Henry Purcell. Come, ye Sons of Art Z 323

Full Score Henry Purcell Come, ye Sons of Art Z 323 Birthday Ode for Queen Mary, 30 April 1694 Edited by Philip Legge Contents [Symphony] 3 Come...
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Full Score

Henry Purcell Come, ye Sons of Art Z 323 Birthday Ode for Queen Mary, 30 April 1694

Edited by Philip Legge

Contents [Symphony]

3

Come, ye Sons of Art (solo and chorus)

12

Sound the trumpet (duet)

18

Come, ye Sons of Art (chorus)

21

Strike the viol (solo)

29

The day that such a blessing gave (solo and chorus)

36

Bid the Virtues (solo)

43

These are the sacred charms

47

See Nature, rejoicing (duet and chorus)

50

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Come, ye Sons of Art Poem by Nahum Tate?

Trumpet 1

Oboe 1

Violin 1

                       [Symphony]

Violin 2



Viola Instrumental bass

Continuo realisation



                    



        [Symphony]

      



    



   



   

           

   

   

   

     

   

   

           

   

   

   

     

   

     

          



          

 

   

         





   





   



  



  

  





          

                              







 



 



  



  



 

         

  

 

                      





Henry Purcell (1659–1695)

   

6                                          

 

3

Z 323 (Birthday Ode for Queen Mary, 30 April 1694)





          

                 

   

               

4

11

[Allegro]

  

3

      



   3

  

15

3

  3

3



 

    3

3



 3         

 

 



3

     

 



       

  



 

3

    

  3



  



3

  3

3

   

3

3

 





3                                  3 3  3           

                

3



3





    

                    

           





 

3

       

[Allegro]



         

 

  

   

3

 3



 



   



      3   3          

         

     

3

3



3



3



  3





    

  



 

3 3                           3 3 3 3 3                    3

3

           19

 





3

3

     



   







3







 





  3

 

3

 



3



 3

   

   

  















       3

  



   



         





   

 

 









  





3











  3

3

3

 





3

3

 3





3

   

  

 





3

3



  





      



3



    

        







 



 

  

3



   

     

                                   3 3 3     3   3                         3

 



3

23







  





3

5

        3 3 3                           3 3 3 3                  

             



3





             

  

 



     

                    

              

6

27

  

   



  

 

       













 













 

    

    

     

  

 

 

  

      



    

 











                                                                     



  





  



  

  

 



 



 

31                                                         

 



   

 

 











 





                                                





   



  

  

                  

                                  

34

     



  



      

     



  



     

   

     



    



      

  

 





 

7

    

   



     



          

                                     





            

      







 

37                                                                       

 



    





  

  

    



              



    3









 

  



    

3



3

   

  

       

 

                                                   







3



     3

3

     

40                                                                         

8

    



         





          



             









  





 





 





   

   





















  



  









   

         

                          



  



 

  

                                                         

[Adagio]

[Adagio]

  



  





                44

  

 

 



               

              



          



   

 





      

         



             

9

49



        

  



 



  



                    





















                     

 



  





                  54

  



     





  











 





 

  



 





















         



  













  

 







                      

    

             

  

                       

   

              

 

   

           

                             









       



            

                         

10

60

   

    

  







   









 

 

  





     



















   

        

                                                  



   

 

                   

   



67                                                              

  



 





























 

 



 



 

 



 





                                                  

 



         

                74

 

  

     











 





              



81

   



       



 





         



















  

 

 



              



 



 



 



 

     

     



         





  

     

                                

            





   





 



11

 

               

 

 

   

 

 

   

         

 

 

 

                













     













          











       

 

 

        

  COUNTERTENOR SOLO          

12

88

Come,come, ye

Sons

      



 



           of Art, come, come a  way, come,come, ye Sons of Art, come, come a              

                 95               



way,

                                     





tune all your voi ces and

     



              in  stru ments play, to ce le brate,to ce le bratethis              

                                                   102                tri  um phant day, tune all your voi  ces and in  stru ments play,                



   

      



 109          ce le brate this                  





       

        

       tri  um phant day, to       

       

         

     ce le brate, to   

         

       

 

      ce le brate, to to      

                 

            ce le brate this tri  um phant day,               

  

        

   



   

  

116

Tr. 1

Tr. 2

Ob. 1

Ob. 2

Vl. 1

Vl. 2

Vla

S.

