Meyer Sound Stories 2009 | Volume TWO
three decades of
thinking sound 1979 | 2009
MEYER SOUND STORIES | VOLUME 2 | 2009 | ii
To read more stories like these, or to receive our news via e-mail, visit meyersound.com/news
The Miracle Mile Shops at Planet Hollywood Resort & Casino
Photo: Steve Spatafore
Contents
2 Meyer Sound Gives Morrison Planetarium an Otherworldly Experience
4 Buckcherry and Avenged Sevenfold Tour with MILO
6 M’elodie Line Array Transforms Landmark Berlin Theatre
8 Meyer Sound Complements Peak Experience at Austria’s Intersport Bründl
10 Calgary’s Max Bell Theatre a “Venue for All Seasons” with Matrix3 and Constellation
Welcome to the latest edition of Sound Stories! We have always made it a priority to listen to our users, whose feedback and suggestions have inspired us to engineer
14 Celebrity Solstice Sets Sail with Meyer Sound Systems 16 350,000 Celebrate Experience Gospel Concert in Lagos 18 Mississippi State Stadium Chooses MILO 20 Warhol Live: Meyer Sound Brings the Artist’s Musical Vision to Life
innovative products. As we enter into our 30th year of business, we continue to listen as customers share how they use Meyer Sound systems to successfully tackle audio challenges. This booklet outlines a few of these stories: from a state-of-the-art music venue in Germany to a competitive football stadium in Mississippi; from a unique shopping experience in the Austrian Alps to a
22 Mexico’s Auditorio Nacional Eyes More Top Ticket Sales Rankings
massive worship event in Africa.
24 Cirque du Soleil ® Brings CRISS ANGEL ® Believe ™ to Luxor Las Vegas
innovative, reliable audio solutions
26 Meyer Sound Loudspeakers Prove Essential at Tucson’s Faith Tabernacle
without the creative work and input from
It has always been our goal to create for delivering the best live experience possible. We couldn’t have achieved it you. Thank you for taking this journey with us.
28 Introducing the Meyer Sound Cinema Experience
Enjoy!
29 Worldwide Offices Helen and John Meyer Co-founders of Meyer Sound
CQ-1 UPJ-1P UPM-1P UMS-1P UPQ-1P 750-P MVC-5 X-800 Matrix3 2 | MARCH 2008 | MEYER SOUND STORIES
FEATURED PRODUCTS
At California Academy of Sciences, Meyer Sound Gives
Morrison Planetarium
an Otherworldly Experience Morrison Planetarium, a key attraction within San Francisco’s all-new California Academy of Sciences, has been designed from the ground up to offer the most com-
“Meyer Sound is a
pelling outer space experience one can have without leaving planet Earth.
premium brand and
“With 290 seats and a 78-foot seamless projection screen, this is the world’s biggest
the people we worked
digital planetarium and, as far as I’m aware, it also has the world’s most powerful
with really l ived up
planetarium audio system,” comments Blair Parkin, founder and managing director of Brighton, UK-based Visual Acuity (www.visual-acuity.com), the technology consultant
to their name. They
1P VariO loudspeakers provide surrounds, along with another UPJ-1P loudspeaker
listened to our needs , too k our ideas onboard,
mounted at the zenith of the dome. The low-frequency content is handled by eight
and in some cases
to the project. Three CQ-1 loudspeakers act as the main left-center-right (LCR) system and nine UPJ-
X-800 extended range subwoofers. Matrix3 audio show control allows the system to be configured to suit the wide range of content played at the planetarium. John Monitto,
made suggestions to improve them. A s a
Meyer Sound’s director of technical support, handled system layout. “There are a number of different playback modes which the Academy will use,” says
company, they are very
Parkin. “We have an in-house show called Fragile Planet, with music composed by Mi-
knowledgeable , but
chael Stearns. In this show, we are using the audio system dynamically, moving chan-
also very friendly to
nels around the dome. This uses the full 13.1 channels. The reason we have a speaker at the zenith is that we wanted to spatialize audio over people, not just around them.”
work with.” — Dean Do
Dean Do, assistant director of A/V Electronics at the Academy, says: “Meyer Sound is
Assistant director of
a premium brand and the people we worked with really lived up to their name. They
a/v electronics
listened to our needs, took our ideas onboard, and in some cases made suggestions
California academy of
to improve them. As a company, they are very knowledgeable, but also very friendly to
sciences
work with.” Morrison Planetarium’s architect was Pritzker Prize-winning Renzo Piano Building Workshop of Genoa, Italy; installation contractor was Nashua, N.H.-based Sky-Skan. Ove Arup & Partners served as the project’s engineering and sustainability consultant. Beyond the planetarium, systems integrator BBI has installed UltraSeries loudspeakers in the Hearst Forum 3D theatre, and for the Water Planet exhibit in the Academy’s aquarium.
MEYER SOUND STORIES | VOLUME 2 | 2009 | 3
BuCKCherry and Avenged Sevenfold push for power and clarity with meyer sound Milo
MILO
MICA
UPJ-1P
700-HP
Galileo 616
SIM 3
FEATURED PRODUCTS
When Buckcherry and Avenged
obnoxious, yet also be smooth and linear,”
MILO line array loudspeaker from Meyer
Sevenfold united for their co-headlining
Paul observes.
Sound.
