JEFFREY SHAW 23-‐10-‐44 Melbourne
1962-‐1966 1966 1968 1969-‐1982 1977-‐1982 1988-‐1989 1990 1991-‐2003 1995–2003 2000-‐2002 2003-‐2009 2010-‐continuing 2014-‐continuing
Studied Architecture and Art History at the University of Melbourne, Sculpture at the Brera Acadamy, Milan, and at St Martin’s School of Art, London. Foundation member of Sigma Projects, Amsterdam Foundation member of the Artist Placement Group (APG), London Co-‐founder of the Eventstructure Research Group (ERG), Amsterdam Co-‐founder of Javaphile Productions, Amsterdam Visiting professor at the Rotterdam Academie van Beeldende, Kunsten and the Gerrit Rietveld Academie, Amsterdam. Visiting Professor of the Städelschule, Institut für Neue Medien, Frankfurt am Main, Germany. Founding Director of the Institute for Visual Media at the ZKM Centre for Art and Media, Karlsruhe, Germany. Professor of Media Art at the Staatlichen Hochschule für Gestaltung, Karlsruhe, Germany. Visiting Professor at the College of Fine Arts, University of New South Wales (UNSW), Sydney. Australian Research Council Federation Fellowship founding director of the Centre for Interactive Cinema Research (iCinema), University of New South Wales, Sydney. Chair Professor of Media Art and Dean of the School of Creative Media, City University, Hong Kong. Director of the Center for Applied Computing and Interactive Media (ACIM), and of the Applied Laboratory for Interactive Visualization and Embodiment (ALIVE), City University, Hong Kong. Visiting Professor Central Academy of Fine Art (CAFA), Beijing. Visiting Professor Institute of Global Health Innovation, Imperial College, London. University Distinguished Professor, University of New South Wales, Sydney
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Exhibitions 2014 -‐1966 by date and title of work ________________________________________________________________________________________________ • • • • • • • • • • • • • • • •
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2014 PLACE-‐Hampi, Chronus Art Centre, Shanghai, China PLACE-‐Ruhr, Chronus Art Centre, Shanghai, China T-‐Visionarium, Chronus Art Centre, Shanghai, China Utopia Triumphans, Chronus Art Centre, Shanghai, China There is Still Time Brother, Chronus Art Centre, Shanghai, China The Infinite Line, Chronus Art Centre, Shanghai, China The Legible City, ICC Intercommunicatin Centre, Tokyo, Japan FALL AGAIN, FALL BETTER, Animamix, CityU CMC, Hong Kong; OIL Gallery, Hong Kong 2013 Scroll Panorama and Scroll Navigator: Pacifying the South China Sea Pirates, Hong Kong Maritime Museum, Hong Kong ECloud, Trinity College, Dublin; Hong Kong Economic Journal’s 40th Anniversary, Hong Kong FALL AGAIN, FALL BETTER, Power Station of Art, Shanghai Biennial, Shanghai Pure Land – Augmented Reality Edition, Power Station of Art, Shanghai Biennial, Shanghai Shanghai Odyssey, West Bund, Biennial of Contemporary Art and Architecture, Shanghai AVIE, Avignon Festival, Avignon, France Legible City, House of Electronic Arts, Basel, Switzerland Brush Eye View – Wang Dongling, Making Environment: Calligraphic Painting & Spatial Poetry in Garden, West Lake Expo Museum, Hangzhou 2012 PLACE-‐Hampi, Kaladham, Karnataka, India Pure Land: Inside the Mogao Grottoes at Dunhuang, Freer Sackler Galleries, Smithsonian Institute, Washington, USA; Gallery360, Run Run Shaw Creative Media Centre, Hong Kong; Book Fair, Convention Centre, Hong Kong Pure Land -‐ Augmented Reality Edition, HK Art Fair, Hong Kong ECloud, EUROPEANA, Brussels and Leuven Pure Land: Inside the Mogao Grottoes at Dunhuang, Legible City -‐ CEAAC, Straßburg, France; Espace Multimédia Gantner, Bourogne, France Re-‐Actor, Montreal Digital Biennial, Museum of Fine Arts Montreal, Canada; Seoul Mediacity Biennial, Seoul Museum of Arts, Korea Various early works related to the Artist Placement Group and John Latham, The Individual and the Organization, Raven Row, London 2011 Re-‐Actor, Lumière / Matter-‐Light, Béthune France iJaio, Genesis and Spirit, Intangible Heritage of China, Central Library, Hong Kong AVIE, Sydney Festival, Sydney; Festival d’Avignon, Avignon, France; Matter-‐Light, Bethune, France 2010 T Visionarium, STRP Festival, Eindhoven, Netherlands YER-‐Turkiye, Made-‐Isik, Borusan Music House, Istanbul, Turkey AVIE, Digital Life, La Pelanda, Rome.