    

 



         

  





 



   

  



 







  

  

  





   





  









  

  CHORUS          Come,come, ye

C-t.

 



B.

Sons

Sons

        Come,come, ye Sons         Come,come, ye Sons

B.c.

Cont.

   







 



 

of Art, come, come a

    

          





of Art, come, come a

  

    



of Art, come, come a

  

  

   

of Art, come, come

   

Come,come, ye

T.



 

 



 

 

 

  

 

  



  



  



   





  



  

  

 

   a  way, 



way,



way,







 

  

Come,come, ye

come, come, ye



Sons

of Art,

Sons

of Art,

 

Come,come, ye Sons



   

ofArt,

way,

Come,come, ye Sons

ofArt,





               

   



 



 

13

  

 



                

  

14 Tr. 1

Tr. 2

Ob. 1

Ob. 2

Vl. 1

122    

        

      

Vl. 2

Vla

S.

  



 



 

come,

T.

B.

B.c.

Cont.

 

  

 

 



 

    

 

 

 

 

    

 

 

    

 

  

  come a



 



come, come

C-t.

 





    

   



   a  way, 



way,

      come, come a  way,        come, come a  way,                       



 







  

 

 





  tune all

your

 

tune all

your



tune all

your

 



     





 



  





 

  

 

       voi  ces and in  stru ments   voi  ces and

     tune all your voi  ces  





  voi  ces  



and

 and



     in  stru  ments     in  stru ments     in  stru ments 





                









    127

        

  

   

    

play,

 

play,



   

  



 

   





   



   

  

  

 

     

   

  

 

   

   

  

  

     

       

  



        

   

   play,    





play,



    



15

   

 to

 

to

to



to

 

      ce le brate, to       ce le brate, to       ce le brate, to        

ce le brate, to

  

 

             

   

  

  

  

 



  

  





   







 





tri

   





ce le brate this

 





  

            ce le brate this tri  um  phant day,            ce le brate this tri  um  phant day,             ce le brate this tri  um  phant day,            







um phant



day,



    

   

 

 

 





  tune all

your

 

tune all

your

  

tune all

your

 



tune all

your

 



     



16 Tr. 1

Tr. 2

Ob. 1

Ob. 2

Vl. 1

133     

    

S.

C-t.

T.

B.

B.c.

Cont.



      



























   

   

       

   

   

  

          



    







   











Vl. 2

Vla







 







  

              voi  ces and in  stru ments            voi  ces and in  stru  ments          voi  ces and in  stru ments          voi  ces and in  stru ments        





























play,

to

      ce  le  brate, to       ce  le  brate, to       ce  le  brate, to      

      ce  le  brate this       ce  le  brate this      

 



play,

 play,



play,

 

to

to



to

 

ce le brate, to

    

 

             

            

   









    

 

        ce  le  brate this ce le brate this



 

    

 

  



  

  



  

138

   

  



 

   







   



   

  

  



  



     

  



    

  



   

   

  



   

   

  

  



 

 



  

   

   

 



  



 

   



        tri  um  phant        tri  um  phant           tri  um  phant       tri  um phant    



          









day,

to



day,

 day,



 

to

to



17

   

      ce le brate, to       ce le brate, to       ce le brate, to        

day,

to

ce le brate, to







  

 

      



 

 

 

   

  

  



  

  



  

  



            ce le brate this tri  um  phant day.            ce le brate this tri  um  phant day.             ce le brate this tri  um  phant day.            

ce le brate this

tri





 

     

   







um phant



  

day.

     

     

 

 

 



  

  [High countertenor]   







18

144

 [Countertenor]   

 

                                          f                  



[Instrumental bass]





Sound

 

    

                                     p              

                 Sound the trum pet! Sound, trum pet!                       Sound the trumpet! Sound the trum pet! Sound,                          148



                                      



    



the



sound,



sound,

 

                                  

    152

                       sound the trum pet, till a  round                                        sound the trum pet, till a  round You make the list ’ning shores re  bound,                          



                       

       

     

     

           

                         re  bound, re bound,  You make the list ’ning shores                     you make the list’ning shores   re  bound,                155



19

         the list ’ning shores re                 re bound, the list  ’ning shores re         

                                                   



      bound.     bound.                   158



1.

