Adriana Zavala, Ph.D. Associate Professor Tufts University Department of Art and Art History 11 Talbot Avenue Medford, MA 02155

Office: 617-627-2423 fax 617-627-3890 [email protected]

Education Ph.D. Brown University, Art History M.A. Brown University, Art History B.A. University of Cincinnati, Art History Professional Experience Teaching 2008-present Associate Professor, Tufts University, Dept. of Art and Art History Fields of Specialization: Modern and Contemporary Mexican and Latin American Art; Latina/o and Chicana/o Art 2001-2008

Assistant Professor, Tufts University, Dept. of Art and Art History

Curatorial Work 2013-2015 Guest Curator, “Frida Kahlo: Art, Garden, Life” for the New York Botanical Garden. Winner Outstanding Achievement in NYC Museum Exhibitions (October 2014-15), Guides Association of New York City (GANYC) Apple Awards 2010-2013

Guest Co-Curator, “Lola Álvarez Bravo and the Photography of an Era/Lola Álvarez Bravo y la fotografía de una época,” temporary exhibition (3 venues): Center for Creative Photography, Tucson, AZ; Museum of Latin American Art Long Beach, CA; Estudio Diego Rivera, Mexico City

2010

Guest Curator, "Mexico Beyond Its Revolution," temporary exhibition, Koppelman Gallery, Tufts University

2007

Guest Curator, "Un Arte Nuevo: El Aporte de María Izquierdo," temporary exhibition, Andrés Blaisten Collection/Centro Cultural Universitario Tlatelolco, Universidad Nacional Autónoma de México, Mexico City, 2007.

Fellowships, Grants and Honors 2016-17 Tufts University, AS&E Dean’s Research Fellowship 2011

Association of Latin American Art Margaret Arvey book prize for Becoming Modern, Becoming Tradition: Women, Gender and Representation in Mexican Art (Penn State University Press, 2010)

2007

Tufts University, Faculty Research Award

2006

Tufts University, Junior Faculty Semester Research Leave

2004-05

National Endowment for the Humanities, Research Fellowship

2004

Tufts University, Mellon Faculty Research Fellowship (declined)

2001

Pembroke Center for Teaching and Research on Women, Brown University. Marie J. Langlois Prize, outstanding dissertation in feminist studies

2001

Rockefeller Archive Center, Tarrytown, N.Y., Research Grant-in-Aid

2000-01

Brown University Graduate School, Robert Gale Noyes Fellowship

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1998-99

J. William Fulbright/García Robles, Dissertation Research Fellowship, Mexico

1999

Ford Foundation Dissertation Fellowships for Minorities, Honorable Mention

1996-97

U.S. Department of Education/Brown University, Foreign Language and Area Studies Fellowship (FLAS)

Publications: Books Becoming Modern, Becoming Tradition: Women, Gender and Representation in Mexican Art. Pennsylvania State University Press, 2010. Awarded Margaret Arvey Foundation prize, Association of Latin American Art, 2011. Reviewed by Rick Lopez for Art Bulletin, volume XCVI, number 1 (March 2014), pp. 128-131. Reviewed by Alison Fraunhar for Woman’s Art Journal (Spring/Summer 2011), pp. 59-61. Book projects in preparation “Montage and Assemblage: “Unmaking” and Decolonization” – examines collage and montage as critical practice in the work of Mexican, US Latin@ and Latin American visual artists Exhibition Catalogs Frida Kahlo’s Garden (lead author), with contributions by Robert Bye, Edelmira Linares, Karen Daubmann, Mia D’Avanza, Joanna Groarke, and Kathryn O’Rourke. NY: DelMonica/Prestel, 2015. Lola Álvarez Bravo and the Photography of an Era/Lola Álvarez Bravo y la fotografía de una época. Mexico City: Instituto Nacional de Bellas Artes, 2012. Authored lead essay “A Chronicle of Light and Shadow: the Photography of Lola Álvarez Bravo,” co-authored introductory essay with James Oles, “The González Rendón Archive,” and object entries. Mexico Beyond Its Revolution/México más allá de su revolución. Co-curator and editor. Medford, MA: Tufts University Art Gallery, 2010. Un Arte Nuevo: El Aporte de María Izquierdo/A New Art: The Contribution of María Izquierdo. Exhibition catalog with solely authored essay and object entries. Mexico City: Universidad Nacional Autónoma de México, 2008. Peer Reviewed Essays "Mexico City in Juan O'Gorman's Imagination," Hispanic Research Journal, Vol. 8, No. 5, December 2007, 491-506. “De Santa a la India Bonita,” in María Teresa Fernández Aceves, Carmen Ramos Escandón and Susie S. Porter, (eds.), Orden social e identidad de género. México siglos XIX y XX, Guadalajara, CIESASUniversidad de Guadalajara, 2006, 149-187. Invited Book Chapters and Essays “Toward Modernism,” and “Contemporary Art: Local/Global,” for survey textbook on Latin American Art, with Maya Jiménez and Ananda Cohen Suárez, under review with Oxford University Press, 2016. “Latin@ Art at the Intersection,” Aztlan: A Journal of Chicano Studies 40:1 (Spring 2015), 127-142. “German Gedovius.” In Catálogo comentado, Acervo de siglo XX, Mexico City: Museo Nacional de Arte, 2014, 294-304. “María Izquierdo y Rufino Tamayo: a propósito de deudas e influencias.” In Codo a Codo: parejas de artistas en México. Ed. Dina Comisarenco Mirkin. Mexico City: Universidad Iberoamericana, 2013, 197-224. "Frida Kahlo's Mi Muñeca y yo (1937).” In Frida Kahlo. Homenaje Nacional. 1907-2007. Mexico City: CONACULTA/INBA and Editorial RM, 2007, 172-177.

