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Genre: Rating:

Action, Comedy R for some language and sexual material

U.S. Release Date: Running Time:

January 23, 2015 107 minutes

Cast:

Johnny Depp, Gwyneth Paltrow, Ewan McGregor, Olivia Munn, with Jeff Goldblum, and Paul Bettany David Koepp Eric Aronson The novel entitled “Don’t Point That Thing At Me” by Kyril Bonfiglioli Andrew Lazar, p.g.a.; Johnny Depp, p.g.a.; Christi Dembrowski, p.g.a.; Patrick McCormick, p.g.a.

Directed by: Screenplay by: Based on: Produced by:

SYNOPSIS Juggling some angry Russians, the British Mi5, his impossibly leggy wife and an international terrorist, debonair art dealer and part time rogue Charlie Mortdecai (Johnny Depp) traverses the globe armed only with his good looks and special charm in a race to recover a stolen painting rumored to contain the code to a lost bank account filled with Nazi gold. Lionsgate and OddLot Entertainment Present, An Infinitum Nihil / Mad Chance / Lionsgate Production

WHO IS CHARLIE MORTDECAI? Add to the list of puckish rogues, charming ne’er-do-wells and sly adventurers played by Johnny Depp the role of Charlie Mortdecai, cash-strapped British aristocrat and protagonist of the new action-comedy Mortdecai. Based on the charismatic anti-hero of Kyril Bonfiglioli’s popular trilogy (Don’t Point That Thing at Me, Something Nasty in the Woodshed and After You with the Pistol), Charlie Mortdecai is a professional bon vivant and occasional art dealer perpetually at the end of his financial rope. Upbeat, satirical and utterly British in style and tone, the novels featuring Charlie and his manservant Jock Strapp are often compared to P.G. Wodehouse’s madcap creations, the Jeeves and Wooster stories. In

Mortdecai, Charlie charms, schemes and blunders his way in and out of hilariously compromising situations as he attempts to beat out an array of international evildoers on the trail of a priceless Goya masterpiece that could also be the key to claiming missing Nazi millions. Depp had already read and fallen in love with Bonfiglioli’s novels when the script found its way to him. “I’d read them years before and they made me laugh out loud,” says Depp. “They are irreverent and insane in a way I thought would translate well to the screen.” The actor asked his friend and colleague David Koepp to take a look at the project with an eye toward directing. “I can’t say enough good things about David Koepp,” Depp says. “I have loved him since we did a film called Secret Window years ago. It was not a comedy but we were able to incorporate a lot of humor into it, which is part and parcel of what David does as a writer and a director. He had a vision for this movie and he created an atmosphere where the actors could try anything.” A prolific Hollywood screenwriter (Mission Impossible, Jurassic Park, Spiderman) and director (Ghost

Town, Premium Rush), Koepp discusses the Mortdecai trilogy; “I read the books and the character made an indelible impression. He just leapt off the page. I couldn’t imagine anyone apart from Johnny playing Charlie from the moment I read it. Johnny is so gifted at playing that kind of louse, the cowardly but loveable sort of character. He seems to have patented it over the last 15 or 20 years.” The script Depp passed on to Koepp was written by Eric Aronson (On the Line), a screenwriter he felt clearly understood the rarefied world of Charlie Mortdecai and shared the actor’s affection for the character. “Eric had actually given it to me as a writing sample,” explains Depp. “It made me laugh out loud all over again. He got that thing, that magical thing that’s in the book. I thought, this guy’s really good—and we started pursuing it.” Aronson first discovered the Mortdecai trilogy in a bookstore near London’s famous tourist landmark, Trafalgar Square, while he was working for the British government. “On the back of the jacket, it was described as a cross between P.G. Wodehouse and Raymond Chandler,” he recalls. “A light just went on in my head.” He learned that the stories had a cult following with fans that included actors Hugh Laurie and Stephen Fry, and writers Julian Barnes and Craig Brown. “They’re the kind of books that get passed around, which is how Johnny Depp originally came by his very old, very worn copy,” says Aronson. His main character is motivated by necessity, Aronson points out. “Charlie Mortdecai inherited a vast mansion in the countryside, but he’s run out of luck and funds. In order to supplement his income, he becomes a shady art dealer, living by his wits and making his money through backroom deals. In our film, Charlie and his manservant Jock Strapp come to America intending to steal some art.” Or as Koepp prefers to put it: “Charlie is trading in artwork of uncertain provenance.”

“He is an unscrupulous fellow, but he has excellent taste,” adds the director. “He is broke and needs to heat that gigantic house, Mortdecai Manor, so he comes up with a scheme to do that. It happens that his expertise is in fine art. He doesn’t really care if that art didn’t strictly belong to the person he got it from or that perhaps it’s a fake.”

Mortdecai features beautiful people in beautiful clothes, bantering wittily and doing outrageous things. “You want a plot that’s complex enough to support a caper, but not so complicated that it weighs down the beautifully fun comedy,” notes Koepp. THE KEY PLAYERS Johnny Depp is Charlie Mortdecai Charlie Mortdecai is a connoisseur of good food, fine libations, beautiful women and the most elite trappings of wealth. He also frequently finds himself entangled in matters of an ambiguous legal nature. Asked by MI5, the British Security Service, to track down a missing Goya painting, Charlie hopes to discharge his debts to “Queen and country” by retrieving the purloined artwork. “Actually, Charlie gets involved in finding the Goya because he sees an opportunity to sell it,” Depp says. “His aristocratic ways are intact, but his bank book is worn out and Charlie needs to rectify that.” Badly behaved, violently snobbish and completely self-interested, Charlie was also endlessly appealing to the actor. “He is a blatant narcissist who has no relationship with the truth, except as he sees it,” says Depp. “What drew me to the character more than anything was the challenge of making this guy, who is a little bit shady and most definitely a con man, someone you can sympathize with.” Depp took his inspiration from classic English film comedians including Peter Sellers, Sid James, Bernard Cribbins and especially Terry-Thomas, the irrepressible, gap-toothed star who defined the term “upper class twit” for several generations. “The movie is filled with witty, rapid fire dialogue,” says Depp. “It was hugely important to nail that down perfectly. On the other hand, there’s a great deal of physical comedy, which is such a specialized skill. The combination of very smart, sometimes totally ridiculous dialogue and the physical comedy is something I really connected with.” Charlie’s biggest weakness is his beloved wife Johanna, for whom he will do anything—except shave off his magnificent moustache. Gwyneth Paltrow is Johanna Mortdecai: Charlie’s luscious blonde wife Johanna is played by Academy Award ® winner Gwyneth Paltrow. Johanna and Charlie have been together since college. She is posh and very clever—certainly more clever than Charlie. “Charlie is not virtuous or smart or heroic,” notes Koepp. “He’s a rogue and that’s what his wife is drawn to. He makes her laugh and that goes a long way. They’re intensely jealous of each other and, like any good marriage, it’s kept alive with a little bit of spice.” “Gwyneth is perfection as Johanna,” says Depp. “This a caper movie, teetering toward farce, and timing was everything. She had that down pat.”

Coming between the couple is Charlie’s latest attachment—his new moustache. “He’s grown this moustache while she’s been away,” Paltrow explains. “She is appalled by it. She tries to get past the moustache, but she just can’t. She finds it physically revolting and it almost makes her throw up. Filming those scenes was categorically the hardest thing I’ve ever had to do—to get through it without breaking was so hard!” Paltrow believes the moustache is a metaphor for what’s going on in the marriage. “Something on the surface seems off, but really there’s much more underneath. However, their relationship is charming, they’re cut from the same cloth. They have a lot of fun and there’s a very strong chemistry that has kept them together all these years.” Paul Bettany is Jock Strapp Everywhere Charlie Mortdecai goes, he is accompanied by his manservant and right-hand-man Jock Strapp, a faithful but upbeat bruiser who dedicates his life to protecting his boss. British actor Paul Bettany, who plays Jock, was introduced to the project by Johnny Depp while the two were filming Transcendence. “Johnny asked me if I’d ever read the Mortdecai books,” remembers Bettany. “I hadn’t and he gave me all of them. Afterwards Johnny mentioned he was going to make them into a film and asked if I wanted to play Jock.” Depp says that while Bettany is not known as a comedic actor, he is one of the funniest people around. “He was the only person who could play Jock in my eyes,” he adds. “That fact that he’s a big, tall, seemingly serious Nordic god of a man only makes it funnier.” Always present, Jock is an indispensable and sometimes seemingly invisible element in Charlie’s life. “Charlie Mortdecai is Jock’s cross to bear,” says Bettany. “Charlie is a penniless aristocrat in need of a driver and a butler and, often, an enforcer. Jock has been shot several times in his service and even been run over by Charlie, but he still is focused on protecting him. Jock possesses this calm equanimity and Buddhist stoicism.” Scarred, brutish and sporting a glass eye from one of Charlie Mortdecai’s many near misses, Jock is catnip to the ladies, which is a source of befuddlement for Mortdecai. “Mortdecai is going through a very hard time with his wife,” says Bettany. “Johanna is refusing to sleep with him because he has grown a ridiculous moustache. Until he shaves it off, she won’t allow him to enter the boudoir. It’s particularly frustrating for Mortdecai that wherever they go, Jock manages to effortlessly attract an endless stream of women.” Jock’s unique look comes courtesy of hair and make-up designer Sallie Jaye, who outfitted Bettany with a distinctive scar and an unusual glass eye. “I got Paul’s input and had various Photoshop images created of him. We considered a shot-out eye, but we decided to go for an interesting pupil that was quite arresting rather than repulsive. It’s a comedy after all and he’s supposed to be attractive to the opposite sex. We needed to give him a scar, but since he’s supposed to be irresistible to women, we had to make it a sexy scar.” Ewan McGregor is Alistair Martland Charlie’s insecurities are reinforced by the arrival of Alistair Martland, an old friend from their college days who is still attracted to Johanna. A highly placed officer in the MI5 - British Security Service, Martland is a sensitive, softhearted poetry-reading detective who loses his composure whenever Johanna is around. On the trail of the missing Goya masterpiece, he comes to Charlie for help.

“There’s a lot of history between me, Charlie and Johanna,” McGregor explains. “Martland is in love with her and has been since they were all at Oxford together. He thought they were going to get together, but Charlie always prevailed. That became the root of Martland’s animosity towards Charlie. That rivalry carries on through everything.” Martland is in most ways a much better match for Johanna than Mortdecai, according to Koepp. “He’s smart, he is heroic and he has a huge career,” the director says. “He’s all the things that are traditionally valued, but she doesn’t love him. She is, however, not above flipping her hair in a certain way she knows he likes so that she can get information out of him.” McGregor was drawn to the film’s combination of wit and broad physical comedy. “It reminds me a lot of the Pink Panther movies from the 1970s,” he says. “There’s a humor to it that I haven’t seen on screen for a long time. It’s very cleverly written.” “Charlie Mortdecai’s an eccentric and he’s got a very particular turn of phrase,” McGregor continues. “He is wordy and he likes language a great deal. He’s living in a different age, as if he’s stepped out of the past. Johnny plays him hilariously well.”

Mortdecai also marks a welcome reunion of McGregor and director David Koepp, who previously collaborated on Angels & Demons. “I was happy to be working with David again,” says the actor. “He shoots very quickly and knows exactly what he wants. He’s a smooth director who isn’t afraid of movement and he’s got a wonderful sense of humor.” McGregor also previously collaborated with Paltrow, on the 1996 period drama Emma. “It was nice to work with Gwyneth again after all this time,” he says. “We have a couple of really fun scenes together.” Jeff Goldblum is Milton Krampf: Milton Krampf, an American billionaire described by Koepp as a “thick-fingered vulgarian,” happens to be in the market for both Charlie Mortdecai’s vintage Rolls and the elusive Goya painting, which brings Mortdecai to Los Angeles. “It’s a really stylish and funny caper set in the world of the idle rich,” says Goldblum. “Charlie Mortdecai is trying to get his finances together, so he has to sell his Rolls Royce to this rich guy in Los Angeles. They’ve had dealings in the art world before, but when he shows up to deliver the Rolls it becomes a little more complicated than he anticipated.” Goldblum says he was thrilled with the creative team behind the project. “Eric Aronson wrote a delightful script that made me excited about becoming part of the film,” he says. “I have always been a fan of P.G. Wodehouse and this reminded me so much of those stories. I have known and loved David Koepp since he wrote the screenplay for Jurassic Park. He is a masterful and unique artist. Johnny Depp—I’d never met him before, but I’ve been a fan of his acting for years. His characterization is something you don’t often see from a leading man.” Olivia Munn is Georgina Krampf Georgina is the daughter of American billionaire Milton Krampf and the film’s sexy femme fatale. Like Mortdecai, Georgina has her eye on the missing Goya and will do whatever it takes to get her hands on it. “Georgina’s father has a lot of money, but she wants her own,” says Munn.

