PHOTOGRAPHY BY MATT DURHAM BY JOHN KOLVENBACH PHOTOGRAPHY BY NICHOLE DEMENT

PHOTOGRAPHY BY MATT DURHAM BY JOHN KOLVENBACH PHOTOGRAPHY BY NICHOLE DEMENT ArtsWest Playhouse and Gallery Alan Harrison, Executive Director presen...
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PHOTOGRAPHY BY MATT DURHAM

BY JOHN KOLVENBACH PHOTOGRAPHY BY NICHOLE DEMENT

ArtsWest Playhouse and Gallery Alan Harrison, Executive Director presents

LOVESONG by John Kolvenbach Directed by Kate Witt Featuring (in order of appearance) Beane . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Christopher Zinovitch Joan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Heather Hawkins Harry / Waiter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Nick DeSantis Molly . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Cindy Bradder

Stage Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Elizabeth L. James Set and Prop Designer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Dan Schuy Lighting Designer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Josh Randall Costume Designer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Margo Walker Sound Designer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jay Weinland Crew . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ryan Floresca, Olivia Robinson, Rex Waters

Love Song is performed without an intermission. The use of any recording device, either audio or video, and the taking of photographs, either with or without flash, is strictly prohibited. The World Premiere of Love Song was presented in March 2006 by Steppenwolf Theatre Company, Chicago, IL; Martha Lavey, Artistic Director, and David Hawkanson, Executive Director. Love Song received its European premiere in the West End of London at the New Ambassadors Theatre on November 25, 2006, produced by Sonia Friedman Productions, Robert G. Bartner and Boyett Ostar Productions. Love Song is presented by arrangement with Dramatists Play Service, Inc., in New York. Sponsored in part by PERSONAL SAFETY NETS®

WHO’S WHO Christopher Zinovitch

Beane Christopher has been with ArtsWest for nine years. Love Song marks his return to the stage after a four-year absence. He has acted in Seattle, Sunnyvale, San Francisco, Las Vegas, Portland, Los Angeles, Reno, Phoenix, Hawaii, Christchurch (New Zealand), and The Cook Islands, in such shows as The Lion In Winter (Richard), The Merry Wives of Windsor (Master Ford)/ Irene Ryan Award Nomination, Ten Little Indians (Dr. Armstrong), The Judas Kiss (Oscar Wilde), Vilna’s Got A Golem (Zaval), Big River (Pap Finn / Sheriff Bell), Hair (Tribe), A Chorus Line (Larry, Zach, Paul) The Legend of Sleepy Hollow (Narrator), and All My Sons (George Deaver). He has directed Measure for Pleasure, The History Boys (Member’s Choice 2009 Gregory Award Winner for Outstanding Production), Rumors, HONK!, As Bees In Honey Drown, Blood Brothers, Beat The Sunset, Thrill Me, I Am My Own Wife,

ArtsWest is a member of Theatre Puget Sound, the Washington State Arts Alliance, the West Seattle Junction Association, and the West Seattle Chamber of Commerce.

In the unlikely event of an emergency, please remain calmly seated until instructed to move by the house manager and ushers. If you have a medical situation arise during the performance, please contact the nearest usher. He or she will assist you.

Black Gold, tick, tick...BOOM!, and Bat Boy, The Musical. He has been the driving force behind the nationally recognized education program at ArtsWest where he has directed Sweeney Todd: The Demon Barber of Fleet Street, Footloose, Into The Woods, A Chorus Line, Cabaret, Hair, bare, and Pippin. He was educated at Chapman University and has toured nationally and internationally with The California Theater Center and Missoula Children’s Theater. In April Christopher will be directing (alongside Deanna Schaffer) Andrew Lloyd Webber’s Tell Me on a Sunday. He would like to thank Miztie, Liz, Nick, Heather, Cindy, Alan, and Kate for their support over the past few weeks!