                                     

1.



2.

 

bound.



   bound. Onthe           



   

  

        

               spright  ly haut boy, the         Onthe

2.

                                           

                                        spright ly haut  boy play. All the  ly haut boy, the spright                                  spright  ly haut  boy play, the spright ly, spright  ly haut  boy play.                         160



       

      







 

    

         



 





         

                           all, all, all, all the in stru ments of joy,  instru ments of joy,                                    All the in stru ments of joy, all, all, all, all the in  stru ments of joy, of                           

20

163



   

   



     

 

                                 

       166

             That skill ful num bers can em  ploy,  of joy,                         joy, That skill ful num  bers can em ploy,                                                         





                                brate  the glories of this day,  the glo                brate the glo ries of this day,   the                 169



 

               

           To cel  e brate, to cel  e               To cel  e brate, to cel  e           

                                        ries, the glo              glo the   ries,        

                                                            

                         glo         172



 

21

                ries of this day. day.                       ries of this day. On the day.                       

1.

 

2.

  

                                                                                1.

 

2.



 1]   [Trumpet      175

1]   [Oboe       1]   [Violin    



 









 







2]  [Violin    

    

[Viola]



      



[Instrumental bass]

    

  

       





































 



 





 





              



  



       

 



  

     



     

         

22

181

 

  











          

























 



    



          





 



 



                

 



 



   

    

   

  

      

   

  

186

 

         



  



   

    

             

   

  

 







  





  



   



















   















   



     





 

          



   













 

    

     

   

 

 

  

    

   



      

              

23

192

















      

                       



   



                         



              197

     



     















 

 

   









   

              





   

 



     

 

         

       

   

  

   

   





  



   

  

  

  

      





   









   

   

  

 

      



   

 

 

         



 



   

   

        

     











 

    

 

                     

24 Tr. 1

Tr. 2

Ob. 1

Ob. 2

Vl. 1

Vl. 2

Vla

S.

   



   

  

203

    

 



         

  

 

  

    

  

    

  

  

  CHORUS           Come, come ye

C-t.

 



B.

Sons

Sons

        Come, come ye Sons         Come,come ye Sons

B.c.

Cont.

     

 

  

                   

of Art, come, come a

    

          





  

of Art, come, come a

  

    

  

of Art, come, come a

  

  



of Art, come, come

   

Come, come ye

T.



  

   



  

  

  

 

  



   



  



    





   



  

  

 

   a  way, 



way,



way,







  

  

Come,come, ye

come, come, ye



Sons

of Art,

Sons

of Art,

  

Come,come, ye Sons



    

of Art,

way,

Come,come, ye Sons

of Art,





               

     



  



 

  

  



                

  

      

   

     

 

209



       

   

           

     

    

come, come

    come, come a

      



   

  



 

  

 

    

   a  way, 



way,

        come, come a  way,        come, come a  way,                    



 



  tune all your

 

tune all your

 

 

tune all your

 



     





25

 





 



 

 



  

   









   





  

  

 



 

       voi  ces and in  stru ments play,   voi  ces and

      tune all your voi ces and   

 

   voi ces and  



     in  stru  ments play,      in  stru ments play,      in  stru ments play, 







                











    

 to

 

to

to



to

        

26 Tr. 1

Tr. 2

Ob. 1

Ob. 2

Vl. 1

215       

   

  

   



      





   

  

  

 

 

     

   

 

   

  

  

 

      

  

  









    

   

  

  

 



 

   

  

  



   

Vl. 2

Vla

S.

C-t.

T.

B.

B.c.



  

 

         ce le brate, to        ce le brate, to          ce le brate, to          ce le brate, to     



        

Cont.

