JES BRINCH

ART AND COMMUNICATION

Born 1966 Copenhagen, Denmark.

For Jes Brinch art is communication. The media is the messenger, not the message. The concept generates the form of artwork. Any media is used uninhibited, both brand new as well as traditional media, and often in atypical combinations.

EDUCATION

Jes Brinch’s production includes installation art, object, light, sound, music, text, pure conceptual work, painting, sculpture, graphic print, t-shirts, posters, anything without limitation.

Master of Fine Arts (MFA) The Royal Danish Academy of Fine Arts, Copenhagen, Art is made for the spectator, and Jes Brinch’s makes Denmark 1985 – 1992. art that is both understandable and entertaining while giving food for thought and intellectual reflection. The art projects are produced from an existenMAJOR ACTIVITIES: tial point of view, and take a stand. Art is used as a ART, TEACHING AND CURATORIAL WORK critical tool to debate and question the values for • ART. Artistic work, including production, exhibi- life that is often taken for granted. Jes Brinch never tion, public talks, writing, publication, presenta- worked in a linear style, but has made an effort to tion and dissemination of art and community in- renew his means of expression. Recently Jes Brinch redefined the classical marble sculpture in a series teraction. of works. In art Jes Brinch uses any media. The primary goal is to experiment and develop new concepts and forms INTERNATIONAL EXPERIENCE of expression, while questioning and redefining the concept of art, all done in a format that communi- Jes Brinch is a recognised artist in Denmark, as well as cates directly and is accessible to the general audi- experienced on the international art scene through several exhibitions and projects in Europe, USA and ence. Asia. • TEACHING. Jes Brinch considers teaching an exJes Brinch has travelled extensively in Nepal and Intension of his artistic project. dia in 1998 – 1999, producing art and studying BudJes Brinch’s philosophy of teaching is that art cannot dhist culture and art in Tibetan refugee communibe taught, but must be developed by the individual ties, which has given a first hand experience of and artist. In the teaching situation Jes Brinch collabo- genuine understanding of the historical foundations rate with the students, both through collective work- of Asian Buddhist culture. shops, as well as individual discussion, in an open and non-hierarchical manner, investigating what art is or Jes Brinch lived and worked in Vietnam between can be, always searching for new definitions involv- 2003 and 2010. Jes Brinch speaks adequate Vietnaming the students in the entire process from theory to ese. Worked as an independent artist in Hanoi between 2003-2005, in Hoi An 2005-2008, and as artist, practice. organiser and curator of Hanoi Future Art in Hanoi • CURATORIAL WORK. Since the beginning of Jes 2008-2010. Brinch’s artistic career, Jes Brinch has worked as an artist curator, organising many art shows and Vietnam has given Jes Brinch first hand experience of artistic production, cross cultural collaboration, exhicultural events. bition and dissemination of art in a developing counThe ideal is the independent and self-reliant artist, try, under complex and some times adverse condiexpert in all fields of artistic activity, including theory tions for contemporary art practice. and practice, as well as presentation, dissemination Since June 2011 Jes Brinch is based in Malmö, Sweand promotion of art. den and active in Scandinavia.

HANOI FUTURE ART is a non-commercial artist initiative for the dissemination and development of experimental art in Hanoi. Hanoi Future Art is a flexible structure for exhibiting experimental art and organizing creative events. The aim is to facilitate a creative cross-cultural dialogue between local and international artists. The majority of the projects has been collaborations between international and local Vietnamese artists, successful in creating cultural meetings, mutual understanding and relevant art projects, that has been received with enthusiasm by both the local Vietnamese audience and the Danish audience. In the period 2008-2009 Hanoi Future Art has presented 14 major exhibition and performance projects, as well as 2 artist talks, 3 video productions, 12 soundtracks, and has published 2 catalogues.

ART & TECHNOLOGY LABORATORY is a component of Hanoi Future Art. Art & Technology Laboratory is an experimental laboratory constructed to form a creative meeting point between art and technology. Art & Technology Laboratory organizes collaborations between artists and engineers to establish an interdisciplinary dialogue and guide artists and engineers in practical cooperation and creative thinking. Art & Technology Laboratory has made the production of technically advanced art works possible, integrating kinetics, mechanics, multimedia and experimental art.