Heather Hawkins

Joan Heather is thrilled to be back at ArtsWest. Previous shows here include: Lady Vanity in Measure for Pleasure, Dana in The Sweetest Swing in Baseball, Meredith in Bat Boy, The Musical, Mrs. Johnstone in Blood Brothers, Mary in On the Verge, and Alexa Vere de Vere in As Bees in Honey Drown for which she won a 2006 Seattle Times Footlight Award. She just spent the holidays as Grace in The Best Christmas Pagaent Ever at Seattle Public Theater. Other Seattle Public shows include Sylvia in End Days, Hermione in The Winter’s Tale and Emma in Betrayal. Other Seattle credits include Irene in Susan and God for Taproot, Mistress Ford in The Merry Wives of Windsor, Helena in A Midsummer Night’s Dream, Portia in Julius Caesar for Wooden O and Titania in A Midsummer Night’s Dream for Seattle Shakespeare Company. Her work has also been seen at Village Theater, ACT, Empty Space, Mirror Stage, Our American Theater, Theater Schmeater, and the 14/48 festival. Her favorite role is Mom and Wife in The Life and Times of Tessa, Duncan, and Jay Weinland.

Nick DeSantis

Dan Schuy

Harry / Waiter

Set and Prop Designer

Nick feels blissfully at home to be back at ArtsWest. He has been seen on these hallowed boards in: Romance/ Romance, Once on this Island, The Judas Kiss, La Bête, How I Got That Story, tick, tick....BOOM! (Seattle Footlight Award), Bat Boy, The Musical and I Am My Own Wife. He has worked with Chris Zinovitch as choreographer and co-director in the ArtsWest internship program on Hair and Sweeney Todd. Other roles include Franz in Sunday in the Park with George at the 5th Avenue Theatre; and Rooster in Annie (Seattle Footlight Award); Skimbleshanks, Bustopher Jones, Munkustrap and Tugger in Cats; Lumiere in Beauty and the Beast; and Valere in Chasing Nicolette at the Village Theatre. He would like to thank and hug Kindy, Tuddahs, Duffle, the Bean, and Tillamook.

Cindy Bradder

Molly Love Song is Cindy’s first show on stage with ArtsWest and she is thrilled to be part of this crazy cast. On most days Cindy is a hair stylist in Fremont. Thanks and love to the fam, Pants, Spanks, the urban fam and Tillamook.

Elizabeth L. James

Stage Manager Elizabeth is in her fourth season at ArtsWest. Favorite ArtsWest credits are: Bat Boy, The Musical, The History Boys, and Sweeney Todd: The Demon Barber of Fleet Street.

This is Dan’s sixth production at ArtsWest having previously done the set designs for On the Verge, The Gifts of the Magi, Black Gold and Dead Man’s Cell Phone and producing the puppets and props for Pinocchio. Additionally, he has designed for The Bellevue Youth Theater, Seattle Public, and SecondStory Repertory. Normally, Dan spends ten months of the year as the technical director/resident set and lighting designer at North Seattle Community College, a position he has held since April 1, 1990. Abnormally, he is a Mariners fan and into model railroading. Thank you for seeing this production and supporting your local theater artists.

Josh Randall

Lighting Designer Josh is moving into his third year as ArtsWest resident lighting designer where he has designed lights for Measure for Pleasure, Sweeney Todd: The Demon Barber of Fleet Street, The History Boys, Plaid Tidings: The Holiday Edition of Forever Plaid, Well, Pippin, and Black Gold. Josh is a freelance designer and technician and also works on Vashon Island.

Margo Walker

Costume Designer Ms. Walker began designing and constructing competitive ballroom dance costumes in 1982 and expanding to designing dance costumes for students enrolled in her dance studio, Steps and Variations in Modesto, California. After moving to the Seattle area, Ms. Walker worked on dance and ice skating costumes for Champion Design before becoming the wardrobe mistress for the Washington Academy of Performing Arts. Now freelance designing for such theaters as The Hi-Liners (West Side Story, Beauty and the Beast, 42nd Street) and Everett Community College (The Count of Monte Cristo,

Rashomon, Dear Brutus) This is her sixth show for ArtsWest (Pinocchio, High School Musical, The Gifts of the Magi, The Sweetest Swing in Baseball, Sweeney Todd).

