EDUCATION PROFESSIONAL EXPERIENCE

KATE A. LINGLEY Department of Art and Art History University of Hawai’i at Mānoa 2535 McCarthy Mall, Honolulu, HI 96822 ph: (808) 956-8291 • fax: (808...
Author: Penelope Craig
4 downloads 2 Views 109KB Size
KATE A. LINGLEY Department of Art and Art History University of Hawai’i at Mānoa 2535 McCarthy Mall, Honolulu, HI 96822 ph: (808) 956-8291 • fax: (808) 956-9043 [email protected] EDUCATION Ph.D. awarded August 2004, Department of Art History, University of Chicago, Chicago, IL. Specialization: medieval Chinese art history. Dissertation title: “Widows, Monks, Magistrates and Concubines: Social Dimensions of 6th-Century Buddhist Art Patronage.” Advisor: Wu Hung. M.A. awarded June 1998, Department of Art History, University of Chicago, Chicago, IL. M.A. thesis: “Face to face with a Buddha: Dunhuang Cave 390.” Advisor: Wu Hung. B.A. awarded summa cum laude, June 1994, Department of Anthropology (Archaeology wing), Harvard-Radcliffe College, Cambridge, MA. B.A. thesis: “Between history and archaeology: A Han architectural site in Xi’an.” Advisor: Kwang-chih Chang.

PROFESSIONAL EXPERIENCE 2011-present" 2004-2011" 2001, Spring" 2001, Spring"

Associate Professor of Art History, Department of Art and Art History, University of Hawai’i at Mānoa Assistant Professor of Art History, Department of Art and Art History, University of Hawai’i at Mānoa Visiting Lecturer, History of Art in China, University of Illinois at Chicago (instructor of record) Lecturer, Introduction to Art History, University of Chicago (instructor of record)

FELLOWSHIPS/AWARDS 2009"

2009 Chancellor’s Citation for Meritorious Teaching, University of Hawai’i at Manoa 2009, Summer" Research Relations Fund award (University of Hawai'i at Manoa) for research in China. 2009, Summer" Chung-fong and Grace Ning Fund, Center for Chinese Studies, UH Manoa. Award to cover partial costs of research travel in China. 2009, Summer" UH/Peking University Faculty Exchange, Center for Chinese Studies, UH Manoa. Spent four weeks at Peking University to conduct research. 2007, Fall" Center for Chinese Studies funding for course release to develop course in cooperation with the program in Chinese Archaeology (course release postponed) 2007, Spring" Fund for Major Initiatives in the Liberal Arts award (University of Hawai'i at Manoa) for research seminar, “Identity and Action in Chinese Culture,” March 14, 2007. With Shana Brown.

Kate A. Lingley!

!

Page 1 of 8

2005, Summer" Research Relations Fund award (University of Hawai'i at Manoa) for research in China. 2003, Spring" Lipman Travel Fellowship (University of Chicago) for research in Japan. 2002-2004" Ittleson Fellowship, Center for Advanced Study in the Visual Arts (National Gallery of Art). 2001-2002" Fulbright-Hays fellowship for dissertation research at Peking University. 2001-2002" Fulbright IDRF grant for dissertation research at Peking University (declined). 1999" Collections Research Competition Prize Paper, 34th annual Graduate Student Seminar, Art Institute of Chicago (see Conferences/Presentations). 1998, Summer" University of Chicago Travel Fellowship to Dunhuang, China.

