Contents
Preface to the Second Edition
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Preface to the First Edition
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kristine stiles General Introduction to the Second Edition 1. GESTURAL ABSTRACTION peter selz and kristine stiles Introduction jackson pollock Guggenheim Application Interview with William Wright barnett newman The Plasmic Image mark rothko I Paint Very Large Pictures robert motherwell Beyond the Aesthetic helen frankenthaler Interview with Henry Geldzahler joan mitchell Interview with Yves Michaud cy twombly Comments by Heiner Bastian david smith Statements, Writings louise bourgeois Interview with Donald Kuspit alfred h. barr The New American Painting michel tapié An Other Art Observations of Michel Tapié wols Aphorisms henri michaux Movements lucio fontana Manifesto blanco emilio vedova It’s Not So Easy to Paint a Nose alberto burri Words Are No Help willi baumeister The Unknown in Art antoni tàpies I Am a Catalan Painting and the Void tadeusz kantor Representation Loses More and More Its Charm per kirkeby Bravura pat steir Interview with Barbara Weidle joan snyder Statements elizabeth murray Statement anselm kiefer Structures Are No Longer Valid david reed Statement fiona rae Interview with Simon Wallis julie mehretu Interview with Lawrence Chua
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2. GEOMETRIC ABSTRACTION kristine stiles Introduction boris mikhailov From the Series “On the Color Backgrounds” max bill Concrete Art The Mathematical Approach in Contemporary Art richard paul lohse Lines of Development gyula košice Madí Manifesto grupo ruptura The Ruptura Manifesto ferreira gullar et al. Neo-Concrete Manifesto lygia clark The Death of the Plane hélio oiticica Colour, Time and Structure charles biederman The Real and the Mystic in Art and Science ad dekkers Statement piero manzoni For the Discovery of a Zone of Images yves klein Ritual for the Relinquishment of the Immaterial Pictorial Sensitivity Zones yayoi kusama Interview by Grady Turner ad reinhardt Twelve Rules for a New Academy 25 Lines of Words on Art: Statement The Black-Square Paintings ellsworth kelly Notes of 1969 kenneth noland Color, Format, and Abstract Art: Interview by Diane Waldman anne truitt Daybook: The Journal of an Artist anthony caro A Discussion with Peter Fuller josef albers The Origin of Art On My Homage to the Square The Color in My Paintings victor vasarely Notes for a Manifesto bridget riley Statement frank stella The Pratt Lecture donald judd Specific Objects frank stella and donald judd Questions to Stella and Judd by Bruce Glaser carl andre Preface to Stripe Painting Poem dan flavin Some Remarks . . . Excerpts from a Spleenish Journal tony smith Conversations with Samuel Wagstaff Jr. agnes martin The Untroubled Mind brice marden Statements, Notes, and Interviews daniel buren Beware! dorothea rockburne Statement alfred jensen Statement sean scully Statement miriam schapiro and melissa meyer Waste Not/Want Not: An Inquiry into What Women Saved and Assembled—Femmage valerie jaudon and joyce kozloff Art Hysterial Notions of Progress and Culture peter halley Notes on the Paintings Deployment of the Geometric vi contents
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anish kapoor Interview with John Tusa odili donald odita Third Color—Third Space
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3. FIGURATION peter selz and kristine stiles Introduction fernand léger The Human Body Considered as an Object renato guttuso On Realism, the Present, and Other Things max beckmann Letters to a Woman Painter paul tillich Each Period Has Its Peculiar Image of Man alberto giacometti What Interests Me about the Head: Interview with Jacques Dupin jean-paul sartre The Search for the Absolute jean fautrier Preface to Exhibition Catalogue Jean Fautrier— by André Malraux jean dubuffet Anticultural Positions willem de kooning Content Is a Glimpse: Interview with David Sylvester francis bacon