Jay Weinland

Sound Designer Jay Weinland is happy to be back again at ArtsWest this season in particular because he gets to do a show with his lovely wife Heather Hawkins for the first time in years. Previous to Love Song, Jay sound designed The Dead Guy and I Am My Own Wife in 2008 and Beat the Sunset in 2006. A sound designer and musician in Seattle for the past 18 years, he has also designed at Seattle Public Theater, Book-It, Theater Schmeater, Exchange Theater, and Civic Light Opera as well as performing countless shows in the orchestra pit at Village Theater and CLO. Jay fills most of his days sound designing on the award winning Xbox game Halo, leaving as much time as possible for his wife and two wonderfully crazy children.

Ryan Floresca

Crew Ryan is excited to work at Artswest for another great show! Other credits include: Measure for Pleasure, Plaid Tidings, and two apprenticeship program shows: Pippin and last summer’s Sweeney Todd: The Demon Barber of Fleet Street. He’d like to thank his family for their everlasting love and support.

Olivia Robinson

Crew Olivia is happy to be back in the dark recesses of the tech booth at ArtsWest. A government worker by day, she enjoys getting a chance to return to her theater roots by occasionally running lights--although she still has High School Musical songs stuck in her head.

Rex Waters

Crew This is Rex’s first production with ArtsWest. As a migrant theater worker for more than 25 years he is excited to be invited into another theater home. Whether he’s operating a soundboard, a fly rail or muscling set pieces as a part of the running crew, his joy comes from solving the inevitable unforeseen problems without the audience or cast ever knowing anything had been awry. To date the higlight of his tech career was performing the role of The Raft in Puget Sound Musical Theater’s 1992 production of Big River; earning him his own curtain-call on its final performance. His current wish is that ArtsWest never regrets extending the invitation to work with them. Prost!

Kate Witt

Director Kate was most recently seen at ArtsWest in Dead Man’s Cell Phone and Well. She has worked with ArtsWest, Wooden O, SecondStory Repertory, New Century Theatre Company, and Seattle Shakespeare Company. Favorite roles include Calpurnia in Julius Caesar, Alex in On The Verge, Linda in Blood Brothers, Feste in Twelfth Night, Catherine in The Foreigner, Ruth in Blithe Sprit, Mrs. Segstrom in A Little Night Music, as a principal in Jacques Brel is Alive and Well and Living in Paris, and as an ensemble member in The Adding Machine. She lives in Magnolia with her partner, Steve, and their beloved preschooler, Molly. Love Song marks Kate’s directorial debut at ArtsWest.

John Kolvenbach

Playwright John Kolvenbach is the author of Goldfish, Mrs. Whitney, On an Average Day, Gizmo Love, and Fabuloso. Goldfish premiered at South Coast Repertory in the spring of 2009. Love Song premiered at Steppenwolf in Chicago in the spring of 2006, directed by Austin Pendleton. Love Song went on to

the West End, where it was nominated for an Olivier Award for Best New Comedy. The London production was directed by John Crowley, with Neve Campbell, Cillian Murphy, Kristen Johnston and Michael McKean. On an Average Day premiered at the Comedy Theatre on the West End in 2002, with Woody Harrelson and Kyle MacLachlan, also directed by Mr. Crowley. Fabuloso premiered at the Wellfleet Harbor Actor’s Theatre in 2008, directed by Mr. Kolvenbach.

the charter class of the Stanford University Graduate School of Business/Center for Social Innovation’s Executive Program for Nonprofit Leaders in the Arts. Alan is especially proud to be leading Seattle’s preeminent progressive arts organization, ArtsWest, at a time of recordsetting ticket sales and gallery sales. Email Alan at [email protected].

