Matthew Boerum

Home Address: 5500 Friendship Blvd., #1720N Chevy Chase, Maryland 20815

Instructor of Audio Technology and Recording Studio Manager Audio Technology Program, American University Washington, DC 20016

Mobile: 202-316-1596 Work: 202-885-3595 Email: [email protected]

Education Bachelors of Science in Audio Technology, Cum Laude, American University, Washington, DC, December 2005 Master of Arts in Audio Technology, American University, Washington, DC, August 2013

Teaching Experience ADJUNCT INSTRUCTOR OF AUDIO TECHNOLOGY American University, Audio Technology Program Washington, DC

August 2006 to Present

• Instruction for 100-500 level Audio Technology courses (18 total) • Creation, development, and implementation of unique syllabi and curriculum covering a variety of audio topics including DAW’s, signal flow, microphones, recording/mixing, electronics, studio installation/design, live sound and post production • Formation of professional audio internship opportunities through industry employers (3-4 internships per semester) • Student advising and mentoring; independent study project supervision AVID CERTIFIED INSTRUCTOR (PRO TOOLS) American University, Avid Learning Partner Washington, DC

January 2009 to Present

• Instruction and certification for Pro Tools 101-210M, User, and Operator level certifications in Pro Tools versions 7-10 • Certification update training and testing for additional Avid Certified Instructor faculty • Training in courses on Avid/Digidesign consoles • Establishment of Avid Learning Partner: American University • Additional private training in Pro Tools for area professionals TEACHING ASSISTANT FOR COMPUTER SCIENCE AND ELECTRONICS American University, Computer Science Department and Physics Department Washington, DC

Spring 2005

• Lab instruction in logic systems design • Lab assistance with instruction in audio electronics and circuit design

Descriptive List of Courses Taught ATEC 101, Fundamentals of Audio Technology (3 credits) Audio Technology Program, American University Students learn about the generation, transmission, and detection of sound; properties of sounds; history and aesthetics of electro-acoustic music and components; anatomy of audio equipment; professions in the field of audio technology; and the global structure of audio related industries. Students will apply basic recording and editing techniques in the completion of audio and audiovisual projects. Lecture Course. Taken concurrently with ATEC-102.

Matthew Boerum – Curriculum Vitae 2013 ATEC 102, Audio Technology Laboratory (1) Audio Technology Program, American University Students in this class apply recording and editing techniques discussed in ATEC 101 to real world music. The students will also learn basic digital signal processing techniques. Lab Course. ATEC 301, Digital Audio Workstations I (3) Audio Technology Program, American University This course provides intermediate level students with fundamental knowledge of the basic principles of non-linear digital audio editing software. Topics include creating and managing digital audio workstation sessions, importing media, basic editing and mixing techniques, external controllers, managing sessions and tracks, recording and editing MIDI and audio, timescaling, and automation. ATEC 311, Sound Studio Techniques I (3) Audio Technology Program, American University This course explores multi-track recording techniques as applied to professional sound systems. Studio consoles, signal path, microphone configuration and placement, signal to noise ratio, and other relevant topics will be studied. Students gain experience with hands on projects in the recording studio. ATEC 396, Live Sound Reinforcement (3) Audio Technology Program, American University This course teaches techniques and tools of live sound reinforcement. The content combines product awareness with ear training and hands-on practice. Students have direct experience with audio consoles, various types of microphones and signal processing, and the use of monitor systems and other devices for producing sound for live events. Students participate in simulations and live productions. ATEC 401, Digital Audio Workstations II (3) Audio Technology Program, American University This course is a continuation of materials presented in ATEC-301 and provides students with more advanced knowledge of the principles of non-linear digital audio editing software. Topics include analyses of digital audio workstation systems, high end user systems and interfaces, editing and mixing techniques, external controllers, managing sessions and tracks, recording and editing MIDI and audio, and advanced automation techniques. ATEC 431, Studio Management (3) Audio Technology Program, American University Students learn troubleshooting in regard to audio technology equipment and software. Topics covered include tape head realignment and maintenance, tracing signal flow problems, soldering techniques, patchbay design, power/grounding issues, and studio A/V design and installation. Projects include ribbon microphone design, guitar pedal assembly, gobo design and construction, and studio interconnections mapping. Students will cooperatively learn and collaborate on a final project, proposing a fully designed studio construction bid packet to meet budgeting and project goals. ATEC 490, Independent Study in Audio Technology (1-6) Audio Technology Program, American University Supervision of student projects in audio electronics assembly, design and repair; studio design, microphone design, studio management, vintage recording techniques, mixing, recording and production.