PUBLICATIONS Books Recognizability: Portraiture and the Representation of Identity in Medieval China (working title, manuscript in progress) The Reformer’s Brush: Modernity and Traditional Media in China. Honolulu: University of Hawai’i Art Gallery, 2011. Excelling the Work of Heaven: Personal Adornment from China. Honolulu: University of Hawai’i Art Gallery, 2007. Articles: Peer-reviewed journals “Lady Yuchi in the First Person: Patronage, History, and Voice in the Guyang Cave.” Early Medieval China vol. 18 (2012). “The Patron and the Community in Eastern Wei Shanxi: the Gaomiaoshan Cave Temple Yisociety.” Asia Major vol. 23, part I, 2010. “Naturalizing the Exotic: On the changing meanings of ethnic dress in medieval China.” Ars Orientalis vol. 38, 2010. “Just Like the Qing Dynasty: Internet Addiction, MMOGs, and Moral Crisis in Contemporary China.” With Alex Golub. In Games and Culture, vol. 2 no. 4, December 2007. “The Multivalent Donor: Zhang Yuanfei at Shuiyusi.” In Archives of Asian Art, v. 56, 2006. Articles: Other “Text and Textile: Writing with Thread at the University of Hawai’i, Mānoa.” In Ornament, vol. 32, no. 1, Fall 2008. “A Brief History of Ethnic Costume in Premodern China.” In Writing with Thread: Traditional Textiles of Southwest Chinese Minorities. Honolulu: University of Hawai'i Art Gallery, 2008. “Excelling the Work of Heaven: Personal Adornment from China.” In Ornament, v. 31, no. 1, Fall 2007. “Social Histories of Buddhist Art in Medieval China.” In Religious Studies Review, vol. 33, no. 1, pp. 9-15 (2006). “Negotiating Identity: Social aspects of Sixth-Century Buddhist Art Patronage.” In National Gallery of Art Center for Advanced Study in the Visual Arts, Center 24 (Washington, DC: National Gallery of Art, 2004), pp. 118-121.

Kate A. Lingley!

!

Page 2 of 8

English-language foreword, introductory essay, and captions to plates in Jin Weinuo, ed., Zhongguo gudai fodiao: fo zaoxiang yangshi yu fengge (Ancient Chinese Buddhist Sculpture: Form and Style of Buddha-images) (Beijing: Wenwu Press, 2002). English-language abstracts for Chinese-language papers in Wu Hung, ed., Between Han and Tang: Religious Art and Archaeology in a Transformative Period (Beijing: Wenwu Press, 2000). Reviews Review of Reinventing the Wheel: Paintings of Rebirth in Medieval Buddhist Temples, by Stephen Teiser. In Religious Studies Review, vol. 34, no. 2, pp. 77-80 (2008). Review of Donors of Longmen: Faith, Politics and Patronage in Medieval Chinese Buddhist Sculpture, by Amy McNair. In Journal of Chinese Religions, vol. 35 (2007). Review of Tradition and Transformation: Studies in Chinese Art in Honor of Chu-Tsing Li, Judith G. Smith ed. In China Review International, v. 14, no. 1 (2006). Review of National Gallery exhibit “The Golden Age of Chinese Archaeology,” Chicago Art Journal vol. 10, Spring 2000, pp. 102-4.

CONFERENCES/PRESENTATIONS/EXHIBITIONS Exhibitions curated The Reformer’s Brush: Modernity and Traditional Media in China, University of Hawai’i Art Gallery, spring 2011. Excelling the Work of Heaven: Personal Adornment from China, University of Hawai'i Art Gallery, October 28-December 14, 2007. Co-curator with Lisa Yoshihara, Gallery Director. Conferences and conference panels organized or chaired 2014 Berkshire Conference of Women Historians, Toronto, ON, May 22-25, 2014. Panel: “Women and Portraiture: Historical Imagery and Women’s Voices.” Kate Lingley and Stephanie Richmond, organizers. 2014 Association for Asian Studies Annual Conference, Philadelphia, PA, March 27-30, 2014. Panel: “All in the Family: Kinship and the Visual Culture of Medieval East Asian Buddhism.” Kate Lingley and Winston Kyan, organizers; Roderick Whitfield, chair. 2011 Association for Asian Studies Annual Conference, Honolulu, HI, March 31-April 3, 2011. Panel: “Rethinking Empress Dowager Cixi through the Production of Art.” Yuhang Li, organizer; Kate Lingley, chair; Evelyn Rawski and Cheng-hua Wang, discussants. 2008 Association for Asian Studies Annual Conference, Atlanta, GA, April 3-6, 2008. Panel: “Patronage and Community Building in Medieval China.” Kate Lingley, organizer; Albert Dien, chair; Scott Pearce, respondent. 2007 Center for Chinese Studies Faculty Research Symposium, “Identity and Action in Chinese Culture,” March 14, 2007. Organizers: Kate Lingley and Shana Brown. Conference papers delivered Refiguring East Asian Religious Art: Buddhist Devotion and Funerary Practice, Chicago, IL, May 25-26, 2014. “Kinship and Commemorative Practices in Early Medieval Buddhist

Kate A. Lingley!

!