PUBLIC ART BURN OUT was a collaboration between Henrik Plenge Jakobsen and Jes Brinch between 1994 and 2000. BURN OUT realised hereto unseen Public Art projects in Copenhagen in 1994, which placed young art from Copenhagen on the international map, and kick started a series of shows of BURN OUT in galleries and museums in Europe and the USA. Jes Brinch has since 2000 continued to do several Public Art projects, exploring the potential for public debate through art.

COLLABORATION Jes Brinch considers collaboration the future of art. Collaboration can develop new ideas, new ways of thinking, as well as new artistic expressions and ways of production. Artistic collaboration between fellow artists, as well as collaborations with experts from other fields, such as science, technology, engineering, music, can be mutually stimulating, and generSOCIAL TRANSFORMATION THROUGH ART ate new ways of thinking and new experience for the Hanoi Future Art has integrated disadvantaged Viet- parts involved. namese youth in exhibition projects and workshops Jes Brinch has done several collaborations, where the on equal level with foreign and Vietnamese artists. artists have transcended their individual methods of Successful collaborations has been made with The working and personal style in favour of conceptual Blue Dragon Foundation for the Bao luc – Violence synthesis and new expressions. Hanoi Future Art was exhibition. also established in this spirit of collaboration.

CURATORIAL ACTIVITIES Since the beginning of Jes Brinch’s artistic career, he has worked as an artist curator, fundraisning and organising art shows and cultural events. Significant curatorial projects included: • 1989-1992 Baghuset artist run gallery. Baghuset established a new generation of artists in Denmark. • 1996 Update. This event created a common ground for young art and the underground music scene in Copenhagen 1996, and involved about 100 international artists. • 2002 Power to the imagination workshop and public art with 30 participating artists at Moen Island, Denmark. • 2008-2009 Hanoi Future Art.

TEACHING EXPERIENCE

Jes Brinch have a varied experience teaching art in a wide range of Danish art institutions, from The Royal Danish Academy of Fine Arts in Copenhagen, to the other major art schools in Denmark, The CopenhaJes Brinch has an extensive network of Vietnamese, gen Technical College’s Creative Line as well as in priDanish, Swedish, Norwegian as well as European and vate art schools. American artists, art historians and cultural workers, As a lecturer Jes Brinch has travelled Denmark extenwhich has been utilized in the cultural exchange work sively, and given lectures on art in the art institutions of projects such as Hanoi Future Art. all over the country. Teaching has been highly prioritized as an extension of Jes Brinch’s artistic project and free art practice. Jes Brinch has developed teaching material for conceptual workshops, Idea, execution and result of the art work as well as the teaching manual “Here’s the recipe: This is how you make good art” (Her er opskriften: Sådan laver man god kunst. Publisher: Space Poetry. ISBN 87-7603-078-4).

MUSIC PRODUCTION

WORKSHOPS AS A CREATIVE TOOL

Since 1990 Jes Brinch has been developing electronic music production as an integrated part of his art, including the production of soundtracks for art shows and performances. Jes Brinch defines the genre he works in as Museum Disco, where the intention is to create a welcoming atmosphere that makes the audience want to dance while watching an art show, while at the same time communicating artistic concepts in sound and music.

Through Jes Brinch’s career he has explored the collective workshop format’s pedagogical potential, and has made numerous art exhibition projects utilizing the workshop format as a creative production tool, from collaborations from 1994 and onwards, and most recently as an integral part of Hanoi Future Art’s practice. Jes Brinch has experimented with the collective workshop format as a practical teaching tool, collaborating with art students in making exhibition projects within educational institutions.

TEXT BASED CONCEPTUAL ART

THE GREAT ILLUSION

Jes Brinch has worked extensively with pure text based conceptual art. The most well known example being the resignation from society from 1993, an A4 page emulating a public form for withdrawing completely from common reality.