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“Los cuerpos de María Izquierdo y los debates culturales de los años 30.” In Miradas disidentes: géneros y sexo en la historia del arte: XXIX Coloquio Internacional de Historia del Arte, editor Alberto Dallal Castillo, Mexico City: Universidad Nacional Autónoma de México/Instituto de Investigaciones Estéticas, 2007. “Tamayo’s Women. Figures of an Alternative Modernism.” In Tamayo: A Modern Icon Reinterpreted, Diana C. du Pont, editor. Santa Barbara, CA: Santa Barbara Museum of Art, 2007, 201-223. Spanish language edition: "Las mujeres de Tamayo: figuras de un arte moderno alternativo." “Mexico City: Context and Resonance.” Art New England, October-November 2006, 9, 59. “María Izquierdo.” In Mary Kay Vaughan and Stephen E. Lewis, eds. The Eagle and the Virgin: Nation and Cultural Revolution in Mexico, 1920-1940, Durham, N.C.: Duke University Press, 2006, 67-79. “The India Bonita Beauty Contest: Gender, Modernity and Tradition in Mexico City, 1921.” In Seeing and Beyond: Essays on 18th-21st Century Art in Honor of Kermit S. Champa, Deborah Johnson and David Ogawa, eds. New York: Peter Lang Publishers, 2005, 277-306. Exhibition and Museum Collection Catalog Entries “María Izquierdo,” and “José Clemente Orozco,” in Blanton Museum of Art: Latin American Collection, Gabriel Pérez-Barreiro, Ed. Austin: University of Texas Press, 2006, 237-239, 306-310. Multiple entries in Arte Moderno de México: Colección Andrés Blaisten, James Oles, ed. Mexico City: Universidad Nacional Autónoma de México, 2005, 86, 99, 104, 132, 134, 144, 146, 179, 200, 214, 232, 240, 245, 262-63, 292, 302, 304, 306, 324-25, 350, 352, 360, 378, 382, 386-88. Book Reviews Portrait of a Young Painter. Pepe Zuñiga and Mexico City’s Rebel Generation. By Mary Kay Vaughan (Duke University Press, 2015), forthcoming in Ethnohistory. María Izquierdo and Frida Kahlo. Challenging Visions in Modern Mexican Art. By Nancy Deffebach (University of Texas Press, 2015), forthcoming in Hispanic American Historical Review. Looking for Mexico. Modern Visual Culture and National Identity. By John Mraz (Duke University Press, 2009) in Visual Resources. An International Journal of Documentation, Volume 28, Issue 2, 2012, pp. 210-216. The Language of Objects in the Art of the Americas. By Edward J. Sullivan (Yale University Press, 2007), in caareviews.org, College Art Association. Mexico and Modern Printmaking: A Revolution in the Graphic Arts, 1920 to 1950. By John Ittmann; with contributions by Innis Howe Shoemaker, James M. Wechsler, and Lyle W. Williams. (Philadelphia: Philadelphia Museum of Art / San Antonio: McNay Art Museum / New Haven: in association with Yale University Press, 2006) in Hispanic American Historical Review 89(2): 371-373 (2009), 371-373. Tina Modotti by Letizia Argentieri (Yale University Press, 2004), in VIA: Voices in Italian Americana, 17.2 (2006), 152-155. The Effects of the Nation. Mexican Art in an Age of Globalization, edited by Carl Good and John V. Waldron (Temple University Press, 2001) in Hispanic American Historical Review, 83.3 (2003), 590-591. Lectures in Symposia 2016 “Evoking and Interpreting, Re-creating/Replicating: Frida Kahlo and Her Garden,”

keynote lecture, University of Arizona, 26 Annual Art History Graduate Student Association symposium. th