One of the hottest-selling tickets in the
“Overall, the decision to use Meyer speak-
world tour, Avenged’s FOH Engineer Nigel Paul and his Buckcherry counterpart
US for the past several months, the tour
ers took about five seconds, because of
Stephen Shaw chose a Meyer Sound sys-
features opening acts Saving Abel, Papa
both Nigel’s and my previous experience
tem as they realized both bands shared
Roach, and Shinedown, playing to crowds
using the cabinets,” notes Shaw. “Both of
the same philosophy—a powerful sound
ranging from 5,500 to 17,000 strong. Tay-
these bands have a real throwback sound,
emphasizing clarity above all else. “It’s
lor, Mich.-based Thunder Audio is provid-
so the MILO is ideal, given its smooth, flat
quite possible to crank it up without being
ing the sound system based around the
response.”
4 | 2009 | VOLUME 2 | MEYER SOUND STORIES
Recent Tours with Meyer Sound “To get a precise mix
André Rieu Britney Spears
you need comp lemen-
Buckcherry & Avenged Sevenfold
tary tools. W ith some
Celiné Dion
systems when you go a bit higher, they get a bit ragged, but M eyer
outstanding R esponse an D a R ticu l ation at any sp l .” has
Celtic Woman Dave Matthews Band The Dead The Enemy Il Divo Kylie Minogue Leonard Cohen Lil’ Wayne Metallica Mudvayne Paul Weller
— Nigel Paul
Peter Maffay
FOH Engineer Avenged sevenfold
The Pretenders Slipknot Udo Jürgens Wise Guys André Rieu
The system is based on left and right ar-
“We first used Meyer on the last Avenged
rays of 16 MILO line array loudspeakers,
tour,” says Paul, “and everybody loved it,
with twin arrays of up to eight MICA line ar-
especially the band. Meyer really helps
ray loudspeakers for side hangs, and four
me keep every sound onstage clean and
UPJ-1P VariO loudspeakers for frontfill. A
distinct. To get a precise mix you need
Galileo loudspeaker management system
complementary tools. With some systems
assists system processing, with tuning
when you go a bit higher, they get a bit
courtesy of the SIM 3 audio analyzer.
ragged, but Meyer has outstanding re-
Metallica
sponse and articulation at any SPL.”
MEYER SOUND STORIES | VOLUME 2 | 2009 | 5
M’elodie Line Array Transforms Landmark Berlin Theatre,
Friedrichstadtpalast With the regeneration of a united
loudspeaker, CQ-1 and CQ-2 loudspeak-
“When we were
Berlin almost complete, Meyer Sound’s
ers, and MM-4 miniature loudspeaker.
p lanning this
M’elodie line array loudspeakers are tak-
The central line array is comprised of
ing center-, left-, and right-stage at the
eight M’elodie loudspeakers, supported
Friedrichstadtpalast, one of Berlin’s key
by three 700-HP subwoofers. The left and
theatres. Boasting the largest indoor stage
right hangs each consists of ten M’elodie
three different
in the world, at 2,542 square meters, the
loudspeakers, also underpinned by three
systems. We had
Palast features staging and rigging intrica-
700-HP subwoofers on each side. A
cies capable of hosting the most outlandish
centre-left and a centre-right hang, used
productions, including the venue’s current
for the orchestral program, each uses six
revue—a Las Vegas-inspired spectacular
M’elodie loudspeakers. These two ar-
entitled Qi: A Palace Fantasy.
rays provide greater stereo definition for
upgrade we had tenders out with
each system for three months, and after that time I and all the crew
The Palast had previously used other Mey-
live music across the venue, leading to a particularly smooth, linear response.
here conc luded
er Sound loudspeakers prior to installing
it had to be a M ’ e l odie system . ”
the M’elodie system. “When we were plan-
The system is managed by Meyer Sound’s
ning this upgrade we had tenders out with
Galileo loudspeaker management system
three different systems,” says Technical Di-
with three Galileo 616 processors. RMS
rector Franz-Josef Münzebrock. “We had
remote monitoring system provides ex-
the systems for three months each, and
tensive system status and performance
after that time, all the crew and I concluded
data.
that
— Franz-Josef Münzebrock Technical Director Friedrichstadtpalast
that it had to be a M’elodie system. Previously it was mostly MSL-4s in here, but I’ve also used many other brands. I find that Meyer’s products consistently provide that extra clarity, especially when speech is an important application of the house.”
M’elodie
CQ-1
CQ-2
700-HP
“Our intention is to increase the number of visiting productions using our sound system over the next year,” notes Münzebrock, “making full use of the obvious advantages of yet another of our Meyer Sound purchases—a SIM 3 audio ana-
The newly installed audio system is based
lyzer. Once an engineer has used Meyer
around Meyer Sound’s M’elodie line array
Sound, they never forget.”
MSL-4
MM-4
6 | 2009 | VOLUME 2 | MEYER SOUND STORIES
RMS
SIM 3
Galileo 616
FEATURED PRODUCTS
Photo: Stephan Gustavus
UMS-1P
USW-1P
UPJ-1P
UPJunior
MM-4
FEATURED PRODUCTS
Meyer Sound Complements Peak Experience
at Austria’s
Intersport Bründl
Nestled below Austria’s breathtak-
The main merchandising spaces and ad-
ing 3,200 meter-high Kitzsteinhorn, Inter-
joining open-air terrace are covered by 86
“Music can change
sport Bründl is a “lifestyle sport house”
Meyer Sound MM-4 miniature loudspeak-
the mental state to
and features a vast array of outdoor attire
ers. Low-end energy comes from eight
and equipment, as well as an elegant café,
UMS-1P subwoofers and one USW-1P
relaxing lounge, open fireplace, climbing
subwoofer.
ma k e buying easier , and the
rock, video game parlor, and 3D cinema. More than 100 Meyer Sound loudspeakers are installed at the sports house to provide foreground music that owner Cristoph Bründl notes as an integral part of the ambience and an effective sales tool. “Music can change the mental state to make buying easier,” claims Bründl, “and the high quality of the Meyer Sound system helps relax customers’ mood immediately.”
