Judy Fiskin. Born Chicago, IL Lives and works in Los Angeles, CA EDUCATION

Judy Fiskin Born Chicago, IL Lives and works in Los Angeles, CA EDUCATION 1969 Master of Arts, University of California, Los Angeles 1966-67 Graduate ...
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Judy Fiskin Born Chicago, IL Lives and works in Los Angeles, CA EDUCATION 1969 Master of Arts, University of California, Los Angeles 1966-67 Graduate study in art history at the University of California, Berkeley 1966 Bachelor of Arts, Pomona College, Claremont, California SELECTED SOLO PHOTOGRAPHY EXHIBITIONS 2012 Greenberg Van Doren Gallery, New York, New York The End of Photography and Selected Photographs 2011 Angles Gallery, Culver City, California 2010 Angles Gallery, Culver City, California 2007 Angles Gallery, Santa Monica, California 2003 Angles Gallery, Santa Monica, California 1994 Curt Marcus Gallery, New York, New York New Photographs Patricia Faure Gallery, Santa Monica, California More Art 1992 Museum of Contemporary Art, Los Angeles, California Judy Fiskin: Some Photographs, 1973-1992 Birmingham Museum, Birmingham, Alabama Center for Creative Photography Tucson, Arizona Some Art and Some Furniture: Photographs by Judy Fiskin 1991 Curt Marcus Gallery, New York, New York Some Art Asher-Faure Gallery, Los Angeles, California  

Some Art 1986 The New Museum, New York, New York Some Aesthetic Decisions 1985 Malinda Wyatt Gallery, New York, New York New Work 1983 Paper Architecture, Minneapolis, Minnesota Dingbat Sponsored by Film in the Cities 1976 Castelli Graphics, New York, New York Desert Photographs Arco Center for Visual Art, Los Angeles, California Desert Photographs SELECTED GROUP PHOTOGRAPHY EXHIBITIONS 2014 Road Trip: Photography of the American West from LACMA, Musee des beaux Arts de Bordeaux, Bordeaux, France 2013 See the Light: Photography, Perception, Cognition L.A. County Museum of Art, accompanied by a publication of the same name, Los Angeles, CA Landscape into Abstraction, Orange County Museum of Art, Newport Beach, CA A Democracy of Images, Smithsonian Museum of American Art, Washington DC 2012 Pomona College Museum of Art It Happened at Pomona, Part 3 2011 Getty Museum In Focus: Los Angeles, 1945-1980 L.A. Municipal Art Gallery Civic Virtue: The Impact of the L.A. Municipal Art Gallery MOCA, Los Angeles 'Under the Big Black Sun': California Art 1974-81 California Museum of Photography Seismic Shift: California Landscape Photography Street Sight Armory Center for the Arts, Pasadena 2009 San Francisco Museum of Modern Art The View from Here.

MOCA, Los Angeles Collection: MOCA's First Thirty Years 2008 MOCA, Los Angeles Collecting Collections MOCA, Los Angeles Index: Conceptual Art in California from the Permanent Collection Japanese-American National Museum, Los Angeles, California Living Flowers: Ikebana and Contemporary Art Huntington Art Gallery, San Marino, California This Side of Paradise: Body and Landscape in Los Angeles Photography traveled to Musee Nicephore Niepce, Chalon-sur-Saone, France Museum of Contemporary Art, Los Angeles Collecting Collections: Highlights from the Permanent Collection 2006 Centre Pompidou, Paris Los Angeles 1955-1985: Birth of an Art Capital 2000 Los Angeles County Museum of Art Made in California: Art, Image and Identity 1900-2000 1998 Art Gallery of Toronto Toronto, Canada Art Gallery of Windsor Windsor, Ontario, Canada Contemporary Arts Center of Virginia Virginia Beach, Virginia Santa Monica Museum of Art Santa Monica, California Edmonton Art Gallery Edmonton, Alberta, Canada At the Threshold of the Visible: Miniscule and Small-Scale Art, 1964-1996 Curated by Ralph Rugoff (Catalogue) 1997 Danish Architecture Center Copenhagen, Denmark Last Chance for Eden Herbert F. Johnson Museum of Art Cornell University, Ithaca, New York Meyerhoff Galleries, Maryland Institute of Art Baltimore, Maryland At the Threshold of the Visible: Miniscule and Small-Scale Art, 1964-1996 Curated by Ralph Rugoff (Catalogue) 1996 Studio La Citta Verona, Italy

