Callum Innes Biography 1962



Born in Edinburgh, Scotland Lives and works in Edinburgh, Scotland

Education 1980–84 Grays School of Art, Aberdeen 1984–85 Edinburgh College of Art, Post Graduate DIP

Grants/Awards 2002 Jerwood Prize 1998 NatWest Art Prize

Selected Solo Exhibitions 2016 Callum Innes: I’ll Close my Eyes, De Pont Museum, Tilburg, The Netherlands Callum Innes, i8 Gallery, Reykjavík, Iceland 2015 Callum Innes, Frith Street Gallery, London, England Callum Innes, OSL Contemporary, Oslo, Norway 2014 Callum Innes, Loock Galerie, Berlin, Germany 2013 Callum Innes: Liminal, Sean Kelly, New York, New York Callum Innes, Whitworth Art Gallery, Manchester, England Callum Innes: Malerei als Prozess, Neues Museum Staatliches Museum für Kunst, Nuremberg, Germany Callum Innes, i8 Gallery, Reykjavík, Iceland Callum Innes: Watercolours, Galerie Tschudi, Zuoz, Switzerland 2012 The Regent Bridge (permanent commission for Edinburgh Art Festival), Edinburgh, Scotland Callum Innes: Works on Paper, 1989–2012, Ingleby Gallery, Edinburgh, Scotland Callum Innes, Edouard Malingue Gallery, Hong Kong Unforseen, Kerlin Gallery, Dublin, Ireland 2011 Callum Innes: New Paintings and Watercolours, Frith Street Gallery, London, England New Paintings, Jensen Gallery, Sydney, Australia

2010 callum innes | colm tóibín: water | colour, Sean Kelly, New York, New York At One Remove, Sean Kelly, New York, New York Callum Innes, Loock Galerie, Berlin, Germany Callum Innes: an installation, Gallery of Modern Art, Edinburgh, Scotland Callum Innes: Untitled, Galería Helga de Alvear, Madrid, Spain 2009 I Look to You, Ingleby Gallery, Edinburgh, Scotland 2008 Callum Innes, Galerie Tschudi, Zuoz, Switzerland Callum Innes, Jensen Gallery, Auckland, New Zealand From Memory, Fruitmarket Gallery, Edinburgh, Scotland (with monograph), travelled to Modern Art, Oxford, England; and Museum of Contemporary Art, Sydney, Australia 2007 Frith Street Gallery, London, England Galerie Tschudi, Zuoz, Switzerland 2006 Sean Kelly Gallery, New York, New York 2005 Tate St Ives, St. Ives, England 2004 Galerie Tschudi Glarus, Glarus, Switzerland Ingleby Gallery, Edinburgh, Scotland Kerlin Gallery, Dublin, Ireland Ingleby Gallery, Edinburgh, Scotland 2003 Callum Innes: Scheveningen Black, Sean Kelly Gallery, New York, New York 2002 Jensen Gallery, Auckland, New Zealand Galerie Bob van Orsouw, Zürich, Switzerland 2001 Callum Innes: Exposed Paintings, Ingleby Gallery, Edinburgh, Scotland Frith Street Gallery, London, England 2000 Sean Kelly Gallery, New York, New York The Pier Arts Centre, Stromness, Orkney, Scotland Kerlin Gallery, Dublin, Ireland Jensen Gallery, Auckland, New Zealand 1999 Irish Museum of Modern Art, Dublin, Ireland Kunsthalle Bern, Switzerland 1998 Sean Kelly Gallery, New York Ikon Gallery, Birmingham, England Galerie Bob van Orsouw, Zürich, Switzerland Frith Street Gallery, London, England Brownstone & Corréard, Paris, France

1997 Sean Kelly Gallery, New York, New York Kunsthausürich, Zürich, SwitzerlandZ Galerie M. + R. Fricke,Düsseldorf and Berlin, Germany 1996 Frith Street Gallery, London, England Patrick De Brock Gallery, Knokke, Belgium Inverleith House, Royal Botanic Garden, Edinburgh, 50th Edinburgh International Festival (1990–1996), Scotland Galerie Slewe, Amsterdam, The Netherlands 1995 The Turner Prize, Tate Gallery, London, England Mackintosh Gallery, Glasgow School of Art, Glasgow, Scotland Galerie Gilbert Brownstone and Cie, Paris, France Galerie M + R Fricke, Düsseldorf, Germany Galerie Bob van Orsouw, Zürich, Switzerland Angel Row Gallery, Nottingham, England Galleria Paolo Gentili, Florence, Italy 1994 Frith Street Gallery, London, England (with Juan Uslé) 1993 Galerie Bob van Orsouw, Zürich, Switzerland Jan Turner Gallery, Los Angeles, California Galerie Patrick De Brock, Antwerp, Belgium 1992 ICA, London, England Galerie nächst St. Stephan, Rosemarie Schwarzwälder, Vienna, Austria Scottish National Gallery of Modern Art, Edinburgh, Scotland 1991 Frith Street Gallery, London, England Galerie Patrick De Brock, Antwerp, Belgium 1990 Frith Street Gallery, London, England Jan Turner Gallery, Los Angeles, California 1988 369 Gallery, Edinburgh, Scotland 1986 Artspace Gallery, Aberdeen, Scotland

