PRESS BOOK

HOW MUCH WOULD YOU SACRIFICE FOR SOMEONE YOU LOVE?

CAST BERNADETTE PETERS.....................DIANE RACHEL BROSNAHAN......................ALICE PETER FRIEDMAN............................CHARLES REYNA DE COURCY..........................CAT SHANNON ESPER..............................CHERIE ANN DOWD........................................CAT’S MOTHER JAYCE BARTOK..................................JIMMY ADAM GARCIA....................................BOBBY DAVID CALE.......................................JOE

CREW DIRECTED BY.....................................LISA ALBRIGHT WRITTEN BY.......................................CHRISTINA LAZARIDI LISA ALBRIGHT PRODUCED BY....................................ADAM FOLK JONATHAN MASON MONA LESSNICK DIRECTOR OF PHOTOGRAPHY.........RYAN SAMUL EDITOR................................................RAY HUBLEY PRODUCTION DESIGNER...................DANIEL R. KERSTING COSTUME DESIGNER.........................MICHAEL ANZALONE SUPERVISING SOUND EDITOR..........NICHOLAS RENBECK MUSIC BY.............................................DOMINIC MATAR CASTING BY.........................................MARGERY SIMKIN JUDY HENDERSON

COMING UP ROSES A FILM BY LISA ALBRIGHT

1980S, DEEP RECESSION AMERICA. In a gritty small town, 15-year-old ALICE and her mother, DIANE, a larger-than-life former actress, cling to each other and the fantasy of a better life.

A tough new neighborhood, dire money troubles, unemployment, even Diane’s relentless depression will not defeat them. But is determination enough to see them through?

“HOW MUCH CAN YOU AFFORD TO SACRIFICE FOR THOSE YOU LOVE?”

Coming Up Roses is a haunting coming-of-age story about a mother-daughter forced to choose between reality and fantasy, their love for each other and survival.

SYNOPSIS It’s 1985, in the depths of a recession. A single mother and former musical theater diva, DIANE WALTERS (Bernadette Peters) and her 15 year old daughter ALICE (Rachel Brosnahan) pack up their U-Haul, chasing the fantasy of a better life. Although beaming with charisma, Diane has been locked for years in a cycle of depression. Her older daughter CHERIE (Shannon Esper) had managed to keep Diane somewhat emotionally and financially intact, but now she wants out. And Diane is panicked. Alice and Diane crash land into blue-collar Nashua, N.H. and Cherie’s wedding day, eager to be part of Cherie’s new life. But they find themselves unwanted. Unlike her sister, Alice deeply connects with Diane’s vibrant imagination and sense of drama. Now with Cherie’s rejection, Alice bravely vows to take over the role of keeping Diane and the household afloat. But the task is far from easy. Diane is struggling with a new cycle of depression and their mounting debts have followed them to Nashua, where unemployment is high and drug dealers and pawnshop owners define economic opportunity. Alice is scared. CAT (Reyna De Courcy), a magnetic opportunist and classmate, becomes an unexpected ally in Alice’s new world. Desperate for money to implement her strategic escape from small town life, Cat hatches a plan to make use of Alice’s assets: inventiveness and innocence. Cat

offers Alice a “job” working together to pull in some fast cash. But will Alice agree to Cat’s questionably legal plan? She may not have a choice, as Alice soon learns. Diane gets fired, losing yet another job. Her depression is back in full force. And the landlord has initiated an eviction, sending CHARLES AIELLO (Peter Friedman), the collection agent, to Diane’s doorstep with the notice. A lonely divorcee, pining for his estranged family, Charles’ world is turned upside down when he meets the eccentric and fiery Diane ---and Alice, the daughter he longs for. Alice realizes with the combination of Diane’s erratic behavior, the mounting bills and the new threat of a possible eviction, drastic action is required. Alice agrees to try Cat’s plan and in a desperate moment even approaches Jimmy (Jayce Bartok), the local drug dealer, for employment ideas. Diane, with ideas of her own, begins to cultivate a “friendship” in Charles. Pinning her hopes on his ability to fill the father/ provider void for both she and Alice. As Alice gets deeper into the world of petty crime and fantasies of escape, Diane throws herself into the impossible fantasy of Charles as the “answer.” These parallel worlds explode. And Alice is forced to see that Diane’s choices are toxic and her need, insatiable. Alice is left alone with a most harrowing decision. Coming Up Roses asks a question we all face --- how much can you afford to sacrifice for those you love?

