Law, Culture and Visual Studies TABLE OF CONTENTS

Introduction: Law, Culture and Visual Studies Richard K. Sherwin, New York Law School, USA. PART I. INTRODUCING VISUAL LEGAL STUDIES

Chapter 1: Devising Law: On the Philosophy of Legal Emblems Peter Goodrich, Cardozo School of Law, USA.

Chapter 2: Law and Image: Towards a Theory of Nomograms. Paolo Heritier, Law Faculty, University of Turin, Italy.

Chapter 3: The Book as Authoritative Sign in Seventeenth-Century England Callister Paul, University of Missouri – Kansas City School of Law, USA.

Chapter 4: Representing Sovereignty in Renaissance England: Pictorial Metaphors and the Visibility of Law. Lucia Morra, University of Turin, Italy and Cristina Costantini, University of Bergamo, Italy.

Chapter 5: Visual Common Sense Neal Feigenson, Quinnipiac University, USA.

Chapter 6: Image: Truth or Sign Ira Torresi, University of Bologna at Forlì, Italy.

Chapter 7: Visualization Between Fictitious Law and Factual Behaviour: Theory and Conceptualization Hanneke Van Schooten, Law Faculty, Tilburg University, The Netherlands. 1

PART II. VISUALIZING LEGAL SCHOLARSHIP

Chapter 8: The First Amendment and the Second Commandment. Amy Adler, NYU School of Law, USA.

Chapter 9: The Semiotics of Film in United States Supreme Court Cases. Jessica Silbey, Suffolk University, USA, and Megan Hayes Slack, Suffolk University, USA

Chapter 10: Looking Again at Photography and Privacy. David Rolph, University of Sydney, Australia.

Chapter 11: Drawing Attention: Art, Pornography, Ethnosemiotics and Law Alec McHoul, Murdoch University in Western Australia, and Tracey Summerfield, Western Australia, Australia. Chapter 12: What’s Wrong with Pink Pearls and Cornrow Braids? : Employee Dress Codes and the Semiotic Performance of Race and Gender in the Workplace Janet Ainsworth, Seattle University, USA.

Chapter 13: Semiotic Interpretation in Trademark Law Ronald R. Butters, Duke University, USA.

Chapter 14: A Multimodal Social Semiotic Approach To ‘Shape’ in the Forensic Analysis of Trademarks Christian Mosbæk Johannessen, Institute of Language and Communication, University of Southern Denmark, Denmark. Chapter 15 : French Commemorative Postage Stamps As A Means of Legal Culture and Memory

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Anne Wagner, Université du Littoral Côte d’Opale, France & Malik Bozzo-Rey, Université Catholique de Lille, France.

Chapter 16: The Criminal Trial as Theater : The Semiotic Power of the Image Denis J. Brion, Washington & Lee Law School, USA.

PART III. LAW AND ICONIC ART

Chapter 17: Do You See what I See? Iconic Art and Culture and the Judicial Eye in Australian Law Marett Leiboff, University of Wollongong, Australia

Chapter 18: The Iconography of the Giving of the Law: A Semiotic Analysis Massimo Leone, Department of Philosophy, University of Turin, Italy.

Chapter 19: Daumier and Replacing the King’s Body Oliver Watts, University of New South Wales - Australia

Chapter 20: Law, Code and Governance in Prophetic Painting: Notes on Early, High and Late Modern Forms of Life and Governance. Ronnie Lippens, Keele University, UK.

PART IV. VISUALIZING LAW IN INDIGENOUS OR FOLK LORIC CULTURE

Chapter 21: Signs at Odds? The Semiotics of Law, Legitimacy and Authenticity in Tribal Contexts Renee A. Cramer, Drake Law School, USA.

Chapter 22: Emblems of Folk Legality Sarah Marusek, Mount Holyoke College, USA 3

PART V. VISUALIZING LAW’S TOPOGRAPHY

Chapter 23: Constructing Courts: Architecture, the Ideology of Judging, and the Public Sphere Judith Resnik, Dennis Curtis and Allison Tait, Yale University, USA. Chapter 24: Saying the Saffu and Beating the Law: the Changing Role of Sacred Sites in the Oromo Politico-Juridical System Pekka Virtanen, University of Jyväskylä, Finland.