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2009 PLACE-‐Ruhr, Museum in Bewegung, Museum am Ostwall, Dortmund. T_Visionarium, Un Volcan Numérique, Le Volcan Scène Nationale du Havre, Le Havre; Seconde Nature, Espace Vasarély, Aix-‐en-‐Provence, France; International Architecture Biennale, Amsterdam. 2008 YOUbiläums Browser, You_ser: The Century of the Consumer, ZKM Centre for Art and Media, Karlsruhe. Place-‐Hampi, Immigration Museum, Melbourne (2008-‐2009); eArts Festival: eLandscapes, Shanghai Science and Technology Museum, Shanghai. Unmakeablelove, eArts Festival: eLandscapes, Shanghai Science and Technology Museum, Shanghai. The Golden Calf, eArts Festival: eLandscapes, Shanghai Science and Technology Museum, Shanghai. T_Visionarium, eArts Festival: eLandscapes, Shanghai Science and Technology Museum, Shanghai; You_ser: The Century of the Consumer, ZKM Center for Art and Media, Karlsruhe; Sydney Festival, University of New South Wales, Sydney; Biennial of Seville, Alhambra, Granada, Spain 2007 There is Still Time...Brother, Experimental Media and Performing Arts Centre (EMPAC), Rensselaer Polytechnic University, Troy; Panorama Festival, ZKM Center for Art and Media, Karlsruhe.. PLACE-‐Hampi, Vom Funken zum Pixel (From Spark to Pixel), Martin-‐Gropius-‐Bau, Berlin; ZKM Center for Art and Media, Karlsruhe; Future Festival, Singapore Science Centre, Singapore The Virtual Museum, ZKM Karlsruhe 2006 PLACE-‐Hampi, Lille 3000 Bombaysers de Lille, Rotonde de l'Opera, Lille. Waterwalk, Glas-‐Kultur, Centre d'Art la Panera, Lieda. EVE: Extended Virtual Environment Vom Funken zum Pixel (From Spark to Pixel), Zendai Museum of Modern Art, Shanghai. The Royal Road, Video Sculpture Retrospective, Centre of International Modern Art, Calcutta; Video Sculpture Retrospective, College of Fine Arts, Bangalore. Waterwalk, Glas-‐Kultur, Koldo Mitxelena Kulturunea, Donostia-‐San Sebastian. The Legible City, Grid Matrix, Mildred Lane Kemper Art Museum, Washington University, St Louis. Heavens Gate, State Library of Victoria, Melbourne. Web of Life, Algorithmic Revolution in Artescienza 2006: Spazio Deformato, Casa dell'Architettura, Rome. T_Visionarium I, Algorithmic Revolution in Artescienza 2006: Spazio Deformato, Casa dell'Architettura, Rome. 2005 Eavesdrop, Sydney Festival, Powerhouse Museum, Sydney. Conversations @ the Studio, Powerhouse Museum, Sydney. The Golden Calf, X-‐Space Kensington Market, Toronto. The Royal Road, Video Sculpture Retrospective, Apeejay Media Art Gallery, New Delhi; National Gallery of Modern Art, Bombay.