DIRECTOR’S STATEMENT Coming Up Roses is based on a true story, a moment in my young life that illuminates the power of resilience. This story, a mother-daughter survival story, was inspired in great part by vivid memories of my mother’s challenges with single motherhood, unemployment and clinical depression. In an effort to keep our household afloat, we were forced to take risks and make difficult decisions. It was a time of great inventiveness and determination, and we used our elaborate fantasies of a better life to stay inspired and to keep moving forward. On a technical note, rather than utilizing quick cuts and a frenetic camera to highlight the dramatic tension, Coming Up Roses’ composed visual style relies more on the actors’ performance. The audience is pushed to enter the lives of the characters and to stay with them intimately, uninterrupted. The extreme choices of color, in costume and set design, also play a key role by creating the feeling of a world swaying between reality and fantasy. Bernadette Peters, one of our generation’s greatest actresses, fearlessly plays the mother, Diane, radiant in her theatricality and devastating in her fragility. Rachel Brosnahan, in her first feature film, stuns as Diane’s teenage daughter, Alice. Her rich performance reveals the emotional rollercoaster of adolescence, the fierce battle for a sense of independence and self-discovery. And Peter Friedman gives a brilliant humanity to Charles, Diane’s love interest, at once the family’s savior and predator.

The film is set in deep recession, small town America. And I’ve been fortunate to see how the film touches people, people struggling in today’s frayed and unstable economic landscape. These audiences deeply relate to the difficult choices life forces on them and I can only hope the film encourages them to share their own stories of struggle, resilience and healing. Lisa Albright Director/Co-writer Coming Up Roses

COMING UP ROSES A FILM BY LISA ALBRIGHT

ABOUT THE FILMMAKERS LISA ALBRIGHT: DIRECTOR/CO-WRITER

CHRISTINA LAZARIDI: CO-WRITER

Lisa Albright has an extensive background in theater, having participated in over 40 professional theatrical productions in New York and theaters across the country. She has produced and directed theatrical entertainment for Voyager Company and the Audi Car Company. Lisa was part of the producing team for the Broadway production of One Mo’ Time with the Williamstown Theater Company and the Canadian comedy Mum’s the Word with Back Row Productions (U.K.). Lisa got her MA from New York University through the Gallatin School with a focus on film production.

Christina Lazaridi’s screenwriting career began with her nomination for an Academy Award for her work on the WWII short drama “One Day Crossing.” She has since consulted on projects developed for New Line and Bruckheimer Productions and has worked with Producers Eva Kolodner, Anne Chaisson, Lester Persky Productions and Academy Award Winner, Documentarian Richard Kaplan, as well as with multiple companies in Europe. Her Screenplays have won multiple European Media Development Awards, a Student Academy Award, a Euroscript Development Award and a Chris Kazan Memorial Award.

Coming Up Roses inspired the writing collaboration with award winning screenwriter Christina Lazaridi and marks Lisa Albright’s directorial feature film debut.

Christina freelances as a Script Consultant and teaches Screenwriting at Columbia’s Graduate Film Division and Princeton University. She is the Academic Director and Screenwriting Mentor for CineQuaNon Lab in Mexico. She holds a B.A in Comp Lit and Creative Writing from Princeton University and an MFA in Screenwriting from Columbia University.

COMING UP ROSES A FILM BY LISA ALBRIGHT

BERNADETTE PETERS

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hroughout her illustrious career, Tony Award-winning actress Bernadette Peters has dazzled audiences and critics with her performances on stage and television, in concert, and on recordings.

