Art How Today’s artists think and work. London: Thames & Hudson, 2003. http://www.nelliecastangallery.com/home http://www.mop.org.au/current.html http://www.peloton.net.au http://lindaweintraub.com https://nasnotes.wordpress.com