Galerie Blancpain Stepczynski Geneva, Switzerland Portraits of Interiors 1995 Friends of Photography Ansel Adams Center San Francisco, California Portland Art Museum Portland, Maine Henry Art Gallery University of Washington Seattle, Washington After Art: Rethinking 150 Years of Photography (Catalogue) 1994 The Museums at Stony Brook Stony Brook, New York Vancouver Art Gallery Vancouver, British Columbia, Canada Ansel Adams Center The Friends of Photography San Francisco, California Sheldon Memorial Art Gallery Lincoln, Nebraska Special Collections: Photographic Order from Pop to Now 1993 Mary & Leigh Block Gallery Northwestern University Evanston, Illinois Arizona State University Art Museum Tempe, Arizona The Chrysler Museum Norfolk, Viginia Bass Museum of Art Miami, Florida Special Collections: Photographic Order from Pop to Now 1992 International Center for Photography New York, New York Fondation Deutsch Lausanne, Switzerland Special Collections: Photographic Order from Pop to Now (Catalogue) San Francisco Museum of Modern Art San Francisco, California Typologies: Nine Contemporary Photographers Stein/Gladstone Gallery New York, New York The Naturalist Gathers Curated by Douglas Blau

1991 Newport Harbor Art Museum Newport Beach, CA Akron Art Museum Akron, Ohio Corcoran Gallery of Art Washington, DC Typologies: Nine Contemporary Photographers (Catalogue) 1991 University of Akron Akron, Ohio The Encompassing Eye: Photography as Drawing Curated by Charles Hagen fiction/non-fiction New York, NY Present Picture 1989 Curt Marcus Gallery New York, New York Poetic Objectives 1988 DIA Art Foundation New York, New York Group Material: Democracy 1986 Lieberman and Saul New York, New York Gallery 400, University of Illinois, Chicago A Visible Order Curated by Renee Riccardo and Paul Laster 1985 New Museum of Contemporary Art New York, New York On View – New Work Gallery 1984 National Museum of American Art Smithsonian Institution Washington, D.C. Exposed and Developed: Photography Sponsored by the NEA 1980 La Jolla Museum of Contemporary Art La Jolla, California Landscape Images: Recent Photographs by Linda Connor, Judy Fiskin, and Ruth Thorne-Thomsen (Catalogue)

Art Museum and Galleries, California State University Long Beach, California Long Beach: A Photography Survey (Catalogue) 1977 Fort Worth Art Museum, Fort Worth, Texas Joslyn Art Museum, Omaha, Nebraska Los Angeles in the Seventies (Catalogue) JUDY FISKIN: VIDEOGRAPHY 2017 Strength in Numbers: Photography in Groups (“The End of Photography”), Carnegie Museum of Art, Pittsburgh, PA (July 23, 2016- February 6, 2017) 2016 Intersections: Photographs and Videos from the National Gallery of Art and the Corcoran Gallery of Art (May 29, 2016 – January 2, 2017) “The End of Photography,” Washington, DC "50 Ways to Set the Table" video in the "Routine Pleasures" exhibition, MAK Center, Schindler House, West Hollywood CA Three Funerals and Some Acts of Preservation, Pacific Film Archive, August 3, Berkeley, CA Judy Fiskin: Three Funerals and Some Acts of Preservation, Richard Telles Fine Art, Los Angeles, CA 2014 “I'll Remember Mama,” Made in L.A., Hammer Museum, Los Angeles, CA 2010 Guided Tour A mash-up of two docent talks set against images of art shot by the filmmaker that have no relationship to the art that is being discussed by the docents. It has been screened at Angles Gallery in Los Angeles and at the Chicago Underground Film Festival. 2011 Screenings: Dallas Video Festival Images Festival, Toronto Worldfest, Houston winner of Silver Remi 2006 The End of Photography This short film, shot on black and white super-8 film, is a lament for the fading away of film. The narrator lists all the implements involved in the making of analog photographs while shots of the pre-McMansion vernacular landscape in Los Angeles flash by. It has been screened at the Amsterdam International Documentary Film Festival, The Netherlands;