THE GREAT ILLUSION was a show which integrated performance, theatre, discodance, installation, conceptual art and music in a both serious and entertaining show, which combines the traditional theatre’s devices, such as proscenium, stage sets, costumes, dance and music with message-driven and groundbreaking art. The show about deconstructing the common image of reality, and had an existential focus, with serious and absurd dialogues about relationships and love, being disillusioned and afraid, and not least about the greatest illusion, death. It sucessfully mixed the traditionally separate art forms and role distributions, in an inter-medial collaboration. Performance artist Erik Pold directed, acted coreographed the show. The concepts of was concieved by Erik Pold and Jes Brinch, who also did set design, music, and advertisemnet design for the show. The GREAT ILLSUION was shown at Momentum theatre in Odense, and at Dansehallerne in Copenhagen, both in Denmark 2010.

UNLEARN REALITY A 212 page book about the work of Jes Brinch from 1985 to 2010, designed and written by Jes Brinch. The book is written in a direct form, and gives first hand accounts of the art projects. Published by Jes Brinch Private Ltd, Singapore with support from Danish Art Council.

SELECTED SOLO SHOWS • 2012 FORSTÅET FORSTYRRET FORVIRRET V1 Gallery Depot, Copenhagen. Denmark. • 2012 LIFE IN THE FAST LANE. Stalke Gallery, Denmark • 2010 LIFE AND DEATH V1 Gallery, Copenhagen. Denmark. • 2007 The perversions of mechanical normality V1 Gallery, Copenhagen. Denmark. • 2006 DEATH Galleri 21, Malmö, Sweden. • 2006 Unlearning reality – dissolving self Stalke, Kirke Sonnerup, Denmark. • 2004 Hjemve? (Homesick?). The Royal Danish Embassy, Ha Noi, Viet Nam. • 2004 Time to change Stalke Projectroom, Copenhagen, Denmark. • 2001 Death of the family Galleri 21, Malmö, Sweden. GRANTS Jes Brinch has experience as a fundraiser for solo- as • 2001 The Boss & Only apparently real The Leisure Club Mogadishni, Copenhagen, Denmark. well as collective art projects. He has received the • 1999 Only apparently real UKS Galleri, Oslo, Norfollowing major grants: way. • 2012: Award by The National Endowments for • 1997 The onearmed poodle Galleri Tommy Lund, Odense, Denmark. the Arts, Denmark, for the exhibition FORSTÅET • 1997 Funky Groovy Cool Chill Out Galleri Nicolai FORSTYRRET FORVIRRET. Wallner, Copenhagen, Denmark. • 2009-2011: The National Endowments for the • 1995 Same old useless shit Galleri Tommy Lund, Arts, Denmark 3 year work grant. Odense, Denmark. (Catalog) • 2008-2009 Cultural Development and Exchange • 1993 You’re all dead Galleri Tommy Lund, Odense. Fund for Hanoi Future Art. • 1993 Give the kid a break Galleri Campbells Oc• 2006-2008: Danish Arts Council. casionally, Copenhagen, Denmark. • 2006: Akademiraadets Travelling Fund. • 1993 Who am I? I am you Hollerups Kunsthandel, • 2004: National Endowments for the Arts, DenCopenhagen, Denmark. mark. 1 year work grant. • 1991 Naked Mind Baghuset Galleri, Copenhagen, • 1998: Knud Højgaards Fund. Denmark. • 1998: DANIDA’s Travel fund. • 1995 – 1998: Center for Contemporary Danish • 1991 Welcome to my nightmare Rum 91*92, Copenhagen, Denmark. Art. • 1990 Krasnapolsky, Copenhagen, Denmark. • 1994: The Dario Fund. • 1989 Husets Galleri, Copenhagen. • 1991: Hafnia’s Travelling Fund. • 1988 Baghuset Galleri, Copenhagen. • 1987 Rådskælderen, The Royal Danish Academy COLLECTIONS of Fine Arts, Copenhagen, Denmark. • Kunstlaboratoriet Vestfossen Collection, Norway. • National Gallery of Denmark, The Engraving ColTHEATRE / PERFORMANCESHOWS lection. • National Endowments for the Arts Collection, • 2010 The Great Illusion Performance project with Erik Pold. Concepts, stage sets and sound design Denmark. by Jes Brinch. Theatre Momentum, Odense, and • Caisse des Dépôts’ photograph collection. CenDansescenen, Copenhagen, Denmark. tre Pompidou - Musée National d´Art Moderne, • • • •

Paris, France. Horsens Art Museum, Denmark. Kastrupgaardsamlingen, Denmark. Malmø Art Museum KM2, Sweden. Leif Djurhuus Collection, Denmark.