“She’s a rich girl from California,” adds the actress. “She’s into names, brands and being fancy. For a girl like Georgina it doesn’t matter how much money she has if she’s not famous. The world of Mortdecai is stylized and heightened, but I have actually met a lot of these kinds of very wealthy, very eccentric people in Hollywood.” Working with director David Koepp for the first time made Munn an instant fan. “He’s unlike any director I’ve worked with before,” she says. “David knows exactly what he wants, he doesn’t overshoot and I swear he’s editing in his head. It’s very rare to find a director so well-prepared and so thorough who still keeps things fun.” Depp notes that fans familiar with Munn from her role on the television drama, “The Newsroom,” will see her in a completely different light. “I didn’t expect her to be this funny,” he explains. “I was really impressed by her handling of the deadpan humor of her character.” Jonny Pasvolsky is Emil Strago: Emil Strago is a revolutionary who wants the Goya painting to finance a violent worldwide uprising. Along the way, he meets Georgina Krampf and takes up with her, hoping to get the cash he sorely needs. “Georgina and Emil want to put their own personal stamp on the world,” Pasvolsky notes. “She’s lived in the shadow of her wealthy father and he has a crazy fanatical cause. They’re just doing something to get noticed, which can also be destructive. I think they are attracted to each other for the purpose of using each other.” Although Emil and Mortdecai are adversaries throughout the movie, their mutual moustaches foster an odd fascination between the two. “We have nothing in common, but we both have moustaches. It comes down to manhood and the moustaches become a kind of obsession between us.” JOEL HARLOW, MOUSTACHE WRANGLER “The moustache is a major character in this movie,” says Academy Award®-winning make-up designer Joel Harlow, Johnny Depp’s personal make-up artist since their first collaboration on Pirates of the Caribbean: The

Curse of the Black Pearl. “It had its own trailer and traveled with an entourage.” The well-coifed facial hair was one of the essential elements of Charlie Mortdecai’s eccentric English aristocrat look. It was inspired by The Great Mortdecai Moustache Mystery, Bonfiglioli’s unfinished fourth book, which was completed by Craig Brown and published posthumously. “Mortdecai’s moustache is a focal point of the movie,” says Harlow. “It’s a source of contention between him and his wife. Mortdecai is very proud of it, but he comes up against moustache rivalry with other characters.” With a whole world of styles to choose from, from huge handlebars to barely-there pencil moustaches, Harlow and Depp zeroed in on a look that perfectly fit Charlie Mortdecai. “There’s a kind of Hercule Poirot influence because it is a bit fuller in the middle and has this little flourish on the side. It’s very groomed and manicured to complement the character. He’s very polished, so I can’t really imagine him having any other style of moustache.” Depp had some very specific ideas about the moustache. “Johnny actually did a little sketch of the style he had in mind on a napkin,” recalls Harlow. “I took it to my hair design person and she tied the moustaches with the hair colors. We made three moustaches in the same style but different colors. One of those was more of a blond and that’s ultimately what he chose as it matched the hair color he decided on.”

Once they had decided on the color and style, Harlow proceeded to have roughly 30 versions of the moustache made with slight variations. “Some are stunt doubles and riding doubles because a moustache goes through a bit of wear and tear in an action movie,” says the make-up designer. “Mortdecai brushes it a lot, which has a tendency to break up the hairs. He gets punched a couple of times so there’s blood in the moustache and that stains the lace that it’s attached to.” The application and maintenance of Mortdecai’s moustache was a very delicate process that started early each morning with Harlow applying layers of matte spirit gum. Throughout the day, he would reapply the glue to the edges. The production went through one or two moustaches per week. “If the Charlie Mortdecai character didn’t have a moustache, he wouldn’t be the Mortdecai character,” declares Harlow. “The moustache is such a part of the character and the way Johnny uses it is comedy gold.” Depp also liked the idea of having a gap in his teeth, so Harlow ordered up a set of dentures with a split. “David Koepp thought they might be a little too much like a caricature, so we opted to just paint it in.” Depp’s chameleon-like ability to transform himself had some on set convinced that he was wearing facial prosthetics, but Harlow says that is not the case. “The addition of that moustache changes his look so much, we really didn’t need to do anything else.” CONSTRUCTING MORTDECAI’S WORLD Production designer James Merifield, an Emmy® Award winner with credits including the acclaimed British television series “Little Dorrit,” was drawn to what he saw as a strong retro feeling in the writing of Mortdecai. “That was something I wanted to springboard into the design,” he recalls. “We should hark back to the style of movies in the 1940s and 1950s. When it became apparent that director David Koepp felt the same way, we designed Mortdecai Manor with quite a few references to that era.” Merifield says he approaches his designs through character and found a wealth of inspiration in

Mortdecai. “The characters leap off the page with great gusto, joy and humor,” he says. “Charlie Mortdecai is a true English gentleman. He scorns anything that isn’t classically correct. He needed the right type of walking stick and the perfect moustache comb because it’s all in the detail. That’s something I obsessed about.” Wrotham Park in the English countryside became Mortdecai Manor, the fictional English country estate that Charlie and Johanna call home. “Mortdecai Manor had to be a practical location rather than a studio build to get the right feeling on camera and for the actors,” notes Merifield. “It’s crucial that they walk from the Rolls Royce across the sweeping driveway, up palatial steps, through a huge front door, up an amazing staircase. That way, they are immersed in the character from the moment they walk on set.” Technical requirements for some scenes meant that Merifield also built interiors at Pinewood Studios. Although the production moved from the UK to Los Angeles for key exteriors at the Standard Hotel, the interiors of the trendy West Hollywood boutique hotel were shot on D Stage at Pinewood. “The rooms at the Standard are quite small,” he says. “We created walls that could float and give a bigger working space so we could shoot the scenes more efficiently.” One of the biggest studio builds was the set for Sedgwick’s, a Sotheby’s-style art auction house. Not only did the production need to accommodate a roomful of extras, the action plays out from the main auction room into a smaller storage area and features an epic sword fight between Mortdecai and Emil. “It was one of our

biggest action sequences,” says Merifield, “We had swords and Samurai suits being slashed, and boxes falling down on people’s heads so we needed an environment where that could comfortably occur.” The iconic Goya painting intrinsic to the storyline was created specifically for the film. “We referenced a lot of real Goyas in order to create our own,” says the production designer. “An extraordinary painter named Sally Dray was given complete artistic freedom to make it. She painted two, because we needed doubles of everything in case one was damaged during shooting.” SEWING UP MORTDECAI’S SIGNATURE STYLE Like most great costume designers, two-time Academy Award-nominee Ruth Myers describes herself as a storyteller. “The design part is easy,” she says. “We’re trained to dress women to look beautiful and men to look gorgeous. The difficult part is figuring out how to reveal subtle secrets that add to the character and give the film another dimension.”

Mortdecai is Myers’ idea of “a fabulous job.” To come up with Charlie’s eccentrically aristocratic look, she collaborated with the director, the actor and the producers. “David Koepp and I were very much in sync,” she says. “We both wanted to make this look beautiful in a traditional way, going back to the old Hitchcock or Pink

Panther films. If you think about the Pink Panther films, people were beautifully dressed. It wasn’t done for comedy at all, which was very much the essence of what I’ve tried to create. David was very encouraging. He’s a wonderful director who is incredibly foresighted, helpful and generous with his ideas which make a huge difference to a job like mine.” Working with the actors is always a highlight for the designer. “I love the fittings, which is my time to play and put some ideas forward. It is also a time to absorb what they want and how I can help them achieve that.” It was the first time Myers had worked with Depp. “I pray it won’t be the last time, because I absolutely adore him,” she says. “Johnny’s incredibly responsive and he gives you an enormous amount to work with. The first time I met with him, I’d found this wonderful old English tweed coat that we both just loved. I’m not sure we even used it in the film but it was a touchstone for his look.” In Myers’ imagination, Charlie Mortdecai is not just an eccentric; he is also a fashion plate. “Mortdecai loves his clothes,” she says. “He’s a peacock, fluttering around with his tail feathers in the air. He never looks anything but exquisitely turned out and right for the occasion. We put Johnny in perfectly tailored clothes and added all these wonderful, colorful details, like cufflinks that match every suit, and silk ties coordinated for every outfit. Even his socks match! We got the shoes from Church’s, the iconic English shoe company. He always has a waistcoat and braces, which gives him a slightly old-fashioned look.” Dressing Paltrow again was also a gift for Myers, who was Oscar®-nominated for her work on Emma. “Having worked with Gwyneth before, it was easier to have that shorthand. We talked a lot about what English people wear in these rather cold, drafty, old homes.” Meyers envisioned Johanna as a Grace Kelly-esque blonde. “How exquisitely elegant she was,” says Myers. “We tried to take the character out of the fashion world and dress her in a classical English look. You won’t ask what she’s wearing this year. You’ll see her as a very easily elegant English woman, although she does have some very high fashion items, including a Stella McCartney dress and suit.”

Paltrow and Myers talked about the idea of some of Johanna’s posh wardrobe having been inherited from her mother, so the designer mixed in a generous amount of vintage couture pieces for a timelessly beautiful style. “I’m thrilled with the way she looks,” Myers says. “Gwyneth would look good in anything, but her clothes in this film reflect her character’s real essence.” For Ewan McGregor’s Martland, Myers and director David Koepp were keen to create a look that gave the MI5 officer equal standing with Mortdecai, rather than looking like an ordinary detective. “We didn’t want to see Johnny, who got the girl, looking absolutely exquisite while Ewan looks rather a sad character,” says Myers. “We went for a traditional English look using a lot of Burberry and beautifully cut handmade shirts. He looks like a proper English gentleman. He starts off in an old Eton school tie since they talk about him having been educated there. That seemed the perfect way to identify him as an upper class-boy who has gone into the secret service.” Myers enjoyed costuming several other singular characters for the film, including Mortdecai’s manservant Jock, bombshell Georgina and Emil: “Jock’s the sexy one, so we dressed him in a fun leather jacket and jeans. Georgina is a girl who rides horses, so she’ll be rather restrained in her clothes, but there are always shock elements with her. Emil’s a revolutionary and he’s gone to a great deal of trouble to dress himself as one. We played around a lot with his look and found the perfect pair of sunglasses, the perfect head gear and the perfect pair of gloves for the character.” AND…ACTION As one of the U.K.’s busiest stunt coordinators and second-unit action directors, Rowley Irlam has either coordinated or performed in some of the biggest action movies shot in the country, including Guardians of the

Galaxy, The Legend of Hercules, Thor: Dark World, Captain Phillips, Prometheus and Skyfall, for which he received a SAG Award® for Outstanding Action Performance in a Motion Picture. Although Mortdecai is a comedy, it is packed with action sequences, as Jock constantly saves Charlie from outlandish mishaps. Irlam coordinated a motorbike and sidecar careening through Moscow, an unforgettable sword fight and a massive explosion sequence featuring virtually all of the key cast members. “We also shot a big car chase in East London,” Irlam says. “There was lots of skidding around and we ended up crashing into a boulevard. We cannoned the back end for that comedy finale.” Irlam and director Koepp had a specific strategy for the film’s action. “This movie is very much actor driven,” he says. “I see it as bit of an homage to Buster Keaton and Charlie Chaplin. My work was not just about stunts. It was about making the whole piece quirky, interesting and different.” One of the most challenging stunt sequences for Irlam and his team was the complicated sword fight between Mortdecai and Emil. Koepp, Depp and Irlam talked about finding the right balance between realistic combat and Mortdecai’s notorious cowardice and physical ineptitude. “Mortdecai is a blagger, so David and Johnny didn’t want him to look supremely skilled,” says Irlam. “It was more about his desire to avoid confrontation and run away. “We had Johnny Depp and Jonny Pasvolsky in for some rehearsals for sword fighting and wire work,” he continues. “We showed them how it would play out with a stunt double first, then they’d have a go and put their own twist on it.’”

MUSIC TO HIS EARS According to composer Geoff Zanelli, David Koepp created “a two-headed monster” when he asked Zanelli to partner with musician, producer and DJ Mark Ronson to create the score for Mortdecai. “David wanted a combination of the sound Mark created on his “Version” album and the storytelling through music he knew he could rely on me for,” says Zanelli. “He said ‘I need melodies and I keep hearing Mark Ronson in this. Would you like to meet with him and see what you two can do together?’ That was an easy thing to say yes to!” Because Zanelli and the director had previously collaborated on the films Ghost Town and The Secret

Window, they already had a comfortable working relationship. “David creates the perfect space for a composer to feel he can take chances. He understands completely when I need to go experimenting and creates a climate where I'm not afraid to play the wrong notes every once in a while. Sometimes the answers come quickly but other times you really have to sneak-up on them. David is able to listen to something I've got in progress.” Zanelli and Ronson began the process each working solo and then coming together to see what they had come up with. “We knew quickly that the collaboration was going to work when we found that quite a lot of what we had written had similar musical language,” Zanelli remembers. “The Mortdecai theme came about when we took a melody I had written and worked it into an arrangement Mark had come up with, It defined the opening of the movie. Once we had that, we were emboldened and we did a ton of work together in the studio, hunched over the same piano. There are only a handful of cues in the film that we didn't both work on. “Mark Ronson has real authenticity,” Zanelli continues. “Everything from the equipment he uses to the musicians he chooses are part of what makes his music special. It's all old soul, new vibe. This was the closest I've come in my professional life to recapturing the feeling I had as a teenager of making music for the sheer joy of creating it.” Because Mortdecai has, as Zanelli puts it, one foot firmly set in the 1960s and the other in the present, the pair found ways to reflect that in the score they created. “Our overall concept was to have the music be the bridge between the two,” he explains. “There's an orchestral element as well as a band with a horn section. Neither overshadows the other. They are of equal importance.” To that end, they also combined old-fashioned instruments with their modern equivalents, pairing, for example, what Zanelli calls “the crustiest harpsichord in all of London” with a clavinet, a similar-sounding instrument that is electrically amplified, or, in a scene set in Hong Kong, doubling up a traditional Chinese stringed instrument called a pipa with an electric guitar. Koepp’s most frequent notes to his actors were “faster!” and ‘remember, it's a caper!” and the composers kept those words mind as they worked on the score. “There's a sense of energy about every note, whether it’s simmering tension, explosive action or just upbeat buffoonery,” says Zanelli. The composer says he’s very happy with what he and Ronson accomplished together. “The strength of the score allows it to transcend its original reason to exist and elevates the importance of this music in the film,” he notes. “After we were done, David told me that what he loves about it is that it is exactly what we said it would be. Scores always evolve over time and this one is no exception, but he was right. We hadn't deviated from the original idea even as the music evolved.”

