20th Century Decorative Art and Design Tuesday 25 October 2016 at 10.00am

20th Century Decorative Art and Design at the Stansted Mountfitchet Auction Rooms

Tuesday 25 October 2016 at 10.00am O RDE R OF S A LE Lots 1 - 41

Jewellery

Lots 45 - 89

Arts and Crafts

Lots 95 - 190

Art Deco

Lots 195 - 366

Photographs, Prints, Watercolours and Oil Paintings



10 minute break

Lots 367 - 624

Post-War and Modern Objects, Furniture and Lighting

On view Friday 21 October Sunday 23 October Monday 24 October Tuesday 25 October

9.00am - 5.00pm 10.00am - 1.00pm 9.00am - 5.00pm From 9.00am

For further information: Telephone: 01279 817778 Email: [email protected]

Online bidding via www.sworder.co.uk

To obtain more detailed images and condition reports for lots in this catalogue, please visit our website www.sworder.co.uk Cover: Lot 102

JEWELLERY 1-41

It is accepted practice that many coloured gemstones, including coral and jade, are routinely treated to enhance their colour and possibly clarity and unless otherwise stated in individual condition reports, it must be assumed that those offered for sale have possibly been subjected to such treatments. Many of the jewellery lots in our auction are Continental or made outside the UK and whilst they have all been spot tested with acid to estimate the carat of the gold, as they were not manufactured for the UK market and may have subsequent repairs or alterations, we cannot guarantee any item will pass assay in the UK.

Lot 1 An Arts & Crafts sterling silver and enamel hat pin, by Charles Horner, with a central boss, enamelled in shades of blue and green, a swirling border with raised and pierced sections, Chester 1909, together with a sterling silver hat pin, with an open scrolled head, Birmingham 1909 (2) £100 - 150 Lot 2 An Arts and Crafts sterling silver buckle, designed by Archibald Knox for Liberty, Birmingham 1907, a pair of hammered textured hearts with central lozenge of varicoloured blue and green enamel decoration, Liberty & Co. maker’s mark, indistinct, 7.9 x 4.5cm £250 - 350

Buyers of CITES’ species should always check domestic import restrictions prior to bidding. This includes certain species of coral and, in particular, please note the new US legislation on ivory. In addition, buyers should also check domestic import restrictions on certain coloured stones, notably the US legislation on jadeite and rubies originating from Burma. We ask prospective buyers to bear in mind that our photographs may not provide an accurate representation of colour and size. Please note that potential purchasers should not attempt to test pieces further without the auctioneer’s specific consent.

Lot 3 An Arts and Crafts sterling silver enamel buckle, by Liberty & Co., designed by Archibald Knox, Birmingham 1905, two cut corner rectangular plaques with a flower head in the centre of each, with blue and green enamel decoration £250 - 350 Lot 4 An Art Nouveau sterling silver buckle, by William Comyns, London 1900, with flower heads and buds to a vine and entwined tendril frame, ‘Rd. No. 352369(?)’ 9 x 8.4cm £150 - 250 Lot 5 An Arts and Crafts silver and enamel bracelet, c.1900, by Murrle Bennett, with a lozengeshaped centrepiece with varicoloured blue and green enamel decoration, a series of rectangular plaque links to each side, each inset with a varicoloured blue and green enamel centre to a concealed box clasp and safety chain, marked ‘SILVER’, Murrle Bennett maker’s mark and logo, 950 standard mark £300 - 350

Lot 6 An Arts and Crafts silver and enamel brooch, c.1900, by Murrle Bennett, of slightly domed oval form, a central oval recessed boss with varicoloured blue and green enamel decoration, with matching enamel decoration at either side, Murrle Bennett maker’s mark, 950 standard mark £100 - 150 Lot 7 A sterling silver Arts and Crafts enamel brooch, by Charles Horner, Chester 1909, open lozenge form with blue and green enamel decoration, with a kite-shaped pendant drop, together with a Norwegian silver gilt scrolled shaped brooch, by Ivar T Holth, with blue guilloché enamel decoration (2) £80 - 120

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Lot 8 A Jugendstil plique-à-jour enamel and blister pearl brooch, c.1900, by Heinrich Levinger, scrolling petal shapes with shaded blue pliqueà-jour enamel decoration with a circular blister pearl rub set between, a replacement later blue topaz pendant drop, marked ‘Depose 900’, maker’s monogram, damage £100 - 150 Lot 9 A sterling silver Arts and Crafts cornelian ring, attributed to Bernard Instone, with an oval cabochon cornelian, rub set to the centre, a twisted wire border with pairs of applied leaves to each shoulder, with applied single and trefoil bead clusters to a two-row shank, finger size K LE, together with a silver, circular, hinged locket, decorated with a Giardinetti and rose blooms in pink and red to a guilloché ground, Dutch import mark 1906-1953, and a similar bar brooch (3) £100 - 150

Lot 10 A sterling silver matched bracelet, brooch and ring suite, attributed to Charles and Gladys Mumford of Falmouth, the bracelet with coiled wire links with a polished leaf to the centre, all joined by flat section oval jump rings to a hook clasp, together with a matching brooch, the ring with a carved and pierced cornelian cabochon, rub set at the centre with a notched setting edge. A lozenge shaped surround with leaves and coiled wire at the quarter points with twisted wire between, to a plain shank. Bracelet and brooch both marked ‘STERLING’. Finger size O approximately (3) £150 - 200 Lot 11 A sterling silver Arts and Crafts amethyst bracelet, with a series of wire heart-shaped plaques, each one rub set with a circular faceted amethyst, a twisted wire border with applied leaves to pairs of eyelets, all joined by sections of trace chain to a concealed box clasp £100 - 150

Lot 12 A sterling silver Arts & Crafts-style cornelian bracelet, by Sydney & Co., Birmingham 1977, in the style of Bernard Instone, a series of cushion-shaped pierced plaques with a circular cabochon cornelian, rub set to the centre with applied incised leaves, flower heads and tendrils, all joined by pairs of jump rings between oval cabochon cornelians, rub set in plain frames to a concealed box clasp, together with a double-ended bar brooch, in the style of Bernard Instone, with an oval cabochon stained agate, claw set to each end of a tapering bar with relief carved leaves (2) £100 - 150

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Lot 13 A collection of Edwardian and Art Deco enamel buckles, with polychrome enamel decoration, and a sterling silver polychrome enamel floral plaque brooch, by A H Darby & Son, c.1940 (11) £100 - 150 Lot 14 A collection of Art Deco gilt metal buckles, of geometric or palmette form (6) £100 - 150

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Lot 15 A collection of Edwardian and Art Deco enamel buckles, with polychrome enamel decoration, and two sterling silver polychrome enamel floral plaque brooches, by A H Darby & Son, c.1940 (qty.) £100 - 150

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Lot 16 An Art Deco Japanese celluloid and lacquer hair comb, c.1920, by Umezawa Ryushin, with an oval top, decorated with lacquer fans, a red lacquer and gilded fan with fishscale pattern and a black lacquer and gilded one with star pattern, gilded lines and signature to black pierced tines, signature to the front £100 - 150

Lot 17 A sterling silver circular hinged powder compact, designed by Harald Nielsen for Georg Jensen, No. 231N, with an applied dolphin to the front cover and a scalloped frame to the interior mirror, import hallmark London 1960, marked ‘H N Denmark’, Georg Jensen mark 1945-to date, sterling 231N, original box, together with an Art Deco sterling silver circular hinged powder compact, c.1930, by Crisford & Norris Ltd., with geometric, stepped decoration to an engine turned ground, Birmingham 1933, an Art Deco chrome-plated and celluloid powder compact, and another Coty example (4) £150 - 180

Lot 18 An Art Deco green Bakelite necklace, with a lunette-shaped centrepiece with a pair of applied white metal peacocks, articulated square section Bakelite rods forming the chain and pendant drop, with graduated disc stations, together with an Art Deco sautoir, with Chinese carved and pierced cornelian beads strung on to peach woven silk knotted cord with a tassel drop (2) £100 - 150

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Lot 19 An Art Deco faceted rock crystal briolette pendant, with a wire bale with graduated bead decoration, suspended on a sterling silver trace chain, an Art Deco carved ivory and bead sautoir, with articulated carved ivory tassels, an American sterling silver dogwood brooch, by Stuart Nye, and a sterling silver Taxco brooch pendant, set with sections of azurite (4) £80 - 100

Lot 21 A gentlemen’s stainless steel Omega Chronostop Genève automatic bracelet watch, c.1969-1970, tonneau-shaped brushed and polished case, circular grey dial, raised silvered batons, date, ‘Chequered Flag’ tracking, luminous hands and orange centre chronograph hand, Omega crown and pusher, case 34mm diameter, ‘shark’ mesh Milanese bracelet with an Omega ladder snap clasp, marked ‘Ref. 1120/116 No. 27’ £250 - 350

Lot 20 A gentlemen’s stainless steel Omega Automatic Dynamic strap watch, possibly c.1970, circular silvered dial with a royal blue chapter ring, white batons, black luminous hands, sky blue centre second sweep and date, graduated bezel with brushed textured finish, Omega crown and strap. Original information booklet. No box or papers £70 - 90

Lot 22 A Continental, Egyptian Revival sarcophagus pendant, decorated with polychrome enamel, hinged to reveal a gilt metal polychrome enamel mummy to a gilt interior, suspended off a modern silver chain, together with an Art Nouveaustyle pendant, depicting the profile of a maiden with vines, marked 925 with Dutch import mark post 1950, and a sterling silver Art Nouveau-style pendant, with the profile of a maiden to vines and blooms, London 1977 (3) £100 - 150

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Lot 23 A sterling silver pendant by David Andersen, designed by Bjørn Sigurd Østern, ‘The Boat of Good Fortune’ from the Troll Series, a stylised Viking longboat with an oval cabochon amazonite, rub set to the centre, suspended on a box chain signed ‘David Andersen, Norway, Sterling 925S’ £100 - 150 Lot 24 A sterling silver necklace, be Georg Jensen, No. 276, composed of a series of flat section curved bar links to a ‘T’ bar clasp, import hallmark London 1995, Georg Jensen maker’s mark and ‘925S Denmark’ £200 - 250 Lot 25 A sterling silver brooch, by Georg Jensen, No.123, a dove within a foliate wreath with a plain pin and visor catch, Georg Jensen mark for 1933-1944, marked ‘925 STERLING Denmark’ £140 - 180

Lot 26 A cased sterling silver bracelet, by Georg Jensen, designed by Nanna Ditzel, No. 151, a series of circular discs with a dished top and central slot, all joined by flat section oval rings to a hinged clasp, later bolt ring and safety chain fitted, import hallmark London 1967-68, marked ‘Denmark 925S’, maker’s mark 1945-to date, box and original receipt dated 1967 from Georg Jensen, 15 New Bond St., London W1 £250 - 300 Lot 27 An Austro-Hungarian silver and enamel brooch, by Wiener Werkstätte, composed of an oval plaque with a royal blue enamel lady carrying a bucket to the centre with a linear border, AustroHungarian 900 standard mark for Vienna 1912-1922, signed, 32 x 25cm £300 - 400

Lot 28 A sterling silver kneeling deer brooch, by Georg Jensen, designed by Arno Malinowski, the kneeling deer amongst stylised flowers to a two-row oval frame, no. 256, marked ‘STERLING Denmark’, maker’s mark 1945-to present date, import hallmark, London 1959 £150 - 250 Lot 29 A sterling silver tulip brooch, by Georg Jensen, No.100A, with a pair of tulip buds and looped stem, marked for Georg Jensen 1945-to date, ‘STERLING, Denmark 100A’, together with a sterling silver bar brooch, by Georg Jensen, with a flat section bar with flower heads and wire stems to each side, Georg Jensen maker’s mark 1945-to date, ‘STERLING No.278’ (2) £120 - 160

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JEWELLERY 1-41

Lot 30 A Danish sterling silver tiger’s eye ring, by Hans Hansen, with a tiger’s eye bead, peg set to the centre of an open hoop frame, tapering shank with the shoulders held within the hoop, import hallmark, London 1971. Finger size M (approximately) £70 - 90 Lot 31 A sterling silver unicorn brooch, designed by Geoffrey G Bellamy for George Tarratt, the prancing unicorn within an oval frame, all with a satin finish, Birmingham 1959, signed ‘Geoffrey Bellamy, No. 165’ £100 - 120 Lot 32 A sterling silver, aventurine quartz and agate bead necklace, c.1970, with a series of circular cast discs with traced and applied style decoration, between irregular sections of aventurine and agate beads on silver wire, Sheffield 1972 by J B Wholesale £80 - 100

Lot 33 A sterling silver Danish agate brooch, c.1965, by Bent Knudsen, No.7, of elongated triangular form, tapering to a looped and folded round section bar, with a circular cabochon agate rub set at the end, pin and revolving catch marked ‘HANDMADE STERLING DENMARK BENT.K 7’, a sterling silver Jugendstil moonstone brooch, composed of an open calf’s headshaped plaque with coiled flat wire scrolls, applied leaf spray and cabochon oval moonstone rub set to the centre, plain pin and ‘C’ catch marked sterling, together with a pair of Danish sterling silver plain oval clip-on earrings, by Niels Eric From, marked ‘STERLING, DENMARK NE FROM, 925S’ (4) £100 - 150

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Lot 34 An Art Deco carved amber pendant, of pear-shaped form with flat faces to an Art Deco, rolled gold, stepped cap and bale £100 - 150 Lot 35 A French gold, diamond, Perspex and enamel zodiac pendant, c.1970, by Pascal Morabito, a flat section mottled-green enamel plaque, with the Aquarius water symbol depicted in a wavy gold line and brilliant cut diamond set line below, enclosed in a flat section square Perspex block with gold framed edges and flat section bale, French poinçon for 18ct gold standard, maker’s mark unidentified, Roman numeral to the reverse £100 - 200 Lot 36 A French gold, single stone, diamond and Perspex pendant, c.1970, with a brilliant cut diamond encapsulated in a Perspex dodecagon with gold framed edges and a flat section bale. French poinçon for 18ct gold standard. Maker’s mark indistinct £100 - 200

Lot 37 A 9ct gold twisted figure of eight link chain, c.1970, with elongated twisted oval links with a bark textured finish, London 1974, sponsor’s mark indistinct, possibly Len Wilson £200 - 250 Lot 38 A single stone gold amethyst ring, c.1970, with an oval cabochon amethyst, rub set to a plain collet, mounted to a wide band of pierced ovals, marked 375 and indistinctly 9ct, finger size P, together with a gold and lapis lazuli bead ring, of twisted wire hoops strung with lapis lazuli beads, tested as approximately 18ct gold, finger size I½ (2) £70 - 90 Lot 39 A 9ct gold tiger’s eye necklace, c.1970, with tiger’s eye beads on gold wire, between sections of trace chain and twisted wire cage links, Birmingham 1975 £80 - 120