   

   

  

           ce le brate this tri  um  phant           ce le brate this tri  um  phant            ce le brate this tri  um  phant          ce le brate this tri  um phant 

 

     

   





















 

day,

tune all your



 

day,

 day,

 day,



   

   

 

 

 



tune all your







 







 









  voi

 ces

and

  voi  ces and

      tune all your voi  ces and  



tune all

your

 



   voi  ces and  



   

     

 

 





   















   















   

   

  

 

      

   

  

 

221

      

  

     



   





  











 



   

          in  stru  ments play,         in  stru  ments play,          in  stru  ments play,     in

  





 





stru ments







play,



       

   

 









27



























 to

 

to

to



to

     ce  le  brate,      ce  le  brate,      ce  le  brate,       

 to

 to



to



ce le brate, to

   

 

            

 

     ce  le  brate      ce  le  brate      ce  le  brate      ce  le  brate 

 this

 this



this



this

 

    

 

   tri



um



 

phant

     tri  um  phant       tri  um  phant    tri  um  phant 



   



 

28 Tr. 1

Tr. 2

Ob. 1

Ob. 2

Vl. 1

   





   





226

    

S.

  



 

  





 

 

  



  



 

 

  



  



 

 

  



  

 





 

 

  



  







 

  



     ce  le  brate,      ce  le  brate,      ce  le  brate,     

     ce  le  brate      ce  le  brate      ce  le  brate      ce  le  brate



     

day,

T.

Cont.





C-t.

B.c.

  



  

day,

B.

 

   

Vl. 2

Vla

 



   day,   

day,

to

 

to

to



 le  brate,

 to

 to



to



to

ce





  

 

   

  

  

 

 

   

  



to

 





    

 









 





 





 



 



  

 





  

 





  

 



this

 this



this



this

   

tri



um





       

 

  

phant day.

      tri  um  phant day.        tri  um  phant day.     tri  um  phant day. 



  

    

     

      231



[Treble recorder 1]

     



[Treble recorder 2]





 

  

 



 [Countertenor]       [Instrumental  bass]            



   



    



   

   















  



















29

  

   

            Strike   the vi  ol,   strike   the vi  ol,             

     

 



   

   







   

            



237     



  

    

 





 





 















  



















  

                     touch, touch, touch, touch, the lute, Wake harp,  touch,  the                             



       

 



  

 



   





  



        

  

   

   

  

  

30

243

  









 







 















 

 

             wake harp, the harp,  the    wake                           



 



   

   

 









 









            in  spire the flute,                      

     





  











249

 

        





 





 

 

 









1.







  

            wake the harp, in  spire the flute,                   1.              





       





    

2.

 







  





 

flute,

 





Sing your

           2.    

 

   



                   





     254

  



    

 

 









 











 

    pat  ton  ess’  s praise,                              





 

 





 











31

 



 

 Sing your pat  ton  ess’  s                           





                   

   











260    



 



  







 















 









  

 

  





 









 









                  praise, sing, sing, sing, sing, In cheer                               



 









                 









    





  

  

32

265





















     

             ful and har  mon  ious lays.             1.           

                                               







  











 

  













 



1.



    

         

   2. 





 





269

[Ritornello]

[Violin 1]     

    

[Violin 2]

 



[Viola]

   

lays.

 



     



 



 

  

  



 



   



  





 





































         

[Ritornello]



      

     

  

 

2.

               

  



 



 



 



 











               

             

                    

          275

                          

        



 









   















    











  







   

   



































 











 

 





       





            

   

     

         

 

   



  

                                 



281



       

                          

 













33



     



















     

  

       

                               

 

 

 

    

         1. 

34

287

   

   









 











  290



        



         











 

     

       

 



  





 











  

   



















   





   





   

            

2.

    



          

  

 



  

 



  







































 

      

        



                   1.                                            

  

  



2.  

    

      

     

  

    

 

   

 

   

  



   

 



 

            

   





   



 



  



      





 



  



     





297

     



    

     

           

 

      

   

  

  

   

 

  

 

 

       

       

 







 

  



       

                    

   

               

                                  



303                1. 

                            

35

 

 





   

                  



 

        

  

         

  



 

2.





 



 





 



 





 



 





 



  





 



  





 

                    

1.           



                      

  

2.