COLLABORATIONS BETWEEN JES BRINCH & PER ELBKE • 2007 The Human Mind. Human consciousness seen from within Installation at a temporary exhibition space, Copenhagen, Denmark.

COLLABORATIONS BETWEEN JES BRINCH & HENRIK PLENGE JAKOBSEN (BURN OUT) • 2006 Peintres de la vie moderne Modern-life painters - Donation - Caisse des Dépôts’ photograph collection. Centre Pompidou - Musée National d´Art Moderne, Paris, France. • 2000 Viva Scanland Catalyst Arts, Belfast, Ireland. • 1999 Under the same sky Kiasma, Helsinki, Finland. • 1999 Skandaler Aarhus Kunstmuseum, Aarhus, Denmark. • 1998 Untitled Artspace, Sydney, Australia. • 1998 Sickly sweet BCA. London, England. • 1998 ONTOM Gallerei für Zeitgennössiche Kunst, Leipzig, Germany. • 1998 Hvis det var mig der kom til et fremmed sted Public Art project, Aarhus. Denmark. • 1998 Vieanna beef Bricks and kicks, Vienna, Austria. • 1998 Untitled Centre Nationale de la Photographie, Paris, France. • 1997 Human Conditions Kunsthall, Helsinki, Finland. (Catalogue) • 1997 Overdrive Kunsthaus Glarus, Volksgarten, Switzerland. • 1997 Transit Ecole des Beaux Arts, Paris, France. (Cat.) • 1997 Sex snack’n’pop Titanik, Turku, Finland. • 1996 Traffic CAPC, Bordeaux, France. (Cat.) • 1996 Crap shoot De Appel, Amsterdam, Holland. (Cat.) • 1996 City Space Public art project in Copenhagen, Denmark. (Cat.) • 1996 Shopping Public Art project organised by Deitch projects in New York, USA. (Cat.) • 1996 The Scream Arken, Museum of Modern Art, Ishoj, Denmark (Cat.) • 1995 Daycare-center AC project room , New York, USA. • 1994 Burn out - Kindergarten Gallery Nicolai Wallner, Copenhagen, Denmark. • 1994 Burn out - Parking Public Art project, Kongens Nytorv, Copenhagen, Denmark.

• 1998 Undskyld Hr. Frikadelle (Sorry Mr. Meatball) Frederiks bastion, Copenhagen. (With Peter Holmgård & Sofie Thorsen) • 1997 Den Skøre Skov (The crazy forest) Copenhagen, Denmark. (With Peter Holmgård & Sofie Thorsen)

