SAN FRANCISCO 150 Minna Street San Francisco, CA 415.399.1439 cclarkgallery.com

NEW YORK 313 W 14th Street, 2F New York, NY By appointment

CHRISTOPH DRAEGER Born in Zurich, Switzerland, 1965 Lives and works in New York, New York EDUCATION 1996-7 1990-1 1986-90

International Studio Program, P.S.1, Institute for Contemporary Art, Long Island City, New York École Nat. Supérieur des Arts Visuels de la Cambre, Brussels, Belgium Diploma, School of Visual Arts, Luzerne, Switzerland

SELECTED SOLO EXHIBITION 2012

2010 2009 2008 2007

2006 2005

2004 2003

2002

2001 2000

To jump into the abyss, only to resurface: The Age of Collage, Academy of Fine Arts, International Workshop Salzburg, Austria Adrift, Kunsthalle Arbon, Arbon, Switzerland. Curated by Inge Abegglen Yvon Chabrowski and Christoph Draeger, RAUM № 7, Bern, Switzerland. Curated by RAUM № 7 Debris, para_SITE Gallery, Graz, Austria The End of Remake: Tropolicalia, CCA Center of Contemporary Art Ujazdowski Castle, Warsaw, Poland The End of the Remake, Roebling Hall Art Gallery, New York, New York Oil Paintings, Galerie Anne de Villepoix, Paris, France Music is the Healing Force of the Universe, Catharine Clark Gallery, San Francisco, California Le Radeau de la Macumba, Bonlieu, Annecy, France Rough Air, Amberg&Marti, Zurich, Switzerland Helenés Apparition of Freedom, Simon De Grussa, Cologne, Germany Black September, Monty, Antwerp, Belgium Out of Disaster, BrotfabrikGalerie, Berlin, Germany Constructio Infernalis, mullerdechiara gallery, Berlin, Germany White Cube, Umea, Sweden The Brazil Project, Roebling Hall, New York, New York Thing Editions, Roebling Hall, New York, New York Galerie Anne de Villepoix, Paris, France Susanne Vielmetter Projects, Los Angeles, California New Landscapes, Catharine Clark Gallery, San Francisco, California Damnation Road, The Kitchen, New York, New York Memories of Terror From a Safe Distance, Kunstmuseum, Solothurn Black September, Art Unlimited, Basel, Switzerland Tueur Né, Galerie Anne de Villepoix, Paris, France Black September/Night Version, Roebling Hall, Brooklyn, New York Beaufort 12, Expo 02, Arteplage, Neuchatel, Switzerland The Last Rider, Kunsthalle Fri-Art, Fribourg, Switzerland Black September, Galerie Muellerdechiara, Berlin, Germany Akus Gallery, Eastern Connecticut State University, Willimantic, Conneticut If you lived here you would be dead now, Roebling Hall, Brooklyn, New York Inundacions, CCCB, Centre de Cultura Contemporània, Barcelona, Spain Voyages, Galerie Urs Meile Luzern, Switzerland Teenage Riot, Halle für Kunst e.V., Lüneburg, Germany (catalogue) Crash, Le Parvis, Centre d’Art Contemporain le Clerc, Pau, France Tueur né/Natural Born Killer, Le Parvis, Centre d’Art Contemporain, Ibos-Tarbes, France St. Gervais, Centre pour l’image contemporaine, Geneva, Switzerland Apocalypso Place/Fall Season, Kunsthaus, Zurich, Switzerland Going All The Way, Kunstforum Baloise, Basel, Switzerland