                   

1]  [Violin       

36

308

   

[Violin 2]

    

[Viola]

       





      



   









   

   





 

 





     



       

   











 The



day





             



         

       

 





  





 



           bless            

that such a

        

          

     313



 







  







          





ing

 gave,



         



 

  

     

  



  

 

  

  

 

  

     

  

 

  

     





                  



    









No com mon, com mon fes ti val should be,

 



No, no,

    



 



 

 no, 

no,

 

 

no,

   

     







  



           320

     

  

        



no, no,

   

            

1.

2.

  

    





  

    





  



  





     

com mon fes ti val should

be.



be.

1.                          





   





What it

just

    

  



 



     

2.

       



ly,

  

   

 



 

37

   

 

   what it

          

     

  

  



    

  

  

326



   

      just  ly, it    



          



     

   



just ly seem’d to

        

 





  



  











crave,



     

  



 









Grant, oh grant,

           

    



  



      









  

   

 

   



   



  

   

   

   

grant, oh grant, and let it

          

333 1.           

38

                                  



have, let it, let it have, let it, let it have

      

 2. 334       

   



         



   

             





   













 



  





  







 



CHORUS







  

   

 



The

         



 



 

 

   

day

that such a bless

  





The



 

 ing, such a    

day

that such a

 













lee.

           











 

 



of a

Ju

 





bi





   







 

         Ju  bi lee. What it     

a

  

       





hon our of



            have, let it have The hon  our       2.               



 



 

The



  

  



       1.                       





 

  

  

         



The

               

    340

 





    



    bless   



bless













   







   

















ing

gave,

that

such

a

bless

 The







that such a











bless

 day



            





                    

    

   day

  

                    





  

  

39

  







  ing,



a

bless

 

              that such a

bless







           





ing

gave,

No com mon, com mon





ing

gave,

     No com mon, com mon





    

ing

gave,

No com mon, com mon



    

gave,

No com mon, com mon



ing











   

                   

                   





   

40 Vl. 1

Vl. 2

     346

  



 



  



      

 

 

  

  

  

  



 

  

  

  



   

      

Vla

 

S.

                fes ti val should be, no, no, no, no, no, no, no,

       com mon fes ti val should

                 fes ti val should be, no, no, no, no, no, no, no,

      com mon fes ti val should

C-t.

T.

B.

B.c.

Cont.

        fes ti val should be,        fes ti val should be, 



 



 no,

no,





no,

no,



     

   



 

 

  

 

no,



   no,

no,

 



no,

no,



no,

     



   



   

         

 

     

no, no,

com mon fes ti val should









        no, no,

com mon fes ti val should

  

 



                   

   

1.

  

2.

  

    



          



 

  

    

           



  

  

 

          



   

  

    

352

be.



The

be.

 

  

be.

be.

    be.

  

 

  

be.

be.



 

  



be.

  

What it

just

     What it

just

     What it

just

     What it

just

    

  

    

    

   

  

    

1.

2.







41

              what it just ly, it just ly seem’d to crave,  ly,               what it just ly, it just ly seem’d to crave,  ly,               what it just ly, it just ly seem’d to crave,  ly, 

 ly,

          what it just ly, it just ly seem’d to 

  

   

 crave,



                         

    



 







42 Vl. 1

359     



    



 



    



   





     Grant, oh





Vl. 2

Vla

S.

   





 

             



  

             







  

Grant, oh grant,

C-t.

grant, oh

Grant, oh grant,

T.

B.

B.c.

Cont.



 





grant, oh





     

 

      

 

    

       

              grant, and let it have, let it, let it have, let it have The

             

grant, and let it have, let it, let it have, let it have The

                  grant, oh

Grant, oh grant,

   



  

grant,



 







grant, oh



  



    



   

grant, and let it have, let it, let it have, let it have The

              grant, and let it have, let it, let it have, let it have The

     

       

                           

       

        365



 

    





 our    hon  our     hon  our    



hon

     





     

  

hon







  



of a Ju

    bi



[Oboe 1]

   



    



       





  





  





  

 lee.

[Soprano]

        Bid the Vir tues,    

     of a Ju  bi lee.       of a Ju  bi  lee.      our of a Ju  bi  lee.                      



