donnington priory

DECORATIVE ARTS FROM 1860 AND MODERN DESIGN Wednesday 29th April 2015

Part of The Stanley Gibbons Group plc

IMPORTANT NOTICES Please see Conditions of Business and Conditions of Sale at the back of this catalogue Dreweatts & Dreweatts 1759 are trading names of The Fine Art Auction Group Limited. The Fine Art Auction Group Limited is registered in England, company number: 03839469, registered office: 399 Strand, London WC2R 0LX.

Buying at Dreweatts

Bidding Increments

There are several ways you can bid at a Dreweatts auction; in person, by leaving a commission or absentee bid, on the telephone where available and live via the internet – please make arrangements before the sale.

The Auctioneer will advance bids in the following preset increments, and is under no obligation to accept bids between these increments.

Dreweatts will execute bids on your behalf if you are unable to attend the sale. Commission or absentee bids are accepted either directly at reception, or can be sent by post, fax, email, telephone or via the website: www.dreweatts.com. Dreweatts will add these bids to the auctioneers’ sale book and will undertake to purchase the lots on your behalf as cheaply as allowed by other bids and reserves. Dreweatts does not accept liability for failing to execute commission bids, or for any errors or omissions.

£200 £320 £550 £1100 £2200 £3200 £5500 £11000 £22000 £32000 £55000 £110000 £220000 £320000

Condition

Collection or Delivery

Bidders must satisfy themselves as to the condition of each lot. Condition reports are available on request – see the Conditions of Business at the back of this catalogue for more information regarding condition reports. Requests for condition reports must be submitted by 4pm on the day prior to the auction.

Before being able to collect your purchases you are required to pay the hammer price, plus the applicable commissions, and obtain a receipt acknowledging payment. Collection of the purchased lots is at the purchaser’s risk and expense and whilst Dreweatts do not provide packing and despatch service we can suggest some carriers.

Commission Charges

Dreweatts also require that all purchased items are collected within three days of the sale to avoid a storage charge being applied.

Bidding in Person If intending to buy you are required to register your name and details at reception prior to the commencement of the auction. You will then be allocated a bidding number, which you use when bidding for an item. Commission Bids

All purchases are subject to a buyer’s premium, which is charged per lot at 24% of the hammer price (28.8% including VAT) up to and including £150,000, 18% (21.6% including VAT) of the hammer price from £150,001 up to and including £1,000,000, and 12% of the hammer price (14.4% including VAT) in excess of £1,000,001. In the event that a lot has an asterisk (*) beside the lot number in the catalogue, this indicates that the item is owned by an entity or company required to pay VAT (generally not an Antique Dealer, as they operate under a dealer’s margin scheme). VAT is payable at 20% on the hammer price. Lots marked with a double asterisk (**) have been imported from outside the EU to be sold at auction and therefore the buyer must pay the import VAT at the rate of 5% on the Hammer Price and the Buyers Premium. Live Internet Bidding To register for free live bidding or to follow the sale online please visit dreweatts.com/live. Live online bidding is also available for an additional fee of 3% of the hammer price (plus VAT, if applicable) on the-saleroom.com, liveauctioneers.com and invaluable.com. Selected auctions are listed on theauctionroom. com for pre-sale commission bidding execution at no extra cost. Dreweatts does not accept liability for any failure of these services.

Payment Payment will be accepted, if you are a successful bidder, by debit card issued by a UK bank and registered to a UK billing address, by bank transfer direct into our bank account, Bank Details: Natwest, Blackboys Hill, Bristol. Account Name: Dreweatts 1759 Limited Client Account. A/C: 96633778 Sort Code: 60-17-24 BIC: NWBK GB 2L IBAN: GB25 NWBK6017 2496 6337 78; in cash up to £12,000 (subject to relevant money laundering regulations), or by all major UK issued credit cards registered to a UK billing address with the exception of American Express and Diners Club. A surcharge of 3% is payable on all payments made by credit card. This surcharge does not apply to debit card payments. Payment may also be made by Sterling personal cheques drawn on a UK bank account but Dreweatts regrets that purchases paid for by this method can not be collected until your cheque has cleared.

£220 £350 £600 £1200 £2400 £3500 £6000 £12000 £24000 £35000 £60000 £120000 £240000 £350000

£240 £380 £650 £1300 £2600 £3800 £6500 £13000 £26000 £38000 £65000 £130000 £260000 £380000

£260... £400... £700... £1400... £2800... £4000... £7000... £14000... £28000... £40000... £70000... £140000... £280000... £400000...

£300 £500 £1000 £2000 £3000 £5000 £10000 £20000 £30000 £50000 £100000 £200000 £300000 £500000

Storage Charges All items of furniture and larger works of art not collected by 5.30pm on the Tuesday of the week following the sale will be automatically removed to commercial storage and subject to a minimum storage charge of £20 (plus VAT) per lot and to a further storage charge of £2 (plus VAT) per lot per part or full day thereafter. These charges will be the sole liability of the purchaser and will be billed directly to them by SnelsmoreStorage. On payment of all sales and storage costs, items will be available for collection by appointment from Snelsmore Storage, tel: 01635 248636, mobile: 07774 703749. These charges are set by Snelsmore Storage, we recommend that you contact them directly regarding queries relating to these charges and other questions relating to storage. Staff at the saleroom will be unable to answer questions relating to items that have been removed from the saleroom. Further Information The colours printed in this catalogue are not necessarily a true reflection of the actual item. All weights and measures given in the catalogue should be regarded as approximate. Valuation Services Dreweatts provides a range of confidential and professional valuation services to private clients, solicitors, executors, estate managers, trustees and other professional partners. These services include auction valuations, insurance valuations, probate valuations, private treaty valuations, valuations for family division or for tax purposes. For more information, please see our website: www.dreweatts.com. For directions to Donnington Priory, please see our website: www. dreweatts.com Parking is available at Donnington Priory in two car parks on either side of the saleroom.

DONNINGTON PRIORY

DECORATIVE ARTS FROM 1860 AND MODERN DESIGN Wednesday 29th April, 10am Sale No. 13861 For bidding and more information: + 44 1635 553 553 | [email protected] Specialists David Rees [email protected] Mark Newstead [email protected]

Free live online bidding is available for this sale via our own platform: dreweatts.com/lives

Live online bidding is available for an additional fee of 3% of the hammer price (plus VAT if applicable) on the following platforms:

Viewing Saturday 25th April 2015 9.00am-12.30pm Sunday 26th April 2015 10.00am-2.00pm Monday 27th April 2015 9.00am-6.00pm Tuesday 28th April 2015 9.00am-4.30pm Day of sale from 8.30am Catalogues £10 (£12 by post)

the-saleroom.com liveauctioneers.com invaluable.com Selected auctions are listed on theauctionroom.com for pre-sale commission bidding execution at no extra cost. theauctionroom.com

Visit our website for current catalogues, colour illustrations of major lots and a word search service: www.dreweatts.com

Illustrations – Front cover: lot 628 | Title page: 656 | Back cover: lot 692

Buyer’s premium is charged per lot at 24% of the hammer price (28.8% including VAT) up to and including £150,000, 18% (21.6% including VAT) of the hammer price from £150,001 up to and including £1,000,000, and 12% of the hammer price (14.4% including VAT) in excess of £1,000,001. Follow us on Twitter @DreweattsBlooms

Dreweatts Donnington Priory Salerooms Newbury, Berkshire RG14 2JE Tel: +44 (0)1635 553 553 Fax: +44 (0)1635 553 599 [email protected] www.dreweatts.com

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CIRAMICS

501

500

502

500 A Martin Brothers stoneware shoulder ovoid vase, incised with white flowering scroll foliage on a yellow ground, incised Martin Bros. London & Southall and dated 3.1898, 26cm high

501 A Ruskin Pottery high fired footed bowl, in a flambé red glaze with lavender tone and green glaze spotting, impressed marks, indistinct date, 13.5cm high, 19.5cm diameter

Provenance: Richard Dennis Martin Brothers Pottery Exhibition, 1978, no. 348 (adhesive label).

£400-600

£700-900

502 A Ruskin Pottery high fired ovoid vase, in a flambé red, deep amethyst and blue speckled with white, over a white ground, impressed marks, no date, 16cm high £200-300 3

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505

503 503 A Ruskin Pottery high fired ovoid vase, in a flambé red over a white ground, impressed marks, 1925, 22.5cm high £200-300 504 A Pilkington’s Royal Lancastrian lustre bowl, decorated by Richard Joyce, date cypher for 1911, the interior green and painted with fish and weed, the exterior with a scroll border on a deep ruby ground, painted marks, 20.5cm diameter

504 505 A Pilkington’s Royal Lancastrian squat lustre vase, decorated by Richard Joyce, date cypher for 1914, painted with a fruiting and meandering grape vine on a deep blue ground, impressed and painted marks, 12.5cm high £200-300

£300-500 4

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507

506

508

506 A Pilkington’s Royal Lancastrian slender lustre vase, decorated by William S. Mycock, date cypher and code for 1912, painted with red flowering plants on a yellow ground, impressed mark, 20.5cm high

508 A pair of James Macintyre & Company shaped oval dessert dishes, designed by William Moorcroft, tubelined with blue four-petalled flowers within scroll moulded underglaze blue decorated border, printed marks, Rd. no. 211991, 29.5cm long

£300-500 507 William Moorcroft for James Macintyre & Company, a pair of Aurelian pattern vases, ovoid on a circular foot, decorated with poppies, printed marks, Rd. No. 314901, 21.5cm high

See Atterbury, Paul, Moorcroft: A Guide to Moorcroft Pottery 1897-1993, revised edition, published by Dennis & Edwards, 1993, p. 66, fig. 3 (lower left item) for a matching item is illustrated in the Macintyre 1902 catalogue. £100-150