1999

1998

1997 1996 1995 1994 1993 1991

Apocalypso Place, LiebmanMagnan Gallery, New York, New York Lakehurst NJ, Grenz-Raum, Zeppelinmuseum, Friedrichshafen, Germany Action//Time//Vision (Alternative TV), Orchard Gallery, Derry, Northern Ireland Yellow and Red, Institute for Contemporary Art, Dunauvarnos, Ungarn, Germany Out of the Blue-Into the Black, Damasquine Gallery, Brussels, Belgium New York-Serneus retour, Kulturhaus Rosengarten, Gruesch, Switzerland (catalogue) Make Believe, Stalke Gallery, Copenhagen, Denmark (catalogue) Puzzled, Statements, Galerie Urs Meile, Art 29, Basel, Switzerland (catalogue) OEL, Galerie Urs Meile, Luzern, Switzerland NB, Kunsthalle, St.Gallen, Switzerland (catalogue) Hotelbrand, Hotel, Zürich, Switzerland Nature Abhors a Naked Singularity, Clocktower Gallery, New York, New York How Far You Are, Passage Placette, Belluard Fribourg, Germany It's the end of the world as we love it, Shed im Eisenwerk, Frauenfeld, Switzerland The Apartement, Filiale Basel, Switzerland (catalogue) M.U.S.E.U.M., Kunstmuseum Luzerne, Switzerland (catalogue) Critical Distance, ADO Gallery, Antwerp, Belgium (catalogue) Schleutelwerken, Galerie Fons Welters, Amsterdam, Holland SOLO, Etablissements d'en Face, Brussels, Belgium (catalogue)

SELECTED PERFORMANCES 2008

The Burning of the Wicker Man, Art en plein air, Môtier, Môtiers, Switzerland

SELECTED GROUP EXHIBITIONS 2012

2009 2008

2007

Based on a true story (Basado en una historia real), Salvador Allende Museum of Contemporary Art, Santiago de Chile. Curated by Yael Rosenblut History is mine ! Printemps de Septembre, Toulouse, France. Curated by Paul Ardenne Middle East Europe, SPACE, Bratislava, Slovakia. Curated by Tamara Moyzes and Juraj Čarný The Praise of Folly/El Elegio de la Locura, Chirivella Soriano Foundation, Valencia, Spain. Curated by Juan Ramón Barbancho I Have a Dream, MWW Contemporary Art Museum, Wroclaw, Poland. Curated by Warsaw Lokal_30 Image Search, P·P·O·W Gallery, New York, New York. Curated by Jamie Sterns El Fin, Y Gallery, New York, New York. Curated by Cecilia Jurado Frenzy and Aftermath, Nicholas Robinson Gallery, New York, New York. Curated with Joel Beck Belvedere, Galerie Luciano Fascati, Chur, Switzerland Remakes, Gijon, Spain. Curated by Juan-Ramón Barbancho Brandstiftung, K3, Zürich, Switzerland. Curated by Markus Weiss Conceptual Art from California, NBK-Neuer Berliner Kunstverein, Berlin, Germany. Curated by Kathrin Becker Double Vue, ArtCHENE 2008, 3ème Biennale d'art en ville, Chêne-Bourg/ Geneva, Switzerland. Curated by Josiane Guilloud-Cavat Interstitial Zones: Historical Facts, Archaeologies of the Present and Dialectics of Seeing, Argos, Brussels, Belgium UNSTERN. SINISTRE. DISASTRO. Visions of Contemporary Artists, ACC Galerie Weimar, Weimar, Germany Tonight Forget About Your Houses and Your Cars, Union, London, United Kingdom Lucifer’s Greatest Work of Art, Fred, Leipzig, Germany Katastrophenalarm¸KGBK, Berlin, Germany Museum as a Hub, New Museum, New York, New York Red Badge of Courage, National Newark Building, Newark, New Jersey 12e Biennale de l’image en Movement, Batiment de l’art contemporain, Geneva, Switzerland Late Empire, Roebling Hall, New York, New York Ominous Atmosphere, curated by Jeff Dauber, Heather Marx Gallery, San Francisco, California Theatrum Mundi, Galerie Anne de Villepoix, Paris, France Parallel Universe Meet at Infinity, Springhill Institute, Birmingham, United Kingdom Last News, The Centre of Contemporary Art Laznia, Gdansk, Poland Môtiers 2007, Môtiers, Switzerland