TALENT BIOS JOHNNY DEPP (Charlie Mortdecai) is an award-winning actor who is also producing under the banner of his company, infinitum nihil. A three-time Academy Award® nominee in the category of Best Actor, Depp was honored with his first Oscar ® nod for his work in Gore Verbinski’s 2003 blockbuster Pirates of the Caribbean: The Curse of the Black Pearl , which launched the hugely successful film franchise. He also won a Screen Actors Guild (SAG) Award® and an Empire Award and garnered Golden Globe® and BAFTA Award nominations for his creation of Captain Jack Sparrow, who became an instant screen classic. Depp went on to reprise the role in Pirates of the Caribbean: Dead Man’s Chest, earning another Golden Globe® nomination; Pirates of the Caribbean: At World’s End, and Pirates of the Caribbean: On Stranger Tides. Depp’s second Oscar® nomination came for his performance in Marc Forster’s acclaimed 2004 drama Finding Neverland. For his portrayal of Peter Pan author James Barrie in that film, he also received Golden Globe ®, BAFTA Award and SAG Award® nominations. He earned his latest Oscar ® nomination for his work in Sweeney Todd: The Demon Barber of Fleet Street , director Tim Burton’s 2007 screen adaptation of the Stephen Sondheim musical. For his performance in the film’s title role, Depp also won a Golden Globe® for Best Actor in a Motion Picture – Comedy or Musical. Depp has collaborated with Burton on eight features to date, starting with the title role in Edward Scissorhands, for which he received a Golden Globe® nomination. He also earned Golden Globe® nominations for his work under Burton’s direction in Ed Wood, for which he won a London Film Critics Circle Award; Charlie and the Chocolate Factory; and Alice in Wonderland. Additionally, he starred in Dark Shadows and lent his voice to Burton’s animated hit Corpse Bride. Depp began his performing career as a musician, before segueing to acting. He made his feature film debut in the horror hit A Nightmare on Elm Street, followed by Oliver Stone’s Oscar®-winning war drama Platoon. In 1987, he landed his breakout role on the hit television show 21 Jump Street. After starring in the series for four seasons, Depp returned to the big screen in John Waters’ Cry-Baby. His early film work also includes Benny & Joon, gaining a Golden Globe® nomination; Lasse Hallström’s What’s Eating Gilbert Grape; Don Juan DeMarco, with Marlon Brando; Mike Newell’s Donnie Brasco; and Terry Gilliam’s Fear and Loathing in Las Vegas. In 1997, Depp made his writing and directing debut with The Brave, in which he also starred with Brando. Depp has also starred in such diverse films as Lasse Hallstrom’s Chocolat, for which he was Golden Globe®nominated; the Hughes brothers’ From Hell; Robert Rodriguez’s Once Upon a Time in Mexico; Michael Mann’s Public Enemies; The Tourist, earning another Golden Globe® nomination; The Rum Diary, which he also produced; and Verbinski’s The Lone Ranger. In addition, he voiced the title character in Verbinski’s Oscar ®-winning animated feature Rango, and was a producer on Martin Scorsese’s Oscar®-nominated Hugo. Depp was recently seen in Rob Marshall’s screen adaptation of the hit musical Into the Woods. Additionally, he stars in and produces the drama Mortdecai, and is directing a Keith Richards documentary feature. GWYNETH PALTROW (Johanna Mortdecai) is one of today's most prolific and celebrated actors in both television and film. A testament to her undeniable talent, Paltrow’s role in Shakespeare in Love catapulted her into awards stardom with Best Actress honors at the Golden Globes®, Screen Actors Guild Awards®, and Academy Awards®. In 2011, she was honored with an Emmy® award for Guest Actress in a Comedy Series for her role as substitute teacher Holly Holiday on Fox’s smash hit musical series Glee. Paltrow recently starred in Thanks For Sharing alongside Mark Ruffalo and Tim Robbins. She can also be seen in Marvel’s Iron Man 3 reprising the role of Ms. Pepper Potts alongside Robert Downey, Jr., and Don Cheadle. The international blockbuster set box office records with the second biggest opening weekend of all time and as the second highest grossing superhero film of all time behind only The Avengers in both categories. Other recent film credits include Marvel’s The Avengers; Steven Sodebergh’s Contagion; Country Strong (for which Paltrow also recorded original music on the film’s Academy Award ® nominated soundtrack), and Jon Favreau’s Iron Man & Iron Man 2. Additional credits are James Gray’s Two Lovers; brother Jake Paltrow’s The Good Night;

John Madden’s Proof (for which she received a Golden Globe® nomination); Sylvia; Ryan Murphy’s Running With Scissors; Infamous; The World of Tomorrow; Neil LaBute's Possession; Wes Anderson’s The Royal Tenenbaums; Peter and Bobby Farrelly’s Shallow Hal; The Anniversary Party; Bruce Paltrow’s Duets; Bounce opposite Ben Affleck; Anthony Mighella’s The Talented Mr. Ripley; and A Perfect Murderer. Paltrow’s early career credits include Sliding Doors; Douglas McGrath’s Emma; Great Expectations; The Pallbearer; Seven; A View From the Top; Moonlight and Valentino; Jefferson in Paris; Mrs. Parker and the Vicious Circle; Malice; Hook and Shout. Her first role was a remarkable performance in the critically acclaimed Flesh and Bone opposite Meg Ryan and Dennis Quaid. Gwyneth also co-wrote and co-directed the short film Dealbreakers with friend Mary Wigmore. Earlier last year, Paltrow published her second cookbook It’s All Good (Grand Central Publishing), which joined first ever cookbook My Father’s Daughter (published April 2011) on the New York Times Best Sellers list. She first established her credibility in the culinary field when she co-wrote Spain, A Culinary Road Trip with acclaimed chef Mario Batali. Additionally, Paltrow continues to develop her passion project GOOP.com, an online newsletter and ultimate lifestyle resource. Born in Los Angeles where she spent the first eleven years of her life, Paltrow stems from a very close-knit family deeply entrenched in the entertainment industry. Her father, Bruce Paltrow was a highly successful producer (St. Elsewhere, The White Shadow) and her mother is the award-winning actress Blythe Danner. Paltrow and her younger brother Jake spent their early childhood in Los Angeles where she attended St. Augustine by the Sea (now known as Crossroads). Often hailed as one of the finest actors of his generation, EWAN MCGREGOR (Alistair Martland) consistently captivates audiences with a diverse line-up of roles across a multitude of genres, styles and scope. McGregor recently took his formidable talents to the stage, making his Broadway debut as ‘Henry’ in Tom Stoppard's Tony® Award-winning play The Real Thing, directed by Sam Gold, opposite Maggie Gyllenhaal. The play began preview performances on October 2, and officially opened on October 30, 2014 at the American Airlines Theatre in New York. On the big screen, he will next be seen playing dual roles in Rodrigo Garcia's Last Days in the Desert, out later this year, where he plays both a demon and a holy man on a journey through the desert. McGregor's upcoming film roles include starring in Gavin O'Connor's Jane Got a Gun, out February 20, where he plays the leader of an outlaw gang. The film also stars Natalie Portman and Joel Edgerton. Among McGregor's additional upcoming film roles are the action crime-drama Son of a Gun where he plays a notorious criminal who has escaped from prison, and the political thriller Our Kind of Traitor opposite Stellan Skarsgård. McGregor recently wrapped production on the Miles Davis biopic Miles Ahead, opposite Don Cheadle and Zoe Saldana. BiFrost Pictures will produce the film and Cheadle will direct. Among his more recent film roles was John Wells' film adaptation of Tracy Letts' Pulitzer-and Tony®-winning play August: Osage County opposite Meryl Streep and Julia Roberts. The film premiered at the 2013 Toronto Film Festival and was released by The Weinstein Company on December 25 th, 2013. McGregor also starred in The Impossible, a drama based on a true story of one family's terrifying account of the 2004 tsunami and the compelling events as they fought to survive in the face of disaster, and Beginners, opposite Christopher Plummer, and based on director Mike Mills' personal story, where he portrayed a man coming to terms with his dying father's latent homosexuality. McGregor also garnered terrific acclaim for his performance in Lasse Hallström's moving film Salmon Fishing in the Yemen alongside Emily Blunt and Kristin Scott Thomas. The film premiered at the 2011 Toronto International Film Festival and garnered McGregor a Best Actor Golden Globe® nomination. From his breakthrough role as the heroin-addicted Mark Renton in Irvine Welsh's Trainspotting, to the legendary ‘Obi-Wan Kenobi’ in Star Wars Episode I: The Phantom Menace, to starring as ‘Christian’ opposite Nicole Kidman in the Oscar® and BAFTA award-winning musical Moulin Rouge, McGregor's career has been highlighted by a continuous string of bold and daring performances. His diverse film credits include: Steven Soderberghs Haywire; Roman Polanski's The Ghost Writer, opposite Pierce Brosnan; Amelia, starring Hilary Swank and Richard Gere; Jack the Giant Slayer with Stanley Tucci; Ron Howard's Angels and Demons with Tom Hanks; the comedy I Love You Phillip Morris opposite Jim Carrey; Deception, also starring Michelle Williams and Hugh Jackman; the drama romance, Incendiary; Woody Allen's Cassandra's Dream; the biography drama, Miss Potter; Scenes of a Sexual

Nature, directed by Edward Blum; Marc Forster's supernatural thriller, Stay, alongside Naomi Watts and Ryan Gosling; Michael Bay's The Island with Scarlett Johanssen, Djimon Hounsou and Steve Buscemi; Star Wars Episode II: Attack of the Clones and Star Wars: Episode III: Revenge of the Sith; the animated films Robots directed by Chris Wedge, and Valiant directed by Gary Chapman; Tim Burton's Big Fish alongside Albert Finney, Billy Crudup, Alison Lohman, Jessica Lange and Danny DeVito; Young Adam with Peter Mullan and Tilda Swinton, for which he received a London Film Critics Circle Awards nomination; Down With Love opposite Renee Zellweger; Ridley Scott's historical drama Black Hawk Down; Rogue Trader; the Golden Globe®-winning film Little Voice, alongside Jane Horrocks and Michael Caine; and the glam rock film, Velvet Goldmine. McGregor received critical acclaim for his role in Danny Boyle's A Life Less Ordinary, for which he won the Best British Actor Award (for the third time running) at the 1997 Empire Movie Awards. For his role in the BAFTA award-winning Shallow Grave, McGregor was honored with the Hitchcock D'Argent Best Actor Award and a nomination for Best Actor at the BAFTA Scotland Awards. On television, McGregor was lauded by critics, and won an Emmy® Award for Outstanding Guest Actor for his episodic role in the NBC television series ER. McGregor is a devoted and influential philanthropist, and serves as a Goodwill Ambassador for UNICEF, a nonprofit organization dedicated to providing long-term humanitarian and developmental assistance to children and mothers in developing countries. Additionally, he was the face of the global British luxury lifestyle brand Belstaff. McGregor was born in Perth, Scotland and currently resides in Los Angeles. OLIVIA MUNN (Georgina Krampf) has established herself as one of the top actresses on the rise in Hollywood. Variety recently recognized her as “2014 Breakthrough Actress” winner at the Variety Breakthrough of the Year Awards. She currently stars as Sloan Sabbith on Aaron Sorkin’s hit HBO political drama The Newsroom, which follows behind-the-scenes events of the fictional Atlantis Cable News (ACN) channel. The third and final season premiered on November 9, 2014. She recently wrapped filming Universal's Ride Along 2, where she will play a homicide detective opposite Kevin Hart and Ice Cube. The sequel is slated for release on January 15, 2016. Munn was last seen on the big screen in Jerry Bruckheimer's supernatural thriller Deliver Us From Evil opposite Eric Bana. She appeared with Channing Tatum in the hit Steven Soderbergh film Magic Mike and in Marvel’s Iron Man 2. Munn also had an arc on the 2013 season of FOX’s Golden Globe® and Emmy®-nominated comedy The New Girl and appeared in the Emmy®-winning Showtime environmental documentary series Years of Living Dangerously from James Cameron and Jerry Weintraub. An Oklahoma native, Munn spent the majority of her childhood in Tokyo, Japan and speaks fluent Japanese. She attended the University of Oklahoma after moving back to the U.S. and relocated to Los Angeles. In 2006, Munn joined G4 network’s popular Attack of the Show! as co-host. She later joined Emmy®-winning Comedy Central series The Daily Show with Jon Stewart as correspondent in 2010, becoming one of five female cast members to ever appear on the show. Her first book, Suck it, Wonder Woman: The Misadventures of a Hollywood Geek was also released that year and debuted on The New York Times and Los Angeles Times best sellers lists. JEFF GOLDBLUM (Milton Krampf) is a stage, film, and television actor. His film credits include The Grand Budapest Hotel, Le Week-End, Adam Resurrected, The Life Aquatic, Igby Goes Down, Jurassic Park, Independence Day, Nashville, The Tall Guy, Annie Hall, The Big Chill, and The Fly. On television, his credits include Will & Grace and Portlandia. He recently appeared in the Lincoln Center Theatre’s production of Domesticated; The Pillowman, on Broadway; the West End’s The Prisoner of Second Avenue; and Speed the Plow, at the Old Vic Theatre. PAUL BETTANY (Jock Strapp) is a British born actor who was classically trained at the Drama Centre in London. He made his West End stage debut under the direction of Stephen Daldry in An Inspector Calls. Bettany then spent a season at the Royal Shakespeare Company performing in productions of Richard III, Romeo & Juliet and Julius Caesar before landing his first feature film role in Bent opposite Sir Ian McKellen. Bettany returned to the stage to appear in Joe Penhall’s Love and Understanding at London’s Bush Theatre. He later reprised the role at the Longwharf Theatre in Connecticut. The play led to a host of British television drama roles including Lynda La Plante’s Killer Net and Coming Home starring Peter O’Toole.