Lot 40 A 9ct gold single stone Cairngorm ring, with a rectangular Brazilian cushion cut Cairngorm, double claw set at the corners to an open basket, applied leaf shoulders to a plain shank with support beads fitted, Birmingham 2001. Finger size O (approximately) £80 - 120 Lot 41 A 9ct gold two-stone peridot ring, c.1970, with a circular mixed cut and pear cut peridot, both rub set to plain collets, each collet mounted to a bark textured, pierced bombé-style head with bark textured shank, London 1971. Finger size R £100 - 150 Lots 42-44 Spare lots

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Lot 46 Two Martin Brothers’ stoneware beakers, of tapering form, incised with fish and a crab with seaweed on a buff ground, incised ‘9-88 Martin Bros London T Southall’ both cracked, 9.3cm high (2) £250 - 350

45 Lot 45 A Martin Brothers’ stoneware bottle ewer, with gentian flowers on a buff ground, incised ‘Martin Bros. London & Southall’, 17cm high £300 - 500

Lot 47 A rare Doulton Lambeth ‘Velluma’ stoneware three-piece tea set, c.1911, printed and painted with ladies in crinoline dresses, printed marks, inscribed ‘X7503H’ (3) £200 - 300 Lot 48 A Della Robbia Birkenhead pottery vase, c.1894-1901, the ovoid body decorated with foliage and stylised fish, the neck with two loop handles, incised galleon mark to base with initials ‘D.R.’ and ‘C.ELL’, possibly for Charles Collis, the number ‘253’ and painted ‘G.W.’, 33cm high £200 - 300

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Arts and Crafts 45-89

50 Lot 50 A William Moorcroft for Liberty & Co. ‘Claremont’ bowl, facsimile signature in green and printed ‘Made for Liberty & Co. Rd. No. 420081’, restored, cracked, 23cm diameter £150 - 250

49 Lot 49 A Moorcroft ‘Hazeldene’ vase, designed by William Moorcroft for Liberty and Co., of shouldered form with an everted rim, with a green, yellow and blue ground, inscribed in green ‘W Moorcroft des.’ and printed ‘Rd No 397964 Made for Liberty & Co.’, 10.5cm high £800 - 1,200

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Lot 51 A William Moorcroft Macintyre ‘Revived Cornflower’ pattern vase, the swollen base with a tall cylindrical neck and a flared rim, ‘W Moorcroft’ facsimile signature, printed mark and impressed ‘53’, restored to the rim, 24cm high £250 - 300

Lot 52 A Moorcroft ‘Pomegranate’ vase, of globular form, facsimile W Moorcroft signature, impressed 1440, 18.5cm high, and another, converted to a lamp base, cut down, 34.5cm (2) £150 - 200 Lot 53 Two Moorcroft ‘Pomengranate’ vases, of baluster form, one with trailing leaves to the lower edge, stamped and each numbered M72, with green facsimile signature, one chipped, 26.8 and 27cm high (2) £400 - 600

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45-89 arts and Crafts

54 Lot 54 A Loetz iridescent glass vase, c.1900, with a silver-mounted rim and an applied floral panel, cracked to rim, 9.5cm high £100 - 150

Lot 55 A Zsolnay Pécs pottery ewer, with iridescent eosin glaze of a maiden peering into an ewer, printed mark, 12cm high £300 - 500

55 Lot 56 A Sèvres high fired porcelain vase, attributed to Ernest Chaplet, 1894, the baluster vase with an applied petal-like band, with a blue glaze over a sang-de-boeuf ground, printed marks and inscribed ‘11.N’, 27.5cm high £800 - 1,200 Lot 57 A ‘Tudric’ pewter powder pot and cover, mounted with a mottled glass base, stamped ‘Tudric 5013’, 11.5cm diameter £100 - 150

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61 Lot 58 A ‘Tudric’ pewter centre stand, designed by Archibald Knox for Liberty, No. 276, with a later green glass liner, with gold aventurine inclusions, 17cm high £400 - 600

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Lot 59 A WMF silver-plated centrepiece, pierced with a lady and flowers, moulded ‘331’, 46.5cm wide £500 - 700 Lot 60 A silver-plated biscuit barrel and cover, the glass wedge-shaped body with cut details, unmarked, 21cm high, together with an Orivit pewter and glass basket, stamped ‘ORIVIT’ and moulded 3470, 25cm wide (2) £100 - 150

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Lot 61 A mottled glass and silver overlaid vase, probably Loetz, in purple, yellow and clear glass, 29cm high £500 - 700

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45-89 arts and Crafts Lot 62 An Art Glass vase, of slender form with mottled glass, painted with crocus, inscribed ‘Mado-Nancy’, 30cm high £150 - 200 Lot 63 A silver cigar case, Liberty & Co., Birmingham 1910, the hinged cover with stylised tracery engraving, 13cm long £250 - 300

Lot 64 A pair of ‘Tudric’ pewter candlesticks, designed by Archibald Knox (1864-1933) for Liberty & Co., London, each with square section nozzles, on tapering stems and pierced bases, stamped ‘ENGLISH PEWTER 0725’, 31cm high (2) £2,500 - 3,000 Lot 65 Marius Remondot, early 20th century, a bronze of a peasant carrying fishing nets, signed to the base, 34cm high £200 - 300

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Arts and Crafts 45-89 Lot 66 ‘The Studio’, ‘An Illustrated Magazine of Fine and Applied Art’ six volumes, XVII, XIX, XXI, XXII, XXVI, XXXII (6) £100 - 150 Lot 67 A Tiffany Studios candlestick, early 20th century, patinated bronze, with monopedia supports, stamped ‘Tiffany Studios, New York’, 27cm high £150 - 200

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Lot 68 An oak and parcel gilt side cabinet, c.1870, in the manner of Bruce Talbot, the top section with an astragal glazed door within panelled bowed doors, on a turned stand, 107cm wide 41cm deep 180.5cm high £300 - 500 Lot 69 A Victorian rosewood nursing chair, by Collinson & Lock, the reeded frame stamped ‘Collinson and Lock, London 5845’, 108cm high £100 - 200

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45-89 arts and Crafts Lot 70 A terracotta bust of an Arab girl, probably Austrian, c.1900, impressed ‘Depose 498’ and monogrammed, 48cm high £200 - 300

Lot 71 A Victorian embossed brass coal scuttle, with an hinged cover, swing handle on cast feet, with a shovel, 66cm wide 52cm high £200 - 300

70 Lot 72 A ‘Pre-Raphaelite Collection’ poster, designed by Walford Graham Robertson (1866-1948) for the Goupil Gallery, 5 Regent Street, colour lithographic, printed by J S Virtue & Co. Ltd., 75 x 49cm £200 - 400

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71 Lot 73 A mahogany armchair, in the Liberty style, with pierced lattice panels, recently reupholstered in red leather £250 - 350

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75 Lot 75 A ‘Sussex’ type armchair, in the manner of Philip Webb, with a rush seat £100 - 150

Lot 74 A brass oil lamp, after a design by Dr Christopher Dresser, cast ‘B & F’, with later flute and shade, 62cm high overall £200 - 300

76 Lot 76 An ebonised armchair, after a design by E W Godwin, with a stuff over seat £150 - 200

Lot 77 An oak secretaire bookcase, probably by Liberty & Co., with three leaded glass cupboards over an arched shelf, a fall front bureau over three drawers flanked by cupboards, with copper plate escutcheons and brass hoop handles, 187cm wide 54cm deep 213cm high £600 - 800

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45-89 arts and Crafts

78 Lot 78 A set of ten William Birch dining chairs, with rush seats, comprising eight singles and a pair of armchairs (10) £700 - 900 Lot 79 A pair of oak bookracks, in the style of Liberty of London, with fret cut yin/yang details, each 45.5cm wide (2) £150 - 200

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Lot 80 An oak armchair, attributed to A E Taylor for Wylie & Lockhead, with a rush drop-in seat £150 - 200 Lot 81 An oak Letchworth child’s chair, with a rush seat, 69cm high £100 - 200

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Arts and Crafts 45-89 Lot 82 A set of eight Heal’s oak Letchworth dining chairs, each with a ladder back and rush seat, 6+2 carvers £1,000 - 1,500

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83 open Lot 83 An Heal’s oak nursery cabinet, designed by Ambrose Heal, with an arrangement of drawers and two cupboards, 114cm wide 46cm deep 154cm high £1,500 - 2,000

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Literature: For a similar example, see Oliver S Heal, ‘Sir Ambrose Heal and the Heal Cabinet Factory, 1897-1939’, p.194. ‘353: A toy cupboard’.

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45-89 arts and Crafts

84 Lot 84 A Cole’s hand-printed wallpaper roll, designed by Cecil Beaton for the film ‘My Fair Lady’ starring Audrey Hepburn, where it appeared in a lighter colourway £100 - 150

Lot 85 A circular dining table, by Alan Grainger of Acorn Industries, in the Cotswold manner, with a chamfered stand, carved acorn signature to the leg, 130cm diameter 74cm high £250 - 300

Lot 86 An oak refectory table, by Reynolds of Ludlow, with a chamfered top and twin column supports, united with a stretcher, labelled, 181.5cm wide 83.5cm deep 73cm high, with five oak dining chairs, with rush seats, and a matched elbow armchair (7) £250 - 450

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88 Lot 87 A Cotswold ash rocking chair, with two tiers of turned spindles, one detached £150 - 200 Lot 88 A pair of oak Robert ‘Mouseman’ Thompson twin wall lights, each with adzed surfaces, mouse signatures, 31.5cm wide 19cm high (2) £250 - 350

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Lot 89 A Barnsley School walnut and Macassar ebony cabinet, the deep panelled cupboard opening to reveal a plain interior over two drawers, the stand united with stretchers, 55cm wide 29.5cm deep 98.5cm high £500 - 700 Lots 90-94 Spare lots

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95 Lot 95 A Goldscheider pottery wall mask, modelled as a lady with a green cape, inscribed ‘F.D.’, with printed Goldscheider label and stamped ‘7813’, 32cm high £250 - 350

97 Lot 96 A Wedgwood green pottery dinner service, designed by Tom Wedgwood and John Goodwin in collaboration with Keith Murray for six place settings, each piece with silver lustre leaf borders, comprising: six dinner plates, six dessert plates, six side plates, three bowls and stands, two tureens and stands, two sauce tureens and covers, two graduated meat dishes (34) £250 - 350

Lot 97 A Clarice Cliff ‘Stamford’ shape tea set for two, each item with coloured bands, comprising: a teapot, two cups and saucers, a milk jug, a sugar bowl, and two side plates, printed marks (9) £150 - 250

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95-190 ART DECO Lot 98 A Clarice Cliff ‘Secrets’ pattern vase, with fan handles and painted seaside scene £300 - 500

Lot 99 A Wedgwood sea lion, under a celadon glaze, stamped to the naturalistically raised base ‘J Skeaping, Wedgwood’, 20cm high £100 - 150

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100 detail Lot 100 Mika Mikoun (Polish, b.1886), a terracotta and part-glazed figure of a lady, quarter length, inscribed and dated 1937(?), 19.5cm high £300 - 500

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ART DECO 95-190 Lot 101 After Edouard Cazaux, a pair of figures of Pierrot and Columbine, signed ‘Dax’, 34cm high (2) £200 - 300

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Lot 102 An Art Deco pottery table lamp, c.1925-1930, by Robert Lallemant (1902-1954), painted both sides with figures rowing, titled ‘L’Aviron’, inscribed ‘R T Lallemant, France’, 22.5cm high £400 - 600

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105 Lot 103 A Lalique ‘Coquilles’ glass and opaline dish, wheel cut ‘R LALIQUE, FRANCE’, 30cm diameter £250 - 350 Lot 104 Seventeen Lalique ‘Dampierre’ glasses, in four sizes, stencilled etched mark ‘R LALIQUE’ (17) £300 - 500 Lot 105 A pâte-de-verre figure, ‘Tanagra’, in light green with orange flecks, inscribed ‘A Walter, Nancy’, 13.2cm high £200 - 300

106 Lot 106 A pâte-de-verre paperweight and knife, moulded with a Native American chief in headdress, inscribed ‘A Walter, Nancy’, knife 24cm long paperweight 7.5cm high £300 - 500 Lot 107 An Art Deco French Sabino Verart etched vase, c.1930, purple glass, 28cm high £150 - 250

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ART DECO 95-190 Lot 108 Three rolls of wallpaper, by Professor Josef Hillerbrand (1892-1981), with ladies on a terrace, inscribed and numbered ‘EB434’, ‘EB373’, and ‘EB370’, 50cm wide (3) £150 - 200

Lot 109 Two rolls of wallpaper, by Tomi Parzinger (German, 1903-1981), a green leaves design, inscribed ‘Entwurf Tomi Parzinger Industrie Kunstler Gilde’, 56cm wide (2) £150 - 200

Lot 110 An Art Deco repeat roll of yellow wallpaper, by Bernd Steiner (Austrian, 1884-1933), ‘number 1874 Entw. Bernd Steiner, Wien’, 57cm wide, 1120cm long approximately, and another roll, inscribed ‘E Eimer’, 57cm wide (2) £150 - 200

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112 Lot 111 An Art Deco plaster bust of an Assiniboine Native American, inscribed ‘141 Copyright 1900 Assiniboine M.F.O.’, with ring suspension, 30cm high £100 - 150 Lot 112 After the original by François Pompon (French, 1855-1933), a bronze polar bear, 34cm long £700 - 900 Lot 113 A wrought iron head, in the style of Pablo Gargallo, unsigned, 26cm high £800 - 1,200 Lot 114 After Edouard-Marcel Sandoz, a patinated bronze paperweight of a frog, inscribed ‘Ed Sandoz’, on a grey-veined marble plinth, 11.5 x 8.5cm £300 - 500

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Lot 115 After François Pompon (French, 1855-1933), a patinated bronze marabou stork, inscribed ‘Pompon 3/50 NY’, 14.5cm high £400 - 600 Lot 116 After a design by Emmanuel Frémiet (French, 1824-1910), a bronze cat on a marble plinth, 10cm high £200 - 300

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Lot 117 An Art Deco spelter, marble and onyx centrepiece, of a dog with a duck in its mouth, 48cm wide 46cm high £150 - 250

Lot 119 In the style of Otto Poertzel, an Art Deco ivory and bronze butterfly dancer, on an onyx ashtray base, inscribed ‘Made in Austria’, 24cm high £600 - 800

Lot 118 After a design by Jean Lambert-Rucki (1888-1967), crucifix, a bronze figure of Christ on an ebonised cross, signed, 26cm wide 55cm high Christ 20 x 20cm £300 - 500

Lot 120 After Edouard-Marcel Sandoz, a bronze paper knife of a moray eel, inscribed ‘Ed M Sandoz’, 25cm long £200 - 300

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121

122 Lot 121 Glyn Philpot RA (British, 1884-1937), ‘The Wrestlers’, posthumous cast bronze group, numbered 2/10, 13.5cm high £600 - 800