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2006

2005

2004

2003

Final Cut, Medienkunst und Kino, European Media Art Festival, Osnabrueck, Lower Saxony, Germany Exits and Dead Ends, Festival der Regionen, Oberösterreich, Austria Reality Crossings 2, Fotofestival Mannheim/Ludwigshafen/Heidelberg, Germany The Landscape of War, 142 Throckmorten Theatre, Mill Valley, California. Exhibition to travel to San Jose Institute of Contemporary Art, San Jose, California Petroliana, Second Moscow Biennial, Moscow Museum of Modern Art, Moscow, Russia Une question de generation, Musée d’art contemporain de Lyon, Lyon, France Collection FracPaca, Collège Niki de Saint Phalle à Sophia Antipolis, France Chocolates, Museo Carrillo Gil, San Ángel, Mexico Absolumental, les Abattoirs, Toulouse, France What War?, White Box, New York, New York Funny Games – Dead Serious, Ferenbalm-Gurbrü Station, Karlsruhe, Germany Love & Peace, balkanTV, Zürich, Switzerland Die Kultur Der Angst The Culture of Fear, ACC Galerie Weimer, Weimar, Germany Zones of Risk/Transistions, Soros Center for Contermporary Art, Bishkek, Kyrgyzstan Playbak_Simulated Realities, Edith-Ruß-Haus für Medienkunst, Germany Run For Your Lives!, DiverseWorks, Houston, Texas Politische Wahrheiten/Political Truths, Heidelberger Kunstverein, Heidelberg, Germany Prevailing Climates, Sara Meltzer Gallery, New York, New York Speed, Galerie Staubkohler, Zurich, Switzerland Montevideo/Time Based Arts, Netherlands Media Art Institute, Amsterdam, Netherlands Die Kultur der Angst (The Culture of Fear), Stiftung Federkiel, Munich, Germany Photo-traffic, Center for Photography, Geneva, Switzerland. Exhibition traveled to Contemporary Art Center, Geneva Switzerland. Channel Zero, The Benaki Museum, Athens Can’t You Hear Me Knocking, Roebling Hall, New York, New York CRASH.PAUSE.REWIND, Western Bridge, Seattle, Washington Screening War: On the representation of war in video art, ZKM Media Lounge, Medienmuseum, Karlsruhe, Austria Helden Heute - Heros a Jamais, CentrePasquArt Biel, Switzerland Wasteland: 21st Century Landscape, Roebling Hall, New York, New York Social Insecuritity, Catharine Clark Gallery, San Francisco, California Un nuevo y bravo mundo, Alcala 31, Madrid Reprocessing Reality, Service de la Culture, Foundation Suisse Pour La Culture, Switzerland The Big Picture, University Art Gallery Sonoma State University, Sonoma, California Visions du reel, Chateau de Nyon, Nyon, Switzerland Silence/Noise, Real Monasterio of San Clemente, Sevilla Greater New York II, P.S 1/Museum of Modern Art, New York Documentary Strategies, TENT. Centre for Visual Arts, Rotterdam, The Netherlands Now’s the time, Medienturm + Kunsthalle, Graz, Germany RAF, KW, Kunstwerke, Berlin, Germany Upon Further Review: A Look at Sports and Society in Contemporary Art, Hunter College Gallery New York Contemporary Photography in the age of mechanical reproduction, New Britain Museum of Art, New Britain, Connecticut Almost, Robert Miller Gallery, New York, New York Things Editions, Roebling Hall, New York, New York In extremis, Abattoir, Musée d’Art Contemporain, Tolouse – Printemps de Toulouse, France Facts are stupid things, Staub, Galerie für Zeitgenössische Kunst gfzk, Zurich, Switzerland Crude Oil Paintings, White Columns, New York, New York Open House: Working in Brooklyn, Brooklyn Museum, New York Sculpture, Galerie Anne de Villepoix, Paris, France Channel Zero, The Netherlands Media Art Institute, Amsterdam, Holland Flight, Cherokee Mountain Art Center Terrorvision, Exit Art, New York, New York The Freedom Salon, Deitch Projects, New York, New York Playlist, curated by Nicolas Bourriaud, Palais de Tokyo, Paris, France Parodie, Galerie Filles de Calvaire, Paris, France Pulse of America, Aeroplastis, Brussels, Belgium Categories Post-Verité, Centro Parragà, Murcia, Spain