Selected Group Exhibitions 2016 Cher(es) Ami(e)s: Hommage aux donateurs des collections contemporaines, Centre Pompidou, Paris, France 2015 30 Years, Galerie Tschudi, Zuoz, Switzerland Chromophobia, Gagosian Gallery, Geneva Pattern of Abstraction, John Berggruen Gallery, San Francisco, California Absent Presence, Manchester Art Gallery, Manchester, England

2014 GENERATION: 25 Years of Contemporary Art in Scotland, Scottish National Gallery, Edinburgh, Scotland Transgression, Sammlung Philara, Düsseldorf, Germany Silver, Frith Street Gallery, London, England Within/Beyond Borders: Art from the European Investment Bank Collection, Banco de Portugal, Lisbon, Portugal Recent Acquisitions, De Pont Museum, Tilburg, The Netherlands 2013 A Parliament of Lines, Pier Arts Centre, Orkney, Scotland Moving, Norman Foster on Art, Carré d’Art, Nîmes, France Summer Show, John Berggruen Gallery, San Francisco, California HAUPTSACHE GRAU #03 Farbiges Grau, Mies van der Rohe Haus, Berlin, Germany 2012 10 Years in Zuoz, Galerie Tschudi, Zuoz, Switzerland 2011 Beholder, Talbot Rice Gallery, Edinburgh, Scotland Conversations, John Berggruen Gallery, San Francisco, California Watercolour, Tate Britain, London, England 2010 La Pesanteur et la Grâce: Emanuele Becheri, Callum Innes, Georges Tony Stoll, Emmanuel Van der Meulen, Villa Medici, Académie de France, Rome, Italy La Pesanteur et la Grâce: Emanuele Becheri, Callum Innes, Georges Tony Stoll, Emmanuel Van der Meulen, Collège des Bernardins, Paris, France 25 Jahre Galerie Tschudi, Galerie Tschudi, Zuoz, Switzerland Cimmerian Shade, Jensen Gallery, Auckland, New Zealand 2008 Sometimes Making Something Leads to Nothing, Ingleby Gallery, Edinburgh, Scotland Ressonância, Resonance, Resonanz: Iran do Espírito Santo, Callum Innes, Wolfgang Laib, Sean Kelly Gallery, New York, New York Cancelled, Erased, & Removed, Sean Kelly Gallery, New York, New York Callum Innes and Hiroshi Sugimoto, Ingleby Gallery, Edinburgh, Scotland 2007 Poul Kjærholm: Structures and Surfaces, Sean Kelly Gallery and R Gallery, New York, New York Three: 3 Artists in solo displays, Irish Museum of Modern Art, Dublin, Ireland PURE, Sean Kelly Gallery, New York, New York 2006 Helga de Alvear – Concepts for a Collection, Exhibition Centre of Centro Cultural de Belém, Brazil Less is More, More or Less, Martin Weinstein Gallery, Minneapolis, Minnesota 2005 Lux, Jensen Gallery, Auckland, New Zealand Martin Gerwers: Neue Arbeiten und Werke von Balthasar Burkhard, Hamish Fulton, Bethan Huws, Callum Innes, Richard Long, Ulrich Rückriem, Not Vital, Galerie Tschudi, Zuoz, Switzerland Melancholia, Jensen Gallery, Auckland, New Zealand Miradas Y Conceptos En La Colección Helga de Alvear, Museo Extremeño e Iberoamericano de Arte Contemporáneo, Badajoz, Spain Who’s Afraid of Red, Yellow and Blue?, Ingleby Gallery, Edinburgh, Scotland 2004 WOW (The Work of the Work), South Galleries, Henry Art Gallery, Seattle, Washington Singular Forms (Sometimes Repeated): Art from 1951 to the Present, Solomon R. Guggenheim Museum, New York, New York 2003 White, Ingleby Gallery, Edinburgh, Scotland Reflections: Bernard Frize, Prudencio Irazabal and Callum Innes, Galería Helga de Alvear, Madrid, Spain Exodus, Kettle’s Yard, Cambridge, England