Lot 122 After a design by Modigliani, a bronze paperweight, 15cm high £200 - 300

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ART DECO 95-190 Lot 123 Attributed to Ernst Barlach (German, 1870-1938), ‘The Avenger’, 34cm long £800 - 1,200 With Marlborough Gallery catalogue. Lot 124 An Art Deco walnut and Macassar desk, the raised back with pigeonholes, over a single drawer, flanked with five drawers with Bakelite strip handles, 91cm wide 50.5cm deep 110cm high £150 - 180 Lot 125 An Art Deco walnut display cabinet, with fret cut glazed doors, with a central drawer with ebonised details, 91.5cm wide 44.5cm deep 148cm high £200 - 300

123

124

125

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126 Lot 126 An Art Deco walnut and crossbanded book table, with canted corners and an undertier, 56cm square 58.5cm high £250 - 300

128 Lot 127 A pair of Art Deco-style horses, patinated bronze, 92cm wide 69cm high (2) £400 - 600

Lot 128 A pair of Art Deco walnut pot cupboards, of shaped cloud design, each opening to reveal a drawer and shelf with Bakelite flower head handles, 33cm wide 40cm deep 72.5cm high (2) £250 - 350

127

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ART DECO 95-190 Lot 129 An Art Deco walnut folding side table, the top with a circular shelf over a circular segmented top, on a ‘U’ shaped stand, 52.5cm wide 67cm high £250 - 350

129

130 closed

Lot 130 An Art Deco ‘Miramar’ walnut cocktail cabinet, with a bow front, the upper section with a fluted cupboard, the interior with a mirror back and a glass shelf, a mirrored slide and a pair of cupboards below, labelled ‘MIRAMAR, RIVINGTON PRODUCT’, 92cm wide 39cm deep 135cm high £150 - 250

130 open

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95-190 ART DECO Lot 131 An Art Deco square coffee table, the elm and walnut table with two tiers and raised on a stepped base, 60.5cm wide 60.5cm high £200 - 300

Lot 132 An Art Deco walnut dining room suite, comprising: a draw-leaf table, raised on end pillars united with a stretcher, 118cm closed 198.5cm open 99cm wide 78.5cm high, and six chairs, with shaped rails, panel backs, drop-in seats and with ‘H’ stretchers (7) £200 - 300

131

132

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ART DECO 95-190 Lot 133 A Lugano Swiss travel poster Lithograph printed in colours 101 x 64cm £150 - 300

Lot 134 After Paul Colin PARIS, 1937, MAI-NOVEMBRE EXPOSITION INTERNATIONALE Poster, printed by Jules Simon, Paris sheet 105 x 66cm, linen backed, unframed £100 - 150

133

134 Lot 135 A British Railways ‘The Cotswolds’ travel poster, lithograph printed in colours, published by the Railway Executive (Western Region), and printed by Jordison & Co. Ltd., London and Middlesbrough 101 x 126.5cm, linen backed, unframed £1,000 - 1,500

135

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95-190 ART DECO Lot 136 An Art Deco walnut, ebonised and lacquered torchère stand, 110cm high £150 - 180 Lot 137 A pair of Art Deco walnut ‘cloud’ bedside cupboards, each with Bakelite ball handles, opening to reveal two internal drawers, 32cm wide 43cm deep 77cm high (2) £250 - 350

137

136

Lot 138 A mahogany office suite, comprising: a boardroom table, with a crimson ‘leatherette’ top, 182cm wide 84cm deep 77cm high, three single chairs and an armchair, a pedestal desk, with seven drawers, 163cm wide 95cm deep 76.5cm high, an open bookcase, with a slide, 71cm wide 49cm deep 76.5cm high, a cupboard, 100cm wide 39.5cm deep 91.5cm high, a wastepaper bin, and three paper trays (12) £1,200 - 1,500

138 www.sworder.co.uk53

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139 Lot 139 A pair of Art Deco Macassar ebony and chrome bookends, 13cm high (2) £100 - 150

140 Lot 140 A pair of Danish Art Deco crimson armchairs (2) £300 - 500

Lot 141 An Art Deco oak longcase clock, by IBM International, inscribed to label ‘25-7’, dial 35cm square 149.5cm high £200 - 400

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142

143 closed

Lot 142 An Art Deco pine fret cut table lamp, in the form of a lady holding the fitting, 60cm high £100 - 150

Lot 143 An Australian Art Deco dressing table, with raised mirrored back and drawers, around a central kneehole, 116cm wide 43cm deep 165cm high £100 - 200

143 open www.sworder.co.uk55

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146

144 Lot 144 An Art Deco circular walnut lamp table, with a circular quarter veneered top, three tiers united by strut supports, 61cm diameter 50cm high £250 - 350

145 closed

Lot 145 An Art Deco walnut two-tier tray-top trolley, with drop flaps, the folding trolley with chrome handles and hinges, 63cm wide 48cm deep 76cm high £150 - 200

Lot 146 A pair of Art Deco walnut and ebonised bedside chests, with three drawers, 29cm wide 48cm deep 72cm high (2) £150 - 200

145 open

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147

149

Lot 147 An Art Deco walnut circular nest of tables, the quarter veneered top with a moulded edge over quarter cut tables, 65cm diameter 51cm high £150 - 200 Lot 148 An Art Deco maple cocktail cabinet, probably by Epstein, now converted to a television cabinet, the raised central section with fluted doors, now on sliding rails, with slim cabinets either side on a ‘U’ shaped stand, 130cm wide 61cm deep 134.5cm high £600 - 800 Lot 149 An Art Deco oak-cased mantel clock, with an embossed metal dial, 29cm wide £100 - 150

148

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150

151 Lot 150 An Art Deco walnut four-drawer chest, with vertical hexagonal handles, 80cm wide 48.5cm deep 76.5cm high £200 - 300 Lot 151 An Art Deco walnut three-tier trolley, with circular ring supports, raised on castors, 70cm wide 43cm deep 78cm high £250 - 350 Lot 152 A nest of maple tables, the circular top with four quarter tables below, 61cm diameter 45.5cm high £200 - 300

152

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153 Lot 153 An Art Deco walnut pedestal desk, with a leather inset top over nine drawers, with ebonised details, 163.5cm wide 97cm deep 76cm high £750 - 850 Lot 154 An oak cupboard chest, probably by Greenings of Oxford for Heal’s, of small proportions, with a pair of octagonal panelled doors over three graduated drawers, with Heal’s ivorine button to the top drawer with octagonal handles, raised on ball feet, 76.5cm wide 46.5cm deep 98.5cm high £600 - 800 Literature: F or a similar example, see Oliver S Heal, ‘Sir Ambrose Heal and the Heal Cabinet Factory, 1897-1939’, p.243: ‘A cupboard chest in weathered oak made by Greenings’.

154

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155

156

157

160

158 Lot 155 An Art Deco-style chrome table lamp, modelled as a fighter plane, with a frosted glass globe, on a painted circular plinth, cast ‘Sarsaparilla 886’ 31.5cm high £100 - 150 Lot 156 A French amethyst glass plafonnier, by Muller Frères Lunéville, moulded to shade, with steel mounts and chain, 35cm diameter £150 - 200

159 Lot 157 A plated bronze car mascot, after a design by Theo Voss, 12cm high £250 - 350 Lot 158 An Hagenauer silver-bronze head of a Native American, moulded on a shaped plinth, inscribed ‘Made in Austria, Hagenauer, Wien’, with monogram, 16.5cm high £400 - 600 Lot 159 A French Art Deco clear moulded glass plafonnier, signed ‘Degue’ and moulded ‘Compiegne 5541’, 35cm diameter £100 - 150

161 Lot 160 An Art Deco octagonal mirror, with a cast metal mount and silvered rope hanging, stencilled numbers and logo to reverse, 89cm wide 52.5cm high £150 - 250 Lot 161 A collection of chrome items, a pierced tazza, 24cm high, a dinner gong, 20cm, and a pair of candlesticks, 18cm high (4) £120 - 150

60www.sworder.co.uk

95-190 ART DECO Lot 162 An Art Deco lamp, the spelter female dancer holding a glass globe, on a stepped marble base, 65cm high £200 - 400

Lot 163 An Art Deco chrome-style standard lamp, with a moulded flaming torch shade, on an ebonised plinth, 178cm high £120 - 150

Lot 164 An Art Deco chrome table lamp, modelled as a nude holding a ‘C’ shaped disc, with a mottled glass shade £120 - 150

163

Lot 165 An Art Deco silver bowl, by Charles Boynton, London 1937, standing on three outswept legs, with further engraved signature to the underside, 8cm high 11oz £300 - 500

162

Lot 166 An Art Deco silver mug, by Charles Boyton, London 1936, of squat globular form with square stepped base, with further engraved signature to the underside, 9cm high 14.5oz £300 - 500

165

164

Lot 167 A pair of chromium-plated Art Deco figures, of nude females holding aloft a garland of flowers, signed ‘Limousin’, on painted alabaster plinths, 44cm high (2) £100 - 150

166

167

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170

169

Lot 168 Ferdinand Preiss (1882-1943), ‘Spring Sun’, a large patinated bronze figure of a nude, fixed on a marble plinth, signed ‘F. PREISS’, 58cm high £8,000-10,000 Literature: For a similar model, see Alberto Shayo, ‘Ferdinand Preiss: Art Deco Sculptor’, p.65. Lot 169 An Art Deco walnut octagonal lamp table, the canted edge with an undertier supported with strut supports, on block feet, 61cm wide 51cm high £200 - 300 Lot 170 An Art Deco walnut dining table, with one extra leaf, the rounded ends raised on ‘D’ shaped plinths, 93cm wide 245cm extended 75cm high £100 - 150

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171

172 Lot 171 A Danish lemon-upholstered chaise longue, 198cm long £300 - 400 Lot 172 An Art Deco walnut writing table, the faded leather top with a chrome inkwell, letter rack and pen tray, over a single drawer, with button ‘HAMPTONS, LONDON’, 76cm wide 55cm deep 76cm high £100 - 150

173 Lot 173 An Art Deco maple cabinet, with two quarter cut panelled doors, enclosing shelves and drawers, 170cm wide 43cm deep 113cm high £200 - 300 Lot 174 An Art Deco walnut crossbanded lamp table, with canted corners, on a central column, on a conforming plinth, 53.5cm square 48cm high £200 - 300

174

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ART DECO 95-190 Lot 175 An Art Deco walnut and rosewood writing table, the hinged top revealing letter slides and a writing surface with an undertier, 78cm wide 45.5cm deep 78cm high £300 - 500

Lot 176 An Art Deco Bakelite uplighter, with a peach-coloured plastic shade and coppercoloured mounts, 172.5cm high £150 - 250

175 closed

Lot 177 A pair of Art Deco tub chairs, with mahogany details and turned reeded legs (2) £300 - 500

175 open

176

177

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178 open Lot 178 An Art Deco walnut coffee table, with a segmented veneered top and canted edge, with four bird’s-eye maple-topped slides, over open bookshelves on stepped and fluted feet with castors, 70cm diameter 63cm high £800 - 1,200 Lot 179 An Art Deco walnut cocktail cabinet, the hinged top over a cupboard, labelled ‘CWS Ltd., Birmingham’, 71cm wide 38cm deep 121.5cm high, and a walnut bookcase, with a central door and two glass shelves, 107cm wide 33cm deep 126cm high (2) £150 - 200

179 closed

178 closed

179 open

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180 Lot 180 An Art Deco nest of three maple and ebonised tables, 60cm wide 41cm deep 51.5cm high (3) £650 - 750

Lot 181 An Art Deco nest of bird’s-eye maple and walnut tables, with four quarter cut tables below, 76cm diameter 53cm high £500 - 800

181 66www.sworder.co.uk

95-190 ART DECO Lot 182 A silver-plated desk stand, modelled as golfer, on a sycamore stand, 15cm high 22cm wide £150 - 200 Lot 183 Albert (‘Bert’) Duncan Gray A COLLECTION OF TWELVE DESIGNS FOR BEDROOM SUITES c.1920s-30s, watercolour 35 x 52cm £300 - 400

182

Provenance: The artist was the grandfather of the vendor. He designed for Heal’s and worked in the name of Gray & Lewis. Lot 184 An Art Deco walnut circular top lamp table, with strut ‘X’ framed support on ebonised block feet, 56cm diameter 52.5cm high £150 - 250

184

183

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185

186 Lot 185 A Cassina oak dining table, after a design by Charles Rennie Mackintosh, with a revolving centre, raised on a pierced stand, 190cm diameter £400 - 600

187 Lot 186 A wrought iron console table, in the style of Jean-Michel Frank, now with an aluminium top, 81.5cm wide 31.5cm deep 100cm high £500 - 700

Lot 187 An Art Deco walnut display cabinet, enclosing two glass shelves with a drawer below, raised on a ‘U’ shaped stand, 115cm wide 31cm deep 108cm high £200 - 400

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188 open

188 closed

Lot 188 An Art Deco maple cocktail cabinet, in two parts, with fluted cupboard doors, the upper section fitted with a mirrored interior and two shelves, the lower central cupboard flanked with further plain cupboards, 150cm wide 53cm deep 165cm high £800 - 1,200

Lot 189 An Art Deco walnut coffee table, in the manner of Epstein, the quarter veneered top over a fluted edge, ‘U’ shaped supports on an ebonised plinth, 93.5cm wide 48.5cm deep 51.5cm high £450 - 550

189

Lot 190 An Art Deco octagonal walnut lamp table, the segmented top over a square, oak veneered column, raised on an octagonal plinth, 49.5cm diameter 44cm high £200 - 300

Lots 191-194 Spare lots

190 www.sworder.co.uk69

PHOTOGRAPHS, PRINTS, WATERCOLOURS AND OIL PAINTINGS 195-366

195 Lot 195 *Sir Cecil Beaton (1904-1980) WILD FLOWERS, two; LADY DIANA COOPER Photographs, stamped ‘From the Beaton Studio Sotheby Parke Bernet’ 35.5 x 25.5cm (3) £150 - 200

195 www.sworder.co.uk71

PHOTOGRAPHS, PRINTS, WATERCOLOURS AND OIL PAINTINGS 195-366

Lot 196 *Edwin Smith (1912-1971) CASTLE VIEWS, three; THE MYDDELTON GATES, CHIRK CASTLE, three; Silver gelatin prints 24 x 16cm (6) £200 - 300

196

Lot 197 *Edwin Smith (1912-1971) ROMAN DEFENCES; FOREST LANDSCAPE STUDY Silver gelatin prints 24 x 16cm (2) £300 - 500

197

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198

198

Lot 198 *Edwin Smith (1912-1971) TINTERN ABBEY, two; CHURCH STUDY, three Silver gelatin prints 24 x 16cm (5) £250 - 350

Lot 199 *Edwin Smith (1912-1971) TINTERN ABBEY Silver gelatin print 24 x 16cm £300 - 500