Chapter 25: The Mandala State in Pre-British Sri-Lanka; The Cosmographical Terrain of Contested Sovereignty in the Theravada Buddhist Tradition Roshan de Silva-Wijeyeratne, Griffith Law School, Australia.

Chapter 26: Linguistic Landscape, Law and Reflexive Modernity Christopher Hutton, The University of Hong Kong, China.

Chapter 27: Visual Art in American Courts James R. Fox, Penn State Dickinson School of Law, USA

PART VI. VISUAL TECHNOLOGIES OF LAW

Chapter 28: Mediating Disputes with Digital Media Maurizio Gotti, University of Bergamo, Italy & Larissa D’Angelo, University of Bergamo, Italy

Chapter 29: Legal Visuality, Biometric Liveness Testing, and the Metaphysics of Presence. Joseph Pugliese, Macquarie University, Australia.

Chapter 30: Visual Legal Commentary 4

Karen Petroski, Saint Louis University School of Law

Chapter 31: The Invisible Court: The Foreign Intelligence Surveillance Court and its Depiction on Government Websites Pamela Hobbs, University of California, USA.

PART VII. LAW AND POPULAR VISUAL MEDIA: “CASE STUDIES”

Chapter 32: Seeking Truth and Telling Stories in Cinema and the Courtroom: Reversal of Fortune’s Reflexive Critique Cynthia Lucia, Rider University, USA. Chapter 33: Hollywood's Hero-Lawyer: a Liminal Character and Champion of Equal Liberty Orit Kamir, Hebrew University, Jerusalem, Israel.

Chapter 34: The Representation of Law on Film: Mr. Deeds and Adam’s Rib Go to Court Wim Staat, University of Amsterdam, The Netherlands.

Chapter 35: Justice for the Disabled: Crime Films on Punishment and the Rights of People With Learning Disabilities Majid Yar, University of Hull, UK & Nicole Rafter, Northeastern University, USA.

Chapter 36: “Make enough money, everything else will follow:” Litigation and the Signification of Happiness in Popular Visual Media. Jason Bainbridge, Swinburne University of Technology, Australia.

Chapter 37: Trial by Ordeal: CSI and the Rule of Law Christina Spiesel, Yale Law School & Quinnipiac University School of Law, USA

Chapter 38: The Visibly Offensive Offender: A Semiotic Phenomenology of an Execution Jody Lyneé Madeira, Indiana University Maurer School of Law, USA.

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Chapter 39: A Tale of Many Newspapers: Perversion, Criminality, and Scopophilia in the Edison Chen Scandal Marco Wan & Janny Leung, University of Hong Kong, China.

PART VIII. LAW AND POPULAR VISUAL MEDIA: IN THEORY

Chapter 40: Make ‘em Laugh: Images of Law in Eighteenth Century Popular Culture Mary Hemmings, University of Calgary, Canada.

Chapter 41: Judge Dredd: Dreaming Instant Justice Alexander Kozin, Freie Universitaet Berlin, Germany.

Chapter 42: Oil and Water Do Not Mix: Constitutional Deliberations and Contemporary Popular Culture David Papke, Marquette University Law School, USA.

Chapter 43: Where There Is No Need to Screen Local Justice: Law and Film in Israel Shulamit Almog, Faculty of Law, University of Haifa, Israël.

Chapter 44: Influence of Public Perceptions of Media Legality on Making Biopic Films Betty L. Hart, University of Southern Indiana, USA.

Chapter 45: Film and the Reconstruction of Memory Farid Benavides, Universidad de Barcelona, Spain.

Chapter 46: The Impact of Film and Television on Perceptions of Law and Justice: Towards a Realisable Methodology Peter Robson, University of Strathclyde, Glasgow, Scotland, UK, Guy Osborn, University of Westminster, UK & Steve Greenfield, University of Westminster, UK.

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