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The Legible City, Art Meets Media: Adventures In Perception, NTT Intercommunication Center, Tokyo. T_Visionarium I, Beijing International New Media Arts Exhibition and Symposium 2005, China Millenium Art Museum, Beijing. T_Visionarium II, University of New South Wales, Sydney. 2004 Eavesdrop, Brisbane Festival, Block Gallery, Queensland University of Technology, Brisbane; Melbourne International Festival of the Arts, Australian Centre for the Moving Image, Melbourne. Cupola-‐Look Up Kyoto, Future Vision, Kyoto Saga University of Art, Kyoto. Cupola-‐Lille, Cinémas du Futur, Lille 2004 Capitale Européenne de la Culture, Lille. The Virtual Museum, Masterpieces of Media Art from the ZKM Collection, ZKM Centre for Art and Media, Karlsruhe. The Legible City, Timeshift, Eyebeam, New York; Ars Electronica Centre, Linz. The Golden Calf, Invisibile, Palazzo Delle Papesse Museu Darte Contemporanea, Siena. Place-‐Urbanity (dis)Locations, Ivan Dougherty Gallery, Sydney. Web of Life, Australian Centre for the Moving Image (ACMI); Queensland University of Technology, Brisbane. Conversations, Powerhouse Museum, Sydney. T_Visionarium I, ZKM Center for Art and Media, Karlsruhe; Cinémas du Futur in Lille 2004 Capitale Européenne de la Culture, Centre Euralille, Lille. 2003 Place-‐Urbanity (dis)Locations, Australian Centre for the Moving Image, Melbourne. Web of Life, Dutch Electronic Art Festival (DEAF), Rotterdam. 2002 Configuring The CAVE, CAVE Festival: Art of Immersion, Animax Multimedia Theatre, Bonn. PLACE-‐Ruhr, Emocao art.ficial, Itau Cultural Institute, Sao Paulo; Future Cinema, ZKM Center for Art and Media, Karlsruhe. PLACE-‐Urbanity, Australian Centre for the Moving Image, Melbourne; Future Cinema, ZKM Center for Art and Media, Karlsruhe. The Royal Road, Videoskulptur Seit 1963, Museo Nacional De Arte, La Paz; Museo De La Ciudad, Quito. Panoramic Navigator, Future Cinema, ZKM Center For Art and Media, Karlsruhe. Legible City, Navigate@Art Die Faszination Virtueller Welten, Automobil Forum Unter Den Linden, Berlin. configuring the CAVE, Art of Immersion, Animax Multimediatheater, Bonn-‐Bad Godesberg. The Golden Calf, Iconoclash. Beyond The Image Wars In Science, Religion and Art, ZKM Center For Art and Media, Karlsruhe. Web of Life, Das Netz. Sinn und Sinnlichkeit vernetzter Systeme, Museum Für Kommunikation, Frankfurt; Emocao art.ficial, Itau Cultural Institute, Sao Paulo; World Summit for Sustainable Development: Rio+10, Environment Center of the World Conservation Union IUCN, Johannesburg; International Symposium on Electronic Arts, ISEA (Inter-‐Society For The Electronic Arts), Nagoya; Erde 2.0 (Planet Earth 2.0), Stuttgart International Exhibition Centre, Stuttgart; Multimedia Art Asia Pacific Festival (MAAP), China Millenium Art Museum, Beijing; NTT Intercommunication Center, Tokyo; New Media Culture Week, Multimedia Institute, Zagreb.