Bernard Frize – Callum Innes, Frith Street Gallery, London, England 2002 Sphere (Loans from nvisible Museum), Sir John Soane’s Museum, London, England 2001 Fusion, G Fine Art, Washington, D.C. FRESH: Recent Acquisitions, Albright-Knox Art Gallery, Buffalo, New York Six Degrees of Separation, Jensen Gallery, Auckland, New Zealand Heads and Hands, Loans from the nvisible Museum, Washington Project for the Arts, Corcoran, Washington, D.C. 2000 Kevin Appel, Jeremy Dickenson, Callum Innes, Tom LaDuke, Linda Stark, Angles Gallery, Santa Monica, California On The Edge Of The Western World, nvisible Museum, London, travels to Museum of Modern Art, San Francisco, California Blue: borrowed and new, The New Art Gallery, Walsall, England The Tao of Painting: Principles of Monochrome, The McKinney Avenue Contemporary, Dallas, Texas Expressions: Scottish Art 1976–1989, Dundee Contemporary Arts Center, Dundee, Scotland A Century of Innocence – the history of the white monochrome, Rooseum Centre for Contemporary Art, Malmö, Sweden 1999 Prime, Dundee Contemporary Arts Center, Dundee, Scotland New Work: Painting Today, Recent Acquisitions, San Francisco Museum of Modern Art, San Francisco, California 1998 NatWest Art Prize – Prize Winner, Lothbury Gallery, London, England Abstract Painting, Once Removed, Contemporary Arts Museum, Houston, Texas, travelled to Kemper Museum of Contemporary Art, Kansas City, Missouri Family, Invisible Museum at Inverleith House in the Royal Botanic Garden, Edinburgh, Scotland Galerie Slewe, Amsterdam, The Netherlands Inner Eye – Contemporary Art, Marc and Livia Straus Collection, Samuel P. Harn Museum, Gainesville, Florida Baltimore Collects, Four Corners Selections from the Collection of Michael and Ilene Salcman. Stevenson, Maryland Infra-Slim Spaces, Birmingham Museum of Art, Birmingham, Alabama 1997 Best of the Season, Aldrich Museum of Contemporary Art, Ridgefield, Connecticut Abstraction / Abstractions: géométries provisoires, Musée d’Art Moderne de Saint-Étienne, Saint-Étienne, France’ Magnetic – Drawings in Dialogue, Sean Kelly Gallery, New York, New York Seattle Collects Paintings, Seattle Art Museum, Seattle, Washington Absolut Vision: British Painting in the 90s, The Fruitmarket Gallery, Edinburgh, Scotland John Moores, Walker Art Gallery, Liverpool, England 1996 Kleine Welten, Galerie M.+R. Fricke, Düsseldorf, Germany Leoncavallo, Milan, Italy Absolut Vision: British Painting in the 90s, Museum of Modern Art, Oxford, England 1995 Jerwood Award for Painting, Royal Scottish Academy, Edinburgh; Royal Academy, London, England The Mutated Painting, Galerie Martina Detterer, Frankfurt, Germany From Here, Karsten Schubert Gallery and Waddington Galleries, London, England Architecture of the Mind, Galerie Barbara Farber, Amsterdam, The Netherlands New Abstraction, Kohn Turner Gallery, Los Angeles, California The Punter’s Art Show, BBC Project, The Orchard Gallery, Derry, Ireland

1994 New Voices, Centre d’Art Santa Mònica, Barcelona, travelled to Museo de Bellas Artes, Bilbao, and Madrid, Spain Delit d’initiés, Galerie Gilbert Brownstone and Cie, Paris, France Lead and Follow, The Continuity of Abstraction, (Robert Loder Collection) Atlantis Gallery, London, England Paintmarks, Kettle’s Yard, Cambridge, travelled to City Art Gallery, Southampton, and Mead Gallery, University of Warwick, Coventry, England Collezione Agostino e Patrizia Re Rebaudengo, Turin; La Galleria Civica di Modena, Modena, Italy Idea Europe, Palazzo Pubblico, Siena, Italy Seeing the Unseen, nvisible Museum, Peter Fleissig Collection, London, England The Curator’s Egg, Anthony Reynolds Gallery, London, England 1993 Works on Paper, Galerie nächst St. Stephan, Vienna, Austria Prospect ’93, Frankfurter Kunstverein und Schirnhalle, Frankfurt, Germany New Voices, Arts Council of England World Touring Exhibition, (travelled: Centre de Conférences Albert Borschette, Brussels, Belgium; Musée Nationale d’Histoire et d’Art, Luxembourg; Taksim Art Gallery, Istanbul, Turkey; State Fine Arts Gallery, Ankara, Turkey; State Painting and Sculpture Museum, Izmir, Turkey) Moving into View – Recent British Painting, Arts Council of England, touring exhibition John Moores, Walker Art Gallery, Liverpool, England Coalition, Center for Contemporary Arts, Glasgow, Scotland Callum Innes / Perry Roberts: Works on Paper, Frith Street Gallery, London, England Wonderful Life, Lisson Gallery, London, England 1992 Abstrakte Malerei zwischen Analyse und Synthese, Galerie nächst St. Stephan, Vienna, Austria Pittura e Procedimento, Galleria L’ Attico, Italy Hablützel, Innes, Wasmuth, Johnen & Schöttle, Cologne, Germany 1991 Painting Alone, Pace Gallery, New York, New York Kunst Europa, Kunstverein Freiburg, Freiburg, Germany Artisti Invitati Al Premio Internazionale, (First Prize), Milan, Rome, London, USA Busche Galerie, Cologne, Germany 1990 The British Art Show, McLellan Galleries, Glasgow, travelled to Leeds City Art Gallery, Leeds, and the Hayward Gallery, London, England 1989 369 Gallery, Edinburgh, Scotland Smith Biennial, Stirling, Scotland Scatter, Third Eye Centre, Glasgow, Scotland Fruitmarket Open, Edinburgh, Scotland