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Matthew Boerum – Curriculum Vitae 2013 CSC 330, Organization of Computer Systems Lab (1) Computer Science Department, American University Lab meeting for CSC 330. Logical circuit design, integrated circuits and digital functions, data representation, register transfer operations and microprogramming, basic computer organization, the central processor, and arithmetic operations. PHYS 315, Electronics Laboratory I (2) Physics Department, American University Experiments to accompany Electronics I course. Experiments include: DC circuits, resistance, capacitance, inductance, AC circuits, rectifiers, vacuum tubes, transistors, and amplifying circuits. Pro Tools 101, Introduction to Pro Tools (Non Credit) Avid Learning Partner, American University This course covers basic Pro Tools principles for setup, editing, recording and mixing with audio, MIDI and video tracks. Pro Tools 110, Pro Tools Production I (NC) Avid Learning Partner, American University This course provides a more detailed look at the Pro Tools system above and beyond the knowledge gained in the Pro Tools 101 course. This course also prepares the student for the User level certification exam. Pro Tools 201, Pro Tools Production II (NC) Avid Learning Partner, American University This course covers specific situations and processes with advanced Pro Tools operation and prepares the student for control surface use. Pro Tools 210M, Music Production Techniques (NC) Avid Learning Partner, American University This is the final course before the Operator level certification. In this course, the student will continue to develop an advanced understanding of complex Pro Tools processes and tools with a focus in music production. This course prepares the student for the Operator level certification exam.

Professional Experience RECORDING STUDIO MANAGER American University Washington, DC

August 2005 to Present

• Lead design, project management, and installation of audio facilities including the acclaimed $1.4 million state-of-the-art recording studios designed by John Storyk and featured in Audio Solutions Magazine • DAW, audiovisual, lighting, and network systems creation and support for classrooms, labs and performance spaces • Supervision, studio instruction, scheduling, maintenance, and public relations for Audio Technology Program facilities • Recording, mixing, and production for numerous university special projects • Live sound reinforcement, engineering/recording, and talent booking for concerts, seminars, and orchestral performances • Account management, purchasing, budgeting and marketing for graduate and undergraduate programs • Professional/academic audio society and certification license management • Supervision of 10 studio/audiovisual staff members

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Matthew Boerum – Curriculum Vitae 2013 FREELANCE AUDIO ENGINEER & DESIGNER Self-Employed Maryland, DC, Virginia Area

August 2005 to Present

• Studio/live audio engineering and mixing for clients including Cee Lo Green, President Jimmy Carter, Stacy Keach, Josh Ritter, Steve Duda, Dirty Vegas, The Dalai Lama, PBS, CNN, and Jenni Schick (American Idol). • Original design and consultation of recording studios and audio/visual systems • Studio equipment and accessories design such as gobos, storage, security systems and console add-ons HEAD COACH AND MANAGER (GIRLS SOCCER) Annandale Strikers Soccer Team Annandale, Virginia

2007- 2010

• Team training in soccer methods, techniques, and team building skills • Encouragement for growth physically and mentally through good sportsmanship, morals and responsibilities • Competitive tournament enrollment and competition placement ASSISTANT STUDIO MANAGER American University Washington, DC

December 2003 to August 2005

• Audio engineering/mixing assistant • Studio maintenance, equipment installation and student tutoring

Certifications Waves Instructor Certification, Waves, Tennessee, 2013 • Waves Certification Program • www.waves.com Avid Certified Instructor Certification, Avid, California, 2008-Present • American University’s Lead Avid Certified Instructor • Certification to train and provide assessment for Pro Tools 10 and below in User and Operator level certifications • www.avid.com/US/support/training