Endolyne Joe’s

Alan Harrison Executive Director With 22 years of experience in nonprofit theater management (his fifth with ArtsWest), Alan has worked with Lincoln Center Theater, Pittsburgh Public Theater, Seattle Repertory Theatre, several other regional theaters, and counts over 40 Broadway and Off-Broadway productions among the 250 or so on which he was involved. While in Pittsburgh, Alan invented and was the first to implement the highly successful “Under 25? Only $10!” program, a venture that annually adds hundreds of thousands of young people to the audiences of arts organizations all over the world. For several seasons, Alan was the managing director for the Alabama Shakespeare Festival, co-chair of the Master of Fine Arts program in Arts Management at the University of Alabama, and host of “All the World’s a Stage,” a weekly NPR newsradio program. He was a member of

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NEW FOR 2010! ArtsWest’s

SPRING BREAK MINI-CONSERVATORY for Ages 13-16

March 29 - April 1, 10am-3pm

Sign up now!

PHOTO: NICHOLE DEMENT

Only 20 students will be accepted!

Join professional artists for four days of intensive monologue, scene and music training to prepare for auditions for this summer’s Theater Conservatory production of The Birds by Aristophanes. Plus students will receive two tickets (one for the student and one for a parent/guardian) for the March 31 performance of Sunlight, a National New Play Network World Premiere by Sharr White, complete with a private talk-back session immediately after the performance.

Each student will need to bring in two monologues (one comedic one dramatic) and two songs (one up tempo and one ballad) to work on with teachers. In addition to monologue training and vocal work, students will also take physical comedy class, and explore the tradition of Greek comedy, as well as sketch comedy and Vaudeville principals.

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ArtsWest’s 2010

ArtsWest’s 2010

THEATER THEATER

EDUCATION PROGRAM EDUCATION for Ages 8-12 PROGRAM MID-WINTER BREAK CAMP February 16-19, 9am-5pm

Sign up now! Only 30 spots available — First come, first served Students who attend the Mid-Winter Break Camp get to sign up first for The Musical Theater Academy!

MUSICAL THEATER ACADEMY

Book by Lynn Ahrens and Stephen Flaherty Music by Stephen Flaherty • Lyrics by Lynn Ahrens Co-Conceived by Eric Idle Based on the works of Dr. Seuss

SIGN UP! 206-938-0963

PHOTO: MATT DURHAM

SIGN-UPS start February 22, 10am

Old-World Charm on Puget Sound Judy Burbrink, Proprietor

4845 45th Ave. SW, Seattle tel. 206.938.3658 • fax 206.935.7077 [email protected] • www.villaheidelberg.com

ArtsWest produces artistic events so fiercely compelling that they require conversation, improve the imagination, and promote cultural vibrancy as a core value for the communities of West Seattle. ARTSWEST BOARD OF TRUSTEES

ARTSWEST STAFF

Sheila Weaver, President (GE Aviation) Judy Burbrink, Vice President (Villa Heidelberg Bed & Breakfast) Dawn Leverett, Secretary (Windermere Real Estate) Phyllis Nomura, Interim Treasurer (1st Security Bank of Washington) Michael Alhadeff (Community Member) Arline Borella (Community Member) Bruce Donnally (Donnally Architects) Mary Ellen Olander (The Boeing Company) Judy Pigott (Personal Safety Nets®) Debra Smiley (Union Bank) Tanya Strozier (Microsoft) Eugene Wong (Lasher Holzapfel Sperry & Ebberson) Tim Woodland (Cairncross & Hempelmann) Shannon Flora (Trustee Emeritus) Jim Guenther (Trustee Emeritus) Kurt Kraft (The Boeing Company, Trustee Emeritus)