J. Paul Getty Museum, Los Angeles, invitational screening; Angles Gallery, Santa Monica; Rencontres Internationales Paris/Berlin, screenings in Paris, Berlin and Madrid; the Kassel Film and Video Festival in Kassel, Germany; European Media Art Festival, Osnabruck, Germany and "Saison Video," Espace Croisé, Lille, France. 2012 Screenings: Greenberg Van Doren Gallery, New York, NY 2011 Screenings: Angles Gallery, Los Angeles CA 2010 Screenings: Museum of Contemporary Art, Detroit Henry Art Gallery at the University of Washington 2007 Screenings: Antimatter Festival, Victoria, B.C. Berkeley Film and Video Festival Worldfest, Houston Dallas Video Festival 2008 Screenings: Séance panorama contemporain, Bétonsalon, Paris Galeria Virgilio, Sao Paulo, Brazil MOCA, Los Angeles: "Index: Conceptual Art in California from the Permanent Collection" 2003 50 Ways to Set the Table This documentary about the annual tablesetting competition at the L.A. County Fair is a visit to a piece of Americana where the pleasures of making meet the unbending rules of social class. It has been screened in the Documentary Fortnight series at the Museum of Modern Art in New York, at Cinematexas in Austin, at the New York Underground Film Festival in New York City, at the South by Southwest Film Festival in Austin, Texas and at Angles Gallery, Los Angeles. 2001 What We Think About When We Think About Ships This video installation was commissioned by LACMALab at the Los Angeles County Museum of Art. The artists were asked to create an installation that used an object from the museum’s collection and to address the theme of “seeing” in a way that would be appropriate for both children and adults. In a small room that houses a 19th century marine painting, viewers look into viewing slits and see the same tape loop: A sailor repeatedly falls on his face toward the camera, clearing the screen for a succession of unexpected representations of ships – an outline of a tugboat drawn in glue, then set on fire; a dozen toy sailboats sinking out of sight in a bathtub while emitting small cries of distress; an ice sculpture of a sailing ship slowly melting, and so on. Exhibited at LACMALab at the Los Angeles County Museum of Art, November, 2001-August, 2002.

1999 My Getty Center This tape chronicles the winter of 1997, when El Nino and the Getty Center came to Los Angeles at the same time, generating a few rainstorms, a billion dollar cultural complex, and an avalanche of hype. It is a tape about the talk that surrounds things – the media hype around new museum buildings and the weather, and especially the talk around art. Awards: Silver Award, Worldfest Houston 2000 Best of Festival, Berkeley Film and Video Festival Other Screenings: J. Paul Getty Museum, as part of “Departures: 11 Artists at the Getty” Rencontres Internationales Paris/Berlin; Impakt New Media Festival, Utrecht, Holland; YYZ, Toronto; Rutgers University. 1997 Diary of a Midlife Crisis This is a serio-comic video diary about a middle-aged photographer whose fear of moving the video camera is used as a comic metaphor for her feeling of being creatively at a standstill. The emotional climax comes when she executes her first shaky pan. A meditation on art, aging, creativity and the difference between stillness and motion. Awards: Silver Spire Award , San Francisco International Film Festival, 1998 Bronze award, Worldfest Houston 1998 Other Screenings: Museum of Contemporary Art, Los Angeles; Art in General, New York; Bonn Videonale, Bonn, Germany; Kassel Film and Video Fest, Kassel, Germany; Bandits- Mages Festival, Bourges, France; Film Arts Festival of Independent Cinema, San Francisco; Atlanta Film and Video Festival; Brisbane International Film Festival; L.A. Freewaves Festival, Los Angeles. JUDY FISKIN: SELECTED BIBLIOGRAPHY ARTIST'S BOOKS, EXHIBITION CATALOGS AND MONOGRAPHS "Best of 2016: Three Funerals and Some Acts of Preservation." In ARTFORUM, Dec. 2016. "A New Crop of Artists Re-create a Famed 1968 LACMA Photograph" in Vanity Fair, Dec. 2016 "Grayer Los Angeles: Top Ten Very Mature Artists in Southern California" in Artillery Magazine, Sept. 7, 2016 "Judy Fiskin at Richard Telles Fine Art" in Artforum.com Critics' Picks, week of April 7, 2016 "50 Masterpieces at LACMA" in the Los Angeles Times, April 9, 2015 Smith, Roberta, “Judy Fiskin’: ‘The End of Photography’ and Selected Photographs,” The New York Times, October 25, 2012