199 www.sworder.co.uk73

PHOTOGRAPHS, PRINTS, WATERCOLOURS AND OIL PAINTINGS 195-366 Lot 200 *Robert Capa (Hungarian, 1913-1954) NEAR JERUSALEM - A FARMER CULTIVATING THE LAND TO PLANT A VINEYARD Vintage print 34.5 x 34.5cm £100 - 150

Lot 201 *Don McCullin (b.1935) CYPRUS, 1964 Silver gelatin print 19.5 x 29.5cm £400 - 600

200

201

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202

203 Lot 202 *Michael Peto (Hungarian/British, 1908-1970) FIFTEEN ORIGINAL PHOTOGRAPHS INCLUDING SIR IAN MCKELLEN various sizes, largest 61 x 44cm, unframed £80 - 120

204 Lot 203 *Walter Lees (1916-2010) MONKS IN BHUTAN Colour photographic print 59.5 x 47.5cm £200 - 300

Lot 204 *Edmund Dulac (1882-1953) A MAN IN ARMOUR WITH AN EAGLE Lithograph, signed in pencil l.r. and dated 1917 in the stone 70 x 45cm, unframed £200 - 300

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PHOTOGRAPHS, PRINTS, WATERCOLOURS AND OIL PAINTINGS 195-366

205

207

206 Lot 205 Norbertine Bresslern-Roth (Austrian/American, 1891-1978) PARROT Linocut, signed l.r. and inscribed ‘Handdruck’ 17.5 x 19cm £200 - 300 Lot 206 John Dickson Batten (1860-1932) MOTHER AND CHILD Colour print 48 x 20cm, in an oak frame £150 - 200

208 Lot 207 *John Brunsdon (1933-2014) ‘WELSH FARM’; ‘HILLSIDE FARM’ Two coloured aquatints, both signed, inscribed with title in pencil and numbered 11/150 image size 63 x 48cm (2) £150 - 250

Lot 208 *John Brunsdon (1933-2014) ‘STUBBLE BURNING’; ‘VIEW FROM HOME BROW’ Two coloured aquatints, both signed, inscribed with title in pencil and numbered 61/150 image size 46 x 39cm (2) £120 - 180

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195-366 PHOTOGRAPHS, PRINTS, WATERCOLOURS AND OIL PAINTINGS

Lot 209 Yoshijiro Urushibara (Japanese, 1888-1953) STILL LIFE OF FLOWERS IN A VASE, NO. 34 Woodcut printed in colours, signed and numbered in pencil 30.5 x 20.5cm £120 - 150

209

Lot 210 Yoshijiro Urushibara (Japanese, 1889-1953) STILL LIFE OF TULIPS IN A VASE, NO. 23 Woodcut, printed in colours, signed and numbered in pencil 38.5 x 29.5cm £200 - 300

210 www.sworder.co.uk77

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212

211 Lot 211 Valerie Thornton (1931-1991) ST ETHELBERT’S GATE, NORWICH Etching and aquatint, signed and dated ‘87 in pencil, numbered 67/90 40 x 29cm £200 - 300 Lot 212 *Anita Klein (b.1960) ‘NIGE IN MOONLIGHT’ Etching, signed and dated ‘06 in pencil, numbered 21/25 sheet size 53 x 69.5cm £120 - 180 Lot 213 *Dame Elisabeth Frink (1930-1993) ‘THE MERCHANT’S TALE’, FROM ‘THE CANTERBURY TALES’ Etching and aquatint, 1972, published by Waddington Graphics 50 x 34cm £200 - 300

213 78www.sworder.co.uk

195-366 PHOTOGRAPHS, PRINTS, WATERCOLOURS AND OIL PAINTINGS

214 Lot 214 Harold Cohen (1928-2016) ‘FIRST FOLIO F AND G’, 1965 Two screenprints, signed in pencil and numbered 22/50 and 33/50 68.5 x 68.5cm, unframed (2) £150 - 250

Lot 215 Harold Cohen (1928-2016) UNTITLED, 1967 Five screenprints, each signed in pencil and variously numbered 64 x 64cm, unframed (5) £150 - 250

215 www.sworder.co.uk79

PHOTOGRAPHS, PRINTS, WATERCOLOURS AND OIL PAINTINGS 195-366

216

217

218 Lot 216 *Robyn Denny (1930-2014) UNTITLED Lithograph, signed and dated ‘73 in pencil, numbered 21/30 80 x 58.5cm, unframed £150 - 200 Lot 217 *Robyn Denny (1930-2014) UNTITLED Lithograph, signed and dated ‘73 in pencil, numbered 21/30 80 x 58.5cm, unframed £150 - 200 Lot 218 *Robyn Denny (1930-2014) UNTITLED Lithograph, signed and dated ‘73 in pencil, numbered 21/30 80 x 58.5cm, unframed £150 - 200 Lot 219 Peter Sedgley (b.1930) ‘PROBE MIDDLE EARTH’ Poster, numbered 308 89 x 66cm, unframed £200 - 300

219

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195-366 PHOTOGRAPHS, PRINTS, WATERCOLOURS AND OIL PAINTINGS Lot 220 *Lynn Chadwick RA (1914-2003) SEATED FIGURE Lithograph printed in colours, signed, inscribed ‘Archive IV/V-V/V’ and dated ‘72 in pencil, published by Erker-Presse St. Gallen, with blind stamp 63 x 56cm, unframed £300 - 500 Lot 221 Leonor Fini (1907-1996) ‘SURREALIST NUDE’ Screenprint, signed in pencil l.r. and numbered 29/185 70 x 52cm, unframed £100 - 150 Lot 222 *Brian Clarke (b.1953) ‘TIME LAG ZERO’ Screenprint in colours, signed and dated 1980 in pencil l.r. and numbered 20/100 image 65 x 90cm £100 - 150 Printed by Kelpra Studios to commemorate the fifth anniversary of Olympus UK. Based on ‘Time Lag Zero’, the light metering computergram in the OM2 and OM10 cameras.

220

221

222

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PHOTOGRAPHS, PRINTS, WATERCOLOURS AND OIL PAINTINGS 195-366 Lot 223 *Peter Phillips (b.1939) PONTIAC Lithograph printed in colours, signed in pencil l.r. 43.5 x 89.5cm £300 - 500

223

224

226 Lot 224 *Richard Smith (1931-2016) UNTITLED, 1973 Etching and aquatint, signed in pencil l.l. and numbered 40/75 30 x 54cm, unframed £150 - 200 Lot 225 *Richard Smith (b.1931) UNTITLED Etching, signed and dated ‘71 in pencil and numbered 10/40, with ‘W’ blind stamp 78 x 58cm, unframed £150 - 250 Lot 226 *Richard Smith (1931-2016) 2, FROM THE FLORENTINE SET, 1973 Lithograph, tracing paper and plastic string, signed in pencil and numbered 66/75 50.5 x 70.7cm, unframed £150 - 250

225

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227

Lot 227 *Susie Paterson (b.1957) ‘HARD’; ‘NOD’ Two screenprints, signed, both inscribed with title, dated ‘91 in pencil and numbered 19/19 and 54/60 48 x 34cm and 35 x 35cm (2) £100 - 150

228

Lot 228 *Susie Paterson (b.1957) ‘MY LIPS ARE SEALED’; ‘HEART OF THE MOUTH’ Two screenprints, signed, both inscribed with title, dated ‘91 in pencil and numbered 15/19 and 17/18 54 x 46cm (2) £150 - 250

229

Lot 229 *Susie Paterson (b.1957) ‘SEARING, SNEERING’; ‘GRIMEY’ Two screenprints, signed, both inscribed with title, dated ‘91 in pencil and numbered 20/20 and 15/22 59 x 41cm (2) £150 - 250

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PHOTOGRAPHS, PRINTS, WATERCOLOURS AND OIL PAINTINGS 195-366

230

231 Lot 230 *Alistair Mack (b.1955) ‘AIR’ Screenprint, signed, inscribed with title and dated ‘88 in pencil, numbered 1/10 52 x 80cm £100 - 150 Lot 231 *Alistair Mack (b.1955) ‘INTO THE LIGHT’ Screenprint, signed, inscribed with title and dated ‘89 in pencil, numbered 7/10 55 x 82cm £100 - 150 Lot 232 *Max Papart (French, 1911-1994) UNTITLED Three coloured etchings, signed in pencil and numbered V/XII 32 x 26cm and 26 x 32cm (3) £300 - 500

232

232 84www.sworder.co.uk

195-366 PHOTOGRAPHS, PRINTS, WATERCOLOURS AND OIL PAINTINGS Lot 233 *François Morellet (French, 1926-2016) UNTITLED Screenprint, signed in pencil l.r. and numbered 284/300 80 x 80cm, unframed £300 - 500

233

Lot 234 *François Morellet (French, 1926-2016) UNTITLED Screenprint, signed in pencil l.r. and numbered 266/300 80 x 80cm, unframed £300 - 500

237

Lot 235 *François Morellet (French, 1926-2016) UNTITLED Screenprint, signed in pencil and numbered 278/300 80 x 80cm, unframed £300 - 500

234

Lot 236 *François Morellet (French, 1926-2016) UNTITLED Screenprint, signed in pencil l.r. and numbered 258/300 80 x 80cm, unframed £300 - 500

238

Lot 237 *Bernard Rancillac (French, b.1931) UNTITLED Lithograph, signed in pencil and inscribed ‘EA’ 41 x 65cm, unframed £100 - 150

235

236

Lot 238 *Bernard Rancillac (French, b.1931) UNTITLED Lithograph, signed in pencil and numbered 89/150 60 x 60cm, unframed £150 - 250

239

Lot 239 *Bernard Rancillac (French, b.1931) UNTITLED Lithograph, signed in pencil and numbered 24/45 64 x 50cm, unframed £150 - 200

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PHOTOGRAPHS, PRINTS, WATERCOLOURS AND OIL PAINTINGS 195-366

240 Lot 240 *Claude Viseux (French, 1927-2008) UNTITLED Six screenprints, signed in pencil l.r. and variously numbered 47 x 40cm, unframed (6) £100 - 150

241

Lot 241 Jean Baier (Swiss, 1932-1999) UNTITLED, 1968 Screenprint, signed in pen and numbered XIV 222/250 48 x 82cm £200 - 300 Lot 242 *Gianni Marchello ‘TRIBUTE TO COURBET AND UTAMARO’; TWO FEMALE NUDES Woodblocks printed in colour, signed and dated ‘78 and ‘80, numbered 13/20 and 16/20 image sizes 40 x 24cm and 30 x 21cm (2) £100 - 150

242 86www.sworder.co.uk

195-366 PHOTOGRAPHS, PRINTS, WATERCOLOURS AND OIL PAINTINGS

245

243

244 Lot 243 *Emilio Tadini (Italian, 1927-2002) UNTITLED Lithograph, signed in pencil l.r 68.5 x 48.5cm £100 - 150 Lot 244 *Enrico Baj (Italian, 1924-2003) ‘CRYING GENERALS II’ Lithograph, signed and numbered 50/100 44 x 56cm £100 - 150 Provenance: W  ith Redfern Gallery.

246 Lot 245 *Ivan Picelj (Croatian, 1924-2011) UNTITLED Screenprint, signed in pencil l.r. and numbered 126/200, with blind stamp 70 x 70cm, unframed £200 - 300 Lot 246 *Ivan Picelj (Croatian, 1924-2011) UNTITLED Screenprint, signed in pencil l.r. and numbered 193/200, with blind stamp 70 x 70cm, unframed £200 - 300

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PHOTOGRAPHS, PRINTS, WATERCOLOURS AND OIL PAINTINGS 195-366

248

247 Lot 247 Hoi Lebadang (Vietnamese, 1922-2015) UNTITLED Seven lithographs, all signed in pencil Various sizes, largest 65 x 50cm, unframed (7) £150 - 200

249 Lot 248 *Richard Mortensen (Danish, 1910-1993) UNTITLED Screenprint, signed in pencil l.r. 35.5 x 49cm, unframed £100 - 150

Lot 249 *Equipo Crónica (Spanish, founded in 1964) UNTITLED Lithograph, signed in pencil l.r. and numbered 8/100 75.5 x 53.5cm, unframed £300 - 500

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252

250

253

251 Lot 250 *AR Penck (German, b.1939) UNTITLED Lithograph, signed, inscribed ‘Handabzug’ and dated ‘65 in pencil, numbered 8/40 107 x 79cm, unframed £600 - 800

Lot 251 *Birgit Skiöld (Swedish, 1923-1982) UNTITLED Etching, artist’s proof, signed and dated ‘67 in pencil, 30 x 61cm, unframed £100 - 150

Lot 252 *Lucio Del Pezzo (Italian, b.1933) UNTITLED Screenprint, signed in pencil l.c. and numbered 75/75 61 x 46cm, unframed £100 - 150 Lot 253 Sadamasa Motonaga (Japanese, 1922-1966) UNTITLED Screenprint, signed in pencil and numbered 60/100 66 x 46cm, unframed £100 - 150

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PHOTOGRAPHS, PRINTS, WATERCOLOURS AND OIL PAINTINGS 195-366 Lot 254 *Erró (Icelandic, b.1932) UNTITLED Three lithographs, signed in pencil and dated 69 l.r. and numbered 48/100, 49/100 and 99/100 48 x 38.5cm, unframed (3) £250 - 350 Lot 255 *Antonio Calderara (Italian, 1903-1978) UNTITLED Two screenprints, signed with initials and dated ‘69, numbered 58/60 and 59/60 sheet size 70 x 18cm, unframed (2) £100 - 150

254

255

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257

Lot 256 *César Baldaccini (French, 1921-1998) UNTITLED Lithograph, signed in pencil l.r. and numbered 11/99, with Éditions Empreintes blind stamp 57 x 44cm, unframed £100 - 150

259

258

Lot 257 *Mimmo Rotella (Italian, 1918-2006) UNTITLED Screenprint, signed in pencil and numbered 26/50 image 25 x 18cm £100 - 150

Lot 259 Richard Anuszkiewicz (American, b.1930) UNTITLED, 1968 Screenprint, signed in pencil and numbered 62/150 35.5 x 30.5cm, unframed £200 - 300

Lot 258 *János Fajó (Hungarian, b.1937) UNTITLED Screenprint, signed in pencil l.r. and numbered 80/150 58 x 41cm and unframed £100 - 150

Lot 260 James Rosenquist (American, b.1933) UNTITLED Lithograph, signed in pencil l.r. and numbered 164/200 61 x 51cm, unframed £300 - 500

260

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262

261 Lot 261 Dorothea Tanning (American, 1910-2012) UNTITLED Lithograph, signed in pencil and numbered 481/500 48 x 38cm, unframed £100 - 150 Lot 262 Lee Krasner (American, 1908-1984) GOLD STONE, 1969 Lithograph, signed in pencil and numbered 41/100 57 x 76cm, unframed £200 - 300 Lot 263 Ronald Brooks Kitaj (American, 1932-2007) ‘DISCIPLE OF BERNSTEIN AND KAUTSKY’, 1964 Screenprint, signed in chalk and numbered 7/40 78 x 52.5cm, unframed £200 - 300

