A SELECTED BIBLIOGRAPHY

A SELECTED BIBLIOGRAPHY General Works Actes 1968 de la troisieme session des ]ournees Internationales d'etudes du baroque, Ill. Montauban: Publicatio...
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A SELECTED BIBLIOGRAPHY

General Works Actes 1968 de la troisieme session des ]ournees Internationales d'etudes du baroque, Ill. Montauban: Publications du Centre National de Recherches scientifiques, 1967. Allemann, Beda. "Metaphor and anti-metaphor," Interpretation; The Poetry 01 Meaning. Ed. Stanley Romaine Hopper & David L. Miller. New York: Harbinger Books, 1967. Barfield, Owen. Poetic Diction; A Study 01 Meaning. New York & Toronto: McGraw-HilI, 1964. Burckhardt, Jacob. Die Kultur der Renaissance in ltalien. Wien: Phaid'OIl-VerIag, n.d. -. The Civilization 01 the Renaissance in Italy. Trans. S. G. C. Middlemore. 2nd rev. ed. London: Phaidon Press, & New York: Oxford University Press, 1944. Cassirer, Ernst. "Individuum und Kosmos in der Philosophie der Renaissance," Studien der Bibliothek Warburg, X (1927). Leipzig und Berlin: B. G. Teubner. -. The Individual and the Cosmos in Renaissance Philosophy. Trans. Mario Domandi. New York: Barnes & Noble, 1964. -. Philosophie der symbolischen Formen. Darmstadt: Wissenschaftliche Buchgesellschaft, 1953. -. The Philosophy 01 Symbolic Forms. Vols. I & II. New Haven: Yale University Press, 1953. Colloquia Germanica, I, No.1 (1967). Curtius, Ernst Robert. Europiiische Literatur und lateinisches Mittelalter. Bern: A. Francke, 1948. -. European Literature and the Latin Middle Ages. Trans. Willard R. Trask. New York: Pantheon Books, 1953. De Mourgues, Odette. Metaphysical, Baroque and Precieux Poetry. Oxford: Clarendon Press, 1953. Eliade, Mircea. The Sacred and the Profane; The Nature 01 Religion. New York: Harcourt Brace, 1959. Friedlaender, Walter. Mannerism and Anti-Mannerism in Italian Painting. New

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York: Schocken Books, 1965. Originally published in German as two separate articles in Repertorium fur Kunstwissenschaft, XLVI (1925) and in Vortrage der Bibliothek Warburg, VIII, 1928-29 (1930). Hauser, Arnold. Mannerism; The Crisis of the Renaissance and the Origin of Modern Art. 2 vols. London: Routledge & Kegan Paul, 1965. -. The Social History of Art. Vol. 2. New York: Vintage Books, n.d. Hay, Denys. The Italian Renaissance in its Historical Background. Cambridge: Cambridge University Press, 1961. Haydn, Hiram. The Counter-Renaissance. New York: Scribner, 1950. Holt, Elizabeth G. A Documentary History of Art. 2 vols. 2nd ed. New York: Doubleday, 1957. Kristeller, P. O. Renaissance Thought; The Classic, Scholastic and Humanist Strains. New York: Harper & Row, 1961. -. Renaissance Thought II; Papers on Humanism and the Arts. New York: Harper & Row, 1965. Liede, Alfred. Dichtung als Spiel; Studien zur Unsinnspoesie an den Grenzen der Sprache. Vol. 2. Berlin: Walter de Gruyter, 1963. Lowry, Nelson. Baroque Lyric Poetry. New Haven: Yale University Press, 1961. Petrarch. 11 Canzoniere. Milan: Rizzoli, 1954. Priest, Harold Martin, ed. Renaissance and Baroque Lyrics; an Anthology of translations from the Italian, French, and Spanish. n.p.: Northwestern University Press, 1962. Reed, Herbert. The Origins of Form in Art. New York: Horizon Press, 1965. Schapiro, Meyer. "Style," Anthropology Today. Ed. A. L. Kroeber. Chicago: University of Chicago Press, 1953. Sebba, Gregor. "Baroque and Mannerism; A Retrospect," Filologia y Critica Hispanica (Homenaje al profesor F. Sanchez-Escribano). Ed. A. Porqueras & C. Rojas. Madrid: Alcala, 1969. Shearman, John. Mannerism. Harmondsworth: Penguin, 1967. Smyth, Craig Hugh. Mannerism and "Maniera." New York: J. J. Augustin, 1962. Sypher, Wylie. Four Stages of Renaissance Style; Transformations in Art and Literature, 1400-1700. New York: Doubleday, 1956. The Renaissance and Mannerism; Studies in Western Art, II. (Acts of the 20th International Congress of the History of Art.) Princeton: Princeton University Press, 1963. Warnke, Frank. European Metaphysical Poetry. New Haven: Yale University Press, 1961. Whalley, George. Poetic Process; An Essay in Poetics. Cleveland & New York: Meridian Books, 1967. Wheelwright, Philip. Metaphor and Reality. Bloomington & London: Indiana University Press, 1962. Wimsatt, William K., Jr. and Cleanth Brooks. Literary Criticism; A Short History. New York: Random House, 1967.