Heckert, Virginia, "Some Aesthetic Decisions: The Photographs of Judy Fiskin," Getty Publications, 2011. Schimmel, Paul, et. al., Under the Big Black Sun: California Art, 1974-1981, Los Angeles, Prestel Publishing, 2011, pp. 150-151 Peabody, Recebba, et. al., Pacific Standard Time: Los Angeles Art, 1945-1980, Los Angeles, Getty Research Institute, 2011, p. 275 McGrew, Rebecca and Phillips, Glenn, It Happened at Pomona: Art at the Edge of Los Angeles, 1969-1973, Pomona College Museum of Art, 2011, pp. 282-287, 356 Kienholz, Lyn, L.A. Rising: SoCal Artists Before 1980, California/International Arts Foundation, 2010, p.185 Goldstein, Ann, et. al., This is Not to be Looked At, Highlights from the collection of the Museum of Contemporary Art, Los Angeles, MOCA Press, 2008, pp.98-99 Higa, Karin, Living Flowers: Ikebana and Contemporary Art, Japanese-American National Museum, 2009, pp.5, 44-45 Grenier, Catherine, ed., Los Angeles 1955 - 1985: Birth of an Art Capital, exhibition catalog from the Centre Pompidou, 2006, pp.251, 290-291 Rice, Mark, Through the Lens of the City: NEA Photography Surveys of the 1970's, University of Mississippi Press, 2005, pp.158, 165-58, 166, 192, 194 Fiskin, Judy, Some More Art, Museum of Contemporary Art, Los Angeles, 1992 Bartman, William, ed., Judy Fiskin, A.R.T. Press, Los Angeles, 1988. Essay by Christopher Knight. Interview with John Divola. 26 reproductions of work from 1973-1988 Christopher Knight's essay is reprinted in Last Chance for Eden, Art Issues Press, 1995, pp.5658. The interview is reprinted in Between Artists, Art Press, Los Angeles, 1996, pp.63-77 Fiskin, Judy, and Barnes, Dick. Thirty-one Views of San Bernardino. Los Angeles: Spectator Press, Pomona College, 1975 SELECTED ARTICLES AND REVIEWS 2015 Interview with Brainard Carey at Yale University Radio, July 15, 2015 Interviews from Yale University Radio WYBCX: Judy Fiskin 2014 Interview with Tyler Green, July 18, 2014 Modern Art Notes podcast: Judy Fiskin 2012 Knight, Christopher, 'It Happened at Pomona' shows a brief, enduring period, Los Angeles Times, May 10, 2012

2011 Finkel, Jori, It Speaks to Me, Los Angeles Times, August 10, 2011, section D, p.3 2010 Knight, Christopher, Art review: Judy Fiskin at Angles Gallery, Los Angeles Times, March 12, 2010, section D, pp.16-17 2008 Goldstein, Ann et. al., This is Not to be Looked at: Highlights from the Permanent Collection of the Museum of Contemporary Art, Los Angles, MOCA Press, pp.98-99 Leingre, Guillaume, Love film, love camera, Le Silo blog, http://lesilo.blogspot.com/2008/02/lovefilm-love-camera.html 2007 Bedford, Christopher, Judy Fiskin at Angles Gallery, Art in America, October 2007, p. 220 -----, Judy Fiskin at Angles Gallery, Afterall Online, June 8, 2007 Pagel, David, Farewell to an art, to an era, Los Angeles Times, April 13, 2007, section E, p.20 Tumlir, Jan, Sci-Fi Historicism Part 2: Desertshore, FlashArt, Vol. XL No. 254, May-June 2007, pp.118-121 2004 Tumlir, Jan, Judy Fiskin, Artforum, April 2004, p.165 Freeman, Tommy, Judy Fiskin at Angles Gallery, Artweek, April 2004, vol. 35, issue 3, p. 22 Myers, Holly, Set the Table? Let us count the ways, Los Angeles Times, January 30, 2004, section E, p.25 2001 Myers, Holly, This Show is Not Just Kids’ Stuff, Los Angeles Times, December 19, 2001, Calendar, pp.1-2 2000 Freudenheim, Susan, The Getty’s Link to the Living, Los Angeles Times, March 5, 2000, Calendar, p.1 Harvey, Doug, Departures: 11 Artists at the Getty, LA Weekly, March 10-16, pp.37-38. Knight, Christopher, Art Reviews, Los Angeles Times, December 15, 2000, Calendar, p.6 Littlejohn, David, Hilltop Invitational, The Wall Street Journal, April 25, 2000, Sec.A, p.22 Pagel, David, Fresh Riffs on a Theme, Los Angeles Times, March 1, 2000, Calendar, pp.1,7-8 1998 Best Bets, Los Angeles Times, December 3, 1998, Calendar, p.2 Schwabsky, Barry, Super 8 Grows Up With a Festival of Its Own, New York Times, February 8,

