A R T S at S A I N T A N DR E W ’ S

A North American Christmas A Festival of Lessons & Carols with THE SAINT ANDREW’S CHANCEL, CHAMBER & YOUTH CHOIRS

S U N D A Y, D E C E M B E R 1 8 , 2 0 1 6

2016 Program cover draft 3.indd 1

12/7/16 11:26 AM

A North American Christmas A Festival of Lessons and Carols Sunday, December 18, 2016 5:00 pm PRELUDE Lo, How a Rose E’er Blooming Vom Himmel hoch March of the Three Kings Gloria! Terry Yount, organ

R. Lind W. Held G.M. Martin G.M. Martin

EPROCESSIONAL HYMN O Little Town of Bethlehem P. Brooks/L. Redner/J. Rutter Choir: O little town of Bethlehem, how still we see thee lie! Above thy deep and dreamless sleep the silent stars go by. Yet in thy dark streets shineth the everlasting light; The hopes and fears of all the years are met in thee tonight All: O morning stars, together proclaim the holy birth, And praises sing to God the King, and peace to men on earth; For Christ is born of Mary; and gathered all above, While mortals sleep, the angels keep their watch of wondering love. How silently, how silently the wondrous gift is given! So God imparts to human hearts the blessings of His heaven. No ear may hear His coming; but in this world of sin, Where meek souls will receive Him, still the dear Christ enters in. O holy child of Bethlehem, descend to us, we pray; Cast out our sin, and enter in, be born in us today. We hear the Christmas angels the great glad tidings tell: O come to us, abide with us, Our Lord Emmanuel. Saint Andrew’s Chancel and Chamber Choirs EWELCOME & PRAYER

Don Bailey

FIRST LESSON

Isaiah 40:9–11

The Proclamation of the Prophets Concerning the Messiah EThose who are able, please stand

1

Climb to the Top of the Highest Mountain

Adapted from Isaiah 40/C. Jennings

Climb to the top of the highest mountain, Joyous tidings proclaim to the world, Lift up your voice, shout the good news: Behold your Lord comes to you. He will feed His flock like a shepherd, He will carry the lambs in His arms, He will ever keep them safe from harm. Behold your Lord comes to you. He Who made the stars in the heaven, He Who fashioned the earth and the sea, From time eternal, He was Alpha and Omega, He. Behold your Lord! He will come in power and glory, He will rule with mercy and truth, Hope of all the nations, Light of all. He will love the little children, He will hold them in His arms. Love Him and trust Him as a child, Behold your Lord comes to you. Emily Pierce, soprano solo Where Shepherds Lately Knelt

J. Vajda/C. Schalk

Where shepherds lately knelt and kept the angel’s word, I come in half belief, a pilgrim strangely stirred; But there is room and welcome there for me. In that unlikely place I find Him as they said: Sweet, newborn Babe, how frail, and in a manger bed: A still small voice to cry one day for me. How should I not have known Isaiah would be there, His prophecies fulfilled? With pounding heart, I stare: a Child, a Son, the Prince of Peace for me. Can I forget how Love was born and burned Its way into my heart: unasked, unearned, To die, to live, and not alone for me. Saint Andrew’s Chancel and Chamber Choirs

2

SECOND LESSON

John 1:1–5, 14

Saint John Unfolds the Great Mystery of the Incarnate Word John 3:16–17/C. J. Nygard, Jr./N.Hofheins God So Loved the World God so loved the world that He gave His only Son. God so loved the world that everyone Who would believe in His only Son shall have everlasting life. For God sent not His Son into the world to condemn the world, But God so loved the world that through His Son the world might be saved.

I Wonder As I Wander I wonder as I wander out under the sky, Why Jesus the Savior did come for to die For poor lonely people like you and like I: I wonder as I wander out under the sky. When Mary birthed Jesus ‘twas in a cow stall With cattle and farmers and shepherds and all. And high from God’s heaven a star’s light did fall And the promise of ages it then did recall. If Jesus had wanted for any wee thing, A star in the sky or a bird on the wing, Or all of God’s angels in heaven for to sing, He surely could have it cause He was the king. Saint Andrew’s Chancel, Chamber, and Youth Choirs O Magnum Mysterium O magnum mysterium, et admirable sacramentum ut animalia viderent Dominum natum, jaentum in prasepio! Beata Virgo, cujus viscera meruerunt portare Dominum Christum. Alleluia! O great mystery, And wondrous sacrament, That animals should see the newborn Lord, Lying in their manger! Blessed is the Virgin whose womb Was worthy to bear the Lord Jesus Christ. Alleluia! Saint Andrew’s Chamber Choir 3

