Jakarta, 16 February 2014 FINE ART AUCTION TREASURES FINE ART AUCTION 1

Jakarta, 16 February 2014 FINE ART AUCTION TREASURES FINE ART AUCTION 1 Fine Art Auction Auction Sunday, 16 February 2014 Luncheon : 11.30 am Au...
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Jakarta, 16 February 2014

FINE ART AUCTION

TREASURES FINE ART AUCTION

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Fine Art Auction

Auction Sunday, 16 February 2014 Luncheon : 11.30 am Auction : 1.00 pm

Viewing Friday, 14 February 2014 Saturday, 15 February 2014 11.00 am - 08.00 pm

Venue Masterpiece Building Tanah Abang IV No. 23-25 Jakarta Pusat - Indonesia Tel: (62-21) 351 0808 (Hunting) Fax: (62-21) 351 0707

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TREASURES FINE ART AUCTION

TREASURES FINE ART AUCTION

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TREASURES FINE ART AUCTION

TREASURES FINE ART AUCTION

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CONDITION OF BUSINESS The conditions of business set up below are information guidance for prospective buyer and seller with any enquiries relating to buying or selling at the auction. We encourage you to read them wisely and thoroughly.

THE BUYER

Estimated Price Estimated price is the price range, which reflects the opinion of our specialist for the price expected to offer at the auction. This should not be relied on as a statement that this price is either at which the lot will sell or its value for any other purpose. Estimated prices are based upon prices recently paid at auction, and the condition of the artworks including the quality, rarity and history of ownership (provenance). Reserve Price The reserve is the confidential minimum price the seller is willing to accept and below which a lot not be sold. Buyer’s Premium Buyers are reminded that the price to be paid will be the sum of the final bid price plus the buyer’s premium. The rate of buyer’s premium for each lot is 20 % (twenty percent) of the hammer price.

BEFORE THE AUCTION

Viewing Pre-sale viewings are strongly recommended for prospective buyers in order to examine the artworks thoroughly. Pre-sale viewing is open for the public at no charge and usually displayed for 2 (two) days prior to the sale. Condition Reports Condition reports are available upon request. They are statements of opinion and should not be relied on as statements of definitive fact. Descriptions of property are not warranties and that lot is sold “as is”. All goods are sold with all faults and imperfections and errors of description. Illustrations in catalogues are for identification only. It is strongly recommended that prospective buyers inspect and seek any independent expert advice to satisfy you as to authorship, attribution, authenticity, genuineness, origin, date, age, provenance or condition of lot. Registration If you are planning to participate in the auction, you will need to register with us at the registration desk, to complete a bidder registration form and to receive a bidding number to identify you if you are a successful bidder. Registration can be made during the viewing period or 30 minutes prior to the sell.

THE AUCTION

Bidding All artworks are auctioned in consecutive numerical order. Bidding is done in Indonesian Rupiah (IDR) in incremental price raise. The auctioneer will accept bids from those present in the saleroom or absentee bidders participating by telephone or by written bid left with TREASURES in advance. The lot being offered is usually illustrated on a screen. Bidding Increments Bidding generally opens below the low estimate and advances in the following increments: Rp. Rp. Rp. Rp. Rp. Rp. Rp. Rp.

1.000.000 - 10.000.000 - 20.000.000 - 50.000.000 - 100.000.000 - 200.000.000 - 500.000.000 - 1.000.000.000

Rp. 10.000.000 by Rp. 500.000 Rp. 20.000.000 by Rp. 1.000.000 Rp. 50.000.000 by Rp. 2.000.000 Rp. 100.000.000 by Rp. 5.000.000 Rp. 200.000.000 by Rp. 10.000.000 Rp. 500.000.000 by Rp. 20.000.000 Rp. 1.000.000.000 by Rp. 50.000.000 - above by the auctioneer’s direction.

Absentee/ Written Bids If you cannot attend the auction in person, you may bid in other ways. The most common is written bids. Written bids are written instruction given to TREASURES to bid for you on one or more lots up to a maximum amount you specify for each lot. There is no charge for this service. If two or more parties leave identical bids, the first bid received by TREASURES will take preference. Written bid forms are available 7 days before the sale and returned to TREASURES within 24 hours before the sale or by fax to (021) 351 0707. Telephone Bids If you cannot attend the auction, TREASURES will execute on behalf of your bid by telephone. Please make arrangements for this service at least 1 (one) day before the sale. It is advisable for you to leave your maximum bid, in case you are unable to reach us by phone. Successful Bids Successful bidder will be indicated by the fall of the auctioneer’s hammer after reaching or exceeding the reserve price. TREASURES will record the bidder number of the buyer. Under the auctioneer’s discretion bidding may be reopened. Unsold lots When a lot fails to sell, the auctioneer will not announce a bidder’s number. Lots unsold will be returned to the consignor usually after a week in case there are any post sale offers.

AFTER THE AUCTION

Payment Payment of purchases should be made within 7 (seven) calendar days. Please include your paddle number, name, lot number, and total payment in your bank instruction. If buyers do not make any payment or notice to TREASURES during the scheduled time, they will be considered as withdrawing. Collection of Goods Goods can be collected only when payment has cleared and been received by TREASURES. Due to space constraints, TREASURES requires that purchases and unsold property be collected within 7 (seven) days. If the goods remain after 7 (seven) days TREASURES reserves the right to cause the artworks to be stored at the expense of the purchaser. Storage and Insurance TREASURES provides insurance cover for sold items for a maximum of 7 (seven) days after the date of the sale. If the goods have not been removed by the deadline, the goods will be deposited at warehouse and all storage transportation and other associated costs as well as risk shall be at the purchaser’s responsibility.

THE SELLER

Auction estimates If you are considering selling your property at the auction, TREASURES will provide a free initial estimate of its auction value. You can send a clear photograph of each item with complete data includes the dimension, artist’s signature, medium, physical condition and any other relevant information.

After Sale Notification You will receive an after sale advice listing the final bid price, or in the event that the property failed to sell, notification that it was bought-in to be returned to you. Payment for your sold property takes approximately 4 (four) weeks, provided payment has been received by us from the buyer.

CONDITIONS OF SALE

These conditions of sale together with any terms and conditions set out a consignment form constitute the entire agreement with the Buyer on respect to any lots listed in the catalogue. Amendment to the catalogue descriptions may be made verbally during the course of auction or by appropriate posted notices. By bidding at the auction, you shall be bound by the conditions set out below. Terms used in these conditions * “The Buyer” means the person with the highest bid accepted by the auctioneer. * “The Lot” means any items deposited with us for sale at auction and, in particular, the item (s) described against any lot number in the catalogue. * “The Hammer Price” means the amount of the highest bid accepted by the auctioneer in relation to a lot. * “The Reserve” means the amount below which we agree with the seller that the lot cannot be sold. * “The Buyer’s Premium” means the charge payable by the buyer as a percentage of the hammer price, at the rate set out in the auction room at the time of the relevant sale. * “Forgery” means a Lot constituting an imitation originally conceived and executed as a whole with a fraudulent intention to deceive as to authorship, origin, age, period, culture or source where the correct description as to such matters is not reflected by the description in the catalogue. Withdrawal of Property TREASURES reserve the right to withdraw from the sale the property or to have the property listed at any auction without any prior notice to the vendor. Control of Auction TREASURES will have absolute discretion to determine the successful bidder should a dispute arise between the bidders and this includes the authority to reject any bid, to cancel the sale or to re-offer the property in dispute. Ownership of Property The fall of the auctioneer’s hammer indicates the property sold to the buyer who is responsible for the property and shall be liable to pay the full purchase price within 7 (seven) days. If extended payment terms have not been granted, penalty interest will be charged on the unpaid balance until paid.

TREASURES FINE ART AUCTION

Forgery In the event of proven forgery, TREASURES will refund to the buyer the purchase price of the lot. This refund will only occur on the following terms: (i) (ii)

The buyer must provide evidence from an independent expert who proves that the lot is a forgery. TREASURES reserves the right to request further expert evidence if, in its sole discretion, it is not satisfied with the finding of either expert. The buyer must provide written notification to TREASURES within 1 (one) year of the auction date of the forgery allegations.

No refund will occur if there is any conflict of opinion among accepted experts in the field or if it can be demonstrated that the lot is a forgery only by means of scientific process that could damage or otherwise jeopardize the condition of the lot and which scientific techniques were not commonly employed until after the publication of the catalogue. This guarantee is for the benefit of the buyer only and cannot be assigned. Such buyer must have remained the owner of the property without disposing of any interest in it to any third party up until the time the alleged forgery was discovered. Handling and Packaging Handling and packing of all purchase lots shall be at the risk of the buyer who shall pay an administration charge if TREASURES is responsible for such services. TREASURES shall use our best efforts to take care when handling the packing but remind the buyer that from 7 (seven) days time after the sale, the goods are entirely at the buyer’s risk. You can instruct your own shipper for the shipping. However, we can also arrange for such service but are not responsible for any costs incurred during the shipping. Notice TREASURES remind prospective buyers that none of the property in this catalogue is subject to any guarantee of authenticity and all of the artworks sold “as is” with all imperfections, incompleteness, faults and errors of description. All property is sold without any warranty or representation. TREASURES is not responsible for any errors or omission in the catalogue. Buyers are strongly recommended to take independent professional advice on selection of purchase.

Remedies of TREASURES If the buyer is in breach of any of the conditions of sale then TREASURES may choose to take the following action: (1) (2) (3)

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In the event a defaulting buyer has made a part payment, TREASURES reserves the right to apply such payment to any such lots at its sole discretion.

Cancel the sale, retaining as liquidated damages any payment made by the buyer. Re-sell the property without any minimum price at the next auction of TREASURES or privately on 5(five) days notice to the buyer. Take any other action TREASURES may consider necessary.

TREASURES FINE ART AUCTION

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INFORMASI DAN KETENTUAN LELANG Informasi di bawah ini merupakan panduan dan penjelasan mengenai ketentuan lelang yang diselenggarakan oleh TREASURES Auction House. Kami sarankan para calon pembeli dan penjual dapat mempelajari dan membaca ketentuan lelang dengan seksama.

PEMBELI

Harga Perkiraan Harga perkiraan adalah kisaran harga yang akan ditawarkan pada saat lelang berdasarkan perhitungan dan penilaian tim ahli kami atas kualitas, sejarah/ asal mula dan kelangkaan serta keunikan suatu karya. Harga tersebut merupakan harga yang terjadi berdasarkan harga yang terbentuk di pasaran lelang dan bukan merupakan pernyataan resmi atas nilai suatu lot pada karya tersebut. Harga Reserve Harga reserve adalah harga minimum suatu karya untuk boleh dijual dan merupakan harga yang telah disepakati oleh pihak TREASURES dan penjual. Harga Yang Harus Di Bayar Harga yang harus di bayarkan oleh pembeli adalah terdiri dari harga jadi (hammer Price) ditambahkan jasa pasca lelang (premium price) untuk setiap biaya-biaya, bunga dan pajak atas suatu karya sebesar 20% (Dua puluh persen).

SEBELUM LELANG

Pameran Calon pembeli disarankan untuk mengamati secara langsung karya-karya yang akan ditawarkan pada lelang. Pameran dibuka untuk umum dan berlangsung selama 2 (dua) hari sebelum lelang. Keterangan Kondisi Karya Keterangan mengenai kondisi karya tersedia sesuai permintaan. Keterangan tersebut adalah pendapat dari ahli kami berdasarkan pengamatan dan penilaian yang teliti. Seluruh karya yang ditawarkan adalah dalam kondisi seperti apa adanya lengkap dengan segala kekurangan dan ketidaksempurnaan karya tersebut. Uraian dalam keterangan katalog hanya dipergunakan untuk keperluan identifikasi semata. Calon pembeli disarankan untuk memeriksa, mencari keterangan dan pendapat dari ahli independen atas keaslian, sejarah/ asal usul, keterangan serta kondisi dari karya yang ditawarkan. Pendaftaran Calon peserta lelang wajib mendaftarkan diri dengan cara mengisi formulir pendaftaran pada saat lelang untuk mendapatkan nomor peserta lelang (paddle number) yang nantinya dipergunakan sebagai identitas pada saat lelang. Pendaftaran dapat dilakukan pada saat pameran atau 30 menit sebelum lelang dimulai.

SAAT LELANG

Penawaran Seluruh karya akan dilelang berdasarkan nomor urutan lot. Harga penawaran dilakukan dalam Mata uang Indonesia (IDR) berdasarkan kenaikan harga yang sudah ditetapkan. Juru lelang menerima penawaran dari peserta yang hadir si ruangan maupun peserta yang tidak dapat hadir melalui penawaran telephone (telephone bid) ataupun penawaran tertulis (written bid) yang sebelumnya telah diinformasikan kepada pihak TREASURES. Lot karya yang akan ditawarkan biasanya ditampilkan pada layar projector. Kenaikan Harga Penawaran biasanya dibuka di bawah harga estimasi terendah sampai harga tertinggi dengan kenaikan harga sebagai berikut:

Rp. Rp. Rp. Rp. Rp. Rp. Rp. Rp.

1.000.000 - 10.000.000 - 20.000.000 - 50.000.000 - 100.000.000 - 200.000.000 - 500.000.000 - 1.000.000.000

Rp. 10.000.000 by Rp. 500.000 Rp. 20.000.000 by Rp. 1.000.000 Rp. 50.000.000 by Rp. 2.000.000 Rp. 100.000.000 by Rp. 5.000.000 Rp. 200.000.000 by Rp. 10.000.000 Rp. 500.000.000 by Rp. 20.000.000 Rp. 1.000.000.000 by Rp. 50.000.000 - keatas berdasarkan panduan juru lelang

PESERTA YANG TIDAK DAPAT HADIR

Bagi calon peserta yang tidak dapat hadir pada saat lelang dapat mengisi formulir Absentee Bid atau Telephone bid yang sudah tersedia 7 (tujuh) hari sebelum lelang dan terlampir pada bagian belakang katalog ini. Formulir yang telah diisi dengan data lengkap dapat dikirim melalui fax (021) 351 0707 paling lambat 24 jam sebelum lelang dimulai. Penawaran Tertulis Penawaran tertulis adalah cara yang paling umum digunakan pada saat lelang. Penawaran tertulis adalah instruksi yang diberikan kepada TREASURES untuk mewakilkan diri pada saat lelang atas karya yang diminati dengan menentukan harga maksimum yang diinginkan untuk tiap lot. TREASURES tidak memungut biaya atas jasa ini. Jika terdapat dua pihak atau lebih melakukan harga penawaran yang sama pada lot yang sama, maka penawaran yang berlaku adalah kepada yang terlebih dahulu diterima oleh TREASURES. Penawaran Melalui Telephone Selain melakukan penawaran tertulis peserta dapat juga melakukan penawaran melalui telephone. TREASURES akan menjadi penghubung pada saat lelang berlangsung. Pengaturan jasa ini paling lambat 1 (satu) hari sebelum lelang dimulai. Peserta disarankan untuk memberitahukan harga penawaran maksimal seandainya tidak dapat dihubungi melalui telephone.

PEMENANG LELANG

Pemenang lelang adalah mereka yang berhasil melakukan penawaran tertinggi atas suatu lot dan akan diumumkan oleh juru lelang yang disahkan oleh pengetukan palu oleh juru lelang. Ketukan palu juru lelang menandakan bahwa pembeli telah menerima harga jadi dan TREASURES akan melakukan pencatatan atas nomor paddle pembeli. Juru lelang berwenang sepenuhnya untuk melanjutkan penawaran pada lot selanjutnya.

