ORCHESTRA ETHICS

It is our aim to encourage the continuity of the instrumentation, which is necessary for the orchestra’s development. To steadily improve the discipline and thereby also the performance within the orchestra, the management has, in agreement with the orchestra representatives, prepared the following guidelines:

A. Joining the orchestra  Requirement: auditions for all participants  A personal tryout can be replaced through the sending in of a DVD or a youtube-link.  Application details and information on the individual project phases can be found on the internet (www.nphm.info/Internal)  Discipline throughout the rehearsals and during the concert tours

B. Membership in the orchestra  The first phase of a new musician is seen as a probation time.  Together, the conductor, the orchestra representatives and the management decide whether the respective musician has passed his probationary period.  After successfully passing his/her trial period, the musician becomes a member of the NPhM.  However, there is no claim on a permanent position in the orchestra.

Membership in the orchestra implies:  The right to vote and be voted as orchestra representative  The Musikwerkstatt Jugend e.V. is endeavouring to make participation for members free of charge, or else paid for on journeys.  Participation in the periodical online-surveys and thereby the possibility to take part in decisionmaking (e.g. choice of program)  In case of cancellation of participation due to force majeure, the musician has to provide an adequate substitute.

Orchestra representation implies:  Orchestra representatives are elected for one legislation period (=1 year: from spring to spring).  In order to be elected, the respective musician must take part in at least two of the three projects within the period.  At least three and at most five members can be elected (if possible from different musical sections). Among the elected representatives a spokesperson is to be chosen, who will present the orchestra’s whishes and concerns to the management (currently: Florian Huber, viola).  Advisory role in musical and organizational issues  Support during the composition of the best possible instrumentation  Commitment to special tasks such as publicity, setting up the stage etc. Last updated: November 2015

C. Rehearsal discipline  The participants are obligated to prepare conscientiously, which they acknowledge in the application form (see www.nphm.info/Internal).  All musicians should be present 15 minutes before the rehearsal.  The tuning is to take place 5 minutes before the beginning of the rehearsal, to ensure a punctual start.  The conductor has the right to ask individual musicians and stands to play on their own.  The musicians must leave the rehearsal room in a tidy state.

D. General guidelines  INSTRUMENTATION: o As soon as the list of participants is complete, the musicians will be allocated their roles (strings: stands; winds: 1st or 2nd etc.) o This order is determined in agreement with the instructors, the management and the orchestra representatives and is to be accepted by all musicians. o The same rules apply to everyone.  REIMBURSEMENT FOR TRAVEL EXPENSES: o Travel expenses within the MVV network area cannot be reimbursed. o Musicians living outside the MVV network area will receive  a reimbursement for travel expenses for every rehearsal block – i.e. once only the journey there and back after presentation of the receipts.  The least expensive travel alternative must be chosen – in case of train rides, only the BahnCard-50-tariff or the budget price will be reimbursed (within Germany max. € 100, within Europe according to consultation)  Accommodation to external musicians can be provided during the rehearsal periods and the concerts. (Contact: Franz Deutsch, Tel: 08178-90018, email: [email protected])  Car drivers will receive a reimbursement of € 0,15 per kilometer. o Please note: the claim on reimbursement for travel expenses expires 6 weeks after the last concert of the respective project.  INSURANCE: o The Musikwerkstatt only provides liability insurance. The participants must take care of their health, accident and instrument insurance themselves.  CONCERT DRESSCODE: o Ladies:  black dress, black skirt (both not too short) or black trousers (no jeans), black top (no plunging neckline), black concert shoes (no boots) o Gentlemen:  dark suit (preferably black), white shirt, bow-tie (if announced), black shoes and socks

Last updated: November 2015

E. Requirements for audition-videos  High Audio Quality  Repertoire: First movement (without cadenza) of one of the following solo-concertos plus one of the following orchestral repertoire options (Please contact us if you want to prepare something else.)