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2013

“Trajectories in Academic Discourse: Absenting the Latino in the so-called “Latin Boom.” Getty Research Institute symposium “Pacific Standard Time II: Latin American/Los Angeles.” Panel moderated by Aleca Le Blanc, Getty Research Institute, Los Angeles, CA.

2010

"Visualizing Revolution: From Pretty Indians to Epidermic Mexicanism," Conference, "The 100 Anniversary of the Mexican Revolution,” Huntington Library, San Marino, CA.

2008

"The "Enormous Vogue" of Things Kahlo," Center for the Humanities, Tufts University.

2008

College Art Association Annual Conference, Dallas, TX: Paper title: "Technology as Metaphor and Medium: Mexico City as Subject in the work of Francis Alÿs, Rafael Lozano-Hemmer and Melanie Smith.”

2007

XXXI Coloquio Internacional de Historia del Arte: El Futuro. Instituto de Investigaciones Estéticas, Universidad Nacional Autónoma de México, Oaxaca, , Mexico: Paper title, "De la transparencia a la opacidad: la imagen de la ciudad de México como geografía moralizante.”

2005

XXIX Coloquio Internacional de Historia del Arte: Miradas disidentes. Géneros y sexo en la historia del arte, Instituto de Investigaciones Estéticas, Universidad Nacional Autónoma de México, Puebla, Mexico: Paper title, “María Izquierdo’s Bodies and the Cultural Debates of the 1930s."

2003

II Coloquio Internacional de Historia de las Mujeres y de Género, Guadalajara, Mexico: Paper title, “From Santa to the India Bonita and Back Again."

2003

Latin American Studies Association (LASA) Annual Conference, Dallas, Texas: Paper title, “The Aesthetic and the Poetic: Gender and “Pure” Painting in Mexico City in the 1930s."

2002

College Art Association Annual Conference, Philadelphia, PA: Paper title, “The India Bonita Contest and the Re-Constitution of Post-Revolutionary Mexican Femininity: Tradition, Authenticity and Desire."

1999

College Art Association Annual Conference, Los Angeles, CA: Paper title, “Emilio Fernandez’ "The Pearl. Mexican Golden Age Film: Cinematic Equivalents of Mexican Mural Painting."

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Conference Panels Chaired or Moderated 2016 Latino Art Now! Annual Conference, Chicago, session chair, “Imagining and Intervening: US Latin@ Art and History Today and Tomorrow.” 2015

College Art Association, Annual Conference, New York, chair, double-session, “Imagining a US Latina/o Art History.”

2012

Discussant, American Historical Association, panel “Women in Mexican Visual Arts,” chaired by Dr. Eli Bartra, Chicago, IL

2010

“Mexico Its Revolution and Beyond,” international conference, co-organizer, Tufts University, Program in Latin American Studies.

2009

College Art Association, Los Angeles, CA. Panel co-chair with Mary K. Coffey, Dartmouth College, "Revisiting the Latin Boom: A Round-Table Discussion."

2004

“A Gathering of Voices: Latino Studies and Pedagogies for Building Communities,” Tufts University; Panel Chair, “Latino Identity Performance. What and For Whom?”

2003

Latin American Studies Association (LASA) Annual Conference, Dallas, Texas: Panel co-chair, “Americanism and Cosmopolitanism in Modern Latin American Art."

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College Art Association Annual Conference, New York, Panel Discussant, “Immigrant Artists in (We)stern Cities: A Contemporary Other,” Sunanda Sanyal, Art Institute of Boston, session chair. 2002

Rhode Island School of Design Museum, Providence, R.I.: Panel Discussant, “Art Made in Crisis,” in conjunction with exhibition Crisis Response.