263

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264

265 Lot 264 Ronald Brooks Kitaj (American, 1932-2007) PRISONNIERS SOVIETIQUES Lithograph, signed l.l. and numbered 37/40 58 x 91cm, unframed £150 - 200

Lot 265 Ronald Brooks Kitaj (American, 1932-2007) ‘1890 DEER SKIN’ Screenprint, signed in pencil and numbered 68/70 50.5 x 75.5cm, unframed £150 - 200

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266

267 Lot 266 *Jennifer Dickson RA (b.1936) ‘WATER RIDER, VILLA PALLANCINO’; ‘MORNING MIST, ISOLA BELLA’ Two hand-tinted photo-etchings, signed and inscribed with title in pencil, numbered 11/20 and 4/20 52 x 49cm and 49 x 64cm (2) £100 - 150 Lot 267 *Jennifer Dickson RA (b.1936) ‘THE OCULUS POOL, STUDLEY ROYAL’; ‘PHANTOM STATUARY (CHATSWORTH)’ Two hand-tinted photo-etchings, signed and inscribed with title in pencil, numbered artist’s proof 3/3 and 2/20 41 x 61cm and 40 x 54cm (2) £120 - 180

268

Lot 268 *Yaacov Agam (Israeli, b.1928) UNTITLED Screenprint, signed in pencil l.r. and numbered 58/99 37 x 43cm, unframed £100 - 150

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195-366 PHOTOGRAPHS, PRINTS, WATERCOLOURS AND OIL PAINTINGS Lot 269 Joe Tilson (American, b.1928) ‘HO CHI MINH’ (RYLANDS 63), 1970 Screenprint, signed and dated u.c., numbered 35/70 100.5 x 60.5cm £400 - 600

269 Lot 270 After Roy Lichtenstein ‘HOPELESS’ Offset lithograph, originally published 1968 91.5 x 91.5cm, unframed £600 - 800

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Lot 271 After Andy Warhol CHAIRMAN MAO Screenprint, published by Sunday B Morning 91 x 91cm, unframed £100 - 150

Lot 274 After Andy Warhol CHAIRMAN MAO Screenprint, published by Sunday B Morning 91 x 91cm, unframed £100 - 150

Lot 277 After Andy Warhol CHAIRMAN MAO Screenprint, published by Sunday B Morning 91 x 91cm, unframed £100 - 150

Lot 272 After Andy Warhol CHAIRMAN MAO Screenprint, published by Sunday B Morning 91 x 91cm, unframed £100 - 150

Lot 275 After Andy Warhol CHAIRMAN MAO Screenprint, published by Sunday B Morning 91 x 91cm, unframed £100 - 150

Lot 278 After Andy Warhol CHAIRMAN MAO Screenprint, published by Sunday B Morning 91 x 91cm, unframed £100 - 150

Lot 273 After Andy Warhol CHAIRMAN MAO Screenprint, published by Sunday B Morning 91 x 91cm, unframed £100 - 150

Lot 276 After Andy Warhol CHAIRMAN MAO Screenprint, published by Sunday B Morning 91 x 91cm, unframed £100 - 150

Lots 279-291 Spare lots

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272

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274

275

276

277

278

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293

294

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296

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Lot 292 After Andy Warhol MARILYN Screenprint, published by Sunday B Morning 91 x 91cm, unframed £150 - 250

Lot 294 After Andy Warhol MARILYN Screenprint, published by Sunday B Morning 91 x 91cm, unframed £150 - 250

Lot 296 After Andy Warhol MARILYN Screenprint, published by Sunday B Morning 91 x 91cm, unframed £150 - 250

Lot 293 After Andy Warhol MARILYN Screenprint, published by Sunday B Morning 91 x 91cm, unframed £150 - 250

Lot 295 After Andy Warhol MARILYN Screenprint, published by Sunday B Morning 91 x 91cm, unframed £150 - 250

Lot 297 After Andy Warhol MARILYN Screenprint, published by Sunday B Morning 91 x 91cm, unframed £150 - 250

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299

300

301

Lot 298 After Andy Warhol MARILYN Screenprint, published by Sunday B Morning 91 x 91cm, unframed £150 - 250

Lot 300 After Andy Warhol MARILYN Screenprint, published by Sunday B Morning 91 x 91cm, unframed £150 - 250

Lot 299 After Andy Warhol MARILYN Screenprint, published by Sunday B Morning 91 x 91cm, unframed £150 - 250

Lot 301 After Andy Warhol MARILYN Screenprint, published by Sunday B Morning 91 x 91cm, unframed £150 - 250

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PHOTOGRAPHS, PRINTS, WATERCOLOURS AND OIL PAINTINGS 195-366 Lot 302 After Andy Warhol DOUBLE ELVIS - ARTE AMERICANA ANNI SESSANTA, 1987 Poster 98 x 68cm, unframed £100 - 150 Lot 303 *D*Face (British, contemporary) ‘STREET IMPROVEMENTS - SAVES YOUR TIME’ Screenprint in colours, 2008, signed in pencil and numbered 137/150, published by The Black Rat Press, London with blind stamp, 790 x 404 mm £100 - 150 Lot 304 *D*Face (British, contemporary) ‘STREET IMPROVEMENTS - MAKES ALL THE DIFFERENCE TO THE WORLD’ Screenprint in colours, 2008, signed in pencil and numbered 121/150, published by The Black Rat Press, London with blind stamp, 790 x 404mm £100 - 150 Lot 305 *D*Face (British, contemporary) ‘STREET IMPROVEMENTS - NOTHING NEW’ Screenprint in colours, 2008, signed in pencil and numbered 118/150, published by The Black Rat Press, London with blind stamp, 790 x 404mm £100 - 150

302

303

304

305

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195-366 PHOTOGRAPHS, PRINTS, WATERCOLOURS AND OIL PAINTINGS Lot 306 ‘Music and Art’ a stained glass design, possibly by Heaton, Butler & Bayne 28 x 10cm £100 - 150 Lot 307 Heskel Joory (b.1925) ‘PLAISIRS EPHEMERES?’ Signed l.r., pencil and watercolour 55 x 37cm £100 - 150 Lot 308 …Giles (20th century) PORTRAIT STUDY OF A YOUNG WOMAN WITH A GREEN NECKLACE Indistinctly signed and dated 1930 l.r., pastel 37 x 30cm £100 - 150

307

306

308

Lot 309 C J de la F… (French, early 20th century) BIPLANES Two, both signed with initials and dated ‘13 l.l., pencil and watercolour 71 x 51.5cm (2) £200 - 300

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310

311 Lot 310 *David Gentleman (b.1930) TWO HARES AND A DOG Signed l.r., pen and ink 17 x 23.5cm £150 - 250 Provenance: A  gift from the artist.

312 Lot 311 *Dorothy Morse Brown (1900-1995) TENBY HARBOUR Signed l.l., pen and ink and watercolour 13 x 17.5cm £80 - 120

Lot 312 Max (Mopp) Oppenheimer (Austrian, 1885-1954) PORTRAIT OF VOLTAIRE Woodcut, signed and dated 1916 in pencil and numbered 78/100, oval 26 x 22cm £100 - 200

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195-366 PHOTOGRAPHS, PRINTS, WATERCOLOURS AND OIL PAINTINGS Lot 313 *Francis Newton Souza (Indian, 1924-2002) RECLINING NUDE Signed and dated ‘62 u.l, pen and ink and coloured washes 13 x 22.5cm £300 - 400

313 Lot 314 *Francis Newton Souza (Indian, 1924-2002) TWO SEATED FEMALE NUDES; verso a sketch of legs, signed and dated 1949, pen and ink, charcoal and grey washes 20 x 29.5cm £300 - 400

314 Lot 315 *Francis Newton Souza (Indian, 1924-2002) RECLINING NUDE ON A BED Signed and dated ‘65 l.r., pen and ink and watercolour 23 x 18.5cm £400 - 600

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316

317

319

318

Lot 316 Willi Stahl (?) ‘THE FIRST HORSE IS FROM THE AMERICAS - NO OR YES? Signed, inscribed with title and dated ‘54, watercolour and gouache 46 x 62cm £100 - 150 Lot 317 Cazzigna (?) UNTITLED Charcoal 47 x 65cm £100 - 150 Lot 318 Spirali UNTITLED Indistinctly signed and dated ‘70, gouache 66 x 49cm £100 - 200

Lot 319 *Druie Bowett (1924-1998) ‘LITTLE WOOKERY’, 1969 Signed in pencil l.r., watercolour and chalk 39 x 50cm; and another UNTITLED Signed and dated ‘62 l.r., inscribed verso ‘To the Hopechest Four from Druie 1981’ 12.5 x 19cm (2) £300 - 500 Lot 320 *Druie Bowett (1924-1998) ‘WOOKERY NO II’ Signed l.l., watercolour 79 x 58cm £300 - 500

320

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321

322

323 Lot 321 *John Farleigh (1900-1965) ‘FELLED TREES’ Signed l.r., inscribed on artist’s label verso, pen and ink and watercolour 41 x 45cm £150 - 200 Lot 322 *John Bolam (1922-2009) UNTITLED, 1982 Inscribed with artist’s address verso, watercolour and gouache 57 x 75cm £100 - 200 Lot 323 *George Hooper (1910-1994) A HARBOUR ON AN ITALIAN LAKE Signed l.r., pen and ink and watercolour 62 x 76cm £100 - 150

324 Lot 324 American School, 1950s PULP FICTION CARTOON STUDY Mixed media on a printed base 45.5 x 68cm £300 - 500 Lot 325 *Charles Wheeler RA (1892-1974) FULL LENGTH SEATED NUDE Signed with initials and dated 1936 l.l., pen and ink, chalk and pastel 35 x 27cm; and another seated nude 34 x 23cm (2) £70 - 100

325

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326

328

Lot 326 Continental School, 20th century STANDING FEMALE NUDE, THREE-QUARTER LENGTH Signed with red stamp l.l., charcoal, ink and grey wash on handmade paper 45.5 x 41cm £100 - 150

Lot 327 *Madge Gill (1882-1961) STUDIES Three, two inscribed August 30th 1942 and September 9th 1942, pen and ink on postcards 8.5 x 14.5cm (3) £150 - 250

Lot 328 *Stanislaus Brien (Polish, fl.1930-1935) LANDSCAPES Fifteen various watercolour, pen and ink sketches various sizes, largest 15 x 22cm, unframed (15) £80 - 120

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330 Lot 329 *Stanislaus Brien (Polish, fl.1930-1935) LYNX; TIGER A pair, one signed, charcoal 19 x 30cm (2) £80 - 120 Lot 330 *Doris Zinkeisen (1898-1991) COSTUME DESIGN FOR WINIFRED OUGHTON AS MRS JONES Signed l.r., watercolour 55 x 36.5cm £300 - 500

331

Lot 331 *Mike Francis (b.1938) ‘POOL GAME’ Signed and inscribed with title l.l., pencil 38 x 24cm £150 - 250 Lot 332 *Leonard McComb (b.1930) SWIMMING SALMON Signed and dated 1987 l.l., pastel 56 x 78cm £300 - 500

332

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333

334

Lot 333 *Mary Newcomb (1922-2008) ‘LOVELY TO SEE YOU THE OTHER NIGHT’, c.1968 Signed and inscribed ‘to Tom’, inscribed with title verso, ink wash 29 x 21cm £150 - 200

Lot 334 Roland Petersen (American/Danish, b.1926) FIGURE IN YELLOW LIGHT Coloured aquatint, signed and inscribed with title in pencil and numbered ‘6/11 colour state’ sheet size 70 x 57cm £200 - 300 Lot 335 Ha Van Vuong (Vietnamese, b.1914) MOTHER AND CHILD Signed l.r., watercolour 77 x 56cm £120 - 150

336

335 Lot 336 *William Gear RA (1915-1997) ‘STUDY’ Signed and dated 1959 l.r., inscribed verso, mixed media on paper 23.2 x 28cm £300 - 500 Lot 337 *Adrian Heath (1920-1992) UNTITLED Signed and dated ‘65 l.r., watercolour and crayon 31 x 25cm £400 - 600

337

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Lot 338 *Eugenio Carmi (Italian, 1920-2016) ‘SITUAZIONE APERTA’ Signed, inscribed with title and dated 1972 verso, acrylic on canvas 60 x 60cm £2,000 - 3,000

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PHOTOGRAPHS, PRINTS, WATERCOLOURS AND OIL PAINTINGS 195-366 Lot 339 After Burgoyne Diller UNTITLED Oil on canvas 81 x 142.5cm £300 - 500

339 Lot 340 Vagliere UNTITLED Signed and dated ‘57, oil on canvas 71 x 48cm £100 - 200 Lot 341 Bionda ABSTRACT Signed and dated ‘56, oil on canvas 71 x 49cm £300 - 500

340

341 Lot 342 Freya Hansell (American, b.1947) UNITLED Mixed media 100 x 122cm; together with Jerry Saltz ‘Beyond Boundaries - New York’s New Art’, Alfred van der Marck, 1986 (2) £200 - 300

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343

344

Lot 343 *Guiseppe Panizza (Italian, 20th century) ‘IL PORTICATO’ Signed l.l., oil on canvas 25 x 35cm £100 - 150 Lot 344 Caran Steluca (Serbian, b.1944) ‘ZETVA’ Signed and dated 1974, l.r., oil on canvas 50 x 70cm £150 - 200 Lot 345 *Piergiorgio Colautti (Italian, b.1934) FIGURE STUDY Signed l.r., oil on canvas 30 x 39.5cm £150 - 200

345

Lot 346 *Maria Andruszkiewicz (20th century) ‘RICREAZIONE NO 1’; ‘RICREAZIONE NO 2’ A pair, signed l.r., oil on board 15 x 20cm (2) £100 - 150

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PHOTOGRAPHS, PRINTS, WATERCOLOURS AND OIL PAINTINGS 195-366 Lot 347 *Ivan Lacković (Croatian, 1932-2004) A VILLAGE IN WINTER WITH RED FLOWERS GROWING FROM THE CENTRE Signed l.r., gouache reverse painted on glass 70 x 58cm, unframed £200 - 300 Lot 348 Manner of Béla Kádár (Hungarian, 1877-1950) HORSES NEXT TO A BRIDGE; HORSE AND TWO WOMEN Oil on canvas 74 x 100.5cm and 101.5 x 71.5cm (2) £500 - 700

347

Lot 349 Scottish School, c.1930 STILL LIFE WITH A JUG OF TULIPS Signed with initials ‘MM’, oil on canvas board 13.5 x 16.5cm £100 - 150 Provenance: With John Mathieson & Co., 20 Frederick Street, Edinburgh label and inscribed ‘MM’ (for John McMurtry), ‘10.5.32’. Lot 350 David Bromley (Australian, b.1960) NUDE Signed l.l., acrylic on canvas 152 x 122cm, unframed £800 - 1,200

348

349

350

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351 Lot 351 *Inge Clayton (Austrian, 1942-2010) ‘I’M WITH ROBERT’ Signed and dated 9.1.91 l.r., oil on plastic 65 x 35cm £100 - 150 Lot 352 *Jef Aérosol (Jean-François Perroy) (French, b.1957) ‘SELF PORTRAIT’ Signed and dated 2011 l.l., spray paint and pochoir on cardboard image 83 x 25cm £700 - 1,000 Currently living and working in Lille, Jef Aérosol began his artistic career spraying a stencil in Tours (Central France) in 1982. He was part of the first generation of street artists to develop at that time, leading the movement of liberated urban art. Aérosol’s work focuses on character, and is equally full of celebrities and anonymous individuals working and living in the urban environment, as well as self-portraiture. He has left his mark in many cities across the globe, including Paris, London, New York, Chicago and Tokyo.