Violin CONCERTO Beethoven: Brahms: Bruch: Mendelssohn-Bartholdy: Mozart: Sibelius: Tschaikowskij:

Op. 61 Op. 77 Op. 26 Op. 64 KV 218, 219 Op. 47 Op. 35

ORCHESTRAL REPERTOIRE Bruckner: J. S. Bach: Mendelssohn-Bartholdy: Mozart: Schumann: Strauss:

Symphonie Nr. 9 d-Moll Adagio Matthäuspassion Nr. 39 Aria, "Erbarme Dich" Ein Sommernachtstraum Ouverture (Allegro di molto) Symphonie Nr. 39 Es-Dur KV 543 4. Satz Finale (Allegro) Symphonie Nr. 2 C-Dur op. 61 2. Satz Scherzo (Allegro vivace) Don Juan op. 20 Allegro molto con brio

Viola CONCERTO Bartók: Hindemith: Hoffmeister: Stamitz:

Op. posth. Der Schwanendreher D-Dur Op. 1

ORCHESTRAL REPERTOIRE Beethoven: Brahms: Bruckner:

Symphonie Nr. 5 c-Moll op. 67 2. Satz (Andante con moto) Symphonie Nr. 4 e-Moll 1. Satz, Takt 107 bis 123 Symphonie Nr. 4 Es-Dur "Romantische" Last updated: November 2015

Mahler: Mendelssohn-Bartholdy: Mozart: Schubert: Smetana: Strauss:

2. Satz (Andante quasi Allegretto) Symphonie Nr. 10 1. Satz (Adagio) Ein Sommernachtstraum 1. Satz Scherzo (Allegro vivace) Le nozze di Figaro KV 492 Ouverture (Presto) Symphonie Nr. 4 c-Moll "Die Tragische" 4. Satz, Takt 85 bis 113 Die verkaufte Braut Ouverture (Vivacissimo) Don Juan op. 20 Allegro molto con brio

Violoncello CONCERTO Dvorak: Haydn: Schumann:

op. 104 C-Dur, D-Dur op. 129

ORCHESTRAL REPERTOIRE Beethoven: Brahms: Bruckner: Mahler: Mozart: Smetana: Strauss:

Symphonie Nr. 5 c-Moll op. 67 2. Satz (Andante con moto) Symphonie Nr. 2 D-Dur 2. Satz, Beginn bis Takt 15 Symphonie Nr. 7 E-Dur 1. Satz (Allegro moderato) Symphonie Nr. 4 G-Dur 1. Satz (con molto comodo) Le nozze di Figaro KV 492 Ouverture (Presto) Die verkaufte Braut Ouverture (Vivacissimo) Don Juan op. 20 Allegro molto con brio

Double-bass CONCERTO Bottesini: Dittersdorf: Koussevitzky:

b-Moll E-Dur, Es-Dur op. 3

Last updated: November 2015

ORCHESTRAL REPERTOIRE Beethoven: Bruckner: Mahler: Mozart: Smetana: Strauss: Strauss: Verdi: Wagner:

Symphonie Nr. 9 d-Moll op. 125 4. Satz (Presto) Symphonie Nr. 4 Es-Dur "Romantische" 4. Satz (Finale) Symphonie Nr. 1 D-Dur 3. Satz (Feierlich und gemessen, ohne zu schleppen) Le nozze di Figaro KV 492 Ouverture (Presto) Die verkaufte Braut Ouverture (Vivacissimo) Don Juan op. 20 Allegro molto con brio Ein Heldenleben op. 40 Lebhaft bewegt Otello 4. Akt (Poco più mosso) Die Walküre 1. Akt Vorspiel und 1. Szene (langsam)

Flute CONCERTO Mozart: Mozart:

D-Dur G-Dur

ORCHESTRAL REPERTOIRE Bizet: Brahms: Debussy: J. S. Bach: Mahler: Mendelssohn-Bartholdy: Ravel: Strauss:

Carmen 3. Akt 1. Szene (Prélude) Symphonie Nr. 1 c-Moll 4.Satz (Più Andante) Prélude à l'après midi d'un faune (Très modéré) Matthäuspassion Aria: "Aus Liebe soll mein Heiland sterben" Symphonie Nr. 9 D-Dur 1. Satz (Lento, Misterioso) Ein Sommernachtstraum op. 61 Scherzo (Allegro vivace) Daphnis et Chloé, 2ème Suite Très lent Tod und Verklärung op. 24 Largo

Last updated: November 2015

Oboe CONCERTO Mozart: Strauss:

