Emily Hage, Ph.D. Associate Professor, Art History Saint Joseph’s University Art Department / 207 Boland Hall 5600 City Avenue / Philadelphia, PA 19131 [email protected] /215.873.7479 EDUCATION University of Pennsylvania, Philadelphia, PA Ph.D., Department of the History of Art, May 2005 University of Maryland, College Park, MD M.A., Department of Art History and Archaeology, May 1999 University of Notre Dame, Notre Dame, IN B.A., Department of Philosophy (Philosophy, Politics, and Economics), May 1995 SELECTED EMPLOYMENT Saint Joseph’s University Art Department Associate Professor, Art History (February 2015-present) Assistant Professor, Art History (August 2008-February 2015) Director, Art History Program (June 2014-present) Director, Gallery Exhibition Research Assistant program (March 2012-present) Philadelphia Museum of Art Modern and Contemporary Art Department Project Curatorial Assistant (July 2007-May 2008) Andrew W. Mellon Curatorial Fellow (May 2005-July 2007) Institute of Contemporary Art (Philadelphia) Graduate Lecturer (September 2004-May 2005) American Philosophical Society Curatorial Department Research Assistant (June-August 2002) San Francisco Museum of Modern Art Department of Painting and Sculpture Curatorial Associate (January-July 2000) Hirshhorn Museum and Sculpture Garden Modern Art Department Research Assistant (August-December 1998) National Portrait Gallery (Washington) Prints and Drawings Department Exhibition Researcher (May 1997-April 1998) FELLOWSHIPS AND GRANTS  Michael J. Morris Grant for Scholarly Research, Saint Joseph’s University (August 2013-May 2014)  Ignatian Pedagogy Seminar Grant, Saint Joseph’s University (May-June 2013)  Curriculum Development Grant, Saint Joseph’s University (May-August 2010)  Mellon Regional Faculty Fellowship, Penn Humanities Forum, University of Pennsylvania (September 2009-May 2010)  Research Grant, Saint Joseph’s University (May-August 2009)  Dissertation Fellowship in American Art, ACLS, Terra Foundation (July 2004-May 2005)

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Bourse Chateaubriand, Ambassade de France aux Etats-Unis (declined) (September 2003-May 2004) School of Arts and Sciences Fellowship, University of Pennsylvania (September 2003-June 2004) Getty Library Research Grant, Getty Research Institute (August- September 2003) Penfield Scholarship, University of Pennsylvania (October 2002-April 2003) John McCoubrey and Malcolm Campbell Travel Fellowship, University of Pennsylvania (Summer 2001) Teaching Assistantship, University of Pennsylvania (August 2000-May 2002) Teaching Assistantship, University of Maryland, College Park (August 1997-May 1999) Masaryk Fellowship, Foundation for a Civil Society (Slovakia) (June-September 1995)

SELECTED REFEREED SCHOLARLY PUBLICATIONS SCHOLARLY ARTICLES AND ESSAYS “Live on the Page: Bay Area Dadazines and Punk Zines,” in book, The Territories of Artists’ Periodicals (Green Bay, WI and Rennes, France: Plagiarist Press and Editions Provisoires, with the Université Rennes 2 and the Research Unit, “Art: Pratique et poétique,” 2015). “Mise-en-page to mise en scène: the Manipulation of the Conventions of Display in Dada Art Journals and Exhibitions, 1916-1921,” Dada/Surrealism, number 21, issue 1 (fall/winter 2014). “The Magazine as Readymade: New York Dada and the Transgression of Genre and Gender Boundaries,” The Journal of Modern Periodical Studies, vol. 3, no. 2 (December 2012): 175197. “Transnational Exchange, Recontextualization, and Identity in Dada Art Journals,” English Language Notes, vol. 49, no. 1 (August 2011): 63-76. “The Magazine as Strategy: Tristan Tzara’s Dada and the Seminal Role of Dada Art Journals in the Dada Movement,” The Journal of Modern Periodical Studies, vol. 2, no. 1 (Spring/Summer 2011): 33-53. “Language Past and Present: Cy Twombly’s Fifty Days at Ilium,” in Persephone: A Students’ Journal for the Classics at Harvard University, vol. 6, no. 1, Fall 2002. BOOK CHAPTER “Dissemination: the Dada and Surrealist Journals,” chapter for Blackwell Companion to Dada and Surrealism, ed. David Hopkins, 2015. CATALOGUE AND ENCYCLOPEDIA CONTRIBUTIONS Scholarly entries (three), Represent: 200 Years of African American Art in the Philadelphia Museum of Art, ed. Gwendolyn DuBois Shaw, with an Introduction by Richard J. Powell (Philadelphia: The Philadelphia Museum of Art in cooperation with Yale University Press, 2014). “Richard Huelsenbeck,” The Routledge Encyclopedia of Modernism, ed. Stephen Ross (2016). 2  