Alan Harrison, Executive Director Sandy Adams, Volunteer Extraordinaire Jill Beasley, Technical Director Nichole DeMent, Gallery Director Dennis Fish, After Hours Director KayLee Jaech, Development Director Liz James, Administrative Director Myron Jenkins, Audience Services Manager Aiden Karamanyan, House Manager Mavis Lamb, SPS Director Mary Leatherman, Volunteer Coordinator Bruce McLaughlin, Volunteer Extraordinaire Susan Miller, AWAA Co-Chair Glenda Weibel, AWAA Co-Chair Sabrina Wood, House Manager Christopher E. Zinovitch, Theater/Education Director

ARTSWEST ADVISORY BOARD Margaret Ceis • Martha Kongsgaard Sue Lindblom • Edie Neeson Dan Wiseman

Join us for late night happy hour after the show or enjoy our seasonal favorites for brunch, lunch and dinner including: SHISO CRUSTED HONEY PECAN PRAWNS green mango salad, candied pecans, sriracha foam

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In the Gallery by Nichole DeMent, Gallery Director From Pablo Picasso’s multiple paintings titled “Absinthe Drinker” and Hieronymus Bosch’s depictions of hedonist pleasure seekers in his “Garden of Earthly Delights” to early Greek sculptures and sarcophagus’ with representations of Dionysian abandon, individuals participating in excesses and overindulgences have been portrayed since the beginning of time. From January 4 - 30 ArtsWest Gallery brings a new interpretation to this theme in “Drunks, Junkies and Saints” featuring oil paintings by L. Kelly Lyles and David Peacey. Lyles is an artist, educator and curator presenting twelve colorful oils on canvas with Byzantine/inspired glitter applied for textual narrative with her new “12 Steps” series. As a recovering alcoholic/addict with over 23 years clean and sober, Lyles combines humor and pathos to the theme, while cleverly removing some of the stigma. Each piece mimics the pretexts of 12 Steps recovery programs. Interpretations include a painting of a woman waking up next to a stranger with ”WHO ARE YOU?” in pink, puffy glitter and a scene of a woman on a cell phone with a rolled car behind her that reads, “I’LL BE A LITTLE LATE...”. Her fantastical realism and bold glitter text brings a light hearted quality to the illusory beauty, drama and escape promised - but rarely delivered by drugs and alcohol. J.R.R. Tolkien explained in the 1930s that escapism was a liberating vehicle to figure a different reality. Peacey’s abstract oils on canvas are a definite escape from reality, but they also provide the viewer, as well as the artist, pure joy of creative expression. For Peacey, a brush working colors, line and gesture is a vehicle to discover the truth about

himself and the world around him. It is an alternate reality that exists in this postmodern world of digital media and image overload. Abstract painting can be a focus for artists who are escapist by trade. It requires slowing down, being messy, and finding order in the chaos. For Peacey, painting is a way to express himself and, while he admits he is not a saint, it is the pure expression of creative joy that he represents in this exhibition. Peacey received a BA in studio art from Western Washington University and has been exhibiting his work regularly in his Pioneer Square studio at the 619 Western artist lofts and throughout the region. We are pleased to continue the collaborative team, Pierre Gour and Garth Amundson, sound based installation of 24 decorative french horns, “Happy Happy Happy” in Alternative Media Platform, (AMP) at ArtsWest until the end of January. The creation of art is a means to explore the barriers that we build around us; viewing art is a way to see beyond these defenses to another perspective. This February in “Urban Constructions,” John Osgood and Monika Dalkin provide innovative and inspired representations of the literal and figurative walls that surround us. Dalkin presents playful constructions in shapes of homes. Working adeptly in many mediums, her strong conceptual pieces in ceramic and mixed media on panel convey a natural creative expression. Her iconic house shapes convey a myriad of ideas from warmth and protection to stability and social standing, all the while creating labels for those that live there. Dalkin’s installation of 100 ceramic ‘tags’ which make up a house structure, draw continued on next page