£150-200 5

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509

510 509 A group of James Macintyre & Company and other pieces, comprising: an Aurelian Ware globular vase, designed by William Moorcroft circa 1897, printed mark, no. M548, 13cm high; a circular paperweight, printed with A Gentleman In Kharki (sic), after Caton Woodville, the base with a poem from Rudyard Kipling, The Absent Minded Beggar, printed mark, 9cm diameter; a Moorcroft match striker, with a coloured print of the arms of the city of Oxford, 6.3cm high; another in a Florian pattern, roughened matt glaze, circa 1903, faint red printed Macintyre mark for a Glasgow retailer, 6.7cm high; and a silver plate mounted preserve jar, decorated with berries and leaves, cupid mark of Grinsell & Sons (5)

511 510 Big Poppy, a Moorcroft baluster vase, 1920s, on a deep blue ground, green painted signature and impressed marks, 20.5cm high £500-700 511 Pomegranate, two Moorcroft dishes, 1920s, the first on a green ground with a mounted plated border, impressed marks, 14cm diameter; the second a pin dish, on a green ground, green painted initials, impressed marks, 10cm diameter £150-250

£150-200 6

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512

514

513

515

512 Aqualaline, a Moorcroft shoulder ovoid vase, signed, limited edition 62/250, impressed and painted marks, Emma Bossons, 2002, 23.5cm high

514 Pomegranate, a Moorcroft ovoid biscuit barrel, with electroplated swing handle, cover and rim, impressed mark, green painted initials, 15.5cm high

£200-300

£200-300

513 Pomegranate, a Moorcroft three-handled vase, impressed mark, green painted signature, glue remains from label, 16cm high

515 Pomegranate, a Moorcroft slope-sided bowl, green painted signature, 19.5cm diameter £300-500

£250-350 7

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516

518

517 516 Pomegranate, a pair of Moorcroft small baluster vases, impressed marks, green painted initials, 9cm high

519 518 Pomegranate, a Moorcroft for Liberty & Co. flared vase, on an integral hammered pewter outswept base, impressed Made in England Tudric Moorcroft 01310, circa 1920, 16.5cm high

£200-300 £150-250 517 Pomegranate, a Moorcroft waisted vase, probably for Liberty & Co., mounted with a pewter rim incorporating two handles, impressed marks and blue initials, circa 1920, 18.5cm

519 Pomegranate, a Moorcroft for Liberty & Co. flared vase, on an integral hammered pewter outswept base, impressed Made in England Tudric Moorcroft 01517, circa 1920, 19cm high

£300-500

£200-300

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520

522

523

521 520 Anemone, two Moorcroft vases and a cache pot, the first slender ovoid, impressed marks, green painted initials, label Potter to the late Queen Mary, 25cm high; the second globular with a conical neck, impressed W. Moorcroft Potter to H.M. The Queen, blue painted initials, 15cm high; the cache pot with impressed marks, blue painted initials, 10cm high

522 Sunderland, a Moorcroft waisted vase, designed by Shirley Hayes, limited edition no. 182/350, impressed and painted marks, 2002, 20.5cm high; and a Moorcroft bottle vase, designed by Emma Bossons, impressed and painted marks, 2003, 20cm high (2) £200-300

£300-400 521 Clematis, a Moorcroft inverted baluster vase, impressed marks, blue painted initials, 23cm high; and Wisteria, a Moorcroft bottle vase, impressed marks, green painted signature, 25cm high (2) £250-350

523 Queens Choice, a Moorcroft inverted baluster vase, impressed and painted marks, 2000, 16cm high; Spike, a Moorcroft inverted baluster vase, impressed and painted marks, dated 28.11.98, 16cm high; and Ashwood Hellebore, a Moorcroft squat vase, impressed and painted marks, 1999, 10.5cm high (3) £250-350 9

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524

525 (part) 524 Anemone, a Moorcroft 12in plate, impressed marks, blue painted initials, 31cm diameter; Leaves and berries, a Moorcroft 10in plate, impressed marks, blue painted initials, paper label By Appointment Potter to H.M. The Queen, 26cm diameter; and Carp, a Moorcroft 1989 year plate, limited edition 243/250, impressed marks, green painted initials, 22cm diameter (3)

526 525 Hibiscus, a Moorcroft ovoid jar and cover, impressed marks, blue painted initials, 15cm high; Anemone, a Moorcroft circular box and cover, impressed marks, 14cm diameter; Hibiscus, a Moorcroft rectangular dish, impressed marks, 20cm long; and another similar, 1998 (4) £250-350

£200-300 526 Pomegranate, a Moorcroft kylix shape dish, impressed marks, blue painted signature, 23.5cm wide across handles; Wisteria, a Moorcroft shallow dish, impressed marks, blue painted initials, 18.5cm diameter (2) £200-300

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527

529

528 527 Pomegranate, a Moorcroft 8in candlestick, impressed mark, green painted initials, 20.5cm high; Pomegranate, a Moorcroft ovoid vase, impressed mark, green painted signature, 8.5cm high; Pomegranate, a pewter mounted Moorcroft cream jug, probably for Liberty & Co., impressed marks, blue painted initials, 8cm high; and Columbine, a baluster vase, 10.5cm high (4) £250-350 528 A group of small Moorcroft pieces, comprising: Anna Lily, a baluster vase, (19)98, 9.5cm high; a shoulder ovoid vase with harvest mice, limited edition 64/150, 2010, 10.5cm high; a squat baluster vase in a monochrome yellow glaze, 10.5cm high; Clematis, a heart shape pin dish; and five circular pin dishes (one a seconds), various impressed and some painted marks (9)

529 A group of small Moorcroft pieces, comprising: Pansy, an enamel baluster vase, 2001, 4.7cm high, in a box; Leaves and Berries, an ovoid vase, 11cm high; Lamia, a slender waisted vase, 1995, 13cm high; Anemone, a baluster vase, 1994, 9.5cm high; Phoenix, an ovoid vase, 1996, 9cm high; another stylised floral decorated, 2002, 9.5cm high; a spherical vase, light/dark green glazed impressed W. Moorcroft Potter to H.M. The Queen, 1930s, 7cm high; and African Lily, a bowl, 7.5cm diameter, various impressed and some painted marks (8) £300-400

£200-300 11

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530

530 Five Moorcroft items, comprising: Hibiscus, a circular ashtray with twin rests, impressed mark, label Potter to the late Queen Mary, 21.5cm wide; Clematis, a bottle vase, impressed mark, label Potter to the late Queen Mary, 13cm high; Leaves and Berries, a spherical match striker, impressed mark, 8cm high; Columbine, a rectangular box and cover, impressed W. Moorcroft Potter to the late Queen Mary, 12cm long; and Clematis, an oval bowl, impressed mark, label Potter to the late Queen Mary, 23cm long £250-350

531

531 Phoenix, a Moorcroft bottle vase, 1996, 20.5cm high; Parasol Dance, a Moorcroft gourd shape vase, 2005, 15.5cm high; Golden Jubilee, a Moorcroft milk jug, 2001, 14.5cm high; Clematis, a Moorcroft footed bowl, 14.5cm diameter; and Orchid, a Moorcroft footed bowl, 11.5cm diameter, various marks, (5) £250-350 532 Poinsettia, a Moorcroft jar and cover, impressed and painted marks, 2002, 10.5cm high; a Moorcroft gourd shape vase, limited edition 57/650, 15.5cm high; a Moorcroft orange lustre squat inkwell, with a nickel plated cover, 6.5cm high, 11cm diameter; and a monochrome yellow vase, impressed W. Moorcroft Potter to H.M. The Queen, 1930s, 12.5cm high (4)

532 £250-350 12

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533

534

535

533 Owlpen Manor, a Moorcroft tall slender baluster vase, no. 78 of a limited edition of 100, designed by Rachael Bishop, 2002, 52cm high £300-400 534 Florian Yacht, a Moorcroft bottle vase, produced for the 1897-1997 centenary, impressed marks, copyright (19)96 and limited production no.577, 23.5cm high £150-250 535 Dawn, a Moorcroft baluster vase, the landscape design between geometric bands, painted signature and impressed marks, circa 1928, 19.5cm high (restored) £150-250 536 Anatolia, a Moorcroft shouldered vase, impressed and painted marks, R. J. Bishop, MCC no.505 and dated 2003, 21.5cm high

536

£150-250 13

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537

538

539

537 Mackintosh, a Moorcroft slender inverted baluster vase, impressed and painted marks, 1995, 27cm high

541

540 Four pieces of Royal Doulton flambé, comprising: two veined flambé vases, the taller with a monogram for Fred Moore, 26.5cm high; the smaller 13.5cm high; a landscape vase, 19cm high; and a veined flambé small bowl with purple lustre, 13cm diameter, printed marks

£150-250 538 Flamminian, a Moorcroft inverted baluster vase, red glazed, the tube lined roundels with leaf motifs, incised signature only, 20cm high

£150-200 541 A Royal Doulton Flambé ovoid vase, decorated in gilt and raised turquoise enamel with fish amidst weed, printed mark, 20.5cm high

£150-250 539 A Doulton Lambeth stoneware cylindrical vase, decorated by Hannah Barlow, incised with a herd of sheep resting and head butting on a buff ground, incised artist’s monogram, impressed mark with date 1873, 18.5cm high With a later exhibition label ‘41A’ (not traced).

