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ILLUSTRATED CHECKLIST

Florence at the Dawn of the Renaissance: Painting and Illumination, 1300–1350 At the J. Paul Getty Museum, Getty Center November 13, 2012–February 10, 2013    Introduction 1.

Master of the Dominican Effigies (Italian, active about 1325–about 1355) Domenico Lenzi (Italian, active 14th century) Specchio Umano, about 1325–1335 On display: Fols. 57v - 58: The Expulsion of the Poor from Siena and The Poor of Siena Being Generously Received in Florence; Fols. 57v–58: The Expulsion of the Poor from

Siena and The Poor of Siena Being Generously Received in Florence Tempera and gold leaf on parchment Open: 40 x 64 cm (15 3/4 x 25 3/16 in.) Biblioteca Medicea Laurenziana Firenze EX.2012.2.12

2.

Master of the Dominican Effigies (Italian, active about 1325–about 1355)

Christ and the Virgin Enthroned, Attended by Seventeen Dominican Saints Tempera and gold leaf on panel 117.8 x 56 cm (46 3/8 x 22 1/16 in.) Opera per Santa Maria Novella / FEC / Soprintendenza Speciale per il Patrimonio Storico, Artistico ed Etnoantropologico e per il Polo Museale della città di Firenze EX.2012.2.24

3.

Bernardo Daddi (Italian (Florentine), active about 1312–1348)

Triptych with the Crucifixion, 1338

Tempera, silver and gold leaf on panel 90.3 x 83.5 x 7.8 cm (35 9/16 x 32 7/8 x 3 1/16 in.) Edinburgh, Scottish National Gallery EX.2012.2.40

4. Pacino di Bonaguida (Italian (Florentine), active about 1303–about 1347) The Crucifixion, about 1315–1340 Tempera and gold leaf on panel 81.2 x 44.5 cm (32 x 17 1/2 in.) Fondazione di Studi di Storia dell'Arte Roberto Longhi di Firenze EX.2012.2.16 IMAGE AVAILABLE FOR PRESS

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5. Master of the Codex of Saint George (Italian, active about 1315–about 1335) Ceremonial, about 1320 - 1330 On display: Fol. 7v: Initial A: A Bishop Reading a Book Held by A Deacon 165 ff; 5 historiated initials 37.5 x 25.3 cm (14 3/4 x 9 15/16 in.) Bibliotheque municipale de Boulogne-sur-Mer EX.2012.2.117 6. Maestro Daddesco (Italian, active first half of the 14th century) Initial M: The Annunciation, about 1310–1315 Tempera, gold leaf, and ink on parchment 13.6 x 13.4 cm (5 3/8 x 5 1/4 in.) Lent by The Metropolitan Museum of Art, Robert Lehman Collection, 1975 EX.2012.2.97 7.

Maestro Daddesco (Italian, active first half of the 14th century)

Initial E: Saint Kneeling in Prayer, about 1320–1330 Tempera and gold leaf on parchment 12.6 x 13.1 cm (4 15/16 x 5 3/16 in.) Richard Deutsch EX.2012.2.110

8. Maestro Daddesco (Italian, active first half of the 14th century) Initial D: Saint Peter, 1340–1350 Tempera and gold leaf on parchment 12.5 x 12.5 cm (4 15/16 x 4 15/16 in.) Private collection EX.2012.2.96 9. Bernardo Daddi (Italian (Florentine), active about 1312–1348) A Crowned Virgin Martyr, about 1340 Tempera and gold leaf on panel 61.6 x 30.5 cm (24 1/4 x 12 in.) Fine Arts Museums of San Francisco, Gift of the Samuel H. Kress Foundation EX.2012.2.47 IMAGE AVAILABLE FOR PRESS 10. Giotto di Bondone (Italian, about 1267–1337) Madonna and Child, about 1320–1330 Tempera on panel Unframed: 85.5 x 62 cm (33 11/16 x 24 7/16 in.) National Gallery of Art, Washington, Samuel H. Kress Collection EX.2012.2.104 IMAGE AVAILABLE FOR PRESS 11. Taddeo Gaddi (Italian, about 1300–1366)

Virgin and Child Enthroned with Ten Saints/Maestà, about 1334 Tempera and gold leaf on panel Unframed: 35.1 x 25.1 cm (13 13/16 x 9 7/8 in.) Courtesy of The New-York Historical Society, Gift of Thomas Jefferson Bryan EX.2012.2.70

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12. Taddeo Gaddi (Italian, about 1300–1366) The Crucifixion, 1330–1335 Tempera and gold leaf on panel 39.5 x 14.4 cm (15 9/16 x 5 11/16 in.) The ALANA Collection EX.2012.2.118.1