Page 3 of 8

Art.” Wu Hung, organizer. Sponsored by the Center for the Art of East Asia, University of Chicago. 2014 Berkshire Conference of Women Historians, Toronto, ON, May 22-25, 2014. “Appearing in Public: Women Patrons of Buddhist Art in Medieval China.” For panel: “Women and Portraiture: Historical Imagery and Women’s Voices.” Kate Lingley and Stephanie Richmond, organizers. 2014 Association for Asian Studies Annual Conference, Philadelphia, PA, March 27-30, 2014. “The Visual Grammar of Kinship in Medieval Chinese Buddhist Monuments.” For panel: “All in the Family: Kinship and the Visual Culture of Medieval East Asian Buddhism.” Kate Lingley and Winston Kyan, organizers; Roderick Whitfield, chair. 2013 Southeast Early China Roundtable, Bowling Green, KY, Nov. 1-3, 2013. “Intersectional Identity in the Northern Dynasties: an argument from portraiture.” 2012 Association for Asian Studies Annual Conference, Toronto, ON, March 15-18, 2012. “Nan zuo, nü you: Paired Male and Female Donor Images of the Northern Dynasties.” For panel: “Seeing Double? Paired Imagery in Buddhist Art in China,” Michelle Wang and Karen Hwang, organizers; Amy McNair, chair. Extra/Ordinary Dress Code: Costuming and the Second Skin in Asia, City University of Hong Kong, December 8-10, 2009. “Cross-dressing and Silk Road Fashion in the Early Tang.” Writing With Thread international symposium, Honolulu, HI, September 23, 2008. “A Brief History of Ethnic Costume in Premodern China.” Part of Textile Society of America biennial symposium. 2008 Association for Asian Studies Annual Conference, Atlanta, GA, April 3-6, 2008. “The Social Hierarchy of Patronage in an Eastern Wei Yi-society” For panel: “Patronage and Community Building in Medieval China” (see above). 2008 College Art Association Annual Conference, Dallas, TX, February 20-23, 2008. “Iconography of the Other: Representing cultural identity on the Silk Road.” For panel “Theorizing Cross-Cultural Interaction Among the Ancient and Early Medieval Mediterranean, Near East, and Asia,” Matthew P. Canepa, chair and organizer. 2007 Center for Chinese Studies Faculty Research Symposium, March 14, 2007. “Public Identities: Portraiture and Self-Representation in Sixth-Century Chinese Art.” 2006 Association for Asian Studies Annual Conference, San Francisco, CA, April 6-9, 2006. “Dressing Turkic: Gender and Ethnic Costume at the Founding of Tang.” For panel “Art, History, and Asia: Challenging Established Canons,” Mary-Louise Totton, chair and organizer. 2004 Association for Asian Studies Annual Conference, San Diego, CA, March 4-7, 2004. “The Multivalent Donor: Zhang Yuanfei and Patterns of Northern Qi Art Patronage.” For panel “The Northern Qi Dynasty -- A Reassessment,” Albert Dien, chair. Public lectures delivered Docent education program, Honolulu Art Museum, Honolulu, HI, September 24 – October 29, 2012. Four weekly sessions on the history of Chinese art for museum docents. Seminar, “China’s ‘International’ Cultural History: Arts of the Silk Roads.” For UISFL Residential Workshop Chinese Histories in Global Contexts, University of Hawai’i at Manoa and East-West Center, June 20, 2012. Public lecture, Center for Asia-Pacific Exchange 21st Annual Language and Culture Seminar, Honolulu, Hawaii, October 30, 2010. “Chinese Women and Silk Road Style in the Early Tang: A Case of Cultural Appropriation.”

Kate A. Lingley!

!