J.J. Niles/J. Ray

M. Lauridsen

THIRD LESSON

Luke 1:26–28 Christ’s Birth Announced to Mary 14th century Irish carol/E. Daley Angelus Ad Virginem Angelus ad virginem subintrans in conclave, Virginis formidinem demulcens, inquit, “Ave! Ave, beata virgine; coeli terraeque Dominum Concipies et paries intacta salutem hominem Eris mater salvatoris peccatorum.” Quomodo conciperem quae virum non cognovi? Qualiter infringerem quod firma mente vovi? “Spiritus Sancti gratia perfeciet haec Omnia; Ne timeas, sed gaudeas, hodie quod castimonia nunc in te pura Dei potentia.” Ad haec virgo nobilis respondens inquit ei: “Ancilla sum humilis omnipotentis Dei. Tibi coelesti nuntio, tanti secreti conscio, consentiens, et cupiens videre factum quod audio; fiat mihi secundum verbum tuum.” Angelus ad virginem subintrans in conclave, Virginis formidinem demulcens, inquit, “Ave! Ave, beata virgine; coeli terraeque Dominum Concipies et paries intacta salutem hominem Eris mater salvatoris peccatorum.” English paraphrase: The angel Gabriel from heaven came His wings as drifted snow his eyes as flame “All hail,” said he, “thou lowly maiden Mary, Most highly favored lady,” Gloria! “For now a blessed mother thou shalt be, All generations laud and honor thee, Thy Son shall be Emmanuel, by seers foretold Most highly favored lady,” Gloria! Then gently Mary meekly bowed her head “To me be as it pleaseth God,” she said, “My soul shall laud and magnify His holy name.” Most highly favored lady, Gloria! The angel Gabriel from heaven came His wings as drifted snow his eyes as flame “All hail,” said he, “thou lowly maiden Mary, Most highly favored lady,” Gloria! Saint Andrew’s Chamber Choir 4

Luke 1:46–55/H. Willan Magnificat My soul doth magnify the Lord, And my spirit hath rejoiced in God my Saviour. For He hath regarded the lowliness of His handmaiden. For behold from henceforth all generations shall call me blessed. For He that is mighty hath magnified me; and holy is His Name. And His mercy is on them that fear Him through all generations. He hath shewed strength with His arms; He hath scattered the proud in the imagination of their hearts. He hath put down the mighty from their seat; He remembering His mercy hath holpen His servant Israel: As He promised to our forefathers Abraham and His seed forever. Glory be to the Father and to the Son and to the Holy Ghost. As it was in the beginning, is now and ever shall be; World without end. Amen. Amen. Saint Andrew’s Men’s Ensemble

FOURTH LESSON

Glory to God in the Highest

Gloria Gloria in excelsis Deo. et in terra pax hominibus bonae voluntatis. Laudamus te. Benedicimus te. Adoramus te. Glorificamus te. Gratias agimus tibi propter magnam gloriam tuam. Domine Deus, Rex coelestis. Deus Pater omnipotens. Domine Fili unigenite, Jesu Christe. Domine Deus, Agnus Dei. Jesu, Filius Patris. Domine Deus, Agnus Dei, Christe, Filius Patris. Qui tollis peccata mundi, miserere nobis. Qui tollis peccata mundi, suscipe deprecationem nostram. Qui sedes ad dexteram Patris, miserere nobis, Jesu. Quoniam tu, tu solus sanctus. Tu solus Dominus. Tu solus altissimus, Jesu Christe. Cum Sancto Spiritu, in gloria Dei, Patris. Amen. Glory to God in the highest. And on earth peace to men of good will. We praise You. We bless You. We adore You. We glorify You. We give You thanks for Your great glory. 5

Luke 2:8–14 R. A. Bass

Lord God, Heavenly King, O God Almighty Father. Lord Jesus Christ, Only-Begotten Son, Lord God, Lamb of God, Son of the Father, Who takes away the sins of the world, have mercy on us. Who takes away the sins of the world, hear our prayer. You Who sit at the right hand of the Father, have mercy on us. For You alone are the Holy One, You alone the Lord. You alone the Most High, Jesus Christ, With the Holy Spirit in the glory of God the Father. Amen. Saint Andrew’s Chancel, Chamber and Youth Choirs FIFTH LESSON