352

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353 Lot 353 *Leigh Lambert (b.1979) CHILDREN PLAYING WITH GO KARTS Giclee print on canvas, signed and numbered 11/50 l.r. 59 x 81cm £100 - 150

354 Lot 354 *Leigh Lambert (b.1979) ‘NEEOW!’ Giclee print, signed and numbered 19/95 in pencil image size 53 x 71cm £100 - 150

Lot 355 *Leigh Lambert (b.1979) ‘I CAN SEE THE SHIP’ Signed l.r., inscribed with title verso, oil on board 41 x 29cm £200 - 300 Lot 356 *Leigh Lambert (b.1979) ‘CAN WE COME’ Signed l.r., inscribed with title verso, oil on board 36 x 27cm £200 - 300 Lot 357 *Leigh Lambert (b.1979) ‘WHO THREW THAT’ Signed l.r., inscribed with title verso, oil on board 23 x 29cm £200 - 300

356

355

357

Lot 358 *Leigh Lambert (b.1979) ‘DON’T FORGET THE 100’S AND 1000’S’ Signed l.r., inscribed with title verso, oil on board 23 x 29cm £200 - 300

358

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195-366 PHOTOGRAPHS, PRINTS, WATERCOLOURS AND OIL PAINTINGS Lot 359 Alexander Sonnis (1904-1997) TWO SEAGULLS ON A NEST Signed l.r., inscribed ‘To Mervyn Levy ARCA From Alex Sonnis With My Deepest Respect’ verso, oil on board 40.5 x 50.5cm £100 - 150

Lot 360 *Samantha Toft (b.1964) ‘STANLEY MUSTARD’ Signed and dated 2010 l.c., mixed media 29 x 23.5cm £200 - 300

359 Lot 361 *Samantha Toft (b.1964) ‘A STUDY OF DORIS’ Signed l.r., mixed media 14 x 14.5cm £150 - 200

Lot 362 *Samantha Toft (b.1964) ‘IS IT NEARLY PICNIC TIME YET?’ Signed l.r., inscribed with title l.c., mixed media 21.5 x 15.5cm £150 - 200

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361

362

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364

365

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Lot 363 *Neville Fleetwood (b.1932) ‘RED ROOFS’ Signed l.r., oil on board 22 x 20cm £100 - 150

Lot 365 *Neville Fleetwood (b.1932) ‘DICE WITH FLOWERS’ Signed l.r., oil on board 87 x 78.5cm £400 - 600

Lot 364 *Neville Fleetwood (b.1932) ‘WATERSIDE’ Signed l.r., oil on board 21.5 x 17cm £100 - 150

Lot 366 *Neville Fleetwood (b.1932) ‘SUMMER SKY’ Signed l.r., oil on board 21.5.x 22cm £100 - 150

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INDEX OF ARTISTS A *Aérosol, Jef 352 *Agam, Yaacov 268 American School 324 *Andruszkiewicz, Maria 346 Anuszkiewicz, Richard 259  B Baier, Jean 241 *Baj, Enrico 244 *Baldaccini, César 256 Batten, Dickson John 206 *Beaton, Cecil 195 Bionda341 *Bolam, John 322 *Bowett, Druie 319, 320 Bresslern-Roth, Norbertine 205 *Brien, Stanislaus 328, 329 Bromley, David 350 *Brown, Dorothy Morse 311 *Brunsdon, John 207, 208  C *Calderara, Antonio 255 *Capa, Robert 200 *Carmi, Eugenio 338 Cazzigna (?) 317 *Chadwick, Lynn 220 *Clarke, Brian 222 *Clayton, Inge 351 Cohen, Harold 214, 215 *Colautti, Piergiorgio 345 Continental School 326  D *D*Face 303, 304, 305 de la F…, C J 309 *Del Pezzo, Lucio 252 *Denny, Robyn 216, 217, 218 *Dickson, Jennifer 266, 267 Diller, After Burgoyne 339 *Dulac, Edmund 204 

E *Equipo, Crónica 249 *Erró254  F *Fajó, János 258 *Farleigh, John 321 Fini, Leonor 221 *Fleetwood, Neville 363,  364, 365, 366 *Francis, Mike 331 *Frink, Dame Elisabeth 213  G *Gear, William 336 *Gentleman, David 310 Gilbert and George 573 Giles, … 308 *Gill, Madge 327  H Hansell, Freya 342 *Heath, Adrian 337 Hockney, David 572 *Hooper, George 323  J Joory, Heskel 307  K Kádár, Manner of Béla 348 Kitaj, Ronald Brooks 263,  264, 265 *Klein, Anita 212 Krasner, Lee 262  L *Lacković, Ivan 347 *Lambert, Leigh 353, 354,  355, 356, 357, 358 Lebadang, Hoi 247 *Lees, Walter 203 Lichtenstein, After Roy 270 

M *Mack, Alistair 230, 231 *Marchello, Gianni 242 *McComb, Leonard 332 *McCullin, Don 201 *Morellet, François 233,  234, 235, 236 *Mortensen, Richard 248 Motonaga, Sadamasa 253  N *Newcomb, Mary 333  O Oppenheimer, Max (Mopp) 312  P *Panizza Guiseppe 343 *Papart, Max 232 *Paterson, Susie 227, 228, 229 Petersen, Roland 334 *Peto, Michael 202 *Phillips, Peter 223 *Picelj, Ivan 245, 246  R *Rancillac, Bernard 237,  238, 239 Rosenquist, James 260 *Rotella, Mimmo 257  S Scottish School 349 Sedgley, Peter 219 *Skiöld, Birgit 251 *Smith, Edwin 196, 197,  198, 199 *Smith, Richard 224, 225, 226 Sonnis, Alexander 359 *Souza, Francis Newton  313, 314, 315

Spirali318 Stahl (?), Willi 316 Steluca, Caran 344  T *Tadini, Emilio 243 Tanning, Dorothea 261 Thornton, Valerie 211 Tilson, Joe 269 Tinguely, After Jean 571 *Toft, Samantha 360, 361, 362  U Urushibara, Yoshijiro 209, 210  V Vagliere340 *Viseux, Claude 240 Vuong, Ha Van 335  W Warhol, After Andy 271,  272, 273, 274, 275, 276,  277, 278, 292, 293, 294,  295, 296, 297, 298, 299,  300, 301, 302, 567 *Wheeler, Charles 325 *Winkler, Ralf 250  Z *Zinkeisen, Doris 330

Lots marked with a ‘*’ may attract the Artist’s Resale royalty charge at the rate of 4% of the hammer price. This royalty, where applicable, will be charged to the purchaser.

GLOSSARY OF PICTURE CATALOGUING TERMS A work catalogued with the forename(s) and surname of a recognised destination of an artist is or is probably a work by the artist, eg. David Cox. Nevertheless, intending buyers are reminded that while a full designation is our highest category or authenticity, no unqualified statement as to the authorship is made or intended. A full cataloguing does not necessarily imply a full warranty. Attibuted to David Cox in our opinion a work of the period of the artist which may be in whole or in part the work of the artist. Circle of David Cox in our opinion a work from the period of the artist and showing his influence. Follower of David Cox in our opinion a work executed in the style of David Cox After David Cox in our opinion a copy of any date after a work by the artist Signed/inscribed/dated in our opinion the work has been signed/inscribed/dated by the artist

Bears/with signature, inscription, date in our opinion the signature/ inscription/date are not by the hand of the named artist. The addition of a question mark (?) after any of the above cataloguing terms indicates an element of doubt. A work catalogued as ‘School’ accompanied by the name of a place or country and a date means that in our opinion the work was executed at that time and in the location, eg. South Netherlands School, circa 1750. All references to signatures, inscriptions and dates refer to the present state of the work, ie. as at the time of inspection for the purpose of cataloguing. Condition reports are not included in the descriptions.

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POST-WAR AND MODERN OBJECTS, FURNITURE AND LIGHTING 367-624

Lot 367 A Poole ‘Atlantis’ vase, by Catherine Connett, incised with a deep ‘pebble’ band, incised ‘A51 CC POOLE ENGLAND’, 9cm high £100 - 150

367

Lot 368 Seven tile designs of saints commissioned for the reredos of the St John Fisher Church, Rochester, Kent, by Joseph William Ledger (1926-2010) for Carter & Co., Poole, c.1953-54, St George, St Thomas of Canterbury, St Justus, St Paulinus, St William of Rochester, St Thomas More, St Andrew, and two further designs of St Patrick and Charles I, not used in the final reredos, two backed on boards, the rest rolled, with losses 52 x 116cm approx (9) £300 - 500 The church of St John Fisher was built in 1953-54 with help from money gifted by the Bishop James Kearney of the Diocese of Rochester, New York. The architect was Harry Stuart Goodhart-Rendel (1887-1959) who commissioned three tiled reredoses from Joseph Ledger. The other two were St Mary the Virgin, Isleworth (1955) and Our Lady of the Rosary, Westminster (1966). The tiles in the schemes were then decorated by Phyllis Butler. There are three designs missing from this scheme within this lot - St John Fisher, the main central panel, St Michael the Archangel and St Andrew.

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Post-War and Modern Objects, Furniture and Lighting 367-624 Lot 369 A Wedgwood brown basalt vase, designed by Keith Murray, with five horizontal bands to the body, impressed ‘Wedgwood Made in England’ and with a red facsimile signature, 15.5cm high £500 - 800 Lot 370 A Wedgwood vase, designed by Keith Murray, of globular form, with horizontal bands, printed mark ‘KM Wedgwood, Made in England’, 15.5cm high, a pair of Wedgwood pottery tankards, designed by Keith Murray, printed facsimile signature and ‘Wedgwood, Made in England’, 13.5cm high, and a Poole Queens vase, printed mark, 20cm high (4) £150 - 250

369

370

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367-624 Post-War and Modern Objects, Furniture and Lighting Lot 371 *Pablo Picasso (1881-1973), a pottery plate, ‘Joueur de Flûte’ (AR126), stamped ‘Madoura Plein Feu/Empreinte Originale de Picasso’, 24.8cm £2,000 - 3,000

371 Lot 372 *A Pulcini glass bird, designed by Alessandro Pianon for Vistosi, c.1962, with a wedgeshaped blue glass body with tangerine stripes and murrine eyes, raised on copper legs, 17cm high £1,500 - 2,000

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Lot 373 An Italian Murano glass vase, possibly by Flavio Poli for Seguso, in light blue glass with red and dark blue horizontal bands, 17cm high 38cm long £600 - 800 Provenance: Bought in Murano, 1957.

373

Lot 374 A Barovier & Toso bowl, 1940s, with a slight iridescence, raised on a low foot, 14cm high 18.5cm diameter £150 - 180 Literature: For a similar vase, see ‘Le Génie Verrier de l’Europe’, plate 821, p.481.

374

Lot 375 A Murano amber glass bowl, with a sunken centre, 35.5cm diameter £80 - 120

375

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367-624 Post-War and Modern Objects, Furniture and Lighting

376

Lot 376 A Murano glass sculpture, ‘Over the Rainbow’, 52cm long £800 - 1,000

Lot 377 A Pop Art ‘Lips’ biscuit jar and cover, 1960s, moulded with lips and a tongue, printed ‘Made in England’, 23cm high £100 - 150

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Lots 378 to 388 A ceramics collection by Jim Haley (b.1922) and Ami Haley (b.1924) The creations of Jim and Ami Haley featured in the marketing of many household names, including Hoover, Clarks, Guinness and Omega, as well as in a decade of spectacular window displays in London’s West End. Jim studied commercial art at St Martin’s College in London, whilst Ami studied fine art in her native Florence. In retirement, their designs now take a more permanent form in ceramics.

378

379

Lot 378 *A glazed and painted stoneware group, ‘Paradise Eternal’, depicting Adam, who has cut up the serpent to make a pair of shoes and a handbag, presenting these to Eve, signed and titled, 510cm high £600 - 800

Lot 379 *A polychrome and stoneware group, ‘Three Kings’, produced in the 1990s, but incised 2016, half life-size stoneware figures originally created for the private chapel of a villa in Tuscany, 103cm high (3) £1,500 - 2,500

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Lot 380 *A wood and ceramic group, ‘Dynasty, Father and Son’, 53cm high, on a wood plinth £200 - 300

382 Lot 381 *A glazed and painted ceramic plaque, ‘Bridge of Size’, 50cm wide £150 - 250

Lot 382 *A glazed and painted ceramic plaque, ‘Autumn Harvest’, 47cm wide 25cm high £100 - 200

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386 Lot 383 *A glazed ceramic plaque, depicting and owl on a branch, 36cm wide 25cm high £150 - 200 Lot 384 *A glazed and stoneware sculpture, ‘Cats Corner’, designed to hang in a corner or sit on a flat shelf, 34cm wide 40cm high £100 - 200

384

387 Lot 385 *A heavy glazed stoneware vase, ‘Justinian’, 64cm high £300 - 500 Lot 386 *A stoneware portrait study bust, inscribed ‘Ami’, 30cm high £200 - 250

385

388 Lot 387 *A glazed and painted ceramic plaque, ‘Bluebirds’, 48cm high £100 - 150 Lot 388 A painted terracotta figure, ‘The Cardinal’, 40cm high £200 - 300

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Lot 389 *Niki de Saint Phalle (French, 1930-2002), ‘Factice Géant du Parfum’, painted resin and glass, signed, 36cm high £600 - 800

391

Lot 390 *Niki de Saint Phalle (French, 1930-2002), ‘Géant du Parfum’, first edition, 15ml, painted resin and glass, 9cm high, boxed £300 - 500

Lot 391 *Niki de Saint Phalle (French, 1930-2002), ‘Dance of the Snakes Necklace’, resin and hand-painted, and a bottle of Eau de Toilette flacon, 19 x 18cm box and with sleeve and instructions (2) £300 - 500

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Lot 392 After Salvador Dali, ‘The Birth of Man’, a bronze paperweight, signed and inscribed ‘1981 24/99’(?), 8.5cm wide 5.5cm high £250 - 300