£150-200

£250-350

540 14

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545

542

543

544 542 Charles Noke for Royal Doulton, a Sung flambé baluster vase, richly painted with a large peacock on a red and orange ground, signed Noke, no. 4277, 16.5cm high £400-600

546

543 A Royal Doulton Flambé Sung vase by Fred Moore, of slender shoulder ovoid form, printed mark, painted SUNG and FM monogram, 27.5cm high

545 Sally Tuffin for Dennis China Works, a Panther shoulder ovoid vase, impressed and painted marks, 2000, 23cm high

£200-300

£100-150

544 Sally Tuffin for Dennis China Works, four medium vases, comprising Polar Bear, 2001, 16.5cm high; Dragonfly, 2000, 13.5cm high; Scratched Butterfly, 1995, 12.5cm high; and Poppy, 1996, 13.5cm high, impressed and painted marks

546 Sally Tuffin for Dennis China Works, a very large Elephant ovoid vase, impressed and painted marks, 2002, 46cm high £300-500

£150-200 15

FURNITURE AND WORKS OF ART

547

548

547 A Gothic Revival oak pedestal writing table, circa 1880, the tooled leather inset top above a single pedestal base, with a blind frieze drawer and cupboard door enclosing four graduated drawers, on a plinth base with bun feet, 76cm high, the top 107cm x 58cm

548 An Aesthetic ebonised writing table by Collinson & Lock, circa 1890, the gilt tooled leather inset top above the frieze drawers, the central drawer stamped Collison & Lock, London 6726, on quadruple vase and twist column supports each with uniting undertier, 77cm high, 116cm wide, 61cm deep

£600-800

£400-600

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549

549 An Aesthetic ebonised and thuya card table by Gillows, late 19th century, the hinged top opening to baize surface and revolving to reveal compartment stamped Gillow and Co. 3 2 7 1, on double fluted support ends and bipedal feet joined by turned and fluted stretcher, 75cm high, 91cm wide, 47cm deep £500-700 550 An Aesthetic ash secretaire, circa 1870, the top with moulded edge above single frieze drawer and fall with tooled leather inset surface enclosing fitted compartment with pigeon holes and drawers, on turned supports and splayed legs joined by stretcher, 135cm high, 77cm wide, 41cm deep £400-600

550 17

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551 A pair of Compton Pottery garden urns, early 20th century, of circular section, the rims each with three pairs of confronting scrolls, above bulbous bodies, 50cm high, 60cm wide The Compton Potters Art Guild was started by Mary Watts, the wife of G.F. Watts, the Victorian allegorical painter. In 1895 work began on the Watts Mortuary Chapel. Designed by Mary Watts, it was to be built from local clay by the villagers of Compton, near Godalming, Surrey. Mr and Mrs Watts were dedicated supporters of the growing Home Arts and Industries Association, a voluntary movement launched by Earl Brownlow in 1885 to revive the dying art of handicraft among the working classes. The Pottery Art Guild continued from strength to strength, winning medals at the Royal Botanical Society and the Home Arts highest award, the gold cross. Liberty & Co. sold their garden ornaments as well as hand tufted Donegal carpets designed by Mrs Watts. They received architectural commissions from Lutyens, Clough William-Ellis and Goodhart Rendel. Recommended by Jekyll, they made miniature versions of their pots for the garden of Queen Mary’s dolls’ house in the early 1920’s. The Guild became a limited company run by George Aubertin and continued to produce works based on Mrs Watts’ designs until after her death in 1938. £500-700 18

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552 An Arts and Crafts walnut bookcase, late 19th/ early 20th century, the moulded cornice above two glazed panel doors enclosing adjustable shelves above base with two short drawers and panel cupboard doors enclosing adjustable shelves, on block feet, 222cm high, 122cm wide, 54cm deep £500-700 19

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553

554 553 Archibald Knox for Liberty & Co., The Bollellin Shield, a Tudric pewter and enamel circular dish, model no.044, cast in relief with whiplash foliage, the well enamelled in green/turquoise, stamped marks TUDRIC and 044, 25.5cm diameter

555

556 555 Archibald Knox for Liberty & Co., an Arts and Crafts pewter butter dish, 1902-05, with three handles and honesty motifs, stamped English Pewter 0162 Made in England, 14cm diameter £150-200

£250-350 554 Archibald Knox for Liberty & Co., an Arts and Crafts hammered pewter strut clock, circa 1905, of rounded square form, the 2in silvered dial with Arabic numerals and the crossed arrows mark of the Hamburg American Clock Co., the frame with honesty pods to the corners, stamped English Pewter Liberty & Co 0482, 10cm wide

556 Archibald Knox for Liberty & Co., an Arts and Crafts pewter canted square inkwell, 1902-05, with cast decorative motifs, stamped 5 TUDRIC 0141, 15.5cm wide (lacking the liner) £150-200

£200-250 20

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557 557 Archibald Knox for Liberty & Co., an Arts and Crafts pewter cake basket, 1900-05, of oblong form with a handle over, cast with stylised leaves and berries, stamped Rd 449032 English Pewter 0357 Made in England, 30.7cm long £100-150 558 Archibald Knox for Liberty & Co., an Arts and Crafts pewter hotwater jug, 1900-05, with a domed cover, a wicker covered handle and cast with stylised honesty, stamped English Pewter 0958 Made in England, 13.5cm high; a Tudric hammered pewter clock by Liberty & Co., circa 1920, the oval silvered dial with Arabic numerals, a timepiece movement, in an Admiral’s hat style case, stamped marks, no. 01365, 21cm wide; and a cast brass inkstand, unmarked, probably German, 19cm wide (3)

559 559 An Art Nouveau pewter slender vase by Kayserzinn, with three fronds and flowers to the shoulders, stamped mark, no. 4312, 31.5cm high

£80-120

£120-160

558 21

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560

561

560 A German electroplated jardinière by WMF, stamped mark, the twin angular handles hung with husk swags, foliate decoration with laurel sprays above the four scroll feet, with a cut clear glass liner, 25.5cm high, 68cm long

562

562 Two WMF pewter figural visiting card trays, the first model no. 290, with a maiden in a flowing dress and irises with arched leaves, stamped marks and cast 290, 31.5cm long; the second model no. 252, with a maiden filling a jug from a fruiting vine, unmarked, cast 252, 28.5cm wide

£200-300 561 A WMF pewter large figural flower vase, model no. 127, the leaf frond rim with a putti and leaf frond in relief, the body with a maiden and frog in relief, on a wavy base, stamped mark, with a brass liner, 56cm high

See Art Nouveau Domestic Metalwork from Wurttembergische Metallwarefabrik 1906, Woodbridge 1995, p. 170 and 168 respectively £200-300

See Art Nouveau Domestic Metalwork from Wurttembergische Metallwarefabrik 1906, Woodbridge 1995, p. 371. £600-900 22

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563

564

563 Vaclaw Bernard Szczeblewski, a bronze model of a whistling street urchin, Mousse Siffleur, brown patinated, signed in the maquette V. Szczeblewski 1889, 10 ED stamped twice, 42cm high £400-600 564 An Art Nouveau coloured glass, bronze and onyx mounted table lamp, circa 1920, the pink and blue flecked domed glass shade unsigned, on a circlet supported in the spreading branches of a tree trunk cast shaft, rising above a stag, portrayed standing and baying, on a shaped onyx base, 41cm high £500-800 565 George Van Der Straeten (1856-1928), a bronze figure of a young lady, in late 18th century dress, dark green/brown patination, Gill Freres, Paris seal, signed to the top of the veined marble plinth, 42cm high £250-350

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566 An American opalescent glass clock, 1930s, moulded with birds amidst blossom, with internal electric illumination (115 volt), with a WhitehallHammond Synchronous Movement, on a gilt metal base, 26cm high Possibly by The Consolidated Glass Company. Ruben Haley’s designs were influenced greatly by the 1925 Exposition in Paris. One glass designer emerged overwhelmingly as the best at this exposition: Rene Lalique. Reuben brought back Lalique’s ideas and actually copied some of his patterns. In 1926 Consolidated introduced their Martele range. This line had raised moulded designs of birds, flowers, insects, fruit and people. This is a version of Lalique’s Deux Colombes design with the addition of the base. The original moulds were passed to other glass companies (Phoenix and Fenton) when Consolidated closed its doors. 566

£400-600 567 A French Art Deco bronze, marble and onyx mantel clock, with a Marti eight day timepiece movement, a skeletonised chromium plated chapter ring with Arabic numerals, in a dome top block flanked by part green patinated models of cranes standing on the wide base, 25.5cm high, 58cm long £200-300

567 24

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568 A French Art Deco wrought iron dressing table mirror, the high domed bevelled plate with a stylized foliate and spiral decorated surmount, hung on twin supports, on a hammered rectangular stepped base, 55cm high, 45cm wide

569

569 A Venini crystal glass tiered waterfall chandelier, 1930s, 75cm high, 60cm diameter (approx.) Purchased from Gallery 25, Pimlico Road, London in January 2006.