Ms. Peters recently starred on Broadway in the critically acclaimed production of Follies, after a highly successful run at the Kennedy Center. Prior to that, she starred in the Tony Award-winning masterpiece, A Little Night Musicopposite Elaine Stritch. This year, Bernadette received her third Tony, The Isabelle Stevenson Award which acknowledges an individual from the theatre community who has made a substantial contribution of volunteered time and effort on behalf of one or more humanitarian, social service or charitable organizations, regardless of whether such organizations relate to the theatre. Peters, along with good friend Mary Tyler Moore co-founded Broadway Barks!, an organization that promotes the adoption of shelter animals. Broadway Barks! has evolved into an event that not only focuses on the plight of homeless animals but had opened the door of communication and fostered a spirit of community among the numerous shelters and rescue groups working throughout New York. Their annual star-studded animal adoption event takes place in New York City’s famed Shubert Alley. She has also added author / songwriter to her roster of achievements with her debut children’s book, “Broadway Barks”, a New York TimesBestseller, aptly named after the organization she co-founded. The book package includes a CD of an original song, written and sung by the author. Her second children’s book, “Stella is a Star”, features another of her original songs of which all of the proceeds from the sale of both books go to Broadway Barks!. In 2003, she received her seventh Tony Award nomination for her electrifying portrayal of Momma Rose in Sam Mendes’ recordbreaking Broadway revival of Gypsy, and her brilliant performance was captured on the Grammy award-winning Gypsy cast recording. “Bernadette Peters is a revelation!” Ben Brantley of The New York Times declared of her star turn in the show. Peters’ Angel Records CD,Sondheim, Etc., Etc.: Bernadette Peters Live at Carnegie Hall (The Rest of It), features never-before-released highlights from her historic 1996 highly anticipated solo debut at Carnegie Hall. The concert was a benefit for Gay Men’s Health Crisis. This performance was repeated inBernadette Peters in Concert, her London solo debut at Royal Festival Hall, which later was telecast on PBS and is available on DVD. A native of Ozone Park, New York, Peters began her performing career at the age of 3 with appearances on Juvenile Jury, the classic TV game show Name That Tune, and The Horn & Hardart Children’s Hour. She made her theatrical debut in This is Goggle, starring James Daly and Kim Hunter, directed by the legendary Otto Preminger. Still in her teens, she appeared in The Most Happy Fella and The Penny Friend and performed in the national touring company of Gypsy. Peters made her Broadway debut in 1967 in Johnny No-Trump, and in 1968 starred with Joel Grey in the musical George M!, earning a Theatre World Award for her memorable portrayal of Josie Cohan. That same year, she received a Drama Desk Award for her show stopping performance in the smash hit off-Broadway musical Dames at Sea, and quickly became one of the most sought-after stars in musical theatre. One of Broadway’s brightest stars, Peters received both the Tony Award and Drama Desk Award for her critically acclaimed performance in Andrew Lloyd Webber’s hit musical Song and Dance. In June 1999, Peters earned her second Tony Award, her third Drama Desk Award, and an Outer Critics Circle Award for her portrayal of Annie Oakley in one of Broadway’s most popular musicals, the smash Tony Award-winning hit Broadway revival of Annie Get Your Gun. Peters also received Tony nominations for her work in the 1992 musical The Goodbye Girl; Stephen Sondheim’s Pulitzer Prize-winning musical Sunday in the Park With George; the Jerry Herman/Gower Champion ode to the movies, Mack and Mabel; and the Leonard Bernstein/Comden and Green musical On The Town. In addition to these honors, Peters earned a Drama Desk nomination for her memorable portrayal of the Witch in Stephen Sondheim’sInto the Woods. While Peters is best known for her work in the theatre, her career doesn’t end at the footlights. She boasts an impressive list of television credits including her recent guest appearance on NBC’s new hit series SMASH. She has also appeared in the Lifetime movie, Living Proofopposite Harry Connick, Jr.; a guest starring role in the two-hour 2008 season premiere of the ABC-TV hit series, Grey’s Anatomy, and a recurring role on the popular TV hit, Ugly Betty. She has appeared in several performing arts specials such as PBS’ Evening at Pops and The Kennedy Center Honors to early appearances in variety shows such as The Carol Burnett Showand an Emmy-nominated performance on The Muppet Show. She appeared in the star-studdedSondheim: A Celebration at Carnegie Hall and also played an opera diva-on-the-verge-of-a-nervous-breakdown in Terrence McNally’s The Last Mile, both for PBS’ highly acclaimed Great Performances series. Other television credits include PBS’s Hey Mr. Producer!: the Musical World of Cameron Mackintosh and the ABC-TV special Quincy Jones: the First 50 Years. Peters received an Emmy nomination for her performance in FOX’s hit TV series Ally McBeal. She portrayed the wicked stepmother inCinderella with Brandy and Whitney