SELECTED GROUP SHOWS • 2012 VISIT TINGBJERG, Tingbjerg, Denmark. • 2012 “Konst i skolan 14.4-28.4” Konstfrämjandet Skånes galleri S:t Gertrud, Malmö, Sweden. • 2011 GOLDEN DAYS by Sweet Future Collective, Rostrum, Malmö, Sweden. • 2011 CON AMORE Leif Djurhuus collection at AROS, Denmark. • 2011 THE PEARLY GATES Post-Museum, Singapore. • 2011 POST-OH! Evil Empire, Singapore. • 2011 OH! Open house at Marine Parade, Singapore. • 2011 STATUS V1 Gallery, Copenhagen, Denmark. • 2010 Mutant Pop Galleri Loyal, Malmö, Sweden. • 2010 ON PAPER Stalke, Denmark. • 2010 Portrait of Denmark, a guide to the nation of the happiest people in the world, Overgaden Institut for Samtidskunst, Copenhagen, Denmark • 2010 To the road less travelled V1 Gallery, Copenhagen, Denmark. • 2009 The Noble Savage Eric Andersen, Dorte Krogh and Jes Brinch. Hanoi Future Art 023. Hanoi, Vietnam and www.torpedo18.dk, Copenhagen, Denmark. • 2009 Hear the grass grow Eric Andersen, Dorte Krogh and Jes Brinch. Hanoi Future Art 022. Hanoi, Vietnam. • 2009 Flowers of Spring with Vu Thi Trang. Hanoi Future Art 012. Hanoi, Vietnam. • 2008 WHAT? Hanoi Future Art 001, Hanoi, Vietnam. • 2008 The gun and the girls Hanoi Future Art 002, Hanoi, Vietnam. • 2008 The Destruction of Atlantis Union, London, England. • 2008 Every body counts Kunstlaboratoriet, VestCOLLABORATIONS BETWEEN JES BRINCH & MADS fossen, Norway. STEEN • 2008 Eyesore V1 Gallery, Kopenhagen, Denmark • 2000 The Bastard and the bitch Momentum 2000, • 2007 MAD LOVE – Young Danish art in private colMoss, Norway. lections Arken Museum, Denmark. • 1999 Hvad vil du bruge dit liv til? (What do you • 2007 Oh My God! Kunstlaboratoriet, Vestfossen, want to use your life for?) OTTO, Copenhagen, Norway. Denmark. • 2006 Nordiske spor Galleri Trafo, Norway. • 1998 Caught in the act “Bicycle thieves” Chicago • 2004 Tusindfryd Vestfossen Kunstlaboratorium, Project Room, Chicago, USA. Norway.

SELECTED GROUP SHOWS CONTINUED • 2003 De bortbjudna – Malmö Art Museum is visiting Rooseum Malmö, Sweden. • 2001 Alphabet – Alfa & Omega Public Art Project in Aarhus, Denmark. • 1999 CAPITAL ART Kunstverein KX, Hamburg, Germany. • 1999 Laterna Nordica AIFACS, New Delhi, India. • 1999 Pop op Holstebro Art Museum, Denmark. • 1999 Le Grand Praemiere Opening Show Gallery Nicolai Wallner, Copenhagen, Denmark. • 1997 Political Art Kørners Kontor, Copenhagen, Denmark. • 1997 The End Gallery Christian Dam, Copenhagen, Denmark. • 1995 Fan Också (Damn), Forumgalleriet, Malmö, Sweden. • 1995 One Night Stand Kunstnernes Hus, Oslo, Norway. • 1994 Something’s wrong Nikolaj Copenhagen Contempoary Art Center, Copenhagen, Denmark. • 1994 Glass Box Malmö Art Museum, KM2, Malmö, Sweden. • 1994 No Vacancies Austellungsraum Hannau Landerstrasse, Frankfurt am Main, Germany. • 1994 Weirdos Jes Brinch curated the group show in SAGA Basement, Copenhagen, Denmark. • 1993 Opening show Galleri Nicolai Wallner, Copenhagen, Denmark. • 1993 Strange Hotel Aarhus Art Museum, Aarhus, Denmark. • 1993 Praktisk Avantgarde Herning Art Museum, Denmark. • 1992 Inferno The National Museum of Fine Arts, Copenhagen, Denmark. • 1992 Baghuset Aarhus Art Museum, Aarhus, Denmark. • 1991 Gadetegn Public Art Billboard-project, Copenhagen, Denmark. • 1991 Gallery Artists Baghuset Gallery, Copenhagen, Denmark. • 1991 Baghuset Stalke out of space, Stockholm Art Fair, Sweden. • 1991 Rivegilde Nikolaj Copenhagen Contempoary Art Center, Copenhagen, Denmark. • 1991 Edition Benveniste Baghuset Gallery, Copenhagen, and Horsens Art Museum, Denmark. • 1990 Trafiklyrik Public Art project by BIZ-Art, Copenhagen, Denmark. • 1990 Luxury Culture Sophienholm, Lyngby, Denmark. • 1989 Overgaden, Exhibition Space for Contemporary Danish Art, Copenhagen, Denmark. • 1986 Blindtarm Husets udstillinger, Copenhagen, Denmark.