£600-800

£400-600

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DONNINGTON PRIORY

570

570 Eileen Gray (1878-1976), a E1027 height-adjustable side table, designed 1927, of recent manufacture, glass, chromium plated tubular steel, 63cm high, 51cm diameter £100-200 571 A Le Verre Français Scarabée cameo glass vase by Schneider, designed by Charles Schneider circa 1923, decorated with two scarab beetles in rust on an orange ground, marked Charder to the side and Le Verre Francais at base, 32.5cm high

571

£300-400 572 Windbells, a Clarice Cliff Bizarre ribbed conical vase, shape 613/12, black printed Newport Pottery mark, 32cm high 572 26

£300-500 www.dreweatts.com tel. +44 (0) 1635 553 553

DONNINGTON PRIORY

573

575

576

574 573 A Spanish rectangular twin handled wicker basket, early/mid 20th century, 34cm high, 80 cm wide, 57cm deep

575 A French Art Deco spelter figure of a seated lady with mirror, circa 1930, patinated, silvered and painted, on a front canted multi onyx rectangular base, 44cm long

£80-120 £200-300 574 Alvar Aalto (1898-1976) for Artek, a Screen 100, designed 1936 of recent manufacture, natural lacquered pine, rollable, 150cm high, 200cm long

576 H. M. White, an Art Deco patinated and gilt bronze and ivory model of two children on a sledge, 1920s, signed in the maquette, 30cm long, 27cm high

£500-700 £400-600 27

DONNINGTON PRIORY

577

578

577 After Marcel Breuer, a pair of Wassily chairs, tubular chromed steel and leather, late 20th century, 78cm high £300-500 578 Alvar Aalto (1898-1976) for Artek, a 915 table, designed 1932, of recent manufacture, natural lacquered birch frame, black lacquered veneered birch tops, Artek label, 59cm high, 49.5cm wide, 49.5cm deep

579

579 Alvar Aalto (1898-1976) for Artek, a 915 table, designed 1932, of recent manufacture, natural lacquered birch frame, black lacquered veneered birch tops, Artek label, 59cm high, 49.5cm wide, 49.5cm deep £300-500

£300-500 28

www.dreweatts.com tel. +44 (0) 1635 553 553

DONNINGTON PRIORY

580

581

580 Ludwig Mies van der Rohe, an MR table, chromium plated steel and glass, designed circa 1927, of recent manufacture by Knoll International, 53cm high, 69.5cm diameter

581 Ludwig Mies van der Rohe, an MR table, chromium plated steel and glass, designed circa 1927, of recent manufacture by Knoll International, 53cm high, 69.5cm diameter

£100-200

£100-200 29

DONNINGTON PRIORY

583

582

582 David Booth and Judith Ledeboer for Gordon Russell Ltd, a mahogany double helix sideboard, designed in 1950 for the Festival of Britain of 1951, rectangular form, with a pair of rosewood veneered doors with incised vertical interwoven lines revealing birch beneath, ring handles, fitted with an interior drawer, on tapering legs, metal label, 90cm high, 122cm wide, 46cm deep

583 Sasha Bowles (b. 1966), a sheet pewter framed wall mirror, embossed with Noah’s ark and numerous animals, signed to the right overlap, 135cm high, 203cm wide Purchased from Fitch’s Ark: The Animal Gallery, London in 1995. £500-700

£300-500 30

www.dreweatts.com tel. +44 (0) 1635 553 553

DONNINGTON PRIORY

584

585 (part)

584 An oak and mahogany refectory table, second half 20th century, with a plank top of two in blonde oak and a central contrasting plank, above standard ends and platform bases united by a stretcher, 75cm high, the top 300cm x 93cm

585 Robin Day for Hille, a Hillestak dining suite, of a sideboard, 76cm high, 137.5cm wide, 46cm deep; a table, 73cm high, 121cm wide, 83.5cm deep; and six dining chairs, 75cm high, beech, plywood and walnut veneer, circa 1950 (8)

£600-800

£300-500

31

DONNINGTON PRIORY

587

586

586 A pair of green oak wedge shape table lamps, late 20th century, with black shades, 52cm high including fitment, 76cm high to top of shade

587 Hans Wegner for Fritz Hansen, a set of four CH24 Wishbone chairs, designed 1949, ash and paper cord, stamped Made in Denmark by Carl Hansen & Son Odense Denmark, 73cm high

£200-300 £700-1,000 32

www.dreweatts.com tel. +44 (0) 1635 553 553

DONNINGTON PRIORY

588 δ Gillian Lever (b. 1963) Fiesta Song Oil on canvas Signed and titled verso Gallery label verso 88.5cm x 88.5cm (35in x 35in) £400-600

588

589 δ Gillian Lever (b. 1963) Legend Oil on board Signed, titled and dated 2001 verso 18cm x 18.5cm (7in x 7 1/4in) £150-250

589 33

DONNINGTON PRIORY

590

591 590 Four Val St Lambert twisted colour glass table lamps, 1960s, one light pink, two darker pink and one green with clear overlay, three with engraved marks, two with remains of labels, approx. 40cm high

591 A pair of upholstered armchairs, Italian, 1950s, with stained wood legs, 90cm high £300-500

£1,200-1,600 34

www.dreweatts.com tel. +44 (0) 1635 553 553

DONNINGTON PRIORY

592

592 A glass top dining table, of recent manufacture, the base of natural tree stems, 72.5cm high, 95cm diameter £300-500 593 A palisander table lamp, French, 1970s, carved as a stylised S, 92.5cm to top of shade £100-150 593 35

DONNINGTON PRIORY

594

595

594 John Makepeace, OBE (b. 1939), a walnut Cluster double cabinet on stand, the upper cabinet with two doors enclosing a single adjustable shelf, the lower with two doors enclosing two flights of six trays, the wide base on four cluster column supports, 163cm high, 121cm wide, 58cm deep

595 John Makepeace, OBE (b. 1939), a walnut Cluster rectangular coffee table, with a single frieze drawer, on four cluster column supports, inscribed Designed by John Makepeace and made in his workshops by Simon Rollinson 1982, 39cm high, 120cm wide, 60cm deep £300-500

£500-800 36

www.dreweatts.com tel. +44 (0) 1635 553 553

DONNINGTON PRIORY

596

596 John Makepeace, OBE (b. 1939), a walnut Cluster rectangular desk or writing table, with three frieze drawer, on four cluster column supports, inscribed Designed by John Makepeace and made in his workshops by Simon Rollinson 1982, 74cm high, 210cm wide, 89cm deep £1,000-1,500

37

DONNINGTON PRIORY

597

598

597 δ Jo Barrett (British, contemporary) Landscape with Bridge II Oil on canvas 62.5cm x 107cm

598 δ Jo Barrett (British, contemporary) Landscape with Embankment Oil on canvas 63cm x 105cm

Purchased from Clapham Art Gallery, Venn Street, London on 10th May 2002.

Purchased from Clapham Art Gallery, Venn Street, London on 10th May 2002.

£100-200

£100-200

38

www.dreweatts.com tel. +44 (0) 1635 553 553

DONNINGTON PRIORY

599

600

599 Rud Thygesen and Johnny Sorensen for Magnus Olesen, a set of four Arm Chairs, no. 4551, laminated wood, black staining, leatherette, 70cm high

600 A pair of upholstered armchairs, Italian, 1950s, attributed to Ico Parisi, original green velvet, rosewood legs, 82cm high

£100-200

£800-1,200 39

DONNINGTON PRIORY

602

601

601 A birch and hardwood coffee table, mid 20th century, the rectangular top of slatted construction, on turned tapering legs, 40.5cm high, 148cm wide, 57.5cm deep

602 Howard Keith for H K Furniture Ltd, an armchair and matching side chair, stained beech and upholstery, 1950s, 91cm high £200-300

£500-700 40

www.dreweatts.com tel. +44 (0) 1635 553 553

DONNINGTON PRIORY

604

605

603

604 Iyola Kingwatsiak (Canadian Inuit, 1933-2000), a carved stone sculpture of a man walking, adhesive label with name and price ($9250), 64cm high £600-900

603 A carved and stained hardwood group of a multitude of horses, late 20th century, 172cm high, 120cm wide, 120cm deep

605 Anilnilk Peelaktoak (Canadian Inuit, b. 1950), a carved stone sculpture of a man holding his son aloft, signed under a foot, on a stone base, 55cm high

£600-900

£500-800

41

DONNINGTON PRIORY

608

606

607 606 An Essevi pottery bust of a woman, probably designed by Sandro Vachetti, with blonde curled hair, wearing a floral scarf, incised and painted marks, N 300, 22cm high

609 608 Barbara Cass (Wolstencroft) (1921-1992), an Arden Pottery stoneware bowl, iron/white interior, crosses to exterior, incised marks, 25.5cm diameter £50-100

£400-600 607 Barbara Cass (Wolstencroft) (1921-1992), an Arden Pottery stoneware large dish, iron/white and green glazed, incised marks, 39.5cm diameter

609 Barbara Cass (Wolstencroft) (1921-1992), an Arden Pottery stoneware ovoid vase, with an everted rim, white/iron glaze and resist decoration, incised marks, 27cm high

Cass worked at Henley-in-Arden from 1962.