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2001 The Royal Road, Videoskulptur Seit 1963, Museo De Arte Carillo Gil, Mexico City; Museum For Audiovisual Art -‐ Museo Alejandro Otero, Caracas; Cultural Center Cabanas, Guadalajara; Tretjakow Gallery, Moscow; Manege, St Petersburg; Soros-‐ Gallery, Kiew. (dis)LOCATIONS, Artspace, Sydney; ZKM Center for Art and Media, Karlsruhe. 2000 Re-‐Configuring The Cave, Vision and Reality, Louisiana Museum of Modern Art. The Legible City In Media Art Festival, St Petersburg; Gasteig, Munich. PLACE-‐Ruhr, Vision Ruhr, Westfälisches Industriemuseum, Dortmund; Wro 2000@Kultura, 17th Meridian Exhibition, The Museum of Wroclaw University, Wroclaw. PlaceWorld, Esprit I3net Conference, Jonkoping; Doors of Perception Conference, Amsterdam. Panoramic Navigator, Frankfurt Automobile Fair, Frankfurt; Expo 2000, Hannover; Volkswagen Autostadt, Wolfsburg. Heavens Gate Himmelfahrt, Trilogie Zeitgenössischer Kunst Zur Jahrtausendwende, Munich; Tate Gallery, Liverpool. The Golden Calf, Das Fünfte Element, Geld Oder Kunst, Kunsthalle, Düsseldorf. 1999 The Royal Road, Videoskulptur Seit 1963, Fabric. Arts Academy, Athens; City Art Gallery, Ankara; Atatürk Cultural Center, Istanbul. Points of View, Stand Der Dinge / Virtuelle Entwicklungen, Künstlerhaus, Vienna. The Distributed Legible City, European 5th Framework Conference, Essen; Heavens Gate, Perspective: International Media Art and Media History Exhibition, C3 Center For Culture & Communication, Budapest; Kunsthalle, Düsseldorf Panoramic Navigator, Net_Condition, ZKM Center For Art and Media, Karlsruhe. The Net Art Browser, Net_Condition, ZKM Center For Art and Media, Karlsruhe; Neue Galerie, Graz. The Golden Calf, National Museum of Photography, Film and Television, Bradford. Points of View (reconstructed), Stand der Dinge / Virtuelle Entwicklungen, Kunstlerhaus, Vienna, Austria PLACE-‐a users manual, City Gallery, Wellington, New Zealand 1998 The Royal Road, Videoskulptur Seit 1963, Fondazione Mudima, Milan; Centro De Cultura Opera Paese, Rome. replaced in EVE, Surrogate, ZKM Center For Art and Media, Karlsruhe. The Distributed Legible City, Surrogate, ZKM Center For Art and Media, Karlsruhe and Neue Galerie, Graz. The Golden Calf, Anticipation Version 4.0, Centre Pour L’image Contemporaine, Geneva. Place – a users manual, National Gallery Wellington, Wellington. 1997 reConfiguring the Cave, ZKM Center For Art and Media, Karlsruhe. PLACE – a users manual, Virtual Art, Plural Reality, Museo De Monterrey, Monterrey; Bundes Kunst-‐ Und Ausstellungshalle Bonn, Bonn. The Royal Road, Videoskulptur Seit 1963, Seoul Arts Center Museum, Seoul; Hara Museum of Contemporary Art, Tokyo; Hanrim Museum, Taejon; Singapore Arts Museum.