13. Taddeo Gaddi (Italian, about 1300–1366) The Annunciation and The Nativity, 1330–1335 Tempera and gold leaf on panel 39.5 x 14.4 cm (15 9/16 x 5 11/16 in.) The ALANA Collection EX.2012.2.118.2

14. Puccio Capanna (Italian, active about 1325–1350)

The Virgin and Child Enthroned with Angels, the Annunciation, and Female Saints Tempera and gold leaf on panel 36.7 x 24.5 cm (14 7/16 x 9 5/8 in.) Vatican Museums, Vatican City EX.2012.2.36

15. Puccio Capanna (Italian, active about 1325–1350) The Crucifixion, about 1330 Tempera and gold leaf on panel 17.8 x 14 cm (7 x 5 1/2 in.) North Carolina Museum of Art, Raleigh, Gift of the Samuel H. Kress Foundation EX.2012.2.59 16. Bernardo Daddi (Italian (Florentine), active about 1312–1348) The Virgin Mary with Saints Thomas Aquinas and Paul, about 1330 Tempera and gold leaf on panel 121.6 x 113 cm (47 7/8 x 44 1/2 in.) The J. Paul Getty Museum, Los Angeles 93.PB.16 IMAGE AVAILABLE FOR PRESS

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Page 4  17. Giotto di Bondone (Italian, about 1267–1337)

Christ Blessing with Saint John the Evangelist, the Virgin Mary, Saint John the Baptist, and Saint Francis(Peruzzi Altarpiece), about 1310–1315

Tempera and gold leaf on panel 105.7 x 250.2 x 15.2 cm (41 5/8 x 98 1/2 x 6 in.) North Carolina Museum of Art, Raleigh, Gift of the Samuel H. Kress Foundation EX.2012.2.58 IMAGE AVAILABLE FOR PRESS

18. Pacino di Bonaguida (Italian (Florentine), active about 1303–about 1347) Convenevole da Prato (Italian, late 13th century–1338) Appeal of Prato to Robert of Anjou, about 1335–1340 On display: Fols. 4v - 5: Pacino di Bonaguida, Christ and the Virgin Mary (Cat. 5.1) Tempera, gold leaf, and ink on parchment Closed: 48 x 34 cm (18 7/8 x 13 3/8 in.) The British Library EX.2012.2.43

Devotional Art 19. Pacino di Bonaguida (Italian (Florentine), active about 1303– about 1347)

Saint John on Patmos; The Virgin and Child Enthroned; The Death of the Virgin; The Crucifixion, 1315

Tempera and gold leaf on panel 61.9 x 80.6 cm (24 3/8 x 31 3/4 in.) The Metropolitan Museum of Art, Gift of Irma N. Straus, 1964 EX.2012.2.89

20. Pacino di Bonaguida (Italian (Florentine), active about 1303–about 1347)

Double-sided Crucifix

Tempera and gold leaf on panel 40 x 29.5 cm (15 3/4 x 11 5/8 in.) Istituti museali della Soprintendenza Speciale per il Polo Museale Fiorentino EX.2012.2.11 21. Follower of Bernardo Daddi (possibly Pietro Nelli) (Italian (Florentine), active about 1312–1348) Virgin and Child Surrounded by Saints, about 1336 Tempera and gold leaf on panel 95.3 x 66 x 8.9 cm (37 1/2 x 26 x 3 1/2 in.) Portland Art Museum, Oregon, Gift of the Samuel H. Kress Foundation EX.2012.2.102 22. Giotto di Bondone (Italian, about 1267–1337) The Apparition of God the Father (Pinnacle from the Baroncelli Altarpiece, Florence, Santa Croce), about 1334 Tempera and gold leaf on panel 76.2 x 71.1 x 7.8 cm (30 x 28 x 3 1/16 in.) The San Diego Museum of Art, Gift of Anne R. and Amy Putnam EX.2012.2.45

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Page 5  23. Pacino di Bonaguida (Italian (Florentine), active about 1303–about 1347) Polyptych: The Crucifixion; Saint Nicholas; Saint Bartholomew; Saint Florentius; Saint Luke, about 1315–1320 Tempera and gold leaf on panel 182 x 249 x 10.2 cm (71 5/8 x 98 1/16 x 4 in.) Firenze, Galleria dell'Accademia EX.2012.2.17 24. Bernardo Daddi (Italian (Florentine), active about 1312–1348) The Virgin and Child with a Donor, late 1340s Tempera and gold leaf on panel 109.2 x 46.7 cm (43 x 18 3/8 in.) Seattle Art Museum, Samuel H. Kress Collection EX.2012.2.76