£50-100

£50-100 42

www.dreweatts.com tel. +44 (0) 1635 553 553

DONNINGTON PRIORY

610 δ Genevieve Claisse (b. 1935) Composition Gouache on paper Signed and dated 1959 lower right 53.5cm x 26cm (21in x 10 1/4in) £800-1,200

43

DONNINGTON PRIORY

612

611 611 Philip Starck for Baccarat, a set of six Harcourt Darkside black glass goblets and six water glasses en suite, white designer mark, the goblets 13.5cm high, the highballs 14cm high; the goblets in a perspex case, inscribed Jean Cocteau and Je suis tenue a l’impossible, with a a red and black base, 61cm x 26.5cm x 11.5cm

612 Philippe Starck for Baccarat, a Midnight Zenith black glass and chrome twelve-branch candelabra, marked to lower bowl, with pleated black silk shades, 88cm high, 82cm diameter £700-1,000

Inspired by both Pink Floyd and Jean Cocteau. The highballs come in individual card boxes. £300-500 44

www.dreweatts.com tel. +44 (0) 1635 553 553

DONNINGTON PRIORY

614 (part)

613

613 Fendi, a brown leather stool, the rectangular top on two slab side supports, metal name plate, 30.5cm high, 60cm wide, 45.5cm deep; and another stool by Fendi in yellow leather, solid square section, metal name plate, 43cm high, 42cm square (2)

614 Jaime Tresserra Clapés (b. 1943), two Sosteniso candelabra, each tripod metal frame suspending an oil lamp, 58cm high; and three Fandangol candle holders, with long mesh mounts, 27cm high (5) £200-300

£200-300

45

DONNINGTON PRIORY

615

616

615 Jaime Tresserra Clapés (b. 1943), a black stained walnut Haiku dining table and two leaves, 76cm high, 272cm wide, 124cm deep

616 Jaime Tresserra Clapés (b. 1943), a set of six Haiko stained walnut and dark brown leather chairs, 79cm high

£300-500

£800-1,200

46

www.dreweatts.com tel. +44 (0) 1635 553 553

DONNINGTON PRIORY

617

618

617 Jaime Tresserra Clapés (b. 1943), a black stained walnut and steel sideboard, with six doors, sycamore lined with shelves and on a plinth, 90cm high, 222cm wide, 58cm deep (lacking the glass top) £300-500

619

618 Jaime Tresserra Clapés (b. 1943), a Haiko walnut and tan or hazelnut leather armchair, with a bolster, 74cm high

619 Jaime Tresserra Clapés (b. 1943), a walnut and black finished steel circular side table, 50cm diameter

£200-300

£200-300 47

DONNINGTON PRIORY

620 Jaime Tresserra Clapés (b. 1943), a walnut, cream velveteen and steel Casablanca three piece suite, comprising: a sofa, 82cm high, 200cm long; two chairs, 82cm high, 79cm wide; and two foot rests £2,000-3,000

48

www.dreweatts.com tel. +44 (0) 1635 553 553

DONNINGTON PRIORY

621

622 (part)

621 Jaime Tresserra Clapés (b. 1943), a walnut and glass circular coffee table, with two curved doors, 37cm high, 108.5cm diameter £300-500

622 Jaime Tresserra Clapés (b. 1943), a walnut Lettera desk, with fitted drawers, sycamore lined, tan leather pads and adjustable light, with a certificate of authenticity no 00101, 82cm high, 140cm wide, 69cm deep; and a Casablanca chair; 77cm high £2,000-3,000 49

DONNINGTON PRIORY

623 Jaime Tresserra Clapés (b. 1943), a pair of walnut Zipper Columna tall cupboards, sycamore lined, with shelves over drawers, 190cm high, 37cm wide, 43cm deep £2,000-3,000 50

www.dreweatts.com tel. +44 (0) 1635 553 553

DONNINGTON PRIORY

624

625

624 Jaime Tresserra Clapés (b. 1943), a set of three Haiko walnut and tan or hazelnut leather chairs, 79cm high £300-500

625 Jaime Tresserra Clapés (b. 1943), a Tensor sandblasted glass sideboard with three small stained walnut filing cabinets or caddies, each 62cm high, 45cm wide, 45cm deep, the sandblasted glass over table 73cm high, 168cm wide, 54cm deep £300-500 51

DONNINGTON PRIORY

626 δ Dietmar Richard Vollmar (British, b. 1935) Red Square Acrylic on paper 32cm x 32cm Perspex frame £100-200

626

627 δ Dietmar Richard Vollmar (British, b. 1935) Yellow Square Acrylic on paper Inscribed verso 29.5cm x 28.5cm Perspex frame Artist’s note to reverse: D.R.V. 1959 copy of DESIGN for oil painting Horizons 31 100cm x 100cm ALGERIA,1954. £100-200

627 52

www.dreweatts.com tel. +44 (0) 1635 553 553

DONNINGTON PRIORY

628 Arne Jacobsen for Fritz Hansen, an Ox lounge chair and ottoman, designed in 1966, leather, aluminium, plastic sabots, manufacturer’s label to underside, 102cm high £4,000-6,000 53

DONNINGTON PRIORY

630

629

629 Verner Panton (1926-1998) for Fritz Hansen, a Batchelor stool, model 6303, designed 1955, suede and stainless steel, label, 38cm high, 51cm wide, 51cm deep

630 Carlo Scarpa (1906-1978) for Venini, a pair of wall appliques/lights, 1950s, polyhedral glass and metal, backplate stamped Venini SA Murano Made in Italy, approx. 50cm high

£100-200

£800-1,200

54

www.dreweatts.com tel. +44 (0) 1635 553 553

DONNINGTON PRIORY

631

633

632

631 Andrew Martin, a Soho side table, glass and chromium plated steel, 60cm high, 60cm wide, 43cm deep

633 Jorgen Gammelgaard for Pandul, a Swing VIP table lamp, designed 1983, white finished aluminium and steel, 53cm high

£100-150

£100-150

632 L. Campanini for Cama, an adjustable coffee/dining table, circa 1973, brushed and chrome plated metal, glass, the supports rotating to adjust the height, 40cm and 70cm high (approx.), 120cm diameter £800-1,200 55

DONNINGTON PRIORY

634

635 634 Lyle Sopel (Canadian, b. 1952), a green nephrite carving of two salmon swimming, signed Sopel F132, 35cm high £400-600 635 Lyle Sopel (Canadian, b. 1952), a green nephrite carving of a bird on oak branches, with other stones, signed Sopel F106, 41.5cm high £300-500 636 Lyle Sopel (Canadian, b. 1952), a green nephrite carving of two ducks flying, signed Sopel F033, 43cm high £400-600

636 56

www.dreweatts.com tel. +44 (0) 1635 553 553

DONNINGTON PRIORY

637

637 Lyle Sopel (Canadian, b. 1952), a green nephrite carving of an eagle with salmon against a wave, signed Sopel F058, 59cm high

638

£400-600 638 Lyle Sopel (Canadian, b. 1952), a green nephrite carving of two eagles soaring, with other stones, signed Sopel F13, 85cm high £700-1,000 639 Lyle Sopel (Canadian, b. 1952), a green nephrite carving of a Chinese horse, on a rock crystal boulder base, signed Sopel F314, 48.5cm high overall, 48.5cm long From the bronze pacing horse poised on a swallow with wings outstretched. From a tomb at Lei-t’ai, Kansu, Eastern Han Dynasty, 2nd century AD. £1,500-2,500 639 57

DONNINGTON PRIORY

640 Preben Fabricius (1931-1984) and Jorgen Kastholm (1931-2007), a pair of Scimitar No. 49 chairs, designed in 1963, red leather and brushed steel, edition by Bo-Ex, manufacturer’s label, 69cm high, 83cm wide Provenance: Modernlink. £3,000-5,000

58

www.dreweatts.com tel. +44 (0) 1635 553 553

DONNINGTON PRIORY

642

643

641 A tulip form table uplighter lamp, 1950s, white glass and chromium plated steel, 68cm high overall £100-150 642 A glass and chromium plated steel coffee table, 1970s, the base arranged as two arched Xs, 45cm high, 130cm wide, 69.5cm deep £200-300 643 A glass and chromium plated steel coffee table, 1970s, the base arranged as two arched Xs, 45cm high, 130cm wide, 69.5cm deep £200-300

641 59

DONNINGTON PRIORY

644

645

646 644* Cygne Tête Vers le Bas, a Cristal Lalique clear and frosted glass large swan, engraved mark, 17.5cm high, 36cm long

646* Five Cristal Lalique frosted glass small items, comprising: Tête de Lion, an ashtray, 14cm diameter; Tête de Lion, a table lighter, 11.5cm high; and three elephants; engraved marks (5)

£400-600 £150-200 645* Cygne Tête Vers le Haut, a Cristal Lalique clear and frosted glass large swan, engraved mark, 23.5cm high, 31cm long £400-600

60

www.dreweatts.com tel. +44 (0) 1635 553 553

DONNINGTON PRIORY

647

648 647* Eldorado, a Cristal Daum clear and frosted glass model of a car (automobile), engraved mark, 41cm long

649

£100-150 648* Deux Poissons, a Cristal Lalique clear and frosted glass figure of two fish, engraved mark, 28cm high

649* A Cristal Lalique clear and frosted glass large cockerel, engraved mark, 46.5cm high

£400-600

£2,000-3,000

61

DONNINGTON PRIORY

650

653

652 651

650 A set of four cut clear glass table lamps, of recent manufacture, the stems each with spherical and square section mouldings on square bases, 45cm high

652 Florence Knoll for Knoll International, a steel and white marble square table, designed 1961, chromium plated tubular steel, 43cm high, 60cm x 60cm

£200-300

£200-300

651 Florence Knoll for Knoll International, a steel and white marble square table, designed 1961, chromium plated tubular steel, 43cm high, 60cm x 60cm

653 A pair of pink/amethyst blown glass table lamps, 1970s, 43cm high including fitment £150-250

£200-300 62

www.dreweatts.com tel. +44 (0) 1635 553 553

DONNINGTON PRIORY

654

655 654 δ Mark Thompson (b. 1972) Falter Oil on canvas 158cm x 229cm (62in x 90in) Purchased from Rebecca Hossack Art Gallery, Conway Street, Fitzroy Sq., London on 28th February 2008.

655 Willy Rizzo for Pierre Cardin, a side cabinet, 1970s, black laminated wood and brass, with two drawers and two doors with interior shelf, side corners and handles in brass, 76cm high, 120cm wide, 47.5cm deep Purchased from Philip Thomas Antique Furniture and Design, Ladbroke Grove, London on 6th August 2004.