London’s Royal Court Theatre productions of One More Wasted Year and Stranger’s House were followed by Bettany’s second feature film role in David Leland’s Land Girls opposite Rachel Weisz. Bettany was nominated for a British Independent Film Award and a Critic’s Circle Award in the Best Newcomer category by the London film critics for his performance in IFC’s Paul McGuigan film Gangster No. 1 opposite Malcolm McDowell, David Thewlis and Saffron Burrows. US audiences first discovered Bettany in the comic role of ‘Chaucer’ opposite Heath Ledger in Brian Helgeland’s A Knight’s Tale. For this role he received a Best Supporting Actor accolade from the Critic’s Circle in London and was named one of Daily Variety’s Ten to Watch in 2001. Next he re-teamed with Paul McGuigan for The Reckoning, a mystery thriller from Paramount Classics which he starred in opposite Tom Hardy, Vincent Cassell and Brian Cox. He then went on to star as the imaginary room-mate opposite Russell Crowe, Ed Harris and Jennifer Connelly in Ron Howard’s Academy Award®-winning A Beautiful Mind. For his performance he received Best British Actor at the London Critic’s Circle Awards. This was followed by Thaddeus O’Sullivan’s tense independent thriller The Heart of Me opposite Olivia Williams and Helena Bonham-Carter. Keen to test himself further, he took on Lars Von Trier’s dramatic thriller Dogville opposite Nicole Kidman and Stellan Skarsgård. Reuniting with Russell Crowe, Bettany starred in Peter Weir’s Master and Commander: The Far Side of the World for Fox and his performance won him an Evening Standard Award in the Best British Actor category and a London Critic’s Circle accolade for both Master and Commander and The Heart of Me. He also received Best Actor at the Elle Style Awards for Master and Commander and Dogville. In addition, Bettany received nominations in Best Supporting Actor categories at both the BAFTAs and the Broadcast Film Critics Association for Master and

Commander.

Working Title/Universal’s Wimbledon followed for director Richard Loncraine with Bettany starring opposite Kirsten Dunst, Jon Favreau and James McAvoy. He then took on the role of ‘Silas’ for director Ron Howard in Sony’s acclaimed box office smash, The Da Vinci Code based on Dan Brown’s international best-seller. The prestigious cast included Tom Hanks, Audrey Tautou, Sir Ian McKellen and Alfred Molina. The fantasy adventure trilogy based on the children’s books Inkheart then followed for New Line Cinema/Warner Bros. opposite Brendan Fraser, Dame Helen Mirren and Andy Serkis for director Iain Softley.

The Secret Life of Bees for Fox Searchlight marked a radically different role for Bettany. Based on the best-selling book of the same name, he starred opposite Dakota Fanning. He then lent his voice as “Jarvis” for Jon Favreau’s hugely successful Iron Man and went on to reprise this role for Iron Man 2 and 3 and The Avengers.

2009 saw Bettany star in Martin Scorsese’s period drama The Young Victoria opposite Emily Blunt and Jim Broadbent for Oscar®-winning producer Graham King. He then took on the role of scientist Charles Darwin in Creation opposite his wife Jennifer Connelly, which saw Bettany play Darwin battling between his infinite love for his devout Christian wife and his revolutionary theories on evolution. 2010 saw Bettany as Archangel Michael in Legion opposite Dennis Quaid for director Scott Stewart; a further collaboration with Stewart followed with Priest opposite Maggie Q and Lily Collins. Academy-Award® winning director Florian henckel von Donnersmarck’s The Tourist followed for Bettany opposite Johnny Depp and Angelina Jolie for Sony Pictures. In 2011 Bettany starred in the independent feature Margin Call with Kevin Spacey, Stanley Tucci, Jeremy Irons and Zachary Quinto which was Oscar®-nominated in the Best Original Screenplay category. Bettany’s next project was Blood starring Mark Strong, Stephen Graham and Brian Cox, directed by Nick Murphy.

In 2014 Bettany was seen in Wally Pfister’s Transcendence, produced by Christopher Nolan and starring Johnny Depp and Morgan Freeman. Most recently, Bettany wrote, directed and produced, Shelter, which starts Jennifer Connelly and Anthony Mackie. Bettany currently resides in New York with his wife and three children. JONNY PASVOLSKY (Emil Strago) can next be seen starring with Johnny Depp in Mortdecai, a satirical comedy about an art dealer searching for a stolen painting which is believed to be linked to a bank account with Nazi gold. The film, which will premiere in January 2015, is directed by David Koepp and also stars Gwyneth Paltrow, Ewan McGregor and Olivia Munn. Perhaps one of Pasvolsky’s most notable television credits is his performance as the undeniably charming convict, Zac Butler in the Australian series Cops: Local Area Command. A conflict of interest drives the first season when Detective Samantha Cooper finds that the one way she can close the case is by getting closer to her ex-lover Zac, a man she swore would remain in her past. Pasvolsky also took on dual roles as Rob Shelton and Matt Bosnich in the award winning drama series McLeod’s Daughters for which he received a Logie nomination for the Most Popular New Talent category. Pasvolsky’s additional Australian television credits include series regular roles on ABC’s The Moody’s and Mr. & Mrs. Murder, as well as guest arcs on Home and Away and Underbelly 2. He also had guest starring roles on Miss Fisher’s Murder Mysteries, Offspring, and Blood Brothers. Pasvolsky’s film credits include Sony and ABC’s action thriller Fatal Contact, directed by Richard Pearce and starring Joely Richardson, Scott Cohen and David Ramsey; Macbeth, directed by Jeffrey Wright, starring Sam Worthington; and the Cathy Randall-directed coming-of-age dramedy Hey Hey It’s Esther Blueburger. In addition to film and television, Pasvolsky has appeared in numerous stage productions including Griffin Independent’s Bug, the Ensemble Theatre’s Lovers at Versailles, Sydney Theatre Company’s Proof, , the Sydney Festival’s 2003 production of Two Up! Fitzroy’s School of Night, and the Ensemble Theatre and Perth Theatre Company’s Stories from Suburban Road. Pasvolsky graduated with a degree in Dramatic Arts from Victorian College of The Arts in 1999. He was born in Cape Town, South Africa and moved to Australia at the age of five. He and his wife, Carolyn, currently reside in Los Angeles with their daughters.

FILMMAKER BIOS DAVID KOEPP (Director) has written and directed the films Premium Rush (2012), Ghost Town (2008), Secret Window (2004), Stir of Echoes (1999), The Trigger Effect (1996), and Suspicious (1994). He wrote or co-wrote the screenplays for the films Jack Ryan: Shadow Recruit (2014), Angels and Demons (2009), Indiana Jones and the Kingdom of the Crystal Skull (2008), War of the Worlds (2005), Zathura (2005), Spider-Man (2002), Panic Room (2002), Snake Eyes (1998), The Lost World: Jurassic Park (1997), Mission: Impossible (1996), The Shadow (1994), The Paper (1994), Jurassic Park (1993), Carlito's Way (1993), Death Becomes Her (1992), Toy Soldiers (1991), Bad Influence (1990), and Apartment Zero (1989).

Premium Rush, Zathura, and Ghost Town were co-written with John Kamps. Koepp was born in Pewaukee, Wisconsin and graduated from UCLA's film school in 1986. He lives in New York City with his wife and children. ERIC ARONSON (Screenwriter) discovered the Mortdecai series of books in a London bookstore more than 10 years ago. This adaptation is his first film credit. Born and raised in Boston, Aronson was educated at the University of Pennsylvania and Stanford, attaining degrees in English and political science. He began his career working for the British government (he claims he was not a spy!).

Aronson currently lives in Massachusetts with his wife and child. ANDREW LAZAR, p.g.a. (Producer) formed Mad Chance Productions in 1995 with a mandate to focus on smart, intriguing material in every genre and budget range. His debut feature was the Shakespeare-influenced teen comedy 10 Things I Hate About You, starring Heath Ledger, Joseph Gordon Levitt and Julia Stiles. Mad Chance currently has a number of studio projects in preproduction. Lore, based on the graphic novel of the same name, is set up at Warner Bros. with David Green directing and Dwayne Johnson starring. An ensemble comedy, The Wedding Guests, is set up at CBS Films with Steve Carr directing. About to be released by Warner Bros. is American Sniper, based on the New York Times bestseller about the most lethal sniper in U.S. military history, with Clint Eastwood directing and Bradley Cooper starring. This year has seen the release of Behaving Badly, a raunchy comedy starring Selena Gomez, Nat Wolff, Mary Louise-Parker and Elisabeth Shue. Lazar is working alongside Leonardo DiCaprio’s Appian Way to adapt the cult-classic Japanese manga Akira for Warner Bros., with Jaume Collet-Serra directing. Previous film credits include Pete Segal’s Get Smart, starring Steve Carell, Anne Hathaway, Dwayne Johnson and Alan Arkin; I Love You Phillip Morris, written and directed by John Requa and Glenn Ficarra, starring Jim Carrey and Ewan McGregor; the critically acclaimed Confessions of a Dangerous Mind, which marked George Clooney’s directorial debut and starred Sam Rockwell, Drew Barrymore, Julia Roberts and Clooney; the pre-teen caper Catch That Kid, starring Kristen Stewart, Corbin Bleu and Max Thieriot; Danny DeVito’s Death to Smoochy, a dark comedy starring Edward Norton, Robin Williams and Catherine Keener; Clint Eastwood’s Space Cowboys, starring Eastwood and Tommy Lee Jones; The Astronaut’s Wife, starring Johnny Depp and Charlize Theron; and Nora Ephron’s lottery comedy Lucky Numbers, starring John Travolta and Lisa Kudrow. JOHNNY DEPP, p.g.a. (Producer) is an award-winning actor who is also producing under the banner of his company, infinitum nihil. A three-time Academy Award® nominee in the category of Best Actor, Depp was honored with his first Oscar ® nod for his work in Gore Verbinski’s 2003 blockbuster Pirates of the Caribbean: The Curse of the Black Pearl , which launched the hugely successful film franchise. He also won a Screen Actors Guild (SAG) Award® and an Empire Award and garnered Golden Globe® and BAFTA Award nominations for his creation of Captain Jack Sparrow, who became an instant screen classic. Depp went on to reprise the role in Pirates of the Caribbean: Dead Man’s Chest , earning another Golden Globe® nomination; Pirates of the Caribbean: At World’s End, and Pirates of the Caribbean: On Stranger Tides. Depp’s second Oscar® nomination came for his performance in Marc Forster’s acclaimed 2004 drama Finding Neverland. For his portrayal of Peter Pan author James Barrie in that film, he also received Golden Globe ®, BAFTA Award and SAG Award® nominations. He earned his latest Oscar ® nomination for his work in Sweeney Todd: The Demon Barber of Fleet Street , director Tim Burton’s 2007 screen adaptation of the Stephen Sondheim musical. For his performance in the film’s title role, Depp also won a Golden Globe® for Best Actor in a Motion Picture – Comedy or Musical. Depp has collaborated with Burton on eight features to date, starting with the title role in Edward Scissorhands, for which he received a Golden Globe® nomination. He also earned Golden Globe® nominations for his work under Burton’s direction in Ed Wood, for which he won a London Film Critics Circle Award; Charlie and the Chocolate Factory; and Alice in Wonderland. Additionally, he starred in Dark Shadows and lent his voice to Burton’s animated hit Corpse Bride. Depp began his performing career as a musician, before segueing to acting. He made his feature film debut in the horror hit A Nightmare on Elm Street, followed by Oliver Stone’s Oscar®-winning war drama Platoon. In 1987, he landed his breakout role on the hit television show 21 Jump Street. After starring in the series for four seasons, Depp returned to the big screen in John Waters’ Cry-Baby. His early film work also includes Benny & Joon, gaining a Golden Globe® nomination; Lasse Hallström’s What’s Eating Gilbert Grape; Don Juan DeMarco, with Marlon Brando; Mike Newell’s Donnie Brasco; and Terry Gilliam’s Fear and Loathing in Las Vegas. In 1997, Depp made his writing and directing debut with The Brave, in which he also starred with Brando.