Luke 2:15–20 The Shepherds Go to the Manger

J.S. Cook/TEMPUS ADEST FLORIDUM/H. Hopson Gentle Mary Laid Her Child Gentle Mary laid her child lowly in a manger; There He lay, the undefiled, to the world a stranger; Such a babe in such a place, can He be the Savior? Ask the saved of every race who have found His favor. Gloria in excelsis Deo. Gentle Mary laid her child lowly in a manger; He is still the undefiled, but no more a stranger: Son of God, of humble birth, beautiful the story; Praise His name in all the earth, hail the King of Glory.

All Is Well M.W. Smith/W. Kirkpatrick/J. Ray All is well, all is well. Angels and men rejoice. For tonight darkness fell into the dawn of love’s light. Sing Alleluia. All is well, all is well. Let there be peace on earth. Christ is come, go and tell that He is in the manger, Alleluia. All is well, all is well. Lift up your voice and sing. Born is now, Emmanuel. Born is our Lord and Savior. Sing Alleluia. Saint Andrew’s Chancel, Chamber, and Youth Choirs

6

SIXTH LESSON Matthew 2:1–12 The Manifestation of Christ, the Light of the World, to the Gentile Nations in the Persons of the Magi Three Kings of Orient We three kings of Orient are, Bearing gifts we traverse afar, Field and fountain, moor and mountain, Following yonder star. Refrain O star of wonder, star of night, Star with royal beauty bright; Westward leading, still proceeding, Guide us to thy perfect light. Born a King on Bethlehem plain, Gold I bring to crown Him again, King forever, ceasing never, Over us all to reign. Refrain Frankincense to offer have I, Incense owns a Deity nigh, Prayer and praising, all men raising Worship Him, God most high. Refrain Myrrh is mine; it’s bitter perfume Breathes a life of gathering gloom; Sorrowing, sighing, bleeding, dying, Sealed in the stone-cold tomb. Refrain Glorious now behold Him arise, King, and God, and sacrifice! Heav’n sings Alleluia: Alleluia the earth replies. Refrain Saint Andrew’s Chancel and Chamber Choirs

7

J.H. Hopkins/J. Rutter

E RECESSIONAL HYMN Joy to the World All: Joy to the world! the Lord is come: Let earth receive her King! Let every heart prepare Him room, And heaven and nature sing, And heaven and nature sing, And heaven, and heaven and nature sing. Joy to the earth! the Savior reigns: Let all their songs employ, While fields and floods, rocks, hills and plains Repeat the sounding joy, Repeat the sounding joy, Repeat, repeat the sounding joy. No more let sins and sorrows grow, Nor thorns infest the ground: He comes to make His blessings flow Far as the curse is found, Far as the curse is found, Far as, far as the curse is found. He rules the world with truth and grace, And makes the nations prove The glories of His righteousness, And wonders of His love, And wonders of His love, And wonders, wonders of His love. Choir: And wonders, wonders of His love.

I. Watts/L. Mason/M. Wilberg

CHORAL RESPONSE The Work of Christmas H. Thurman/D. Forrest When the song of the angels is stilled, When the star in the sky is gone, When the kings and princes are home, When the shepherds are back with their flock, The work of Christmas begins: To find the lost, to heal the broken, To feed the hungry, to release the prisoner, To rebuild the nations; To bring peace among brothers, To make music from the heart. Saint Andrew’s Chancel and Chamber Choirs ECLOSING PRAYER Kevin Struyk 8

Chancel Choir Soprano Mimi Acosta, Lisa Adamski, Sloan Clunn, Alyssa Cook, Sarah Cook, Brenda Davis, Davia Durand, Karen Elliott, Claire Falcone, Deborah Finnamore, Kaylee Gasper, *Trevor Gehman, *Heather Hobden, *Kimmy Hobden, Stephanie Hobden, Courtney Isaacs, *William Larson, Sharon Lundberg, *Sarah Pearson, *Sarah Pierce, Catherine Plaisance, Mickey Poole, *Haley Redmond, Winsome Joy Reynolds, Amanda Savery, Rebecca Savery, Linda Snively, *Amanda Stiemann, Chelsea Stolz, *Thea Van Meggelen, Natalie Wendt, *Kelly Woodford, *Ruthie Wong Alto Kristine Delarm, Christy Dillon, Kathy Grace, Judy Haley, Linda McAleer, Gretchen Peth, Ruth Weeks, Wilma Windham, Kirsten Zima Tenor Norman Adamski, David Finnamore, Eric Grossberndt, Fred Hill, Harry Klink, David Pierce, Jim Pyrich, Ron Robertson, Tim Wong Bass David Bray, *Aaron Cook, *Chris Hobden, Randy Hobden, Julian Nieves, Ozzie Osborn, Timothy Pierce, Curt Wendt, *Charlie Wong *denotes Youth Choir member