LOT YANG TIDAK TERJUAL

Lot yang tidak terjual ditandai oleh juru lelang dengan tidak menyebutkan nomor paddle peserta. Lot yang tidak terjual akan dikembalikan kepada pemiliknya biasanya dalam waktu satu minggu setelah lelang, seandainya dalam waktu tersebut ada peminat atas karya tersebut diluar lelang.

SETELAH LELANG

Pembayaran Pembayaran atas pembelian karya dilakukan dalam waktu 7(tujuh) hari. Mohon cantumkan nama anda, nomor paddle dan nomor lot pada kolom berita slip bank. Jika pembeli tidak melakukan pembayaran atau pemberitahuan kepada TREASURES dalam jangka waktu yang telah ditetapkan, maka akan dianggap batal atau mengundurkan diri.

PENGAMBILAN BARANG

Barang dapat diambil hanya apabila pembayaran telah dilakukan dan diterima oleh TREASURES. Oleh karena keterbatasan tempat, baik barang yang terjual maupun yang tidak terjual harus diambil dalam waktu 7 (tujuh) hari. Jika barang tersebut tidak diambil dalam waktu 7 (tujuh) hari, TREASURES berhak untuk memindahkan dan menyimpan barang tersebut ke gudang atas biaya pemiliknya.

PENYIMPANAN DAN ASURANSI

Asuransi atas karya yang telah terjual hanya berlaku selama 7 (tujuh) hari setelah tanggal lelang. Jika barang tersebut belum diambil sampai batas waktu yang telah ditetapkan maka barang akan dipindahkan dan disimpan ke gudang. Seluruh biaya transportasi dan sewa gudang serta biaya lainnya akan ditanggung oleh pembeli. Segala resiko atas barang juga menjadi tanggung jawab pembeli.

PENJUAL

Harga Perkiraan Jika anda berminat untuk menjual barang anda melalui lelang, TREASURES akan menyediakan perkiraan harga awal atas nilai lelang barang tersebut. Anda dapat kirimkan foto tiap karya dilengkapi dengan keterangan atas pelukis, judul, ukuran, media, tanda-tangan, sertifikat, kondisi dan informasi pendukung lainnya. Pemberitahuan Atas Penjualan Daftar rincian perhitungan atas barang-barang yang terjual maupun tidak terjual akan diberikan setelah lelang. Pembayaran atas barang-barang yang terjual akan dilakukan dalam 4 (empat) minggu setelah TREASURES menerima pembayaran dari pembeli.

KETENTUAN LELANG

Ketentuan lelang termasuk istilah-istilah dan persyaratan didalamnya merupakan bentuk kesepakatan yang mendasari seluruh perjanjian dengan pembeli atas lot-lot yang tercantum dalam katalog. Penambahan pada keterangan katalog dapat dibuat secara lisan dalam kurun waktu lelang atau dengan pemberitahuan secara tertulis. Dengan ikut serta menjadi peserta lelang, anda akan terikat dengan kondisi-kondisi sebagai berikut:

PENYELESAIAN DARI TREASURES

Jika pembeli melakukan pelanggaran atas kondisi penjualan, maka TREASURES akan mengambil langkah-langkah sebagai berikut: 1. Membatalkan penjualan, pembayaran yang dilakukan oleh pembeli dianggap sebagai pembayaran dengan kecacatan dan dianggap tidak dapat dicairkan. 2. Menawarkan kembali barang tersebut tanpa menetapkan harga minimum dalam lelang TREASURES selanjutnya atau menjual secara pribadi dengan memberitahukan kepada pemiliknya selama 5 (lima) hari. 3. Mengambil tindakan lain yang dianggap perlu apabila pembeli telah melakukan sejumlah pembayaran sehingga TREASURES berhak untuk menggunakan pembayaran tersebut atas lot lain atas wewenangnya sendiri.

PEMALSUAN

Jika terjadi suatu lot yang terbukti palsu, TREASURES akan mengembalikan seluruh biaya yang telah dibayarkan kepada pembeli sesuai harga lot tersebut. Pengembalian dana ini hanya dapat dilakukan apabila: 1. Pembeli telah memperlihatkan bukti-bukti yang berasal zzdari tenaga ahli independent yang menyatakan bahwa karya tersebut palsu. TREASURES berhak untuk meminta bukti lebih lanjut dari tenga ahli lainnya atas wewenangnya, apabila hasil temuan dari tenaga ahli kedau pihak masih dianggap kurang memuaskan. 2. Pembeli harus memberikan pemberitahuan secara tertulis kepada TREASURES dalam waktu 1 (satu) tahun dari tanggal lelang atas pengajuan adanya pemalsuan karya. Pengembalian dana tidak dapat dilakukan jika terjadi konflik pendapat dari para tenaga ahli dilapangan atau pemalsuan hanya dapat dilakukan oleh proses ilmiah yang dapat merusak atau membahayakan kondisi karya tersebut. Jaminan ini ditujukan hanya untuk kepentingan pembeli dan tidak bisa dialihkan. Pembeli harus menjaga atas kepemilikan barang dengan tidak pengalihkan pada pihak-pihak lain sampai saat pengajuan adanya pemalsuan telah ditemukan. Pengepakan dan pengiriman barang adalah sepenuhnya atas resiko pembeli. Jika pembeli menginginkan TREASURES untuk melakukan pengepakan dan pengiriman, maka pembeli harus membayar biaya atas jasa tersebut. TREASURES akan berusaha untuk memberikan pelayanan yang terbaik untuk menjaga barang yang telah dibeli, namun diingatkan bahwa setelah waktu 7 (tujuh) hari setelah lelang, resiko barang ada pada tanggungan pembeli. Pembeli bisa memerintahkan jasa pengirimannya sendiri untuk melakukan pengiriman. TREASURES juga dapat membantu untuk mengatur pengiriman barang tetapi tidak bertanggung jawab atas biaya yang nanti terjadi.

PEMBATALAN/ PENARIKAN KARYA

PEMBERITAHUAN

TREASURES berhak untuk menarik karya dari lelang atau menentukan karya yang akan masuk lelang.

TREASURES mempunyai hak mutlak untuk menentukan penawar/ pemenang lelang jika terdapat perselisihan yang muncul antara penawar, hal tersebut juga meliputi otoritas untuk menolak penawaran apapun, membatalkan penjualan atau ke menawarkan ulang barang yang diperebutkan.

TREASURES FINE ART AUCTION

Ketukan palu juru lelang menandakan barang terjual kepada pembeli yang bertanggung jawab atas kepemilikan barang tersebut dan berkewajiban untuk membayar seluruh pembelian dalam waktu 7 (tujuh) hari. Jika permintaan untuk memperpanjang batas waktu pembayaran tidak disetujui, maka akan dikenakan biaya bunga atas saldo yang belum dibayar sampai dibayar.

Istilah-istilah “Pembeli” adalah orang perorangan atau badan hukum yang mengajukan penawaran tertinggi dan diterima oleh juru lelang. “Lot” adalah barang yang telah dititipkan kepada TREASURES untuk dijual dalam lelang dan telah diberikan uraian dan keterangan dalam katalog. “Harga Hammer/ Ketuk Palu” adalah harga jadi yang merupakan harga tertinggi yang telah ditetapkan oleh juru lelang atas lot yang ditawarkan. “Harga Reserve” adalah harga minimum suatu karya untuk boleh dijual dan merupakan harga yang telah disepakati oleh pihak TREASURES dan penjual. “Harga Premi” adalah jasa pasca lelang yang dikenakan kepada pembeli atas setiap biaya-biaya, bunga dan pajak atas suatu karya dengan kisaran yang telah ditentukan. “Pemalsuan” berarti suatu lot yang berasal dari tiruan atas suatu karya yang ditujukan untuk menipu atas keaslian, sejarah, umur, jaman, budaya dimana sumber keterangan yang benar atas hal tersebut tidak dijelaskan dalam keterangan katalog.

PENGAWASAN LELANG

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KEPEMILIKAN BARANG

PENGEPAKAN DAN PENGIRIMAN BARANG

TREASURES tidak pernah memberikan jaminan atas keaslian karya yang terdapat dalam katalog ini. Seluruh karya yang ditawarkan adalah sesuai apa adanya dengan segala ketidaksempurnaan, kecacatan, kekurangan maupun kesalahan dari penjelasannya. Penyajian seluruh karya dalam katalog ini bukan merupakan jaminan atas keabsahan atau keaslian karya tersebut. TREASURES tidaklah bertanggung jawab atas kesalahan atau penghilangan keterangan apapun dalam katalog. Para Pembeli sangat direkomendasikan untuk mengambil nasihat profesional dari tenaga ahli yang mandiri pada karya yang akan dibeli atau dipilih.

TREASURES FINE ART AUCTION

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001 SUDJONO ABDULLAH (Yogyakarta, 1911 – 1993) Pasar Tradisional Oil on canvas: 90 x 150 cm Signed, lower left: S. Abdullah RP 15.000.000 – 20.000.000

002 ERNEST DEZENTJE (Jatinegara, 1885 – 1972) Landscape Oil on canvas: 80 x 106 cm Signed, lower left: Ern. Dezentje RP 12.000.000 – 20.000.000

003 FREDERICK ANTON KIEVITS (Bogor, West Java, 1887 – The Hague, 1951) Fishermen Boats Near the Flamboyant Tree Oil on canvas: 61 x 81 cm Signed, lower right: FA. Kievits RP 30.000.000 – 50.000.000

004 NURDIN B.S (Padang, West Sumatra, 1915) Landscape, 1986 Oil on canvas: 80 x 130 cm Signed and dated, lower left: Nurdin BS.86 RP 5.000.000 – 8.000.000

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TREASURES FINE ART AUCTION

005 DULLAH (Solo, 1919 – 1996) Yellow Flower Bouquet in Vase Oil on canvas: 50 x 60 cm Signed, lower right: Dullah RP 40.000.000 – 60.000.000

TREASURES FINE ART AUCTION

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006 YOGI SETIAWAN (Magelang, 1974) Merogoh Kunto Bimo, 2009

007 JUNI A. WULANDARI (Jepara, 1967) Four Sisters

Oil on canvas: 200 x 250 cm Signed and dated, upper left: Yogi STW.09

Oil on canvas: 100 x 120 cm Signed, lower right: Juni A.W

RP 40.000.000 – 60.000.000

RP 6.000.000 – 8.000.000 010 AGUS RIYADI (Sleman, Yogyakarta, 1979) Untitle 5, 2011 Acrylic on canvas: 70 x 75 cm Signed and dated, lower right: 2011, Agus Riyadi RP 5.000.000 – 8.000.000

008 CHENG SHUI (Bogor, West Java, 1981) Tukang Sol Sepatu Oil on board: 81 x 122 cm Signed, lower left: Ong Cheng Shui RP 18.000.000 – 25.000.000

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TREASURES FINE ART AUCTION

009 I NYOMAN RIDI (Penestanan, Bali, 1945) Tajen

011 BUNGA JERUK PERMATA PEKERTI (Solo, 1972) In The Garden, 1997

Oil on canvas: 121 x 61cm Signed, lower right: Ridi

Oil on canvas: 60 x 50 cm Signed and dated, lower middle: Bunga, 1997

RP 15.000.000 – 20.000.000

RP 10.000.000 – 15.000.000

TREASURES FINE ART AUCTION

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012 KETUT GINARSA (Tebayasa, Ubud, Bali, 1953) Wisnu Murti, 2010 Acrylic on canvas: 90 x 60 cm Signed and dated, lower left: Kt. Ginarsa, bali, 010 RP 7.000.000 – 10.000.000

016 R. HADI Di Depan Gerbang

013 NURDIN B.S (Padang, West Sumatra, 1915) Menuju Pura, 1973

Oil on canvas: 79 x 60 cm Signed, lower left: R. Hadi RP 12.000.000 – 20.000.000

Oil on canvas: 91 x 66 cm Signed and dated, lower left: Nurdin BS.73 RP 5.000.000 – 8.000.000

017 CAREL LODEWIJK DAKE, Jr (Schaerbeek, 1886 – Jakarta, 1946) Landscape Oil on board: 52 x 82 cm Signed, lower right: CL. Dake RP 30.000.000 – 40.000.000

014 GUSTI AGUNG DEWI MONALISA (Bali, 1983) Sawah di Bali

015 MARIA TJUI (Pariaman, Sumatra, 1934) Bali Temple, 2009

Acrylic on canvas : 70 x 90 cm Signed and dated, lower right: Monalisa, Ubud, Bali, 2012

Oil on canvas: 60 x 50 cm Signed and dated, lower right: Maria Tjui’2009 This lot is accompanied with certificate of authenticity from the artist

RP 5.000.000 – 8.000.000 RP 4.000.000 – 6.000.000

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018 FADJAR SIDIK (Surabaya, 1930 - 2004) Dinamika Kehidupan , 1992 Oil on canvas:75 x 75 cm Signed and dated, lower right: Fadjar Sidik’ 92 RP 20.000.000 – 30.000.000

019 HERI KRIS (Yogyakarta, 1967) Mr. Cactus , 2006 Mixed media on canvas : 140 x 145 cm Signed and dated, lower right: Heri Kris, 200 Signed, titled and dated on the reverse RP 8.000.000 – 12.000.000

020 ARIE SMIT (Zaandam, the Netherlands, 1916) Hurrying Past The Shrine, 2009 Acrylic on canvas: 26 x 30 cm Signed and dated lower left: Arie Smit,09 Signed, titled and dated on the reverse This lot is accompanied with certificate of authenticity from artist RP 30.000.000 – 50.000.000

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021 FREDERICK KASENDA (1920-1950) Washing by the River, 1932 Oil on canvas: 64 x 48 cm Signed and dated, lower left: Frederick Kasenda, 1932 RP 8.000.000 – 10.000.000

022 I KETUT MURTIKA (Bali, 1955) Bali Life, 2010 Acrylic on canvas: 60 x 45 cm Signed, lower right: Kt. Murtika RP 12.000.000 – 18.000.000

025 JB. IWAN SULISTYO (Kudus, Central Java, 1954) Halam Klenteng Pontianak Oil on canvas: 100 x 120 cm Signed, lower left: Jb. Iwan Sulistyo RP 20.000.000 – 30.000.000

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023 ANTON HUANG (Bandung, 1935 – 1985) Barong

024 KOEMPOEL SUJATNO (Ngawi, 1912 – Batu, 1987) Panen

Watercolor on paper: 34 x 24 cm Signed, lower right: Anton H.