Depp has also starred in such diverse films as Lasse Hallstrom’s Chocolat, for which he was Golden Globe®nominated; the Hughes brothers’ From Hell; Robert Rodriguez’s Once Upon a Time in Mexico; Michael Mann’s Public Enemies; The Tourist, earning another Golden Globe® nomination; The Rum Diary, which he also produced; and Verbinski’s The Lone Ranger. In addition, he voiced the title character in Verbinski’s Oscar ®-winning animated feature Rango, and was a producer on Martin Scorsese’s Oscar®-nominated Hugo. Depp was recently seen in Rob Marshall’s screen adaptation of the hit musical Into the Woods. Additionally, he stars in and produces the drama Mortdecai, and is directing a Keith Richards documentary feature. PATRICK McCORMICK, p.g.a. (Producer) has served in that capacity on five films starring Johnny Depp beginning with Donnie Brasco, directed by Mike Newell and also starring Al Pacino. He followed this with two films directed by Tim Burton: Charlie and the Chocolate Factory and Sweeney Todd. Their most recent collaboration came on The Rum Diary, based on the novel by Hunter S. Thompson and co-starring Giovanni Ribisi and Aaron Eckhart. McCormick produced Bryan Singer’s Jack the Giant Killer, starring Nicholas Hoult, Stanley Tucci and Ewan McGregor, as well as Peter Pan, directed by P.J. Hogan and starring Jason Isaacs, Jeremy Sumpter, Rachel HurdWood and Lynn Redgrave. Early producing credits include Angie, starring Geena Davis and James Gandolfini, and A Shock to the System, starring Michael Caine. As an executive producer, McCormick collaborated a second time with director Mike Newell on Prince of Persia: The Sands of Time, starring Jake Gyllenhaal, Ben Kingsley and Gemma Arterton. He also served as executive producer on three films directed by Barry Levinson: Bandits, the comic caper starring Bruce Willis, Billy Bob Thornton and Cate Blanchett; An Everlasting Piece, a comedy set in 1980s Belfast starring Barry McEvoy, Brían F. O’Byrne, Anna Friel and Billy Connolly; and Liberty Heights (the fourth in the director’s Baltimore series), starring Adrien Brody, Bebe Neuwirth and Joe Mantegna. Additional credits as an executive producer are the films Stepmom, directed by Chris Columbus and starring Julia Roberts, Susan Sarandon and Ed Harris; The Juror, starring Demi Moore, Alec Baldwin and James Gandolfini; and Boys on the Side, starring Drew Barrymore, Whoopi Goldberg, Mary-Louise Parker and Matthew McConaughey. FLORIAN HOFFMEISTER, BSC (Director of Photography) became the first cinematographer to receive an Emmy®, a BAFTA and the prestigious ASC Award for his work on the miniseries Great Expectations. In 2014 Hoffmeister was selected by Variety as one of its “10 Cinematographers to Watch.” Other career highlights include AMC’s remake of The Prisoner, which was Emmy®-nominated for Best Cinematography (Miniseries or TV Movie), the Golden Globe®-nominated international TV drama 5 Days and House of Saddam, which netted him a 2009 BAFTA nomination for Best Photography (Fiction). Other film credits include Terence Davies’ Deep Blue Sea, starring Rachel Weisz. Hoffmeister studied directing and cinematography at Berlin’s German Film and Television Academy. He quickly established himself as a distinct, versatile young voice in the international cinematography community. JAMES MERIFIELD (Production Designer) recently designed A Little Chaos, directed by Alan Rickman and starring Kate Winslet. It was selected to be the closing film at the 2014 Toronto Film Festival. Merifield is a graduate of the Slade School of Fine Art in London. He started his career working with legendary director Ken Russell on films such as Lady Chatterley and collaborating with the director on productions for the English National Opera and Bonn’s Opera House. Merifield received BAFTA nominations (Best Production Design) for his work on The Life and Adventures of Nicholas Nickleby and Little Dorrit. The latter project netted him an Emmy® Award for Outstanding Art Direction. Merifield also designed the BBC production Sense and Sensibility. Feature credits include Rowan Joffe’s Brighton Rock, Terence Davies’ The Deep Blue Sea, Jerusha Hess’ Austenland and Richard Laxton’s Effie, written by and starring Emma Thompson.

RUTH MYERS (Costume Designer) is a two-time Academy Award® nominee (Emma, The Addams Family) and the recipient of many other honors for her costume designs, including the Costume Designers Guild Career Achievement Award. She has contributed her style to such diverse films as The Golden Compass, starring Nicole Kidman and Daniel Craig (Costume Designers Guild Award for Excellence in Fantasy Film); The Painted Veil, starring Naomi Watts, Edward Norton and Liev Schreiber; The Deep Blue Sea, with Rachel Weisz and Tom Hiddleston; City of Ember, starring Saoirse Ronan and Bill Murray (Satellite Award nomination); and L.A. Confidential, starring Russell Crowe and Guy Pierce (BAFTA nomination). Most recently, Myers designed the costumes for Vampire Academy, directed by Mark Waters; Effie Gray, written by and starring Emma Thompson alongside Dakota Fanning and Claudia Cardinale; and Molly Moon: The Incredible Hypnotist, starring Emily Watson, Dominic Monaghan and Joan Collins. In the television world, Myers designed the costumes for the pilot episode of HBO’s Carnivàle, creating the look for the acclaimed series and winning both Emmy® and Costume Designers Guild awards. She received another Emmy® nomination for Philip Kaufman’s HBO movie Hemingway & Gellhorn, starring Nicole Kidman, Clive Owen and David Strathairn. Born and raised in Manchester, England, Myers trained at St. Martin’s College of Art in London. She then went to work at the Royal Court Theatre, followed by a year working in repertory. She returned to the Royal Court, contributing to at least 15 productions including David Hare’s Stag as well as John Osborne’s Hotel in Amsterdam and Time Present. Myers began designing for low-budget English films with Smashing Time (now famous for its era-defining Mod look), The Ruling Class, The Twelve Chairs and A Touch of Class. Persuaded by Gene Wilder to come to America, she collaborated with him on The World’s Greatest Lover, The Woman in Red and Haunted Honeymoon. She then designed Joseph Losey’s Galileo and The Romantic Englishwoman. It was while collaborating with Losey that she met her late husband, noted production designer Richard MacDonald. As a couple they enjoyed a dynamic collaboration on such films as Sydney Pollack’s The Firm, Fred Schepisi’s Plenty and The Russia House, Norman Jewison’s …And Justice for All, Ken Russell’s Altered States, Jack Clayton’s Something Wicked This Way Comes and Barry Sonnenfeld’s The Addams Family, for which she received her first Academy Award® nomination. Additional motion picture credits include three with writer/director Douglas McGrath: Infamous, starring Daniel Craig and Sandra Bullock; Nicholas Nickleby, starring Charlie Hunnam, Jamie Bell and Christopher Plummer; and Emma, starring Gwyneth Paltrow, James Cosmo and Greta Scacchi. She has also worked with filmmakers such as Taylor Hackford (Proof of Life), Mimi Leder (Deep Impact) and Tim Robbins (Cradle Will Rock). Myers served as costume designer on Fred Schepisi’s I.Q, starring Tim Robbins, Meg Ryan and Walter Matthau; Mr. Saturday Night, written and directed by Billy Crystal, who also starred; The Marrying Man, written by Neil Simon and starring Kim Basinger, Alec Baldwin and Robert Loggia; Lawrence Kasdan’s The Accidental Tourist, starring William Hurt, Kathleen Turner and Geena Davis; Jocelyn Moorhouse’s A Thousand Acres, starring Michelle Pfeiffer, Jessica Lange and Jennifer Jason Leigh; and Moorhouse’s How to Make An American Quilt, starring Winona Ryder, Ellen Burstyn and Anne Bancroft. GEOFF ZANELLI (Composer) Emmy® Award-winning composer Geoff Zanelli has become a standout in the film and television scoring industry – garnering accolades and recognition for his work since going solo after numerous collaborations with Academy Award® -winning composer Hans Zimmer. Zanelli scored Disney’s fantasy drama The Odd Life of Timothy Green, starring Jennifer Garner and Joel Edgerton in 2012 to critical acclaim. His organic and stirring score for the film was recognized by many in the industry including Variety’s Eye on the Oscars issue. Zanelli was also recently heard in theatres indie-film Louder Than Words starring David Duchovny, Hope Davis and Timothy Hutton; and in the Emmy ® -nominated miniseries Killing Kennedy, starring Rob Lowe. Recent albums include the Grammy® -Winning Love Has Come For You, the bluegrass album from Steve Martin and Edie Brickell for which Geoff wrote all the string arrangements; and the long-awaited release of Zanelli’s Emmy® -Award Winning score to Steven Spielberg and DreamWorks television’s 2008 miniseries Into The West from Paramount and La-La Land Records.

A Southern California native, Zanelli began his musical career as a guitar player and songwriter for numerous local acts. In 1994, he met Zimmer and was offered a job at Remote Control Productions after Zimmer recognized Zanelli’s musical talents. Now, Zanelli is known as a versatile composer in his own right, who combines music from different genres and cultures. In 2006, Zanelli earned his first Emmy® after scoring the original music for Steven Spielberg’s miniseries Into The West. A few years later, Spielberg once again tapped Zanelli to score HBO’s The Pacific, which earned him his second Emmy® nomination. Other credits include: DreamWorks and Paramount Pictures’ Disturbia, 20th Century Fox’s Hitman, The Weinstein Company’s Outlander and Lionsgate’s Gamer, among many others. He co-wrote the song Don’t Make Me Wait for Disturbia. Zanelli contributed music to many feature films including: Disney’s Pirates of the Caribbean: On Stranger Tides, Pirates of the Caribbean: At World’s End, Pirates of the Caribbean: Dead Man’s Chest, and Pirates of the Caribbean: The Curse of the Black Pearl; the Golden Globe® -nominated scores for Warner Bros. The Last Samurai and Touchstone Pictures’ Pearl Harbor; Paramount Pictures’ Rango, MGM’s Hannibal, Columbia Pictures’ Angels & Demons, DreamWorks’ Antz, Chicken Run, Shark Tale and Madagascar: Escape 2 Africa, working alongside composers Hans Zimmer, John Powell, Harry Gregson-Williams and Steve Jablonsky. He has written music for directors Gore Verbinski, Ridley Scott and David Koepp; writer/directors Peter Hedges and David Duchovny; producers Jeffrey Katzenberg and Jerry Bruckheimer; as well as actor/producer Tom Hanks. Zanelli has degrees in Film Scoring and Music Production & Engineering from the prestigious Berklee College of Music, which he attended on scholarship. He is an active alumnus at his alma mater and has participated in Berklee’s Curriculum Review Initiative as well as given seminars to students studying composition. During his time at Berklee, Zanelli received the Doug Timm Award in recognition of his film scoring work and the Music Production/Engineering Scholar Award. He currently resides in California with his wife and daughter. www.geoffzanelli.com JOEL HARLOW (Designer & Makeup Artist to Johnny Depp) is an Academy Award®-winning talent and one of the most innovative makeup and special-makeup artists and designers currently working in American motion pictures. He has enjoyed a long-standing professional relationship with actor Johnny Depp since they first collaborated on Pirates of the Caribbean: The Curse of the Black Pearl , directed by Gore Verbinski and produced by Jerry Bruckheimer. Most recently, Harlow worked as Depp’s makeup artist on Alice in Wonderland, The Tourist, The Rum Diary, Dark Shadows and The Lone Ranger (another Gore Verbinski/Jerry Bruckheimer production, for which Harlow was also makeup department head). Harlow shared in an Academy Award® win with fellow makeup artists Barney Burman and Mindy Hall for their work on J.J. Abrams’ Star Trek (2010). He won a Critics’ Choice Award for his work on Alice in Wonderland and Emmy® Awards for the television miniseries versions of Stephen King’s The Stand and The Shining. He has also received nominations for Mad Men, Carnivàle and Buffy the Vampire Slayer. Born in Grand Forks, North Dakota, Harlow’s passion to work on film began with a childhood viewing of the original 1933 King Kong. Moving to New York City at college age, he studied animation at the School of Visual Arts, but his true passion was special makeup effects. Harlow gained practical experience on such New Yorkbased, low-budget genre films as The Toxic Avenger Part II (and III) and Basket Case 2. Harlow then moved to Los Angeles, where he worked for several makeup-effects houses before finally landing at Steve Johnson’s XFC, Inc., where he remained for eight years as a makeup-effects designer on a number of films. From there Harlow began working on such high-profile films as How the Grinch Stole Christmas, A.I. Artificial Intelligence, Planet of the Apes, Constantine and Pirates of the Caribbean: The Curse of the Black Pearl. Harlow became the key makeup artist, makeup-effects supervisor, prosthetic-makeup designer and special-effectsmakeup supervisor on both Pirates of the Caribbean: Dead Man’s Chest and Pirates of the Caribbean: At World’s End. He then worked as makeup-department head on Pirates of the Caribbean: On Stranger Tides, directed by Rob Marshall.

Harlow was key makeup artist on Ron Howard’s Angels & Demons, key prosthetic-makeup artist for Christopher Nolan’s Inception and Martin Campbell’s Green Lantern, and makeup department head on Jonathan Liebesman’s Battle Los Angeles. Harlow’s company, Joel Harlow Designs, creates a full range of state-of-the-art makeup, special-makeup effects and prosthetics, from lab to set. SALLIE JAYE (Hair & Makeup Designer) is a BAFTA Award winner (for Iain Softley’s Wings of the Dove). She was also BAFTA nominated for Robert Altman’s Gosford Park. Jaye received both a BAFTA and a Royal Television Society Award for her work on the celebrated TV series French & Saunders and was BAFTA nominated for Dennis Potter’s Lipstick on Your Collar. Feature film credits as a designer have included Prince of Persia: The Sands of Time, City of Ember, In Bruges, Cassandra’s Dream, Scoop, Match Point and 28 Days Later. Credits in other capacities include Skyfall, Blood Diamond, Never Let Me Go, Imagine Me & You, Alfie, The Beach, Chocolat, Ella Enchanted, Johnny English and Johnny English Reborn, Ever After, Sense & Sensibility, Rob Roy and Howards End.

"MORTDECAI" End Credits - FINAL (Theatrical) Unit Production Managers

Marianne Jenkins Patrick McCormick

First Assistant Director

Josh Robertson

Second Assistant Director

Ben Howard

Executive in Charge of Production

Donna Sloan

Executive in Charge of Production for OddLot Entertainment

Rachel Shane

CAST Mortdecai Johanna Jock Martland Georgina Emil Sir Graham Romanov Dmitri Vladimir Maurice Krampf Spinoza Bronwen Auctioneer Gardener Receptionist The Duke Woman in Jock's Apartment Duke's Footman Detective Krampf's Third Wife Hotel Clerk Sergei Farmer Farmer's Daughter Romanov's Aide The Duchess Mum on Plane Revolutionary Sedgwick's Worker

Johnny Depp Gwyneth Paltrow Paul Bettany Ewan McGregor Olivia Munn Jonny Pasvolsky Michael Culkin Ulrich Thomsen Alec Utgoff Rob De Groot Guy Burnet Jeff Goldblum Paul Whitehouse Norma Atallah Nicholas Farrell Karl Theobald Camilla Marie Beeput Michael Byrne Emily Lawrence James Joyce Jenna Russell Carly Steel Austin Lyon Ricky Champ Chris Bearne Georgie Carter Benny Maslov Colette O'Neil Evie Brodie Michael Aguilo Michael Shelford

Sedgwick's Worker - Lights Sedgwick's Footman Butler Butler #2 Band Member (Guitar) Band Member (Sax) Band Member (Percussion / Congas) Band Member (Trumpet) Band Member (DBL Bass) Band Member (Keyboard) Band Member (Trombone) Party Guest Sick Guests Fang Fat Right Hand Man Thug Stunt Coordinator Stunt Coordinators (L.A.)