Invited Lectures 2016 “Following Frida Kahlo,” Museum of Fine Arts, Boston “Frida Kahlo’s Garden,” Tufts University, Friends of the Tisch Library 2015

“Frida Kahlo’s Garden: an exhibition,” Wellesley College, Art Department

2014

“Frida Kahlo’s Garden,” Brandeis University, Department of Art and Art History

2014

“Pressure from the Margins: Frida Kahlo, Lola Álvarez Bravo and María Izquierdo,” Mexican Cultural Institute, Washington, DC “Latin American Cinema,” Museum of Fine Arts, Boston

2013





Keynote speaker, Women’s Center, Gender Smash Symposium, Tufts University “Frida Kahlo’s Self-Fashioning: Making Trouble. Third Gender. Third Space.” “Frida Kahlo and Diego Rivera: Between Tradition and the Avant Garde,” High Museum of Art, Atlanta, GA. “The Encounter of Two Archives: Lola Álvarez Bravo in the CCP and the González Rendón Archive,” with co-curator Rachael Arauz, Center for Creative Photography, Tucson, AZ.

2012

“Lola Álvarez Bravo and the González Rendón Archive,” with co-curator Rachael Arauz, Museum of Latin American Art Long Beach, CA. “Modernist Painting in Post-Revolutionary Mexico,” Meadows Museum of Art, Southern Methodist University, Dallas, TX. “Frida Kahlo and Post-Revolutionary Mexican Painting” and “Diego Rivera’s Contribution to Mexican Muralism,” High Museum of Art, Atlanta, GA.

2011

"Becoming Modern, Becoming Tradition: Women, Gender and Representation in Mexican Art,” Department of Hispanic Studies, Wheaton College, Norton, MA.

2010

"Becoming Modern, Becoming Tradition: Women, Gender and Representation in Mexican Art,” Women's Studies Faculty Colloquium, Tufts University. "Becoming Modern, Becoming Tradition: Women, Gender and Department of Art History, DePaul University, Chicago, IL.

Representation in Mexican Art,”

"Intimate Encounters: Mexican Modernists and the Female Nude,” University of Louisville and Speed Art Museum, Louisville, Ky., Allen R. Hite Memorial Lecture. "Becoming Modern, Becoming Tradition: Women, Gender and Representation in Mexican Art,” Program in Art History, University of Cincinnati, College of Design Architecture, Art and Planning 2009

"Memory, Tradition and Political Consciousness in Latin American Art Today,” Primary Source, Watertown, MA (K-12 teacher training workshop).

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2009

"Mexican Painting at the Crossroads of Politics, Culture and Expression,” Museum of Fine Arts Boston "The Changing Face of Mexico City in the 1940s and 1950s,” Art Department, Wellesley College. “Frida Kahlo and Diego Rivera," Northeastern University/New England Conservatory, GuitarFest 2009 "Research and Pedagogy in Inequality and Difference: Power and Images,” Tufts University, Office of Institutional Diversity

2008

“Muralism and Social Expression,” Primary Source, Watertown, MA (K-12 teacher training workshop).

2007

"Mexico City as Global Art Capital," Rhode Island School of Design Museum “From Transparency to Opacity: Mexico City as Moralized Geography,” Department of Art History, University of Texas at Austin "Mexico City or "Entropy Made Visible," in the Art of Juan O'Gorman, Diego Rivera, Francis Alÿs and Melanie Smith,” Department of Art History, Dartmouth College.

2005

“María Izquierdo and Pure Art in 1930s Mexico,” Art Department, Wellesley College

2004

“Mexico City as Contact Zone,” Department of Art History, Brown University “Landscapes and Cityscapes in Modern Mexican Art and Cinema,” Institute of Contemporary Art, Boston

2003

“The India Bonita Beauty Contest: Gender, Modernity and Tradition in Mexico City, 1921,” Women's Studies Faculty Colloquium, Tufts University “María Izquierdo and the Body of Woman in 1930s Mexico City,” Harvard University Art Museums/Victor M. Leventritt Lecture on Latin America Art.

2001

“María Izquierdo and the Body of Woman,” Center for Latin American and Caribbean Studies, State University of New York, Stonybrook.

2000

“Frida Kahlo and María Izquierdo. Appropriating and Resisting Indian Identity,” Department of Art and Art History, Wayne State University, Detroit, MI.

Peer Review (Service to the Field) 2016 Academic reviewer, Pennsylvania State University Press, “Mexican Costumbrismo: Race, Society, and Identity in Nineteenth-Century Art.” Academic reviewer, University of Texas Press, “Imminent Returns: Art, Mobility, and AntiColonial Modernisms in Latin America.” 2015

Academic reviewer, University of Pittsburgh Press, “Urban Mexican American Photography.” Academic reviewer, Nierika. Revista de Estudios de Arte (Mexico City), essay on Central American contemporary conceptualism.