43





        bid the Gra















 





   







                    

370                                            bid the Gra ces To the sa  ces,                                            

















  

44

  

373

 

 

                                                      











    376



   

 

      



cred shrine









re

         





                                  pair, Round the al tar take, take their                                        









  













 

                    

  

379

   pla

 



 

  

ces,





          









 

             Round the al tar take,                 







             







  

45

382

 

   

          take their pla ces,     



          



     385



turns



     





    

          

        Bless ing with re  turns of  

     



  

 



  





 





  





     

 

  

Their great,

 





 

     388



         

         

                

Bless ing with re



     de  fen der’s care,    

  



pray’r,

 

    

   







    

of pray’r Their great

       



                                     

 

     

 fen  der’s                                                         



 





Their great

















de

   

  

46

391

  





    

 



       



           care, WhileMa  ri  a’s roy  al zeal Best in structs you how to                                                        







     395

pray,

 



how



to pray,





      

Hour ly  

                   







         399





     



how

pray,







 

to

       





       





         from her own, her own Con vers ing, con vers ing                                      

                 

                             con vers ing with the E ter                               

  

            

        

         

 





 

  

 











 

         nal, the E  ter  nal               

            402





Throne.

 



      

 

 [Bass] 406    



 

 

 

 





47













                      



 

 

                      

 

    

      These, these, these are the sa credcharms, these are the sa cred charms that                                



 





                                                             409                  shield Her dar ing he ro in the field,                                        









                                                              412                        these, these are the sa cred charms, these are thesa cred charms that shield   Her  dar                             



                             

                            

415                                     ing he ro in the field,        dar   Her                       

48



                      

 418     

                      

         

ing he ro in            



      

       





   

                  

 







Thus she sup  ports                     

the field;

  

                                  



             421                             his right eouscause, thus,thus, thus, thus, thus, thus, she sup ports, she sup                                                                                                      424                               ports his right  eous cause, Thus, thus, thus, thus tohis aid im mor tal pow’r,                       

 

            

  

 

   

  

                                 

    427

  



    





im mor tal pow’r,

   

          

im mor tal

 







49

               pow’r,

shedraws,

thus,

thus,

                                                       

 430     







            

              



thus,

thus

to his aid im mor

                              

  

                    

                                        

 433                       tal pow’r she draws, thus, thus         Thus,                         



                           

                                        

 436                            to his aid im mor tal pow’r she draws.                                     



         

                                                             

     

   [Soprano]   

50

      

         Na ture, re  joic ing, has shown us the way,          

   

 

440



See



See



 



 447          in  no cent rev  els to          in  no cent rev  els to       



            

    

 453          talk  ing rill,       talk  ing rill,     



            

 joic ing, has shown us   

re

     

          



Na ture,

     



1.   



wel come the

 



 

wel come the

day.

 day.





       



 

 The



The

      

1.



 

     

See,







day.

The

See,



day.

 The



   

2.

  

 

                  



  



      



tune





ful



    

          





 With

re

With

 ing hill,  

              



 ful grove, and   

 ply  ing hill,       

  

tune

re

ply

     

  

      



rev els, with





 

in no cent

 

  

the

vale,

 

2.

laugh





With

  

the

ing





 ing vale,       laugh



way,

   





the

      With in  no cent rev els, with        

   

grove,

and

    

   

 ing   charm

charm



 ing 

     

                  har  mo  ny u  nite, The hap  py             har  mo  ny u  nite, The hap  py         



            



          

  

  

              Na ture, re  joic ing, has shown us the            Na ture, re  joic ing, has shown us the                            467



  



 



         wel come the day.        wel come the day.                 475



 

 





51

 

460

sea



son

to

sea



son

to

 

  in  vite.  

 

in

 

                          

Thus



vite. Thus



   



 

             way, With in no cent rev els, with in no cent rev els to               

 



          

way, With in no cent rev els, with in no cent rev els to

  

 



                

             



     

      



  



              

             What the Gra ces re  quire, And the Mu  ses in  spire,              What the Gra ces re  quire, And the Mu  ses in  spire,           





     

Is at once our de

      

Is at once our de



          





 

   

52

      

light

  

and our

du

  

  









482



light

  



        

and our

     

du



ty

to







ty

to



   



pay.