25. Pacino di Bonaguida (Italian (Florentine), active about 1303–about 1347) Gradual, about 1342/1348–1360 On display: Fols. 143v - 144: Pacino di Bonaguida, Initial T: The Dedication of a Church Tempera, gold leaf, and ink on parchment Closed: 50 x 36.2 cm (19 11/16 x 14 1/4 in.) Beinecke Rare Book and Manuscript Library, Yale University EX.2012.2.50 26. Pacino di Bonaguida (Italian (Florentine), active about 1303–about 1347) A Bust of a Deacon Saint, about 1310–1315 Pot metal, colorless glass and oxide paint; lead came 91 x 67.5 cm (35 13/16 x 26 9/16 in.) Fondo edifici di culto del Ministero dell'interno (F.E.C.) EX.2012.2.20 27. Pacino di Bonaguida (Italian (Florentine), active about 1303–about 1347) The Crucifixion, about 1330 Tempera and gold leaf on panel 138.8 x 35 cm (54 5/8 x 13 3/4 in.) The Luis A. Ferre Foundation, Inc., Museo de Arte de Ponce EX.2012.2.78

28. Pacino di Bonaguida (Italian (Florentine), active about 1303–about 1347)

A Bust of a Pope Saint

Pot metal, colorless glass and oxide paint; lead came 91 x W: 67 cm (35 13/16 x 26 3/8 in.) Fondo edifici di culto del Ministero dell'interno (F.E.C.) EX.2012.2.21

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29. Pacino di Bonaguida (Italian (Florentine), active about 1303–about 1347) Bible, 1335–1340 On display: Fols. 434v–435: The Tree of Life; (AGO) Fol. 2v - 3 Initial I: The Creation Tempera, gold leaf, and ink on parchment Closed: 37.7 x 26.4 x 16 cm (14 13/16 x 10 3/8 x 6 5/16 in.) Archivio Storico Civico e Biblioteca Trivulziana EX.2012.2.32 IMAGE AVAILABLE FOR PRESS 30. Giotto di Bondone (Italian, about 1267–1337)

The Virgin and Child with Saints and Allegorical Figures, about 1330

Tempera and gold leaf on panel 38.4 x 26 cm (15 1/8 x 10 1/4 in.) Private Collection EX.2012.2.98 IMAGE AVAILABLE FOR PRESS

31. Giotto di Bondone (Italian, about 1267–1337) The Crucifixion, about 1319–1320 Tempera and gold leaf on panel 45 x 33 cm (17 11/16 x 13 in.) Strasbourg, Musée des Beaux-Arts EX.2012.2.100

32. Bernardo Daddi (Italian (Florentine), active about 1312–1348) Christ Enthroned with Saints, about 1340 Tempera and gold leaf on panel 19.1 x 22.9 cm (7 1/2 x 9 in.) Lent by The Metropolitan Museum of Art, Bequest of Harriet H. Jonas, 1974 EX.2012.2.60

Painting and Narrative 33. Taddeo Gaddi and assistants (Italian, about 1300–1366) The Nativity, 1335 Tempera and gold leaf on panel 35.9 x 17.8 cm (14 1/8 x 7 in.) Portland Art Museum, Oregon, Gift of Mrs. Charlotte A. Maser EX.2012.2.71

34. Master of the Spinola Annunciation (Italian, first quarter of the 14th century) The Nativity, about 1310–1320 Tempera and gold leaf on panel 20.5 x 16.5 cm (8 1/16 x 6 1/2 in.) The ALANA Collection EX.2012.2.113

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35. Pacino di Bonaguida (Italian (Florentine), active about 1303–about 1347) Christ Bearing the Cross, fols. 11, 11v, 16, 16v, first half of the 14th century Tempera, gold leaf, and ink on parchment 24.5 x 35.2 cm (9 5/8 x 13 7/8 in.) New York, The Morgan Library & Museum EX.2012.2.66.1.1 36. Pacino di Bonaguida (Italian (Florentine), active about 1303–about 1347) The Ascent of the Cross, fols. 12, 12v, 15, 15v, first half of the 14th century Tempera, gold leaf, and ink on parchment 24.5 x 35.2 cm (9 5/8 x 13 7/8 in.) New York, The Morgan Library & Museum EX.2012.2.66.1.2 37. Pacino di Bonaguida (Italian (Florentine), active about 1303–about 1347) The Resurrection and The Three Marys at the Tomb, fols. 13v–14, first half of the 14th century Tempera, gold leaf, and ink on parchment 24.5 x 35.2 cm (9 5/8 x 13 7/8 in.) New York, The Morgan Library & Museum EX.2012.2.66.2 38. Pacino di Bonaguida (Italian (Florentine), active about 1303–about 1347) Exposition of the Body of Gerard of Villamagna and Gerard of Villamagna Givin, fols. 19v–18, first half of the 14th century Tempera, gold leaf, and ink on parchment 24.5 x 35.2 cm (9 5/8 x 13 7/8 in.) New York, The Morgan Library & Museum EX.2012.2.66.3 39. Master of the Codex of Saint George (Italian, active about 1315–about 1335) The Lamentation, about 1340–1350 Tempera and gold leaf on panel 46 x 29.8 cm (18 1/8 x 11 3/4 in.) Lent by The Metropolitan Museum of Art, The Cloisters Collection, 1961 EX.2012.2.63 IMAGE AVAILABLE FOR PRESS 40. Master of the Codex of Saint George (Italian, active about 1315–about 1335) The Crucifixion, about 1340–1350 Tempera and gold leaf on panel 46 x 29.8 cm (18 1/8 x 11 3/4 in.) Lent by The Metropolitan Museum of Art, The Cloisters Collection, 1961 EX.2012.2.62 41. Master of the Codex of Saint George (Italian, active about 1315–about 1335) The Risen Christ Appearing to Mary Magdalene, about 1340–1350 Tempera and gold leaf on panel 34.5 x 23.5 cm (13 9/16 x 9 1/4 in.) Istituti museali della Soprintendenza Speciale per il Polo Museale Fiorentino EX.2012.2.23