£500-800 £1,000-1,500

63

DONNINGTON PRIORY

656 A pair of macassar ebony and glass cabinets, circa 1960, the glass slab supports attributed to Fontana Arte, 135cm high, 59cm wide, 43cm deep Purchased from Artemis Decorative Arts, Kensington Church Street, London in 2006 £6,000-8,000

64

www.dreweatts.com tel. +44 (0) 1635 553 553

DONNINGTON PRIORY

657

658

659

657 An Italian shield shape wall mirror by Fontana Arte, 1950s, pale green surround, 80cm high, 59cm wide

659 A chromium plated steel three light table lamp, Italian, 1970s, with a beige shade, 65cm high overall

£700-1,000

£50-100

658 A white marble tall rectangular table lamp, 1970s, with a parchment drum shade, 62cm high to top of shade £200-300 65

DONNINGTON PRIORY

660 Paul Evans (1931-1987) for Directional Furniture, a Cityscape four door credenza or side cabinet, 1970s, brass and chrome, signed, 88cm high, 183cm wide, 58cm deep Purchased from Paul Andrews Antiques, Kings Road, London on 18th October 2005. £5,000-7,000 66

www.dreweatts.com tel. +44 (0) 1635 553 553

DONNINGTON PRIORY

661 Paul Evans (1931-1987) for Directional Furniture, a large rectangular extending dining table, circa 1970, figured mahogany and brass, 74cm high, 152.5cm deep, 268.5cm long (fully extended with two leaves) Provenance: purchased from Galerie 146, Brussels in 2007. £4,000-6,000 67

DONNINGTON PRIORY

662 Gaetano Sciolari, a geometric eight light table lamp, 1960s, chromium plated steel, unmarked, 60cm high Purchased from Robert Barley Antiques on 2nd February 2007. £200-300 663 δ Jessica Fulford-Dobson (British, contemporary) Il Pontevecchio Colour photograph hand print mounted on aluminium and face-mounted to acrylic via a diasec bond process Limited edition of five 77cm x 104cm Purchased from Bonham’s, New Bond Street, Young Collectors Party- Exhibit 05, 28th September 2005 £100-200 662

663 68

www.dreweatts.com tel. +44 (0) 1635 553 553

DONNINGTON PRIORY

664

664 δ Yaacov Agam (b. 1928), Structure Verticale Mobile, plastic multiple with handcolouring in a coloured marker pen, signed lower right and titled in blue ink, inscribed A.P., an artist’s proof, 44cm x 44.5cm overall

665

Purchased from Christie’s South Kensington Prints & Multiples, 10th June 2009, lot 162. £700-900 665 A perspex or lucite table lamp, American, 1970s, of bee skep form, unmarked, 55cm high including fitment £150-250 666 δ Linda Zelin, SWA, untitled (torso), a soapstone figure, label beneath, 28cm high Purchased from Sculpture Works, Highgate in March 2001 £100-200

666 69

DONNINGTON PRIORY

70

667 Archizoom Associati (active 1966-74) for Poltronova, a Safari seating environment, circa 1968, white lacquered fibreglass and upholstery, 60cm high, 260cm wide, 216cm deep Purchased from Gallerie 146 Autegarden-Rapin, avenue Loiuse, Brussels on 7th September 2007. £10,000-15,000 71

DONNINGTON PRIORY

668

668 A pair of black lacquered wood bedside cabinets, French, 1970s, 40cm high, 60cm wide, 36cm deep £100-200

669

669 A pate de verre vase by Tessa Clegg, flaring fluted form blue frosted glass, signed and dated (19)87, 7cm high, 17cm diameter; another similar in mottled amethyst, signed and dated (19)83, 6cm high, 17cm diameter (2) £200-300 72

www.dreweatts.com tel. +44 (0) 1635 553 553

DONNINGTON PRIORY

670 Michael and Frances Higgins (American, 1908-1999 and 1912-2004), a set of eight 7 1/2in clear and white glass plates, in Classic Line pattern with gilt decoration, each signed, 19cm diameter; a clear plate glass Dropout vase, unsigned, 18cm high; another smaller Dropout, in browns and creams in a peacock feather design, signed, 9.5cm high (10)

670

Provenance: from the glass collection of private gifts from Michael and Frances Higgins given to members of their family. £150-250

671 Michael and Frances Higgins (American, 1908-1999 and 1912-2004), three rectangular glass plaques, the first with three blossoming trees, unsigned, 12.5cm x 18cm; the second of a sunset landscape, signed, 12.5x 18cm; the last of a hilly landscape, signed, 10.2cm x 15.5cm, each framed

671

Provenance: from the glass collection of private gifts from Michael and Frances Higgins given to members of their family. £150-250

672 Michael and Frances Higgins (American, 1908-1999 and 1912-2004), five glass pieces in Flip Art patterns, with plant stem designs, comprising: a large plate, 33.5cm diameter; another, 28.5cm diameter; two rectangular plaques, 21.5cm x 14cm; and a rectangular plate, 18cm x 13cm, each signed Provenance: from the glass collection of private gifts from Michael and Frances Higgins given to members of their family. £150-250

672 73

DONNINGTON PRIORY

673

674 673 Michael and Frances Higgins (American, 1908-1999 and 1912-2004), four plates, comprising: a purple ground fused blocks example, 28.5cm diameter; a purple ground fused bird, 24cm diameter; a red ground fused star, 23.5cm diameter; and a black ground filigree, 15cm diameter, the first three signed, the last Love from Louise

674 Michael and Frances Higgins (American, 1908-1999 and 1912-2004), four irregular outline dishes, each signed, 32.5cm to 15cm long

Provenance: from the glass collection of private gifts from Michael and Frances Higgins given to members of their family.

£100-200

Provenance: from the glass collection of private gifts from Michael and Frances Higgins given to members of their family.

£100-200 74

www.dreweatts.com tel. +44 (0) 1635 553 553

DONNINGTON PRIORY

675

676 675 Michael and Frances Higgins (American, 19081999 and 1912-2004), a group of six pieces of glass jewellery, fused glass, brass and cord, comprising: a rectangular red and black pendant, 8cm x 5cm; two circular turquoise/green and block pendants; a rectangular black pendant; and two rectangular brooches, each signed Provenance: from the glass collection of private gifts from Michael and Frances Higgins given to members of their family.

676 Michael and Frances Higgins (American, 19081999 and 1912-2004), four necklaces, fused glass, brass and cord, comprising: a rectangular pendant resembling a Frank Lloyd Wright window, 8cm x 4cm; two rectangular aquamarine/black pendants; and another Flip Art, each signed Provenance: from the glass collection of private gifts from Michael and Frances Higgins given to members of their family. £100-200

£150-250 75

DONNINGTON PRIORY

677

677 Peter Karpf (b. 1940) for Christensen & Larsen, a Wing lounge chair, circa 1966, red lacquered plywood and string, 62cm high, 124cm wide Purchased from Jerome Sohier, rue Sainte Anne, Brussels on 22nd January 2007. £500-700 678 Eero Saarinen for Knoll International, a side table, designed 1953-58, of recent manufacture, white finished cast aluminium and sycamore, 52cm high, 60cm diameter 678 76

£150-250 www.dreweatts.com tel. +44 (0) 1635 553 553

DONNINGTON PRIORY

679

679 δ Christian Lemmerz (b. 1959) Wald/Blue wood Mixed media on canvas Signed lower right, titled Galleri Franz Pedersen, Horsens, Denmark stamps verso 145cm x 190cm Purchased at Bruun Rasmussen, Bredgade sale no. 803, 26th June 2009, lot 120. £2,000-3,000 680 δ Oliver Barrett (b. 1962), Familia Lines, a steel, laminated wood resin and painted sculpture, 73cm high Purchased from Beardmore Gallery, Prince of Wales Rd, London on 15th January 2008. £1,200-1,600

680 77

DONNINGTON PRIORY

681 Maurice Calka for Leleu-Deshays, a Boomerang desk, circa 1970, white finished fibreglass and chrome-plated metal, interior footwell of desk moulded with CREATION M. CALKA/EDITION LELEU DESHAYS, 74cm high, the top wide (with two keys) Purchased at Bruun Rasmussen, Vejle sale no. 108, 31st October 2006, lot 682. £10,000-15,000 78

www.dreweatts.com tel. +44 (0) 1635 553 553

DONNINGTON PRIORY

79

DONNINGTON PRIORY

683 682 682 Susan A. Point (Canadian, b. 1952), Tall Totem, an acid etched glass sculpture, on a disc base, engraved S96 A/P I/II, 104cm high £600-900 683 Susan A. Point (Canadian, b. 1952), an acid etched glass wheel sculpture, with a wooden spindle 67cm long, engraved S94 P/P 1/1, 38cm diameter £400-600 684 Susan A. Point (Canadian, b. 1952), an acid etched glass wheel sculpture, with a wooden spindle 60cm long, engraved 1/1 A/P Susan A. Point, 60cm diameter, on circular red marble base 684 80

£400-600 www.dreweatts.com tel. +44 (0) 1635 553 553

DONNINGTON PRIORY

685 685 An Inuit carved serpentine and bone model of a narwhal, unsigned, 35cm high, 43cm long; and a similar carving of a salmon, unigned, 18cm high, 39cm long (2) £300-500 686 Jean Perzel, a square collier de la Reine plafonnier or ceiling light, 1960s, model 2060, glass slabs and bronze, 12cm high, 44cm x 44cm £400-600 686

687 A black lacquer square coffee table, 1970s, on flat nickel plated steel supports, 35cm high, 120cm wide, 120cm deep £200-300

687

81

DONNINGTON PRIORY

688

688 Lorenzo Quinn (American, b. 1965), a bronze sculpture entitled Love, of two brushing hands, mid brown patination, signed in the maquette, no 957/999 RW, on a travertine marble base, 30cm high overall, the base 32cm x 15cm £500-700 689 Lorenzo Quinn (American, b. 1965), a bronze sculpture entitled The Kiss, of two half torsos, polished and mid brown patination, signed in the maquette, no 656/999 US, on a travertine marble base, 28cm high overall, the base 18.5cm x 16cm 689 82

£1,000-1,500 www.dreweatts.com tel. +44 (0) 1635 553 553

DONNINGTON PRIORY

690

691

690 A perspex or lucite sectional table lamp, American, 1970s, of star section, 63cm high including fitment

691 A perspex or lucite console table, of recent manufacture, of inverted U shape, 74cm high, 107cm wide, 38cm deep

£100-150 £150-250

83

DONNINGTON PRIORY

692 δ Jack Milroy (b. 1938), House of Caryatids, ink jet printed paper within a perspex cube, signed in pencil Milroy, 91cm high, 40.5cm wide, 31cm deep £100-200 84

www.dreweatts.com tel. +44 (0) 1635 553 553

DONNINGTON PRIORY

693

694

695

693 Philippe Starck for Vitra, a Baobab desk, designed 2007, white polyethylene, the polyurethane top for covering computer cables, manufacturer’s moulded mark, 72cm high, the top 177cm long

695 δ Dori Neumann, Lull before the Storm, a grey/green granite sculpture, initialled DN, 40cm high.