Thus

Na ture,



 

re

pay.

Thus

Na ture,



re







             

  

 joic ing, has      joic ing,  

    shown us

the

has shown us

the

    





      

     

    















    488

way,



    



way,

 With



With



   



 





   in  no  cent   

   rev  els, with   

   in  no  cent   

   rev  els to   

wel come

in

rev

in

rev

wel come

 no  cent  

 els, with   

 no  cent

to

  



    

     

     

    



  

  



 els







     

the



the

  



        



      



 











  

      

 

 

 







  

494

Tr. 1

Tr. 2

Timp.

Ob. 1

Ob. 2

Vl. 1

 

Vla

S.

                        

      



 

 







  

     



 

 









 

 



  





  

     



 

 





     



 



  

 









  

 



 

 







way,

With





      

Vl. 2



   

CHORUS

 ture, re  joic ing,     Thus Na  ture, re  joic ing,             Thus Na  ture, re  joic ing,          day.

T.

B.

B.c.

Cont.

Thus Na

     

C-t.



day.

 



[Tutti]



      

53



Thus Na

       

 ture,

re







 

 

   



joic ing,

   

 

us



the

way,

With



   in no  cent    in no  cent   

has shown

 

us

the



way,

With

in no cent

has shown

us

the

way,

With

in no cent





has shown

  has shown



       

us

the

  

    

 



     

 

 

 

 

 



        

54 Tr. 1

Tr. 2

Timp.

Ob. 1

Ob. 2

Vl. 1

    500

         

S.



   

B.c.

Cont.













 





 















 



















 



cent

rev

els to

wel





 



 



  





 



  

 





 

 



 els, with   rev  els, with       rev  els, with     



   

 els, with

in



 no  





rev

in

 no  cent   

rev

in

rev

 



     

  

 no     

cent

 







 

 





 no  cent   

in

  









 



    



 



  

 







 

rev





 







rev

B.







                 

  

T.









   

C-t.





   





 

  

Vl. 2

Vla

 

 



 



els to

 

wel





els to



els to

wel





     

 

 

wel



 







day.

Thus





come the

day.

Thus



come the

day.

Thus







come the

day.

Thus



come the























       

 

 

 

 

 

   



 

   



 

505

 



55









 





 







 



  



                       

 

  

   



 

 







 





 

  



 

 









 

 







 





 

 





 

 



 

 







 



 







 

   

 









 





 



 

 







 





 

way,

With

in no

rev







rev



   



 

 ture, re  joic ing,     Na  ture, re  joic ing,          Na  ture, re  joic ing,        Na

 



Na

  



        

 ture,

re



     



has shown

the

 

us



the

way,

With

has shown

the



way,

With

in no

  cent   

rev



 

us

has shown

us

the

way,

With

in no

rev

   

   



  

 

   

 

 



 

has shown



   

 

  cent

   in no  cent   

joic ing,

 

us



    

 

 

  cent  

 

   

 els, with  

 els, with     els, with     els, with       

      

56 Tr. 1

Tr. 2

Timp.

Ob. 1

Ob. 2

Vl. 1

    511

      

         

S.



  

    in

 

C-t.

     

 no 

B.

B.c.

Cont.







     

cent



  no  cent       in  no  cent      in

T.





in

  



 

      

   

Vl. 2

Vla



       

 no     

cent





 



  rev



rev

 rev



rev





 

 



 









          





 





 

























 















 





 









 

els

to

wel







 





  





 





els





els



els



 

 come 

wel





day.

The







   





day.

The

day.

The





day.