Additional Stunt Coordinator Mortdecai Double Jock and Emil Double Emil Double Mortdecai Double (L.A.) Johanna Double (L.A.) Jock Double (L.A.) Jock Dog Double (L.A.) Martland Double (L.A.) Georgina Double (L.A.) Georgina Horse Riding Double (L.A.) Emil Double (L.A.) Additional Mortdecai Double Stunt Performers

Andrew Spiers Paul Westwood John O'Brien Jerry T. Adams J.J. Holiday Joe Sublett Debra Dobkin Darrell Leonard Bruce Witkin Michael Murphy John Rubano Scott Sheldon Geoff Pilkington Kumiko Nagano Junix Inocian David Cheung Leon Sua Rowley Irlam George Aguilar Stephen Pope Tad Griffith Paul Herbert David Grant Jan Petrina James Grogan Chris Leps Lee Anne Telford Josh Wood Joe McCarter Richard Burden Tara Macken Whitney Coleman James Armstrong Martin Wilde Helen Bailey Lloyd Bass Dani Biernat Michael Byrch Tony Christian Ben Collins David Collom David Cronnelly Rob De Groot Steve Dent William Dent Ben Dimmock Rick English David Garrick Oliver Gough Lyndon Hellewell Nick Hobbs Paul Howell Rob Hunt Olivia Jackson Sian Milne Lee Morrison James Pavey Robert Pavey Ian Pead

Dominic Preece Tom Rodgers Marcus Shakesheff Calvin Warrington Leo Woodruff Sebastian Zaniesienko Jill Brown Richard Bucher John Cenatiempo Peter Epstein Mark Fichera Todd Forsberg Ryan Happy Riley Harber Terry James Josh Lakatos Mike Majesky Casey O'Neill Conrad Palmisano David Pope JC Robaina Rick Seaman Buddy Sosthand Trampas Thompson Dan Wynands Gary Arthurs Marc Cass Nick Chopping Kelly Dent Ben Essex Bradley Farmer David Forman David Holmes Erol Ismail George Kirby David Newton Hasit Savani Karen Teoh Vincent Wang Annabel Wood Lewis Young Steen Young

Stunt Performers (L.A.)

Additional Stunt Performers

Stunt Department Supervisor Assistant Stunt Coordinator / Rigger Stunt Rigger (L.A.) Stunt Trainee

Matthew Sampson Scott Armstrong Jamie Charles Lee Doug Wells

Mortdecai Stand-In

Sam Allen

CREW Co-Producer Associate Producer Supervising Art Director Set Decorator "A" Camera Operator First Assistant "A" Camera

Kenneth Kokin Monique Feig Patrick Rolfe Sara Wan Craig Feather Brad Larner

Second Assistant "A" Camera

"B" Camera Operator First Assistant "B" Camera DIT Operator Camera Trainee DIT Trainee Additional Editing by Visual Effects Editor First Assistant Editors

Second Assistant Editors Editorial Trainee Post Production Supervisor Post Production Coordinator Post Production Assistants

Script Supervisor Production Sound Mixer Boom Operator Sound Assistant Sound Technician for Mr. Depp Video Playback Operator Assistant Video Playback Operator Key Grip Best Boy Grip Dolly Grip Grips Grip Trainee Standby Carpenter Standby Rigger Gaffer Best Boy (Office) Best Boy (Floor) Electricians

Generator Operator Standby Rigger (Electrical) Rigging Gaffer Chargehand Rigging Electricians Rigging Electricians

Head of Department - Rigger (Electrical) Art Directors

Felix Pickles Natasha Back Howard Mills Roger Tooley Ian Coffey Joe Steel Harry Dibden Thomas Barber Debra Neil-Fisher, ACE Renannah Weinstein Jennifer Davidoff Cook David A. Smith Andrew Walton Steve Jacks Chris Hunter Jake Hosemann Paul A. Levin Ann M. Gray Max Ethan Miller Colin Garland Sue Hills Tony Dawe Joe Carey Catherine Duffy Keenan Wyatt Stephen Lee Martyn Culpan David Maund John McSweeney Colin Strachan John Arnold David Ashby Wolf Wasserman Tom Walker George Ambrose Dan Fontaine Andy Bell John Walker Tony Ephgrave Mike Parsons Ricky Payne Brett Parnham Peter West David Price Robert Gavigan Russell Farr Darren Gatrell Tommy Carlin Paul Kemp Richard Oxley Luke Pochetty Steve Pochetty Frankie Webster Katherine Law

Standby Art Director Assistant Art Director Construction Manager Storyboard Artists

Gareth Cousins Lisa McDiarmid Rebecca White Dan Crandon

Art Department Assistant Art Department Runner

Giles Asbury Temple Clark Sarah Pasquali Chris Rosser Philip Brown Katrina Mackay Emily Woodward Kitty Parkinson

Assistant Set Decorator Production Buyer Assistant Production Buyer Portrait Artist

Kamlan Man James Hendy Mia Summerville Sally Dray

Supervising Graphic Designer Graphic Designer Draughtsmen

Property Master Property Chargehand Property Storeman Dressing Props

Property Hands

Standby Props Model Maker Lead Practical Electrician Practical Electricians

Special Effects Supervisor Additional Special Effects Supervisor Senior Special Effects Technicians

Special Effects Technicians

Special Effects Model Makers Special Effects Trainee Costume Supervisor Assistant Costume Designer Costume Standby to Mr. Depp Costume Standby to Ms. Paltrow Principal Standbys

Chris Cull Rob Macpherson Jed Evans Daniel Bryant Nicholas Shaw James Foley Robert Brandon Scott Fensome Oliver Dance Dave Simpson Bruce Vincent Lloyd Vincent Simon Riley Alejandro Mackay Roseanne Jackman Matthew Hall Colin Field Ian Fossett Chris Reynolds Joss Williams Dave Vialls Mike Crowley Graham Hills Andrea Williams Victoria Williams Stephen Bowman Neil Todd Dennis Murray Chris Watson Neil Reynolds Jonathon Timlin Andy Garrett Pete Harran Nicole Saunders Hannah Wilson Christopher Wood Gilly Martin Becky Brown Charlotte Child Isabella Artizone Perry Goyen

Costume Standbys Costume Buyer Costume Breakdown Artists Costume Assistants

Assistant to Designer Costume Production Assistant Hair & Make Up Designer Make Up Artist to Mr. Depp Make Up Artist to Ms. Paltrow Hair Stylist to Mr. Depp Hair Stylist to Ms. Paltrow Key Hair & Make Up Artist Hair & Make Up Artists

Hair & Make Up Trainee Financial Controller First Assistant Accountants Assistant Accountants Payroll Accountant Accounts Assistants Post Production Accounting Provided by

Kathryn Blight Bonnie Radcliffe James Shuttleworth Emily Stranger Lyndie MacIntyre Mark Foster Marc Ridley Clare Vyse Tom Hornsby Poli Kyriacou Katharine Rose Selene Pearson Sallie Jaye Joel Harlow Polly Earnshaw Peta Dunstall Nicola Clarke Julie Dartnell Jutta Russell Sarah Grispo Helen Barrett Lesley Altringham Sally Collins Suzanne David Michael Douglas Lisa Mustafa Jane Paterson Victoria Pocock Victoria Voller Sian Wilson Naomi Spurr Betty Williams Sarah Stiff Cristiano D'Urso William O'Toole Harriet Eastgate Artur Surma Jacob Glass Emily Morris Diana Ascher Trevanna Post, Inc.

Production Coordinator Assistant Production Coordinator Travel & Accommodation Coordinator Production Secretary Production Assistants

Hollie Foster Michael Mann Gemma Nicholson Liam Thornton Lindy Chambers Lawrence Mason Louis Von Mallinckrodt

Casting Assistant (UK) Casting Associate (USA) Casting Assistant (USA) Extras Casting by Child Casting / Chaperones

Natasha Vincent Deanna Brigidi-Stewart Kim Winther Casting Collective Ltd. Bonnie and Betty Ltd

Supervising Location Manager Location Managers

Jason Wheeler Ian Hutchinson Joanna Beckett Mark Grimwade

Key Assistant Location Manager Assistant Location Managers Unit Manager Location Assistants

Location Production Assistant Location Marshalls

David Campbell-Bell Mark Ellis Lottie Mason Lex Donovan Jessica Wright Matthew Craufurd Tom Mellish Thomas Bosanquet Ben Sanderson William Mostyn Jerome Cant Emily-Ann Cheese Laura Cheese Emily Coldwell David Crewdson Emma Grant Thorold Davis Lampard Jamie Middleton Daniel Peacock Ashley Raim Fiona Rentoul Sallyanne Scotton Sean Williams Anna Vahrman

Floor Second Assistant Director Crowd Second Assistant Director Third Assistant Director Key Set Production Assistant Unit Base Production Assistant

Tom Brewster Candy Marlowe Danni Lizaitis Katharina Hingst Rachel Sowden

Assistants to Mr. Koepp

Personal Assistant to Ms. Paltrow

Will Reichel Ben Pearce David Fliegel Wynn Wygal Dawn Sierra Kendall Farley Allison Clayton Lynsey Stewart Nathan Holmes Stephen Deuters Kevin Keating

Dialect Coaching by

Vox Barbarae Ltd

Assistants to Mr. Lazar Assistant to Ms. Dembrowski Assistants to Ms. Pritzker Assistant to Mr. McCormick Personal Assistants to Mr. Depp

Construction Services by Head of Department - Construction Supervising Carpenters Carpenters

Chargehand Carpenter

Hedgehog Construction Ltd Tim Powis Tony Hoskins Clint Helyer George Augsburger Caradoc Curtis-Rouse Gary Bird Richard Mason Seb Palmer Tom Newton-Chance Dean Bryant Steve Williams Paul Rigby Ben Rai Green Stuart Verity Tom Symes Mark Wallis

Stagehands

Head of Department Scenic - Painter Supervising Scenic Painter Scenic Painters

Painters

Head of Department - Plasterer Supervising Plasterer Chargehand Plasterer Plasterers Supervising Construction Rigger Construction Riggers

Transportation Coordinator Assistant Transportation Coordinator Action Vehicles by Action Vehicle Coordinator Driver to Mr. Koepp Driver to Mr. Lazar Drivers to Mr. Depp Driver to Ms. Paltrow Driver to Mr. Bettany Driver to Mr. McGregor Unit Drivers

Minibus Drivers

Caterer & Craft Service Head of Catering Catering Manager Catering Head Chef Catering Chefs

Catering Assistants

Kelly Wilson Keiron Carter Frank Delany Marius Pogaceanu Lara Murray Derek Cowie Clare Holland Nigel Kirk Joe Vassallo Jonny Hext Matt Parsons Jo Hall Adam Cutts Teresa Kelly Mary-Pat Sheahan Russell Eade Hannah Boyton Nick Holmes Jet Hills Mylon Domican Al Baker Edward Shearon Jamie Powell Glen Mees Jamie Goodfellow Dave Keary Dave Grainger Danny Sansom Jake Sansom Ryan Hunt Pat Hagarty Rob Hempenstall Brian Kelly Motorhouse Hire Ltd Michael Geary Tony Killington George Kapetanios Pete Trotman Carl Isherwood Darren Thackeray Alan Canty Simon Dennis Tom Smith Jerry Hamshar Anthony Bishop Thomas Dewey Steve Upton Paul Andrews Martin Davis Spencer Collins Chris Vauls Crew Catering Ltd Vince Jordan Frankie McGill Erik McRobbie Chris Scannell James Wells Hunt Jim Long Mike Lord Peter Mackins

Craft Managers Craft Chef Craft Assistants

Health and Safety Officer Unit Medic Unit Security Security to Mr. Depp Security to Ms. Paltrow Production Resources

Rights & Clearances by

Unit Publicist Stills Photographer EPK Produced by EPK Camera

Sharon Marshall Matt Barry Gaynor Fitzgerald Amy Smith Rosella Daly Sophie Brooks Polly Ireland Mark Cheshire Karen Fayerty Above The Line Security Ltd Jerry Judge Malcolm Connelly Terry Abbott Movie Mogul, Inc. Deborah Harpur ENTERTAINMENT CLEARANCES, INC. Laura Sevier Cassandra Barbour Julia Jones David Appleby Hurwitz Creative Brad Hogan

SECOND UNIT UK Second Unit Directors

Production Manager First Assistant Director Second Assistant Director Director of Photography "A" Camera Operator First Assistant "A" Camera Second Assistant "A" Camera "B" Camera Operator First Assistant "B" Camera Second Assistant "B" Camera "C" Camera Operator First Assistant "C" Camera Second Assistant "C" Camera Steadicam Operator Best Boy Camera Helicopter Pilot Aerial Cameraman DIT DIT Assistant Camera Trainee Script Supervisor Sound Mixer Video Operator Key Grip

Peter MacDonald Rowley Irlam Siobhan Lyons Dominic Fysh Simon Downes Craig Feather John Gamble Ray Meere Kat Spencer Mark Moriarty Spencer Murray Dean Moorish Sam Renton Eamonn O'Keeffe Simon Surtees Iain Mackay Ben Fote Marc Wolf Adam Dale Jay Patel Ben Appleton Will Gardner Harry Young-Jamieson Elizabeth Pritchard Jonathan Wyatt Kevin Selway Mick Rich