Interviews with David Sylvester constant nieuwenhuys Manifesto karel appel My Paint Is Like a Rocket The Condemned willem sandberg When Young georg baselitz Pandemonic Manifesto I, 2d Version michelangelo pistoletto Plexiglass r. b. kitaj Pearldiving david hockney and larry rivers Beautiful or Interesting lucian freud Some Thoughts on Painting romare bearden Interview with Henri Ghent alice neel Art Is a Form of History: Interview with Patricia Hills philip pearlstein Figure Paintings Today Are Not Made in Heaven chuck close Interview with Cindy Nemser richard estes Interview with Herbert Raymond barkley l. hendricks Palette Scrapings mark tansey Notes and Comments leon golub The Mercenaries: Interview with Matthew Baigell nancy spero Woman as Protagonist: Interview with Jeanne Siegel arnulf rainer Face Farces magdalena abakanowicz Statements francesco clemente Interview with Robin White susan rothenberg When Asked If I’m an Expressionist julian schnabel Statements jean-michel basquiat From the Subways to SoHo: Interview with Henry Geldzahler philip guston Philip Guston Talking eric fischl I Don’t Think Expressionism Is the Issue jörg immendorff Interview with Jörg Huber: Situation—Position john pitman weber Murals as People’s Art
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jesse helms Senator Helms Objects to Taxpayers’ Funding for Sacrilegious Art andres serrano Letter to the National Endowment for the Arts robert mapplethorpe Interview with Janet Kardon sherman fleming Living in a City of Monuments, Or Why I No Longer Walk with an Erection Nigger as Anti-Body marlene dumas Unsatisfied Desire and the untrustworthy Language of Art Selling one’s Soul to the Devil Waiting Rooms (need TV) william kentridge Art in a State of Grace, Art in a State of Hope, Art in a State of Siege luc tuymans Disenchantment shahzia sikander Nemesis: A Dialogue with Ian Berry jenny saville Interview with Simon Schama catherine opie Self-Portrait Statement wangechi mutu Magnificent Monkey Ass Lies My Darling Little Mother takashi murakami The Super Flat Manifesto Earth in My Window m. f. husain Portrait of the 20th Century 4. MATERIAL CULTURE AND EVERYDAY LIFE kristine stiles Introduction richard hamilton Letter to Peter and Alison Smithson Popular Culture and Personal Responsibility Propositions dieter roth Statement I Only Extract the Square Root: Interview with Ingolfur Margeirsson Off hand Design öyvind fahlström Take Care of the World pierre restany The Nouveaux Réalistes’ Declaration of Intention Forty Degrees above Dada daniel spoerri Trap Pictures Spoerri’s Autotheater niki de saint phalle Dear Mr. Iolas pino pascali Statements gerhard richter Interview with Rolf-Gunter Dienst Interview with Rolf Schön ion grigorescu Politics, Religion, and Art Facing Crime vitaly komar and alexander melamid Blue Landscapes, Bewitching Numbers, and the Double Life of Jokes: An Interview with JoAnn Wypijewski annette messager Le Repos des Pensionnaires charlemagne palestine self-defending the toyboyman pianist palestine mike kelley Dirty Toys: Interview with Ralph Rugoff
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robert rauschenberg Statement Note on Painting Interview with Barbaralee Diamonstein jasper johns Statement Interview with G. R. Swenson Sketchbook Notes bruce conner Interview with Mia Culpa george brecht Project in Multiple Dimensions claes oldenburg I Am for an Art . . . roy lichtenstein Interview with G. R. Swenson andy warhol Warhol in His Own Words: Statements james rosenquist The F-111: An Interview with G. R. Swenson lucas samaras Another Autointerview ray johnson What Is a Moticos? edward ruscha Concerning Various Small Fires judy chicago The Dinner Party: A Symbol of Our Heritage faith ringgold Interview with Eleanor Munro jeff donaldson Ten in Search of a Nation david hammons Interview with Kellie Jones kara walker What Obama Means to Me kim jones Rat Piece dinh q. lê Cuoc Trao Doi Giua/Of Memory and History: An Exchange with Moira Roth