1998, p.12 1994 Greene, David A., Sight Unscene: The Virtual World of Judy Fiskin, Los Angeles Reader, November 4, 1994, vol. 17, no.4, p.14 Kandel, Susan, Fiskin's Transcendental Photographs, Los Angeles Times, October 27, 1994, Section F, p.4 1993 Drohojowska-Philp, Hunter, The Pleasure Posture, Art Issues, November/December 1993, pp.2023 Tager, Alisa, Judy Fiskin at MOCA, Lapiz, no.91, February 1993, p.72 1992 Drohowjowska, Hunter, Let's Get Small, Los Angeles Times, CALENDAR, November 15, 1992, pp.9, 88-89 Fuller, Gregory, Kitsch-Art: Wie Kitsch zur Kunst wird, Dumont Buchverlag, Cologne, 1992, pp. 25,27,47ff. Goldberg, Vicki, 7,000 Pictures Are Better than One, New York Times, August 23, 1992, pp.25,30 1991 Curtis, Cathy, Fiskin's Art Can Be Put in a Box, Los Angeles Times, April 23, 1991, Section F, pp.1,3 Gipe, Lawrence, Judy Fiskin, FlashArt, vol.24 n.158, May/June 1991, p.142 Hagen, Charles, The Encyclopedic Eye: Photography as Drawing, Aperture no.125, Fall 1991, pp.56-71, reproductions p.60 Kandel, Susan, The Tiny Photographs of Judy Fiskin, Art Issues, no. 16, February/March 1991, pp.16-19. Cover photograph. Myers,Terry R., Judy Fiskin, Arts, April 1991, p.82 Schotttlaender, Sherri, Direct from Daddy's Den: Judy Fiskin at Asher/Faure, Artweek, vol.22, no.4, January 31, 1991, p.13 Spector, Buzz, Judy Fiskin, Artforum, April, 1991, pp.132-3 1989 Gerstler, Amy, Judy Fiskin at Newspace, Art Issues, no.3, April 1989, p.251 Pincus, Robert L., Judy Fiskin: Some Questions of Aesthetics, Visions, Winter 1989, pp.10-13 Selwyn, Marc, Judy Fiskin, Newspace, Los Angeles, Flash Art, no.145, March/April 1989, p.117 1985 McDarrah, Fred, Voice Centerfold, Village Voice, March 5, 1985, p.73

1984 Armstrong, Richard, Judy Fiskin's Photographs, Journal: Southern California Art Magazine, September-October 1979, p.27. Reprinted in Journal: Southern California Art Magazine, vol.4, no.40, December 1984, p.5 Relyea, Lane, Pick of the Week, L. A. Weekly, November 23-29, 1984, p.117 1983 Clothier, Peter, Judy Fiskin at Newspace, Art in America, April 1983, p.189 Hugunin, James R., Hey Judy! Let's Went, Frequently Rejected Essays, 1983, pp.24-31 1982 Armstrong, Richard, Judy Fiskin, `Long Beach Series', L.A. Institute of Contemporary Art, and `More Stucco', Otis-Parsons Art Gallery, Artforum, May 1982, pp.90-91 Berland, Dinah, Dingbats Find a Place in Art, Los Angeles Times, December 19, 1982, Calendar Section, p.108 Danieli, Fidel, Judy Fiskin at LAICA, Images and Issues, Spring 1982, p.92 Knight, Christopher, Fiskin's Witty Photos Spotlight L. A. Apartment Buildings, Los Angeles Herald Examiner, December 15, 1982, sec.C, p.1 PUBLISHED PHOTOGRAPHS Santa Monica Review, Fall 2008, Cover. Metropolis, November 2002, p.114. Reproductions from Dingbat Afterimage, January 1983, p.23. Reproduction from Dingbat Afterimage, January 1981, p.31. Reproduction from Long Beach Art & Design, vol.11, 11/12, 1996, Profile no.51, Art and the Home, guest editor David Greene, pp.62- 69. Portfolio of eight photographs from various series. Arts and Architecture, vol.3, no.3, 1984, pp.43-46. Reproductions from Dingbat Framework, vol.4, no.2, 1991, p.23 Gerstler, Amy and Smith, Alexis. Past Lives, 1989 . Photograph produced specifically for this artist's book, p.1 Journal: Southern California Art Magazine, June 1974, cover photograph L. A. Magazine, July 15, 1972, pp.16-20. Reproductions from Stucco Lingo 4, 1995, pp.158-159. Reproductions from Dingbat Los Angeles Times Magazine, Cover photograph, September 5, 1993 Moore, Alan, New Voices, Artforum, December 1974, p.63. Reproduction from Stucco