Grips Gaffer Best Boy

Tom North Brett Lamerton Avelino Fernandez Chris Tann

Standby Props

Alan Arnold

Accountant

Nessa King

Production Coordinator Production Secretary Third Assistant Director Set Production Assistants

Drivers

Health and Safety Officer Medic

Claudia Cimmino Alexander Fielding Oliver Hazell Michela Marini Michael Merritt Peter Harvey Chris Blackman Chris Cheshire Graham Owen Claire Hall

LOS ANGELES UNIT First Assistant Director Second Assistant Director Production Supervisor Art Director Set Decorator Assistant Art Director "A" Camera Operator / Steadicam Operator First Assistant "A" Camera

Mark Cotone Eric Glasser Julie M. Anderson David Lazan Karen O'Hara Chris Dileo

DIT Still Photographer

P. Scott Sakamoto Gregory Irwin Philip Shanahan Tulio Duenas Matt Fortlage Brian S. Wells David John Golia Daniel Gold, SOC Bob Hall Dan Schroer Robert Heine Melissa Fisher Charlie Murphy Matt LaRoche Dean Georgopoulos Stephen Vaughan

Script Supervisor

Annie Welles

Second Assistant "A" Camera

"B" Camera Operators First Assistant "B" Camera Second Assistant "B" Camera Camera Technician Digital Loader Digital Utility

Sound Mixer Boom Operator Sound Utility Music Playback Video Assist Operator Assistant Video Assist

Mark Weingarten David Fiske Raymond Zachary J. Wrobel Kevin Faber Mark Agostino Ian Kelly Sam Harrison

Key Grip Best Boy Grip "A" Camera Dolly Grip "B" Camera Dolly Grip Grips

Alpha Head Tech Technocrane Operator Flight Head Techinician Rigging Key Grip Rigging Best Boy Grip Rigging Grips

Gaffer Best Boy Electric Electricians

Balloon Technician Rigging Gaffer Rigging Best Boy Electric Rigging Electricians

Fixtures Foreman Fixtures Technicians

Dimmer Board Operator Senior Lead Set Designer Art Department Coordinator Graphic Designer Senior Illustrator Art Department Assistant Art Department Production Assistant Leadman On Set Dresser Gang Boss Set Dressers

Ray Garcia Roderick G. Farley Craig Steven Riley Jason Newton Mark Wojciechowski Matt Perry Erik F. Hill David Ariniello Adam Camacho Mario Cisneros Jerry C. Deats Dustin Evans Jeffrey "J.J." Johnson Cameron Thorburn Thomas D. Watson Douglas L. Woll Kelly Diehl Bogdan Iofciulescu Simon Shin Blake Pike Mike Campbell Chase Campbell Dale Cole Sean Frohardt Rafael E. Sanchez Scott J. Sprague Chris Weigand Luis Moreno Alexander J. Castillo Donny Dean Davidson Francine Natale Glen Marc Shearer Greg Mayer Dave Dunbar Kevin Barrera Jason Brunelle Casey Dunn Jimmy Harritos Paul Hazard Kevin J. Lang David Melhorn Derek (Danger) Miller George Lozano Jr. Orlando Diaz Sean Higgins Gihan Seneviratne Joshua Thatcher John Berger Tom Zamora Karen Teneyck Trevor Goring Stephanie Spiegel S. Quinn Joel Prihoda Martin Milligan Joseph Bergman Gregory Byrne Christian Nwanisobi Anne-Marie Hamill

Buyers Draper Food Stylist Ice Sculptor

Matthew K. Atzenhoffer Jeremy Cisneros Roger Shaide Karen Riemenschneider Kimberly Merlin Terry Sheffield April Falzone Rex Covington

Property Master Assistant Property Master Property Assistant

Tim Wiles Chuck Askerneese Otto Broberg

Special Effects Supervisor Special Effects Foreman

R. Bruce Steinheimer Joe Montenegro Barry L. McQueary Anthony Ray Herrera Lenny Dalrymple Armando Franco

Special Effects Technicians

Wardrobe Supervisor Assistant Costume Designer Costumer to Mr. Depp Key Costumer Set Costumers

Additional Costumers Costume Production Assistant Department Head Make Up / Make Up to Mr. Depp Make Up to Ms. Paltrow Key Make Up Artist Lens Technician Additional Make Up Artists

Department Head Hair / Hair to Mr. Depp Hair to Ms. Paltrow Key Hair Additional Hair

Extras Casting by Extras Casting Assistant

Leslie Weir Elena Balshem Marina Marit Elaine Ramires Valerie Campbell Sean Haley Mary Lou Lim Kendall Errair Gilbert A. Montes Tricia Yoo Katherine Hickman Joel Harlow Robin Fredriksz Mike Smithson Jessica A. Nelson Steve Buscaino Michelle Vittone-McNeil Vivian Baker Robin Beauchesne John Blake William Corso Suzanne Diaz Dennis Liddiard Deborah Rutherford Gloria Pasqua Casny Lona Vigi Yolanda Toussieng Jules Holdren Jocelyn Carpenter Diana Acrey Elizabeth Cortez Roxane Griffin Lamas Hamilton Lucia Mace Cynthia P. Romo Josee Normand Maggie Hayes-Jackson Rich King Jeremy Lambert

Location Manager Key Assistant Location Managers

Assistant Location Manager Location Coordinator Location Scout Production Accountant First Assistant Accountant Second Assistant Accountant Payroll Accountant Accounting Clerk Production Coordinator Assistant Production Coordinator Production Secretary Assistant to Producers Office Production Assistants

Second Second Assistant Director Production Assistants

David Ferdig Mark Abbott Rod Bacote Julianne Eggold Zak Kahn Justin Duncan Matt Prisk Jeff Shepherd George Carrera Heather Gothie Ken Haber Shaun McGovern Brandon Linville Jeremy Sanchez Rick Roesch Raphael Desreumaux Rachael Lin Gallaghan Elizabeth Tyson Jesse Morrison Steven Bocsi Jennifer M. Crandell Brandon Cournoyer Bryan T. Snodgrass Crystal Munson Matt Hibbard Meredith Powell Ryan Lacen Geoff "Geoff-Willy" Wehner Jackie Wilton Allen Abrantes Nick I. Allen Anthony Baldino Elizabeth Barber Colin Blankenship Laura Brooks Garrett Brown Tina Clark Patrick Connor Elizabeth Cowell Sarah De Boer Tommy Fowler Tiffany Gomes Francisco Guzman Johnathon Johnson Argus Kephary Jon-Luke Kuapil Christina L. LaMonte Jordan Little Matt Lombardo Meg Marchand Dylan Matlock Dillon Moore Adam Morgan Anh Nguyen Caitlin Noah Ryan J. Pezdirc Will Potenberg Bob Rizzolo Jeff Saville

Chelsea Slattery Aaron Smith Alexis Smith Trent Turner Michael Fox Dog Training by Head Trainer Animal Trainers

Wrangler Construction Services by Construction Foreman Standby Painters

Transportation Coordinator Transportation Captain Transportation Co-Captain Picture Car Captain Picture Car Mechanic DOT Coordinator Drivers

Animals for Hollywood David Allsberry Shawn D. Weber Mark Harden O.J. Knighten Marnie Hoffman Bobby Lovgren Jim Lujano All Sets Design & Construction Michael Kocurek Mike Bartak Anthony B. Egan Alan James Robert Meinhardt George Sack Nathan Hardcastle Dale "Jim" Herbert Mike Menapace Justin Mann Austin Hunter Jeff Hairell William Lubin Ronnie McGuire Justin Pulaski Mike Baird Dave Calaway Erik Coutts Joe Feeney David "Goody" Goodman Steve Lewis Glenn Ruis Tim Ryan Leonel R. Alvarez Gary Compton Kevin M. Cortez Victor Moore Daryl Scott James Sgrignoli Nathan Antunez Greg Bluhm Jeff Bova Alex Connaughton Bob Ditzler Mark Garrett Darren Giarrusso Chris Gorden Stan Mataele Jerry McMullan Adam Nutt Jay Reece Douglas E. Ryan Kelly Yon Michael W. Broomer Phil Coppola

Larry Fee Paul Mahone Roxanne (Rocky) Merrick Chance Robertson Mike Scotty Mike Sparks Noam Amram Daren Bojarski Anthony R. Trimarchi Catering by Head Caterer Key Craft Services Craft Services Layout Board

Set Medics

Unit Publicist EPK Camera

Chef Robert Catering Juan Carlos Anaya Leah Amir Paul O. Wright Cary Hatakeda Lee Harrison Kenneth W. Coon Michael Laberteaux John Robles Emmons G. Sebenius Christy Taylor Robert Caballero Tamara Groves Robert E. Hepburn Gary Kurashige Gregory Levine Erin Lum Susan Bannout Spooky Stevens Sovonto Green Harris Done

SECOND UNIT LOS ANGELES Second Unit Director First Assistant Director Second Second Assistant Director Camera Operator First Assistant Camera Second Assistant Camera Pursuit Crane Operator Head Technician Alpha Head Technician RF Technician

George Aguilar Joe Camp III Anna Ramey Borden Dino Parks Greg H. Dellerson Gregg Atwell Jeff Comfort Yuriy Fuks David Cornelius Jason Hooper

ADDITIONAL PHOTOGRAPHY First Assistant Director Second Assistant Director

Jamie Christopher Matthew Sharp

Director of Photography "A" Camera Operator First Assistant "A" Camera

Florian Ballhaus, ASC Des Whelan Olly Tellett Tom Taylor Paul Snell

Second Assistant "A" Camera

"B" Camera / Steadicam Operator First Assistant "B" Camera Second Assistant "B" Camera "C" Camera Operators First Assistant "C" Camera Second Assistant "C" Camera Clapper Loader Camera Trainee DIT Trainee Sound Assistant Assistant Video Playback Operator Best Boy Grip "A" Camera Dolly Grip "B" Camera Dolly Grip Gaffer Best Boy Desk Operator Electricians

Practical Electricians Head of Department Electrical Rigger Chargehand Electrical Riggers Standby Electrical Rigger Supervising Art Director Art Director Art Director / Standby Art Director Assistant / Standby Art Director Storyboard Artist Art Department Assistant Assistant Set Decorator Armourer On Set Armourers Dressing Prop Standby Prop Special Effects Supervisor Special Effects Senior Technicians Special Effects Technician Costume Supervisor Assistant Costume Designer Costume Standby Cast Costume Standby Stunts Costume Assistant Additional Hair & Make Up Artists Contact Lens Technician

Paul Edwards Andy Banwell Glenn Coulman Phil Sindall Simon Finney Matt Poynter Beisan Elias Jack Sands George Anthony Fox Tom Barber Tom Markwick Stephen Lloyd Dan Garlick Gary Hutchings Jack Glascodine Paul McGeachan Ross Grainger Chris Gilbertson Steve Roberts Adam Slater Danny McGee Julian Guest Dave Sherman Enrico Faccio Robert Monger Joe McGee Guy Cope Darren Rashbrook John Bevans Mark Looker David Hindle Jonathan Houlding Sarah Stuart Alice Sutton Brick Mason Charlotte Hutchings Sophie Phillips Ben Rothwell Simon Neville Gary Hawker Robin Jones Oliver Dance David Payne Shaun Rutter Tony Auger Karl Openshaw Kate O'Farrell Holly Waddington Jenny Hawkins Jake Collier Max Brennan Anne Lavender-Jones Deborah Taylor Belinda Parrish Punam Chhatralia

Casting Assistants

Ava Jade Morgan Emma Gunnery

Unit Location Manager Unit Assistants

Carrick Welsh Becky Seaward Shaun Rogers

Production Accountant First Assistant Accountant Payroll Accountant Senior Accounts Assistant Second Accounts Assistant Accounts Assistant Accounts Clerk

Helen Seery Daniel Budd Isabelle Suas Beryl Brown Zhenya Ivanova Alice Collins Ed Bottenheim

Production Coordinator Assistant Production Coordinator Production Secretary Production Assistants

Floor Second Assistant Director Third Assistant Director Base Production Assistant Crowd Production Assistant Floor Production Assistants

Construction Services by Construction Manager Construction Coordinator Supervising Carpenter Standby Carpenter Carpenters

Supervising Painter Standby Painter Painters

Drivers to Mr. Depp Unit Drivers

Minibus Driver Health & Safety Officer Unit Nurse Unit Security

Stephanie Bamberg Francesca Budd Joana Santana Powell Natalie Gothelf Jo Seager Annys Hamilton Michael Stevenson David Keadell Clarista Hoult Gregor Sharp Brittany Smith Arthur Shepherd Richard Oxford Quickset Ltd Jo Hawthorne Seamus Hawthorne Peter Duffey Sam Towers Alex Abelman Tom Bell Martin Hammerton Nicholas Clayton Westleigh Bushell Steve Warren James Wickison Anthony O'Callaghan Tony Power Paul Isherwood Pani Constantinides Francisco Pinto Tony Cooper Clive King John Humphreys Peter Herst Jimmy McGleish Marco Parkin Andrew Payne Trevor Wakeman Richard Hannant Katie Boughen C&M Location Services Ltd

POST PRODUCTION Supervising Sound Editor Sound Re-Recording Mixers Re-Recordist Foley Engineer Foley Re-Recording Mixer Foley Artist Dialogue Editors ADR Editor Sound Effects Editors Foley Supervisor Foley Editors Assistant Sound Editors Editing Room Assistant Voice Casting ADR Mixers ADR Recordists Post Production Sound Facilities Dolby Consultant Rushes Processing and Transfers Rushes Contacts