Oil on canvas: 25 x 40 cm Signed, lower left: Koempoel

RP 20.000.000 – 30.000.000

RP 5.000.000 – 10.000.000

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026 AMRUS NATALSYA (Medan, 1933) Komedi Putar, 2006 Oil on wood: 155 x 246 cm Signed and dated lower middle: Amrus N. 2006 RP 80.000.000 – 100.000.000

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031 NYOMAN GUNARSA (Klungkung, 1944) Penari, 2000 Oil on canvas: 70 x 70 cm RP 25.000.000 – 40.000.000

027 HATTA HAMBALI (Sengkawang, South Sulawesi, 1949) Penari Kipas, 1997 Mixed media on canvas: 80 x 60 cm Signed and dated, lower right: Hatta Hambali, 97

028 I NYOMAN MURDANA (Tebayasa, Ubud, Bali, 1970) Tari Bali, 2011 Oil on canvas : 120 x 100 cm Signed and dated, lower left: Nyoman Murdana, Bedulu, Bali 2011 RP 7.000.000 – 10.000.000

032 KRIJONO (Jakarta, 1951 - 2011) Legong Bali, 2006 Acrylic on canvas: 100 x 120 cm Signed, titled and dated, upper right: 2006, Legong Bali, Krijono RP 50.000.000 – 60.000.000

RP 5.000.000 – 9.000.000

029 KRISNA Penari Oil on canvas : 80 x 140 cm Signed, lower right: Krisna

030 HASIM (Jakarta, 1921-1982) Penari, 1961 Oil on canvas : 142 x 65 cm Signed and dated, lower left: Hasim’ 61

RP 5.000.000 – 8.000.000 RP 12.000.000 – 20.000.000

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034 ERICA HESTU WAHYUNI (Yogyakarta, 1971) Master Chef Erica, 2014 Acrylic on canvas: 128 x 159 cm Signed and dated, lower middle: Erica, 2014 Signed, titled and dated on the reverse RP 45.000.000 – 60.000.000

033 HASAN DJAAFAR (Koto Gadang, West Sumatra, 1919 - 1995) Mandi Di Sungai Oil on canvas: 50 x 40 cm Signed, lower left: Hasan Djaafar RP 8.000.000 – 12.000.000

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035 Rilantono (Sukorejo, 1960) Wayang, 1992 Oil on canvas: 100 x 80 cm Signed and dated, lower left: Tono92 RP 7.000.000 – 10.000.000

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Agung Mangu Putra Mangu Putra was born in Sangeh, Bali, on May 11, 1963. He graduated from the faculty of Art and Design at the Indonesian Arts Institute (ISI), Yogyakarta majoring Visual Communication Design (1990). His first exhibition was in Dewata Gallery (1987) at Taman Budaya Denpasar. Being a designer did not satisfy him as an artist then he decided to engage in full time painting in 1998. Since his first solo exhibition in Ubud (1990) his name was considered as valuable painter in Indonesia. He held his solo exhibition at National Gallery, “Teater Rakyat”, Jakarta, 2010; “Silent Word”, Gajah Gallery, Singapore (2008), Mandala, Bidadari, Ubud-Bali (2007), “Belief, Rupa Gallery”, Surabaya (2005),etc. He also joined in several group exhibitions in Jakarta, Yogyakarta, Bali and other country. He received awards as the Best in Design Arts (during the 4th and 6th anniversary of ISI, as the finalist of Philip Morris Award in 1994 and Indofood Art Award 2002, Second Place, Jakarta.

036 AGUNG MANGU PUTRA (Sangeh, Bali, 1963) Menyusuri Pagi, 2002 Oil on canvas: 90 x 150 cm Signed and dated, lower left: Mangu Putra.03.2002 RP 85.000.000 – 100.000.000

Mangu Putra’s works arise from intense contact with the world as a conscious expression of his main creative orientation. Representations of natural phenomena, along with the inner pulse of life, form the main stream of his search. The natural world, such as mountains and coasts, are depicted as identifiable objects. Some of his works with abstract designs imply natural images, such as the character of water and the texture and colors of earth or stone. Through his work he expressed his gratitude towards God creations. He gave specific themes on his work from which other painters did not pay attention to. Until now many of his works were collected by art collectors in Indonesia and overseas. This exciting and very talented artist has participated in a number of group and solo exhibitions throughout Indonesia and abroad.

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037 HATTA HAMBALI (Sengkawang, South Sulawesi, 1949) Sepasang Ayam

038 TATANG KOENTJORO (b.Semarang. Central Java - 1993) Sepasang Ayam, 1971

Mixed media on canvas : 50 x 61cm Signed, lower right: Hatta Hambali

Oil on canvas: 109 x 61 cm Signed and dated, lower left: Koentjoro'71

RP 6.000.000 – 9.000.000

RP 20.000.000 – 30.000.000

039 MARIA TJUI (Pariaman, Sumatra, 1934) Cap Gomeh, 2008

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040 DEWA Putu sudiasa Living in Harmony, 1996

041 S. TOYO (Blitar, 1935 – Malang, 2000) Berburu

Oil on canvas: 50 x 60 cm Signed and dated, lower right: Maria Tjui’2008 This lot is accompanied with certificate of authenticity from the artist

Acrylic on canvas: 80 x 60 cm Signed and dated, lower right: Dw. Pt. Sudiasa 1996

Oil on canvas: 41 x 60 cm Signed, lower left: S. Toyo

RP 4.000.000 – 6.000.000

RP 5.000.000 – 7.000.000

RP 6.000.000 – 8.000.000

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a.

b.

043 a. Lie tjoen tjay (Jakarta, 1931) Membajak Sawah, 1972 Watercolor on paper : 53 x 65 cm Signed and dated, lower left: L. Tjoen Tjay 72 b. HATTA HAMBALI (Sengkawang, South Sulawesi, 1949) Menuju Upara, 1983 Acrylic on paper: 50 x 80 cm Signed and dated, lower left: Hatta Hambali, 83 RP 5.000.000 – 7.000.000

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042 RUSLI (Medan, 1912 – Jakarta 2005) Bali, 1980

044 PUTU SUTAWIJAYA (Bali, 1971) Still Life (Alam Benda), 1993

Oil on canvas: 50 x 65 cm Signed and dated, lower right: Rusli, 4 April 1980

Oil on canvas: 80 x 60 cm Signed and dated, lower left: Putu S, 93

RP 34.000.000 – 50.000.000

RP 12.000.000 – 18.000.000

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049 LUCIEN FRITS OHL (Palembang, South Sumatra, 1904 – The Hague, 1976) Seated Girl Oil on canvas: 70 x 50 cm Signed, lower right: L. Frits Ohl RP 40.000.000 – 50.000.000 045 RUDI SETYADI OB (Bandung, 1971) Half Nude, 2012

046 SUPROBO (Pati, Central Java, 1958) Penjual Jamu, 1993

Acrylic on canvas: 130 x 130 cm Signed and dated, lower right: R. Setyadi, 2012

Oil on canvas: 100 x 100 cm Signed and dated, lower right: Suprobo, 1993

RP 6.000.000 – 10.000.000

RP 5.000.000 – 7.000.000

050 ANANG ASMARA (Yogyakarta, 1974) Angels, 2012 Oil on canvas: 140 x 120 cm Signed and dated, lower right: Anang Asmara, 2012

047 AGUS DJAYA (Pandeglang, West Java, 1913 - 1993) Dua Wanita, 1958

RP 24.000.000 – 35.000.000

Oil on canvas: 183 x 92 cm Signed and dated, upper right: Agus Djaya, 58 RP 35.000.000 – 50.000.000

048 TATANG GANAR (Bandung, 1936 – 2004) Necklace Seller, 1997 Oil on canvas: 130 x 95 cm Signed and dated, lower left: T. Ganar, 97 RP 10.000.000 – 15.000.000

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055 RUSTAMADJI (Klaten, 1921 - 2001) Menebang Pohon Kelapa, 1986 Oil on canvas: 184 x 92 cm Signed and dated, lower right: Rustamadji, 1986 This lot is accompanied with reference letter from the artist family

051 SUDJONO ABDULLAH (Yogyakarta, 1911 – 1993) Pura Di Tepi Danau Oil on canvas: 100 x 200 cm Signed, lower left: S. Abdullah RP 15.000.000 – 20.000.000

052 JB. IWAN SULISTYO (Kudus, Central Java, 1954) Venice

RP 18.000.000 – 25.000.000

Oil on canvas: 70 x 60 cm Signed, lower left: Jb. Iwan Sulistyo RP 10.000.000 – 15.000.000

053 SAIMAN DULLAH (Tuban, East Java, 1954) Pura Di Bedugul, 1993 Oil on canvas: 90 x 140 cm Signed and dated, lower left: Saiman Dullah, 1993

056 CAREL LODEWIJK DAKE, Jr (Schaerbeek, 1886 – Jakarta, 1946) Gunung Salak Oil on board: 51 x 83 cm Signed, lower right: CL. Dake RP 25.000.000 – 35.000.000

RP 10.000.000 – 15.000.000

054 I Ketut kicen Barong Dance Acrylic on canvas: 60 x 80 cm Signed, lower right: I Kt. Kicen RP 10.000.000 – 15.000.000

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057 HANAFI (Purworejo, Central Java, 1960) Ikat Yang Kuat, 2005 Acrylic on canvas: 140 x 140 cm Signed and dated, lower left: Hanafi’05 RP 9.000.000 - 15.000.000

058 HAMDAN TT. (Padang, West Sumatra 1980) Relaxation Space #3, 2008 Acrylic on canvas: 180 x 200 cm Signed and dated, lower right: Hamdan’08 Signed, titled and dated on the reverse RP 5.000.000 - 8.000.000

059 RUSLI (Medan, 1912 – Jakarta 2005) Ciloto, 1973 Oil on canvas: 60 x 75 cm Signed and dated, lower middle: Rusli. 1973 RP 25.000.000 - 35.000.000

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060 SOEKARDJI (1880 – 1950) Warung Makan

061 FREDERIK KASENDA (1920-1950) Landscape Ricefield, 1922

Oil on canvas: 70 x 110 cm Signed, lower left: Soekardji

Oil on board: 50 x 68 cm Signed and dated, lower right: Frederik Kasenda, Anak Minahasa, 1922

RP 12.000.000 - 20.000.000

RP 10.000.000 - 15.000.000

064 WILHEMUS JEAN FREDERIC IMANDT (St. Jansteen, The Netherlands, 1882 – 1967) Trees by The Sea Oil on canvas: 80 x 70 cm Signed, lower left: W. Imandt

065 I WAYAN KETIG (Batuan, 1928) Bali Life Acrylic on canvas: 90 x 133 cm RP 20.000.000 - 30.000.000

RP 25.000.000 - 35.000.000

066 SUDJONO ABDULLAH (Yogyakarta, 1911 – 1993) Kapal Madura Oil on canvas: 131 x 288 cm Signed, lower left: S. Abdullah RP 20.000.000 - 30.000.000

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062 TATANG KOENTJORO (b.Semarang, - died 1993) Lima Ikan Mas Koki

063 I GUSTI MADE DEBLOG (Denpasar, 1906 – 1986) Gembala Kerbau

Oil on board: 95 x 55 cm Signed in chinese character, middle right

Acrylic on paper: 25 x 32 cm Signed, lower right: I gst. Md. Deblog, Denpasar Bali

RP 30.000.000 - 40.000.000

RP 5.000.000 - 8.000.000

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067 RATMOYO (Yogyakarta, 1929 - 2008) Karno Tanding, 1973 Acrylic on canvas: 86 x 196 cm Signed and dated, lower left: Ratmoyo, 1973 RP 35.000.000 - 50.000.000

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068 DEDE ERI SUPRIA (Jakarta, 1956) Balinese Dancer, 2012 Oil on canvas: 130 x 120 cm Signed and dated, lower left: Dede Eri Supria, 2012 This lot is accompanied with certificate of authenticity from the Artist RP 60.000.000 - 90.000.000

Being fascinated by photographic realism, Dede Eri Supria has developed his paintings through collection of photographs. He found his idioms through observing photos. However he never copies the photographs either. His paintings show that he tends to go beyond photography, in the sense that the sceneries he creates in his canvases are impossible for photography to emulate. In playing with this imagination of the unreal-reality or engineered visual reality, he employs painstakingly realistic technique in the details of his works. His style and theme becomes a pioneer of Gerakan Seni Rupa Indonesia in the late 70’s. He had received several awards, such as: General Award for The Arts from The Society for American Indonesia Friendship Inc. (1978), The International Visitor’s Program from USIS, USA (1981), Anugerah Adam Malik (1986), and Affandi Award (1993). Since the last two decades, Dede Eri Supria has developed fascinating paintings that amaze the Indonesian art aficionados. His works are rich in colors, forms, and lines which formed in careful fashion producing a pleasant and enjoyable picture. The picture sometimes drives the viewers to personally feel the situation as illustrated in canvas. Balinese dancer is one of Dede’s favorite objects that often times reveal in most of his painting with different style and nuances.

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073 PRANAGUNG (Solo, 1954) Penjual Bunga Oil on canvas: 120 x 90 cm Signed, lower right: Prana RP 15.000.000 - 20.000.000 069 SUSILO BUDI PURWANTO (Magelang, 1966) Figures, 2003

070 YANG GAO (b. China, Guangzhou) Bunda Teresa, 2010

Oil on canvas: 70 x 60 cm Signed and dated, lower left: Susilo, 2003/04

Acrylic on canvas: 85 x 80 cm Signed and dated, lower right: Yang Gao, 2010

RP 4.000.000 - 6.000.000

RP 3.000.000 - 5.000.000

074 BAMBANG PRAMUDIANTO (Klaten, 1965) American Style, 2013 Acrylic on canvas: 100 x 100 cm Signed, and dated, lower left: B. Pramudianto.91.13 RP 10.000.000 - 15.000.000 071 M. PRAMONO IR. (Yogyakarta, 1962) The Winner, 2007 Oil on canvas: 85 x 65 cm Signed and dated, lower right: Pramono, Sept.07 RP 5.000.000 - 7.000.000

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072 MADE SUANDA Ibu dan Anak, 2007 Acrylic on canvas: 70 x 50 cm Signed and dated, lower right: Suanda MD. Bali’07 RP 5.000.000 - 7.000.000

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075 WIDAYAT (Kutoarjo, 1919 – Jakarta, 2002) Wanita Di Taman, 1998 Oil on canvas: 50 x 60 cm Signed, and dated, lower left: H. Widayat Signed, titled and dated on the reverse RP 38.000.000 - 45.000.000

076 HANAFI (Purworejo, Central Java, 1960) Abstrak, 2009 Acrylic on canvas: 120 x 240 cm Signed, and dated, lower left: Hanafi’09

077 HANAFI (Cirebon, 1942 – Bandung, 2009) Abstrak, 1998 Mixed media on canvas: 55 x 65 cm Signed, and dated, lower right: Umi D’98 RP 30.000.000 - 50.000.000

RP 12.000.000 - 20.000.000

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082 ADI KANIKO (Surabaya, 1964) Horses Oil on canvas: 143 x 130 cm Signed, lower left: Adi Kaniko RP 8.000.000 - 12.000.000

078 LIEM TJOE ING (Surakarta, 1922-1996) Pasar Sapi, 1990

079 I KETUT REGIG (Ubud, 1919 – 2002) Frogs

Oil on canvas: 70 x 70 cm Signed and dated, lower left: L. Tjoe Ing’90

Acrylic on canvas: 83 x 66 cm Signed, lower left: Kt. Regig

RP 10.000.000 - 15.000.000

RP 10.000.000 - 15.000.000

083 ABAS ALIBASYAH (Purwakarta, 1928) Wajah Misterius, 1962 Oil on canvas: 40 x 75 cm Signed, lower right: Abas Signed, titled and dated on the reverse RP 15.000.000 - 20.000.000

080 I DEWA PUTU MOKOH (Pengosekan, Ubud,Bali, 1936) Ikan, 2001 Acrylic on canvas: 40 x 60 cm Signed, lower right: Mokoh Signed and dated on the reverse RP 8.000.000 -15.000.000

081 TATANG KOENTJORO (b.Semarang, - died 1993) Sepasang Ikan Mas, ca.1960 Oil on board: 121 x 48 cm Signed, lower right: Mokoh Signed and stamped in chinese character, upper left RP 35.000.000 - 45.000.000

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a.