£400-600

£100-200

Purchased from Sculpture Works, Highgate in March 2001

694 A perspex or lucite table lamp, possibly American, 1970s, double curved, 44cm high including fitment £100-150 85

DONNINGTON PRIORY

696 δ Francesco Patriarca (Italian, b. 1974) Leather (from L’appartement series), 2007 Chromogenic print 115cm x 115cm £1,000-1,500

86

www.dreweatts.com tel. +44 (0) 1635 553 553

DONNINGTON PRIORY

697

698 697 δ Hervé Saint-Hélier (b. 1969) Kanagawa Kenmin Hall, Yokohama jaune, 1999 Photograph Label verso, signed Edition 1/7 47cm x 111cm Purchased from HPSH Photographie, rue SaintHonoré, Paris on 10th December 2003.

698 δ Hervé Saint-Hélier (b. 1969) Salle d’Attente du Concorde, CDG 1999 Photograph Edition 1/8 Label verso, signed 61cm x 92cm Behind perspex, metal support £100-200

£100-200

87

DONNINGTON PRIORY

699

700 699 δ Hervé Saint-Hélier (b. 1969) Meditation vol bleu, Singapore 2001 C-type photograph Labels verso, signed Edition 3/8 61cm x 92cm

700 δ Hervé Saint-Hélier (b. 1969) San Francisco hotel 1999 Photograph Label verso, signed Edition 1/8 61cm x 91.5cm

£100-200

Purchased from Hervé Saint-Hélier, avenue Henri Martin, Paris on 20th October 2005. £100-200

88

www.dreweatts.com tel. +44 (0) 1635 553 553

DONNINGTON PRIORY

701

702

701 δ Hervé Saint-Hélier (b. 1969) Clim Rose, Singapore 2001 Photograph Label verso, signed Edition 3/7 138cm x 92cm

702 δ Hervé Saint-Hélier (b. 1969) Clim Rose, Singapore 2001 Photograph Label verso, signed Edition 2/7 138cm x 92cm

£100-200

£100-200

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A George III mahogany serpentine kneehole desk, circa 1760, 84cm high, 110cm wide, 82cm deep £15,000-25,000

Fine Furniture, Paintings, Works of Art & Ceramics Wednesday 15th April 2015 Donnington Priory, Donnington, Newbury, Berkshire RG14 2JE For more information on bidding, how to consign to a future auction or for a free valuation, please contact us: [email protected] | +44 (0) 20 3291 3539 | www.dreweatts.com

Part of The Stanley Gibbons Group plc

w w w . d r e w e a t t s . c o m | w w w. s t a n l e y g i b b o n s . c o m | www.bloomsburyauctions.com

Ely House, 37 Dover Street, London W1S 4NJ Tel +44 (0) 20 7499 7411 929 Madison Avenue at 74th, New York 10021 Tel +1 212 249 8783 [email protected] | www.mallettantiques.com

The Piet Jonker Collection

Garden Ornament, Architectural Fittings and Interior Decoration Auction Date: Wednesday 27th May 2015 Auction Location: Mallett, Ely House, 37 Dover Streer, London W1S 4NJ Viewing: on site, at Piet Jonker, Rijksstraatweg 23, 1396 JC Baambrugge, The Netherlands from Saturday 23rd May – Tuesday 26th May 2015 For more information: [email protected] | 44 (0) 20 3291 3539 | Catalogues available at: www.dreweatts.com

w w w.dreweatts.com | w w w.bloomsbur yauc tions.com | w w w.mallettantiques.com

These Conditions of Sale and Business constitute the contract between Dreweatts and Bloomsbury Auctions (the “Auctioneer”) and the seller, on the one hand, and the buyer on the other. By bidding at the auction, you agree to be bound by these terms.

INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularlythose inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand. 2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller. 3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive. 4. Buyer’s Premium. The buyer agrees to pay a buyer’s premium on the hammer price of each lot purchased. The buyer’s premium is 24% of the hammer price up to and including £150,000, 18%  of the hammer price from £150,001 up to and including £1,000,000, and 12% of the hammer price in excess of £1,000,001. VAT at the prevailing rate of 20% is added to buyer’s premium and additional charges as defined below. 5.

VAT. (*) indicates that VAT is payable by the purchaser at the standard rate (presently 20%) on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The double symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

6.

Descriptions and Conditions. Condition reports are provided on our website or upon request. The absence of a report does not imply that a lot is without imperfections. The detail in a report will reflect the estimated value of the lot, and large numbers of such requests received shortly before the sale may not receive a response to all lots. Members of staff are not trained restorers or conservators and, particularly for higher value lots, you should obtain an opinion from such a professional. We recommend that you always view a lot in person.



We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had

the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale). 7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. 8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required and (b) whether there is any specific prohibition on importing goods of that character because, e.g. they may contain prohibited materials such as ivory. Ask us if you need help. 9.

Bidding. Bidders may be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification may be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax. 11. Methods of Payment. The following methods of payment are acceptable.

Debit Card drawn on a UK bank and registered to a UK billing address. There is no additional charge for purchases made with these cards.



Bank transfer direct into our bank account, all transfers must state the relevant sale number, lot number and your bid / paddle number. If transferring from a foreign currency, the amount we receive must be the total due in pounds sterling (after currency conversion and the deduction of any bank charges). Our bank details can be found on the front or your invoice or in the sale catalogue under ‘Important Notices’.



Sterling cash payments of up to £12,000 (subject to money laundering regulations). All major UK issued credit cards registered to a UK billing address with the exception of American Express and Diners Club. A surcharge of 3% is payable on all payments made by credit cards. Sterling personal cheques drawn on a UK bank account and made payable to ‘Dreweatts 1759’. It will be necessary to allow at least six working days for the cheque to clear before collecting your purchases.

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges. 13. Droit de suite royalty charges. From 1st January 2012 all UK art market professionals (which includes but is not limited to; auctioneers, dealers, galleries, agents and other intermediaries) are required to collect a royalty payment for all works of art that have been produced by qualifying artists each time a work is re-sold during the artist’s lifetime and for a period up to 70 years following the artists death. This payment is only calculated on qualifying works of art which are sold for a hammer price more than the UK sterling equivalent of EURO 1,000 – the UK sterling equivalent will fluctuate in line with prevailing exchange rates. It is entirely the responsibility of the buye to acquaint himself with the precise EURO to UK Sterling exchange rate on the day of the sale in this regard, and the auctioneer accepts no responsibility

93



whatsoever if the qualifying rate is different to the rate indicated.

9. Reserves.



All items in this catalogue that are marked with δ are potentially qualifying items, and the royalty charge will be applied if the hammer price achieved is more than the UK sterling equivalent of EURO 1,000. The royalty charge will be added to all relevant buyers’ invoices, and must be paid before items can be cleared. All royalty charges are passed on to the Design and Artists Copyright Society (‘DACS’), no handling costs or additional fees with respect to these charges will be retained by the auctioneers.

(a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and loss and damage warranty charges stipulated in these Terms of Consignment



The royalty charge that will be applied to qualifying items which achieve a hammer price of more than the UK sterling equivalent of EURO 1,000, but less than the UK sterling equivalent of EURO 50,000 is 4%. For qualifying items that sell for more than the UK sterling equivalent of EURO 50,000 a sliding scale of royalty charges will apply – for a complete list of the royalty charges and threshold levels, please see www.dacs.org.uk. There is no VAT payable on this royalty charge.

TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers. 2.

Warranty. The Seller warrants that possession in the lots can be transferred to the Buyer with good and marketable title, free from any third party right and encumbrances, claims or potential claims. The Seller has provided all information concerning the items ownership, condition and provenance, attribution, authenticity, import or export history and of any concerns expressed by third parties concerning the same.

3. All commissions and fees are subject to VAT at the prevailing rate. 4. Commission is charged to sellers at the following rates:- please enquire at our salerooms. 5.

Removal costs. Items for sale must be consigned to the saleroom by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

6. Loss and damage of goods. (a) Loss and Damage Warranty - Dreweatts is not authorised by the FSA to provide insurance to its clients, and does not do so. However Dreweatts for its own protection, assumes liability for property consigned to it at the lower pre-sale estimate until the hammer falls. To justify accepting liability, Dreweatts makes a charge of 1.5% of the hammer price plus VAT, subject to a minimum charge of £1.50, or if unsold 1.5% of our lower estimate. The liability assumed by Dreweatts shall be limited to the lower pre-sale estimate or the hammer price if the lot is sold. (b) If the owner of the goods consigned instructs us in writing not to take such action, the goods then remain entirely at the owners risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 6 (a) is inapplicable. 7. Illustrations. The cost of any illustrations is borne by you. If we consider that the Lot should be illustrated your permission will be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue. 8. Minimum bids and our discretion. Goods will normally be offered subject to a reserve agreed between us before the sale in accordance with clause 9. We may sell Lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us a “discretion” we may accept a bid of up to 10% below the formal reserve.