Lot 393 After Henri Gaudier-Brzeska (1891-1915), a duck, bronze, unsigned, probably cast 1960s, 12cm long £600 - 800

393

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Post-War and Modern Objects, Furniture and Lighting 367-624 Lot 394 A ‘Triple Level Server’, designed by Jean Cocteau, each side with a head and a stylised sun, opening to reveal a central hinged dish, cast back, 28cm high £300 - 500

Lot 395 *Manuel Marin (Spanish, 1942-2007), a mobile sculpture, signed to the stand, 82cm wide 32cm high £1,200 - 1,500

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Lot 396 *Miguel Berrocal (Spanish, 1933-2006), ‘Caballero’, a brass ‘face’ puzzle pendant, 5 x 4.5cm £200 - 300

Lot 398 *Miguel Berrocal (Spanish, 1933-2006), ‘Micro-Maria’, a brass puzzle pendant, 3.5cm wide, boxed £200 - 300

Lot 397 *Miguel Berrocal (Spanish, 1933-2006), ‘Micro David-off’, puzzle sculpture, 6cm high, boxed and with original paperwork £200 - 300

Lot 399 *Miguel Berrocal (Spanish, 1933-2006), ‘Mini-Cariatide’, a twenty-six piece chrome-plated sculpture, numbered ‘9532’, stamped ‘BERROCAL’, 15cm long £300 - 500

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403 400 Lot 400 A ‘Cardinal’ vase, by Lino Sabattini for Christofle, stamped marks, 36.5cm high £100 - 150

Lot 402 A pair of fruit bowls, by Lino Sabattini, stamped ‘Sabatini Italy’, 45cm long £200 - 300

Lot 401 A silver-plated vase, ‘Paestum’, by Lino Sabattini, signed and numbered 1995/1998, 35cm wide 17.5cm high £300 - 500

Lot 403 A silver-plated vase, by Lino Sabattini, ‘Persepoli’, signed and numbered 1970/1988, 50cm wide 25.5cm high £300 - 500

Lot 404 An ice bucket and cover, by Gio Ponti for Lino Sabattini, stamped ‘Sabattini, Made in Italy’, 16cm high £200 - 300

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Lot 405 A silver-plated mask for Christofle, by Gio Ponti for Lino Sabattini, ‘Double Masque Découpé’, 1978, numbered 018/999, 27cm high, in original box £600 - 800 Lot 406 A silver-plated mask for Christofle, by Gio Ponti for Lino Sabattini, ‘Diavolo’, 1978, numbered 012/999, 27cm high, in original box £600 - 800

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Lot 407 A silver-plated mask for Christofle, by Gio Ponti for Lino Sabattini, ‘Circulaire de Coupe’, 1978, numbered 017/999, 20cm wide 21.5cm high, in original box £600 - 800 Lot 408 A silver-plated sculpture by Gio Ponti and Paolo de Poli, ‘Cat’, and another sculpture, brass and blue painted, each 63cm long (2) £200 - 300

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Lot 409 A ‘Leopard’ chest of drawers, designed by Piero Fornasetti (1913-1988), with lithographic decorated and hand-painted surfaces, with brass handles and tapering legs, 99.5cm wide 58.5cm deep 84.5cm high £10,000 - 15,000

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Lot 410 A plywood stool, designed by Marcel Breuer for Isokon, 45cm high £400 - 600

Lot 412 A teak desk chair, designed by Erik Kirkegaard for Høng Stolefabrik, with a tan suede back and seat £100 - 150

Lot 411 A drop-front bureau, Swedish, c.1950, 85cm wide 40cm deep 101cm high £200 - 300

Lot 413 A Jaeger-LeCoultre gilt brass ‘Atmos’ clock, c.1967, Caliber 526-5, in original case, with paperwork and guarantee, 22cm high £500 - 800

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Lot 414 A Danish dressing table, on tubular A-frame support, with circular mirror, 99cm wide 41.5cm deep 128cm high £100 - 150 Lot 415 A two-seater curved sofa, British, c.1940, upholstered in Matthew Williamson for Osborne & Little ‘Salsa’ velvet, 151cm wide 87.5cm deep 82.5cm high £600 - 800

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Lot 416 A pair of walnut bedside tables, each with a black plate glass top over a single drawer with a metal band, lacking handles, 54cm wide 39.5cm deep 50cm high (2) £100 - 150

416

Lot 417 A Danish walnut desk, with a gallery top, with four drawers each side, the reverse with a bookshelf with glass sliding fronts, 150cm wide 75cm deep 76cm high £150 - 200

417 Lot 418 A bentwood and woven seagrass armchair, designed by Magnus Stephensen for Fritz Hansen, 57cm wide £120 - 150

418

Lot 419 A pair of Italian oval maple and brass-mounted side tables, c.1950, with marble tops, 63.5cm wide 37cm deep 60cm high (2) £300 - 500

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420 Lot 420 A teak coffee table, designed by John and Sylvia Reid for Stag, raised on tubular supports, 153cm wide 50cm deep 32cm high £100 - 150

421

Lot 421 Three Danish stools designed by Astor Glibstrup, teak veneered with tubular-plated legs (3) £350 - 400 Lot 422 A pair of ‘MR’ chrome cantilever armchairs, 1960s, after a design by Mies van der Rohe, with woven seats and arms (2) £250 - 350 Provenance: Sir James Stirling.

422 Removal of lots ALL lots are to be removed from the premises by 5.00pm at the latest on the Friday following each sale. Sworders retain the right to remove lots remaining after this time into safe storage, for which a charge will be made. Electrical Goods All electrical goods offered in this sale have either been tested and certified by an appropriately qualified electrician or have been operationally disabled. We would strongly advise that any intended re-commissioning is undertaken by an appropriately qualified electrician. Post 1950 Furniture All items of furniture included in this sale are offered for sale as works of art. The items may not comply with the Furniture and Furnishings (Fire) Safety Regulations 1988 and for this reason, they should not be used in a private dwelling. More images and condition reports are available on our website www.sworder.co.uk

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Lot 423 A coffee table, with a mirrored top, raised on shaped supports, 85cm wide 47cm deep 54cm high £100 - 150 Lot 424 An Italian ‘Mitzi’ bentwood armchair with brass detail, c.1958, designed by Ezio Longhi for Elam, upholstered in Osborne & Little ‘Croisette Antibes’ fabric £200 - 300 Lot 425 A beechwood settee, after a design by Theo Ruth for Artifort, with pink upholstery, the back slots into the seat, 110cm wide £300 - 500

425

Lot 426 A pair of Italian burr walnut bedside cabinets, the mirror backs mounted with twin lights, over a cupboard enclosing two drawers, on shaped legs, 67cm wide 35cm deep 86.5cm high (2) £250 - 350

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Lot 427 A bronze centrepiece, of deer at rest, signed Hilton, 64cm long £150 - 250

Lot 429 A chrome fourteen-light hanging globe, 56cm diameter £150 - 180

Lot 428 A pair of coffee tables, designed by John Makepiece, each with a painted grey frame and glass top, 63.5cm square 35cm high (2) £120 - 150

Lot 430 A clear Lucite coffee table, with a clear glass top and chamfered supports, 120cm wide 80cm deep 39cm high £150 - 200

Lot 431 A tubular chrome coat stand, 170cm high £100 - 150

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436 Lot 432 A pair of eight-light hanging ‘cubic’ lights, by Sciolari, Italy, labelled, 45cm diameter 60cm high (2) £400 - 600 Lot 433 Three aluminium hanging lights, each labelled ‘BTC ENGLAND’, 34cm high (3) £150 - 200

437 Lot 434 *Ten plaster sculptures, by Frederick Leslie Kenett (1924-2012), largest 27cm (10) £150 - 250

Lot 436 *Two plaster sculptures, by Frederick Leslie Kenett (1924-2012), 33 and 32cm wide (2) £300 - 500

Lot 435 *A plaster sculpture, by Frederick Leslie Kenett (1924-2012), 32cm high, and a collection of five plaster sculptures and plinths, and two marble plinths (8) £200 - 400

Lot 437 *Three relief plaster sculpture panels, by Frederick Leslie Kenett (1924-2012), chips, 44.5 x 28.5cm 46 x 27cm 47 x 28cm (3) £300 - 500

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Post-War and Modern Objects, Furniture and Lighting 367-624 Lot 438 A Prinz-Sound SM8 stereo module, with 8-track and radio, together with twelve cassettes, 28cm high £100 - 150

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Lot 439 A pair of Louis Poulsen PH5 hanging light pendants, 50cm diameter (2) £250 - 300

440 Lot 440 Two pairs of hanging pendant lights, designed by Jo Hammerborg for Fog and Mørup, in copper and black and white, 27cm high (4) £150 - 200 Lot 441 A ‘Verona’ hanging light pendant, designed by Svend Middelboe, numbered ‘41094’, 49cm diameter £150 - 200 Lot 442 A rise and fall standard lamp, with a plastic globe shade, 165cm high, another set of three lights, with white glass shades, one matched, 150cm high, and an aluminium and faux leather ashtray, 43.5cm high (3) £100 - 150

442

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Lot 443 An Ercol lounge suite, upholstered with orange cushions, comprising: a day bed, 190cm wide, and a pair of armchairs, 80cm wide (3) £300 - 500 Lot 444 A Gordon Russell dining suite, for Heal’s, early 1960s, comprising: a table, with a single leaf with shaped ends, labelled, 136.5cm long, and six chairs (4+2) £150 - 200 Lot 445 An oak ‘Mødel Belvaerk 521’ cow horn elbow chair, designed by Knud Faerch for Slagelse Møbelfabrik £400 - 600 Lot 446 A pair of teak table lamps, by Modeline, California, with original shades, 114cm high (2) £400 - 600

446

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Lot 447 An Helix sideboard, designed by David Booth for Gordon Russell, retailed by Heal’s, the routed cupboard opening to reveal a shelf and drawer with Heal’s ivorine button, 121.5cm wide 45.5cm deep 84cm high £200 - 400

447

448 Lot 448 A teak six-drawer chest, designed by Ib Kofod Larsen for G Plan, branded gold mark, 76cm wide 46cm deep 107cm high £200 - 400

449 Lot 449 Simon Randers for Randers Møbelfabrik, Denmark, a teak sculpture, branded, 38.5cm high £150 - 200

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Lot 450 A pair of Parker Knoll teak elbow chairs, lacking one cushion (2) £100 - 150

450

Lot 451 A Danish teak circular occasional table, with a raised moulded rim, over turned supports and a double ‘X’ stretcher £200 - 300

451

Lot 452 A Danish teak cabinet, 1950s, with an arrangement of drawers and a cupboard to the side, 100cm wide 45cm deep 100cm high £100 - 150

452 www.sworder.co.uk143

Post-War and Modern Objects, Furniture and Lighting 367-624 Lot 453 A pair of Italian mahogany bedside tables, with a glass shelf over a cupboard, on strut legs, 63.5cm wide 34cm deep 60.5cm high (2) £150 - 200 Lot 454 A teak AT-309 dining table, designed by Hans Wegner for Andreas Tuck in 1950, 230cm extended, together with four white Lilla Åland chairs, designed by Carl Malmsten (5) £500 - 700

453

Lot 455 A Lane ‘Acclaim’ walnut and maple coffee table, with dovetailed top surface, branded, 142.5cm wide 49cm deep 37cm high together with a pair of matching Lane side tables, with undertiers, branded, 71.5cm wide 53.5cm deep 50.5cm high (3) £500 - 700

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Lot 456 A teak cabinet, probably designed by David Booth, with a routed chamfered top drawer, over a cupboard with a shelf and two drawers, lacking the turned legs, 84cm wide 46cm deep 99.5cm high £150 - 200

456

Lot 457 Old Hall stainless steel items, designed by Robert Welch for J & J Wiggin, in the ‘Campden’ and ‘Alveston’ ranges, comprising: hot water jugs, a three-piece candlestick, entrée dishes, a toast rack and bottle cooler, together with George Butler & Co. flatware, and a 1960s mirror (qty.) £100 - 150

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458

459 Lot 458 *John Cox, ‘Boxing Hares’, bronze with foundry stamp, 62cm high (2) £600 - 800 Lot 459 *Lucia Corrigan, ‘Fox and Hare’, compacted chicken wire sculpture, fox 108cm long (2) £400 - 600 Lot 460 *John Smith, ‘Kinetic’, a stainless steel and steel mobile, 215cm high approximately £800 - 1,200 Lot 461 A contemporary log table, with a glass top, 80cm diameter 61cm high, together with four stools, 46cm high (5) £400 - 600

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367-624 Post-War and Modern Objects, Furniture and Lighting Lot 462 *Martyn Barratt, a brick leaf seat, raised on a stainless steel plinth, 157cm wide 45cm high £1,500 - 2,000

462

Lot 463 A contemporary hardwood table and stools, the table carved from a single trunk with four fixed stools, 180cm wide overall 77cm high £400 - 600

463 Lot 464 A Dutch railway station bench, with slatted seat and back, on a wrought iron stand, 183cm wide £200 - 300

464 www.sworder.co.uk147

Post-War and Modern Objects, Furniture and Lighting 367-624 Lot 465 A ‘Cormorant’ folding chair, designed by Ernest Race in 1959 and manufactured by Ernest Race Ltd., labelled with ‘Regd. Design No.894601’ £300 - 500 The Cormorant was awarded a Design Centre Award in 1961 and was praised for its ‘workmanlike use of materials and for its ingenuity and economy of means’ in its folding mechanism. It was also recognised with a Gold Medal in the California State Exhibition in 1962. The Cormorant was designed as deck seating for P&O Liners.

465 Lot 466 A ‘Trimma’ sideboard, designed by Frank Guille for Kandaya, the chequer Formica top over a glass sliding cupboard, two drawers to the right and over three further sliding cupboards, raised on a black plinth, 153.5cm wide 41.5cm deep 91cm high £150 - 250

466 Lot 467 A pair of ‘Chevron’ chairs, designed by Robin Day for Hille in 1959, with brown upholstered back and seat, 62cm wide £150 - 250

467 148www.sworder.co.uk

367-624 Post-War and Modern Objects, Furniture and Lighting Lot 468 A teak two-colour eight-drawer chest, 1960s, with brass hoop handles, 76.5cm wide 46cm deep 129cm high £250 - 350 Lot 469 A ‘DA’ sofa, designed by Ernest Race, 155cm wide £200 - 300 Lot 470 A teak ‘Hilleplan’ sideboard, designed by Robin Day for Hille, 1950s, with two drawers, over sliding cupboards, raised on turned legs, labelled to top left drawer ‘Hille of London’, 137cm wide 46cm deep 76cm high £200 - 300

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469

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Post-War and Modern Objects, Furniture and Lighting 367-624 Lot 471 § A rosewood drum table, designed by Robert Heritage for Archie Shine Ltd., with four frieze drawers reeded panels, and on a triform stand, 142cm diameter 72cm high, and a set of six rosewood and leather dining chairs (7) £650 - 750 Lot 472 A Danish beechwood threeseater settee, with original striped sprung cushions, 172cm wide £200 - 300

471

FURNITURE MADE OF BRAZILIAN ROSEWOOD (DALBERGIA NEGRA) To comply with CITES Regulations on post-1947 furniture made of Brazilian Rosewood, all post-war rosewood furniture items have Article 10 certificates. If you are purchasing rosewood furniture for commercial purposes and not solely for your own use, CITES regulations require you to obtain your own certificate. You would need to contact the Animal Health and Veterinary Laboratories Agency (‘AHVLA’) and, as part of the process of obtaining your document, it is a requirement that you have seen sight of the Sworders’ certificate or are aware of its reference number. It is therefore the responsibility of commercial buyers to ensure that they obtain a copy of the appropriate certificate, or the certificate reference number, after purchase from Sworders Fine Art Auctioneers. All certificate reference numbers are listed on our website, www.sworder.co.uk, within ‘Condition Report’.