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Heavens Gate, Multimediale 5, ZKM Center For Art and Media, Karlsruhe. The Golden Calf, Interact!, Wilhelm Lehmbruck Museum, Duisburg. Aussenkennung, ZKM Karlsruhe. Panoramic Navigator, ZKM Karlsruhe 1996 reConfiguring the Cave, NTT Intercommunication Center, Tokyo. The Royal Road, Videoskulptur Seit 1963; Museum Van Hedendaagse Kunst, Gent; Galeria Zacheta, Warszaw; Circulo De Bellas Artes, Madrid. The Legible City, Mediascape, Guggenheim Museum Soho, New York. The Golden Calf, Artifices 4, Saint-‐Denis. Heavens Gate, Interaktive Objekte und Kunstwerke, Landeskunstwochen Ettlingen, Museum Ettlingen, Ettlingen; The Butterfly Effect, Soros Center For Contemporary Arts, Budapest. PLACE – a users manual, Cité des Sciences et de l'Industrie, Paris, Under Capricorn, Stedelijk Museum, Amsterdam. 1995 The Narrative Landscape, Photography after Photography: Siemens Kulturprogramm, Munich; Aktionsforum Praterinsel, Munich, Germany; Kunsthalle, Krems, Austria; Städtische Galerie, Erlangen, Germany; Brandenburgische Kunstsammlungen, Cottbus, Germany; Museet for Fotokunst, Odense, Denmark. The Royal Road, Videoskulptur Seit 1963, Hong Kong Arts Centre, Hong Kong; Centrum Beeldende Kunst, Groningen. The Legible City, 3e Biennale D´Art Contemporain De Lyon, Musèe D´Art Contemporain, Lyon; Art and Electronics, Hong Kong Arts Centre, Hong Kong. Jeffrey Shaw Trigon-‐Personale 95: The Golden Calf, The Narrative Landscape, Heavens Gate, PLACE-‐ users manual, The Legible City, Neue Galerie, Graz. The Golden Calf, The Interaction 95, International Academy of Media Arts and Sciences, Gifu, Japan EVE Extended Virtual Environment, Multimediale 4, ZKM, Karlsruhe; Acciona Museo Interactivo De La Cienca, Madrid, Spain. Heavens Gate, World Wide Video Center, The Hague; Artslab, Turin. PLACE-‐a users manual, Museo de Monterrey, Monterrey, Mexico Revolution, Kwangju Biennale ‘95, Seoul. 1994 The Virtual Museum, Interactive Media Festival, Los Angeles; Arte Virtual, Communidad De Madrid, Madrid. The Royal Road, Videoskulptur Seit 1963, Kunsthalle, Rostock. The Golden Calf, Ars Electronica 94: Intelligente Ambiente, Brucknerhaus, Linz. EVE Extended Virtual Environment, Le Metafort, D´Aubervilliers, France Disappearance, Automata, World Festival Exposition Mie 94, Nagoya, MultiMediale 3, ZKM, Karlsruhe The Legible City, Siggraph 94, Orlando. Heavens Gate, Technoart: An Interactive New Media Exhibition, Ontario Science Centre, Toronto. Revolution; Imago -‐ Fin De Siècle In Dutch Contemporary Art, Hara Art Museum, Gunma, Japan; Tart 94: Mens En Cyberspace, De Vrijhof Universiteit, Twente, Fine Arts Museum, Taipei. Place-‐A User’s Manual, Artifices 4, Paris.
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1993 The Royal Road, Videoskulptur Seit 1963, Institut fuer Auslandbeziehungen, Stuttgart. EVE, MultiMediale 3, ZKM, Karlsruhe The Virtual Museum. Künstliche Spiele, Medienlabor, Munich. Revolution, Mediale, Deichtorhallen, Hamburg. Heavens Gate, Media Passage: Intercommunication 93, NTT Intercommunication Center, Beam Theater,Tokyo. The Legible City, Die Sprache Der Kunst. Die Beziehung Von Bild Und Text In Der Kunst Des 20. Jahrhunderts, Kunsthalle Wien, Vienna. Disappearance, Binaera, Interaktionen – Kunst und Technologie, Musée Communal Dixelles, Bruxelles. Televirtual Chit