“The MM-4 is perfect for this application,” Peterstorfer notes, “because it provides
High
Quality of the Meyer Sound system he lps
pure, uniformly balanced sound through-
relax customers’
out the building without calling attention
mood immediately.”
to itself.”
Sound moves very much to the foreground in the lounge, where up-tempo
— Cristoph Bründl Owner Intersport Bründl
sounds emanate from two UPJ-1P VariO loudspeakers and another USW-1P subwoofer. “It’s really like a club atmosphere
For the audio and video systems for the
when you turn up the levels,” says
project, Bründl enlisted Wels, Austria-
Peterstorfer. “Some groups have used it
based Kraftwerk Living Technologies after
for social events, and every now and then
a successful Meyer Sound installation in
a DJ will plug in for dancing. All of this in
another shop in Ischgl, Austria.
a sports shop!”
“Based on that experience—as well as
Topping off the total immersion experi-
demos at Kraftwerk’s showrooms—the
ence, Intersport Bründl features an inti-
clients were convinced that only a Meyer
mate yet high-tech 3D cinema. Multichan-
Sound solution would provide the quality
nel surround sound is provided by three
they required,” says Kraftwerk’s manager
UPJunior VariO loudspeakers and four
for retail and hospitality systems, Florian
MM-4 loudspeakers with solid bass from
Peterstorfer, who was responsible for cre-
a UMS-1P subwoofer.
ating the audio system to support Bründl’s marketing concept.
MEYER SOUND STORIES | VOLUME 2 | 2009 | 9
Calgary’s
Max Bell Theatre
A “Venue for all seasons” with
meyer sound matrix3 and constellation
electroacoustic architecture
With the recent addition of Meyer
ues like the Max Bell Theatre, the Meyer
Sound Constellation electroacoustic archi-
Sound Constellation system provides an
tecture, the Max Bell Theatre in Calgary,
effective solution without the steep costs
Alberta’s EPCOR Centre has become an
and complicated logistics associated with
exceptionally flexible multipurpose venue
architectural alterations. The Constellation
for all seasons.
system allows venue operators to modify their room acoustics at the press of a but-
“We needed a solution
From fall through spring, Meyer Sound’s
ton, allowing them to host a wide range of
invo lve the audience in mu ltipl e acoustical environments ,
Matrix3 audio show control and 113
events with the acoustics most appropri-
self-powered loudspeakers function as a
ate for them.
that would
do-it-all surround and effects system for supporting plays and musicals by the Max
“We used Constellation’s concert hall
Bell Theatre’s resident company, Theatre
capabilities as a selling point to man-
Calgary. When the venue opens for other
agement,” observes Jamieson, “since
performances, the Constellation system
it makes the room ideal for a variety of
transforms the intimate 750-seat prosce-
non-reinforced acoustical music perfor-
wasn’t anything else
nium theatre into an acoustically luxuriant
mances. Normally a proscenium theatre
avail able that would
small concert hall.
doesn’t work for that, as the sound disap-
and there simply
a llow us to do that
pears into the stage house overhead.” “We needed a solution that would involve
and still have all
the audience in multiple acoustical envi-
The addition of Constellation adds an en-
the options to wor k
ronments, and there simply wasn’t any-
tirely new dimension to the Max Bell The-
thing else available that would allow us
atre’s possibilities. Along with a virtual or-
to do that and still have all the options
chestra shell, the acoustically dry theatre
to work with pure theatrical applications,”
now has a variety of acoustical setting op-
extremely p leased with
says Jack Jamieson, a 20-year veteran
tions that suit the needs of presentations
the results.”
sound engineer at EPCOR Centre. “We
ranging from live theatre to symphonic
are extremely pleased with the results.”
concerts. The Constellation system at
with pure theatrica l appl ications . We are
— Jack Jamieson
Max Bell Theatre offers a total of ten re-
Sound Engineer EPCOR Centre
The acoustics that sound best for one
verberation settings (from 1.2 seconds up
type of performance are not necessarily
to two full seconds) and separate zones
ideal for all kinds. For multipurpose ven-
for the stage and room presets. continued on next page
10 | 2009 | VOLUME 2 | MEYER SOUND STORIES
“We needed a solution that would involve the audience in multiple acoustical environments, and there simply wasn’ t anything else available that would allow us to do that and still have all the options to work with pure theatrical applications.
extreme ly p l eased with the We are
results.”
— Jack Jamieson Sound Engineer EPCOR Centre
FEATURED PRODUCTS M1D CQ-1 700-HP UPA-1P UPM-1P UPJ-1P UMS-1P Stella-4 Matrix3 SIM 3 Constellation CueConsole
Calgary’s
Max Bell Theatre (continued )
continued from previous page
Chris Jacko, head of sound for Theatre
The main reinforcement system compris-
loudspeaker is individually addressable
Calgary, reports that he was startled by
es M1D line array loudspeakers, CQ-1
from the 112 analog outputs of the nine
the difference Constellation makes. “I re-
and UPA-1P loudspeakers, and 700-HP
Matrix3 processors. The front-end system
member that, just after the tuning, we had
subwoofers. A combination of UPM-1P,
a ballet rehearsal in here with just a solo
UPJ-1P VariO, Stella-4 loudspeakers,
piano. It was awesome to walk around
and UMS-1P subwoofers serve double
“I’m absolutely loving the Matrix3 system
and hear that one piano completely fill the
duty as both a surround/effects system
I have here,” says Jacko. “It’s almost ri-
whole room.”
and are used as part of the Constella-
diculously flexible. I never have to say ‘no’
tion electroacoustic architecture. Each
to sound designers because there’s re-
12 | 2009 | VOLUME 2 | MEYER SOUND STORIES
is controlled by a CueConsole modular control surface.