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Michelangelo

Arthos, John. Dante, Michelangelo and Milton. London: Routledge & Kegan Paul, 1963. Buonarroti, Michelangelo. Complete Poems and Selected Letters of Michelangelo. Trans. Creighton Gilbert & ed. Robert N. Linscott. New York: Modern Library, 1965. -. The Complete Work of Michelangelo. Ed. Mario Salmi. New York: Reynal, n.d. -. Lettere. Scelte e annotate da Irving e Jean Stone, Charles Speroni. Milano: dall'Oglio, 1963. -. The Letters of Michelangelo. 2 vols. Ed. & trans. E. H. Ramsden. Stanford: Stanford University Press, 1963. -. Michelangiolo Buonarroti; Rime. Ed. Enzo N. Girardi. Bari: Laterza, 1967. Beall, Chandler B. "The Literary Figure of Michelangelo," Ital., XLI (1964), 235-51. Bizziccari, Alvaro. "Videa della bellezza nelle poesie di Michelangelo," Ital., XLI (1964), 252-65. Brandes, Georg.... Michelangelo Buonarroti . ... Kjf1lbenhavn: Gyldendal, 1921. -. Michelangelo Buonarroti. "Obersetzt von Ernst Richard Eckert. Berlin: E. Reiss, 1924. -. Michelangelo: His Life, His Time, His Era. Trans. Heinz Norden. New York: F. Ungar, 1963 [1921]. Cambon, Glauco. "Sculptural Forms as Metaphysical Conceits in Michelangelo's Verse," Sewanee Review, LXX (1962), 155-65. Chastel, Andre. Art et Humanisme a Florence au temps de Laurent Ie Magnifique. 2nd ed. Paris: Presses Univ. de France, 1961. -. La Crise de la Renaissance,1520-1600. Geneve: Skira, 1968. -. The Crisis of the Renaissance, 1520-1600. Trans. Peter Price. Geneva: Skira, 1968. Clements, Robert J. Michelangelo's Theory of Art. New York: New York University Press, 1961. -. The Poetry of Michelangelo. New York: New York University Press, 1965. De Tolnay, Charles. Michelangelo. 5 vols. Princeton: Princeton University Press, 1943-1954. -. The Art and Thought of Michelangelo. Trans. Nan Buranelli. New York: Pantheon Books, 1964. Based on four lectures delivered in 1948 at the College de France. First published in a German translation under the title, Werk und Weltbild des Michelangelo. De Vecchi, P. L. "Studi sulla poesia di Michelangelo," GSLI, CXL (1963), 365402. Ferraro, Giuseppe Guido. II Petrarchismo del Bembo e Ie Rime di Michelangiolo. Torino: l'Erma, 1935. Friedrich, Hugo. Epochen der ltalienischen Lyrik. Frankfurt am Main: V. Klostermann, 1964.