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42. Master of the Codex of Saint George (Italian, active about 1315–about 1335) The Coronation of the Virgin, about 1340–1350 Tempera and gold leaf on panel 34.5 x 23.5 cm (13 9/16 x 9 1/4 in.) Istituti museali della Soprintendenza Speciale per il Polo Museale Fiorentino EX.2012.2.22 43. Pacino di Bonaguida (Italian (Florentine), active about 1303–about 1347) Zucchero Bencivenni (Italian, active 14th century) Volgarizzamento del Pater Nostro, 1330–1340 On display: Fols. 128v - 129: Lazarus and Dives, 1330-40 Tempera, gold leaf, and ink on parchment Open: 22 x 38.5 cm (8 11/16 x 15 3/16 in.) Biblioteca Medicea Laurenziana Firenze EX.2012.2.13 44. Master of the Dominican Effigies (Italian, active about 1325–about 1355)

Tractatus de virtutibus et vitiis

On display: Fols. 38v–39: Master of the Dominican Effigies, The Garden of Virtues Tempera, gold leaf, and ink on parchment Closed: 26.3 x 20 cm (10 3/8 x 7 7/8 in.) Città del Vaticano, Biblioteca Apostolica Vaticana EX.2012.2.33 IMAGE AVAILABLE FOR PRESS 45. Follower of Pacino di Bonaguida (Italian (Florentine), active about 1303–about 1347) Tabernacle with Scenes from the Life of Christ, about 1325 Tempera and gold leaf on panel 44.7 x 63.5 cm (17 5/8 x 25 in.) University of Arizona, Museum of Art EX.2012.2.85 46. Taddeo Gaddi (Italian, about 1300–1366) The Stigmatization of Saint Francis, about 1325–1330 Tempera and gold leaf on panel 212.1 x 149.5 cm (83 1/2 x 58 7/8 in.) Harvard Art Museums/Fogg Museum, Friends of the Fogg Art Museum Fund EX.2012.2.57

47. Master of the Dominican Effigies (Italian, active about 1325–about 1355) Dante Alighieri (Italian, about 1265–1321) Divine Comedy, 1337 On display: Fols. 69v–70: Master of the Dominican Effigies, Initial L: The Coronation of

the Virgin

Tempera, gold leaf, and ink on parchment Closed: 38.8 x 27.4 x 5.5 cm (15 1/4 x 10 13/16 x 2 3/16 in.) Archivio Storico Civico e Biblioteca Trivulziana EX.2012.2.31 IMAGE AVAILABLE FOR PRESS

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Page 9  48. Pacino di Bonaguida (Italian (Florentine), active about 1303–about 1347) Dante Alighieri (Italian, about 1265–1321) Divine Comedy ("Dante Poggiali"), 1329 or 1333–1345 On display: Fols. 76v–77: Pacino di Bonaguida, Dante and Virgil Witnessing Count

Ugolino Devouring Archbishop Ruggieri

Tempera, gold leaf, and ink on parchment Open: 32 x 48.5 cm (12 5/8 x 19 1/8 in.) Biblioteca Nazionale Centrale di Firenze EX.2012.2.14

49. Master of the Dominican Effigies (Italian, active about 1325–about 1355)

The Last Judgment; The Virgin and Child with Saints; The Crucifixion; The Glorification of Saint Thomas Aquinas; The Nativity Tempera and gold leaf on panel 66.8 x 47.4 cm (26 5/16 x 18 11/16 in.) Lent by The Metropolitan Museum of Art, Robert Lehman Collection, 1975 EX.2012.2.64