enrique chagoya Their Freedom of Expression . . . The Recovery of Their Economy chéri samba Statements keith haring Statement kenny scharf Jetsonism blek le rat A Graffiti Icon on His First Solo Show in America: Interview with Samantha Gilewicz banksy Banging Your Head Against a Brick Wall david wojnarowicz Post Cards from America: X-Rays from Hell barbara kruger Pictures and Words: Interview with Jeanne Siegel sherrie levine Five Comments jeff koons From Full Fathom Five maurizio cattelan Interview with Michele Robecchi tony cragg Statement damien hirst On the Way to Work: Discussion with Gordon Burn 5. ART AND TECHNOLOGY kristine stiles Introduction nicolas schöffer The Three Stages of Dynamic Sculpture gustav metzger Auto-Destructive Art Manifesto Auto-Destructive Art Auto-Destructive Art, Machine Art, Auto-Creative Art manifesto world On Random Activity in Material/Transforming Works of Art
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jean tinguely Statement takis Statement otto piene Paths to Paradise heinz mack Resting Restlessness groupe de recherche d’art visuel (grav) Manifestos billy klüver Theater and Engineering—An Experiment: Notes by an Engineer mark pauline/survival research laboratories Letter to Dennis Oppenheim More Dead Animal Jokes: Interview with Bill Edmondson Technology and the Irrational laurie anderson Interview with Charles Amirkhanian krzysztof wodiczko Memorial Projection The Homeless Projection: A Proposal for the City of New York nam june paik Afterlude to the Exposition of Experimental Television Cybernated Art Art and Satellite gerry schum Introduction to TV Exhibition II: Identifications frank gillette Masque in Real Time shigeko kubota Video Poem Notes for Three Mountains woody vasulka Notes on Installations douglas davis Manifesto peter d’agostino Proposal for QUBE martha rosler Video: Shedding the Utopian Moment gary hill Inter-View bill viola Video Black—The Mortality of the Image william wegman Interview with David Ross lynn hershman Video 1980–Present: Videotape as Alternative Space tony oursler sketches at twilight eija-liisa ahtila Interview with Doug Aitken pipilotti rist Interview with Rochelle Steiner gillian wearing Interview with Grady Turner anri sala Unfinished Histories: Interview with Massimiliano Gioni and Michele Robecchi shirin neshat Interview with Arthur C. Danto stan douglas Evening maurice benayoun So.So.So. (Somebody, Somewhere, Some Time) jordan crandall Armed Vision myron w. krueger Responsive Environments peter weibel Project and Film Concept jeffrey shaw The Legible City roy ascott Behaviourables and Futuribles Is There Love in the Telematic Embrace? stelarc Beyond the Body: Amplified Body, Laser Eyes, and Third Hand eduardo kac GFP Bunny orlan This Is My Body . . . This Is My Software
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6. INSTALLATIONS, ENVIRONMENTS, AND SITES peter selz and kristine stiles Introduction joseph cornell Objects and Apparitions—by Octavio Paz frederick kiesler Second Manifesto of Correalism louise nevelson Dawns and Dusks isamu noguchi A Sculptor’s World edward kienholz The Beanery The State Hospital The Portable War Memorial eduardo chillida The Comb of the Wind: Conversation with Luis Peña Ganchegui christian boltanski Interview with Démosthènes Davvetas christo Fact Sheet: Running Fence Wrapping Up Germany: Interview with Sylvère Lotringer maya lin Interview with Elizabeth Hess Interview with Sarah J. Rogers Lecture alan sonfist Natural Phenomena as Public Monuments richard long Five, Six, Pick Up Sticks / Seven, Eight, Lay Them Straight walter de maria Meaningless Work On the Importance of Natural Disasters The Lightning Field: Some Facts, Notes, Data, Information, Statistics, and Statements robert smithson The Spiral Jetty michael heizer, dennis oppenheim, and robert smithson Discussions with Willoughby Sharp and Liza Bear of Avalanche nancy holt Sun Tunnels agnes denes Rice/Tree/Burial Wheatfield—A Confrontation robert irwin Being and