Chamber Choir Soprano Deborah Finnamore, Hannah Pacchioli, Sarah Pierce, Melissa Woodford Alto Christy Dillon, McKenna Gasper, Kayla Mahnken, Emily Pierce Tenor Chris Erickson, David Finnamore, Gabriel Walls Bass David Bray, Tim Pierce, Andrew Savery, Jesse Stiemann Saint Andrew’s Sinfonia Violin I Violin II Viola Cello Flute Oboe Bassoon Horn Trumpet Trombone Timpani Percussion

Olga Kolpakova, Olga Ferroni Sean Moore, Victor Bowers Aaron Carlson Christopher Erickson Sandra Del Cid-Davies Kim Lieser Chris Eberle Chris Hunter William Cooper, Gordon Mason David Martin Craig Uppercue Marja Kerney

9

Program Notes Tonight’s prelude music for solo organ includes three settings by American composers: Richard Lind, Wilbur Held, and Gilbert Martin. Richard Lind is a composer, conductor, and organist in Seattle, Washington. With Augsburg Fortress Press, he has created several volumes of carol settings, all of which use the organ with fresh colors and clarity of line. Lo, How a Rose E’er Blooming derives interest for the tune being placed in the pedals, in canon with a single flute 2 octaves above. Wilbur Held (1914-2015) spent most of his life at Ohio State University as a professor of music and continued composing for several American publishers well into his 90s, after retiring to Claremont, California. Of his many carol settings, Vom Himmel hoch is directly related to the chorale fantasia style from the Baroque with cantus firmus in the pedal and countermelody in the hands. Gilbert Martin (b. 1941) has created music for organ, choral, and instrumental music for over 50 years. March of the Three Kings comes from a 13th century Provencal carol, familiar to audiences as La Marche Des Rois, set by George Bizet in one of his L’Arlesienne Suites for orchestra. Gloria! is a melding of Les Anges Dans Nos Compagnes, an 18th century carol, and Branle De L’official, a 16th century round dance, nicely contrasting the flute, string, and reed voices of the organ. Philips Brooks (1835-1893), a young Episcopalian rector at the Church of the Advent in Philadelphia, penned the text to O Little Town of Bethlehem for his Sunday School class in 1868. Three years earlier, Brooks had visited the Holy Land and attended Christmas Eve services at the Church of the Nativity in Bethlehem, and the memories of his visit provided inspiration for the hymn. Brooks commissioned Lewis Redner, organist at Holy Trinity Church in Boston, to compose the tune for the hymn, and Mr. Redner completed the task the night before it was to be sung fot the first time, December 27, 1868. Mr. Redner later wrote of the hymn, “Neither Mr. Brooks nor I ever thought the carol or the music to it would live beyond that Christmas of 1868,” and yet it remains one of America’s most beloved carols over a century later. Carolyn Jennings (b. 1936) sets the tender promises in Isaiah 40 of the coming Messiah in her anthem, Climb to the Top of Highest Mountain. Ms. Jennings is a widely published choral composer and is Professor Emerita of Music at St. Olaf College in Northfield, Minnesota. In her teaching and composing, she emphasizes how language both shapes and expresses thought. Ms. Jennings has also served as a church musician in her local congregation for over thirty years. Where Shepherds Lately Knelt records the wonder of the manger scene as the shepherds beheld it on Christmas night. The text was written by Jaroslav Vajda (1919-2008), a Lutheran pastor and one of the most prolific North American hymn writers of the twentieth century. As a teenager, Dr. Vajda began translating Slovakian short stories and poetry into English, developing a skill with language that would serve him well as a hymnist. Dr. Vajda collaborated frequently with composer and Distinguished Professor of Music Emeritus at Concordia University, Dr. Carl Schalk (b. 1929), who set this text to music. Dr. Schalk said of Dr. Vajda, “[He] had a remarkable ability to fashion a striking new image [and] to reshape an older one, recreating it in a way which brought fresh insight and new understanding.”