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2002

2001

2000

1999

Without Fear and Reproach, Witte Zaal, Gent, Belgium GameArt, Weltkulturerbe Stahlwerke Völklinger Hütte, Völklingen, Germany Remakes, capc-Musée d’Art Contemporain, Bordeaux, France MAD 03, Segundo Encuentro de Arte Experimental, Madrid, Spain Nothing Special, FACT Centre, Liverpool, England Terrible Beauty, Satellite, New York, New York Airport 2003, Here Art, New York, New York American Dream, Ronald Feldman Gallery, New York, New York Urban Diaries, Alcala 31 Contemporary Art Center, Madrid, Spain Constructed Realities, Orlando Museum of Art, Orlando, Florida Disaster Areas, The Glass House, Amsterdam, Holland The Reconstruction Biennial, Exit Art, New York, New York Mursolaici, Centre Culturel Suisse, Paris, France Days of War, Nights of Love, G-Module, Paris, France Intimate, Paco des Artes, Sao Paolo, Brazil Artists’ Games, Public’s Games, Kunstverein, Ulm, Germany States of the Union: Before and After, Greg Kucera Gallery, Seattle, Washington GewaltBilder - Zur Aesthetik der Gewalt (Violent images - Aesthetics of violence), Museum Belrive, Zurich, Switzerland. Exhibition traveled to Museums Quartier, Fischer-Von-Erlach Trakt, Vienna Night Vision, University Art Gallery, Normal, Illinois Superlounge, Gale Gates, New York, New York Big Social Game, curated by Michelangelo Pistoletto, Torino Biennial, Torino, Italy Kunstverein Ulm, Switzerland Independent, Liverpool Biennial, Liverpool, England Nightvision II, White Columns, New York, New York Brooklyn in Paris, Galerie Filles du Calvaire,Paris, Francs New York After New York, Musée de l’Elysée, Lausanne, Switzerland Beaufort 12-Au Bord Du Désastre, Expo 02, Neuchatel, Switzerland Self/ In Material Conscience, Fondation Sandretto, Guarene-Torino, Italy Highlights from the Permanent Collection, Whitney Museum of American Art, New York, New York Wald/Explosionen, Helmhaus Zurich, Switzerland Anxiety Disorder, Voges&Deisen, Frankfurt, Germany Brooklyn!, PBICA, Institute of Contemporary Art, Palm Beach, Florida Impakt Festival, Centraal Museum, Utrecht, Holland (catalogue) Lite, Roebling Hall, Brooklyn, New York Unter Wasser, Museum Belrive, Zurich, Switzerland Artlounge - Projects #1:"(White) Cubes,” Cato Jans, Hamburg, Germany Play is the Thing, Whitney Museum of American Art, New York, New York Puzzled/Game Show, Massachusetts Museum of Contemporary Art, North Adams, Massachusetts Them or Us, European Media Art Festival, Galerie im Dreikronenhaus, Osnabrueck, Germany Who Killed Bambi, K&S Galerie, Berlin, Germany The Body of Art, Bienal de Valencia, Spain (catalogue) Endtroducing, Villa Arson, Nice, France (catalogue) Entropic Paradise, Wake Forest University, Winston-Salem, North Carolina Another Day on Planet Earth, Dechiara/Stewart Gallery, New York Dystopia and Identity in the Age of Global Communication, Tribes Gallery, New York, New York International Videoprogam, 7th Biennale, Havana, Cuba No Vacancies, Barbara Thumm Gallery, Berlin, Germany Grauer Star, Kunstmuseum Chur, Switzerland (catalogue) Legion Arts, Cedar Rapids, Iowa Domiciles, Centre d’Art Tanlay, Perrigny, France (catalogue) Katastrophen und Desaster, Folkwang Museum, Essen, Germany (catalogue) Quiet, curated by Leo Koenig, 359 Broadway, New York, New York The Video Collection, Kunsthaus Zürich, Switzerland Out of Order, Roebling Hall, Brooklyn, New York Amnesic Cinemas, Galerie du Bellay, Rouen, France (catalogue) Autour de R2/12, Attitudes, Geneva, Switzerland