Circumstance: Notes toward a Conditional Art james turrell Mapping Spaces helen mayer harrison and newton harrison Nobody Told Us When to Stop Thinking: Interview with Thomas Sokolowski gordon matta-clark Building Dissections: Interview with Donald Wall charles simonds Microcosm to Macrocosm / Fantasy World to Real World: Interview with Lucy R. Lippard alice aycock Work ilya kabakov Installations dan perjovschi No Visa? Better Have American Express alfredo jaar Conversation with Anne-Marie Ninacs doris salcedo Shibboleth yinka shonibare Interview with Anthony Downey nicholas hlobo Interview with Sophie Perryer mona hatoum Interview with John Tusa gabriel orozco The Power to Transform: Interview with Robert Storr fred wilson No Noa Noa: History of Tahiti
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rachel whiteread If Walls Could Talk: Interview with Craig Houser andrea zittel A–Z Management and Maintenance Unit: Model 003 pierre huyghe Interview with George Baker 7. PROCESS kristine stiles Introduction robert morris Notes on Sculpture Part III: Notes and Nonsequiturs eva hesse Letter to Ethelyn Honig Statements martin puryear Conversations with Hugh M. Davies and Helaine Posner nancy graves Conversation with Emily Wasserman richard serra Rigging bruce nauman Notes and Projects robert ryman Statements richard tuttle Work Is Justification for the Excuse barry le va “ . . . a continuous flow of fairly aimless movement”: Interview with Liza Bear of Avalanche sam gilliam The Transformation of Nature through Nature lynda benglis Conversation with France Morin mierle laderman ukeles Maintenance Art Manifesto Sanitation Manifesto! bonnie ora sherk Crossroads Community (The Farm) ann hamilton and kathryn clark View mark thompson A House Divided pinchas cohen gan Introduction to Dictionary of Semantic Painting and Sculpture joseph beuys Statement Appeal for an Alternative franz erhard walther Contrasting Pairs and Distinctions in the Work rebecca horn The Concert in Reverse: Description of an Installation The Keep: History of a Building jan dibbets Statements Interview with Liza Bear and Willoughby Sharp of Avalanche barry flanagan Statement Sculpture Made Visible: Discussion with Gene Baro germano celant Introduction to Arte Povera jannis kounellis Structure and Sensibility: Interview with Willoughby Sharp of Avalanche mario merz Statements Differences between Consciousness and Wisdom giuseppe penone Statements teresa murak The Seed patrick dougherty Statement olafur eliasson Interview with Jessica Morgan cai guo-qiang Foolish Man and His Mountain jeff wall Gestus jolene rickard Frozen in the White Light
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susan hiller The Word and the Dream rirkrit tiravanija Interview with Mary Jane Jacob
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8. PERFORMANCE ART kristine stiles Introduction jiro- yoshihara The Gutai Manifesto georges mathieu Towards a New Convergence of Art, Thought and Science situationist international Definitions guy debord Report on the Construction of Situations and on the International Situationist Tendency’s Conditions of Organization and Action john cage Composition as Process, Part II: Indeterminacy allan kaprow Guidelines for Happenings yvonne rainer Statements carolee schneemann From the Notebooks Woman in the Year 2000 jean-jacques lebel On the Necessity of Violation wolf vostell Manifesto dé-coll/age george maciunas Letter to Tomas Schmit dick higgins Statement on Intermedia A Something Else Manifesto ben vautier The Happening of ben robert filliou good-for-nothing-good-at-everything Letters to Allan Kaprow yoko ono To the Wesleyan People raphael montañez ortiz Destructivism: A Manifesto hermann nitsch The O. M. Theatre The Lamb Manifesto otto muehl Materialaktion: Manifesto otto muehl and the aa commune Commune Manifesto günter brus Notes on the Action: Zerreissprobe Statements valie export Women’s Art: A Manifesto milan knížák Aktual Univerzity: Ten Lessons jerzy berés Statement miklós erdély The Features of the Post-New-Avant-Garde Attitude györgy galántai and júlia klaniczay Pool Window #1 raša todosijevig the edinburgh statement marina abramovig and ulay Dialogue with Heidi Grundmann ulricke rosenbach Statement Venusdepression rasheed araeen Cultural Imperialism: Some Observations on Cultural Situation in the Third World mike parr Notes on My Performance Art, 1971–1998 eleanor antin Notes on Transformation joan jonas Closing Statement