Scholarly entries (twelve), Chance Aesthetics: International Experiments in Modern Art, ed. Meredith Malone (Saint Louis: Mildred Lane Kemper Art Museum and University of Chicago Press, 2009). Catalogue awarded Midwest Art History Society Award for Outstanding Catalogue for 2009 based on scholarly contributions to the field and quality of writing and design. Scholarly entries (seven, and two translations), The Dada Reader: A Critical Anthology, ed. Dawn Ades (Chicago: University of Chicago Press and Tate Publishing, 2006). Scholarly entries (ten), Dada, ed. Laurent Le Bon (Paris: Editions du Centre Pompidou, 2005). Chronology, Giorgio de Chirico and the Myth of Ariadne, Michael Taylor et al. (Philadelphia: Philadelphia Museum of Art, 2002). Catalogue entries (nineteen), Masterpieces from the Philadelphia Museum of Art (Philadelphia: Philadelphia Museum of Art, 2007) (bilingual catalogue for traveling exhibition in Japan). SCHOLARSHIP UNDER REVIEW “The Magazine as Source, Object, and Site of Critique: Romare Bearden’s 1968 Covers for Fortune and Time,” submitted to American Quarterly. “The Zine as Stage: Bay Area Dadazines and Punk Zines in 1970s California,” article to be resubmitted to American Periodicals. SCHOLARSHIP IN PROGRESS Dada Magazines: The Publications that Made the Movement, book project proposal under review at MIT Press. “Attitude and Artifact: Dada and the Bay Area Dadaists,” article to be submitted to Modernism/Modernity. “Broken Glass, the Printed Page, and Correalism: Frederick Kiesler’s ‘Design Correlation’ in Architectural Record (May 1937),” article to be submitted to Art Journal. Co-editor, “‘A New and Unsettled Connectivity’: The Network as an Artistic Practice,” anthology to be proposed to Ashgate Publishing. REFEREED SCHOLARLY PRESENTATIONS “Staging an Alternative: Local, Cross-Media Exchange in Bay Area Dadazines and Punk Zines,” for panel, “Artists’ Periodicals as Alternatives,” International Symposium: The Territories of Artists’ Periodicals, University of Wisconsin, Green Bay, Green Bay, WI, June 2014. “Collage as Critique: Romare Bearden and the Civil Rights Movement,” for symposium, “Faith, Identity, and History: Representations of Christianity in Modern and Contemporary African American Art,” The Pennsylvania Academy of the Fine Arts, Philadelphia, PA, March 2012. 3  

“‘A Free-Form Climate’: Dadazines and Punk Zines in 1970s San Francisco,” for panel, “Punk Rock and Contemporary Art on the West Coast,” College Art Association annual conference, Los Angeles, CA, February 2012. “Inviting Interference: the Compilation, Design, and Exchange of Dada Art Journals,” for panel, “Mediating and Remediating Dada,” Modernist Studies Association annual conference, Buffalo, NY, October 2011. “The Magazine as Readymade Commodity: New York Dada and the Transgression of Perceived National, Gender, and Genre Boundaries,” for panel, “Liminal Spaces Between ‘Journalism’ and ‘Art,’” “Mediamorphosis: Print Culture and Transatlantic Public Sphere(s), 1880-1940,” Interdisciplinary Humanities Research Center, University of Delaware, Newark, DE, September 2011. “From Text to Collage: Romare Bearden’s Depictions of Biblical Narratives in the 1960s,” for symposium, “Why Have There Been No Great Modern Religious Artists?” New York, NY, February 2011. “Dada Art Journals: Transnational Venues of Exchange,” position paper for seminar, “The Print Media Ecology of Modernity, 1880-1922: Transnational Networks and Periodical Communities,” Modernist Studies Association annual conference, Victoria, British Columbia, November 2010. “Connected by Distance and Diversity: Dada Art Journals as Vehicles of Exchange,” presentation to other Penn Humanities Forum fellows, Penn Humanities Forum, University of Pennsylvania, Philadelphia, PA, February 2010. “The Magazine as Strategy: Dada and Modernism(s),” for panel, “The Languages of Modernism,” Modernist Studies Association annual conference, Montréal, Quebec, November 2009. “Die Schammade: An International Venue of Exchange,” for “Modernism, Cultural Exchange and Transnationality: The Second Conference of the Modernist Magazine Project,” the University of Sussex, Falmer, Brighton, England, July 2009. “From Africa and the Streets of Philadelphia: Georges Adéagbo’s America in “Abraham – the Friend of God,” for panel, “Seeing in Color,” “América Aquí: Transhemispheric Visions and Community Connection,” American Studies Association Annual Meeting, Philadelphia, PA, October 2007. “Engaging America’s Past and Present from an African Perspective: Georges Adéagbo’s ‘Abraham – the Friend of God,’” for symposium, “African Impressions/Contemporary Art,” Tyler School of Art, Temple University, Philadelphia, PA, February 2007.