Selected Collections Auckland Art Gallery, Auckland, New Zealand Albright-Knox Art Gallery, Buffalo, New York Arts Council England, United Kingdom Birmingham Museum & Art Gallery, Birmingham, England Birmingham Museum of Art, Birmingham, Alabama Bohen Foundation, New York, New York British Council, London, England Centre Pompidou, Paris, France Centro de Arte Moderna José de Azeredo Perdigão –Fundação Calouste Gulbenkian, Lisbon, Portugal

City Art Centre, Edinburgh, Scotland Contemporary Arts Museum, Houston, Texas Contemporary Art Society, London, England De Pont Museum of Contemporary Art, Tilburg, The Netherlands Deutsche Bank, London, England Deutsche Bank, Sydney, Australia Government Art Collection, United Kingdom HypoVereinsbank, Munich, Germany Irish Museum of Modern Art, Dublin, Ireland Kunsthaus Zürich, Switzerland Kunstmuseum Nürnberg, Germany Modern Art Museum of Fort Worth, Fort Worth, Texas Musée des Beaux-Arts, Lausanne, Switzerland Museu d’Art Contemporani de Barcelona, Spain National Galleries of Australia, Canberra, Australia Neuberger Berman, New York, New York Philadelphia Museum of Art, Philadelphia, Pennsylvania Progressive Corporation, Cleveland, Ohio Royal Bank of Scotland San Francisco Museum of Modern Art, San Francisco, California Scottish National Gallery of Modern Art, Edinburgh, Scotland Solomon R. Guggenheim Museum, New York, New York Southampton City Art Gallery, United Kingdom Tang Teaching Museum / Art Gallery, Skidmore College, Saratoga Springs, New York Tate, London, England The Scottish Parliament, Edinburgh, Scotland Towner Art Gallery, Eastbourne, England University of Colorado, Boulder, Colorado Walker Art Gallery, Liverpool, England

Bibliography Selected Publications 2016 Callum Innes: Edges, essay by Colm Tóibín, Ivorypress, Madrid, Spain 2015 Afinidades Electivas | Julião Sarmento Coleccionador, Fundacão EDP, Lisbon, Portugal 2014 Atelier, Gautier Deblonde, Steidl Verlag, Göttingen, Germany 2013 Callum Innes: History, Whitworth Art Gallery, The University of Manchester, Manchester, England 2012 The Arts Journal: Scotland’s Cultural Landscape – The State of the Nation, The Arts Journal, Glasgow, Scotland 2010 water | colour, Callum Innes and Colm Tóibín, Sean Kelly, New York, New York 2009 Callum Innes: I look to you, Ingleby Gallery, Edinburgh, Scotland 2006 Callum Innes: From Memory, Hatje Cantz, Ostfildern, Germany, and The Fruitmarket Gallery, Edinburgh, Scotland VAC: Colección Valencià Arte Contemporáneo, Institut Valencià d’Art Modern, Valencià, Spain 2005 Callum Innes: Resonance, Tate St Ives, St. Ives, UK No. 1: First Works by 362 Artists, Francesca Richer and Matthew Rosenzweig, Thames & Hudson, New York, New York 2004 Callum Innes, Ingleby Gallery, Edinburgh, Scotland 2001 Callum Innes / Exposed Paintings, Ingleby Gallery, Edinburgh, Scotland Invisible London, Invisible Museum, London, England 2000 Blue: borrowed and new, The New Art Gallery, Walsall, England Moving Targets 2: A User’s Guide to British Art Now, Tate Publishing, London, UK, England 1999 Callum Innes, essay by Marco Livingstone, Irish Museum of Modern Art, Dublin, Ireland 1998 Callum Innes: Watercolours. Ikon Gallery, Birmingham, England, and Kunsthalle Bern, Switzerland 1997 Abstract Painting, Once Removed, Contemporary Arts Museum, Houston, USA Abstraction / Abstractions: géométries provisoires, Musée d’Art Moderne, Saint-Étienne, France 1996 Callum Innes (1990–1996), essay by Mel Gooding, Inverleith House, Royal Botanic Garden, Edinburgh, Scotland 1995 Callum Innes, essay by Friedrich Meschede and foreword by Peter Fleissig, Galerie Bob van Orsouw, Zürich,

Switzerland Architecture of the Mind, Galerie Barbara Farber, Amsterdam, The Netherlands Callum Innes, Angel Row Gallery, Nottingham, England From Here, Andrew Wilson, Waddington Galleries and Karsten Schubert Gallery, London, England New Voices, British Arts Council Turner Prize 1995, Tate Publishing, London, England 1993 Coalition, Andrew Nairne, Centre for Contemporary Arts, Glasgow, Scotland Prospect ’93: An International Exhibition of Contemporary Art, Frankfurter Kunstverein und Schirnhalle, Frankfurt, Germany 1992 Callum Innes, essay by Rainer Crone, Institute of Contemporary Arts, in association with Frith Street Gallery, London, England 1991 Kunst Europa: Grossbritannien, Henry Meyric Hughes and Jonathan Watkins, Arbeitsgemeinschaft Deutscher Kunstvereine, Freiberg, Germany 1990 Painting Alone, Rainer Crone and David Moos, Pace Gallery, New York, New York The British Art Show, South Bank Centre, London, England