Houston, and also starred in The Odyssey starring Armand Assante, David, Fall From Grace with Kevin Spacey, and The Last Best Year with Mary Tyler Moore. She also appeared in the Showtime movie Bobbie’s Girl (Daytime Emmy nomination) and Prince Charming, a TNT movie co-starring Martin Short and Christina Applegate. Peters recorded the original title song for the 1998 feature film Barney’s Great Adventure: The Movie, written by famed Tony Award-winning Broadway composer Jerry Herman (Hello, Dolly!, Mame). She can also be heard as the voice of “Sophie” in the feature filmAnastasia, as “Angelique” in the special home video Beauty and the Beast: Enchanted Christmas, as Sue in The Land Before Time: The Great Longneck Migration, and the voice of Rita the Cat in the popular Steven Spielberg animated program Animaniacs. A performer of amazing versatility, Peters has lit up the silver screen in 17 films thro ughout her distinguished career. She received a Golden Globe Award for her memorable performance inPennies From Heaven. Film credits include The Jerk with Steve Martin, The Longest Yard with Burt Reynolds, Silent Movie with Mel Brooks,Annie with Carol Burnett, Pink Cadillac with Clint Eastwood, Slaves of New York with Mercedes Ruehl, Woody Allen’s Alice with Mia Farrow,Impromptu with Hugh Grant and Mandy Patinkin, and, It Runs in the Family, starring opposite Kirk and Michael Douglas. In addition to numerous Grammy Award-winning Broadway cast albums including Gypsy andAnnie Get Your Gun, Peters has recorded six solo albums: Sondheim, Etc., Etc.: Bernadette Peters Live at Carnegie Hall (The Rest of It);Bernadette Peters Loves Rodgers & Hammerstein (Grammy Nomination); Sondheim Etc.: Bernadette Peters Live At Carnegie Hall (Grammy Nomination); I’ll Be Your Baby Tonight(Grammy Nomination); Bernadette Peters; andNow Playing. Peters has received numerous accolades throughout her distinctive career, ranging from the Tony Award to a star on the Hollywood Walk of Fame. The Police Athletic League (PAL), an organization which runs 84 youth centers and 150 summer camps for New York City’s neediest children, named her as Woman of the Year for 1999. A few weeks earlier, the Actors Fund of America bestowed Peters with their Artistic Achievement Award. She has received the Special Advocate Award from the City of New York for her contributions to the gay and lesbian community, and is the youngest person to be inducted into the Theatre Hall of Fame. Peters also received the 2000 New York Heroes Award from the National Academy of Recording Arts & Sciences. In 2004, she was the Arts and Entertainment recipient of the Matrix Award from New York Women in Communications, Inc. Other honors include the Sarah Siddons Actress of the Year Award and Harvard’s Hasty Pudding Woman of the Year for her “lasting and impressive contribution to the world of entertainment.” Bernadette devotes her time and talents to numerous events that benefit Broadway Cares/Equity Fights AIDS, in addition to her “pet project” Broadway Barks!. In 2009 she performed a critically acclaimed one night only concert in New York City at the Minskoff Theatre, “Bernadette Peters: A Special Concert for Broadway Barks Because Broadway Cares”, which the proceeds went to both organizations. She resides in New York City and Los Angeles. AWARDS AND NOMINATIONS:

STAGE CREDITS:

1968: Theatre World Award 1969: Drama Desk Award for Outstanding Performance for Dames at Sea 1972: Tony Award nomination Best Featured Actress in a Musical, On the Town 1975: Tony Award nomination Best Actress in a Musical for Mack and Mabel 1981: Golden Globe Award for Best Actress in a Motion Picture (Musical or Comedy) for Pennies from Heaven 1984: Tony Award nomination for Best Actress in a Musical for Sunday in the Park with George 1985: Tony Award for Best Actress in a Musical for Song and Dance 1985: Drama Desk Award Outstanding Actress in a Musical for Song and Dance 1985: Drama League Award Outstanding Performance of the Season 1993: Tony Award nomination Best Actress in a Musical for The Goodbye Girl 1999: Outer Critics Circle Award for Outstanding Actress in a Musical for Annie Get Your Gun 1999: Drama Desk Award for Outstanding Actress in a Musical for Annie Get Your Gun 1999: Tony Award for Best Actress in a Musical for Annie Get Your Gun 2003: Drama Desk nomination for Best Actress in a Musical, Gypsy 2003: Tony nomination for Best Actress in a Musical, Gypsy