KV 314 D Dur

ORCHESTRAL REPERTOIRE Beethoven:

Brahms: Rossini: Schubert: Strauss: Strawinskij: Tschaikowskij: Wagner:

Symphonie Nr. 3 Es-Dur "Eroica" op. 55 2. Satz - Marcia funebre (Adagio assai) 3. Satz - Scherzo (Allegro vivace und Trio) Violinkonzert D-Dur op. 77 2. Satz (Adagio) La scala di seta/Die seidene Leiter Ouverture Symphonie Nr. 9 C-Dur "Große C-Dur Sinfonie" D 944 2. Satz (Andante) Don Juan op. 20 a tempo, ma tranquillo Pulcinella Suite 2. Serenata (Larghetto) Symphonie Nr. 4 f-Moll 2. Satz (Andantino) Parsifal 3. Aufzug: Karfreitagszauber

Clarinet CONCERTO Mozart: Weber:

KV 622 op. 73, 74

ORCHESTRAL REPERTOIRE Beethoven:

Symphonie Nr. 4 B-Dur op. 60 2. Satz (Adagio) Beethoven: Symphonie Nr. 6 F-Dur op. 68 "Pastorale" 1. Satz - Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande (Allegro ma non troppo) Beethoven: Symphonie Nr. 6 F-Dur op. 68 "Pastorale" 2. Satz - Szene am Bache (Andante molto moto) Mahler: Symphonie Nr. 7 e-Moll 2. Satz Nachtmusik (Allegro) Mendelssohn-Bartholdy: Ein Sommernachtstraum op. 61 Scherzo (Allegro vivace) Prokofjew: Peter und der Wolf op. 67 (Nervoso)

Last updated: November 2015

Puccini: Schostakowitsch: Schubert:

Tosca 3. Akt (Andante lento appassionato molto) Symphonie Nr. 9 Es-Dur op. 70 3. Satz (Presto) Symphonie Nr. 7 h-Moll D 759 2. Satz (Andante con moto)

Bassoon CONCERTO Mozart: Weber:

KV 186e op. 75

ORCHESTRAL REPERTOIRE Beethoven: Donizetti: Haydn: Mozart: Ravel: Strawinskij: Tschaikowskij:

Symphonie Nr. 4 b-Moll 4. Satz (Allegro ma non troppo) L'elisir d'amore 2. Akt Nr. 19 (Larghetto) Symphonie Nr. 88 G-Dur 1. Satz (Allegro) Le nozze di Figaro Ouverture Boléro Le Sacre du Printemps Introduzione (Lento) Symphonie Nr. 4 f-Moll op. 36 2. Satz (Andantino in modo di canzone)

Horn CONCERTO Neuling: Strauss:

Bagatelle Nr. 1

High Horn ORCHESTRAL REPERTOIRE Bruckner: Mahler:

Symphonie Nr. 4 Es-Dur 1. Satz (Bewegt, nicht zu schnell) Symphonie Nr. 4 G-Dur 1. Satz (Bedächtig nicht eilen)

Last updated: November 2015

Mahler: Schubert: Strauss: Strauss: Strauss: Tschaikowskij:

Symphonie Nr. 9 D-Dur 1. Satz (Plötzlich bewegend langsamer) Symphonie Nr. 8 C-Dur 1. Satz (Andante) Don Juan op. 20 Allegro molto con brio Ein Heldenleben op. 40 Lebhaft bewegt Till Eulenspiegels lustige Streiche op. 28 Gemächlich Symphonie Nr. 5 e-Moll op. 64 2. Satz (Andante cantabile)

Low Horn ORCHESTRAL REPERTOIRE Beethoven: Beethoven: Mahler: Schostakowitsch: Schubert: Strauss: Wagner: Wagner: Wagner:

Fidelio Ouverture Symphonie Nr. 9 d-Moll op. 125 3. Satz (Adagio molto e cantabile) Symphonie Nr. 9 D-Dur 1. Satz (Andante comodo) Symphonie Nr. 5 op. 47 1. Satz (Moderato) Symphonie Nr. 8 C-Dur 1. Satz (Andante) Don Juan op. 20 Allegro molto con brio Das Rheingold Vorspiel Parsifal 3. Akt (Gurnemanz - sehr langsam) Rienzi 1. Akt 4. Szene (Finale)

