Great Books: Frankenstein Teacher’s Guide Grade Level: 9-12

Curriculum Focus: Literature

Lesson Duration: Two class periods

Program Description Mary Wollstonecraft Shelley's frightening tale of science gone awry has taken on a life of its own since the young author first published it anonymously nearly 200 years ago. Explore the novel's themes, the author's relationship with the poet Percy Bysshe Shelley, and the many stage and film adaptations of this quintessential Gothic novel.

Lesson Plan

Student Objectives •

Active readers interpret a novel—its characters, plot, setting, and theme—in different ways.



Great literature can be and has been adapted in many ways over time.

Materials • • • •

Simplified legal guides Dictionaries Space to set up mock trial Great Books: Frankenstein video and VCR or DVD and DVD player

Procedures 1. After watching the video, discuss Frankenstein's nature. Was he inherently evil? What made him so angry and vengeful? 2. Point out that in the United States these days, when litigation is so popular, a new version of Frankenstein set here might show the monster, before going off to the Arctic, suing his creator in civil court for negligence, malpractice, and emotional and physical distress. Tell students that they are going to stage a mock trial of Victor Frankenstein for the above-mentioned charges. The trial, like the novel, can have science fiction or fantasy elements. 3. Explain that the case will be heard in civil court, where a suit is brought by one individual (plaintiff) against another (defendant). This is different from a criminal court, where the case is between the state (prosecution) and the defendant.

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4. Proceed by making sure students know what the charges are. They can research the definitions of negligence, malpractice, and emotional and physical distress as they are used in the legal profession. To find definitions, students may use materials prepared for jurors in local courts; in addition, some college-level and most unabridged dictionaries will give law-specific definitions for at least negligence and malpractice. 5. Ask students to help you determine what roles the following characters will play in the trial, and then assign students to those roles: • • • • • • • • • • •

Victor Frankenstein the ghost of William Frankenstein the ghost of Justine Moritz the ghost of Henry Clerval the ghost of Elizabeth Lavenza the monster witnesses for the plaintiff, including a medical expert and an ethicist witnesses for the defendant, including a medical expert and an ethicist attorney for the plaintiff attorney for the defendant judge

Because this mock trial is a civil case, assign six jurors and one alternate. Take the role of bailiff, the person who keeps order in the court. 6. Go over the order in which they may carry out their mock trial: • • • • • • •

opening statement by plaintiff's attorney opening statement by defendant's attorney interrogation of plaintiff's witnesses by attorney for the plaintiff cross-examination of plaintiff's witnesses by attorney for the defendant interrogation of defendant's witnesses by attorney for the defendant cross-examination of defendant's witnesses by attorney for the plaintiff closing arguments by both attorneys

7. Give each participating student time to prepare for his or her role by reviewing the novel and researching the book on the Internet. 8. During the trial, the judge may intervene to help the witnesses and to respond to objections by attorneys. After both sides have rested their cases, the judge should remind the jury of its obligations. Then you can invite the jury to deliberate in front of the class. The jury should submit a verdict in writing to the judge, who will read it aloud.

Published by Discovery Education. © 2005. All rights reserved.

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9. Determine for your class whether the trial will end with the jury's verdict, or, if found guilty, the defendant will hear what damages he must pay to the monster. The judge, the original jurors, or a new panel of jurors may determine damages. 10. Ask the students who did not participate in the mock trial to assess the strengths and weaknesses of the case as it was presented in the mock trial.

Assessment Use the following three-point rubric to evaluate students' work during this lesson. • •



Three points: Students created their role and stayed in that role very well; developed well thought out questions or statements; and delivered questions or statements clearly. Two points: Students created their role and stayed in that role moderately well; developed fairly well thought out questions or statements; and delivered most questions or statements well. One point: Students did a poor job of creating their role and staying in that role; their questions or statements were not clearly thought out; and they did not deliver questions or statements well.

Vocabulary benevolent Definition: Marked by or disposed to doing good Context: I was benevolent once; my soul glowed with love and understanding. formidable Definition: Causing fear, dread, or apprehension; tending to inspire awe or wonder Context: Most people thought it was a formidable subject. obsession Definition: A persistent, disturbing preoccupation with an often-unreasonable idea or feeling Context: Victor Frankenstein's dream of creating life became his obsession. poignant Definition: Painfully affecting the feelings Context: Frankenstein illustrates the poignant struggle of an outcast to fit in to society. predatory Definition: Inclined or intended to injure or exploit others for personal gain or profit Context: The experience of being abandoned drives him into a violent, predatory rage. progeny Definition: Offspring of animals or plants Context: Mary Shelley referred to her book as “my hideous progeny.”

Published by Discovery Education. © 2005. All rights reserved.