Selected Articles and Reviews 2016 Ferguson, Brian. ‘Art school graduate’s film donated to Hollywood art collection’, The Scotsman, 14 October Jeal, Rich. ‘Callum Innes’, Form & Thread, 1 March Kinsella, Eileen. ‘What Are Dealers Bringing to Frieze New York 2016?’ Artnet News, 3 May Rogers, John. ‘Innes Creates A Space in Time’, The Reykjavík Grapevine, 9 June 2015 Austin, Ben. ‘Art Basel On A Budget – Ben Austin Navigates The Possibilities’, Artlyst, 20 June ‘Building Briefs – June 24th’, Scottish Construction Now!, 24 June Duray, Dan. ‘It Takes One to Know One: Why Artists Make Ideal Collectors’, Art News, 8 July Ghioni, Eloise. ‘Greetings from Switzerland – Art Basel 46o’, Fisk Frisk Magazine, June ‘New work by Callum Innes helps to regenerate Edinburgh Old Town Steps’, Art Daily, July Peters, Charley. ‘Callum Innes, A review by Charley Peters’, Saturation Point, May Purseglove, Laure. ‘Callum Innes: Frith Street Gallery – Taught Restraint And Sensuous Abandon’, Artlyst, 15 March Stephen, Phyllis. ‘High School Yards steps now reopened to the public’, The Edinburgh Reporter, 23 June 2014 ‘Exhibition of new works by Callum Innes opens at Loock Galerie in Berlin’, Art Daily, 23 September ‘High School Yards Steps to be art installation’, Edinburgh News, February ‘New Callum Innes installation to revive Edinburgh Old Town Steps’, Art Daily, February ‘Old Town steps to reopen after 10 years’, BBC, 6 February Pennycott, Lauren. ‘Frieze Art Fair 2014 | Exhibition review’, The Upcoming, 18 October Shaw, Anny. ‘Scottish artists divided ahead of independence vote’, The Art Newspaper, 3 September Swanson, Ian. ‘Referendum battle lines drawn in culture wars’, Edinburgh News, 5 September 2013 ‘Callum Innes. Liminal’, Wall Street International, 24 October LaSane, Andrew. ‘Callum Innes to Open Exhibition of Abstract Paintings at Sean Kelly Gallery’, Complex, 10 October Lescaze, Zoë, Dan Durray and Michael H. Miller. ‘10 Things to Do in New York’s Art World Before October 28’, Gallerist NY, 21 October ‘Liminal: An exhibition of Callum Innes’s most recent work opens at Sean Kelly Gallery’, Frieze Art Fair 2014, October Sherwin, Skye. ‘The Week’s Art Shows in Pictures’, The Guardian, 20 March ‘Top Exhibitions Opening This Week In New York (Oct. 23–27)’, Whitewall, October ‘Work Spaces: Callum Innes Studio’, Helen Lucas Architects