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Gengaro, Maria Luisa. "La 'poetica' di Michelangelo," Acme, VI, fasc. 1 (1953), 1l1-53. Gilbert, Creighton. Michelangelo. New York: McGraw-Hill, 1967. Girardi, Enzo N. "La critica letteraria su Michelangelo," Aevum, XL (1966), 254-80. -. Studi sulle Rime di Michelangelo. Milan: l'Eroica, 1964. Magnani, Luigi. "Michelangiolo poeta," Terzo programma, No.1 (1965), 182224. Mann, Thomas. "La concezione dell'amore nella poesia di Michelangelo," Letteratura moderna, I, 4 (Dec. 1950), 427-34. Mariani, Valerio. Poesia di Michelangelo. Rome: Palombi, 1941. Nardini, Bruno. "Poesia di Michelangelo," Dialoghi, I, No.2 (1953), 23-32. Panofsky, Erwin. Idee; ein Beitrag zur Begriffsgeschichte der iilteren Kunsttheorie. Berlin: B. Hessling, 1960 [1927]. -. Idea; A Concept in Art Theory. Trans. Joseph J. S. Peake. Columbia: University of South Carolina Press, 1968 [1924]. -. "The Neoplatonic Movement and Michelangelo," Studies in Iconology; Humanistic Themes in the Art of the Renaissance. New York: Harper Torchbooks, 1967 [1939]. Pater, Walter. "The Poetry of Michelangelo," The Renaissance; Studies in Art and Poetry. London: Macmillan, 1922 [1873]. Pevsner, Nikolaus. "The Architecture of Mannerism," The Mint, 1(1946), 116-38. Romagnoli, Sergio. Le Rime di Michelangelo Buonarroti. Padua: Liviana, 1965. Scrivano, Riccardo. II Manierismo nella Letteratura del Cinquecento. Padua: Liviana, 1959. Steinberg, Leo. "The Metaphors of Love and Birth in Michelangelo's Pietas," Studies in Erotic Art. Ed. Theodore Bowie & Cornelia V. Christenson. New York & London: Basic Books, 1970. Taylor, John. Michelangelo Considered as a Philosophic Poet. 2nd ed. London: John Murray, 1852. Thomas, Gabriel. Michel-Ange Poete: Etude sur ['expression de ['amour platonique. Paris & Nancy: Berger-Levrault, 1892. Ulivi, Ferruccio. "II manierismo letterario in Italia," Convivium, XXXV, fasc. 6 (Nov.-Dec. 1967),641-54. Vasari, Giorgio. "Michelangelo," Lives of the Artists. Ed. Betty Burroughs. New York: Simon & Schuster, 1946. -. La Vita di Michelangelo, neUe redazioni del 1550 e del 1568. 5 vols. Curata e commentata da Paolo Barocchi. Milano e Napoli: R. Ricciardi, 1962. Venturini, J. "Le dualisme de Michel-Ange," RE, XIV (1961),365-91. D'Aubigne Boase, Alan M. "Poetes anglais et fran9ais de l'epoque baroque," Rev. des Sciences humaines, new ser. 55-56 (1949), 155-84. Castor, Grahame. Pleiade Poetics; A Study in Sixteenth Century Thought and Terminology. Cambridge: Cambridge University Press, 1964.