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(b) A reserve once set cannot be changed except with our consent.

(c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

(d) Reserves are not usually accepted for lots expected to realise below £100

10. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense. 11. Soft furnishings. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense.

The rights of disposal referred to in clause 10 and 11 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request

12. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. 13. Unsold. Unsold. If an item is unsold it may at our discretion be re offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate. 14. Withdrawn and bought in items. These are liable to incur a charge of 15% commission, 1.5 % Loss and Damage Warranty and any other costs incurred including but not limited to illustration and restoration fees all of these charges being subject to VAT on being bought in or withdrawn after being catalogued. 15. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking. We will also, at our discretion, and as far as practicable, confirm that an item consigned for sale does not appear on the Art Loss register, which is administered by an independent third party. 16. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and



consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement.

(b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business 48 hours after the day of sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these Terms apply. 17. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £10 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 18. Settlement. After sale settlement of the net sum due to you normally takes place within 28 days of the sale (by crossed cheque to the seller) unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 12 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion.

(c) Bidders shall be deemed to act as principals.

(2) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3. Increments. Bidding increments shall be at the auctioneer’s sole discretion. 4. The purchase price. together with a premium thereon of 28.8% which shall include VAT on the premium at the rate imposed by law. The buyer will also be liable for any royalties payable under Droit de Suite as set out under Information for Buyers. 5. Value Added Tax. Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant Lots. (Please refer to “Information for Buyers” for a brief explanation of the VAT position). 6. Payment

(1) Immediately a Lot is sold you will:

CONDITIONS OF SALE

(a) give to us, if requested, proof of identity, and (b) pay to us the total amount due or in such other way as is agreed by us.

Dreweatts carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

(2) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

1. Definitions

In these Conditions:

(a) “auctioneer” means the firm of Dreweatts and Bloomsbury Auctions or its authorised auctioneer, as appropriate; (b) “deliberate forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) “hammer price” means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) “terms of consignment” means the stipulated terms and rates of commission on which Dreweatts accepts instructions from sellers or their agents; (e) “total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f ) “sale proceeds” means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising;

(g) “You”, “Your”, etc. refer to the buyer as identified in Condition 2.



(h) The singular includes the plural and vice versa as appropriate.

2. Bidding procedures and the Buyer

(a) Bidders are required to register their particulars before bidding and

(3) Buyers who utilise the services of ATG Live Auctions or any other live internet services are hereby informed that the payment method details that are provided to ATG Live Auctions or any other live internet services as part of the process of registration will, in the absence of compliance with paragraph (1) of this clause, be utilised by us to settle any amounts owing by such buyers to us. 7. Title and collection of purchases (1) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (2) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and insurance charges.

(3) No purchase can be claimed or removed until it has been paid for.

(4) Dreweatts can accommodate pack ing and shipping for certain items. For lots they are unable to provide this service for, successful buyers must make these arrangements independently, though the saleroom may be able to suggest specialist shipping companies who can advise buyers, this advice is not a recommendation and the saleroom is not liable for any aspect of the packaging and shipping process. Please note that the cost of packaging and shipping depends on the size/weight of the item(s) purchased, insurance requirements, and the shipping destination, not on the value of the item(s) purchased. Please note that any items not collected within one week of the sale date may be automatically removed to commercial storage and subject to a storage charge. 8. Remedies for non-payment or failure to collect purchases

(1) If any Lot is not paid for in full and taken away in accordance with

95

these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights\ and remedies:

(a) to proceed against you for damages for breach of contract;



(b) to rescind the sale of that Lot and/or any other Lots sold by us to you;

(c) to resell the Lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (d) to remove, store and insure the Lot at your expense and, in the case of storage, either at our premises or elsewhere; (e) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (f ) to retain that or any other Lot sold to you until you pay the total amount due; (g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of ) any of your property in our possession for any purpose until the debt due is satisfied. (2) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9.

Third party liability. All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. Commission bids. Whilst prospective buyers are/\strongly advised to attend the auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so.

Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. Warranty of title and availability. The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. Agency. The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13. Terms of sale. The seller acknowledges that Lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the Lot. 14. Descriptions and condition (1) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf ) must satisfy themselves as to the accuracy of any description applied

96



to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 “information to buyers”.

(2) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15. Forgeries. Notwithstanding the preceding Condition, any Lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the Lot is a deliberate forgery we shall refund the money paid by you for the Lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale. General 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (1) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (2) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. 18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail, email or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue. 20. Any indulgence extended to bidders, buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect. 21. English law applies to the interpretation of these Conditions.

GROUP DEPARTMENTS LONDON – MADDOX STREET Bloomsbury House 24 Maddox Street London, W1S 1PP Tel: +44 (0) 20 7495 9494 [email protected]

BOOKS AND MANUSCRIPTS Rupert Powell Deputy Chairman (Bloomsbury Auctions), Travel, Natural History & Science Dido Arthur Director, Art & Architecture, Private Press & Illustrated Justin Phillips Director, Continental & Early Printing Simon Luterbacher Director, Manuscripts & English Literature Clive Moss Director, Children’s Books Max Hasler Modern First Editions Emily Bradfield Books Roxana Kashani Books Michael Heseltine Consultant Stephen Massey Senior International Consultant Dr Timothy Bolton Head of Western Manuscripts and Miniatures PICTURES AND MAPS James Harvey International Head of Traditional Art Robert Hall Director Richard Carroll

PHOTOGRAPHS Sarah Wheeler Associate Director John Cumming Consultant Justine Gruser Cataloguer VINTAGE POSTERS Richard Barclay Consultant MEDALS AND MILITARIA David Kirk AUTOGRAPHS AND MEMORABILIA Lydia Wilkinson Valentina Borghi

MODERN AND CONTEMPORARY ART AND PRINTS Alexander Hayter International Head of Contemporary Art Angus Maguire Shane Xu

LONDON – 399 STRAND

NUMISMATICS Edward Baldwin Chairman of Baldwin’s, European, Russian, Colonial and Oriental Coins Stephen Hill Director, English hammered and milled Coins Seth Freeman Director, Banknotes and Tokens Graham Byfield Indian & Islamic Coins & Commemorative Medals Paul Hill Ancient Greek, Roman and Byzantine Coins Andre de Clermont Islamic, Indian & South American Coins David Kirk Military Medals and English hammered and milled Coins Caroline Holmes Numismatic Books Julie Lecoindre World Coins Randy Weir Consultant, Canada Ma Tak Wo Consultant, Hong Kong Daniel Fearon Commemorative Medals, Consultant Peter Donald Byzantine Coins, Consultant Peter Brooks Consultant, Australia

PHILATELICS Rick Warren Director, UK & World Stamps Tim Francis Director, UK & World Stamps Colin Avery UK & World Stamps Heather Babington Smith Mixtures Olivia Odell Autographs Peter Elwood Approvals

Donnington Priory Newbury, Berkshire, RG14 2JE

ASIAN CERAMICS AND WORKS OF ART Mark Newstead Head of Asian and European Ceramics and Works of Art Benedetta Mottino Associate Director

Tel: +44 (0) 1635 553 553 [email protected]

CLOCKS AND SCIENTIFIC INSTRUMENTS Leighton Gillibrand Director

JEWELLERY, SILVER, WATCHES AND OBJECTS OF VERTU James Nicholson Deputy Chairman (Dreweatts) David Rees Director, Silver & Objects of Vertu Ian Pickford Silver Consultant Jonathan Darrcott Senior Watch Specialist Nick Mann Patricia Law Alexandra Francis Tessa Parry

399 Strand London WC2R 0LX Tel: +44 (0) 20 7930 6879 [email protected]

NEWBURY – DONNINGTON PRIORY

COUNTRY SPORTING Geoffrey Stafford Charles Director DECORATIVE ARTS David Rees Director ENGLISH AND CONTINENTAL CERAMICS Mark Newstead Head of Asian and European Ceramics and Works of Art Geoffrey Stafford Charles Director FURNITURE AND CARPETS Will Richards Deputy Chairman (Dreweatts) Richard Madley Senior Director Cristian Beadman Associate Director Ben Millerchip-Brown Associate Director Emma Terry Associate Director Elaine Binning Consultant

ROME / MILAN For further information, please contact: Dott. Luciana Scarpa Tel: +39 388 8813070 [email protected]

PICTURES James Harvey International Head of Traditional Art Richard Carroll Henry Bailey STEAM MODEL ENGINEERING Michael Matthews Consultant WINE Chris Hambleton Consultant

We are pleased to continue our joint venture in Italy. Together with Philobiblon Auctions, a subsidiary of the highly respected antiquarian books and manuscripts dealership, we are able to offer a first class service throughout Italy from premises in both Rome and Milan. We have Italian speaking specialists in all major departments and offer a regular calendar of both valuation events and sales in Rome and Milan.

WE ALSO OPERATE FROM THE FOLLOWING SALEROOMS: BRISTOL:

Dreweatts Baynton Road, Ashton, Bristol BS3 2EB. Tel: +44 (0) 117 953 1603 | [email protected]

GODALMING:

Baverstock House, 93 High St., Godalming, Surrey GU7 1AL. Tel: +44 (0) 1483 423 567 | [email protected]

Part of The Stanley Gibbons Group plc