Committees and Organizations Audio Engineering Society, 2013 • DC Chapter Meeting Coordinator & Student Member National Academy of Recording Arts and Sciences, Washington, DC Chapter, 2013 • Voting Member Live Sound Club, American University, Student Activities, 2013 • Founder and Advisor

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Matthew Boerum – Curriculum Vitae 2013 ATEC Fest Committee Chair, American University, Audio Technology Program, 2006-Present • Chair of committee for annual live sound event Rock the C.A.S.bah Committee, American University, College of Arts and Sciences, 2012 • Director of sound reinforcement, stage design and talent booking Search Committee for Program Initiatives Coordinator, American University, University Center, 2012 • Service on hiring board for student activities center • Position oversees events for live venue space operated by Audio Technology program and students Search Committee for Video Editor, American University, UCM, 2012 • Service on hiring board for University Communications and Marketing • Position works collaboratively with Recording Studio Manager on university video projects Search Committee for Maintenance Technician, American University, University Facilities Department, 2009 • Service on hiring board for facility technician working directly with technical operation of a recording studio facility

Honors and Awards Excellence In Advising Award, Student Activities, American University, 2013 • Recognizes one faculty/staff member per year who demonstrates exceptional dedication to student success • Awarded for service in advising the student-run Live Sound Club Dedicated Service Award, President’s Office, American University, 2013 • Recognizes dedicated service to the university for full-time positions Communicator, Davey and Telly Awards, “Audio Technology MA Degree,” American University, UCM, 2012-2013 • Multiple awards in marketing and promotional categories for work as Sound Designer and Mixer Emmy Award for Outstanding Commercial – Single Spot, “All The Wonks Are Talking,” American University, UCM, 2012 • For work as Sound Designer, Recorder and Mixer • National Capital Chesapeake Bay Chapter Silver Telly Award for University TV Ad., “All The Wonks Are Talking,” American University, UCM, June 2012 • For work as Sound Designer, Recorder and Mixer Bronze Telly Award for Regional TV Ad., “All The Wonks Are Talking,” American University, UCM, June 2012 • For work as Sound Designer, Recorder and Mixer Bronze Telly Award for Not-for-Profit TV Ad., “All The Wonks Are Talking,” American University, UCM, June 2012 • For work as Sound Designer, Recorder and Mixer Excellence in Sound Design/Original Composition, Metro DC Dance Awards, Washington, D.C., 2007 • Nominated for best sound design for Bosma Dance’s “Grass” performance • One of five nominees selected out of forty applicants, www.mdcda.org

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Matthew Boerum – Curriculum Vitae 2013 Outstanding Senior in Audio Technology, American University, Washington, D.C., 2005 • Awarded to the top-performing student in the Audio Technology Program • Award signifies superior excellence, skill, and professionalism in the study of Audio Technology and Engineering Dean’s List, American University, Washington, D.C., 2003-2005 • Awarded for GPA of 3.5 or higher

Papers, Press, and Publications “Boerum’s Debut is Anything But a Cold Hearted Disaster,” American Today, February 22, 2012 • Featured story/interview on debut solo album release: “Cold Hearted Disaster” • www.american.edu/americantoday/au-insiders/20120222boerum-cold-disaster.cfm “Cold Hearted Disaster,” Debut Music Album by Matt Boerum, 2012 • Self-published, Matthew Boerum (BMI) “Learn to Earn” Front Cover and Article, Audio Solutions Magazine, Fall Issue 2011 • Featured story/interview receiving front cover • Two-page interview describing the new AU studios and highlighting the equipment installed in the educational facility • www.nxtbook.com/nxtbooks/newbay/gcpro_audiosolutions_fall2011/ “Little White Doves” Music Video, Dirty Vegas & 8112 Productions, Fall 2011 • Featured drummer in music video • Over 250,000 views and counting on YouTube • http://www.youtube.com/watch?v=T_0_p58KalA “New Audio Tech Lab is Music to Students’ Ears,” American Today, October 26, 2010 • Featured story/interview on the success of the WSDG designed studio facility for the Audio Technology Program • www.american.edu/americantoday/campus-news/20101026-audio-tech-lab.cfm “New Classrooms 2009,” Mix Magazine, November 2009 • Featured photo and story of API 1608 acquisition and classroom design • http://mixonline.com/studios/design/new-classrooms-1109/index1.html “American University Audio Technology Program Adds API 1608 Console,” AES Journal and API, Inc., Fall 2009 • Featured story, interview and bio on professional achievement, Audio Technology Program and API 1608 acquisition • www.apiaudio.com/nw_1080.html “Wait til Friday,” EP by Wait til Friday, 2007 • Self-published, Matthew Boerum (BMI)