084 I NYOMAN DARYA (Gianyar, Bali, 1974) Cinta Bagian #4, 2006

085 IDA BAGUS MADE NADERA (Tegallingah, 1910 - 1998) Fruit Seller

Acrylic on canvas: 125 x 180 cm Signed, titled and dated on the reverse

Acrylic on canvas: 78 x 57 cm Signed, lower right: Ida Bagus Made Nadera

RP 5.000.000 - 8.000.000

RP 8.000.000 - 12.000.000

b.

088 a. I GEDE KETUT SUANDI (Denpasar, Bali, 1932) Gadis Bali, 1990 Oil on canvas: 30 x 31 cm Signed and dated, lower left: Suandi, Bali’90 b. TATANG GANAR (Bandung, 1936 – Bandung, 2004) Figur Wanita Oil on canvas: 45 x 65 cm Signed, lower left: RP 5.000.000 - 7.000.000

089 AGUS DJAYA (Pandeglang, West Java, 1913 - 1993) Pertapa dan Enam Bidadari Oil on canvas: 68 x 89 cm Signed, lower right: Agus Djaya RP 12.000.000 - 18.000.000

086 TILLY DALTON (Dutch) Streetlife Surabaya, 1948 Oil on canvas: 36 x 60 cm Signed and dated, lower right: Tilly Dalton’48 RP 10.000.000 -15.000.000

087 CHENG SHUI (Bogor, West Java, 1981) Bali Life Oil on board: 122 x 244 cm Signed, lower left: Ong Cheng Shui RP 35.000.000 - 55.000.000

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094 a. JEAN PECASSE Bali Life, 1990

090 SUDJONO ABDULLAH (Yogyakarta, 1911 – 1993) Landscape Mountain, 1975

Ink on paper: 30 x 24 cm This lot is accompanied with certificate of authenticity from the Artist

Oil on canvas: 100 x 225 cm Signed and dated, lower left: S. Abdullah, 6.4.75

b. JEAN PECASSE Ceremony, 1995

RP 18.000.000 - 25.000.000

Watercolour on paper: 40 x 30 cm This lot is accompanied with certificate of authenticity from the Artist c. NYOMAN GUNARSA (Klungkung, 1944) Barong, 1993

091 I DEWA NYOMAN TJITA (Batuan, Bali,1927) Panen

a.

Acrylic on canvas: 40 x 40 cm Signed, lower left: RP 5.000.000 - 8.000.000

b.

Pastel on paper: 31 x 35 cm Signed and dated, lower left: ‘93 This lot is accompanied with certificate of authenticity from the Artist RP 6.000.000 - 8.000.000

095 ERICA HESTU WAHYUNI (Yogyakarta, 1971) Sweet Rabbits Family, 2013 Acrylic on canvas: 80 x 110 cm Signed and dated, lower right: Erica, 2013 Signed, titled and dated on the reverse This lot is accompanied with certificate of authenticity from the Artist

092 FREDERIK KASENDA (1920-1950) Landscape, 1933 Oil on canvas: 67 x 100 cm Signed and dated, lower left: Frederik Kasenda, 1933 RP 10.000.000 - 15.000.000

RP 18.000.000 - 25.000.000 c.

093 KOEMPOEL SUJATNO (Ngawi, 1912 – Batu, 1987) Flamboyant Oil on canvas: 30 x 40 cm Signed, lower right: Koempoel RP 5.000.000 - 10.000.000

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096 SUDARSO (Purwokerto, 1914 - 2006) Main Congklak, 1995 Oil on canvas: 78 x 94 cm Signed and dated, lower right: Sudarso’95 RP 25.000.000 - 35.000.000

097 IDA BAGUS INDRA (IBI) (Bali, 1974) Celebs (Kalau Sudah Bintang, Tetaplah Bintang, 2012 Acrylic on canvas: 105 x 165 cm Signed and dated, lower right: IBI, May 2012 This lot is accompanied with certificate of authenticity from the Artist RP 50.000.000 - 60.000.000

098 SOETOPO (Yogyakarta, 1931) Pasar Burung, 1998 Oil on canvas: 150 x 167 cm Signed and dated, lower right: Soetopo, 1998 RP 55.000.000 - 80.000.000

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101 TATANG KOENTJORO (b.Semarang, - died 1993) Cendrawasih, ca. 1960

099 HENING PURNAMAWATI (Cimahi, 1960) Senandung Alam Imajiner, 1992

Oil on board: 121 x 48 cm Signed, lower left: RP 35.000.000 - 45.000.000

Oil on canvas: 95 x 115 cm Signed and dated, lower right: Hening P. 92 RP 17.000.000 - 20.000.000

100 ERICA HESTU WAHYUNI (Yogyakarta, 1971) Never Ending Peace Love, 2010 Acrylic on canvas: 70 x 80 cm Signed and dated, lower left: Erica, 2010 Signed, titled and dated on the reverse This lot is accompanied with certificate of authenticity from the Artist

102 SAIMAN DULLAH (Tuban, East Java, 1954) Cock Fight Oil on canvas: 120 x 90 cm Signed, lower right: RP 4.000.000 - 7.000.000

RP 14.000.000 - 20.000.000 103 AMRUS NATALSYA (Medan, 1933) 4 Figure, 1994 Oil on wood: 41 x 59 cm Signed and dated, lower right: Amrus N.94 RP 7.000.000 - 10.000.000

104 LUCIA HARTINI (Temanggung, 1959) Horses, 2000 Watercolour on paper: 36 x 54 cm Signed and dated, lower right: Lucia Hartini, November, 2000 RP 3.000.000 - 5.000.000

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105 TULUS WARSITO (Sragen, Central Java, 1953) Gerbang Kebebasan, 1997

106 I MADE TORIS MAHENDRA (Denpasar, 1972) Abstraksi, 2011

Acrylic on canvas:145 x 145 cm Signed and dated, lower left: Tulus W.97

Oil on canvas: 150 x 250 cm Signed and dated, lower right: Toris Mahendra, Yogya, 2011

RP 6.000.000 - 9.000.000 RP 20.000.000 - 30.000.000 109 ADAM LAY (Wonosobo, Central Java, 1949) Three Kingdom, 1989 Oil on canvas: 172 x 110 cm Signed and dated, lower left: Adam L’89 RP 38.000.000 - 45.000.000

110 IDA BAGUS INDRA (IBI) (Bali, 1974) Penari,

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107 I WAYAN GEDE SUANDA SAYUR (Ubud, Bali, 1980) Delicious

108 NYOMAN SUKARI (Karangasem, Bali) Untitled, 1993

Acrylic on canvas: 120 x 120 cm Signed and titled on the reverse

Oil on canvas: 85 x 150 cm Signed and dated, lower left: Sukari’93

RP 3.000.000 - 5.000.000

RP 25.000.000 - 35.000.000

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Acrylic on canvas: 145 x 90 cm Signed and dated, lower right: RP 45.000.000 - 60.000.000

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115 FADJAR SIDIK (Surabaya, 1930 - 2004) Dinamika Ruang, 1990 Oil on canvas: 75 x 75 cm Signed and dated, lower left: F. Sidik’90 112 HAMDAN TT. (Padang, West Sumatra 1980) Menerima dan Memberi, 2008

111 MULYO GUNARSO (Kediri, E. Java, 1979) Keindahan Yang Membatu, 2007

RP 20.000.000 - 30.000.000

Acrylic on canvas: 150 x 250 cm Signed and dated, lower right: Hamdan’08 Signed, titled and dated on the reverse RP 5.000.000 - 8.000.000

Acrylic on canvas: 130 x 100 cm Signed and dated, lower left: Jogja, 2007 RP 5.000.000 - 8.000.000

116 ADI KANIKO (Surabaya, 1964) Badut, 2013

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113 I MADE SUKADANA (Alampura, Bali, 1966) Abstrak, 2000

114 PAUL HUSNER (Basel, 1942) Flower in a Vase

Oil on canvas: 140 x 200 cm Signed and dated, lower right: Sukadana, 2000

Oil on canvas: 70 x 110 cm Signed on the reverse

RP 25.000.000 - 35.000.000

RP 25.000.000 - 35.000.000

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Oil on canvas: 143 x 137 cm Signed and dated, lower left: Adi Kaniko’13 RP 6.000.000 - 10.000.000

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118 SRI HADHY (Purwodadi, 1943) Salju Di Taiwan Oil on canvas: 40 x 70 cm Signed, lower right: Sri Hadhy RP 3.000.000 - 5.000.000

119 WILLEM VAN DER DOES (Amsterdam, The Netherlands, 1889 – 1966) Bellas Ar Zout Manster Den Haag Oil on board: 40 x 60 cm Signed, lower right: Van Der Does RP 15.000.000 - 20.000.000

120 SUDJONO ABDULLAH (Yogyakarta, 1911 – 1993) Rumah Di Tepi Sungai Oil on canvas: 95 x 164 cm Signed, lower left: S. Abdullah RP 15.000.000 - 20.000.000

117 HASAN DJAAFAR (Koto Gadang, West Sumatra, 1919 1995) Lake View Oil on canvas: 57 x 86 cm Signed, lower left: Hasan Djaafar RP 12.000.000 - 18.000.000

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121 KETUT GINARSA (Tebayasa,Ubud, Bali,1953) Berburu, 2007 Acrylic on canvas: 35 x 35 cm Signed, lower right: 2007 Kt. Gunarsa RP 7.000.000 - 10.000.000

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122 BONNY SETIAWAN ( Wonogiri, Central Java, 1968) Market, 2005 Oil on canvas: 140 x 198 cm Signed and dated, lower left: Bonny S. 2005 RP 8.000.000 - 15.000.000

123 IDA BAGUS MADE NADERA (Tegallingah, 1910 - 1998) Pasar Rembrandtcolour on canvas: 90 x 152 cm Signed, lower left: Ida Bagus Made Nadra RP 28.000.000 - 35.000.000

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124 I KETUT TENANG (Denpasar, 1969) Dua Gadis Berbaju Merah, 2004

125 AFFANDI (Cirebon, 1907 – 1990) Self Portrait, 1975

Oil on canvas: 80 x 70 cm Signed and dated, lower right: Tenang, 2004

Canson and montgolifier paper: 29.5 x 21 cm Signed and dated, middle right: AF. 1975

RP 2.000.000 - 4.000.000

RP 12.000.000 - 20.000.000

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126 DULLAH (Solo, 1919 – 1996) Potret Laki-laki Oil on canvas: 50 x 41 cm Signed, lower right: Dullah RP 20.000.000 - 30.000.000

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127 UTOMO S. (Karawang, 1958) Nude, 2008

128 I NYOMAN LANUSA (Tebesaya, Ubud, 1946) Figure

Acrylic on canvas: 200 x 150 cm Signed and dated, lower right: Utomo S.08

Charcoal on paper: 62 x 84 cm Signed, lower right: Ny. Lanusa, Bali

RP 8.000.000 - 12.000.000

RP 8.000.000 - 10.000.000

131 PUPUP DARU PURNOMO (Yoyakarta, 1964) The Body Guard, 2011 129 KOEMPOEL SUJATNO (Ngawi, 1912 – Batu, 1987) Gadis

130 IDA BAGUS RAI (Padangtegal, Gianyar, 1933) Balinese Mythology

Charcoal on canvas: 185 x 130 cm Signed, titled and dated, lower area: Pupuk DP. Yogyakarta. 13.2.2011, The Body Guard

Oil on canvas: 100 x 70 cm Signed, lower right: Koempoel

Acrylic on canvas: 80 x 60 cm

RP 40.000.000 - 50.000.000

RP 8.000.000 - 10.000.000

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RP 10.000.000 - 15.000.000

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134 I WAYAN DJUMU Mythology Scene Acrylic on canvas: 69 x 90 cm Signed ated, lower right: Djumu, W. Tegallalang Bali RP 12.000.000 - 18.000.000

132 R. HADI Pertarungan Liar Oil on canvas: 101 x 76 cm Signed, lower left: R. Hadi 135 EFFENDI (Malang, 1957) Di Dalam Kedalaman Ada Kedalaman, 1994

RP 20.000.000 - 30.000.000

Acrylic on canvas: 91 x 60 cm Signed and dated, lower right: Effendi’94 RP 15.000.000 - 20.000.000

133 ADAM LAY (Wonosobo, Central Java, 1949) Three Musketeers, 1997 Oil on canvas: 170 x 110 cm Signed and dated, lower right: Adam L’97 RP 40.000.000 - 50.000.000

136 SUDJONO ABDULLAH (Yogyakarta, 1911 – 1993) Harvest with Mountain on The Background Oil on canvas: 125 x 200 cm Signed, lower left: S. Abdullah RP 18.000.000 - 30.000.000 137 S. SAMAN Figur Wanita Oil on canvas: 50 x 40 cm Signed, lower left: S. Saman RP 3.000.000 - 5.000.000

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138 KOEBOE SARAWAN (Malang, 1961) Arca, 1987 Oil on canvas: 60 x 60 cm Signed and dated, lower left: Koeboe’87 RP 60.000.000 - 80.000.000

139 JUMALDI ALFI (Lintau, West Sumatra, 1973) Green Rabbit With A Fox, 1997 Oil on canvas: 70 x 120 cm Signed and dated, lower left: Alfi, 1997 RP 30.000.000 - 40.000.000

140 POPO ISKANDAR (Garut, 1927 – Bandung, 2000) Cat, 1980 Oil on canvas: 68 x 60 cm Signed and dated, lower left: Popo’80 RP 40.000.000 - 60.000.000

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141 SEN PAO (Surabaya, 1949) Warung, 1991 Oil on canvas: 50 x 60 cm Signed, lower right: Sen Pao, Bali Signed, titled and dated on the reverse RP 15.000.000 - 20.000.000

142 TATANG KOENTJORO (b.Semarang, - died 1993) Landscape, 1977 Oil on canvas: 60 x 120 cm Signed and dated, lower left: Koentjoro’77 RP 25.000.000 - 35.000.000

143 RUSTAMADJI (Klaten, 1921 - 2001) Landscape, 1975 Oil on canvas: 105 x 83 cm Signed and dated, lower left: Rustamadji, 1975 RP 10.000.000 - 15.000.000

144 OTTO DJAYA (Rangkas Bitung, West java, 1916 - 2002) Tari Tayub, 1998 Oil on canvas: 90 x 120 cm Signed and dated, lower right: Otto Djaya, 1998 RP 12.000.000 - 18.000.000

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145 RUSTAMADJI (Surabaya, 1932 – 1990) Anak Nelayan, 1983 Oil on canvas: 100 x 70 cm Signed and dated, lower left: Rustamadji, 1983 RP 90.000.000 - 120.000.000

Born in Surabaya, East Java, April 16, 1932. In 1946 he started painting under the painter S. Sudjojono in Sanggar Indonesia Muda (Young Indonesian Artists Association), Madiun. Rustamadji was a painter in the realistic – naturalistic style from the 1940’s to the 1960’s, he focused on themes of daily life and experiences which were familiar to the people. This subject, that reflected feelings of nationalism, became popular after the more romantic – naturalistic – Mooi Indie style of the 1930’s. Rustamadji was greatly influenced by the spirit of the time when he began painting. His works were egalitarian with their messages of social, economic and political equality for everyone. Rustamadji was deeply inspired by the people’s daily life. His often used objects of paintings describing the themes of figures, landscapes, and markets and dancers. He closely observed the realities of life among ordinary people. He shows his expertise in presenting detailed forms, treatment of light and shadow, and creating a certain kind of mood.