TEACHING ACTIVITIES • 2012 “Art is communication” at BGK at Arken museum of modern art, Køge, Denmark. • 2012 “Säg inget til dina foräldrar” Art project with class 7 Alpha 1 at Liljeborgsskolan, Trelleborg, Sweden. • 2012 “Art is communication” 6-week workshop in collaboration with Peter Land at Kunsthøjskolen i Holbæk, Denmark. • 2011 Guest teacher at Trondheim Art Academy, NTNU, Norway. • 2011 KOM OG BLIV SPIST Installation art workshop at Kunsthøjskolen i Holbæk, Denmark. • 2011 SYSTEMFLYKT Installation art workshop at Spinneriet Skola för Urbankonst och Hiphopkultur, Malmö, Sweden. • 2011 Artist talks at VERA SKole for kunst og design Denmark, Östra Grevie Folkhögskola and Skånes Konstforening, Sweden. • 2007 The Workshop for Photography, Copenhagen, Denmark. • 2006 Guest professor at The Royal Danish Academy of Fine Arts, School of Graphics, Copenhagen, Denmark. • 2006 Samværk (Collaborative work) Exhibition and workshop made with the students of The Copenhagen Technical College Creative Line, Copenhagen, Denmark. • 2002 Workshop with the students of The Copenhagen Technical College Creative Line, resulting in the exhibition project Far (Dad), Copenhagen, Denmark. • 2002 Guest Teacher at The Royal Danish Academy of Fine Arts, Copenhagen, Denmark. • 2002 Teacher and workshop organizer at The School of Photography, Copenhagen, Denmark. • 2001 Directing the conceptual workshop, Idea, execution and result of the art work at The Copenhagen Technical College Creative Line, Copenhagen, Denmark. • 2001 Teacher and workshop organizer at The School of Photography, Copenhagen, Denmark. • 1999 Guest Professor at the sculpture department, Frederiks Holms Kanal, at The Royal Danish Academy of Fine Arts. 1 month workshop including theoretical discussions, lectures and practical collaboration, Copenhagen, Denmark. • 1995 – 2002 Extensive lecturing at Art Schools in Denmark, including The Royal Danish Academy of Fine Arts, The Copenhagen Technical College, The Danish Design School, Odense Academy of Arts, The Jutland Academy of Fine Arts, The Art School of Jutland, Holbæk Kunsthøjskole, Art History Department at Aarhus University and Den Grønne Daghøjskole.

HANOI FUTURE ART was established in 2008 by Danish artist Jes Brinch and Vietnamese artist Vu Thi Trang. EXHIBITIONS AND PROJECTS AT HANOI FUTURE ART • HFA 001 WHAT? Exhibition by Ngyuen Khe (VN), Phuong Vu Manh (VN), Robert A. Mody (SE) and Jes Brinch (DK) at Hanoi Future Art, Hanoi, Vietnam 2008. • HFA 002 THE GUN AND THE GIRLS. Exhibition by Phuong Vu Manh (VN) and Jes Brinch (DK) 2008. • HFA 003 T-shirt edition by Jes Brinch (DK) 2008. • HFA 004 T-shirt edition by Nguyen Khe (VN) 2008. • HFA 005 T-shirt edition by Phuong Vu Manh (VN) 2008. • HFA 006 WHAT? soundtrack by Jes Brinch (DK). Voices of Nguyen Khe (VN), Phoung Vu Manh (VN) and Kirk Evans (US) 2008. • HFA 007 MANKIND’S CRAZY AMBITIONS. Exhibition by Vuong Linh Dan (VN), Nguyen Hong Nhung (VN) and Jon Stahn (DK)2008. • HFA 008 MAGICIAN IS ME. T-shirt edition by Vuong Linh Dan( VN) and Nguyen Hong Nhung (VN) 2008. • HFA 009 TO MUCH TELEVISION. T-shirt edition by Jon Stahn (DK)2008. • HFA 010 MANKIND’S CRAZY AMBITIONS soundtrack by Jon Stahn (DK) and Jes Brinch (DK). Voices of Vuong Linh Dan (VN), Nguyen Hong Nhung (VN) and Jon Stahn (DK) 2008. • HFA 011 THE GREAT ILLUSION. Post-modern theatre in times of media overload. Lecture by Erik Pold (DK) 2009. • HFA 012 FLOWERS OF SPRING. Exhibition by Vu Thi Trang (VN) and Jes Brinch (DK)2009. • HANOI FUTURE ART 013 FLOWERS OF SPRING soundtrack by Jes Brinch (DK) 2009. • HFA 014 TRI TUE RAC / TRASH MIND. Performance and video by Le Van Son (VN), Le Nguyen Manh (VN) & Christian Falsnaes (DK)2009. • HFA 015 TRI TUE RAC / TRASH MIND. DVD with video documentation of TRASH MIND. 2009. • HFA 016 ĐỔ VỠ / INTO PIECES Performance and video by Pham Hoai Anh (VN), Vu Thi Trang (VN), Ehrin Macksey (US) & Vuong Bich Ngoc (VN). 2009.