Theatrical Productions Using Meyer Sound Equipment In 2009 WEST END Joseph and the Amazing Technicolor Dreamcoat The Lion King Mary Poppins Oliver! The Musical Phantom of the Opera Sister Act (May 2009) Wicked BROADWAY The 39 Steps August: Osage County Avenue Q Billy Elliot the Musical Hair The Little Mermaid The Phantom of the Opera Shrek the Musical The Story of My Life West Side Story Wicked You’re Welcome America. A Final Night with George W. Bush OTHER N. AMERICAN PRODUCTIONS The Sound of Music (Toronto)
ally nothing the system can’t do.” Jacko
collaborative effort by the EPCOR Centre
notes that he’s started to use Constella-
staff and Shawn Hines of Gerr Audio, with
tion for some “room sweetening” for the
installation by Allstar Show Industries of
dramatic productions, and adds that “it
Calgary and final tuning by Bob McCarthy
will really come into its own for the sum-
of Alignment and Design using the SIM 3
mer rentals.”
audio analyzer. Constellation design and tuning was handled by the Meyer Sound
Design of the main and effects/surround
TOURING Dirty Dancing – The Classic Story On Stage Drowsy Chaperone The Producers Sweeney Todd Wicked The Wizard of Oz AUSTRALIA Chicago the Musical Guys and Dolls Wicked
Constellation team.
systems at the Max Bell Theatre was a Continued on page 25
MEYER SOUND STORIES | VOLUME 2 | 2009 | 13
Berklee Performance Center
CQ-1
CQ-2
700-HP
UPM-1P
UPJ-1P
14 | MARCH 2008 | MEYER SOUND STORIES
MM-4
FEATURED PRODUCTS
First-in-Class
Celebrity Solstice
Sets Sail with Seaworthy Meyer Sound Systems The new Celebrity Solstice is the first of Celebrity Cruises’ five-ship Solstice Class fleet, with an arrestingly sleek exterior and stately amenities for 2,850 guests plus a crew of 1,500. To please the well-tuned seagoing ear, a total of 77 Meyer Sound loudspeakers are installed in ten shipboard venues where sound quality is of particular importance. The selection of Meyer Sound was a joint decision between FUNA International and Celebrity Cruises, following the successful deployments of Meyer Sound systems on several ships previously. “I’ve always liked the sound quality of the Meyer loudspeakers,” says Corporate Production Manager Wayne Tepley, a veteran of 13 years at sea as an audio engineer. “But I also appreciate the extraordinary reliability. I can’t think of a problem I’ve had with a Meyer speaker, ever. They are just rock solid. That’s critical, because you don’t want systems going down when you’re in the middle of the Atlantic.” The extensive AV and show control systems onboard Celebrity Solstice were designed and installed by FUNA International. Wolfgang Bokker and Peter Scheffler were principal designers with supporting coordination by Senior Vice President Marc Goossens. The hub of shipboard entertainment is the repertoire of musical variety shows and the-
“I’ve always l iked the S ound quality of the Meyer loudspeakers. B ut I also appreciate the
extraordinary re l iabil ity . I can ’ t think of a problem I’ve had with a Meyer speaker, ever. T hey are just ROCk solid. That’ s critical, because you don ’t
atrical spectacles at the majestic 1,115-seat semicircular theatre, powered by Meyer
want systems going
Sound CQ-1, CQ-2, and UPM-1P loudspeakers, UPJ-1P VariO loudspeakers, MM-4
down when you’re
miniature loudspeakers, and 700-HP subwoofers. Meyer Sound UltraSeries loudspeakers are installed in other spaces on Celebrity Solstice, including the 200-seat Celebrity Central venue, Ensemble and Sky Lounges, the Entertainment and Rendezvous Courts, the two children and teen spaces, Spa Motion Aerobics and the crew gymnasium, and
in the middle of the Atlantic.”
— Wayne Tepley Corporate Production
the crew disco.
Manager
“Certainly the audio quality is exceptional, but we also like them because they’re self-
Celebrity Cruises
powered, which makes them easy to install and commission,” remarks Goossens. “They sound great out of the box, so we don’t spend days EQ’ing a room.” Tepley adds that the simplicity of Meyer Sound self-powered systems—with fewer connect/disconnect points—greatly reduces the chances of failure. “If you lose a critical component, in some parts of the world it can take weeks to get a replacement,” says Tepley. “For me, the best thing about the Meyer systems is their reliability and durability.”
MEYER SOUND STORIES | VOLUME 2 | 2009 | 15
350,000 Celebrate
Experience Gospel Concert
in Lagos with GQ Acoustics and Meyer Sound
FEATURED PRODUCTS MICA
MILO
700-HP
MTS-4A
UPJ-1P
A powerful Meyer Sound MILO and
from throughout Africa to revel in perfor-
of 12 MICA loudspeakers per side. Low
MICA line array loudspeaker system de-
mances by award-winning artists includ-
frequencies were covered by nine 700-HP
livered 11 hours of uninterrupted prayer
ing Kirk Franklin, Donnie McClurkin, Don
subwoofers per side, along with two more
and music to an unprecedented crowd of
Moen, Fred Hammond, Kurt Carr, Chev-
at center stage, all configured in cardioid
350,000 at the annual Experience Interde-
elle Franklyn, Gospel duo Mary Mary, and
formation to prevent low-frequency build-
nominational Gospel Concert, reportedly
Muyiwa Olarewaju, UK-based recording
up near the stage. Six UPJ-1P VariO loud-
the largest concert in Africa and the largest
artist and radio presenter.