50. Pacino di Bonaguida (Italian (Florentine), active about 1303–about 1347) Dante Alighieri (Italian, about 1265–1321) Divine Comedy, about 1330–1337 On display: Fols. 1r: Pacino di Bonaguida, Initial N: Dante as Scribe Tempera, gold leaf, and ink on parchment Closed: 34.5 x 24.5 cm (13 9/16 x 9 5/8 in.) New York, The Morgan Library & Museum EX.2012.2.65 51. Giotto di Bondone (Italian, about 1267–1337) Pentecost, about 1320 Tempera and gold leaf on panel 45.5 x 44 cm (17 15/16 x 17 5/16 in.) The National Gallery, London. Bequeathed by Geraldine Emily Coningham in memory of her husband, Major Henry Coningham, and of Mrs. Coningham of Brighton, 1942 EX.2012.2.99 52. Giotto di Bondone (Italian, about 1267–1337) The Adoration of the Magi, about 1320 Tempera and gold leaf on panel 45.1 x 43.8 x 1.3 cm (17 3/4 x 17 1/4 x 1/2 in.) Lent by The Metropolitan Museum of Art, John Stewart Kennedy Fund, 1911 EX.2012.2.87

Technical Studies 53. Pacino di Bonaguida (Italian (Florentine), active about 1303–about 1347) Chiarito Tabernacle, 1340s Gilded gesso and tempera on panel 101.3 x 113.5 cm (39 7/8 x 44 11/16 in.) The J. Paul Getty Museum, Los Angeles 85.PB.311 IMAGE AVAILABLE FOR PRESS

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Page 10  54. Master of the Dominican Effigies (Italian, active about 1325–about 1355) Initial R: The Annunciation, about 1325 Tempera and gold leaf on parchment 14.7 x 13.7 cm (5 13/16 x 5 3/8 in.) John Frederick Lewis Collection, Rare Book Department, The Free Library of Philadelphia EX.2012.2.106 55. Master of the Dominican Effigies (Italian, active about 1325–about 1355) Initial O: Saint Anthony Abbot and Saint Paul the Hermit, about 1325 Tempera and gold leaf on parchment 14 x 14.9 cm (5 1/2 x 5 7/8 in.) John Frederick Lewis Collection, Rare Book Department, The Free Library of Philadelphia EX.2012.2.105 56. Pacino di Bonaguida (Italian (Florentine), active about 1303–about 1347) Initial I: Saint John the Evangelist, 1325–1350 Tempera, gold leaf, and ink on parchment 9 x 33.1 cm (3 9/16 x 13 1/16 in.) John Frederick Lewis Collection, Rare Book Department, The Free Library of Philadelphia EX.2012.2.75 57. Pacino di Bonaguida (Italian (Florentine), active about 1303–about 1347) Initial D: Saint Andrew, 1325–1350 Tempera, gold leaf, and ink on parchment 10.4 x 25.1 cm (4 1/8 x 9 7/8 in.) John Frederick Lewis Collection, Rare Book Department, The Free Library of Philadelphia EX.2012.2.72 58. Lorenzo di Niccolo (Italian, active 1392–1412) and Master of the Lazzaroni Madonna (Italian, active last half of the 14th century) Desco da Parto (Birth Tray), about 1400 Tempera and gold leaf on panel 63.8 x 64.5 cm (25 1/8 x 25 3/8 in.) Fine Arts Museums of San Francisco, Museum purchase, Roscoe and Margaret Oakes Income Fund EX.2012.2.46 59. Bernardo Daddi (Italian (Florentine), active about 1312–1348) The Martyrdom of Saint Ursula and 11,000 Virgins, about 1380 Tempera and gold leaf on panel 67 x 65.8 x 4 cm (26 3/8 x 25 7/8 x 1 9/16 in.) Swiss National Museum, Zürich EX.2012.2.39 60. Bernardo Daddi (Italian (Florentine), active about 1312–1348) Arrival of Saint Ursula at Cologne, about 1333 Tempera and gold leaf on panel 60.5 x 62.9 cm (23 13/16 x 24 3/4 in.) The J. Paul Getty Museum, Los Angeles 70.PB.53

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61. Pacino di Bonaguida (Italian (Florentine), active about 1303–about 1347) The Virgin and Child with Saints, 1323–1327 Tempera and silver leaf on panel Central panel: 62.2 cm (24 1/2 in.) Side panels: 47.9 x 59.2 x 1.8 cm (18 7/8 x 23 5/16 x 11/16 in.) Walters Art Museum EX.2012.2.119