Chat, Imagina 93, Monte Carlo and ZKM Karlsruhe. Machine Culture, Siggraph 93, Anaheim 1992 ArchiText, Stadsschouwburg, Zoetermeer. Virtual World Voyaging: Agnes Hegedüs and Jeffrey Shaw, Art Gallery, Fukuoka. The Virtual Museum, Revue Virtuelle, Centre Georges Pompidou, Paris; Ars Electronica 92: Die Welt Von Innen -‐ Endo & Nano, Brucknerhaus, Linz; The Robots, Nagashima Spaland, Nagoya, Japan The Legible City, The Boundary Rider, 9th Biennale of Sydney, Sydney; Manifestation for the Unstable Media, V2, Den Bosch, Netherlands. Disappearance, The Binary Era, Musee D’ixelles, Bruxelles. Heavens Gate, Der Entfesselte Blick, Seedamm-‐Kulturzentrum, Kunstmuseum Bern; Fotografie Biennale Rotterdam, Rotterdam. Revolution, Imago: Fin de siècle in Dutch Contemporary Art, Palao de la Virreina, Barcelona, Spain; Edificio de Alfandega do Porto, Oporto, Portugal; World Expo, Seville, Spain.– 1991 Heavens Gate, Outer Space, South Bank Centre, London; Laing Art Gallery, Newcastle-‐ upon-‐Tyne; Ferens Art Gallery, Hull; Camden Arts Centre, London; Arnolfini Gallery, Bristol The Virtual Museum, Das Belebte Bild, Art Frankfurt, Frankfurt; Machines À Communiquer, Cité des Sciences et de l'Industrie, Paris; Multimediale 2, ZKM Center For Art and Media, Karlsruhe. The Legible City, Multimediale 2, ZKM Center For Art and Media, Karlsruhe; Video Art Festival, Locarno; Stanford Conference On Design, Stanford, California; Muumedia Festival, Interaktiviisen Mediataiteen Näytteky, Galleria Otso, Espoo, El Art, Retretti Art Center, Retretti. Revolution, Imago -‐ Fin De Siècle In Dutch Contemporary Art, Kulturni Dom, Bratislava. 1990 The Spatial Pendulum, Vrije Universiteit Centre for Mathematics and Computer Science, Amsterdam; The Legible City, Dernieres Visites Avant Travaux, Le Fresnoy; Artifices, Saint-‐Denis; Interface I, Museum Für Kunst Und Gewerbe, Hamburg; Vom Verschwinden Der Ferne, Telekommunikation Und Kunst, Deutsches Postmuseum, Frankfurt Am Main; De Balie Theater, Amsterdam; L´Immagine Elettronica, Chiesa Di San Romano, Ferrara; Les Artistes Et La Lumiere, Centre National Art Et Technologie, Reims; Artware Kunst Und Elektronik, CeBIT, Hannover; Time Space Light, Academie Minerva, Groningen; Revolution, Imago -‐ Fin De Siècle In Dutch Contemporary Art, Kunst-‐Rai, Amsterdam; Video Art Festival, Locarno.
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1989 WordPlay, Stadsschouwburg, Arnheim. The Legible City, Artec 89, World Design Expo, Nagoya; Siggraph 89, Boston; Ars Electronica, Im Netz Der Systeme, Brucknerhaus, Linz. Imaginary Museum of Revolutions, Inventer 89, Cité des Sciences et de l'Industrie, Paris; Tekens Van Verzet, Fodor Museum, Amsterdam; Is In De Hal, Kunsthal, Rotterdam; Zyklus Arbeit 89, Brucknerhaus, Linz. Alice's Rooms, Kanagawa International Art and Science Exhibition, Kanagawa Science Center, Kawasaki-‐Shi. The Narrative Landscape, 25 Jahre Video-‐Skulptur, DuMont Kunsthalle, Cologne, Germany; 39. Berliner Festwochen, Berlin, Germany; Kunsthaus, Zürich, Switzerland. 1988 The Legible City (prototype), Het Postmoderne Aan Kinderen Verklaaard, Bonnefanten Museum, Maastricht; Museum Voor Hedendaagse Kunst, Antwerp. Propogation of the Luminous Word, Landelijk Bibliotheekcentrale, Almere. Heavens Gate, Third Australian Video Festival, Powerhouse Museum, Sydney. Imaginary Museum of Revolutions, De Haagse Zomer, Den Haag. Your Portrait with Eiffel Tower, Manifestation For The Unstable Media, V2, Den Bosch. 