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1998

1997

1996

1995

1994

1993

Cinema, Cinema - the Cinematic Experience, Stedelijk Van Abbe Museum, Eindhoven, Holland (catalogue) Playtime, Magasin, Grenoble, France (catalogue) Ailleurs 4, Attitudes @ ACC Galerie, Weimar, Germany Dystopia/Babel, Roebling Hall, Brooklyn, New York Reservate der Sehnsucht/Zones of Desire, Unionbrauerei, Dortmund, Germany (catalogue) 1ière Biennale de l'image: De tres courts espace de temps, Centre natiaonale de la photo, Ecole des Beaux-Arts, Paris, France (catalogue) Speed, 2nd Biennale, curated by Herald Szeemann, Kwangju, Korea (catalogue) VideoVision 2, El Haganar, Cairo, Egypt Young Art, Mamco, musée d'Art contemporain, Genf, Switzerland P.S.1 International Studio Show, Clocktower Gallery, New York Disaster and Recovery, The Swiss Institute , New York, New York (catalogue) Le Meridien de Verviers, musée des Beaux-Arts, Verviers, Belgium Young Art, Kunsthalle, Bern, Switzerland Picture This, Dennis Anderson Gallery, Antwerp, Belgium Bounds of Boundlessness, NGBK, Berlin, Germany (catalogue) Vision-Illusion-Reality, curated by Harald Szeemann, Kunsthaus, Zürich, Switzerland Jedes Haus ein Kunsthaus, Museum für Gestaltung, Zürich, Switzerland Etalage, Comptoir, Brussels, Belgium (catalogue) Think Apocalypse, Galerie Observatoire, Brussels, Belgium Prospectus, Laeken-Brussels, Belgium (catalogue) Photographies, Galerie Rodolphe Janssen, Brussels Musée d'Art et Histoire, Neuchâtel, Switzerland (catalogue) Variations sur le charme discret de la Bourgoisie, London, United Kingdom Members Only, Charles Poy Gallery, Barcelona, Spain (catalogue) In the Cold, Kunsthalle Luzerne, Switzerland (catalogue)

SELECTED VIDEO SCREENINGS 2009 2007 2005 2004

2003 2002

2001 2000

1999

Hippie Movie, Helmhaus Zürich, Zurich, Switzerland 51ST London Film Festival, British Film Institute, London, United Kingdom Volts&Visions, Zurich, Switzerland Attitudes, Geneva, Switzerland Impact Festival, Utrecht, Holland Kurzfilmtage Winterthur, Switzerland Swiss Video, Museum of Contemporary Art, Vilnius, Lithuania Museo Tamayo, Mexico City, Mexico Argos Festival, Brussels, Belgium Capacete, Rio de Janeiro, Brazil La Nuite Art Vidéo, 5ème edition, Le-Maillon, Théàtre de Strasbourg, France The Last News, Impact Festival, Utrecht, Holland MAD 03 Festival, Madrid, Spain ATA, Other Cinema, San Francisco, California State of the Emergency, Bilbao Film Festival, Spain, Cine y Casi Cine, Museum Reina Sofia, Madrid, Spain Blind Dates, Hardware Medien Kunstverein Dortmund, Germany Migros Museum of Contemporary Art, Zurich, Switzerland State of Emergency, Oberhausen Filmfestival, Germany New Museum of Contemporary Art, New York, New York The Poetry Project at St. Marks Church, New York, New York Pandaemonium, Biennial of Moving Images, The Lux Centre, London, United Kingdom Forum Itinerant, Strasbourg, France Tramvideo, Lyon, France Popifilm, Rotterdam Vera, Groningen, Holland De Balie, Amsterdam, Holland Documentary Film Festival, Duisburg, Germany VIPER, International Video und Film Festival, Luzer, Switzerland