The







 

 

       

 

 

 

 



 



tune

tune

tune

 tune



 



the

 come the     to wel  come the     to wel  come the to



    

ful

 

 ful   

ful

 ful



                  

  















  





























516

 

    

  

  

      

 

 

  

  

  

      



 

  

 

 

  

 

  

   



grove,

  

grove,

grove,

  



      



   the talk

 

the talk

       grove, the talk   

 

 

the talk

 











 p

     

      



rill,

 

ing

rill,

The

The

p

  





    



 





laugh

laugh

 



ing vale,

re







f

f

re  ply  ing vale,  ing hill,              re  ply  ing rill, The laugh  ing vale,  ing hill,                   ing rill, The laugh ing, the laugh  ing vale, re ply ing hill,                 ing



ply





ing



f

f

 With



With



With



hill, With



                                        

           

p



p



 f



 



p



   



 





   



57

  

  















  





























58

523

 

                          







                             



       

             

 

       



 



    

     

har





                       

mo

 ny

 

 u



nite,



nite,

           

 

  

 py  

The

The

hap

hap

 



py



    

sea

to

in

 



sea

u



 

har

 mo  ny     

 





mo



 

u  nite, The hap  py  ny           har  mo  ny u  nite, The hap  py              har





 

   

 



       charm  ing     charm  ing        charm  ing        charm  ing    





     

sea

  sea





son



son

to



son

to



son

in



in



      

to





 in





                           

     





 

     





 

530

 









 







59



 





 



                        

   







 

 







 



  







 

 















 

 

 







 



 







 

 











 



  



 

 









 









 

 







 



way,

With

in no





   



   

vite.

 

vite.



    vite.    





vite.

 Thus





 ture, re  joic ing,      Na  ture, re  joic ing,     Na

has shown

 

us

the

 

us



the

way,

With







Na

 ture, re  joic ing,     

has shown

the



way,

With

in no

Thus

Na



 

us

has shown

us

the

way,

With

in no



   

   



 

 

   

 

 



  

    

 ture,

re



     



joic ing,



 

 cent

   in no  cent   

has shown

 



Thus



    

Thus



   

    







 cent    

 



 cent     

   

60

536

 

         













 

 



   





 

         

 









 

 

 















 

 







 

 

 

 





 

  





 

 

 

      

   

rev

 





              



   





























 









 









 









to

wel

 els, with  

rev  els, with       rev  els, with     

 els, with     



rev

       

      

in





 no  



cent



 no  cent   

in

 no  cent   

in

in

   

 no     

cent

   



 come the day.          rev  els to wel  come the day.       rev wel  come the day.  els to        rev  els to wel  come the day. rev







els







 

      

 

      

 

 

 



 

 

What the

 

What the

 

What the

  What the

    

  















  





























541

 

61

           



      





     

   

 

     



    

   



     



     

   

 

     





   



     



    

   



    



     



     

   

 

     Gra ces     Gra ces      Gra ces      Gra ces    



  

re quire,







re quire,







re quire,







re quire,





           



       And the Mu  ses in  spire,        And the Mu  ses in  spire,        And the Mu  ses in  spire,        And the Mu  ses in  spire,   



            



   

     

   

 light and our         Is at once our de  light and our           Is at once our de  light and our           Is at once our de  light and our     Is at once our de

          





          





   ty to    du  ty to   du

du

 du



 ty

to

 ty

to



      

      

     





 

     



 

 

62

548

 







 









 





 



                       

   







 

 







 



  







 

 















 

 

 







 



 







 













 



  



 

 









 









 

 







 



way,

With

in no





   



   

pay.

  

pay.



Thus



 ture, re  joic ing,      Na  ture, re  joic ing,     Na

has shown

 

us

the

 

us



the

way,

With

   in no  cent   

    pay.

Thus

Thus

Na

 ture, re  joic ing,     

has shown

the



way,

With

in no

pay.

Thus

Na



 

us

has shown

us

the

way,

With

in no



   

   



 

 

   

 

 

    







     





  

    

 ture,

re



     



joic ing,



 

has shown

 

  cent



   



    

 

 

  cent      cent  

 

   

    554

 

         















    







      

          

 











    

 













 







    

 





 



  







 













  



 













els

to

wel





       

   

rev

 

 els,

with

 

 els, with      rev  els, with      rev







              



   





 els, with      rev



       

      

in



in



 

no



no



 







cent

rev



cent



rev







no



cent

in



no





rev

cent

rev

   

    









 

 





in





 



   

 



els



 els

to

   els to



to

       

 







 

     come

the

day.

      wel  come the day.     wel  come the day.     wel  come the day.     



         

 

 

63