1987 Heavens Gate, Felix Meritis 1787-‐1987 Festival, Shaffy Theater, Amsterdam; PC Rai, Amsterdam; Stipendia 85-‐86, Y-‐Tech, Amsterdam. Video Narcissus, Lo Specchio E Ii Doppio, Mole Antonelliana, Turin. Infinity Divided by Sixteen, Image and Sound Festival, Haags Filmhuis, The Hague, Netherlands; Manifestation for the Unstable Media, V2, Den Bosch, Netherlands. Anamorphoses of Memory, Municipal Art Acquisitions, Fodor Museum, Amsterdam. 1986 Inventer La Terre, Cité des Sciences et de l'Industrie, Paris. The Narrative Landscape, Festival Des Arts Electroniques, Rennes. Heavens Gate, Image and Sound Festival, Haags Filmhuis, The Hague. Anamorphoses of Memory, Kunst Over De Vloer, Entrepotdok, Amsterdam. Going to the Centre of the Heart of the Garden of Delights; De Vleeshal, Middelburg. 1985 The Narrative Landscape, Aorta, Amsterdam, Netherlands; Siggraph ’85 Art Show, Exploratorium, San Francisco, United States; De Lantaren, Rotterdam, Netherlands; Performancetage, Moltkerei-‐Werkstatt, Cologne, Germany Jules Verne Opera Installation, Stadsschouwburg, Groningen, Netherlands 1984 Points of View III -‐ A Three Dimensional Story, Computer Festival, De Meervaart, Amsterdam. Points of View I, Apollohuis, Eindhoven. 1983 Points of View I, Mickery Theater, Amsterdam; De Lantaren, Rotterdam; Kijkhuis, The Hague, Netherlands Continuous Sound and Image Moments, Film En Kunst, Centrum T'hoogt, Utrecht; Points of View II -‐ Babel, Mickery Theater, Amsterdam
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Corrida, Logique de la Perception, Gallery Menz, Amsterdam, Dell’Inferno Di Dante, Aorta, Amsterdam 1982 Corrida, Logique de la Perceptio,n World Wide Video Festival, Kijkhuis, The Hague; 1981 One Plus Two in 3D, Stadsschouwburg, Groningen. 1980 Stichting Stroombeeld, Amsterdam. Video Ball Sculpture, Scholengemeenschap Quirijn, Tilburg. 1979 Eventstructure Research Group, Actie, Werkelijkheid en Fictie in de Kunst van de Jaren‚ 60 in Nederland, Boymans-‐van-‐Beuningen Museum, Rotterdam. Once upon a time…, Gallery Bedaux, Amsterdam. Bubble Wall, de Hoogeberg, Velsen. Neon Wave Sculpture, Koopvaardersplantsoen, Amsterdam 1978 Supertube, Anti-‐City Circus, Waterlooplein, Amsterdam. SUNCYCLE, Lucht, Stedelijk Museum, Schiedam. FIRE AND ICE, Melkweg, Amsterdam Virtual Projections, Melkweg, Amsterdam Poetry in Performance, One World Poetry Festival, Melkweg, Amsterdam. 1977 Kinetic Light and Mirror Sculpture, Genesis world tour Opening Disillusionary Event, Fort Van Sjakoo, Jodenbreestraat, Amsterdam. Tearfall, Teardrop, Ongelukkige Liefde Festival, De Lantaarn, Rotterdam. 1976 Sesamstraat (1976-‐79) NOS Television, Amsterdam. Laser Installation and Performances, Stichting De Appel, Amsterdam. PIG, for Pink Floyd album cover, Battersea Park, London 1975 Viewpoint, 6th Biennale De Paris, Musee d'Art Moderne, Paris. Genesis "The Lamb Lies Down in Broadway" world tour Airground Mattress, Speelruimte, Dordrechts Museum, Dordrecht. Virtual Sculpture, Melkweg, Amsterdam 1974 Airground, Tabarka Festival, Tabarka, Tunisia Diadrama, Universiteits Theater, Amsterdam; De Lantaarn, Rotterdam. Staircase, Stedelijk Museum, Amsterdam. 1973 Projections, Pinacotheca and Tolarno Galleries, Melbourne; Museum Fodor, Amsterdam.