• HFA 017 THE PARTY Nguyen Van Ho (VN), Ylva Landoff Lindberg (SE), Nguyen Tu Ha (VN), Radek Stypczynski (SE) & Le Nguyen Manh (VN). 2009. • HFA 018 BUSINESS AS USUAL / BUON BAN BINH THUONG Vuong Bich Ngoc, Søren Thilo Funder (DK), Pham Hoai Anh (VN), Anne Bennike (DK), Nguyen Minh Dieu Huong (VN) & Theis Wendt (DK). Curated by Toke Lykkeberg (DK) 2009. • HFA 019 SONG HONG / RED RIVER Pham Ngoc Duong (VN), Le Huy Hoang (VN), TSC Tempest (AUS), Ursula Nistrup (DK), Karoline H. Larsen (DK), Henrik L. Jørgensen (DK), Bettina Camilla Vestergaard (DK), Daniel Svarre (DK) 2009. • HFA 020 SONG HONG / RED RIVER T-shirt edition 2009. • HFA 021 THE REAL TRUE STORY A lesson by Eric Andersen. 2009. • HFA 022 HEAR THE GRASS GROW Eric Andersen., Dorte Krogh and Jes Brinch. September 25. – October 9. 2009. • HFA 023 THE NOBLE SAVAGE Eric Andersen., Dorte Krogh and Jes Brinch. Project collaboration between Hanoi Future Art and Torpedo18, Copenhagen, Denmark. (www.torpedo18.dk) 2009. • HFA 024 HEAR THE GRASS GROW T-shirt edition 2009. • HFA 025 CHEEKY MONEY LUCKY MOUNTAIN Giang Thi Chi, Giang Thi Say, Ly Thi Za, LyLy Thi & Ingen Frygt as Black Frygt H’mong. Soundtrack by Lonley Boy Choir 2009. • HFA 026 ĐẢO GIẢ / THE FAKE ISLAND Malene Bang, Ly Thi Vu & Zven Balslev 2009. • HFA 027 ĐẢO GIẢ T-shirt edition 2009. • HFA 028 BẠO LỰC – VIOLENCE Nguyen My Ngoc (VN), Nguyen Thi Chau Giang (VN), Ngo Phuong Hanh (VN), Nguyen Thi Thanh Mai (VN), Le Thi Thanh Truc (VN), Sandrine Llouquet (FR), and Vu Thi Trang (VN). Anne Bennike (DK) & Nguyen Minh Dieu Huong (VN). Giang Thi Chi (VN), Giang Thi Say (VN), Ly Thi Za (VN), Lyly Thi (VN) and Ingen Frygt as Black Frygt H’mong. Curated by Vu Thi Trang 2009. • HFA 029 BẠO LỰC T-shirt edition by Ngo Phuong Hanh2009. • HFA 030 BẠO LỰC T-shirt edition by Sandrine Llouquet 2009. • HFA 031 BẠO LỰC – VIOLENCE. Documentary by Vu Thi Trang. Interviews with 5 Vietnamese women about their lives 2009. • HFA 032 BẠO LỰC – VIOLENCE Catalog. 2010. • CATALOG HANOI FUTURE ART. Catalog documenting Hanoi Future Art’s activities 2008-2009. Published 2010.