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146 WIDAYAT (Kutoarjo, 1919 – Jakarta, 2002) Pecinta Burung, 1997 Oil on canvas: 70.5 x 70 cm Signed and dated, lower left: H. Widayat’97 Signed, titled and dated on the reverse

147 MAHYUDDIN S. (Bukittinggi, Sumatra 1924 - 1993) Peaceful Sea Oil on canvas: 45 x 90 cm Signed, lower right: Mahyuddin S. RP 35.000.000 - 50.000.000

RP 25.000.000 - 35.000.000

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148 SALIM / SARAOCHIM SALIM (Medan, 1908 – Paris, 2008) Mekar, 2000 Oil on canvas: 72 x 60 cm Signed and dated, lower right: Salim, 2000 Literature: Ajip Rosidi, Salim Pelukis Indonesia Di Paris, Published by Pustaka Jaya, Jakarta, 2003. Pg. 77 RP 30.000.000 - 50.000.000

149 SALIM / SARAOCHIM SALIM (Medan, 1908 – Paris, 2008) Malam Di Kota, 1990 Oil on canvas: 73 x 54 cm Signed, and dated, lower right: Salim’90 RP 20.000.000 - 30.000.000

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Salim (Saraochmin Salim) was born in Medan, North Sumatra, on 3 September 1908. In 1919 he went to the Netherlands, then in 1928 to Paris, France. There he met Fernand Leger whom he studied painting with and continued to study at the Académie de la Grande Chaumiére from 1929 to 1932. He is an amazing artist who has maintained his social beliefs and ideals throughout his long life, for the belives that artists will never die. His life and artistry are documented in the books Pelukis Salim (1983) and Salim: Pelukis Indonesia di Paris (2003). Since 1948, Salim has held several solo exhibitions in France, the Netherlands, Switzerlands, Belgium and Japan. He held several solo exhibitions in Indonesia since 1952. He received many awards from the France government as well as other International awards such the Festival International de Paris-Sud (1971), The National Prize of the International Exhibition at Cagnes Sur-Mer (1972) and Medeille d’Argent of the Festival International de ParisSud (1973). He continues painting and lives in Paris until he passed away in on 13 October 2008. He visualizes things in his works that leave lasting impressions with their strong lines and lively color.

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150 OH. SUPONO (Surabaya, 1937 – Bali, 1991) Gembala Sapi, 1983 Oil on canvas: 119 x 139 cm Signed, and dated, lower right: OH. Supono’83 Signed and titled on the reverse

151 NASHAR (Pariaman, 1928-1994) Figur, 1990 Acrylic on canvas: 64 x 93 cm Signed, and dated, upper right: 26.2.90 RP 27.000.000 - 40.000.000

RP 35.000.000 - 50.000.000

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Index of Artists Abas Alibasjah Adam Lay Adi Kaniko Affandi Agung Mangu Putra Agus Djaya Agus Riyadi Amrus Natalsya Anang Asmara Anton Huang Arie Smit Bambang Pramudianto Bonny Setiawan Bunga Jeruk Permata Pekerti Carel Lodewijk Dake, Jr Cheng Shui Dede Eri Supria Dewa Putu Mokoh Dewa Putu Sudiasa Dullah Effendi Erica Hestu Wahyuni Ernest Dezentje Fadjar Sidik Frederick Anton Kievits Frederik Kasenda Gusti Agung Dewi Monalisa Hamdan TT Hanafi Hasan Djaafar Hasim Hatta Hambali Hening Purnamawati Heri Kris I Dewa Nyoman Tjita I Gusti Made Deblog I Ketut Murtika I Ketut Regig I Ketut Tenang I Made Gede Suanda Sayur I Made Sukadana I Made Toris Mahendra I Nyoman Darya I Nyoman Lanusa I Nyoman Ridi I Nyoman Sukari I Wayan Djumu Ida Bagus Indra (IBI) Ida Bagus Made Nadera Ida Bagus Rai JB Iwan Sulistyo Jumaldi Alfi Juni A. Wulandari Ketut Ginarsa Ketut Kicen Koeboe Sarawan Koempoel Sujatno

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83 109, 133 82, 116 125 145 47, 89 10 26, 103 50 23 20 74 122 11 17, 56 8, 87 68 80 40 5, 126 135 34, 95, 100 2 18, 115 3 21, 61, 92 14 58, 112 57, 76 33, 117 30 27, 37 99 19 91 63 22 79 124 107 113 106 84 128 9 108 134 97, 110 85, 123 130 25, 52 139 7 12, 121 54 138 24, 93, 129

Krijono Krisna Liem Tjoe Ing Lucia Hartini Lucien Frits Ohl M. Pramono IR Made Suanda Mahyuddin Maria Tjui Mulyo Gunarso Nashar Nurdin BS Nyoman Gunarsa Nyoman Murdana OH. Supono Otto Djaya Paul Husner Popo Iskandar Pranagung Pupuk Daru Purnomo Putu Sutawijaya R. Hadi R. Setiadi OB Ratmoyo Rilantono Rusli Rustamadji Rustamadji (Klaten) S. Saman S. Toyo Saiman Dullah Salim/ Saraochim Salim Sen Pao Soekardji Soetopo Sri Hadhy Sudarso Sudjono Abdullah Suprobo Susilo Budi Purwanto Tatang Ganar Tatang Koentjoro Tilly Dalton Tulus Warsito Umi Dahlan Utomo S. Wayan Ketig Widayat Willem Imandt Willem van der Does Yang Gao Yogi Setiawan

32 29 78 104 49 71 72 147 15, 39 111 151 4, 13 31 28 150 144 114 140 73 131 44 16, 132 45 67 35 42, 59 36 55, 143 137 41 53, 102 148, 149 141 60 98 118 96 1, 51, 66, 90, 120, 136 46 69 48 38, 62, 81, 101, 142 86 105 77 127 65 75, 146 64 119 70 6

a. Ketut Suandi, b. Tatang Ganar a. Lie Tjoen Tjay, b. Hatta Hambali a. Nyoman Gunarsa, b. Jean Pecasse

88 43 94

Biography of Artists

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ABAS ALIBASYAH (Purwakarta, 1928) Born in Purwakarta, March 1, 1928. studied at the Akademi Seni Rupa Indonesia (ASRI, Indonesian Academy of Fine Arts) in Yogyakarta, Central Java, from 1950-1956. He also taught at many schools and universities in Yogyakarta, including ASRI and Universitas Gajah Mada. His works are balanced compositions of color and form. Award: Piagam Anugerah Seni (Indonesia, 1975). Exhibitions: Festival of Indonesia (U.S.A., 1990-1992), center for Strategic and International Studies (Jakarta, Indonesia, 1996). Abas became the lecturer of ASRI and later became the principal of the institution ever since. He started painting landscapes and was later attracted to ethnic objects. His works have been granted many awards from the Indonesian government as well as foreign countries such as Cultural Award Scheme from the Australian government (1970), the best work in painting of Biennale Indonesia (1974), the Lempad award from Sanggar Dewata Indonesia (1984) etc. His works was in the collection of former Indonesian President Soekarno as well as many art collectors. ADAM LAY (Wonosobo, Central Java, 1949) Born in Wonosobo, Central Java on September 25, 1949. He started painting since he was in elementary school. He was known as an autodidact painter. His first solo exhibition held in 1979 at Hotel Indonesia, Jakarta. As a professional painter he joined several exhibitions in Jakarta and Australia. ADI KANIKO( Surabaya, 1964 ) Born in Surabaya, 22 March 1964. He studied art at IKIP Surabaya majoring in Fine Art. He has participated in several group exhibitions among others “Small is Beautiful” in Jakarta 2005, “Olimpiade” in Jakarta 2004, Interpellation CP Open Biannale” in Jakarta 2003, “Gak Kakehan Omong” in Surabaya 2001, “Greget Paradigma” in Sahid Hotel Jakarta 2000, “Photo & Instalasi” in CCF Surabaya 1999, etc. He was a finalist at the 6th Philip Morris Competition Art Awards held in Jakarta. Adi’s work that often reflects on the ills of hypocritical regimes signifies how art has a special, truthful task to carry out, and must read and understand the people’s inner voices. He received awards from Indonesia Art Award 6 & 7, and CP Open Biennale Jakarta. AFFANDI (Cirebon, 1907 – 1990) Born in Cirebon, March 11, 1907. He is considered as the Indonesian Artist par excellent. He was the founder of the Himpunan Pelukis Masyarakat (Community’s Artists Association (1946) and Himpunan Pelukis Rakyat (People’s Artists Association) in 1947, Affandi was committed to creating a new artistic idiom for Indonesia. In the early of 1950s he traveled to India for a grant from Indian Government, he held several one-man shows in several Indian Cities, United Kingdom, the Netherlands, Belgium, France and Italy. He received an Indonesian Art Award from the Ministry of Education and Culture (1969), the Dag Hammerskjoeld Prize from Italy (1977) and an Indonesian Government the First Class Merit (1978). His works were exhibited in major exhibitions in Asia, Europe, and the Americas and were also be acquired by major art collectors and institutions all over the world since the 1950s. AGUNG MANGU PUTRA (Sangeh, Bali, 1963) Mangu Putra was born in Sangeh, Bali, on May 11, 1963. He graduated from the faculty of Art and Design at the Indonesian Arts Institute (ISI), Yogyakarta majoring Visual Communication Design (1990). His first exhibition was in Dewata Gallery (1987) at Taman Budaya Denpasar. Being a designer did not satisfy him as an artist then he decided to engage in full time painting in 1998. Since his first solo exhibition in Ubud (1990) his name was considered as valuable painter in Indonesia. He held his solo exhibition at National Gallery, “Teater Rakyat”, Jakarta, 2010; “Silent Word”, Gajah Gallery, Singapore (2008), Mandala, Bidadari, Ubud-Bali (2007), “Belief, Rupa Gallery”, Surabaya (2005),etc. He also joined in several group exhibitions in Jakarta, Yogyakarta, Bali and other country. He received awards as the Best in Design Arts (during the 4th and 6th anniversary of ISI, as the finalist of Philip Morris Award in 1994 and Indofood Art Award 2002, Second Place, Jakarta. Through his work he expressed his gratitude towards God creations and tried to give alternative point of view about Bali from its touristy image. He gave specific themes on his work from which other painters did not pay attention to. Until now many of his works were collected by art collectors in Indonesia and overseas. This exciting and very talented artist has participated in a number of group and solo exhibitions throughout Indonesia and abroad. AGUS DJAYA (Pandeglang, West Java, 1913 - 1993) Born in Pandeglang, West Java, April 1, 1913. He studied art at Rijks Academie Beeldende Kunsten, Amsterdam (1947 – 1949) and Universiteit Amsterdam, Facultieit van Journalistiek (1947 – 1949). He was taught under the guidance of painter Willem van der Berg and Van Thienen. During in Europe, he met with great painters like Pablo Picasso, France, Salvador Dali, Spain and Sculpture expert, Ossip Zadkine, Poland. He has been participated in numerous exhibitions in Indonesia and overseas. He received an honor to held exhibition in Stedelijk Museum, Amsterdam which introduce not only his name but also Indonesian Painters to the world. In 1947, he participated in the International Exhibition, Monaco and received an award “Le Grand Prix de la Peinture de Monaco. In 1965, he received an award “L’oscar de Peinture” in the International exhibition in Zagreb, Yugoslavia. In 1993, the Indonesian government awarded him the Art Award and also awarded many military medal of his participation in the Indonesian struggle for independence. His contribution in Indonesian art development also seen by founding art studio and galley in Bali (1953) and also Agus Djaya Foundation of Fine Art and Social education in Jakarta. AGUS RIYADI (Sleman, Yogyakarta, 1979) Born in Sleman Yogyakarta on 21 August 1979. He has actively participated in several

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group exhibitons such as the KIAF(Korea International Art Fair), Art Seasons Gallery, COEX, WTC Seoul Korea (2008), Dies Natalis ISI Yogyakarta (2005-2007), Group exhibitions with Kelompok Kereta Yogyakarta (2002), and the Anniversary of SMSR Yogyakarta (1998). AMRUS NATALSYA (Medan, 1933) Born in Medan, October 21, 1933. He studied at SSRI & ASRI Yogyakarta majoring art sculpture. Many of his works have been collected by art collectors in Indonesia and overseas. In 1983 he did 5 wooden calligraphic monuments in Jeddah. He got the best award from the Trienale Jakarta II in 1998 held by the Jakarta Arts Council. ANANG ASMARA (Yogyakarta, 1974) Anang Asmara (Asmara meaning “love”), a 35-year-old painter from Sleman regency near Yogyakarta. I was struck not just by his style and astounding ability to reproduce detail and texture, but also by the strong symbolism of his paintings. This stems in part from Anang’s admiration and respect for traditional culture (and especially the Javanese traditions into which he was born), but it is influenced also by his admiration and respect for women, whom he feels often get a very raw deal in contemporary Indonesia. ANTON HUANG (Bandung, 1935 – 1985) Born in Bandung, 1935. At 20s, he learnt painting from painter Kartono Yudhokusumo at Sanggar Seniman and continued to study under painter Barli. In 1959, he held his exhibition in several major cities in Indonesia among others in Jakarta, Bandung and Surabaya. He was also active participating in many exhibitions abroad such as in Denmark and Amsterdam. In 1969, he moved to Bali where he strongly in contact with European artists that develop his painting. ARIE SMIT (Zaandam, the Netherlands, 1916) Born in Zaandam, the Netherlands, 1916. He was a student of the Academy of Arts in Rotterdam before working as lithographer for the Dutch Colonial Army in the Dutch Indies prior to the Second World War. He moved to Bali in 1956 to engage in full time painting and became an Indonesian Citizen, produced as well as taught painting at the Bandung Institute of Technology (ITB). Many of his paintings depict the nature of his surrounding environment. He had several solo exhibitions in Bandung Institute of Technology, The Honolulu East West Center, and the Center of Strategic and International Studies in Jakarta. He received the “Dharma Kusuma” art awards from the local government of Bali.