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Matthew Boerum – Curriculum Vitae 2013 “Audio Technology at American University,” ICEE, Puerto Rico, 2006 • Research paper on inventive studio construction ideas and implementations • Presented at the International Conference of Engineering Education and in print at ICMC 2006 • http://nw08.american.edu/~tlarkin/pdf_files/3614.pdf

Professional Credits (media available upon request) “Washington Nationals Partnership Video,” “WONK” Campaign, American University, 2013 • American University Commercial for Washington Nationals Baseball Stadium • Narration engineer and audio consultant “Cold Hearted Disaster,” Debut Album by Matt Boerum, 2012 • Songwriter, producer, engineer and mixer “Audio Technology MA Degree,” Recruitment Video, American University, 2012 • Sound designer and mixer • Feature interview “Little White Doves” Music Video, Dirty Vegas & 8112 Productions, Fall 2011 • Drummer “All The Wonks Are Talking,” TV Spot, American University, 2011 • Engineer, sound designer, mixer • Won Local Emmy Award “Arkansas Traveler Theme Song,” Feature Film Pitch Trailer, Arkansas Traveler, Garret Dillahunt Production, 2011 • Composer, engineer and mixer of “Arkansas Traveler Theme Song” featured in trailer “The New Adventures of Mickey Spillane’s Mike Hammer: The Little Death,” Falcon Picture Group, 2009 • Narration and dialog engineer for Stacy Keach and Malgosia Keach “The Twilight Zone Radio Dramas,” Falcon Picture Group, 2009 • Narration engineer for Stacy Keach “Wait til Friday,” EP by Wait til Friday, 2007 • Co-Producer, editor, assistant engineer

Research Projects Audio Restoration and Digital Library for Early Recordings and Reproducers, Graduate Research, 2012 - Present • Digitally restoring and archiving private collection of phonograph cylinders and gramophone records using period reproducers

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Matthew Boerum – Curriculum Vitae 2013 • Establishing online digital library for use in education of the history of audio engineering, manufacturing and library catalogs • Developing the “diaphragm capsule attachment” for acoustic collection of early reproduction machine impulse responses • Collected impulse response library reveals individual “sound profiles” for early reproduction machines rather than via the response of an electrically coupled stylus transducer • The IR library is used to reproduce sound digitally through the sound profile of the captured vintage machine, horn or cabinet • This study is an audible catalog of advancements in audio reproduction machines and will mature into a software plug-in Studio Facility Equipment Design, Graduate Research, 2012 - Present • Design and manufacturing of studio equipment such as sound gobos, acoustic treatment, microphone and equipment storage, and studio console accessories & modifications • Research provides continual support of personal business goals set to meet industry needs • Projects aid in the advancement of audio technology for educational curriculum and hands-on learning Vintage Microphone & Audio Electronics Advancement, Graduate Research, 2010 - Present • Reverse engineering and documentation of classic ribbon microphones, carbon button microphones, and signal processors used to develop an understanding of how technology has met the needs of the music industry and engineer over time • Evaluation of past product advancements to provide marketable solutions for reissues and future technical advancements • Research designs include “Digital-Mechanical Delay based on Cooper Time Cube,” “Phantom Bus Switch Regulator Circuit for Wunderbar Console,” “FET Compressor Modifications,” and “Compact Wireless Ribbon Microphone” • Academic lectures/projects include “$6 DIY Ribbon Microphone” and “Audio: Understanding the Transfer of Energy” lecture

Workshops Fall for the Arts, American University, College of Arts and Sciences, Fall 2012 • Private instruction in studio film sound production including Foley, sound design and post production mixing • http://www.american.edu/cas/FallForTheArts/sessions.cfm

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