10

O Magnum Mysterium reflects the wonder of Christ coming to earth. The text speaks with amazement of the lowly circumstances of our Lord’s birth. Morten Lauridsen describes his setting as “a quiet song of profound inner joy.” Composed in 1994, the piece was first performed on December 18 of that year by the Los Angeles Master Chorale. Shortly afterwards, Lauridsen became composer-in-residence for the same chorale. In 2005, the National Endowment for the Arts named him an American Choral Master, and two years later, he was awarded the highest artistic award in the United States, the National Medal of the Arts. By the end of the twentieth century, Lauridsen had become the most frequently performed American choral composer. God So Loved the World is a beautiful setting of the familiar text of John 3:16–17. While the choir sings of God’s love manifested in Christ’s incarnation, the accompaniment plays triplets throughout, evocative of the work of the three Persons of the Trinity in our salvation. The piece climaxes with the promise that “all who would believe in Him [Christ] will have everlasting life.” Composed in 1987 by American composer, Carl J. Nygard, Jr., for the Mount Vernon Place United Methodist Church in Washington D.C., the anthem was later orchestrated by Nathan Hofheins. Appalachian folk hymn, I Wonder As I Wander, has it roots in fragments of a tune captured by folklorist and singer John Jacob Niles. In 1933, Mr. Niles visited a rural North Carolina town to attend an evangelical meeting. At the meeting a young girl named Annie Morgan stepped to the edge of a platform attached to an automobile and sang a single line of song. Mr. Niles was so taken with the song that he asked her to repeat the fragment several times in exchange for a quarter per performance. From this scrap of melody, Mr. Niles would go on to compose the version of I Wonder As I Wander that exists today. Mr. Niles first performed the song on December 19, 1933 and would publish it in Songs of the Hill Folk in 1934. Angelus Ad Virginem relates the story of Gabriel’s announcement to Mary that she would bear the Christ (Luke 1:26–38). The text, set to music by Canadian composer, Eleanor Daley, comes from a 14th century Irish carol. Ms. Daley has set over 80 choral compositions in her name. Two of these, Requiem and Rose Trilogy, received the National Choral Award for Outstanding Choral Composition of the Year (1994, 2004). Ms. Daley’s skill in setting text to melody shines through in Angelus Ad Virginem, with the time signature constantly changing to ensure proper stress on each syllable. The piece culminates with a soprano descant, as the choir sings of the blessed life that awaits those who find forgiveness in Christ. Magnificat is the first word in the Latin translation of Luke 1:46–55, Mary’s song of praise to God. Some scholars suggest that versions of this song were sung even before the writing of Luke’s gospel. This text has been sung througout church history and set by numerous composers. Healey Willan’s setting intersperses sections of chant that harken back to the Middle Ages, where the Magnificat was sung daily as part of the daily offices. Born in England, Willan (1880-1968) moved to Tornoto in 1913 and served much of his career as Precentor, or worship director, at the Anglican Church of St. Mary Magdalene in Toronto as well as Professor of Music at the University of Toronto. More than half of his compositions are sacred, and his musical style is firmly grounded in the traditional compositional