BAMBANG ‘BENK’ PRAMUDIYANTO (Klaten, 1965) Born in Klaten, 1965. He studied art at the Indonesian Fine Art Acedemy (ASRI) Yogyakarta in 1989. He has participated the Worlds of Objects exihibition at Mon décor Gallery Jakarta. His solo exhibition was held at Bentara Budaya Yogyakarta and Bentara Budaya Jakarta in 2001. He was awarded as one of the Five Best works of the Philip Morris Art Awards in Jakarta. BONNY SETIAWAN ( Wonogiri, Central Java, 1968) Born in Central Java, 1968. He graduated from the Art Academy (ASRI) in Yogyakarta. Yogya, as the Javanese city is lovingly referred to, is the cultural heart of Java. He found his great fond of the city culture that inspires his work creation. Both, his father and mother were painters. He has participated in several painting exhibitions in major cities in Indonesia. His works are among the collections of many artlovers. BUNGA JERUK PERMATA PEKERTI (Solo, 1972) Born in Solo, Central Java, 1972. She studied at the Indonesian Institute of Arts (ISI), yogyakarta. She held her solo exhibition at Centre Culturel Francaise (CCF), Yogyakarta, Sculpture Square, Singapore (2000), Edwins Gallery (2002), Museum der Moderne Salzburg, ustria (2003). She participated in several group exhibitions at the 10th Biennale, Taman Ismail Marzuki Art Center, Jakarta (1996), Cemara 6 Cafe Gallery, Jakarta (1997), Yogyakarta 6th Biennale, purna Budaya, Yogyakarta, National Gallery, Jakarta, Cemeti Art House, Yogyakarta (1999), Museum of Art, Moscow, Rusia, Edwin’s Gallery (2000), Widayat Museum, Magelang (2001), Keuppersmuehle Sammlung Grothe Museum, Duisburg, Germany (2002). CAREL LODEWIJK DAKE, Jr (Schaerbeek, 1886 – Jakarta, 1946) Born in Schaerbeek, Belgium, 1886. He traveled to different places and intensely painted about Cambodja and Thailand but mostly attracted to Indonesian landscape. He went to all over Java, Sumatra and Bali as his painting objects. He died in Jakarta (1946). CHENG SHUI (Bogor, West Java, 1981) Ong Cheng Shui was born in Bogor, West Java in 1981. He is autodidact painter who found his great interest in painting since he was young. He has been actively involved in arts since 2000. As a professional painter, he has participated in several group exhibitions since 2000 until now. Among others group exhibition at Bogor (2000), at Crown Plaza Hotel (January, 2010), at Pacific Place (March, 2010), at pondok Indah Mall (April, 2010), and at Grand Indonesia, (July, 2010). His artworks have been in the collections of both local and foreign collectors. As a painter, he was inspired by Lee Man Fong paintings. His subject of paintings closely connected with the animal world, village scene and people’s daily lives which have become the sought after themes of painting by collectors. DEDE ERI SUPRIA (Jakarta, 1956) Born in Jakarta, January 29, 1956. He studied at the Indonesian Fine Art Academy (ASRI) in Yogyakarta (1974). In 1976 his name first emerged in the Indonesian Art Scene when he exhibited his works at the first Seni Rupa Baru Indonesia exhibition at the Balai Budaya,

Jakarta. He has received several awards for his works, Jakarta Biennale 1981, won a Philip Morris Indonesian Art Awards in 1997 and was participated into the ASEAN Art Awards in Manila. He has participated in many group shows as well as solo exhibitions. Dede held his solo exhibitions at Jakarta Stock Exchange (1997) and at the Art Folio Space in Singapore (2002). Today, he is considered an influential propagator of super-realist painting in Indonesia.

HASAN DJAAFAR (Koto Gadang, West Sumatra, 1919 - 1995) Born in Koto Gadang, West Sumatra, 1919. He once taught by the famous landscape painter, Wakidi. He visited Europe in 1948 which after influenced his works to be impressionist and expressionist. In 1956, he held his first exhibition in Indonesia then continued to participate in tour exhibitions, among others are Singapore, Australia, Brazil, Japan, and several European countries. He died in 1995.

DEWA PUTU MOKOH (Pengosekan, Ubud,Bali, 1936) Born in Pengosekan, Ubud, Bali, 1935. Though he never had any formal education in arts, his painting styles are very ingenuine and unique applying the Pengosekan painting techniques. He learned painting from I Gusti Kobot. But since 1970, Mokoh’s work has been completely different from his mentor style. z DULLAH (Solo, 1919 – 1996) Dullah was born in Solo, 1919. He studied painting under Affandi and Sudjojono but has his own distinctive style of naturalism. He was well known for his landscape and portraits paintings. He was one of the founders of HBS – Surakarta Cultural Community (1950). In 1956, he edited book of former Presiden Soekarno’s Private Collection of Indonesian Art (volume I & II). Since the early days of the independence, Dullah was very close to Soekarno, the first President of the Republic of Indonesia and was appointed by Soekarno to care for the President’s private art collection and as curator of the state painting collections. At age 70, Dullah built his museum, now a cultural landmark, as his dedication to a love of the arts over a creative lifetime. He has had numerous art exhibitions in Indonesia and overseas and in 1988 his work was included in the Art of Bali exhibition held at the East West Center in Honolulu, Hawaii. Now, his works been kept in Dullah Museum in Solo. He died in 1996.

HASIM (Jakarta, 1921-1982) Born in Jakarta, 1921. He lived and worked in Jakarta.

EFFENDI (Malang, 1957) Born in Malang, East Java, 1957. He studied at the Indonesian Institute of Arts (ISI), Yogyakarta in 1986. He participated in many exhibitions in several places in Indonesia. He received awards from the Philip Morris Indonesia in 1995 and 1997, Phillip Morris ASEAN and Triennale Painting in Osaka, Japan, 1996. ERICA HESTU WAHYUNI (Yogyakarta, 1971) Born in Yogyakarta, 1971. She began to study painting when she was young and join Sanggar Katamsi under painters Suharto P.R. and Herry Wibowo. In 1996, she graduated from the Indonesian Institute of Arts (ISI), Yogyakarta. She performed her solo exhibition in Yogyakarta and Jakarta. She intensely participated in many group exhibitions in Indonesia and overseas, Singapore, Philippines, Japan and Russia. She received award for the Best Work at ISI Yogyakarta in 1993. ERNEST DEZENTJE (Jatinegara, 1885 – 1972) Born in Jatinegara, Java, 1885. He was a self-taught artist who came from French. He was a member of the Bataviasche Kunstkring. He used impressionist and sometimes divisionistic style. He has participated in several exhibitions to represent his works. He received prize from former President Soekarno. He died in 1972. FADJAR SIDIK (Surabaya, 1930 - 2004) Born in Surabaya, February 8, 1930. He studied at ASRI Yogyakarta in 1954 and learnt painting from Hendra Gunawan and Sudarso (1952) at Sanggar Pelukis Rakyat. He lived in Bali from 1957 – 1961. He received art award as Contemporary Painter from the Indonesian Government in 1971 and from the Government of Yogyakarta.

HATTA HAMBALI (Sengkawang, South Sulawesi, 1949) Born in Sengkawang, South Sulawesi 1949. He was graduated from ASRI Yogyakarta. Since 1970 He has participated in several group exhibitions. He was also awarded as the Best Art Work in the Wendy Sorensen Memorial Award. HENING PURNAMAWATI (Cimahi, 1960) Born in Cimahi, September 3, 1960. He graduated from ISI Yogyakarta in 1987. She received awards from the Indonesian Fine Art Academy (ASRI) Yogyakarta for the Best Sketches (1981) and the Best Work (1987), Perupa Muda Surabaya (Surabaya Young Painters) for the Best Painting, the Ten Best Paintings Award (1994) and the Best Winner of Best Work, Indonesian Art Award (1996) from the Indonesian Fine Art Foundation, as Talented Popular Figure of East Java from Surabaya Post (1996) and the Award from the Department of Tourism and Culture, minister Marzuki Usman (1998). She was received award from Indonesia Institute of the Arts in Yogyakarta in 1987, Philip Morris Indonesian Fine Arts Foundation Art Awards in 1994 and 1996, Minister for Tourism Art and Culture (1998). HERI KRIS (Yogyakarta, 1967) Born in Yogyakarta, 28 May 1967. He studied at FSRD ISI Yogyakarta in 1986. He held his solo exhibitions in Jerman 1994. He also has participated in several group exhibitions such as “Not Just The Political” in Museum H. Widayat Magelang (2002), “83th Widayat” in Museum Widayat Magelang (2002), Group exhibitions in Yogyakarta, Jakarta, Bali, Semarang, Denmark, and Amsterdam. I DEWA NYOMAN TJITA (Batuan, Bali, 1927) Tjita was born in Batuan, 1927. He is the third son of nine children. His father is I Dewa Putu Kebes, a renowned painter who also producing topeng celuluk and bondres. By the age of seven, he already painted and carved the palaces under his father’s supervision. Through this, his interest in painting has grown. Therfore his early works dominately illustrate Kamasan style of wayang paintings. In his 20s, he started to paint in Batuan style. At first, he would paint the wayang theme but then his object shifted to the Balinese daily scene of temple’s ritual and gamelan player. Like his father, Tjita also carveds mask and sculpture, natah wayang, does the woodcarving and plays the classic gambuh. Though never studied in any school, Tjita reads and writes in Balinese. He has - together with the Pita Maha association. Aside from bali, he also exhibited his works various exhibitions from Jakarta to the Netherlands. His earlier works were in black and white, but later he also uses other colours for his paintings. I GUSTI MADE DEBLOG (Denpasar, 1906 – 1986) Born in Denpasar, 1906 but at several publications were indicated 1910 as his birth year. He died in 1986. When he was 25 years old he learned to enlargement of photo print form famous photographer, Yap Sin Tin, but then he move to painting. He joined Pita Maha Ubud in 1940. He joined the Bali Citra Painter Association in Denpasar and continuously participated in exhibitions organized by the association.

FREDERICK ANTON KIEVITS (Bogor, West Java, 1887 – The Hague, 1951) FA Keivits was born in Bogor, West Java 10 September 1887. Painter and draughtsman, who lived and worked in Indonesia in the 1920’s and 1930’s. In April – May 1938 he participated in the “Bondscollectie” exhibition in Jakarta, “Kuntszaal Kolff and Co, November 1930 (one man show) in Jakarta, The Hague, Panorama Mesdag in 1949 (one man show). During Wordl War II he was interested by the Japanese and put in a camp. The Artist painted and drew landscapes depicting Indonesia, his memories from the Japanese camps and other subjects of his native country. He was passed away in The Hague 1951.

I GUSTI MADE KWANJI (Peliatan,Ubud, 1936) He was born in Peliatan, Ubud in 1936. When he was 20 years old, he joined Golongan Pelukis Ubud led by Rudolf Bonnet.

FREDERICK KASSENDA (1920-1950) Born 1920 – 1950. He was considered as one of the Mooi Indie painter who did his painting career in early 20th Century in Indonesia. His subject of paintings mostly depicts Indonesia scenery of mountain landscape, rice field, and also sea panorama. Several works by the artist have been sold at auction in Indonesian as well as abroad.

I KETUT REGIG (Ubud, 1919 – 2002) Born in Tebesaya, Ubud 1919. He started painting in 1935. Therefore when Pita Maha was founded in Ubud, 1936, he immediately joined in. He got art lesson from Rudolf Bonnet and Wakter Spies. His works were collected by Ir. Soekarno and Museums. He has participated in numerous exhibitions in Indonesia and overseas. He successfully taught several art pupils including I Wayan Sadia.

HAMDAN TT (Padang, West Sumatra 1980) Hamdan TT was born in Padang, 9 October 1980. He has participated in several group exhibitions such as “Philip Morris Indonesian Art Awards” in Gallery Nasional Jakarta, “Dies Natalis XVII” in Yogyakarta, “Gledek 99” in Yogyakarta, “Art for Yogya” in Taman Budaya Yogyakarta and many others. HANAFI (Purworejo, Central Java, 1960) Bon in Purworejo, Central Java, 1960. He is one of the young potential artists among the group o Agus Suwage and Ivan Sagita. He took his formal education in the Indonesian Art Institute (ISI) Yogyakarta in 1979. He held his solo exhibition in Jakarta, Bali, Singapore, Kuala Lumpur, Barcelona and Toronto. He has participated in several group exhibitions such as Movement, Jakarta, Biennale IX, and the Philip Morris Art Award Exhibition in Jakarta and Bali. On June 2004, he shows his great talent in painting spontaneously for the Olympic event in Athena, Greek.

I KETUT MURTIKA (Bali, 1955) Murtika painting under his uncle, the celebrated, Batuan artist I Made Djata. One of Mustika’s masterpieces, “The wheel of life” in the permanent collection of Museum Puri Lukisan.

I KETUT TENANG (Denpasar, 1969) Born in Denpasar, Bali, 1969. He graduated from the Faculty of Fine Arts and Design at ISI Yogyakarta in 1996. He awarded for the best oil painting and the best watercolor painting and sketch from ISI. Beside that in 1997 he was also one of the finalists in The Philip Morris Indonesia Art Awards. He has participated in several exhibitions. I WAYAN GEDE SUANDA SAYUR (Ubud, Bali, 1980) Suanda Sayur was born Ubud, Bali, 1980. He graduated from Faculty of Fine Arts ISI Yogyakarta in 2006. He has participated in several group exhibitions such as “Sanggar Caping UNS” Solo (2000), “Pencarian” Benteng Vrendeburg Yogyakarta (2001), “Tanda Mata Seni” Guanyar Bali (2001), “Mini Market” Museum Bali (2005), and “Festival Tirta Gangga” Bali (2007). He awarded as the best Skecth of ISI Yogyakarta.

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I MADE SUKADANA (Amlapura, Bali, 1966) Born in March 12, 1966 in Amlapura, Bali, 1966. He Graduated from the faculty of Art and Design at the Indonesian Art Institute (ISI) Yogyakarta. Actively in doing exhibition since 1987 in Yogyakarta, Solo, Bali, and Jakarta. In 1987-1988 received awards for “Best in Sketch” from the faculty of Arts and Design of the Indonesian Art Institute (ISI) Yogyakarta. He received awards for the Best Sketch/ Painting from painting program in his school (1985 – 1987), the Lempad Prize from Dewata Indonesia Gallery (1982), award from the minister of the Department of Tourism, and as the finalist for the Philip Morris Art Award. Since 1987 he participated in joint-exhibition for 42 times, The “Lempad” award (1992) and 4 times solo exhibition in Bentara Budaya, Yogyakarta (1997) and in National Museum, Jakarta (2001).

painting at Faculty of Fine Art, ISI Yogakarta. He was a member of Jendela Group and had participated in some exhibitions in Yogyakarta in 1997, and the rom the Window at the Bali Padma Hotel, Bali in 1999.

I MADE TORIS MAHENDRA (Denpasar, 1972) Born in Denpasar, June 10, 1972. He got his bachelor degree from the Indonesian Institute of Arts. He held his solo exhibition at Bentara Budaya, Yogyakarta (2001). Since 1990, he participated in many group exhibitions, Phillip Morris Art Award (2000), Bentara Budaya, Yogyakarta (2001), Sanggar Dewata Indonesia, Yogyakarta (2001, 2003), etc. He received awards for the Best Painting from ISI, Yogyakarta, Semifinalist of Phillip Morris Art Award (1995, 2000), and the Best Poster at Young Art Festival, Bali.

KOEBOE SARAWAN (Malang, 1961) Born in Malang, East Java, 1961. He finished his study at The Indonesian Institute of Arts (ISI), Yogyakarta and later took lesson of Batik Solo. His works have been actively represented in several group exhibitions in major cities in Indonesia, among others, Surabaya, Malang, Jakarta, Solo, Bali and Yogyakarta.