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1998

Chicago Underground Film Festival, Chicago, Illinois New York Underground Film Festival, New York, New York Le Club du Capitain Pip, Centre d’Art Contemporain Espace Jules Verne, Bretigny sur Orge, France Centre d’image Contemporain St. Gervais, Geneva, Switzerland Tramvideo, Lyon, France Kino Loge, Winterthur, Belgium (catalogue) The Videoroom Festival, Ocularis, New York, New York Lost & Found, De Waag, Amsterdam, Holland

SELECTED BIBLIOGRAPHY Dewilde, Michel and Jerome Jacobs.”That’s All Folks! The Clash between reason and destiny”. Stad Brugg, Brugge. 2009 Willms, Monique. "Difference of the Same." Artslant.com, May 1, 2008. . Kucharski, S. R. “The Landscape of War.” www.shotgun-review.com, January 11, 2008. Feinstein, Lea. "Ominous Atmosphere." Artnews, January 2008. Frock, Christian L. “Breaking Ground Breaking.” San Francisco, California. Catharine Clark Gallery: 2007. Baker, Kenneth. “Galleries: Summertime…” The San Francisco Chronicle, Saturday, August 13, 2005. Ed. “Voyages Apocalyptiques.” Das Magazin, January 22, 2005. Baker, Kenneth. “Christoph Draeger’s jigsawed photos of tragedies give viewer lots to puzzle over.” The San Francisco Chronicle, September 25, 2005. Mascina, Audrey. “Apocalypse Culture; Reynold Reynolds and Christoph Draeger.” Blast #9, October 2003. Ed. “Kunstmuseum Solothurn: Christoph Draeger.” Magazin, October 2003. Ed. “Kunstmuseum Solothurn: Christoph Draeger.” Basler Zeitung, October 18, 2003. Zweks, Annelise. “Verführung oder Entlarvung?” Bieler Tagblatt, October 2, 2003. Tobler, Konrad. “Terror-aus sicherer Distanz.” Solothurner Tagblatt, Thunner Tagblatt/Berner Zeitung/Berner Oberländer, September 23, 2003. Baumann, Hans. “Katastrophen zwischen Abbild und Fiktion.” Der Bund, September 23, 2003. Ruhrfeind, Eva. “Schreckensbilder-Katastrophen aus sicherer Distanz.” Aargauer Zeitung/Oltener Tagblatt/Solothurner Zeitung, September 15, 2003. Ducommun, Roland. “Die Faszination von Terror und Katastrophen.” Solothurner Tagblatt, September 15, 2003. Kletke, Daniel .“Kunst un Gewalt.” Kunst und Kirche, July 2003. Gopnik, Blake. “Armory Fair: Standouts in a Crowd.” The Washington Post, March 13, 2003. Ed. The New Yorker, March 11, 2003. Ed. “Mouvement.” Culture Contemporaine, March 2003. Ed. “Aus sicherer Distanz.” Neue Zürcher Zeitung, January 11, 2003. Spinelli, Claudia. “Konsumierbare Katastrophen.” Weltoche 41, 2003. Tannert, Christoph and Katharina Amman. Memories of terror from a safe distance. New York: 2003. Battista, Kathy and Mark Morris. “Thinking Small.” Contemporary, December 2002. Ed. “Self-Portrait.” Tema Celeste, July 2002. Hughes, Jeff. “Destroy and Reclaim.” New Art Examiner, May 2002. Sanchez Argiles, Monica.“Christoph Draeger. Declive y Renacimiento.” Lapiz, December 2001. Levin, Kim. “Only the Best-Fall Arts Preview.” Village Voice, November 2001. Lüddemann, Stefan. “Statt der Pfeile treffen Flugzeuge den heiligen San Sebastian.” Osnabrücker Zeitung, October 26, 2001. Movin, Lars. “Disaster World.” Information (Denmark), October 23, 2001. Bayliss, Sarah. “New York artists recover and regroup.” The Boston Globe, October 7, 2001. Cotter, Holland. “When reality overtakes art.” The New York Times, September 2001. Schwan, Gary. “Museum Head: Video must go on.” Palm Beach Post, September 12, 2001. Saltz, Jerry. “Screen Savers/LITE.” Village Voice, July 2001. Seidl, Claudius. ”Nach dem Weltuntergang.” Süddeutsche Zeitung-Magazin, March 30, 2001. Doswald, Christoph. “Kritische Reflexionen über Medien und Katastrophen.” Bilanz/Art Guide, 2001. Stacovitz, Dunja. “The Vanity of Bonfires.” Style Magazine (Berlin), November 2000. Signer, David. “Trashkunst gegen die Einsamkeit.” Magazin, September 23, 2000. Ed. “Draeger et Reynolds font des rêves d’apocalypse.” La Liberté, September 23, 2000. Basting, Barbara. “Katastrophenlust, latenter Zynismus.” Tagesanzeiger Zurich, September 13, 2000. Vachtova, Ludmilla. “Optische Attacken auf die Klassiker.” Weltwoche, September 2000. Gülicher, Nina. "Vom Pendeln in den (Film- und Spiel-) Realitäten” blitzrevue.de, September 2000.