gospel musical event in the world.
speakers provided frontfill, while a Galileo
Provided by GQ Acoustics+Sound, the
loudspeaker management system with
Staged at the Tafawa Balewa Square in
main sound system deployed left and right
two Galileo 616 processors covered sys-
Lagos, Nigeria, the massive musical ex-
arrays of ten Meyer Sound MILO loud-
tem processing.
travaganza brought together worshippers
speakers each, augmented by side arrays
16 | 2009 | VOLUME 2 | MEYER SOUND STORIES
USW-1P
“No other company provides such a
high l evel of support for its products. M eyer Sound has always been there for us, at every major undertaking . The quality of their products is on ly matched by the veracity of their support.”
MJF-212A
Galileo 616
— Peter Iriah CEO
MAPP Online Pro
GQ Acoustics+Sound
As GQ’s Peter Iriah explains, covering the
Onstage, 16 MJF-212A stage monitors,
ing. GQ Acoustics more than pulled it off,
vast expanse of the venue was a challenge
four MTS-4A full-range loudspeakers, and
and Meyer Sound is really the winner.”
that the Meyer Sound system sufficiently
four USW-1P subwoofers covered the
met. “We were initially a bit concerned
performers. System design was handled
about covering such a wide area, and had
by Dave Dennison, Meyer Sound’s techni-
originally considered a system design that
cal consultant using the MAPP Online Pro
would include five different delay stacks,”
acoustical prediction program.
Iriah points to the support from Meyer Sound as instrumental to the event’s success. “No other company provides such a high level of support for its products. Meyer Sound has always been there for
he says. “But when we turned on the system, the combined coverage of the MILO
Karo Agono, technical director of House
us, at every major undertaking. The quality
and MICA arrays made the extra delay
On The Rock, a partner congregation of
of their products is only matched by the
stacks unnecessary, and we decided to
the event, says: “What I heard was amaz-
veracity of their support.”
remove them.”
MEYER SOUND STORIES | VOLUME 2 | 2009 | 17
MILO
MILO 60
700-HP
MSL-4
18 | MARCH 2008 | MEYER SOUND STORIES
SB-1
Galileo 616
MAPP Online Pro
RMS
FEATURED PRODUCTS
MiSSISSIPPI State Stadium
Chooses Meyer Sound MILO Davis Wade Stadium, the 55,000-capacity home of Mississippi State Bulldog football, is now equipped with high-impact AV systems on a new scoreboard tower. The award-winning Meyer Sound MILO line array loudspeakers flood the tiered bowl with powerful and intelligible audio, while dazzling images flash across the largest HD video screen in the Southeastern Conference. The entire AV installation operates under the general supervision of Bennie Ashford, Mississippi State’s coordinator of sports television. On the quality of sound, he comments:
Abi lity to hear the Fu ll range of sounds ,
“Having that
particularly for
“We love it. It’s a huge difference from what we had before. We are now hearing true
music, is something
bass, along with exceptional clarity in the mids and highs. Having that ability to hear the
our fans T ruly
full range of sounds, particularly for music, is something our fans truly appreciate.”
appreciatE.”
The audio system at Davis Wade Stadium is designed and installed by Pro Sound,
— Bennie Ashford
Inc., headquartered in Miami, Fla. “This kind of scoreboard system is tailor-made for
Coordinator of
self-powered systems,” remarks Pro Sound engineer Dave Shoemaker, who handled
Sports Television
the design of the system. “You already have power and infrastructure right there, which makes the installation easy to do and keeps the costs down.”
Mississippi State University
The long sides of the venue are covered by twin arrays of eight MILO loudspeakers each, with a center array of three MILO 60 loudspeakers targeting the far-end center sections. An MSL-4 loudspeaker per side covers near-end seating, while 700-HP subwoofers provide full-bodied bass. Two SB-1 parabolic long-throw sound beams project astonishingly clear voice articulation to the far corners at a distance of over 500 feet. RMS remote monitoring system provides loudspeaker performance data and a Galileo loudspeaker management system is used for signal processing. Ashford admits that he was skeptical about the power potential when he first saw the compact size of the Meyer Sound components, but was quickly reassured. “The football team was at their practice field nearly a mile away, on the far side of the basketball coliseum,” Ashford recalls. “The first day we played content through the system, I got a call from a member of the coaching staff who asked, ‘What’s that sound we’re hearing?’ They were hearing it clearly that far away, and could understand everything being said. I knew right then that we had a winner.”
MEYER SOUND STORIES | VOLUME 2 | 2009 | 19
Celebrating the Sights and Sounds of
Andy Warhol—
Meyer Sound Brings The Artist’s Musical Vision to Life
UPM-1P
UMS-1P
MM-4XP
FEATURED PRODUCTS
The Warhol Live exhibition, now at
“For some exhibits, we wanted to localize
the exhibition’s focal points. And its self-
San Francisco’s de Young Museum, ex-
the sound source to a visual element,” says
powered design eliminates the need to
plores Andy Warhol’s use of music in his
Wojtowicz. “For example, having Marilyn
create a space for amplifiers.”
works. Through captivating sonic effects
Monroe’s voice coming from her portrait.
created by Philippe Wojtowicz, acclaimed
In other cases, we wanted to create an
sound designer and equipment support
ambient atmosphere that really reflected
powered MM-4XP miniature loudspeak-
from Meyer Sound, Warhol’s creations
the particular era and environment. The
ers, UPM-1P loudspeakers and UMS-1P
are brought to life, from portraits of pop
small size of the MM-4XP miniature loud-
subwoofers to provide the soundtrack for
stars and album art to his controversial
speaker allowed us to place both localized
the show’s many exhibits and deliver the
films and influential New York Silver Fac-
and ambient sources in the appropriate
powerful music of the Velvet Underground,
tory scene.
locations, without visually distracting from
David Bowie, and others.