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suzanne lacy The Name of the Game chris burden Statements Border Crossing: Interview with Jim Moisan tom marioni Out Front Real Social Realism Hard Bop Statement linda montano and tehching hsieh One Year Art/Life Performance: Interview with Alex and Allyson Grey theresa hak kyung cha Markings vito acconci Steps into Performance (And Out) Biography of Work 1969–1981 adrian piper Ideology, Confrontation and Political Self-Awareness martha wilson Performances and Photographs guillermo gómez-peña The Loneliness of the Immigrant cindy sherman Statement Interview with Els Barents yasumasa morimura Season of Passion: Interview with Kay Itoi karen finley I Was Not Expected to Be Talented Letter to the Washington Post coco fusco The Other History of Intercultural Performance katarzyna kozyra Artist’s Response jimmie durham I Think We Will Have to Break Out Tarascan Guitars james luna Interview with Julia Barnes Mandle william pope.l One Thing After Another ron athey Deliverance: Introduction regina josé galindo I am a common place First it was writing Argument Multiply White Sheet zhang huan Interview with Michele Robecchi matthew barney Notes on Hypertrophy oleg kulik Why Have I Bitten a Man? 9. LANGUAGE AND CONCEPTS kristine stiles Introduction marcel duchamp The Richard Mutt Case The Creative Act Apropos of “Readymades” henry flynt Concept Art joseph kosuth Statement Art After Philosophy art & language Letter to Lucy R. Lippard and John Chandler Concerning the Article “The Dematerialization of Art” Introduction to Art-Language xiv contents
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zoran popovig For Self-Management Art sol lewitt Paragraphs on Conceptual Art Sentences on Conceptual Art mel bochner Book Review Walls dan graham Three Projects for Architecture and Video / Notes seth siegelaub The Artist’s Reserved Rights Transfer and Sale Agreement robert barry Statement douglas huebler Statements lawrence weiner Statement victor burgin Looking at Photographs mary kelly Preface to Post-Partum Document stanley brouwn A Short Manifesto vincenzo agnetti Statements bernd and hilla becher Blast Furnace in Siegen, Germany john latham Statement Report of a Surveyor marcel broodthaers Ten Thousand Francs Reward: Interview with Irmeline Lebeer hans haacke Statements Museums, Managers of Consciousness klaus staeck Interview with Georg Jappe cildo meireles Insertions into Ideological Circuits jenny holzer Language Games: Interview with Jeanne Siegel john baldessari What Thinks Me Now Recalling Ideas: Interview with Jeanne Siegel carrie mae weems Interview with Susan Canning francis alÿs Interview with Gianni Romano xu bing An Artist’s View aa bronson Copyright, Cash, and Crowd Control: Art and Economy in the Work of General Idea hervé fischer Theory of Sociological Art group material Caution! Alternative Space! Statement felix gonzalez-torres Being a Spy: Interview with Robert Storr neue slowenische kunst Laibach: Ten Items of the Covenant The Program of Irwin Group walid raad Interview with Alan Gilbert critical art ensemble When Thought Becomes Crime arakawa and madeline gins Preface to The Mechanism of Meaning ai weiwei Making Choices
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Notes
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Index
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The Bibliography may be downloaded at www.ucpress.edu/go/theories.
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