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“Think of this Magazine as a Non-Magazine: The Bay Area Dadaists’ Dadazines,” for panel, “Artists’ Periodicals: 1945-1990,” College Art Association annual conference, New York, NY, February 2007. “Exhibiting Ephemera: Art Museums and the Hybrid Nature of Dada Art Journals,” for “Elective Affinities,” International Association of Word and Image Studies annual conference, Philadelphia, PA, September 2005. SCHOLARLY PANELS AND SYMPOSIA Panel co-chair, “‘A New and Unsettled Connectivity’: The Network as an Artistic Practice,” College Art Association annual conference, Chicago, IL, February 2014. Panel chair, “An Artistic Lens: Looking at Social Justice in Philadelphia,” in conjunction with exhibition, ““Look! Contemporary Art and Social Justice in Philadelphia,” Saint Joseph’s University, Philadelphia, PA, March 2014. Panel co-chair, “Blasphemy and Devotion: Redefining the Spiritual in Art,” Delaware County Community College, Media, PA, March 2013. Symposium co-chair, moderator, and respondent, “Faith, Identity, and History: Representations of Christianity in Modern and Contemporary African American Art,” The Pennsylvania Academy of the Fine Arts, Philadelphia, PA, March 2012. Moderator and organizer, “Kahlo Today: Contemporary Artists Panel.” Philadelphia Museum of Art, Philadelphia, PA, April 2008. Moderator, “Contemporary Japanese American Artists Panel.” Philadelphia Museum of Art, Philadelphia, PA, April 2008. Moderator, “Contemporary Artists Panel.” The Visual Arts as Sources for Teaching Program, Philadelphia Museum of Art, Philadelphia, PA, July 2006 and July 2007. INVITED LECTURES / RELATED EVENTS “Transgressing the Borders: Dada Art Magazines, Nationalism, Censorship, and War,” for panel, “World War I 100 Years Later: Art, Empire, and Ideology,” Saint Joseph’s University, Philadelphia, PA, October 2014. “Identity and Abstraction in the Paintings of Beauford Delaney,” The Woodmere Art Museum, Philadelphia, PA, February 2010. “Excellent Beauty: Frida Kahlo’s Self-Portraits,” The Woodmere Art Museum, Philadelphia, PA, February 2008. “Jasper Johns: Materials and Methods, Mellon Colloquy in Modern and Contemporary Art” (invited participant), Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington, DC, March 2007. 5  

“Contemporary Art Today,” The Visual Arts as Sources for Teaching Program, Philadelphia Museum of Art, Philadelphia, PA, July 2006. “Dada Study Day” (invited participant), National Gallery of Art, Washington, DC, February 2006. “Beauford Delaney in Paris,” Philadelphia Museum of Art, Philadelphia, PA, December 2005. “Barry Le Va in Context,” Institute of Contemporary Art, Philadelphia, PA, January 2005. EXHIBITIONS CURATED Saint Joseph’s University Curator, “Look! Contemporary Art and Social Justice in Philadelphia,” University Gallery, February-March 2014. Composed main essay for catalogue. Delaware County Community College Co-curator, “Blasphemy and Devotion: Redefining the Spiritual in Art,” March 2013. Composed main essay for catalogue. The Philadelphia Museum of Art (Co-curator unless otherwise noted)  “Frida Kahlo,” February-May 2008  “Fragile Demon: Juan Soriano in Mexico, 1935-1950,” February-May 2008  “Pop Art and Its Affinities,” July 2006-June 2008  “Ellsworth Kelly in Resonance: Selections from the Collection,” October-February 2007 (curator)  “Notations: Energy Yes!” April-October 2006  “Beauford Delaney: From New York to Paris,” November-January 2006  “Beauford Delaney in Context: Selections from the Collection,” November-February 2006 PROFESSIONAL SERVICE  Faculty Advisor, Art + Social Responsibility Program, independent study class for Philadelphia-area undergraduates (fall 2013-present)  Honors Examiner, Department of Art and Art History, Swarthmore College Honors Conference (May 2012)  Peer reviewer, KronoScope: Journal for the Study of Time, Brill Academic Publishers (February 2014)  Peer reviewer, The Journal of Modern Periodical Studies, Pennsylvania State University Press (September 2009) MEMBERSHIPS The College Art Association The Modernist Studies Association Historians of German and Central European Art and Architecture The Research Society for American Periodicals 6