Trumpet CONCERTO Haydn: Hummel:

Es-Dur Es-Dur

ORCHESTRAL REPERTOIRE Beethoven: Beethoven: Bizet:

Signal aus der Ouverture zu Leonore Nr. 2 op.72 Allegro Signal aus der Ouverture zu Leonore Nr. 3 op.72a Allegro Carmen Prélude Schicksalsmotiv (Andante moderato) Last updated: November 2015

Mahler: Mahler: Ravel: Strauss: Strawinskij:

Symphonie Nr. 5 cis-Moll 1. Satz (Trauermarsch) Symphonie Nr.9 D-Dur 3.Satz Takt (Nummer 36 bis 38) Klavierkonzert G-Dur 1. Satz Don Juan Petrouchka (Version 1947)

Trombone CONCERTO Bozza: David: Groendahl: Martin: Wagenseil:

Ballade op. 4 1924 Ballade Concerto

Tenor Trombone ORCHESTRAL REPERTOIRE Berg: Berg:

Mahler: Mozart: Mozart: Ravel: Strawinskij:

3 Stücke für Orchester op. 6 Nr. 3 (Marsch) - Tenor Posaune Lulu 1. Akt 1. Szene (Einleitung zum Kanon) 2. Akt 1. Szene (Lento) Symphonie Nr. 3 d-Moll 1. Satz Missa in C, "Waisenhausmesse" Agnus Dei Requiem KV 626 Tuba mirum (Andante) Boléro L‘oiseau de feu/Der Feuervogel (Suite 1945 Version) Dance infernale

Bass Trombone ORCHESTRAL REPERTOIRE Delibes: Haydn: J. S. Bach:

Coppélia 1. Akt Nr. 4 (Tempo di mazurka) Die Schöpfung Nr. 26 Chor (Vivace) Suite in c-Moll BWV 1011 Sarabande Last updated: November 2015

J. S. Bach: Janacek: Strauss: Strauss: Strauss: Wagner:

Suite in G-Dur BWV 1007 Menuet I Sinfonietta 3. Satz (Con moto) Der Bürger als Edelmann op. 60 1. Aufzug Nr. 5 (Szene des Fechtmeisters) Der Bürger als Edelmann op. 60 2. Aufzug Nr. 10 (Das Diner) Till Eulenspiegels lustige Streiche op. 28 Siegfried 2. Akt 1. Szene

Tuba CONCERTO Vaughan Williams :

1. Satz mit Kadenz

ORCHESTRAL REPERTOIRE Bruckner: Bruckner: Bruckner: Hindemith: Mahler: Mussorgski: Prokofjew: Strauss: Wagner:

Symphonie Nr. 4 Es-Dur 1. Satz Symphonie Nr. 8 c-Moll 1. Satz (Allegro moderato) Symphonie Nr. 8 c-Moll 2. Satz Scherzo (Allegro moderato) Sinfonische Metamorphosen Scherzo (Lebhaft) Symphonie Nr. 1 D-Dur 3. Satz (Feierlich und gemessen) Bilder einer Ausstellung IV. Bydlo Symphonie Nr. 5 B-Dur op. 100 1. Satz (Andante) Elektra Die Meistersinger von Nürnberg 2. Akt 7. Szene (Prügelszene)

Timpani ORCHESTRAL REPERTOIRE Béla Bartók:

Ludwig van Beethoven: Richard Hochrainer:

Violin Konzert Nr.2: 2. Satz: Takt 11 bis Takt 18 3. Satz: Takt 202 bis Takt 214 Symphonie Nr. 5: 3./4.Satz: Takt 366 bis Takt 395 Aus: "Etüden für Timpani": Etüde Nr. 59 Last updated: November 2015

Harp CONCERTO Händel:

Konzert in B-Dur, op.4 Nr.6 Andante allegro (ohne Wiederholungen)

ORCHESTRAL REPERTOIRE Bartók: Tschaikowsky: Verdi:

Konzert für Orchester, 4.Satz Der Nußknacker 2.Akt Nr.12: Blumenwalzer Die Macht des Schicksals (Ouverture)

Last updated: November 2015