Morris, Jan, L.A. Turnoff, Rolling Stone, July 1, 1976, p.30. Reproductions from Stucco OFFRAMP, vol.1, #3, Fall 1990, pp.26-31. Reproductions from My Trip to New York OVERSIGHT, Spring 1990, pp.20-21. Reproductions from Jersey Shore Paris Review, Spring, 1989, no.110., pp.61-73. Portfolio of 12 photographs from Portraits of Furniture SPECTACLE: A Field Journal from Los Angeles, #5/6, Fall 1986, p.43. Reproductions from Stucco STROLL, November-December-January, 1986-1987, pp. 20-21. Portfolio from Dingbat ZYZZYVA, Vol.IV, No.4, Winter 1988. Reproductions from Portraits of Furniture PUBLISHED ARTICLES If I Ran the NEA, Los Angeles Times, March 1, 2009, Section F, p.6. Trompe l'Oeil for Our Time, Art Issues, November/December 1995, pp.27-29. Scenes from a Censorship Zone, Los Angeles Times, April 17, 1993, Section F, p.1,3 Borges, Stryker, Evans: The Sorrows of Representation, Views: The Journal of Photography in New England, vol. 9, no. 2, Winter 1988, pp.2-6 Reprinted in Multiple Views: Logan Grant Essays on Photography, 1983-1989, University of New Mexico Press, 1991, pp.247-69 On 'TV Generations', Journal: Southern California Art Magazine, vol.6, no.46, Spring, 1987 p.11 AWARDS 1996 Los Angeles Printmaking Society Purchase Award Grunwald Center for the Graphic Arts Armand Hammer Museum, Los Angeles 1995 L.A. Center for Photographic Studies Distinguished Career in Photography 1990 National Endowment for the Arts Individual Artist's Grant in Photography 1986 Reva and David Logan Grant for New Writing on Photography. Administered by the Photographic Resource Center, Boston University. 1979-1980 National Endowment for the Arts Photography Survey Grant

PROFESSIONAL EXPERIENCE 1977 – Present Photography and Media Faculty California Institute of the Arts, Valencia, California 1979 – 1984 Associate Dean, School of Art California Institute of the Arts, Valencia, California 1973 Co-director, Womanspace Gallery, Los Angeles, California 1969 – 70 Compiled and edited the journals of Richard Neutra PUBLIC COLLECTIONS J. Paul Getty Museum, Los Angeles, California Bibliothéque Nationale, Paris, France Art Gallery of New South Wales, Australia California Institute of the Arts, Valencia, California California Museum of Photography, University of California, Riverside, California California State University, Los Angeles, California California State University, Long Beach, California Center for Creative Photography, University of Arizona, Tucson Dallas Museum of Fine Arts, Dallas, Texas Film in the Cities, Minneapolis, Minnesota Francis Lehman Loeb Art Gallery, Vassar College, Poughkeepsie, NY Grünwald Center for Graphic Arts, University of California, Los Angeles, California Henry Art Gallery, University of Washington, Seattle Johnson Museum, Cornell University, Ithaca, New York La Jolla Museum of Contemporary Art, La Jolla, California Los Angeles County Museum of Art, Los Angeles, California Museum of Contemporary Art, Los Angeles, California Museum of Contemporary Photography, Chicago, Illinois Museum of Fine Arts, Houston, Texas The National Gallery of Art, Washington, DC National Museum of American Art, Smithsonian Institution, Washington, DC Newport Harbor Art Museum, Newport Beach, California Oakland Museum, Oakland, California San Francisco Museum of Modern Art, San Francisco, California Stedlijk Museum, Amsterdam, The Netherlands

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