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Academic Standards Mid-continent Research for Education and Learning (McREL) McREL's Content Knowledge: A Compendium of Standards and Benchmarks for K-12 Education addresses 14 content areas. To view the standards and benchmarks, visit http://www.mcrel.org/compendium/browse.asp. This lesson plan addresses the following national standards: •

Language Arts: Reading—Uses reading skills and strategies to understand and interpret a variety of literary texts; Uses reading skills and strategies to understand and interpret a variety of informational texts



Language Arts: Listening and Speaking—Uses listening and speaking strategies for different purposes



Language Arts: Viewing—Uses viewing skills and strategies to understand and interpret visual media

Support Materials Develop custom worksheets, educational puzzles, online quizzes, and more with the free teaching tools offered on the Discoveryschool.com Web site. Create and print support materials, or save them to a Custom Classroom account for future use. To learn more, visit •

http://school.discovery.com/teachingtools/teachingtools.html

DVD Content This program is available in an interactive DVD format. The following information and activities are specific to the DVD version.

How To Use the DVD The DVD starting screen has the following options: Play Video—This plays the video from start to finish. There are no programmed stops, except by using a remote control. With a computer, depending on the particular software player, a pause button is included with the other video controls. Video Index—Here the video is divided into sections indicated by video thumbnail icons; brief descriptions are noted for each one. Watching all parts in sequence is similar to watching the video from start to finish. To play a particular segment, press Enter on the remote for TV playback; on a computer, click once to highlight a thumbnail and read the accompanying text description and click again to start the video.

Published by Discovery Education. © 2005. All rights reserved.

Great Books: Frankenstein Teacher’s Guide

Curriculum Units—These are specially edited video segments pulled from different sections of the video (see below). These nonlinear segments align with key ideas in the unit of instruction. They include onscreen pre- and post-viewing questions, reproduced below in this Teacher’s Guide. To play a particular segment, press Enter on the TV remote or click once on the Curriculum Unit title on a computer. Standards Link—Selecting this option displays a single screen that lists the national academic standards the video addresses. Teacher Resources—This screen gives the technical support number and Web site address.

Video Index I. Introduction (12 min.) A look at the life of Mary Wollstonecraft Shelley, the young author of Frankenstein, and an introduction to the story told in her frightening tale of science gone awry. II. Birthing a Monster (13 min.) Dr. Victor Frankenstein runs away in horror after giving life to a hideous monster. In the second part of Frankenstein, we hear the terrifying story from the monster's perspective. III. Frankenstein on Stage and Film (13 min.) Having turned violent due to loneliness and despair, the monster leads Frankenstein on a deadly chase in the Arctic. Through plays and films, Frankenstein lives on. IV. Frankenstein's Legacy (12 min.) Over the years, Frankenstein's monster has become a symbol of what happens when science goes too far. A look at some of the ways the monster lives on.

Curriculum Units Segment 1. Frankenstein: An Introduction Pre-viewing question Q: What kinds of rules and boundaries should apply to science? A: Answers may vary Post-viewing question Q: What is the definition of a “Frankenstein”? A: Frankenstein means one who creates a monster or destructive agency that he cannot control or that brings about his own ruin.

Published by Discovery Education. © 2005. All rights reserved.

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Segment 2. Mary Shelley Pre-viewing question Q: Why do you think Frankenstein was published anonymously? A: Answers may vary Post-viewing question Q: Why was the love affair between Mary Wollstonecraft and Percy Shelley so scandalous? A: Percy Shelley was married with two children when he began seeing Mary. The two would meet at her mother's grave. Mary became pregnant at 16 and she and Percy eloped, even though Percy was already married. The couple went to France but soon returned to England because they were broke. Neither Mary nor Percy's father would accept the lovers or help them pay their debts, so they hid from debt collectors, moving numerous times. Segment 3. Dr. Frankenstein Creates Life Pre-viewing question Q: Why might someone see electricity as the source of life? A: Answers may vary Post-viewing question Q: What are the similarities between Victor Frankenstein and Percy Shelley? A: Percy Shelley had a sister named Elizabeth, Victor Frankenstein's character was in love with a cousin named Elizabeth. Victor's fictional family very closely resembled Percy's real-life family. Also, Percy published his first book of poems under the pen name Victor. Segment 4. A Monster's Perspective Pre-viewing question Q: How would you react if your friends and family abandoned you? A: Answers may vary Post-viewing question Q: Was Frankenstein's monster civilized? A: Yes, he learns to read and write and sees the world through a very poetic light. However, his anger at being abandoned and unloved makes him violent. Segment 5. Theatrical Versions of Frankenstein Pre-viewing question Q: Do you feel sympathy for Frankenstein's monster? A: Answers may vary Post-viewing question Q: What was Victor Frankenstein's initial reaction to his monster in the first Universal movie? A: In the original release, Dr. Frankenstein reacts to his monster by saying. "Now I know what it feels like to be God." The line was later dropped, possibly because of protests by audiences offended by the idea of a man comparing himself to God.

Published by Discovery Education. © 2005. All rights reserved.

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Segment 6. Modern Twists on the Monster Pre-viewing question Q: Why are we fascinated with monsters? A: Answers may vary Post-viewing question Q: What does the story of Frankenstein show us? A: The story is a condemnation of science without soul. Its message makes us aware of our own accountability when we tamper with nature.

Published by Discovery Education. © 2005. All rights reserved.