Gypsy - Dainty June (understudy) - U.S. Tour - 1961 The Penny Friend - Performer - Stage 73 (off-Broadway) - 1966 Curly McDimple - Performer - Bert Wheeler Theater (off-Broadway) - 1967 The Girl in the Freudian Slip - Leslie Maugham - Booth Theatre - 1967 Johnny No-Trump - Bettina - Cort Theatre (Broadway) - 1967 A Mother’s Kisses - Performer - Shubert Theatre (New Haven, CT) - 1968 Dames at Sea - Ruby - Bouwerie Lane Theatre (off-Broadway) 1968 George M! - Josie Cohan - Palace Theatre (Broadway) - 1968 La Strada - Gelsomina - Lunt-Fontanne Theatre (Broadway) - 1969 W.C. - Performer - U.S. Tour - 1970 Nevertheless They Laugh - Consuelo - Lamb’s Club (off-Broadway) - 1970 On the Town - Hildy Esterhazy - Imperial Theatre (Broadway) - 1971 Mack and Mabel - Mabel Normand - Majestic Theatre (Broadway) - 1974 Sally and Marsha - Sally - Manhattan Theatre Club (off-Broadway) - 1982 Sunday in the Park with George - Dot/Marie - Booth Theatre - 1984 Song and Dance - Emma - Royale Theatre (Broadway) - 1985 Into the Woods - Witch - Martin Beck Theatre (Broadway) - 1987 The Goodbye Girl - Paula - Marquis Theatre (Broadway) - 1993 Sunday in the Park with George (10th Reunion Concert) - Dot/Marie - St. James Theatre (Broadway) - 1994 Into the Woods (10th Reunion Concert) - Witch - Broadway Theatre - 1997 Annie Get Your Gun - Annie Oakley - Marquis Theatre - 1999 Gypsy - Rose - Shubert Theatre - 2003 A Little Night Music - Desirée Armfeldt - Walter Kerr Theatre - 2010 Follies - Sally Durant Plummer - Marquis Theatre (Broadway) - 2011

RACHEL BROSNAHAN (ALICE)

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achel Brosnahan received her BFA in Drama from NYU’s Tisch School of the Arts in May. In addition to COMING UP ROSES, Rachel can be seen in the upcoming Warner Brother’s film Beautiful Creatures alongside Jeremy Irons, Emma Thompson and Viola Davis. Beautiful Creatures was directed by Richard LaGravenese and is set for release in February 2013. Rachel has appeared as a guest star on “The Good Wife” and “CSI: Miami” and has a recurring role on the highly anticipated new Netflix series “House of Cards” from executive producers David Fincher and Kevin Spacey. Rachel is a native of the Chicago suburb Highland Park, IL and currently lives in Los Angeles.

PETER FRIEDMAN

(CHARLES)

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eter Friedman is currently in Amy Herzog’s new play The Great God Pan. He was most recently seen in the Annie Baker/Sam Gold Uncle Vanya, the musical The Shaggs: Philosophy of the World, and Ms. Herzog’s After the Revolution.  He originated the role of Tateh in the musical Ragtime in its world premiere in Toronto, as well as on Broadway, receiving an Outer Critics Circle Award and Tony and Drama Desk Award nominations. He has appeared in the Ben Katchor/Mark Mulcahy musical The Slug Bearers of Kayrol Island, Deborah Zoe Laufer’s End Days and Ms. Baker’s Body Awareness and Circle Mirror Transformation. He was in the original New York productions of The Heidi Chronicles by Wendy Wasserstein and Simon Gray’s The Common Pursuit (earning Drama Desk nominations for both), A Soldier’s Play by Charles Fuller, C. P. Taylor’s and a Nightingale Sang…, and Execution of Justice by Emily Mann. He also appeared in New York in The Tenth Man by Paddy Chayefsky, Donald Margulies’ The Loman Family Picnic, Israel Horovitz’ My Old Lady and the Broadway revival of Reginald Rose’s Twelve Angry Men. His films include The Savages; I’m Not There; Freedomland; Safe; The Seventh Sign; Single White Female; Blink; Paycheck; The Messenger; Synecdoche, New York; Breaking Upwards; Love and Other Drugs; Harvest; The Bitter Pill and Coming Up Roses. On television he was a performer on The Muppet Show, and a regular on the series Brooklyn Bridge.