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Stephens, Heather. “The Power of Nature.” www.studio-visit.com, September 2000. Nigg, Marie-Louise. “Sintflut mit Groove und Funfaktor.” Zürichsee Zeitung, July 10, 2000. Ed. “Voyages Apocalyptiques.” List Magazine #1 (New York), June 2000. Ganahl, Rainer. “Apocalypso Place.” Zing Magazine (New York), June 2000. Iten, André. “Fascination morbide?” L’HEBDO, May 10, 2000. Martinez, Chus. "Un Ga Nai-Bad Luck-Mal Suerte.” TRANS 7, May 2000. Kaiser, Phillip. “Going All the Way.” EIKON (Vienna), May 2000. Frank, Jaqueline. “Unglückspuzzle.” Basler Zeitung (Basel), February 2000. Russ, Sabine. Katastrophen & Desaster. Folkwang Museum. Essen: 2000. de Neeve, Frank. “Zwitserse ramptoeristen in Japan.” de Filmkrant (Holland), February 2000. Levin, Kim. “Christoph Draeger.” Village Voice, January 18, 2000. Johnson, Phil. “Christoph Draeger & Reynold Reynolds.” The New York Times, January 14, 2000. Korotkin, Joyce. “Christoph Draeger &Reynold Reynolds @ LiebmanMagnan Gallery.” NY Arts, January 2000. Ed. “Christoph Draeger, Apocalypso Place.” Contemporary Visual Arts #26 (London), December 1999. Stutzer, Beat. "Die Aura des Todes als Bildthema.” Die Südostschweiz, September 1999. Bluebaum, Dr.Dirk, Daniel Binswanger and Timonee Patraig. Disaster Zone. September 1999. Timonee, Patraig. “Christoph Draeger/The Orchard Gallery.” Art Monthly, September 1999. Ed. “Action/Time/Vision.” The Guardian, July 1999. Leutenegger, Marius. “Christoph Draeger: Un Ga Nai-Bad Luck.” Feature in Hangar 21, June 1999. Marcelis, Bernhard. “Christoph Draeger/Galerie Damasquine.” Artpress 246, May 1999. Doswald, Christoph. Cinema, Cinema. Van Abbe Museum Eindhoven. Germany: 1999. Ruf, Beatrice. Art at Ringier 1995-1998. Zurich, Switzerland: 1999. Lienhard, Pierre-Andre. NB. December 1998. Masüger, Peter. “NY-Serneus-retour.” Buendner Tagblatt, November 1998. Kuoni, Gisela. "Von Katastrophen im Prättigau.” Buendner Zeitung, October 1998. Werkgespraech mit Dorothea Strauss. Galerie Luciano Fascati: October 1998. Masüger, Peter. “Katastrophen und Klischees.” Buendner Tagblatt, September 30, 1998. Kuoni, Gisela. “Leben auf dem Vulkan.” Buendner Zeitung, September 8, 1998. Kuoni, Gisela. “Christoph Draeger/Martin Frei bei Luciano Fascati.” Kunstbulletin, September 1998. Mack, Gerhard. "Seine Kunst ist eine einzige Katastrophe.” CASH, August 1998. Doswald, Christoph. Make Believe. Stalke Gallery. Kopenhagen: 1998. Herzog, Samuel. "Schaschlik aus Half Brain und Dirty Harry.” Basler Zeitung, June 1998. Beausse, Pascal. "Zoe Beloff/Christoph Draeger After-images.” Art Press 235, May 1998. Vogel, Maria."Aestetisch untadelig vorgefuehrte Katastrophen.” Neue Luzerner Zeitung, April 1998. Arnold, Edith. "Immer modischer.” Neue Luzerner Zeitung, March 1998. Mack, Gerhard. "Heulende Sirenen im Telekolegg.” Tagblatt February 1998. Bourne, Cecile. Biennale de l'image Paris. Paris: 1998. Doswald, Christoph. “Christoph Draeger.” Facts, December 1997. Bianci, Paolo. "Apokalyptische Reisen.” Kunstforum 137, June 1997. Seelig, Thomas. "Christoph Draeger.” Pakt-Zeitschrift für zeitgenösische Kunst, January 1996. Jardas, Margaret. "4 junge Schweizer-Filiale Basel.” Basler Zeitung, March 1995. Polegato, Lino. "Construire la destruction.” Flux News, September 1993. Jaquet, Jean-Paul. "voyages apocalyptiques.” Etant donné (Brussels), May 1993. Frei, Martin. OCI and Christoph Draeger. ADO Gallery Antwerp. Belgium: 1993. Lambrecht, Luk. "Solo - Etablissement d'en face, Brussels.” DeMorgen, September 1991.