I NYOMAN DARYA (Gianyar, Bali, 1974) Born in Gianyar, Bali on 2 April 1974. He studied art at the Indonesian Institute of Arts (ISI) Yogyakarta. He has joined in several group exhibitions such as “Millenium III” in Sanggar Dewata Bali (1999), “Philip Morris Indonesian Art Award” in Gallery Nasional Jakarta (1999), “Icarnation Lima” in Bentara Budaya Yogyakarta (2005) and etc. He was awarded as the finalis Philip Morris Indonesian Art Award VI (1999) and Indofood Art Award (2001). I NYOMAN LANUSA (Tebesaya, Ubud, 1946) Born in Tebesaya, Ubud, June 20th 1946. He started to paint under the guidance of the traditional painters Mangku Nomer and I Ketut Jojol and after 1965 together with the painter I Nyoman Tulus. His paintings got well known and were regularly sought after by the local art-shops and galleries, especially the Agung Rai Gallery in Peliatan. He recently held his first solo exhibition “I Nyoman Lanusa, The Silent Scream” in 2006. I NYOMAN RIDI (Penestanan, Bali, 1945) Born in Panestanan, Bali, in 1945. He begins painting with traditional theme and later continue his style to be realise traditional modern. Until present he still active in participating in several exhibitions. I NYOMAN SUKARI (Karangasem, Bali) Born in Karangasem, Bali. He studied at SMSR Denpasar (1987 – 1990) and ISI Yogyakarta (1990 – 1996). He received Awards for the Best Sketch from SMSR Denpasar (1989) and the Best Oil Painting from ISI Yogyakarta (1992), the Menpora Award (1992), the Best Painting on Dies Natalis ISI Yogyakarta (1993), the Best Painting of Pratisara Affandi Adikarya (1994) and Lempad Price. He has participated in more than 50 times of group-exhibitions in Bali, Jakarta, Bogor, Gresik, Batam, Australia and Moscow. IDA BAGUS INDRA “IBI” (Bali, 1974) Born in 1974, Ida Bagus Indra held his first exhibition in 1996, quickly established as an artistic force to be reckoned with. Winning recognition at the 2003 Indonesian Art Awards, Indra has held solo exhibitions at the Lynne Wilton Gallery in Melbourne; the Ganesha Gallery at the Four Seasons Resort at Jimbaran Bay; and the Four Seasons in Jakarta. He has also joined group exhibition in Germany, Melbourne, Singapore, Kuala Lumpur, Surabaya, Yogyakarta and Malang. Currently his artworks are widely collected by private and corporate individuals internationally. IDA BAGUS MADE NADERA (Tegallingah, 1910 - 1998) Ida Bagus Nadera was born in Tegallingah, 1910. He only finished elementary school. He dedicated all his life in painting. He learnt painting by himself then later been directed by Rudolf Bonnet and Walter Spies. He used traditional style for his works and greatly influenced by Walter Spies. Since 1932 – 1940 he was active to participate in Pitamaha organization and joined the Ubud Artists’ Association after the World War II. He spent the rest of his life living in Gianyar by reading and as a Dalang Wayang (wayang player). He received the Wija Kusuma Art Award from Gianyar and The Dharma Kusuma award from Bali government in 1988. Nadera set up his own studio in 1959, where he continued to paint until he died in 1998. IDA BAGUS RAI (Padangtegal, Gianyar, 1933) Born in Padangtegal, Gianyar, 1933. He is deeply familiar with Balinese culture. He studied art under the painter Rudolf Bonnet (Dutch, 1895-1978) and gives more human-like forms to mythological figures. He has a fine sense of shading and color. He has participated in several exhibitions among others East West Center (Honolulu, Hawaii, 1998), Singapore Art Museum (1994), Center for Strategic and International Studies in Jakarta (1996). JB. IWAN SULISTYO (Kudus, Central Java, 1954) Born in Kudus, Central Java, 1954. He was the first winner in the competition organized by the Gallendra Art Shop at Semarang in 1970. He has done 18 solo exhibitions in Jakarta, Singapore, and New Zealand. He has performed numerous the group exhibitions as well. Beside that he also has received many awards. JUMALDI ALFI (Lintau, West Sumatra, 1973) Born in Lintau, West Sumatra, 1973. He graduated from Fine rt High School and Faculty of Fine Art, Indonesia Institute of Art (ISI) Yogyakarta. In 1998 he was awarded the best

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JUNI A. WULANDARI (Jepara, 1967) Born in Jepara, 1967. She graduated from Indonesia Art Institute majoring in painting. She has participated in several group exhibitions in Yogyakarta, Semarang, Jepara, Bali, and Jakarta. She awarded Pratitha Adhikarya for the best work (1997). KETUT GINARSA (Tebayasa, Ubud, Bali, 1953) He was born in Tebayasa, Ubud, Bali, 1953. He learned painting from I Wajan Djudjul from 1970 to 1973. When participating in and exhibition at Bentara Budaya Jakarta in 1985.

KOEMPOEL SUJATNO (Ngawi, 1912 – Batu, 1987) He was born in Ngawi, East Java, 1912, with the name of Koempoel Sujatno. He studied painting from the Dutch painter Gerard Pieter Adolfs and Willem Van Der Does. He was one of the most productive artists, but since many of his paintings have been damaged, lost and spread out in countries abroad, his works are estimated only around 2500. Koempoel was an artist who preferred outdoor objects, anything under the sun, so that almost his works presented bright colors in harmony that revealed a graceful enchantment. He died on August 18, 1987 in Batu, East Java because of his severe throat cancer. KRIJONO (Jakarta, 1951 - 2011) Krijono was born in Jakarta on 11 July 1951. His father was a collector, so Krijono was surrounded by works of art. He began studied painting under the guidance of the art critic Kusnadi. In 1971, Krijono enrolled in the painting program at the Indonesian Fine Art Academy (ASRI) Yogyakarta. He has held solo exhibitions in Indonesia and aboard. His works are documented in the books Great Charcoals by Indonesia Artist Krijono (1997) and Krijono: The Flying Elephant (2000). He was lives and works in Jakarta. He died in Jakarta on 30 November 2011. LIEM TJOE ING (Surakarta, 1922-1996) He was born in Surakarta (Solo), Central Java on 22 June 1922. He was a pupil of the artist Siau Tik Kwie in his town during the Japanese occupation of the archipelago during World War II from 1942-1945. He also was a member of both Pelangi Artist Association and Himpunan Budaya Surakarta (HBS). He was well-known as a sculptor, art designer, and realist painter. His works reflect a more popular atmosphere, although he also painted natural panorama, flowers and dances. His works can still be seen on the ceiling of Mangkunegaran Palace, Surakarta. He abandoned fine art for a decade as he was busy in politics as a member of Surakarta legislative assembly (1966 through 1971), representing the Indonesian Christian Party. In 1978, then vice president Adam Malik asked him to compile a book, later titled Paintings in Adam Malik’s Collection. LUCIA HARTINI (Temanggung, 1959) Born in Temanggung, Central Java, 1959. She studied at the Indonesian Fine Arts Academy (ASRI), Yogyakarta (1976). Her career started in 1983 when she held painting exhibition together with her husband. Her works are mostly represented from herself and her experience exploring the time and space. She participated in several group exhibitions, Edwin’s Gallery, Bali, Santi Gallery, Jakarta, Art Museum Affandi, Yogyakarta, Malaysia, Tokyo, etc. She received Pratika Adhi Karya awards for the Best Sketches (1976, 1977), award from Yayasan Kesenian Perak Malaysia (1998), and award for valuable woman artist (2000). Her works have been in collection of art collectors in Indonesia and overseas. LUCIEN FRITS OHL (Palembang, South Sumatra, 1904 – The Hague, 1976) Born in Palembang, South Sumatra, 1904. He was a self-taught painter whose works were mostly Indonesian landscape. He also produced paintings of Asian panorama. He was a painter, watercolorist, and draughtsman in the style reminiscent of the late of GP. Adolfs. He once lived in Jakarta for a long time then settled in The Hague until he died in 1976. M. PRAMONO I.R. (Yogyakarta, 1962) Born in Yogyakarta, 1962. He finished his formal education from the Indonesian Institute of Arts (ISI), Yogyakarta. He participated in numerous solo and group exhibitions in Indonesia and abroad, among others is Singapore and the Netherlands. He received awards of “Pratita Adhi Karya (1981, 1982), the best painting from ISI Yogyakarta (1986), Affandi Prize from ISI Yogyakarta (1987) and Phillip Morris Indonesian Art Award (1996). MARIA TJUI (Pariaman, Sumatra, 1934) She was born at Pariaman, West Sumatra on May 14, 1934. She started painting when she was a member of S.I.M (Young Indonesian Artists) under the guidance of S. Soedjojono. In 1961-1963 she studied at the Indonesia Academy of Fine Arts, Yogyakarta in Sculpturing. In 1967-1970 she made a tour of some Asian countries. Returning to Indonesia, she exhibited her works in several cities of Indonesia. MULYO GUNARSO (Kediri, E. Java, 1979) Born in Kediri, 1979. He studied Fine Art at the Indonesian Art Institute (ISI) Yogyakarta, 2001-2006. He received awards such as The Best Sketch Award from FSR ISI Yogyakarta,

The Best Water Color Painting Seni FSR ISI Yogyakarta, The Best Painting on Nature FSR ISI  Yogyakarta,  2004 Winner of Poster Competition UGM, Yogyakarta, 2005 Winner of painting on environment Jakarta, The best 10 Besar Stamp Design Competition. He has been actively involved in exhibitions since 2000 in Jakarta, Semarang, Magelang, Yogyakarta, Kediri, Surabaya and Bali. NASHAR (Pariaman, 1928-1994) Born in Pariaman, West Sumatra, October 3, 1928. He studied painting under Affandi and Sudjojono. He help established the Institut Kesenian Jakarta (IKJ, Jakarta Arts Institute) where he became a lecturer. In 1979 – 1992 he was a member of Dewan Kesenian Jakarta (Jakarta Art Committee). He has participated in exhibitions of the Festival of Indonesia (USA, 1990 – 1992), the Gate Foundation (Amsterdam, Holland, 1993) and several places in Indonesia. He left his figurative paintings to fully paint in abstract style until his deceased in April 13, 1994. NURDIN B.S (Padang, West Sumatra, 1915) Born in Padang, West Sumatra on October 10, 1915. He studied at I.N.S Kayutanam. After the Transference of Sovereignty, in 1950 he began to pain under the guidance of Wakidi. In 1953 he was on the invitation of Sticusa of Amsterdam to visit the Netherlands where he had a chance of study painting at the Ezeldijk-Jeroel Voskuil in Amsterdam until 1955. Returning to Indonesia in 1957, he held his solo exhibition in Jakarta. He worked as a designer for Ratex in 1960. During this period his joint exhibitions with Dr. Moerdowo, Wiwiek Hidayat and Huang Fong were held. In 1967 he received an Art Award from the Regional Government of East Java. NYOMAN GUNARSA (Klungkung, 1944) Born in Klungkung, Bali, April 15, 1944. He graduated from the Indonesian Fine Arts Academy (ASRI) in Yogyakarta where he is currently a lecturer in art. He began his career as painter of models and portraits. Since 1967, active performing solo exhibitions, like in British Embassy, Jakarta (1967), Arcade Gallery, Kuala Lumpur (1971), Blance Gallery, San Francisco (1991), Blance Gallery, Osaka (1982), 21 Gallery, Singapore (1995), OperaGallery, Paris (1996), and Hamburgische Landesbank, Hamburg (1998). He also participates in joint-exhibitions in Indonesia and overseas. He received awards from the Pratisara Affandi Adikarya (1976), in the Biennial Indonesian Art Exhibitions (1878 & 1980) and the Lempad Prize (1980). His works are in collection by local and abroad collectors. O.H. SUPONO (Surabaya, 1937 – Bali, 1991) Born in Surabaya, 1937. He studied painting at the Fine Arts Academy, Surakarta. In 1981, the Jakarta Academy sponsored his works to be represented in Taman Ismail Marzuki Art Center. In the past few years, many of his works have been inspired by the greatness of Borobudur Temple and have gone beyond figurative and abstract themes. His works are in collection of the Jakarta Arts Council, the Fatahillah Fine Arts Gallery, the National Fine Arts Gallery, Jakarta and the Fukuoka Art Museum in Japan. OTTO DJAYA (Rangkas Bitung, West java, 1916 - 2002) Born in Rangkas Bitung, Banten, West Java on October 6, 1916. During the Japanese colonialism in Indonesia, he received his army training for officer in the “Pembela Tanah Air” (Defenders of the country) in Bogor. During the Physical revolution, as a Major in the Indonesian Army, he took part in the Armed Struggle for the Independence of the Republic of Indonesia. After the proclamation, Otto had an opportunity to study at the “Rijksacademie van Beeldende Kunsten” in Amsterdam and at the Faculty of Letters and Philosophy, University of Amsterdam. He also had an opportunity of joining the study-tour of the Netherlands, Belgium, France, Italy and Swiss. Otto was a Vice Chairman of the Art Section of the Cultural Centre in Jakarta. He joined in the “Exposition le Grand Prix de Peinture en Monaco” in Monte Carlo and in Biennial Exhibition in Sao Paolo, Brazil. Besides his one-man exhibitions in Jakarta, Otto often took part in the joint exhibitions in Jakarta and Melbourne, Australia. PAUL HUSNER (Basel, Switzerland, 1942) Born in Basel, Switzerland, 1942. He moved to Amsterdam, the Netherlands in 1964, studied in paintings and graphic art at the Gerrit Rietveld Academy (1965 – 1967) and continued to Rijks Academie voor Beeldende Kunsten (1967 – 1969). He frequently visits Indonesia especially Bali. He received awards from the Urio Prijs (1969), Willink van Collen Prijs (1971), Jeanna Bieruma Oosting Prijs (1974) and Arti Medaille (1987). From 1980 – 1988 he was professor at the National Academy of Fine Arts (Rijks Academie voor Beeldende Kunsten) in Amsterdam where he taught drawing and painting. He held solo exhibitions and participated in group exhibitions in Europe, USA, Singapore, and Indonesia. His works are in the collection of the Netherlands state, Stedelijk Museum Amsterdam, City Council of Amsterdam, Duta Fine Art Museum, Jakarta, Neka Museum, Bali and private collections in the Netherlands, Switzerland, Italy, etc. Husner works intensively in Bali since 1997. POPO ISKANDAR (Garut, 1927 – Bandung, 2000) Born in Garut, December 17, 1927. He started painting in 1944. He graduated from the University of Indonesia and Bandung Institute of Technology (ITB). Besides as a painter he is also an art observer and writer. In 1980 he received art award from Indonesian Government. He has participated in many exhibitions in Indonesia as well as overseas. His works were mostly on animal such as chicken, cat, and tiger. He held his solo exhibitions at Taman Ismail Marzuki Arts Center, Jakarta (1987, 1992, and 1994), National Gallery, Jakarta (1999) and participated in group exhibitions at KIAS, USA (1990), The Best of Indonesia, Jakarta (1997), and Slovenia Gradec (1997). PRANAGUNG (Solo, 1954)