Page 4 of 8

Seminars and panel discussion, “Early Chinese Art and Cultural Centering” and “Dunhuang: Nexus of Transforming Imaginaries.” For NEH 2010 Summer Institute The Silk Road: Early Globalization and Chinese Cultural Identity, Asian Studies Development Program (University of Hawai'i at Manoa and East-West Center), June 2-4, 2010. Public lecture, Pacific and Asian Affairs Council/SPICE program Silk Road workshop, Honolulu, HI, August 22, 2009: “The Silk Road and Globalization in Ancient History.” Public lecture, University of Hawai'i at Manoa Center for Chinese Studies China Research Seminar, March 11, 2009: “Emerging from the Transparent Stone: Representational Spaces of Chinese Buddhist Sculpture.” Public lecture, Société Européenne pour l’Etude des Civilizations de l’Himalaya et de l’Asie Centrale, Musée Cernuschi, Paris, France, May 22, 2008: “Representing Cultural Identity along the Silk Road.” Public lecture, Archaeological Institute of America, Charleston, SC, April 7, 2008: "Iconography of the Other: Domesticating the Exotic in Early Medieval China." Docent education program, Honolulu Academy of Arts, Honolulu, HI, February 4 – March 5, 2008. Four weekly sessions on the history of Chinese art for Academy docents. Public lecture, Honolulu China Seminar, Honolulu, HI, November 8, 2007: “Excelling the Work of Heaven: Chinese Personal Adornment at the University of Hawaii Art Gallery.” Public lecture, CTAHR Textile Program lecture series, October 14, 2007: “Costume in Early Medieval China: The Silk Road and Influences from Central Asia.” Public lecture, UHM Center for Chinese Studies special seminar “Identity and Action in Chinese Culture,” March 14, 2007: “Public Identities: Portraiture and Self-Representation in SixthCentury Buddhist Art.” Seminar, “Dunhuang Art and Culture.” For NEH 2006 Summer Institute The Silk Road: Early Globalization and Chinese Cultural Identity, Asian Studies Development Program (University of Hawai'i at Manoa and East-West Center), July 19, 2006. Public Lecture, Honolulu China Seminar, Honolulu, HI, May 11, 2006: “Signs of Difference: Gender and Ethnic Costume at the Founding of the Tang.” Public lecture, Society for Asian Art of Honolulu, Honolulu, HI, March 13, 2006. “Images of Ethnic Identity in Premodern China.” Public lecture, University of Hawai'i at Manoa Anthropology Colloquium Series, February 9, 2006. “Problems of Ethnicity in the Chinese Past.” Public lecture, University of Hawai'i at Manoa Center for Chinese Studies China Research Seminar, April 13, 2005. “Correlations between Gender and Ethnic Costume in 6th Century Buddhist Imagery.” Gallery talk, Arthur M. Sackler Gallery of Art, Smithsonian Institution, Washington DC, July 13 and 15, 2004. “On the patronage of Buddhist sculptures from Qingzhou.” Given in conjunction with the exhibition “Return of the Buddha: The Qingzhou Discoveries.”

TEACHING Developed and taught courses: Art 175: Global Art to 1200 Art 176: Global Art since 1200. Art 175/176 has 275 students and only one teaching assistant. My version of the class adapted the existing course to utilize WebCT as a teaching aid. Art 385: Art and Culture of Early China (Oral Communication focus) Art 386: Art and Culture of Later China (Oral Communication focus) Art 371: Art of Medieval Europe

Kate A. Lingley!

!

Page 5 of 8

Art 395: Methodology for Art History (Writing-intensive) Required course for art history majors, instituted at my request and by my design. All of my writing-intensive courses use a system of writing workshops which I developed based on the Toulmin system of rhetoric and techniques for writing instruction based on the University of Chicago’s Little Red Schoolhouse program. Art 486: Traditional Chinese Painting (Writing-intensive) Art 487C: Modern and Contemporary Art of China (Writing-intensive) Art 688: Graduate Seminar: Topics in Chinese Art History " Fall 2004: Buddhist Sculpture of Medieval China " Fall 2005: Representations of Ethnic Identity in Premodern China " Fall 2006: Dunhuang Art and Culture " Spring 2008: Discourses of Art in 20th-century China " Fall 2008: Tomb Sculpture and the Spaces of Funerary Art " Spring 2011: Chinese Painting and Calligraphy, 1840-1960

GRADUATE ADVISING MA committees in art history: 7 (chaired 4) " Sylvia Lee (chair), MA 2006 " Gary Liu (chair), MA 2009 " Cordes Hoffman (chair), MA 2011 " Hala Ghoname (chair), MA 2012 " Travis Seifman " Mizuho Murakami " Teresa Wilkins MFA core review committees: 13 " Jenifer Scott-Thario " Abi Good " Michael Hengler " Jennifer Rubin " Emily McIlroy " Dan Carbone " Arn Krebs " Mark Henderson " Fatiha Kheddaoui " Michelle Jones " Jean Pitman " Rick Holland " Dieter Runge MFA thesis committees: 9 (chaired 1) " Arn Krebs " Rick Holland " Jean Pitman (chair) " Michelle Jones " Fatiha Kheddaoui " Dan Carbone " Yongsheng Yang " Jennifer Rubin

Kate A. Lingley!