AWARDS & RESIDENCIES 2005 2004 2003 2002 2000 1999

Artist in Residence, Landis&Gyr Foundation, London Artist Grant, City of Zurich, Switzerland Bessie Award, New York Performance Arts, New York, New York Artist Grant, Steo Foundation, Küssnacht Artist in Residence, Headlands Center for the Arts, Sausalito, California Artist in Residence, Faxinal des Artes, Parana, Brazil Artist Grant, Art Council of Graubünden Artist Promotion Grant, Graubünden Government /Förderpreis der Bündner Regierung

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1998 1997 1996 1995 1994

1993 1992 1991

Artist Grant, Art Council of Graubünden Artist Grant, Art Council of Graubünden Artist Grant, Art Council of Graubünden P.S.1-International Studio Program Grant, New York, New York Artist Grant, Art Council of Graubünden Kiefer-Hablitzel Award Artist Grant, Art Council of Graubünden Swiss National Art Award Kiefer-Hablitzel Award Artist Award, Club 51, musée d’Art moderne, Lüttich Artist Grant, Art Council of Graubünden Artist Grant, Art Council of Graubünden Artist Grant, Art Council of Graubünden Artist Grant, Landis&Gyr Foundation /Landis&Gyr Stipendium Artist Grant, Art Council of Graubünden

SELECTED PUBLIC COLLECTIONS Buendner Kunstmuseum, Chur, Switzerland Centre Pompidou, Paris, France Collection Ringier, Zurich, Switzerland Communauté francaise, Brussels, Belgium International Contemporary Art Foundation, Louisville, Kentucky Kunsthaus, Zurich, Switzerland Kunstmuseum, Bern, Switzerland Kunstmuseum Luzern, City of Chur, Switzerland Musée d’Art et Histoire, Neuchatel, Switzerland St. Gervais, Centre pour l’image contemporaine, Geneva, Switzerland Washington Museum of Arts, Seattle, Washington Whitney Museum of American Art, New York, New York

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