Pacino di Bonaguida and His Collaborators 62. Pacino di Bonaguida (Italian (Florentine), active about 1303–about 1347) and Master of the Dominican Effigies (Italian, active about 1325–about 1355) Antiphonary, about 1335–1340 On display: Fols. 157v–158: Master of the Dominican Effigies, Initial V: The Death and

the Assumption of the Virgin

Tempera, gold leaf, and ink on parchment Closed: 52 x 37 cm (20 1/2 x 14 9/16 in.) Basilica di Santa Maria dell'Impruneta EX.2012.2.30

63. Master of the Dominican Effigies (Italian, active about 1325–about 1355)

The Crucifixion; The Lamentation

Tempera and gold leaf on panel 31 x 24 cm (12 3/16 x 9 7/16 in.) The Ashmolean Museum, Oxford. Presented by Harold Bompas, 1941 EX.2012.2.44 64. Master of the Antiphonary of San Giovanni Fuorcivitas (Italian, active 2nd quarter of 14th century) Initial E: John the Baptist Preaching to a Crowd, about 1330–1350 Tempera and gold leaf on parchment 14 x 12.5 cm (5 1/2 x 4 15/16 in.) Richard Deutsch EX.2012.2.112 65. Master of the Antiphonary of San Giovanni Fuorcivitas (Italian, active 2nd quarter of 14th century) Initial D: The Martyrdom of Saint Agatha, about 1330–1350 Tempera, gold leaf and ink on parchment Leaf: 24 x 19 cm (9 7/16 x 7 1/2 in.) Richard Deutsch EX.2012.2.111 66. Pacino di Bonaguida (Italian (Florentine), active about 1303–about 1347)

Saint Sylvester

Tempera and gold leaf on panel 102.2 x 61 x 6.2 cm (40 1/4 x 24 x 2 7/16 in.) Opera per Santa Maria Novella / FEC / Soprintendenza Speciale per il Patrimonio Storico, Artistico ed Etnoantropologico e per il Polo Museale della città di Firenze EX.2012.2.25

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67. Pacino di Bonaguida (Italian (Florentine), active about 1303–about 1347) Initial L: Constantine the Great Adoring the Cross, 1330–1340 Tempera, gold leaf, and ink on parchment 54.2 x 35 cm (21 5/16 x 13 3/4 in.) A private collector EX.2012.2.49 68. Pacino di Bonaguida (Italian (Florentine), active about 1303–about 1347) Antiphonary, about 1335–1340 On display: Fols. 2v–3: Pacino di Bonaguida, Initial A: The Resurrection Tempera, gold leaf, and ink on parchment Closed: 52 x 38 cm (20 1/2 x 14 15/16 in.) Basilica di Santa Maria dell'Impruneta EX.2012.2.29 69. Pacino di Bonaguida (Italian (Florentine), active about 1303–about 1347)

Missal

On display: Fols. 151v–152: The Crucifixion Tempera, gold leaf, and ink on parchment Open: 34.5 x 55 cm (13 9/16 x 21 5/8 in.) Biblioteca Nazionale Centrale di Firenze EX.2012.2.15 70. Pacino di Bonaguida (Italian (Florentine), active about 1303–about 1347)

Tripytch with the Crucifixion, the Lamentation, and the Ascension of Christ, about 1310–1315 Tempera and gold leaf on panel 58.3 x 89.1 x 17.8 (max) cm (22 15/16 x 35 1/16 x 7 (max) in.) The ALANA Collection EX.2012.2.55

71. Master of the Misericordia (Italian, active second half of 14th century) Saint Eloy in His Goldsmith's Workshop, about 1360–1370 Tempera and gold leaf on panel 35 x 39 cm (13 3/4 x 15 3/8 in.) Museo Nacional del Prado, Madrid EX.2012.2.95 72. Pacino di Bonaguida (Italian (Florentine), active about 1303–about 1347) and Master of the Dominican Effigies (Italian, active about 1325–about 1355) and Master of the Antiphonary of San Giovanni Fuorcivitas (Italian, active 2nd quarter of 14th century) Antiphonary, about 1335–1340 On display: Fols. 18v–19: Pacino di Bonaguida and Master of the Antiphonary of San Giovanni Fuorcivitas, The Annunciation, the Annunciation to Daniel, and the Last

Judgment

Tempera, gold leaf, and ink on parchment Closed: 54 x 39 cm (21 1/4 x 15 3/8 in.) Basilica di Santa Maria dell'Impruneta EX.2012.2.26

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Page 13  73. Pacino di Bonaguida (Italian (Florentine), active about 1303–about 1347) Antiphonary, about 1335–1340 On display: Fols. 126v–127: Pacino di Bonaguida, Initial A: The Presentation in the

Temple

Tempera, gold leaf, and ink on parchment Closed: 55 x 39 cm (21 5/8 x 15 3/8 in.) Basilica di Santa Maria dell'Impruneta EX.2012.2.27