20 | 2009 | VOLUME 2 | MEYER SOUND STORIES
The system includes more than 40 self-
“I’ve worked with Meyer Sound spea kers for many years , and particularly the MM-4XP, which I’ ve used for severa l exhibitions in Paris . Besides
sounding
great and being exceptiona lly discreet , they can meet the need to run for ten hours per day, six days per wee k, without a problem.”
— Philippe Wojtowicz Sound Designer Warhol Live
Curated by Stéphane Aquin, Emma
a lot of separation between exhibits, and
“Besides sounding great and being ex-
Lavigne, and Matt Wrbican, the Warhol
the MM-4XP’s very tight focus helps to
ceptionally discreet, they can meet the
minimize sound leakage between the
need to run for ten hours per day, six days
different areas.”
per week, without a problem.”
Live
exhibition
was
moved
to
San
Francisco following its successful debut at the Montreal Museum of Fine Arts (MMFA), with Andrew Hope of Canadian
Wojtowicz points to the dependability of
company Gerr Audio adapting Wojtowicz’s
Meyer Sound loudspeakers as another
vision to each museum’s particular space.
critical factor. “I’ve worked with Meyer
“The MM-4XP is particularly well-suited
Sound speakers for many years, and
for this exhibition,” says Hope. “As with
particularly the MM-4XP, which I’ve used
most museum environments, there’s not
for several exhibitions in Paris,” he says. MEYER SOUND STORIES | VOLUME 2 | 2009 | 21
Mexico’s
Auditorio Nacional
Eyes More Top Ticket Sales Rankings with New Meyer Sound MILO System After topping Billboard’s Touring
The configuration includes 38 MILO loud-
“When you consider
Awards in 2007 and Pollstar’s rankings of
speakers, 20 MILO 60 loudspeakers, and
the stature of shows
theatres and auditoriums by posting to-
two MILO 120 loudspeakers, along with
tal ticket sales of more than 995,000, the
28 700-HP subwoofers and eight UPA-1P
Auditorio Nacional in Mexico City recently
loudspeakers.
booked in here, we cannot afford to use
A
Galileo
loudspeaker
purchased a state-of-the-art system of 60
management system comprised of two
anything but the best
Meyer Sound MILO line array loudspeak-
Galileo 616 processors provides drive and
equipment. That is why
ers, the largest MILO system owned by
processing.
we chose Meyer Sound
any theatre or auditorium. “Many shows were bringing in their own
MI LO. O ur insistence
The Auditorio seats nearly 10,000 and is
line array systems,” observes Giancola.
on quality has placed
the Western Hemisphere’s largest audito-
“With our MILO system in-house, we will
rium that is not a religious institution. “We
save time, cut costs to the promoter, and
present everything from pop and rock to
guarantee ample power with superior
jazz and classical,” says Production Man-
quality.
us among the top venues in the world , and this new system
ager Mark Giancola. “So we needed one
a ll ows us to maintain
system that has been proven over and
that reputation . It is certainly
A strategic investment for
over to be successful with all types of music. The MILO has certainly done that.”
“When you consider the stature of shows booked in here, we cannot afford to use anything but the best equipment,” adds Giancola. “That is why we chose Meyer
According to Giancola, strong support
Sound MILO. Our insistence on quality
from Meyer Sound since first using its
has placed us among the top venues in
products in the 1990s has allowed the
the world, and this new system allows us
the future of
Auditorio to invest in this large system
to maintain that reputation. It is certainly
Auditorio Nacional.”
with confidence. “The service has been
a strategic investment for the future of
absolutely first-rate,” testifies Giancola.
Auditorio Nacional.”
—M ark Giancola Production Manager
“They’re always right there whenever we
Auditorio Nacional
need them.”
Through the years, artists who have performed at the Auditorio include Rob-
The new MILO system can be flown in
ert Plant, Sting, Norah Jones, Pet Shop
eight different configurations and precisely
Boys, Rod Stewart, Elton John, The Cran-
aligned using the SIM 3 audio analyzer.
berries, and Barry Manilow.
22 | 2009 | VOLUME 2 | MEYER SOUND STORIES
“We needed a solution that would involve the audience in multiple acoustical environments, and there simply wasn’ t anything else available that would allow us to do that and still have all the options to work with pure theatrical applications.
extreme ly p l eased with the We are
results.”