In the Gallery continued from previous page upon this idea directly, as well as a metaphor for graffiti. A visual language of shapes and symbols on the surface of her work explores the mysterious facets of walls. Dalkin holds an MFA from the University of Arizona, has exhibited her work internationally and has ongoing representation at Gallery 110 in Seattle. Osgood paints idiosyncratic characters with a bold palette in a graffiti art style. His collection of colorful oddballs are inspired by life and the uncomfortable and forlorn circumstances that happen within it. These unique characters are the embodiment of all of the idiosyncrasies recognized as one peers over the walls we surround our true characters with. Osgood was recently recognized in a feature story in the Seattle Times for his brainchild and work on a transformational memorial mural in Greenwood after the neighborhood was targeted by an arsonist. This is yet another example of his immense creative effort to transform heartbreaking situations into remarkable art. Osgood graduated from Washington State University and is owner and resident artist at Bherd Studios Gallery in Greenwood. Join both artists for their reception on February 11 from 6-7:30pm. If you are a local artist, check the website in January for two upcoming ArtsWest calls for art. Both AMP at ArtsWest and our 2010-2011 exhibition calendar will be requesting artist’s submissions. If you would like to receive more info, contact Nichole DeMent at [email protected] with “Prospectus 2010-2011” in the subject line or send a SASE to 4711 California Ave. SW, Seattle, WA 98116.

THANK YOU TO ALL OF OUR 2008-2009 DONORS, INCLUDING:

ONCE FOUNDATION TOASTMASTERS CLUB THE NORCLIFFE FOUNDATION

THE JON & MARY SHIRLEY FOUNDATION

THE ADAM J. WEISSMAN FOUNDATION

SPARKS CHIROPRACTIC HEALTH CENTER PERSONAL SAFETY NETS®

IN-KIND SUPPORT FROM:

MEDIA SPONSOR:

Clark Nuber P.S. Judy’s Catering Matt Durham Photography Savage Color THANK YOU TO THESE SPECIAL DONORS Joe & Jean Adams • Michael D. & Marjorie Alhadeff • Arline Borella • Linda Breneman Judy Burbrink • Carlene Canton & David Fuller • Margaret Ceis • Theresa J. Chambers • Doug Chapman Philip Crean • Nick DeSantis • Bruce Donnally & Debra Starr • Mike & Deb Fandel Jim Guenther & Sandy Adams • Heather Hawkins & Jay Weinland • Bill Hibler & Cathy Gorrell Anne Higuera • Catherine Irby Arnold & Schuyler Arnold • James Jackson & CR Hendrick • David Knightly Gwen Lamb • Dawn Leverett & Reis Pearson • Kathleen Lindenbaum • Kathleen & Slater Marshall Ann McCurdy & Frank Lawler • Douglas Nickson • Phyllis & Jeff Nomura • Mary Ellen Olander Judy Pigott • Mary Pigott • Gary & Trish Potter • Katie Quinn • Syd & Rita Reynolds • Carey & Steve Richardson Beverly Rowe • Deanna & Lonnie Schaffer • Suzie Shaub Black & Marty Afromowitz Rob & Patricia Shiras • Debra Smiley • Irene Stewart • Tanya Strozier • Sheila Weaver & Gordon Wiehler Eugene & Jennifer Wong • Tim & Nancy Woodland

SPECIAL THANKS Beth Cooper, Yvette Waters, Dan Wiseman/Wiseman Appliance

Kids don’t get enough art these days. For Ten Simple Ways to get more art in kids’ lives, visit AmericansForTheArts.org.

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Image provided by © A A A/DanitaDelimont Stock Photography.

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Featuring Peggy Gannon, Karen Nelsen, John Ullman, and John Wray Matthew Gibbon, liberal lion and university president, may have finally gone too far in his battle against the conservative dean of the law school - his son-in-law and former protégé. His daughter is caught between them and the entire university community is up in arms. The personal and political collide in this stunning new play about loyalty, power, and torture memos. If “sunlight is the best disinfectant,” as Supreme Court Justice Louis Brandeis opined, is it telling that this play takes place entirely at night? Recommended for ages 15 and older. SPONSORED IN PART BY THE 2009-10 SEASON IS MADE POSSIBLE IN PART BY

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