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Cordie, Carlo. "L'ugonotto innamorato," Saggi e studi di letteratura francese. Padua: Cedam, 1957. D'Aubigne, Agrippa. Oeuvres. Ed. Henri Weber, J. Bailbe & M. Soulie. Paris: Gallirnard (Pleiade), 1969. -. Le Printemps; L'Hecatombe a Diane. Ed. Bernard Gagnebin. Geneva: Droz, 1948. -. Le Printemps; Stances et Odes. Ed. Fernand Desonay. Geneva: Droz, 1952. Galzy, Jeanne. Agrippa d'Aubigne. Paris: Gallimard, 1%5. Garnier, Armand. Agrippa d'Aubigne et Ie parti protestant; contribution a l'histoire de la Reforme en France. 3 vols. Paris: Fischbacher, 1928. Gray, Floyd. "Variations on a Renaissance Theme; the poetic landscape and a 'Stance' of Aubigne," PQ, XLIV (1965),433-44. Griffin, Robert. "Aubigne's Le Printemps and early French Baroque Poetry," Symposium, XIX(1965),197-213. -. "The Rebirth Motif in Agrippa d'Aubigne's Le Printemps," French Studies, XIX, No.3 (July 1965),227-38. Jeanneret, Michel. "Les Styles d'Agrippa d'Aubigne," Stud. francese, XXXII (1967),246-57. Natoli, Glauco. "II 'Printemps' di d'Aubigne," Figura e problemi della cultura francese. Messina, 1956. Nothnagle, John T. "Myth in the Poetic Creation of Agrippa d'Aubigne," Myth and Symbol; Critical Approaches and Applications. Ed. Bernice Slote. Lincoln: University of Nebraska Press, 1963. -. "Poet or Hierophant; A New View of the poetic furor," E Cr, IV, No.4 (1%4), 203-207. Plattard, Jean. Une figure de premier plan dans nos lettres de La Renaissance: Agrippa d'Aubigne. Paris: Boivin, 1931. Raymond, Marcel. "Agrippa d'Aubigne," Genies de France. Neuchatel: la Baconniere, 1942. -. "La Pleiade et Ie Manierisme," Lumieres de la PIeiade. Paris: J. Vrin, 1966. -. L'influence de Ronsard sur la poesie franr;aise. Paris: Champion, 1927. Rousselot, Jean. Agrippa d'Aubigne. (Ecrivains d'hier et d'aujourd'hui.) Paris: P. Seghers, 1966. Schmidt, Albert-Marie, ed. Poetes du XV[e siecle. Paris: Gallimard (Pleiade), 1953. Sonnenfeld, Albert. "The Development of an image in the work of Agrippa d'Aubigne," Romance Notes, 11,1 (1960),42-44. Vianey, Joseph. Le Petrarquisme en France au XV[e siecle. Montpellier: Coulet, 1909. Weber, Henri. La creation poetique au XV[e siecle en France; de Maurice Sceve a Agrippa d'Aubigne. 2 vols. Paris: Nizet, 1955. -. "Etat present des etudes sur Aubigne," L'information iitteraire, XVIII (1966), 185-92. -. "Structures de quelques poemes d'Agrippa d'Aubigne," Actes 1968 de la

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troisieme session des Journees Internationales d'etude du Baroque, Ill. Montauban: Publications du Centre National de Recherches scientifiques, 1969. "Transformation des themes petrarquistes dans Ie 'Printemps' d'Agrippa d'Aubigne," Melanges d'histoire litteraire de la Renaissance otterts a Henri Chamard . .. Paris: Nizet, 1951. Donne Alden, Raymond M. "The Lyric Conceits of the Elizabethans," SP, XIV (1917), 129-52. -. "The Lyricial Conceits of the 'Metaphysical Poets,''' SP, XVII (1950), 183-98. Andreason, N. J. C. John Donne; Conservative Revolutionary. Princeton: Princeton University Press, 1967. Bald, Robert Cecil. John Donne; A Lite. New York: Oxford University Press, 1970. Bateson, F. W. English Poetry and the English Language. 2nd ed. New York: Russel & Russell, 1961. Bennett, Joan. Five Metaphysical Poets: Donne, Herbert, Crashaw, Vaughn, Marvell. 3rd ed. Cambridge: Cambridge University Press, 1964. Bewley, Marius. "Religious Cynicism in Donne's Poetry," Kenyon Review, XIV (1952), 619-46. Blanchard, Margaret M. "The Leap into Darkness: Donne, Herbert, and God," Ren., XVII (1964), 38-50. Bredvold, L. I. "The Naturalism of Donne in Relation to some Renaissance Traditions," JEGP, XXII (1923), 471-502. -. "The Religious Thought of Donne in Relation to Medieval and later Traditions," Studies in Shakespeare, Milton and Donne by Members ot the English Dept. ot the University ot Michigan. New York: Haskell House, 1964. Brooks, Cleanth. The Well-Wrought Urn; Studies in the Structure ot Poetry. New York: Harcourt Brace, 1947. Buckley, Victor. Poetry and the Sacred. London: Chatto & Windus, 1968. Bush, Douglas. English Literature in the Earlier Seventeenth Century, 1600-1660. 2nd ed., rev. Oxford: Clarendon Press, 1962. Chambers, A. B. "'Goodfriday, 1613. Riding Westward': The Poem and the Tradition," ELH, XXVIII (1961), 31-53. Coffin, Charles M. John Donne and the New Philosophy. New York: Columbia University Press, 1937. Colie, Rosalie L. Paradoxia epidemica; The Renaissance Tradition of Paradox. Princeton: Princeton University Press, 1966. -. "The Rhetoric of Transcendence; I. Traditions of Paradox in Renaissance Verse - Epistemologies. II. John Donne's Anniversary Poems and the Paradoxes of Epistemology," PQ, XLIII (1964), 145-70. Daniells, Roy. "The Mannerist Element in English Literature," UTQ, XXXVI (Oct. 1966-July 1967), 1-11. Donne, John. The Anniversaries. Ed. Frank Manley. Baltimore: Johns Hopkins Press, 1963.