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1972 Waterwalk Tube, Groningen. Aqua-‐airground, Floriade: Kind En Leefmilieu Festival, Amsterdam. Centipede, Waterwalk, Moomba Festival, Melbourne. Rainbow, National Gallery of Victoria, Melbourne. More and Less, British Avantgarde, Gallery House, London. 1971 Hayward Gallery Projects, Between 5, Kunsthalle, Düsseldorf. Scottish Sorrow, Edinburgh Festival, Edinburgh. Three Pavilions, Homage to Bladen, Sonsbeek Buiten De Perken, Arnheim. Hayward Gallery Projects, Inno 70, Hayward Gallery, London. 1970 Waterwalk, Brighton Festival, Brighton. Cloud (of day time sky at night), Stedelijk Museum, Amsterdam. Waterwalk Tube Street Art Festival, Hannover. Smokescreen, Holland Pop Festival, Kralingen. NO THING, C’70 Schouwburgplein, Rotterdam. Waterquake, Assen, Nettherlands TELEVENTS, VPRO Television, Netherlands Artificial Landscapes, Kunsthalle, Hamburg. 1969 Brickhill, Environments Reversal, Camden Arts Centre, London. Sandquake, TV Gallery Gerry Schum, Camargue. Smokescreen, Swansea Art Festival, University of Wales, Swansea. Six Events In Amsterdam( Grassroll, Waterwalk, Brickhill, Totems, Cushion, Pneutube), Amsterdam. Wind and Rain, Sigma5, Bordeaux. The Pneu-‐Written (Moviemovie), St George's Art Centre, Liverpool. Pneutube, Institute of Contemporary Art, London. Artificial Landscapes, Art After Plans, Kunsthalle, Bern. Dragon, for William Klein’s film Mr. Freedom 1968 Octopus, Stedelijk Museum, Amsterdam. Airground, City of London Festival, London; Brighton Festival, Brighton; Disillusion of Women Wrestling, Air Light Sound Sight Event, Theatre Royal Stratford, London. Alpevent, 50 Jahre Kunsthalle Bern, Kornhauskeller, Bern. Airground, Brighton Festival, Brighton. Black Airground Museum of Modern Art, Oxford. Pneutube, Kinetische Objektenshow, Franz-‐Hals-‐Museum, Haarlem; Environments, Rijksuniversiteit, Utrecht. Structures Gonflables, Musee d'Art Moderne de la Ville de Paris, Paris. Contemporary Art from Holland, Kunsthalle, Bern 1967 Continuous Sound and Image Moments, 26 Kingly Street Gallery, London Moviemovie, 4th International Experimental Film Festival, Knokke-‐Le-‐Zoute. This is No Thing, This is a Situation of Opportunity, 26 Kingly Street Gallery, London
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Disillusion of a Fish Pond, 26 Kingly Street Gallery, London Disillusion of Striptease Films, 26 Kingly Street Gallery, London Book Plumbing with John Latham, Better Books, London Corpocinema, Sigma Projects, Museumplein, Amsterdam; Schouwburgplein, Rotterdam Glove Screen, 26 Kingy Street Gallery, London. Disillusionary Happening, Cinestud Filmfestival, The Hague. 1966 Continuous Sound and Image Moments, Kasteelhoeve Beek en Donk, Netherlands; Better Books, London Emergence of Continuous Forms, Better Books, London Disillusionary Hommage to Clovis Trouille, Kasteelhoeve Beek en Donk, Netherlands. The Dante Cupboard, Centro Culturale San Fedele, Milan, Italy.
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