2012 ‘Coming Soon: Callum Innes’ “Unforseen” at Kerlin Gallery’, AMA Newsletter, 31 August Dunne, Aidan. ‘Etching colour into the darkness’, The Irish Times, 17 September Seno, Alexandra A. ‘The Unpainter’, The Wall Street Journal, 22 March Stott, Tim. ‘Callum Innes: Unforeseen’, Art Review, December ‘Visual Art Review: Callum Innes | Matthew Draper | Roland Fraser’, Scotsman.com, 17 May Wright, Karen. ‘In the Studio: Callum Innes, artist’, The Independent, 15 September 2011 Allen, Emma. ‘The Agenda: January 19–26’, Artinfo, 19 January Baker, Kenneth. ‘John Berggruen Gallery’s “Conversations” ’, San Francisco Chronicle, 30 April ‘Callum Innes and Colm Tóibín, “Water / Colour”, Time Out New York, 4 January Piseno, Tabitha. ‘Callum Innes / Colm Tóibín’, BOMBblog, 24 March Romaniello, Vincent. ‘New York Shows’, Romanblog II, 6 January 2010 ‘Day in Pictures’, BBC News, 9 June Douglas, Sarah. ‘As an Addition to His Country House, Sean Kelly Builds an Artist Residency’, Artinfo, 19 July Douglas, Sarah. ‘A Gilded Age of Anxiety at Art Basel Miami Beach’, Artinfo, 1 December Healy, Mackie. ‘Lehman and Neuberger Berman Corporate Art Sell-Off at Sotheby’s’, Lindsay Pollock art market views, 25 September Princenthal, Nancy. ‘Callum Innes’, Art in America, June/July Spence, Rachel. ‘Museum takes wing in thrilling style’, The Financial Times, 28 December ‘The Approval Matrix’, New York Magazine, January 3–10 Wilson, Rebecca. ‘Editor’s Pick – Top Ten International Shows’, Saatchi Online Magazine, 20 December 2009 Amazeen, Lauren Dyer. ‘Callum Innes, Ingleby Gallery’, Artforum International, August 2008 Williams, Antonia. ‘Driven to Abstraction’, Vogue Living, February Yoseloff, Tamar. ‘Callum Innes’, Art World Australia and New Zealand, February 2007 ‘Art doesn’t have to shock to be original’, Guardian Unlimited Arts blog, 26 February ‘Callum Innes, From Memory at Modern Art Oxford’, Art Daily, 19 February Chapman, Peter. ‘Callum Innes: From Memory’, The Independent, 23 February, p. 13 Clark, Paula. ‘Callum Innes: From Memory’, Oxfordshire Living Magazine, February Cooke, Rachel. ‘Ommm. Hear the paintings hum’, Observer, 11 March Jasper, Adam. ‘Callum Innes’, Time Out Sydney, 19 December Lubbock, Tom. ‘Slim Pickings’, The Independent, 5 March Martin, Roy. ‘Endless Possibilities’, Reading Evening Post, 25 January McDonald, Ewen. ‘Callum Innes: From Memory’, MCA Sydney Exhibition Guide, December Murray, Lavinia. ‘Callum Innes: From Memory’, Flux Magazine, February Peacocke, Helen. ‘Splashes of Light’, The Oxford Times, 16 February Rose, Rebecca. ‘All Rubbed Out’, The Financial Times, 18 August Steven, Carly Wilkie. ‘Callum Innes: From Memory’, LondonArt.co.uk, February Summerfield, Angela. ‘Shifting Impressions’, The Spectator, 31 March White, Celia. ‘Innes is good for you’, The Oxford Student, 1 March Wullschlager, Jackie. ‘Callum Innes: From Memory’, FT Magazine, February Lever-Yap, Isla. ‘ Callum Innes: From Memory’, The List, 21 September 2006 Archer, Michael. ‘Edinburgh: Callum Innes’, Artforum, September, p. 172 ‘Best of the Rest’, Scotland on Sunday, 1 October Black, Catriona. ‘Callum Innes’, Sunday Herald, 8 October Black, Catriona. ‘When the process becomes everything, you can forget about the painting’, MAP, Autumn Burnet, Andrew. ‘Show strips away the years’, The Herald, 28 September ‘Callum Innes’, The List: Glasgow and Edinburgh Events Guide, 7 September Cohen, David. ‘Gallery-Going: Making Art Out of Mess’, The New York Sun, 9 November, p.14 ‘From Memory: Edinburgh’, The Guardian Guide, 30 September Gale, Iain. ‘Personal Passions: Callum Innes gets physical with paintings that prove no art can ever be totally pure’, Scotland on Sunday, 24 September