2014

Academic reviewer, University of Texas Press, “Visionary Avant-Gardes: Early Imaginings of Latin American Modernisms.”

2013

Anonymous reviewer, Journal of Curatorial Studies, essay on Allora and Calzadilla.

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2008

Academic Reviewer, University of New Mexico Press, book manuscript: "Desencanto: Mexican Figurative Painting and Patronage in the 1980s." Academic Reviewer, RedLine editorial, book manuscript: "Essential Lives: Frida Kahlo."

2006

Academic Reviewer, International Union of Academies, Brussels, publication grant proposal: “Corpus of Mexican Paintings,” Ida Rodriguez Prampolini et. al.

2005

Academic Reviewer, Aurora. Journal of the History of Art, article: "Between the Graphic and Tectonic: Architecture, Mapping and Topography in Rimer Cardillo's Works."

2004

Academic Reviewer, Prentice Hall, book manuscript: “Latin American Art: Portraits in Time, 1810-2003."

Consulting 2012 High Museum of Art, Atlanta, GA. Curatorial and Museum Education consultant in preparation for the exhibition Frida and Diego: Passion, Politics and Painting (2012-13) Teaching and Advising Current courses: Introduction to Latin American Art; 20 -century Mexican Art; The Latina/o Presence in Art and Visual Culture; Frida Kahlo and Diego Rivera: Art and Life; Contemporary Mexican Art; Colonial Mexican Art and Architecture; Gender in Latin American Art; Latin American Cinema; Seminars: Frida Kahlo; Latin American Art in Exhibition; Photography in Mexico; Post-Revolutionary Mexican and Chicano Art in Comparative Perspective; Surrealism in Latin America; The Cityscape in Latin American Art; Mexico City in the Artistic Imagination. th

Dissertation Committees Sandy Paola Collahorano, ABD, Dissertation Committee, Boston University, “Corporeal Activism: The Female Body as an Instrument of Social Change in Three Historical Contexts in Latin America,” expected defense 2017. Jamie Ratliff, Ph.D. General Exam and Dissertation Committee, University Louisville, 2007 – 2012 Mary Schneider Enriquez, Ph.D. General Exam Committee, Harvard University, 2005 M.A. Theses Directed Sonja Elena Gandert, “Hacer the Trips Corazón: Practicing Thirdspace in the Art of Mexico, Cuba and the Latino United States,” May 2013 Priscilla Bolaños Salas, “Confronting Violence: Argentine Conceptualism from the 1960s to the 1990s,” May 2012. Gabrielle Bridgeford, "Face Value: The Ambivalence of Ethnographic Representation in Latin America," May 2004. Jason Hill, "Exhibition as Wedge: The Information Show at the Museum of Modern Art," May 2004. M.A. Qualifying Papers Directed Caitlin Murphy, “Manuel Álvarez Bravo’s Early Works: Self-Conscious Modernism and Contemporáneos as Context,” April 2016. Casey Monroe, “A Vision of Empire: William Henry Jackson and the Mexican Railroad,” April 2016. Hanna Exel, “Imperialism, Agency, and Abjection: The Meanings of Mexico in David Wojnarowicz’s A Fire In My Belly,” December 2015. Katina Cardenas, “Miguel Cabrera and his patron Archbishop Rubio y Salinas in Eighteenth-Century New Spain,” December 2012. Laura Conover, “Diego Rivera at the MoMA: Defining American Modern Art in 1931-1932,” Dec. 2011 Jennifer Cohen, “The Paradox of the National: Globalization and Contemporary Mexican Cinema,” May 2010 Anna Stothart, "Re-Visualizing Testimony: A Examination of Violence in the work of Doris Salcedo, Mona Hatoum, Luis Camnitzer and Paul Stopforth," May 2009