REYNA DE COURCY (Cat)

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riginally from Southern Oregon, Reyna de Courcy studied acting at Mason Gross School of the Arts in New Jersey, before moving to NYC where she currently works in film, television, and theatre. Film projects include ‘Coming Up Roses’ (dir Lisa Albright),’Beach Pillows’ (dir Sean Hartofilis), and ‘Girls Against Boys’ (dir Austin Chick). Theatrical credits include work with Soho Rep, The New Group, Clubbed Thumb, 13P, Playwright’s Realm, The Humana Festival, and Impetuous Theater Group. Television adventures include’Bored to Death’ (HBO), ‘Blue Bloods’ (CBS), and ‘Law & Order: SVU’ (NBC). She is currently in rehearsal for the NY premiere of ‘The Whale’ by Samuel D. Hunter with Playwright’s Horizons.

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COMING UP ROSES A FILM BY LISA ALBRIGHT

COMING UP ROSES Directed by Lisa Albright Written by Lisa Albright Christina Lazaridi Produced by Adam Folk Jonathan Mason Mona Lessnick Director of Photography Ryan Samul Editor Ray Hubley Set Designer Daniel Kersting Costume Designer Michael Anzalone Original Score by Dominic Matar Casting by Margery Simkin Judy Henderson

CAST [in order of appearance] Diane   Young Alice   Alice   Cherie   Bobby   Priest   Bobby’s Best Man   Joe   Cat   Charles   Charles Boss   Physics Teacher   Cat’s Mom   Young Mother   Jimmy   Receptionist   Dr. Light   Gerry   Officer Frank   Arresting Officer   Counselor   Prostitute  

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BERNADETTE PETERS SADIE FEIGHAN RACHEL BROSNAHAN SHANNON ESPER ADAM GARCIA MALACHY MCCOURT ARI BUTLER DAVID CALE REYNA DE COURCY PETER FRIEDMAN ANDREW POLK AMELIA CAMPBELL ANN DOWD SUSAN O’CONNOR JAYCE BARTOK JAMIE HURLEY CHRISTOPHER DURHAM DANIEL ORESKES JORDAN HALL NEAL MATERAZZO MICHAEL WILLIS KATE ROGAL TONY VINCENT JARED BURKE

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! 1st Assistant Director  

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Gaffer   Best Boy Electric  

         

MONA LESSNICK

             

KEITH HUEFFMEIER JEFF DELAUTER PATRICK CECILIAN ELI ARONOFF

AARON CROZIER MELINDA ZIYADAT

DANIEL GARTNER DANIEL CHOY BOYAR

Electrics  

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BEN BURKE BRANDON BARRON HOLLY HOSMAN JAC CHEAIRS ADAM MCDAID YUSUKE NAITO CHARLES WING JIMMY CANDELEJO YANCY RODRIGUEZ ROBB MCCLEARY FRANCESCO PINNA JOSHUA NEAL ZACH ROSSMAN ROB HUBBARD AARON MILLER OLENKA DENYSENKO JUSTIN GUREUX DAN-AH KIM MATTHEW W. HERSCHEL JESSIE KATZ ADAM PRUITT DAVID GETTENS DEREK JIMENEZ ELINOR LEE MARC S. CEFALU JEREMY BALON MARGARET “HUDSON” MATTHEW AMENTA ANGELIQUE PESCE SCOTT SARAH CUNO ASHLEY FOX LILIANA MEYRICK JESSICA FORNES ILIANA PALACIOS PETER CORVINGTON BRENNA MCGUIRE LYON TAYLOR

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Featuring the original song: “Someone You Care For” Written and Produced by David Mansfield and Nan O’Byrne Performed by Bernadette Peter

MUSIC “Flora the Red Menace” by John Kander, Fred Ebb, David Thompson Based on the novel “Love is Just Around the Corner” by Lester Atwell Originally adapted by George Abbott Dialogue quoted by permission © 1965, 1988 by Alley Music Corp., and Trio Music Co., Inc. All rights reserved

“Sing Happy” Written by John Kander and Fred Ebb Used by permission of Alley Music Corporation and Trio Music Co., Inc. Performed by Bernadette Peters Orchestrated and Conducted by Alan Zahn