Harrison, Eddie. ‘Art: Callum Innes’, METRO, 29 September Innes, Callum. ‘This week I’ve been thinking about…’, The Big Issue, 28 September Kennedy, Alex. ‘Callum Innes: From Memory’, MAP, Winter 2006/2007 Kennedy, Alex. ‘Callum Innes: From Memory’, The List, 16 November Kennedy, Alex. ‘No more multicoloured mud’, The List Guides Scotland, 19 October Lesso, Rosie. ‘Callum Innes’, Art Monthly, November Macmillan, Duncan. ‘Less is more when it comes to gimmicky innovation’, The Scotsman, 3 October Mottram, Jack. ‘Take a strip back in time’, The Herald, 22 September Pollock, David. ‘Pass the turps’, The Scotsman, 30 September Shukla, Jay. ‘Callum Innes’, The Skinny, November Spiegler, Marc, and Georgina Adam. ‘Dealers can afford to say no in sellers’ market’, The Art Newspaper/Art Basel Daily Edition, 16 June, pp. 1-4 Wilson, Sue. ‘Art Review: From Memory’, METRO, 6 October 2005 Clifford, Andrew. ‘The bittersweet taste of sadness’, New Zealand Herald, 23 November Lorenzo, Sharon. ‘Women in the Arts: A Dynamic Mother- Daughter Duo’, Intown Magazine, December, p. 10 Navarro, Mariano. ‘Interview with Helga de Alvear: “I Am My Collection’’’, Arco, no. 37, Autumn, pp. 50–53 2004 Farr, Sheila. ‘‘‘WOW” intoxicates, vexes the senses’, The Seattle Times, 5 November Graves, Jen. ‘Experience matters most with ‘‘WOW”’, The News Tribune, 8 November Hackett, Regina. ‘‘‘WOW” exhibit of contemporary art lives up to its title’, Seattle Post-Intelligencer, 12 November Halle, Howard. ‘Minimum Effect’, Time Out NY, 18 March, p. 71 Kelley, Peter. ‘‘‘WOW”: Letting the art speak for itself’, University Week (University of Washington) online edition, vol. 22, no. 7, 10 November Muschamp, Herbert. ‘Bookless in Bavaria’, The New York Times Magazine, 14 March, pp. 58–61 2003 Cumming, Robert. ‘Reviews’, Art Review, June, p. 106 Henry, Clare. ‘We’ll Take Manhattan’, The Scotsman, 18 March 2002 ‘Flash Art News: Prizes’, Flash Art, vol. 34, no. 226, October, p. 40 ‘Minimalist Wins Jerwood Prize’, BBC News, 1 June ‘The Glittering Prizes’, The Art Newspaper, no. 126, June, p. 4 Veitch, Jennifer. ‘Showing His True Colours’, Edinburghnews.com, 1 June Wilson, Michael. ‘Picks: Remarks On Color’, Artforum.com, 18 July 2001 Austen, David. ‘Installation’, Modern Painters, Winter 2001, p. 39 Dannatt, Adrian. ‘Adrian Dannatt’s Choice of Contemporary New York Galleries’, The Art Newspaper, no. 110, January, p. 54 2000 Dunne, Aidan. ‘Review: Callum Innes’, The Irish Times, 9 November Henry, Clare. ‘Canvassing for Less’, The Scotsman, 12 December, pp. 1–3 ‘Kerlin Gallery, New Works – Callum Innes’, In Dublin, vol. 25, no. 22, November 1999 Dunne, Aidan. ‘Innes Exposed’, The Irish Times, 3 August Francon, Genevieve. ‘The Independent on Sunday’s Choice Competition: Is this Art?’ Independent on Sunday, 24 May, pp. 35–38 ‘Galleries-Downtown’, The New Yorker, 2 August, p. 14 Halle, Howard. ‘Minimalia’, Time Out New York, 12 August, p. 64 Levin, Kim. ‘Voice Choices’, The Village Voice, 4 August ‘Minimalia’, The New Yorker, 2 August , p. 14 Mullins, Charlotte. ‘Suited and Muted’, The Independent on Sunday, 16 May, pp. 1–2 Nahas, Dominique. ‘Review of Callum Innes at Sean Kelly Gallery’, Art in America. no. 3, March, p. 110 Reust, Hans Rudolf. Translated by Dominic Eichler. ‘Callum Innes’, Frieze, Issue 46, May, p. 99 ‘Sean Kelly’, Time Out New York, 8 July, p. 60 Wright, Karen. [Gallery Listings] Modern Painters, Autumn, p. 106

1998 B.L. ‘Our Choice of London Contemporary Galleries’, The Art Newspaper: International Edition, January, no. 77, p. 35 Burton, Jane. ‘Callum Innes: Frith Street’, Art News, vol. 97, 5 May, p. 182 Coomer, Martin. Review of Callum Innes at Frith Street, London, Flash Art, vol. 31, no. 200, p. 100 Cork, Richard. ‘Canvassing Our Brightest Talent’, The Times, Wednesday, 17 June, p. 31 Dewan, Shaila. ‘What’s So Great About Painting’, Houston Press, October–November, pp. 59–60 Francon, Genevieve. ‘Is This Art? You’re the Judge’, The Independent, 24 May, pp. 35–38 Gale, Iain. ‘Innes Dreams’, Scotland on Sunday, 5 July Glaister, Dan. ‘Callum Innes’, The Guardian, 17 June, p. 24 Henderson, Kevin. ‘Callum Innes: Interview’, Transcript, vol. 3, no. 2, pp. 31–41 Hubbard, Sue. ‘Callum Innes: Frith Street’, Time Out: London, 18–25 February, p. 46 Hubbard, Sue. ‘Out of the Void’, Contemporary Visual Arts, Issue 17, pp. 56–66 Johnson, Patricia. ‘Abstract artists redraw boundaries of painting’, Houston Chronicle, 7 October, Section D New York Arts Magazine, no. 26, November, p. 47 ‘Our choice of London contemporary galleries’, The Art Newspaper, International Edition, January ‘Review of Callum Innes at Frith Street, London’, Art News, vol. 97, no. 5, May, p. 182 Schwendener, Martha. ‘Callum Innes’, Time Out New York, no. 167, 3 December, p. 91 1997 De Chassey, Éric. ‘La Peinture est Vivante’, L’Oeil, October, pp. 52–61 Morley, Simon. ‘Light as Surface’, Contemporary Visual Arts, no. 15, pp. 30–37 Straus, Marc J. ‘Great Expectation’, Provincetown Arts, pp. 93–95 1996 Elliott, David, ‘The Best Paintings in Britain?’, Independent on Sunday, 17 November, p. 30 Feldman, Melissa. ‘London: Callum Innes on Frith Street’, Art in America, October, p. 128 Gale, Iain. ‘Review of Callum Innes at Frith Street, London’, The Independent, 10 May Hilton, Tim. ‘The Best paintings in Britain?’, The Independent on Sunday, 17 November, p. 30 Karcher, Eva. ‘Auf der Suche nach Kunst hinter der Kunst’, Art (Hamburg), no. 6, May, pp. 84–95 Maloney, Martin. ‘Current Abstract Painters’, Burlington Magazine, vol. 138, no. 1114, pp. 45–46 McEwen, John. ‘Our abstracted, natural world’, The Sunday Telegraph, 14 September Morley, Simon. ‘The sublime and the beautiful’, Art Monthly, June, no. 197, pp.14–16 1995 ‘A Foot in Two Artistic Camps’, The Daily Telegraph, 15 July, p. 12 Hall, Charles. ‘Towards a broader picture’, The Times, 11 August Kent, Sarah. ‘Seen and Heard’, Time Out: London, 8 November, p. 45 MacMillan, Ian. ‘Less is More’, Modern Painters, vol. 8, no. 4, pp. 20–22 Roth, Gill. ‘Flying Colours’, The List, 27 January, p. 61 1994 Barnes, Rachel. ‘Light and Air’, The Guardian, 3 August Feaver, William. ‘Far From Calling the Kettle Black’, The Observer, 31 July Feaver, William. ‘International Review: Callum Innes’, Art News, September Feaver, William. ‘Review of Callum Innes and Juan Uslé at Frith Street Gallery, London’, The Observer, 15 May Gayford, Martin. ‘The Blurred Borders of Landscape’, The Daily Telegraph, 10 August Searle, Adrian. ‘Callum Innes and Juan Usle at Frith Street Gallery, London’, Time Out, 1 June ‘Up And Coming London Art Scene’, Biutso Techno Monthly Art Magazine (Japan), May, pp. 1–118 ‘World Exhibitions’, Preview of Callum Innes/Juan Uslé exhibition, Gallery Magazine (Japan Edition), no. 6 1993 Batchelor, David. ‘Callum Innes / Perry Roberts: works on Paper’, Frieze, September–October, pp. 61–62 Feaver, William. ‘Who are the Artists to Watch? Great Britain: Callum Innes’, Art News, vol. 92, no. 9, pp. 109– 112 Gale, Iain. ‘In the Studio: Yellow Fever – Callum Innes’, The Independent, 11 October Maurer, Simon. ‘Eine synthetische Natur’, Tages-Anzeiger, Zuri-Tip, 16 April Oliver, Cordelia. ‘Center for Contemporary Art’, The Guardian, 20 May Wilson, Andrew. ‘Callum Innes: A Quality of Detachment’, Forum International, March, pp. 87–89 1992 ‘Callum Innes Receives FIAR Award’, Flash Art, January, p. 153