74. Pacino di Bonaguida (Italian (Florentine), active about 1303–about 1347) Antiphonary, about 1335–1340 On display: Fols. 20v–21: Pacino di Bonaguida, Initial T: Isaac and Esau Tempera, gold leaf, and ink on parchment Closed: 52 x 37 cm (20 1/2 x 14 9/16 in.) Basilica di Santa Maria dell'Impruneta EX.2012.2.28

The Laudario of Sant'Agnese 75. Workshop of Pacino di Bonaguida (Italian (Florentine), active about 1303–about 1347) Christ in Majesty with Twelve Apostles, about 1340 Tempera and gold leaf on parchment 27.7 x 20.6 cm (10 7/8 x 8 1/8 in.) National Gallery of Art, Washington, Rosenwald Collection 1952 EX.2012.2.53 76. Pacino di Bonaguida (Italian (Florentine), active about 1303–about 1347) Initial A: The Calling of Saint Andrew, about 1340 Tempera, gold leaf, and ink on parchment 46.6 x 33.9 cm (18 3/8 x 13 3/8 in.) Paris, Musée du Louvre, Département des Arts Graphiques EX.2012.2.2 77. Pacino di Bonaguida (Italian (Florentine), active about 1303–about 1347) The Martyrdom of Saint Lucy, about 1340 Tempera and gold leaf on parchment 20 x 21 cm (7 7/8 x 8 1/4 in.) Queens' College, Cambridge, on loan to the Fitzwilliam Museum, Cambridge EX.2012.2.83 IMAGE AVAILABLE FOR PRESS 78. Master of the Dominican Effigies (Italian, active about 1325–about 1355) The Nativity with the Annunciation to the Shepherds, about 1340 Tempera, gold leaf, and ink on parchment 36.5 x 27.1 cm (14 3/8 x 10 11/16 in.) National Gallery of Art, Washington, Rosenwald Collection 1949 EX.2012.2.52 IMAGE AVAILABLE FOR PRESS 79. Pacino di Bonaguida (Italian (Florentine), active about 1303–about 1347) The Adoration of the Magi, about 1340 Tempera, gold leaf, and ink on parchment 17 x 21 cm (6 11/16 x 8 1/4 in.) Private Collection, Switzerland EX.2012.2.38

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Page 14  80. Pacino di Bonaguida (Italian (Florentine), active about 1303–about 1347) Saint Agnes Enthroned and Scenes from Her Legend, about 1340 Tempera, gold leaf, and ink on parchment 42 x 29.9 cm (16 9/16 x 11 3/4 in.) The British Library EX.2012.2.41 IMAGE AVAILABLE FOR PRESS 81. Pacino di Bonaguida (Italian (Florentine), active about 1303–about 1347) The Annunciation, about 1340 Tempera, gold leaf, and ink on parchment 43 x 31.5 cm (16 15/16 x 12 3/8 in.) Dr. Friedrich Georg Zeileis, Austria EX.2012.2.116 82. Pacino di Bonaguida (Italian (Florentine), active about 1303–about 1347) The Resurrection and the Three Marys at the Tomb, about 1340 Tempera and gold leaf on parchment 45.6 x 35 cm (17 15/16 x 13 3/4 in.) Syndics of the Fitzwilliam Museum, Cambridge EX.2012.2.79 IMAGE AVAILABLE FOR PRESS 83. Pacino di Bonaguida (Italian (Florentine), active about 1303–about 1347)

Initial O: The Instruments of the Passion Venerated by Members of the Compagnia di Sant'Agnese, about 1340 Tempera, gold leaf, and ink on parchment 37 x 34 cm (14 9/16 x 13 3/8 in.) Enrico Frascione EX.2012.2.109

84. Pacino di Bonaguida (Italian (Florentine), active about 1303–about 1347) The Apparition of Saint Michael, about 1340 Tempera, gold leaf, and ink on parchment 43.8 x 32.2 cm (17 1/4 x 12 11/16 in.) The British Library EX.2012.2.42 IMAGE AVAILABLE FOR PRESS 85. Pacino di Bonaguida (Italian (Florentine), active about 1303–about 1347) The Ascension of Christ, about 1340 Leaf from the Laudario of Sant'Agnese Tempera and gold on parchment 44.4 x 31.8 cm (17 1/2 x 12 1/2 in.) The J. Paul Getty Museum, Los Angeles 2005.26.Verso IMAGE AVAILABLE FOR PRESS 86. Master of the Dominican Effigies (Italian, active about 1325–about 1355) Initial N: Saint Zenobius, about 1340 Leaf from the Laudario of Sant'Agnese Tempera, gold leaf, and ink on parchment 21.3 x 9.7 cm (8 3/8 x 3 13/16 in.) The Art Institute of Chicago, Gift of Emily Crane Chadbourne EX.2012.2.56