!

Page 6 of 8

" Jenifer Scott-Thario Other departments: 4 M.A. committees; 2 Ph.D. committees " Rachel Farkas (MA Plan B, Asian Studies) " Jane Burke (MA Plan B, Asian Studies, chair) " Amanda Gomes (MA, Asian Studies, chair) " Aaron Reich (MA, Religion) " Naomi Furnish Yamada (Ph.D., Anthropology) " Jesse Stephen (Ph.D., Anthropology) PROFESSIONAL SERVICE Department Associate chair, Spring 2013-present. Member, search committee, UH Art Gallery APT assistant search, 2013-14. Chair, search committee, UH Art Gallery Director search, 2011-12. Program chair, Art History program, Fall 2010-Spring 2012. Member, search committee, Visual Resources Manager search, Spring 2009. Chair, Assessment Committee, 2007-2012. Committee is responsible for reviewing the University’s requirements with respect to assessment, and coordinating the Department’s response. In 2012 these responsibilities were folded into the Curriculum Committee. Chair, search committee, South and Southeast Asian art history search, 2007-2008. Gallery Committee, 2005-2009. Art Gallery steering committee votes on planned exhibitions and other oversight issues. Graduate Committee, 2005-2006. Admissions committee for graduate programs in art and art history. Intersections Committee, 2005-2007. Coordinating committee for visiting artists and scholars program. Web page and LISTSERV manager, 2005-2007. Primary organizer for the visit of Wu Hung, March 2007. Faculty organizer for undergraduate art history students’ association, 2005-present. Also manager of LISTSERV mailing list art-history-majors. Technology Committee, 2004. Helped conduct survey of technology needs of art faculty; constructed database of results for report. University Arts & Sciences Graduation Committee, 2013-present. Member, search committee, Humanities Advising Director, 2013-14. Executive Committee, Center for Chinese Studies, 2007-present. Scholarship Committee, Center for Chinese Studies, Spring 2009. Responsible for convening committee to review student scholarship applications (FLAS, Eu Tong Sen, and Ah Kin “Buck” Yee scholarships) and vote on awards. Ning Fund Review Committee, Center for Chinese Studies, Spring 2007. Responsible for reviewing applications to the Ning Fund at CCS, and for voting on awards. Bylaws Review Committee, Center for Chinese Studies, 2007-2008. Responsible for reviewing and revising bylaws, mission statement, conditions of membership, and institutional relationships of the CCS. Partnership Committee, Center for Chinese Studies, 2006-2009. Responsible for evaluating CCSsponsored university exchange agreements with universities in Greater China.

Kate A. Lingley!

!

Page 7 of 8

Vice Chancellor's Undergraduate Summer Research Award Committee, 2006. Responsible for reviewing applications to this fund, and voting on awards. Associate Graduate Faculty, Graduate Division, University of Hawai'i at Mānoa, 2004-present. Affiliate Faculty, Center for Chinese Studies, University of Hawai'i at Mānoa, 2004-present. " " Profession Editorial board member, Initiative for the Study of Material and Visual Cultures of Religion (MAVCOR), Yale University (http://mavcor.yale.edu/) Translations editor, Wenwu, 2009-present. Responsible for editing and drafting English-language contents and abstracts for one of the two national archaeological journals of China. Sub-editor, Religious Studies Review, 2007-present. Responsible for writing booknotes and recommending publications on religious art for review. Manuscript reviewer, Art Bulletin, Journal of Asian Studies, Ars Orientalis, Archives of Asian Art. External reviewer for T&P dossiers: University of Utah

PROFESSIONAL AFFILIATIONS " " College Art Association " Association for Asian Studies

LANGUAGE SKILLS Fluent in modern (Mandarin) Chinese (spoken, written, and read). Excellent reading knowledge of classical Chinese. Good reading knowledge of German, and Japanese. Fair reading knowledge of French and liturgical Latin. Functional spoken Japanese.

Kate A. Lingley!

!

Page 8 of 8