Fischer, Judith. ‘Zwischen Logik und Poesie: Abstraktion Galerie nächst St. Stephan’, Der Standard, 12 February France, Miranda. ‘Work in progress’, The List, 30 November Gorsen, Peter. ‘Im Totentanz der Stile’, Frankfurter Allgemeine Zeitung, 5 March Hilton, Tim. ‘A Mark Made and Abstracted’, The Guardian, 23 April Kent, Sarah. ‘Minus Strike’, Time Out, 28 April Kravagna, Christian. ‘Malerei für die Netzhaut: Die Galerie nächst St. Stephan in Wien zeigt Bilder von Callum Innes’, Der Standard, 14 October Kravagna, Christian. ‘Wien: Abstrakte Malerei zwischen Analyse und Synthese’, Das Kunst-Bulletin, April McEwen, John. ‘Review of Callum Innes at ICA exhibition’, The Sunday Telegraph, 26 April Moser, Ulli. ‘Abstrakte Malerei ist schon Geschichtsthema’, Kurier-Zeitung, 31 January Moser, Ulli. ‘Abstrakte Malerei zwischen Analyse und Synthese’, Kunstforum International, May, pp. 370–372 Petricek, Gabriele. ‘Ohnmacht der Gegenstande’, Wirtschaftswoche, 30 January, pp. 63–64 ‘Review of Callum Innes at ICA exhibition’, Nikki Art Magazine, May, p. 258 ‘The Stuff of Zen and Shinto’, The Financial Times, 24 April Ubi, Ralph. ‘Sprache, unuberwindlich; Abstraktes, Galerie St. Stephan’, Die Presse, 7 February 1991 Archer, Michael. ‘Review of Callum Innes at Frith Street Galley, London’, ArtForum, November Rankin-Reid, Jane. ‘Review of “Painting Alone”, Pace Gallery, New York’, Artscribe, January, pp. 85–86 Renton, Andrew. ‘Review of Callum Innes at Frith Street Galley, London’, Flash Art, November, p. 138 Searle, Adrian. ‘Review of Callum Innes at Frith Street Galley, London’, Time Out, 9 October Slotover, Matthew. ‘Callum Innes’, Frieze, December, pp. 16–17 1990 Bush, Kate. ‘The British Art Show 1990’, Artscribe, May Morley, Simon. ‘Review of Callum Innes at Frith Street Galley, London’, Tema Celeste, Spring ‘Review of Callum Innes at Frith Street Galley, London’, Vogue, April 1989 Henderson, Kevin. ‘Callum Innes, Recent Work’, Alba Magazine, Spring Hill, Peter. ‘Andrew Nairne Interview’, Alba Magazine, Summer