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Page 15  87. Master of the Dominican Effigies (Italian, active about 1325–about 1355) Pentecost, about 1340 Leaf from the Laudario of Sant'Agnese Tempera and gold on parchment 43 x 31.7 cm (16 15/16 x 12 1/2 in.) The J. Paul Getty Museum, Los Angeles 2003.106.Verso IMAGE AVAILABLE FOR PRESS 88. Master of the Dominican Effigies (Italian, active about 1325–about 1355) The Last Supper and Initial C: The Celebration of the Eucharist, about 1340 Leaf from the Laudario of Sant'Agnese Tempera, gold leaf, and ink on parchment 44 x 34 cm (17 5/16 x 13 3/8 in.) Museum Mayer van den Bergh, Antwerp EX.2012.2.1 89. Pacino di Bonaguida (Italian (Florentine), active about 1303–about 1347) The Trinity, about 1340 Leaf from the Laudario of Sant'Agnese Tempera, gold leaf, and ink on parchment 45.4 x 33.5 cm (17 7/8 x 13 3/16 in.) New York, The Morgan Library & Museum EX.2012.2.68 90. Pacino di Bonaguida (Italian (Florentine), active about 1303–about 1347) The Martyrdom of Saints Peter and Paul, about 1340 Leaf from the Laudario of Sant'Agnese Tempera and gold leaf on parchment 19.5 x 23 cm (7 11/16 x 9 1/16 in.) Syndics of the Fitzwilliam Museum, Cambridge EX.2012.2.80 91. Pacino di Bonaguida (Italian (Florentine), active about 1303–about 1347) The Communion of Mary Magdalene, about 1340 Leaf from the Laudario of Sant'Agnese Tempera and gold leaf on parchment 22 x 19.5 cm (8 11/16 x 7 11/16 in.) Syndics of the Fitzwilliam Museum, Cambridge EX.2012.2.81 92. Pacino di Bonaguida (Italian (Florentine), active about 1303–about 1347) The Martyrdom of Saint James the Great, about 1340 Leaf from the Laudario of Sant'Agnese Tempera and gold leaf on parchment 20 x 20.4 cm (7 7/8 x 8 1/16 in.) Queens' College, Cambridge, on loan to the Fitzwilliam Museum, Cambridge EX.2012.2.84 93. Pacino di Bonaguida (Italian (Florentine), active about 1303–about 1347) The Martyrdom of Saint Christopher, about 1340 Leaf from the Laudario of Sant'Agnese Tempera and gold leaf on parchment 15.3 x 20.3 cm (6 x 8 in.) Queens' College, Cambridge, on loan to the Fitzwilliam Museum, Cambridge EX.2012.2.82

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Page 16  94. Pacino di Bonaguida (Italian (Florentine), active about 1303–about 1347) The Martyrdom of Saint Lawrence, about 1340 Cutting from the Laudario of Sant'Agnese Tempera and gold leaf on parchment 19 x 20.8 cm (7 1/2 x 8 3/16 in.) The J. Paul Getty Museum, Los Angeles 2006.13.Verso 95. Pacino di Bonaguida (Italian (Florentine), active about 1303–about 1347) The Burial of Saint Lawrence with Saint Stephen, 1325–1350 Cutting from the Laudario of Sant'Agnese Tempera and gold leaf on parchment 10.6 x 8 cm (4 3/16 x 3 1/8 in.) John Frederick Lewis Collection, Rare Book Department, The Free Library of Philadelphia EX.2012.2.73 96. Pacino di Bonaguida (Italian (Florentine), active about 1303–about 1347) The Martyrdom of Saint Bartholomew, about 1340 Cutting from the Laudario of Sant'Agnese Tempera, gold leaf, and ink on parchment 47 x 35 cm (18 1/2 x 13 3/4 in.) The Metropolitan Museum of Art, The Cloisters Collection, 2006 EX.2012.2.61 97. Pacino di Bonaguida (Italian (Florentine), active about 1303–about 1347) Initial G: Saint John on Patmos, 1325–1350 Cutting from the Laudario of Sant'Agnese Tempera and gold leaf on parchment 10.7 x 10.3 cm (4 3/16 x 4 1/16 in.) John Frederick Lewis Collection, Rare Book Department, The Free Library of Philadelphia EX.2012.2.74 98. Master of the Dominican Effigies (Italian, active about 1325–about 1355) Christ and the Virgin Enthroned with Forty Saints, about 1340 Cutting from the Laudario of Sant'Agnese Tempera, gold leaf, and ink on parchment 40.9 x 31.1 cm (16 1/8 x 12 1/4 in.) National Gallery of Art, Washington, Rosenwald Collection 1959 EX.2012.2.54  

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