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Carolyn Grosch, "Confronting and Collaborating with Power: the Behavior Art of Tania Bruguera," May 2009 Katie Deatley-Peluso, "Felix González Torres and the Subversion of Identity," May 2009 Teresa DiCureia, "The Novecento in Argentina: Figuration and the Avant Garde, 1924-1940," December 2008. Anna Stothart, "Negotiating Racial Identity: An Examination of the Work of Adrian Paper, Ana Mendieta, Lyle Ashton Harris and Nikki S. Lee," December 2008. Nina Bozicnik, "Interrogating the Monolith: The Politics, Motivations, and Implications of Crafting a Usable Culture and Identity in Mexican Chicago," May 2008 Jennifer Crosson, "City Planning and Casta Painting in New Spain," May 2008 John Tyson, "Graffiti: An Investigation of an Art of Everyday Life," May 2008 Nina Bozicnik, "Unveiling the Present, Looking Through the Past: Los Carpinteros and the Social/Aesthetic Dialectic in the Early 1990s," December 2007 Nicole Evans, "A Look at Contemporary Cuban Photography and Collective Memory," December 2007 Joanna Groarke, "More Cuban than the People in Cuba": The Diaspora Art of José Bedia." May 2006. Emily Schreiner, "From the Culture Wars to Postcolonialism: Strategies for Presenting Latin American, Latino and Chicano Art," December 2004. Courtney Gerber, "Shades of the Past Reveal Our Shady Present: "Race" in America According to Kara Walker," May 2004. Stacy Pyron, "Gender Defined: Diego Rivera and Images of the Mexican Revolution at the Secretaría de Educación Pública," May 2004. Chloe Zaug, "Ernesto Neto and Vic Muniz: A Closer Look at the International Art Circuit," May 2004. John Corso, "Stitch, Suture, and Pattern in Mola Visual Culture," May 2003. Lisa Silberstein, "Is it A Maestrapeace?" May 2003 Annie Loechle, "The Sight of Silence: Recovering the Soldaderas from the Casasola's Myth," December 2002. Jamie Ratliff, "A Display of Feminism: Curatorial Challenges and the Development of Feminism in Mexico," December 2002. Liz Kelton, "Definitions of Otherness: Ethnography and Surrealism in the Work of Graciela Iturbide," May 2002. Almitra Stanley, "Erasing the Brush of Anguish: Construction of the Self in the Work of Frida Kahlo," May 2002. Undergraduate Honors Theses Directed Erin Dimson-Doyle (Art History), “Queering Identity in David Wojnarowicz’s Sex Series,” expected May 2016. Maya Sussman (International Letters and Visual Studies Honors Thesis), “Mexican Murals and Fascist Frescoes: Cultural Reinvention in 20 -century Mexico and Italy,” May 2013 Chloe Zimmerman (Interdisciplinary Undergraduate Honors Thesis), "Spaces for Memory ~ Espacios Para la Memoria: Representing Absence in the Peruvian Landscape," August 2009 th

School of Arts and Sciences, Advising School of the Museum of Fine Arts, Boston, Thesis Review Boards, 2001-present Senior Special Project, first reader for papers in Latino Studies, American Studies, Women’s Gender and Sexuality Studies, Latin American Studies, International Letters and Visual Studies Curriculum innovation: Co-founder Consortium of Studies in Race, Colonialism and Diaspora (2014) Working Group on Race and Ethnic Studies, Tufts University, 2012-2014 Co-Coordinator, Latino/a Curriculum Transformation Project, Tufts University, 2003-4 University Committees and Service Department of Art and Art History Committee on Undergraduate Major in Art History, 2005-2009 Department Transfer of Credit Advisor, 2005-2009; 2013-present M.A. Admissions Committee in Art History, spring 2004, spring 2007, spring 2008

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University-wide Director, Consortium of Studies in Race, Colonialism, and Diaspora (RCD), 2014-present Interim Director, American Studies Program, 2015-16 Director, Latino Studies Program, 2010-present Chair, Working Group on the Undergraduate Experience, President Anthony Monaco’s Council on Diversity, 2012-2014. Center for the Humanities at Tufts (CHAT), faculty board, 2007-2014 Equal Educational Opportunity Committee, 2008-2014; co-chair 2011-2013 Committee on Undergraduate Admissions and Financial Aid, 2007-2010 American Studies, Artist-in-Residence, program co-coordinator, 2007, 2009 American Studies Faculty Steering Committee, 2002-present Women’s, Gender and Sexuality Studies Program and Faculty Committee, 2003 to present Latin American Studies Program, Faculty Committee, 2001 to present Faculty reviewer and moderator, Women's Studies Forum, "Beyond the Classroom," 2003, 2007, 2008 Synthesis, 2006, Guest Presentation on Research and Teaching, High School Counselor Immersion Program, Office of Undergraduate Admissions "Tufts in the World," Cultural liaison and tour leader in Mexico City for Tufts International Board of Overseers, November 2004 Faculty Workshop on Teaching Diverse Student Populations, spring 2002 Professional Organizations and Volunteer Activities USLAF (US Latina/o Art Forum), founding member College Art Association (CAA) Association for Latin American Art (ALAA)

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