11

techniques of counterpoint and fugue. Among the many honors he received in his lifetime, he was commissioned to write an anthem, Our Lord Our Governour, for the coronation of Queen Elizabeth II in 1953. Randol Alan Bass (b. 1953) composed Gloria for the New York Pops Orchestra in 1990, and it has been performed and recorded extensively since its debut. Gloria displays the proclamation of the angels in Luke 2:14: “Glory to God in the highest, and on earth, peace among those with whom He is pleased!” Mr. Bass began his career as a choral singer, conductor, and arranger and now focuses on composition as demand for his original works has increased. He is devoted to developing understanding and musical appreciation in nonmusicians, and as such, works with several amateur and civic performance organizations in his native state, Texas. Gentle Mary Laid Her Child was written by Canadian pastor, Joseph Cook (1859-1933). The tune, TEMPUS ADEST FLORIDUM, is an old Swedish melody preserved by Theodoric Petri’s collection of the hymn, Piae Cantiones (1582). The arranger, Hal H. Hopson (b. 1933) has over 1,800 published works. As an active church musician, he served on the boards of the Presbyterian Association of Musicians, the Choristers Guild, and the Church Music Institute. He has shaped 20th century choral music to the extent that his cantata, God With Us, was considered characteristic of the century and placed in a 1976 time capsule to be performed at the American Tercentennial in 2076. All Is Well is a contemporary piece, first appearing in the 1989 album, Christmas by Michael W. Smith. Smith co-wrote the original song with Wayne Kirkpatrick. Florida native, Jamey Ray, arranged this version in 2008. Mr. Ray completed his undergraduate degree in in Computer Science and Music at Rollins College and subsequently pursued graduate studies in Music Technology at New York University. In addition to serving on the faculty at Rollins College, Mr. Ray is a founding member of the a capella group, Voctave, and his arrangements have been performed by such notable ensembles as Pentatonix, Avalon, and many Broadway performers. Three Kings of the Orient tells the story of the magi who came from the East seeking the child Jesus. While Scripture never specifies the number of magi who came to worship Jesus, the hymn assumes three magi due to the number of gifts presented to Christ. Pennsylvania native, John H. Hopkins (1820-1891), composed both the music and the words for this hymn in 1857 as part of a Christmas pageant for his nieces and nephews. Rev. Hopkins, an ordained priest in the Episcopal church, was influential in developing the hymnody of the Episcopal Church. Several editions of his song books, Carols, Hymns, and Songs and Canticles Noted with Accompanying Harmonies, were printed. Hopkins’ artistic bent extended beyond the field of music, and he designed stained glass windows and other church ornaments for the New York Ecclesiological Society. This arrangement of Three Kings of the Orient was created by notable English composer, John Rutter.

12

Joy to the World remains a time-honored hymn for the Christmas season, published in over 1600 different hymnals. The text comes from Isaac Watts book, The Psalms of David Imitated (1719) and reflects his Christological paraphrase of Psalm 98. The tune (ANTIOCH), penned by American composer, Lowell Mason (1792-1872), hints at passages from Handel’s Messiah, such as the orchestral opening of the tenor recitative, Comfort Ye My People and the first four tenor notes in Glory to God. Mr. Mason, who has been called the father of American church music, published his first collection of music in 1822 while working as a bank clerk and subsequently published many other beloved hymns, and arrangements including America the Beautiful and When I Survey the Wondrous Cross. In 1827 he became president and conductor of the Handel and Haydn Society of Boston, one of the United States earliest classical music organizations. Mr. Mason was a prominent figure and early advocate for music education, introducing vocal music instruction to Boston’s public school system. He was also well known as a church music director; in his tenure at New York’s Fifth Avenue Presbyterian Church in the 1850s, he developed the congregational singing to such an extent that he eliminated all professional musicians except the organist. Mack Wilberg, current music director of the Mormon Tabernacle Choir, wrote this arrangement in 2001. American composer Dan Forrest (b. 1978) writes, “I never set a text to music unless it ‘sings to me’ ¬ that is, it suggests some musical setting to me in which its external and internal beauty might be heightened by being joined to music.” The Work of Christmas, a poem by Daytona, Florida, native, Howard Thurman (1899-1981), is just such a text. The poem suggests that it is after the events of Christmas passed, that the work of Christmas begins. Dr. Thurman was the son of a railroad worker and a domestic worker and the grandson of a former slave. His grandmother strongly influenced his spiritual growth as a child and instilled in him a careful reading of the Bible. He attended Morehouse College and Colgate Rochester Theological Seminary, becoming an ordained Baptist minister. He served briefly as a pastor in Oberlin, Ohio, and then on the faculty at Morehouse and Spelman Colleges before being appointed Professor of Christian Theology at Howard University. It was at Howard that Dr. Thurman became a leader in the Civil Rights Movement and an advocate for nonviolent protest.

Upcoming Arts Events Scottish fiddler, Hanneke Cassel, & Friends Indiana Wesleyan Chorale Saint Andrew’s Chamber Choir Choral Festival Concert LIBER Medieval Vocal Ensemble Christmas Concert & Gala 13

Sunday, February 12 at 5:00 pm Sunday, March 12 at 5:00 pm Sunday, April 30 at 5:00 pm Sunday, June 11 at 5:00 pm Sunday, October 8 at 5:00 pm Sunday, December 17 at 5:00 pm