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lIS

The Divine Poems. Ed. Helen Gardner. Oxford: Clarendon Press, 1952. -. The Elegies and the Songs and Sonnets. Ed. Helen Gardner. Oxford: Claren· don Press, 1965. -. Devotions upon Emergent Occasions, together with Death's Duel. Ann Arbor: University of Michigan Press, 1959. -. Essays in Divinity. Ed. Evelyn M. Simpson. Oxford: Clarendon Press, 1952. -. Selected Prose. Chosen by Evelyn M. Simpson, ed. Helen Gardner & Timothy Healy. Oxford: Clarendon Press, 1967. -. Sermons. Ed. George R. Potter & Evelyn M. Simpson. 10 vols. Berkeley: Uni. versity of California Press, 1953. Eliot, T. S. Selected Essays. New York: Harcourt Brace, 1950 [1932]. -. "John Donne," Nation & Athen., XXXIII (1923), 331-32. Ellrodt, Robert. Les Poetes metaphysiques anglais. 3 vols. Paris: Jose Corti, 1960. Empson, William. "Donne and the Rhetorical Tradition," Kenyon Review, XI (1949), 571-87. -. English Pastoral Poetry. New York: W. W. Norton, 1938. -. Seven Types of Ambiguity. 2nd ed., rev. New York: New Directions, 1947. Gardner, Helen, ed. John Donne; A Collection of Critical Essays. New Jersey: Prentice-Hall, 1962. Gosse, Sir Edmund William. The Life and Letters of John Donne. 2 vols. London: W. Heineman, 1899. Guss, Donald L. "Donne's Conceit and Petrarchan Wit," PMLA, LXX (1963). 308-314. -. John Donne, Petrarchist; Italianate Conceits and Love Theory in the "Songs and Sonets." Detroit: Wayne State University Press, 1966. Hamilton, William. The Two Harmonies; Poetry and Prose in the Seventeenth Century. Oxford: Clarendon Press, 1963. Harding, D. W. "Coherence of Theme in Donne's Poetry," Kenyon Review. X1TI (1951), 427-44. Harris, Victor. All Coherence Gone. Chicago: University of Chicago Press, 1949. Hughes, Richard E. The Progress of the Soul; The Interior Career of John Donne. New York: Wm. Morrow, 1968. Hunt, Clay. Donne's Poetry. New Haven: Yale University Press, 1954. Johnson, Carol H. Reason's Double Agents. Chapel Hill: University of North Carolina Press, 1966. Keast, W. R. "Johnson's Criticisms of the Metaphysical Poets," JELH, XVII (1950), 59-70. Kermode, Frank. "Dissociation of Sensibility," Kenyon Review, XIX (1957), 169-94. -. John Donne. London: Longmans, Green & Co., 1957. Lea, Kathleen. "Conceits," MLR, XX (1925), 389-406. Legouis, Pierre. Donne the Craftsman; An Essay upon the structure of the "Songs and Sonnets." Paris: Didier, 1928. Leishman, J. B. The Metaphysical Poets: Donne, Herbert, Vaughn, Traherne. Oxford: Clarendon Press, 1934.