Digital Intermediate Provided by DI Colorist DI Producer Digital Conform Color Assistants Head of Production Account Executive CO3 Executive Producer Previews & Post Production Services by Preview Colorist Preview Project Manager Editorial Services Provided by Main Title Designed by End Titles by Visual Effects Supervisor Visual Effects by Visual Effects Supervisors Executive Producers

Producers

Ron Bochar Tom Fleischman, C.A.S. Ron Bochar, C.A.S. Paul Banks Tirone George Lara Paul Hsu Marko Costanzo Alexa Zimmerman Philip Stockton Deborah Wallach Allan Zaleski Heather Gross Steven Visscher Kam Chan Frank Kern Angela Organ Sara Stern Ja-Ann Wang Sondra James Mark DeSimone, C.A.S. Michael Miller Justine Baker Aiden Ramos c5, Inc Sound Track FT Steve Smith Technicolor Rachael Watmough Matt Adams Jahanzeb Hayat Company 3 Paul Ensby Colin Davis John Diesso Giovanni DiGiorgio Tom Gehring Nick Monton David Feldman Stefan Sonnenfeld Sixteen19 Patrick Devine Brian Reali Duart Logan Big Film Design Paul Linden Prime Focus VFX Stuart Lashley Marshall Krasser Merzin Tavaria Rohan Desai Stephen Mascarenhas Rachel Wheeler

Line Producers

Production Coordinators

Compositing Supervisors

Compositing Artists

DMP Artists Tracking Supervisor Tracking Artist Matchmove Supervisor Matchmove Leads Matchmove Artists

Roto / Paint Supervisor Paint Artists

Prep Supervisor Prep Leads

Prep Artists

Roto Supervisor Roto Leads

Shome Dasgupta Chad Cortvriendt Misato Shinohara Akash Roy Mark Van Ee Naline Amaral Kamaljit Singh Amber Davy Mike Adkisson Daniel Rubin Shyam Gurumoorthy Susil Sabat Achal Muchhala Ravichandran.r J.Vedhanarayanan Nandhu.Rc Sriram R Rajaram Yashvhanth Chandrasekaran Seung Joon Lee Yashawantha Kumar Rajavel Loganathan Michael Balzer Prashant Raj Andre Costa Chris Courtland Gabriel Mandala Steve Mcleod Eduardo Parra Armand Vladau James Rees Brian Lee Rafael Tchetyshov Angel Ruiz Kazuma Tonegawa Souvik Mitra Ram Baboo Sajeev Sadanand Narender Koshiyari Abhitendra Patel Kumarasami Mohan Heather Ryan Joshua Judd Mutia Iskandar Rodrigo Fernandez Chacko Philip Preetham Bodhu Pratyush Lenka Sunil Tontekar Aditya Sharma Deepak Epili Dhaval Chaudhari Harshal Shelkhar Hemant Sawant Iftekhar Mahmood Madhusudhan Reddy Naga Agadi Rahul Jagdale Rajesh Kumar Sunil Yadav Abu Thahir Hemant D Khairnar Nitesh Mishra

Roto Artists

Lighting Artists

Layout Artists

FX Artists

Department Coordinators

Editorial Vancouver Editorial India

Pipeline Team

Visual Effects by Visual Effects Supervisor Visual Effects Executive Producer Supervising Visual Effects Producer Visual Effects Producer Associate Visual Effects Producer Lead Compositor Compositors

Visual Effects by Visual Effects Supervisor Executive Producer Head of Production VFX Producers

Vishal Raut Jyothsna Surabaka Rakesh Kumar Chiranjeevi Goud Jaiprakash Parmar Kalpesh Churi Chetan Narade Ralph Reinle Hanna Goodman Ray Sun Chris Stewart Dan Rankin Bryan Davis Aaron Kramer Robert Smith Robert White Richard Smith Mile Panic Tom Allen Stephanie Molk David Hipp Diana Li Angus Wakefield Joel Berg Janina Overley Sajid Khan Dhritiman Bhaumik Arundhati Jaiswal Anik Seguin Zack Mazerolle Debajit Barman Arvind Chaurasiya Abhishek Chauhan Abraham Thomas John Vanderbeck Lyn Fernandez Nikhil Bhatnagar SPIN VFX Jeff Campbell Neishaw Ali George Macri Adam Jewett Christa Tazzeo Morson Mike Stadnyckyj Geoff Sayer Justin Goran Stephanie Landriault Doug Law Paul DeOliveira Dennis Ngariuku Charles Taylor Lauren Keerma Amanda Hollingworth Mohammad Ghorbankarimi Rachel Beniuk Zoic Studios Rocco Passionino Kristen Leigh Branan Chris Roff Lauren Weidel

VFX Coordinators Compositing Supervisor CG Supervisor Environment Supervisor Lead Compositors Compositors

Dynamics Artist Modeling Shading / Texturing Rotoscope

Camera Department

Christopher Elke Joseph Payo Ryan Kuba Kenton Rannie Richard Patterson Richard Mahon Patrick Kavanaugh Fumi Mashimo John Fukushima Beverly Bernacki Brian Hanable Daniel Rubin Feli di Giorgio Graeme Baitz Jeremy Price Megumi Kanazawa Mike Rhone Darren Little Hoa Tran Nancy Heller Einer Lopez Taylor Thompson David Windhorst Steve Kazun

Visual Effects by

Logan

Visual Effects by

Double Negative Singapore

Visual Effects by

lola | VFX

Stock Footage Research Provided by

Searchworks

FOR LIONSGATE Co-Chairman, Motion Picture Group Co-Chairman, Motion Picture Group Co-President, Motion Picture Group President, Motion Picture Production EVP, Production & Development Creative Executive, Production & Development

Rob Friedman Patrick Wachsberger Erik Feig Michael Paseornek Gillian Bohrer James Myers

Assistant to Mr. Friedman Assistant to Mr. Wachsberger Assistants to Mr. Feig

Rachel Scheer Deborah Ortega Nirokhi Raychaudhuri Amanda Kruse Matthew J. Bakal

Assistant to Ms. Bohrer Vice President, Production Finance Vice President, Production Accounting Vice President, Production Supervisors of Production Production Executive Manager of Production & Development Production Finance Coordinator Executive Vice President, Business & Legal Affairs Executive Vice President, Business & Legal Affairs Executive Vice President, Business & Legal Affairs Senior Vice President, Business & Legal Affairs

Mark Pedante Jeff Dash Curtis A. Miller Bree Bailey Ami Cohen Jerry Jacobs Kyle Benn Cara Smiczek Robert Melnik Patricia Laucella John Biondo Philip J. Strina

Senior Vice President, Business & Legal Affairs Senior Vice President, Business & Legal Affairs Attorney, Business & Legal Affairs Vice President, Business & Legal Affairs Consultant, Business & Legal Affairs Senior Credits Coordinator Credits Assistant Assistant to Mr. Melnik Assistant to Ms. Laucella Assistant to Mr. Strina & Ms. Chiaramonte Chief Marketing Officer EVP, Worldwide Theatrical Publicity EVP, Digital Marketing SVP, Theatrical Marketing SVP, Theatrical Marketing SVP, Worldwide Promotions & Consumer Products SVP, Head of Feature Post Production Vice President, Feature Post Production Visual Effects Executive Senior Post Production Coordinator Post Production Coordinator Assistant to Mr. Pedregal Post Production Assistant Executive in Charge of Film Music General Manager & EVP, Music Business Affairs Music Executive Music Budget Supervisor Manager, Music Business Affairs Music Coordinators Assistant to Mr. Armstrong Assistant to Mr. Wohl Music Clearance and Licensing Executive Vice President, Finance Screening Operations Executive

Deborah Chiaramonte Charlyn Adkins Marc Shapiro Amy Tillman Bill Jacks Chris Mello Karina Garcia Jennifer Kristin Cox Allyson Kloster April Stewart Tim Palen Julie Fontaine Danielle DePalma John Fu Doug Lloyd Paula Kupfer Carl Pedregal Mark W. McCoy Kathy Chasen-Hay Ariana Young Justin Powell Kimi Rosenthal Eric Van Dyn Hoven Carter Armstrong Lenny Wohl Trevon Kezios Chris Brown Karen Sidlow Ryan Svendsen Nikki Triplett Rona Rapadas Ally Wigmore Matt Lilley / MCL Music Services, Inc. Wescott A. Guarino Timothy Ralston

FOR ODDLOT ENTERTAINMENT Co-Presidents EVP Business and Legal Affairs EVP Finance and Accounting VP Development Accounting Manager Counsel Creative Executive Story Editor Manager Human Resources and Operations Executive Assistants

Camera & Grip Equipment Provided by Lighting Equipment Provided by

Bill Lischak Michael Nathanson Kevin Garrett Monroe Natalya Petrosova Stacy Keppler Julie Florendo Camesa Margaret Johnson Melissa Rucker Yasmin Hormozi Zoe Wilschinsky Kendall Farley Chris Wedell John Lin Chase Sund Panavision Sonny Grips Ltd Panalux

Camera Dollies Provided by Rigging Equipment Provided by Satellite Internet Supplied by Walkie Talkies & Production Mobile Phones Facilities and Technical Vehicles International Shipping Payroll Service Provided by Insurance Provided by

Production Financing Provided by

Completion Guaranty Provided by Immigration Law & Work Visas

Music Editors

Orchestra Contractor Assistant Orchestra Contractor Score Conducted and Orchestrated by Additional Orchestrations by

Music Preparation Scoring Engineer Pro Tools Operator Engineer and Protools Operator Engineers Mix Engineer Assistant Engineers Music Equipment Engineer Score Recording Assistants

Booth Readers Orchestra Leader Flute Piano / Celeste Clavinet Harpsichord / Rhodes 1st Trumpet / Flugelhorn Vibraphone Pipa Russian Choir performed by Vocal Soloist Choirmasters Score Audio Editor

Chapman / Leonard Studio Equipment, Inc. Frankie Webster Ltd Kriss Brown (TVS-UK LTD) Audiolink Radio Communications Ltd Translux International DHL Global Forwarding Sargent-Disc Ltd Arthur J. Gallagher Entertainment Insurance Services Brian Kingman Kevin O'Shea Theresa Balaszi Rodney Isaac Union Bank, N.A. Anthony Beaudoin Bryan LaCour Matthew J. Anderson Film Finances Inc. Ivener & Fullmer LLP David R. Fullmer Bonnie Sisson Katia Lewin-Jablonsky Nic Ratner Sally Swisher Isobel Griffiths Lucy Whalley Alastair King Tom Richards Richard Bronskill David Butterworth John Ashton Thomas James McWilliam Michael Leonhart Jill Streater of Global Music Service Peter Cobbin Toby Hulbert Joshua Blair Riccardo Damian Rhys Downing Ben Baptie Tim Marchiafava Lewis Chapman Artie Smith Stefane Civetta Matt Jones Jon Alexander James McWilliam & Julian Kershaw Thomas Bowes Karen Jones Dave Hartley Dave Arch Simon Chamberlain John Barclay Frank Ricotti Cheng Yu London Voices Nicholas Garrett Terry Edwards and Ben Parry Kirsty Whalley

Score Recorded at Abbey Road Studio Manager Score Mixed by Music Mix, Pro Tools Operator Score Mixed at Harpsichord provided by Technical Score Advisor Technical Score Assistant Vocals

Abbey Road Studios Colette Barber Dennis Sands Adam Olmsted Sound Waves SB Claire Hammett Phill Boucher Zak McNeil Rose Elinor Dougall Georgia Lee Edie Langley Joe Van Moyland Miles Kane Guitars Tommy Brenneck Brian Vargas Drums Homer Steinweiss Steve Jordan Bass Nick Movshon Luques Curtis Keys Victor Axelrod Trumpet 1 Dave Guy Tenor Sax Ian Hendrickson-Smith Trumpet 2 Michael Leonhart Trombone Ray Mason Baritone Sax Martin Perna Percussion Reinaldo DeJesus Carlos Maldonado Piano Zaccai Curtis Writing Ben Garrett Georgia Lee appears courtesy of Island Records, a division of Universal Music Operations Limited

Two Princes Written by Aaron Comess, Christopher Gross, Eric Schenkman and Mark White Performed by Spin Doctors Courtesy of Epic Records By arrangement with Sony Music Licensing Johanna Written by Mark Ronson, Miles Kane, Ben Garrett and Geoff Zanelli Performed by Miles Kane Heart's A Liar Written by Geoff Zanelli, Mark Ronson and Rose Elinor Dougall Performed by Rose Elinor Dougall Soundtrack Album on [La-La Land Records logo]

SPECIAL THANKS With the participation of the Province of British Columbia Production Services Tax Credit This Production Participated in the New York State Governor's Office for Motion Picture & Television Development's Post Production Credit Program [NY FILM logo] Footage Courtesy of WWE. FilmLA

West Hollywood Film Office California Film Commission Los Angeles County Sheriff's Department Virgin Atlantic Airways Ltd Production Assistance Provided by Los Angeles World Airports Victoria and Albert Museum, London The Greenwich Foundation for the Old Royal Naval College Filmed at Hatfield House, Hertfordshire, UK Sir Edward John Francis Dashwood Bt. of West Wycombe Park Buckinghamshire Michael Pucker - Undomesticated Quadruped Wrangler

American Humane Association monitored some of the animal action. No animals were harmed in those scenes.™ (AHAD 04762) [logo] Panavision [Equipment logo]

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© 2015 Lions Gate Films Inc. and Odd Lot Pictures, LLC. All Rights Reserved.

The persons and events in this motion picture are fictitious. Any similarity to actual persons or events is unintentional. This motion picture is protected under the laws of the United States and other countries. Unauthorized duplication, distribution or exhibition may result in civil liability and criminal prosecution.

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