Born in Solo, 1954. He studied at the School of Fine Art (ASRI) Yogyakarta. At the moment he started actively participated in many art exhibitions. He also held his exhibition for his works in Bali and Jakarta. PUPUK DARU PURNOMO (Yoyakarta, 1964) Born in Yogyakarta, June 16, 1964. He graduated from the Faculty of Arts and Design, the Indonesian Institute of Arts (ISI), Yogyakarta. He held solo exhibition at Bentara Budaya, Yogyakarta (1995). He actively participated in several group exhibitions at Gajah Gallery, Singapore (1997, 2000), Santi Gallery, Jakarta (1998), H. Widayat Museum, Magelang (2001, 2002) and Group exhibition in Yogyakarta (2002). He received award as the finalist of Phillip Morris Art Award (1997). PUTU WINATA (Denpasar, 1977) Born in Denpasar, February 27, 1977. Since 1996 he was actively participated in exhibitions like Kriya Hima FSRD ISI Yogyakarta (1996). He participated in several joint exhibitions with Dewata Indonesia Gallery, Solo (1997), the Dewata Gallery exhibitions in six museums in Bali (1999), the FKY XII exhibition in Fort Fredeburg Museum, Yogyakarta (2000), and the Dewata Indonesia Gallery exhibition in National Gallery, Jakarta. R. HADI He came from Semarang. His life is not familiar in public. He is a realist painter. A lot of his works were kept by collectors in Indonesia. RUDI SETYADI OB (Bandung, 1971) Born in Bandung, West Java on 10 July 1971. He likes to paint woman figures, sinces he was very young and he is one of the ottodidact painters. He paints all his works with a unique and perfect painting style, from village, women figures to modern women figures, from eastern to western women from those who are dressed properly and nude ones. He learned paintings in Bali Art Center, directly guided Mr. Barli Sasmitawinata in his earlier years, Who later joined with FX harsono group, to get further experience. in 2006 he had joined exhibition in CCF, French cultural Center in Bandung, and his 3 Paintings were chosen to be exhibited in France, Netherland, Switzerland and Great Britain in an individual program of the person of the French Cultural Center. In the same year, He also had an exhibition woth a painter Cusin in Bali Art Center, in a talent finder event where many young painters participated once of his works was chisen to be one of the best works in the whole of west Java. Since then, he was involved in many exhibitions among which are of the National Gallery and Green Gallery, in big other cities in West Java, Yogyakarta and Surabaya. He is a great admirer of Basoeki Abdullah, Salvador Dali and the combination of the styles pf the two painters affected his latter works. In the works of Rudy, all the movements of the figures are captured on his canvas in shadow forms. RILANTONO (Sukorejo, 1960) Born in Sukorejo on March 10, 1960. He lived in Gadangan, Sidoarjo, East Java. He studied at ASRI Yogyakarta. In 1979 until 1988 he active followed the art exhibition in Yogyakarta and Solo. Since 1990 until 2006 he joined a lot of exhibition, the most in Surabaya. RUSLI (Medan, 1912 – Jakarta 2005) Rusli was born in Medan, North Sumatra, 1912. He studied at the Kala Bhawana Santiniketan University of Rabindranath Tagore, India from 1932 to 1938, and he taught in 1951 at Akademi Seni Rupa Indonesia (ASRI) in Yogyakarta. He joined Seniman Muda Indonesia (Indonesian Young Artists) and helped established the Seni Rupa Masyarakat (Art for People Association). In 1955 he performed his solo exhibition at Stedelijk Museum Amsterdam. His works were exhibited at the Biennale exhibition II in Sao Paolo, Brazil (1953) and held solo exhibition at Palazzo Brancaccio, Rome, Italy (1954 – 1956). He passed away in Jakarta on 11 May 2005. RUSTAMADJI (Surabaya, 1932 – 1990) Born in Surabaya, East Java, April 16, 1932. In 1946 he started painting under the painter S. Sudjojono in Sanggar Indonesia Muda (Young Indonesian Artists Association), Madiun. In 1950s he used naturalistic style which afterwards changed to impressionistic. He actively participated in several exhibitions in Indonesia and abroad. He lived in Surabaya and died in the year of 1990. RUSTAMADJI (Klaten, 1921 - 2001) Born in Klaten on January 19, 1921. He started his career as painter since 1938 as an autodidact painter. He was joined with Indonesian Young Artist which made by Sudjojono. His art works showed his skill on natural-realism painting techniques. He was fond drawing traditional puppet figures while in the third grade of Primary school and copied photographs. He taught him self to paint in 1938. In, 1948 he moved to Yogyakarta, and from 1949 to 1955 was a member of Pelukis Rakjat (People’s Painters) group along with other artist. S. TOYO (Blitar, 1935 – Malang, 2000) Born in Blitar, East Java, 1935. He was well known as a through autodidact painter. Since childhood he like to draw as a hobby with paint a shadow play with leather puppets. He begin learning the people sketch hero faces, namely: Pangeran Diponegoro, Raden Sentot, Kyai Modjo, Soekarno (First Presiden RI), Hatta (Vice President), Jendral Sudirman, etc. He also has created his works on various themes. SAIMAN DULLAH (Tuban, East Java, 1954) Born in Tuban, East Java, 9 July 1954. He found great fond of depicting mountainous landscape in natural way.

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SALIM M. (Kroya, Banyumas, Centra Java, 1941) Born in Kroya, Banyumas, Central Java, 1941. He never had any formal education in art. He joined with painters in Pasar Seni Jaya Ancol (Ancol Arts Market), Jakarta. His works are mostly about innocent and joyful children. He received awards from Japan government twice. SEN PAO (Surabaya, 1949) Born in Surabaya on May 8, 1949. Since childhood he was fond of making sketches and got guidance in drawing form the Chanha Institute in the year 1967. Then, he learned from Mr. T.Wing in Bali for three years. His first solo exhibition was held at a museum in Bali, then Bali Beach and Sanur. He participated in several exhibitions in Jakarta, Surabaya, and Bali. Senpao has been participating in solo and joint exhibition in Indonesia and aboard since 1972. Senpao developed his naturalism out of general artistic perception. His creation, if viewed from formal perception, gives kaleidoscopic impression. Iconic elements such as parts of human body as well as religious objects are divided in small units of colors either in harmony or in contrast with each others. The parts were then integrated in a whole structure that has its own tones are sometimes realistic/descriptive, and yet sometimes what is dominant in Senpao’s work is its sense of supernatural in a tone that is dynamic resulted from the encounter of empty space and crowd, silence and content as well as reality and dream. RADEN SOEKARDJI (1880 – 1950) He beginning painted of 20th century. Many Dutch expatriate interest with his painting, he was well known as landscape painter, and a stile painting “Mooi India”. His friend like a R Abdullah Suriosubroto (1878–1914), Wakidi (1889-1979), angd Mas Pringadi(1875-1936). They are “Mooi Indie”. He painted a great deal of Indonesian nature with tremendous command of light and shade, image river, jungle and many activity people who lived in village. SOETOPO (Yogyakarta, 1931) Born in Yogyakarta, April 13, 1931. He studied painting at The Indonesian Academy of Fine Arts (ASRI) Yogyakarta under Hendra Gunawan, Trubus and Soedarso tutelage. Since 1950, he was actively participated in many exhibitions and handled monumental works for Hotel Indonesia, Ambarukmo Hotel, Satu Maret Monument, Palagan Ambarawa, TMII Historical Monument Relief and Satria Mandala Museum, Jakarta. following the exhibition welcomes the Asian-African Conference in Bandung, 1955. Diversity in Harmony Exhibition in Yogyakarta, Borobudur International Festival Exhibition at the Museum H. Widayat, Mungkid, Magelang, 2002. Exhibition “Footsteps” at the Court of Djoko scream, Yogyakarta, 2003. Art Exhibition “Membaca Dunia Widayat” at Museum H.Widayat, Mungkid, Magelang, 2004. SRI HADHY (Purwodadi, 1943) Born in Purwodadi, Central Java, December 18, 1943. Studied at ASRI Yogyakarta and Vrije Academie Voor Beeldende Kunsten de Vrije Academia Psycholopis, the Hague (Netherlands). His international career began when he traveled to South East Asia (1969 – 1972), and then lived in Netherlands (1972 – 1988). Until now, he still active to participate in exhibitions in Jakarta, Netherlands, Germany, French, Spain, Switzerland, Yugoslavia, Denmark, Egypt, Tunisia, Morocco, and United States. SUDARSO (Purwokerto, 1914 - 2006) Born in Purwokerto, Central Java, 1914. Affandi was his customer when he was an egg and milk seller. From that time he was interested in painting and learnt under Affandi as well as young painters such as Barli, Wahdi, and Hendra. He became a teacher at the Indonesian Fine Arts Academy (ASRI), Yogyakarta. He had participated in numerous exhibitions and active in many painters organizations. Now he lives in Sidoarjo, Surabaya. Solo Exhibition, 1961 to 1969. And he was participated in group exhibition “19 Indonesian Painter” in Singapore and Malaysia, 1967. And Reunion exhibition painter “Angakatan 45 Bandung” in Bandung,1975. Exhibition of Fine Art “Membaca Dunia Widayat” at Museum H.Widayat, Mungkid, Magelang, 2004. SUDJONO ABDULLAH (Yogyakarta, 1911 – 1993) Raden Soedjono Abdullah was born in Yogyakarta, 1911. He was the son of Abdullah Suriosubroto, a famous landscape painter and was also the brother of Basoeki Abdullah. He used to help his father cleaned the pallet from which he found his contenment to be a painter. He finished his school from HIS – Indonesian Dutch School and worked as a poster artist for the Rex Theater in Yogyakarta. During the Japanese colonization in Indonesia, Sudjono went to Parangtritis, Parangkusumo where he continued painting. During the 1970s, Soedjono moved to Kertosono in East Java, where he lived up to his death in the village of Pisang at Patian Rowo on 2 May 1993. SUPROBO (Pati, Central Java, 1958) Born in Pati, Central Java, 1958. He graduated from the Jakarta Interior Design Academy, Jakarta (1978). He was the son of painter Ngari Mangundihardjo. He held his solo exhibition in Jepara in 1975 then settled in Jakarta afterwards. He decided to fully engage in art world in 1995. He extensively participated in numerous group exhibitions since 1977. Today he lives and works in his gallery in Jakarta. SUSILO BUDI PURWANTO (Magelang, 1966) Born in Magelang, 26 July 1966. He graduated from ISI Yogyakarta majoring Fine Art in 1995. He joined several exhibitions among other “Dies Natalis ISI-3” in Yogyakarta (1987), “Ragam Bahasa Pelukis Muda” in Edwin’s Gallery Jakarta (1999), “Mosaic of Contemporary

Indonesian Fine Art” in Vanessa Art House Jakarta (2004), “People Need The Lord” in Jakarta (2006), and “A Beautiful Death” in Bentara Budaya Yogyakarta, Malang, Surabaya and Bali (2007). TATANG GANAR (Bandung, 1936 – Bandung, 2004) Born in Bandung, August 19, 1936. He graduated from ASRI Yogyakarta (1961) and lived in Bandung until now. Since 1965 he was active to participate in solo and joint exhibitions in Jakarta, Bandung, and Bali. Every year he had exhibition with Papilio Group in Jakarta, Bandung and Surabaya. In 1994 he had his solo exhibition in Folklore I, TIM, Jakarta and Folklore II, Topaz Hotel, Bandung. TATANG KOENTJORO (b.Semarang. Central Java - 1993) Born in Semarang, Central Java (?). He studied painting under painter Hadi in Semarang. He received the First Prize for the Book Cover Competition held by the French Embassy in 1955. He held his solo exhibition in 1952 and participated actively in several group exhibitions in various cities in Indonesia. TULUS WARSITO (Sragen, Central Java, 1953) Born in Sragen, Central Java, 1953. He graduated from Gajah Mada University Yogyakarta. He was a lecturer of Batik Painting in Brown University, Rhode Island, USA. UMI DACHLAN (Cirebon, 1942 – Bandung, 2009) Born in Cirebon1942. She studied painting at the Faculty of Fine Arts and Design at Bandung Institute of Technology (ITB). After graduating in 1968, she became a lecturer there in 1969. Umi later went on to study at the Gerrit Rietveld Academy in Amsterdam, The Netherlands, from 1977 to 1979. The Artist has participated in many group exhibitions in Indonesia and Japan, Malaysia, Singapore, Hong Kong, Korea, Jordan, Belgium, the Netherlands, Denmark and Cape Town in South Africa, including Festival pf Indonesia in America Touring exhibition in 1990 to 1991, and she has held several solo exhibitions at Taman Ismail Marzuki art Centre Jakarta in 1977 and 1980, Gallery in Bandung in 1990, and Andy’s Gallery in Jakarta in 2000. She was guided from the painter, Achmad Sadali that greatly influenced her works. Most of her works were deeply rooted in religion and spiritually. She died in Bandung 1 Januari 2009. UTOMO S. (Karawang, 1958) Utomo S. was born in Karawang, 1958. He graduated from Institute of Fine Art in Germany (1982-1986). Since 1986 to 2006 he lived in Germany and held solo exhibitions once a year at several cities in Germany. Recently he lives in Bandung and participated in several group exhibitions. I WAYAN KETIG (Batuan, 1928) Born in Batuan, in 1928. Learned painting with I Wayan Reneh from Batuan Sukawati. He started painting under the guidance of painter Rudolf Bonet. He learned to paint from Made Djata and Wayang Reneh. He painted in black ink on white paper.His strong character, black and white works won him fame. He died 2008. WIDAYAT (Kutoarjo, 1919 – Jakarta, 2002) Born in Kutoarjo, Central Java, 1919. He studied at the Indonesian Fine Art Academy (ASRI), Yogyakarta and Ceramics and Landscape, Nagoya, Japan (1960). He received BKPM award (1953), a cultural award from the Indonesian Government (1972), the Best Biennial Painting, Yogyakarta (1986) and the ASEAN Award, Brunei Darussalam (1993). His works have been shown throughout Indonesia and abroad. He performed his solo exhibitions in Yogyakarta (1983), Jakarta (1985, 1990, 1991, 1992, 2000 and participated in joint exhibition in Japan, Netherlands and United States for KIAS (1990 – 1991). WILHEMUS JEAN FREDERIC IMANDT (St. Jansteen, The Netherlands, 1882 – 1967) Born in St. Jansteen, The Netherlands, 1882. In 1908, he visited Indonesia, where he lived and worked as a painter and drawing teacher at secondary school. From 1920 - 1925, he participated in several exhibitions organized by the Bataviasche Kunstkring in Jakarta. He returned to The Netherlands and stayed there since 1928 - 1935, and then came to Indonesia again afterward. He finally settled in his home town around 1946 until he died in 1967. WILLEM VAN DER DOES (Amsterdam, The Netherlands, 1889 – 1966) Born in Rotterdam, 20 April 1889. He came to Indonesia ca. 1918 as a civil servant to survey the country. In this function he traveled all over the archipelago. The artist participated in several group exhibitions in Jakarta, Medan and Surabaya between 1918 and1939. He returned to the Netherlands in 1946, where he settled in Zeist. Painter, Illustrator and draughtsman of harbor scenes, City views, and landscapes, in an accurate impressionistic style.He died in Zeist, the Netherlands, February 3, 1966. YOGI SETIAWAN (Magelang, 1974) Born in Magelang, May 23, 1974. He studied painting at the Indonesian Institute of Arts (ISI), Yogyakarta and learnt under the direction from painter H. Widayat. He participated in several exhibitions in Indonesia and overseas, Benteng Vredeburg, Yogyakarta, Nyoman Gunarsa Museum, Bali (1999), Phillip Morris Art Award, Jakarta, One Gallery, Jakarta (2000), etc. Some of his works are in the collection of Children of Arts Museum, Chicago, USA. He received several awards for his paintings among others are the Grand Prize Winner at the International poster competition, UNFPA, New York, USA (1998) and the Phillip Morris Art Award from Yayasan Seni Rupa Indonesia (2000).

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