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-. The Monarch of Wit; An Analytical and Comparative Study of the Poetry of John Donne. 5th ed., rev. Oxford: Clarendon Press, 1962. Marsh, T. N. "Elizabethan Wit in Metaphor and Conceit: Sidney, Shakespeare, Donne," EM, XIII (1962), 25-29. Martz, Louis. The Poetry of Meditation: A Study in English Religious Literature of the Seventeenth Century. New Haven & London: Yale University Press, 1969 [1954]. McCanles, Michael. "Distinguish in order to Unite; Donne's 'Extasie,' " SEL, VI, 59-75. -. "Paradox in Donne," S. Ren., XIII (1966), 266-87. Moloney, Michael Francis. John Donne; His Flight from Medievalism. New York: Russell & Russell, 1965. Moore, J. F. "Scholasticism, Donne, and the Metaphysical Conceit," Rev. AngloAmerican, XIII (1935), 289-96. Nicolson, Marjorie Hope. The Breaking of the Circle; Studies in the Effect of the "New Science" upon Seventeenth-Century Poetry. rev. ed. New York & London: Columbia University Press, 1962. Potter, G. R. "Donne's 'Extasie,' contre Legouis," PQ, XV (1936), 247-54. Praz, Mario. Seicentismo e Marinismo in Inghilterra; John Donne - Richard Crashaw. Florence: La Voce, 1925. -. Studies in Seventeenth-Century Imagery. London: Warburg. Inst., 1939. Ramsay, Mary Paton. Les Doctrines MUievales chez Donne. 2nd ed. New York & London: Oxford University Press & H. Milford, 1924. Rooney, William. "'The canonization' - The Language of Paradox Reconsidered," ELH, XXIII (1956), 36-47. Ross, Malcolm Mackenzie. Poetry and Dogma; The Transfiguration of Eucharistic Symbols in Seventeenth-Century English Poetry. New Brunswick: Rutgers University Press, 1954. Rowland, Daniel B. Mannerism - Style and Mood; An Anatomy of Four Works in Three Art Forms. New Haven: Yale University Press, 1964. Rugoff, Milton A. Donne's Imagery; A Study in Creative Sources. New York: Russell & Russell, 1962. Sharp, R. L. "Some Light on Metaphysical Obscurity and Roughness," SP, XXI (1934), 497-518. Shawcross, John T., ed. The Complete Poetry of John Donne. New York: Doubleday, 1967. Simpson, Evelyn M. "Donne's Sermons and their Relation to his Poetry," MLR, VII (1912), 410-15. Sloan, Thomas. "The Rhetoric in the Poetry of John Donne," SEL, III (1963), 31-44. Smith, A. J. John Donne; The Songs and Sonets. London: E. Arnold, 1964. -. "The Metaphysic of Love," RES, IX (1958),362.75. Stein, Arnold. John Donne's Lyrics; The Eloquence of Action. Minneapolis: University of Minnesota Press, 1962. Traci, Philip. "The Supposed New Rhetoric of Donne's Songs and Sonnets," Discourse, XI, 98-107.

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Tuve, Rosamond. Elizabethan and Metaphysical Imagery: Renaissance Poetic and Twentieth-Century Critics. Chicago: University of Chicago Press, 1947. Unger, Leonard. Donne's Poetry and Modern Criticism. New York: Russell & Russell, 1962. Wallerstein, Ruth. Studies in Seventeenth-Century Poetic. Madison: University of Wisconsin Press, 1950. Warnke, Frank. "Marino and the English Metaphysical Poets," S. Ren., II (1955), 160-75.

Warren, Austin. "Donne's 'Extasie,''' SP, LV (1958), 472-80. Webber, Joan. Contrary Music: The Prose Style of John Donne. Madison: University of Wisconsin Press, 1963. Wells, Henry Willis. Poetic Imagery: Illustrated from Elizabethan Literature. New York: Russell & Russell, 1961 [1924]. White, Helen. The Metaphysical Poets: A. Study in Religious Experience. New York: Macmillan, 1936. Wiggins, E. L. "Logic in the Poetry of John Donne," SP, XVII (1945), 41-60. Williamson, George. Seventeenth-Century Contexts. rev. ed. Chicago: University of Chicago Press, 1969. -. "The Design of Donne's Anniversaries," MP, LX (1963), 183-91. -. The Proper Wit of Poetry. Chicago; University of Chicago Press, 1961. -. "Textual Difficulties in the Interpretation of Donne's Poetry," MP, XXXVIII (1940). 37-72.