— Jack Jamieson Sound Engineer EPCOR Centre
FEATURED PRODUCTS MILO MILO 60 MILO 120 700-HP UPA-1P Galileo 616 SIM 3 MEYER SOUND STORIES | VOLUME 2 | 2009 | 23
Cirque du Soleil® Brings
CRISS ANGEL BElieve ®
™
to Luxor Las Vegas with Meyer Sound
FEATURED PRODUCTS MICA M’elodie M1D CQ-1 CQ-2 700-HP MTS-4A UPM-1P UPA-1P SB-2 Galileo 616 Matrix3 CueConsole Photo: Tomasz Rossa, Costume: Meredith Caron
© 2008 Cirque du Soleil
CRISS ANGEL® Believe™ at Luxor Las
“The show is all about Criss Angel and his
Cirque style of sound. “This required
Vegas marries the mystifying illusions
illusions,” says Deans. Composed by Eric
extensive surround speakers, creative
of Criss Angel (of Mindfreak fame) to a
Serra, the music is supported by Matrix3
bussing, and some complex SpaceMap
stunning medley of magic and dance. As
audio show control. A CueConsole mod-
panning,” says Brian Hsieh, Deans’s as-
with other audacious Cirque du Soleil®
ular control surface manages front-of-
sociate.
productions that push the limits of art-
house functions, with outputs routed to 99
istry and technology, sound plays a criti-
Meyer Sound loudspeakers. SpaceMap
cal role in CRISS ANGEL Believe. With
multichannel surround panning allows the
a Meyer Sound system provided by So-
designer to accurately place the sound
lotech, Sound Designer Jonathan Deans
where desired.
immerses the audience with a surreal and
The system delivers an arena rock sound
textured environment,” Mele notes. “The
dynamic aural environment of a haunting
for the opening Mindfreak number, and
effect really encompasses you, and brings
netherworld.
then seamlessly switches to a surround
you fully into the show.”
24 | 2009 | VOLUME 2 | MEYER SOUND STORIES
Head of Sound Rob Mele, finds the Matrix3 system an ideal platform for mixing the multilayered music and managing the production’s stringent timing demands. “The music works very well with a layered and
Continued from page 13
Theatrical Productions Using Meyer Sound Equipment In 2009
Level of P recision needed
“The
to support the illusions is much higher than with most shows. C oordination between the various elements
GERMANY Der Schuh des Manitu Ich will Spaß! Qi – eine Palast-Phantasie Tanz der Vampire Udo Jürgens: Ich war noch niemals in New York – Das Musical Wicked HUNGARY Dance of the Vampires JAPAN Wicked
of the production is critical as you move instantly from live spoken word to music.”
— Rob Mele Head of Sound
Photo: OSA Images, Costume: Meredith Caron
CRISS ANGEL Believe
NORWAY Mamma Mia! SPAIN A Enamorados Anonimos Hoy no me Puedo Levantar (Touring) La Bella y la Bestia Quisiera Ser (Touring)
© 2008 Cirque du Soleil
Mele highlights the flexible operation afford-
are M1D line array loudspeakers, CQ-1,
ed by the Wild Tracks hard disk playback of
CQ-2, UPM-1P, UPA-1P, and MTS-4A
Matrix3. “The level of precision needed to
loudspeakers, as well as SB-2 parabolic
support the illusions is much higher than
wide-range sound beams. A Galileo loud-
with most shows,” he says. “Coordination between the various elements of the production is critical as you move instantly from live spoken word to music.”
speaker management system provides
Cirque du Soleil® Productions Using Meyer Sound The Beatles® LOVE ™ Corteo
“O” ® Quidam ®
™
Saltimbanco ®
signal drive and processing.
CRISS ANGEL® Believe™
Deans points out that Meyer Sound loud-
KÁ™
Wintuk™
KOOZA™
ZAIA™
La Nouba™
ZED™
Mystère ®
ZUMANITY ™
speakers are consistent with the high qual-
The loudspeaker configuration includes
ity expected in a Cirque du Soleil produc-
four arrays of six M’elodie line array loud-
tion. Such consistency allows the sound
speakers each for voice, two arrays of ten
designer to focus on implementing ideas,
MICA line array loudspeakers for music,
instead of constantly engaging in a search
and six 700-HP subwoofers. Also featured
and rescue mission for sound quality.
Varekai ™
MEYER SOUND STORIES | VOLUME 2 | 2009 | 25
Impressive Directivity of Meyer Sound Loudspeakers Proves Essential at Tucson’s
“The M eyer Sound system ’s
Tight
Focus
has gone
a long way toward
Faith Tabernacle
The first thing that visitors notice
Todd Stuve, Faith Tabernacle’s lead audio
when they enter Tucson’s Faith Tabernacle
tech, says the church had tried more than
Church, where a Meyer Sound system was
once to address the room’s challenges.
recently installed, is the view. Directly be-
“Actually, this is our fifth system, and we
hind the pulpit, the vast wall of glass looks
got it right this time,” Stuve says. “The
out onto the majestic visage of Mount
Meyer Sound system’s tight focus has
addressing the
Lemmon and the Coronado National For-
gone a long way toward addressing the
room’s biggest
est, making for a breathtaking and inspir-
room’s biggest challenges and improved
ing visual.
its sound quality in a way the other sys-
challenges and improved its sound quality in a way the other systems
With the installation of the Meyer Sound system, the sound inside this stunningly beautiful architecture now matches the
tems couldn’t. It would have saved us the hassle and costs if we had gone with a Meyer Sound solution in the first place.”
view. The church struggled for years with
The 1,200-seat sanctuary has been
couldn ’t. It wou ld
out-of-control reverberance, until it turned
equipped with three CQ-1 loudspeakers
have saved us the
to the Tempe, Ariz. offices of Sound Image
and three UPJ-1P VariO loudspeakers,
for help. As Sound Image’s Eric Johnson
all strategically hung for highly focused
explains, the church’s new Meyer Sound
coverage. Low frequencies are handled
hass le and costs if we had gone with a
system has gone a long way in addressing
by a pair of 700-HP subwoofers, and a
meyer sound solution
the room’s issues. “The room had a tremen-
Galileo loudspeaker management system
in the first place.”
dous amount of upper-midrange reflectiv-
provides critical system processing.
— Todd Stuve Lead Audio TEch Faith Tabernacle Church
ity, and intelligibility was next to nil when the music got going,” says Johnson.