“I Say a Little Prayer” Written by Burt Bacharach and Hal David Performed by Dionne Warwick By arrangement with Warner Music Group Film & TV Licensing WB Music Corp. o/b/o New Hidden Valley Music Co. & Casa David Courtesy of Warner Bros. Records Inc. “Sunrise, Sunset” Written by Jerry Bock and Sheldon Harnick Used by permission of Alley Music Corporation Bock IP, LLC, T/Q Music Inc., and Williamson Music “God Rest Ye Merry Gentlemen” Traditional Courtesy of Non-Stop Music/Cavendish

“Into the Night” Written by Benny Mardones and Robert Tepper Performed by Benny Mardones Published by Spirit Two Music, Inc. o/b/o Spirit Services Holdings, s.a.r.l. Courtesy of Go-Kart Records (By arrangement with Spirit Music Group, Inc.)

“The Impossible Dream” Written by Mitch Leigh and Joe Darion © 1965 by Andrew Scott Music (ASCAP) Helena Music Company (ASCAP) "Get Out of My Head and Into the Ground" Written by Jason Killinger Performed by The Trauma Queens Courtesy of Fake Chapter Records & Music Supervisor Inc.

“Ohio” Written by Leonard Bernstein, Betty Comden, and Adolph Green Published by Chappell & Co. o/bo itself and Leonard Bernstein Music Publishing Co, LLC

“Make it Happen” Composed by Dom Massaro Published by RFT Music Publishing Corp. Courtesy of Selectracks/Valentino “Angel of the Morning” Written by Taylor Chip Performed by Juice Newton Published by EMI Blackwood Music, Inc. Courtesy of Cleopatra Records By arrangement with pigFACTORY USA, LLC

“Cosma Shiva” Performed by Nina Hagen Published by High Productions Courtesy of Sony Music Entertainment Netherlands By arrangement with Sony Music Licensing “Never Say Never” Written by Debora Iyall, Benjamin Bossi, Frank Zincavage, Larry Carter, and Peter Woods Published by Talk Dirty Music Administered by Bug “Lotus Out of Water” Performed by Hong Ting Courtesy of Oliver Sudden Productions “Key Largo” Written by Bertie Higgins and Sony Limbo Performed by Bertie Higgins Published by Sony ATV Songs/ Sony ATV Tunes Courtesy of Cleopatra Records By arrangement with PigFACTORY USA, LLC “Parsifal Prelude Act I” Composed by Richard Wagner Performed by the Nüremberg Symphony Orchestra Courtesy of Selectracks/Denon Classics

“Go, Pat Go!” Written and Performed by The McVeighs Courtesy ofhe McVeighs “Big Spender” Written by Cy Coleman and Dorothy Fields Published by Chrysalis Music Publishing, LLC

“Thirty Six” Written by Bryan Bruchman, Tina DaCosta, Jared Friedman, Jeremy Joseph, Jeremiah McVay Performed by Man in Gray Courtesy of Man in Gray and Serious Business Records

“Ach, ich fühl's, es ist entschwunden” Composed by Wolfgang Amadeus Mozart Performed by Maria Venuti - Soprano Courtesy of Selectracks/Denon Classics “Never” Written by Walter Block, Holly Knight, Ann Dustin Wilson, Nancy Lamoureaux Wilson Performed by Sonic Backing Published by Mike Chapman Publishing Enterprises Universal Music Corp. o/b/o Strange Euphoria Music and Known Music Courtesy of SBI by arrangement with pigFACTORY USA, LLC “American Society” Performed by Eddie and the Subtitles Written by Eddie Joseph, Mike Patton, Matt Simon Published by Thunderbird Music Courtesy of Frontier Records By arrangement with pigFACTORY USA, LLC “Do You Know the Way to San Jose?” Written by Burt Bacharach and Hal David Performed by Dionne Warwick Published by WB Music Corp. o/b/o New Hidden Valley Music Co. & Casa David Courtesy of Warner Bros. Records Inc. By arrangement with Warner Music Group Film & TV Licensing “Deck the Halls” Traditional Performed by The Victorian Singers Courtesy of Crystal Clarity Publishing

“I’ve Got the Sun in the Morning” Written by Irving Berlin Published by Irving Berlin Music Co.