Stuve says the new Meyer Sound system represents a major first step in making
“The ceiling is at least as challenging as the
Faith Tabernacle’s sanctuary sound as
glass wall,” says Johnson, describing the
good as it looks. “The room is a chal-
25-foot high wood ceiling, with its massive
lenge, but the Meyer Sound system has
beams and deep, reverberant pockets.
given us a major leap in sound quality,”
“The room still needs some acoustic treat-
he says. “The sonic clarity just blows me
ment, and they’re aware of that, but the
away. I’m very, very impressed.”
Meyer Sound system has already made a tremendous difference.”
26 | 2009 | VOLUME 2 | MEYER SOUND STORIES
CQ-1
700-HP
UPJ-1P
Galileo 616
FEATURED PRODUCTS
introducing
Meyer Sound Cinema Experience
“The c larity and
With the expanding entertainment options
Meyer Sound’s Cinema Experience now
at home, movie theatres will need to pro-
features:
vide patrons with a more compelling cinema experience. Digital cinema and 3D
• Acheron 100 and Acheron 80: Screen Channel Loudspeakers
cinema take a big step toward that goal
• Acheron LF: Mid-Bass Loudspeaker
by improving the standard of presentation
• HMS-10: Cinema Surround Loudspeaker
of both picture and sound. Today’s theatre sound systems must be able to reproduce
dynamics of meyer
21st-century soundtracks in their full glory
sound ’s cinema
to deliver a rich and exciting sound experi-
enhance the who l e experience of watching movies. ”
ence.
systems
—R ichard King Academy Award winner, supervising sound editor, and sound designer “The Dark Knight”
• X-800C: High-Power Cinema Subwoofer In addition to loudspeakers, Meyer Sound offers accurate acoustical prediction with
Building on Meyer Sound’s 30 years of
MAPP Online Cinema; real-time system
innovation in professional sound systems,
performance data provided by the optional
the Cinema Experience line of products
RMS remote monitoring system; and cali-
was developed in collaboration with top
bration and alignment offered by the SIM 3
audio engineers in the cinema industry.
audio analyzer. The Galileo loudspeaker
Meyer Sound’s Cinema Experience fea-
management system handles signal drive
tures screen channel loudspeakers, sur-
from a theatre’s cinema processor to built-
rounds, subwoofers, and electronics that
in amplifiers within the self-powered loud-
work together to deliver utmost clarity
speakers.
and power with precise, flexible control. From sound design to dubbing to exhibi-
Meyer Sound products that have been cer-
tion, Cinema Experience products provide
tified by THX include Acheron 80 and 100
a consistent, linear platform that faithfully
screen channel loudspeakers, Acheron LF
reproduces a soundtrack with the punch
mid-bass loudspeaker, CQ-1 loudspeaker,
and dynamics to hold a viewer’s attention
UPJ-1P VariO loudspeaker, HD-1 studio
and make a movie come alive.
monitor, and X-800C subwoofer.
Worldwide Offices
Meyer Sound Headquarters 2832 San Pablo Avenue Berkeley, California 94702 USA T: +1 510 486.1166 F: +1 510 486.8356
[email protected] www.meyersound.com
Meyer Sound Nashville T: +1 615 244.2472
[email protected] Meyer Sound Australia Pty Ltd T: +61 7 3252.4433 F: +61 7 3252.3380
[email protected] Meyer Sound Belux T: +32 2 567.2710 F: +32 2 567.2709
[email protected] Meyer Sound Brazil T: +55 11 3816.0401
[email protected]
Meyer Sound Canada T: +1 250 549.2558 F: +1 250 549.2668
[email protected] Meyer Sound CIS T: +7 095 943.0091 F: +7 095 947.9140
[email protected] Meyer Sound España S.A. T: +34 90 216.0245 F: +34 90 018.0762
[email protected]
Meyer Sound Lab. Germany GmbH T: +49 2602 99908.0 F: +49 2602 99908.99
[email protected] www.meyersound.de Meyer Sound México S. de R.L. de C.V. T: +52 55 5631.8137 F: +52 55 5630.5391
[email protected] www.meyersound.com/spanish Meyer Sound Portugal T: +351 91 512.8686
[email protected]
MEYER SOUND STORIES | VOLUME 2 | 2009 | 29
A new addition to Princess Cruises, Ruby Princess takes passengers to the scenic European and Caribbean destinations while pampering them with an extensive array of onboard entertainment activities, including “Movies Under the Stars,” an impressive outdoor poolside theatre. A Meyer Sound MICA line array loudspeaker system is installed to deliver highly intelligible audio and thrilling sound effects and music at a substantial distance while firing into strong headwinds. Meyer Sound’s UltraWeatherized protection feature ensures that the system operates reliably even in the extremely harsh weather conditions at sea.
MICA
600-HP
Galileo 616
FEATURED PRODUCTS
Copyright © 2009 Meyer Sound Laboratories, Inc. All rights reserved. Compass, Galileo, MICA, MILO, M’elodie, MAPP Online Pro, Matrix3, VariO, UltraSeries, M Series, Concert Series, RMS, CueConsole, TM Array, UltraWeatherized and all alphanumeric product designations are trademarks of Meyer Sound. Constellation, Galileo, MILO, LCS, SpaceMap, Meyer Sound and the Meyer Sound wave logo are registered in the United States Patent and Trademark Office, as well as in other countries. All third-party trademarks mentioned herein are the property of their respective 2 owners. PatentsSOUND pending. STORIES i | 2009 | VOLUME | MEYER
18.908.005.06 A Printed on recycled paper