472

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Lot 473 A limed oak bench, designed by John Makepeace for John Makepeace Workshops, with a wool cushion, stamped, 180cm wide 58cm deep 51cm high £400 - 600 Lot 474 *Martin Scorey, ‘Driftwood Throne’, 180cm high £400 - 600 Lot 475 Stanford Derere (Zimbabwean, contemporary) ‘Swallow in Flight’, springstone and cedar, on a plinth, 142cm wide £600 - 800

474

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Lot 476 Man Ray (American, 1890-1976), ‘Cadeau (The Gift)’, an iron set with brass nails, signed in white and numbered 3/9, 18cm high £400 - 600 Lot 477 An armchair, designed by Grete Jalk for Fritz Hansen in 1967, upholstered back and seat, on a tubular stand £400 - 600

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Lot 478 A set of four Equa II purple moulded chairs, by Herman Miller, raised on chrome cantilevered legs (4) £200 - 400 Lot 479 A set of eight Danish stacking chairs, each with faux animal skin seats and back (8) £100 - 150

479 152www.sworder.co.uk

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480

Lot 480 Four ‘F978’ lounge chairs, designed by Geoffrey Harcout for Artifort in 1968, with matched upholstery, on revolving stands (4) £300 - 500 Lot 481 A Knoll ‘Barcelona’ chair, after a design by Mies Van Der Rohe, with a tan leather seat and back, cantilevered £200 - 400

481

Lot 482 A Cherner armchair, designed by Norman Cherner, with bentwood hoop arms £100 - 150

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486 Lot 483 Four Glo-Ball lights, designed by Jasper Morrison for Flos, two Mini-Glo pendants, and two desk lights (8) £150 - 250

484

Lot 484 *Jonathan Loxley, ‘Vanishing Point’, white marble on a tall limestone plinth, 186cm high £2,000 - 3,000

Lot 485 A clear Lucite dining suite, comprising a table, with a circular glass top, 119cm diameter, and four chairs (5) £150 - 200 Lot 486 A chrome jet plane table lighter, raised on a ball hinge and an octagonal plinth, 23.5cm long £100 - 150

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367-624 Post-War and Modern Objects, Furniture and Lighting Lot 487 Guido Venturini for Alessi, a pottery dispenser with liner and cover, numbered ‘4/99’, 137cm high £800 - 1,200 Lot 488 A contemporary suite of glass, comprising six different sizes of glasses, each of slender form, raised on tapering stems, 18 to 24.2cm (43) £200 - 300 Lot 489 ‘Dim Sum’, a neon and clear Lucite lightbox, 79 x 75cm £300 - 500

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Lot 490 *Salvador Dali for Rosenthal StudioLine, a 1979 year plate, with a snail, white opaque glass, inscribed 3000/1229, printed marks celebrating 100 years of Rosenthal, 36.5cm, with original fitted wood box £300 - 500

489

Lot 491 *Phillip Hearsey (b.1946), untitled patinated bronze sculpture, on a tapering wood plinth, 32cm high £600 - 800

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Lot 492 A lounge suite, designed by Verner Panton for Steelcase in 1974, with a fibreglass frame and chocolate-coloured upholstery, raised on clear Perspex stands, comprising: a settee, 214cm wide, a pair of armchairs, 106cm wide, and a pair of coffee tables (4) £1,500 - 2,000

492 Lot 493 An Arkana suite, designed by Maurice Burke, comprising: a table, 120cm diameter, and eight armchairs, on revolving stands (9) £250 - 300

493

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367-624 Post-War and Modern Objects, Furniture and Lighting Lot 494 A modern brass and Lucite standard lamp, 188cm high £150 - 200 Lot 495 A Louis Poulson rise/fall hanging light pendant, numbered ‘16593’, 50cm diameter £100 - 150 Lot 496 An industrial ‘Colangular’ metal chest, with 108 drawers, 98cm wide 39cm deep 165.5cm high £100 - 150

495

Lot 497 An unusual ‘Carwash’ electric light, the shade modelled from a carwash brush with nylon bristles, 75cm high £100 - 150 Lot 498 An hexagonal glass coffee table, raised on a five-tier star-shaped chrome stand, 96.5cm diameter 33.5cm high £400 - 600

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500 Lot 499 A coffee table, designed by Warren Platner, 1966, with a circular glass top, 91cm diameter 38cm high £300 - 500 Lot 500 A coffee table, after a design by Isamu Noguchi, 130cm wide 95cm deep 40cm high £100 - 150 Lot 501 A ‘Verona’ hanging light pendant, designed by Svend Middelboe, numbered ‘41094’, 49cm diameter £150 - 250

502 Lot 502 A Barovier & Toso brass and clear glass harp-shaped ceiling light, 95cm high £150 - 180

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367-624 Post-War and Modern Objects, Furniture and Lighting Lot 503 Hongxun Jin, ‘Perspective’, white marble on a black granite plinth, 148.5cm high £1,000 - 1,500 Lot 504 Peter Chidzongia, ‘Scrolling Curve’, springstone on a pine plinth, 93cm high £600 - 800 Lot 505 Yuelong Shi, ‘Flow’, a marble figure, 102cm wide 80cm high £1,500 - 2,000 Lot 506 *Paul Vanstone (b.1967), ‘Torso’, marble on a marble plinth, 92.5cm high £1,200 - 1,500

505

Paul Vanstone studied sculpture at Central Saint Martin’s School of Art, then continued to the Royal College of Art. After graduating, he continued to work in marble near the famous quarry at Carrera. He later became an assistant to Anish Kapoor.

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Post-War and Modern Objects, Furniture and Lighting 367-624 Lot 507 A pair of Danish teak cabinets, the interiors with pine slides, drawers and shelves, on oak stands, each branded indistinctly, 122cm wide 44.5cm deep 93.5cm high (2) £250 - 350

507 Lot 508 A teak open bookcase, with an arrangement of fixed shelves, 90cm wide 30cm deep 115.5cm high £100 - 150

Lot 509 A pair of teak open ‘China’ bookcases, designed by Børge Mogensen, with adjustable shelves, raised on oak legs, brand mark indistinct, 122cm wide 26cm deep 93.5cm high (2) £600 - 800

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509 160www.sworder.co.uk

367-624 Post-War and Modern Objects, Furniture and Lighting Lot 510 A pair of Danish teak bookcases, dsigned by Peter Løvig Nielsen, each with three tiers of open adjustable shelves, one with an hinged cupboard with shelves and slides, 120cm wide 26cm deep 128cm high (2) £200 - 400

510 Lot 511 A Danish light oak glazed bookcase, by Hundevad, with either five or four shelves to each section, on turned supports, labelled, 138cm wide 31cm deep £150 - 200

511

Lot 512 A pair of Danish light oak open bookshelves, by Hundevad, with six and seven shelves in each, the shelves with chamfered fronts, on plinth stands, labelled, 55cm wide 305.5cm deep 196cm high (2) £200 - 300

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Post-War and Modern Objects, Furniture and Lighting 367-624 Lot 513 A Spanish beech armchair, together with a matching rocking chair, c.1972, each with stitched leather slung seats (2) £120 - 150

513

Lot 514 A ‘Torcello’ suite, designed by Afra & Tobia Scarpa for Stildomus, comprising: an oval table, on a square plinth, 138 x 160cm, eight chairs, with leather seats, two branded ‘Stildomus Segesta a Afra a Tobia Scarpa’, 104cm high back, a long cupboard, with a pair of cupboards, labelled, 162cm wide 42cm deep 85cm high (10) £1,000 - 1,500 Lot 515 An oak mirror, with a plain frame, 120 x 76cm £100 - 150

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367-624 Post-War and Modern Objects, Furniture and Lighting Lot 516 An oak desk, the plain top fitted with a slide and a drawer, 148cm wide 73cm deep 71cm high £100 - 150

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Lot 517 A tan leather three-seater settee, with chrome feet and ball castors, 225cm wide £400 - 600

Lot 518 A pair of stained beechwood and leather loungers, with leather slung arms (2) £150 - 200

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518 www.sworder.co.uk163

Post-War and Modern Objects, Furniture and Lighting 367-624 Lot 519 A pair of oak lounge chairs, designed by Bernt Petersen, with canvas seats and backs (2) £150 - 200

519

520 Lot 520 A Danish tan leather revolving lounge chair, with an openwork wire seat £150 - 200

522 Lot 521 A Danish leather three-seater settee, Skippers Møbler with button seats and back, 192cm wide £400 - 600

Lot 522 A coffee table, by Ansager Møbler, with chrome strut supports, labelled, 90cm square 39cm high £120 - 150

521 164www.sworder.co.uk

367-624 Post-War and Modern Objects, Furniture and Lighting Lot 523 A stainless steel sculpture, ‘Funnel’, on a marble plinth, 189.5cm high £600 - 800

Lot 524 *Mark Atoi, ‘Giant Zenith’, a stainless steel sculpture, 400cm high £4,000 - 6,000

Lot 525 *Mark Atoi, ‘Spectral Columns’, stainless steel and acrylic, 200cm high (3) £1,500 - 2,000

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526

527 Lot 526 A pair of black vinyl armchairs, designed by Gianni Moscatelli for Forma Nova (2) £800 - 1,000 Lot 527 Two Rya rugs, 1960s, 96 x 160cm and 135 x 190cm (2) £100 - 1,500 Lot 528 An oak mirror, with a frame mounted with squares, 122 x 73cm £100 - 150

528

529

Lot 529 An oak mirror, with a plain frame, 123 x 69cm £100 - 150

166www.sworder.co.uk

367-624 Post-War and Modern Objects, Furniture and Lighting Lot 533 A Danish teak desk chair, with a replaced brown leather seat, 59cm wide £120 - 150

Lot 530 A lounge chair and ottoman, designed by Bent Olsen for Vejle Møbelsnedkeri Denmark (2) £100 - 150 Lot 531 A teak desk, designed by Kai Kristiansen, with three drawers to each side and three open bookshelves to the reverse, with aluminium details to handles and feet, 155cm wide 75cm deep 72cm high £400 - 600 Lot 532 A pair of beech laminate and brown leather chairs, labelled ‘Fastrup, Denmark’, 63cm wide (2) £200 - 400

530

531

532

533

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Post-War and Modern Objects, Furniture and Lighting 367-624

534

535

536 Lot 534 A pair of tan leather and tubular-framed ‘Skye’ loungers, Tord Björklund for Ikea, 170cm long (2) £200 - 400 Lot 535 A Danish oak desk, the plain top over square strut supports, flanked with three drawers with cut handles, 156cm wide 76cm deep 72.5cm high £300 - 500

537 Lot 536 A large Danish oak centre table, the circular top raised on chamfered legs, united with an ‘X’ stretcher, 125cm diameter 27cm high £200 - 300 Lot 537 A Danish teak and oak circular coffee table, 103.5cm diameter 48cm high £100 - 150

168www.sworder.co.uk

367-624 Post-War and Modern Objects, Furniture and Lighting Lot 538 A pair of Danish teak ‘China’ bookcases, designed by Børge Mogensen for FDB Møbler with an arrangement of adjustable shelves, 122cm wide 26cm deep 160cm high (2) £600 - 800 Lot 539 A Danish oak cupboard, with three drawers to the side, 110cm wide 40cm deep 70cm high, and a pair of oak bedside cabinets, with a single drawer and on trolley wheels, 39cm wide 37cm deep 50cm high (3) £150 - 200

538

Lot 540 Two Danish oak cupboards, by Hundevad, each with adjustable shelves, on turned legs, with ‘Danish Furniture Makers’ Control’ label button and branded, 138 and 108cm wide 43cm deep 80.5cm high (2) £300 - 500

539

Lot 541 An oak and tubular-framed atelier sofa, designed by Yrjo Kukkapurro for Haimi Oy Finland, c.1966, with chocolate Dralon cushions, 220cm wide £200 - 400

540

541 www.sworder.co.uk169

Post-War and Modern Objects, Furniture and Lighting 367-624

542

543

544 Lot 542 A circular laminated and tubular dining table, designed by Arne Jacobsen for Fritz Hansen, stamped ‘FH Danmark’, 90cm diameter £250 - 350

Lot 543 Four ‘Jason’ chairs, designed by Carl Jacobs and Frank Guille for Kandya, worn, repainted (4) £200 - 300

Lot 544 *Ian Gill (b.1966), red and blue chairs, powder-coated, galvanised steel, each 67cm wide 144cm high £2,000 - 3,000

170www.sworder.co.uk

367-624 Post-War and Modern Objects, Furniture and Lighting

Lot 545 *Martyn Barratt, ‘Planet Suite’, a glass kiln-formed disc with gold inclusions, on a steel and marble plinth, 85cm wide 115.5cm high £1,500 - 2,000

Lot 546 *Chris Townsend, ‘Wychwood Branch of Peace’, bronze, mounted on a painted panel, 122.5cm wide 64cm high £800 - 1,200

545

546

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Post-War and Modern Objects, Furniture and Lighting 367-624

548 Lot 547 *Martin Williams, ‘Pecking Bird’, a Portland stone sculpture, on a rusticated plinth, signed with initials ‘MW’, 68cm high £2,000 - 3,000 Lot 548 *Martin Williams, ‘Bird III’, bronze on a Portland stone plinth, signed with initials ‘MW’, 16cm high £400 - 600

547

Lot 549 ‘Double Duo’, a stainless steel sculpture on a marble plinth, 86cm wide 52cm high £400 - 600

549 172www.sworder.co.uk

367-624 Post-War and Modern Objects, Furniture and Lighting

552

555

551

550

553 Lot 550 A facet cut and gilt metal table lamp base, by Adnet, 54cm £200 - 300 Lot 551 A two-colour chrome dining table, the ‘U’ shaped base with a smoke glass top, 200cm wide 100cm deep 70cm high £300 - 500

Lot 552 An Italian twelve-branch brass and coloured plastic ceiling light, 75cm high £120 - 150 Lot 553 A contemporary oval coffee table, with black glass, raised on chrome supports on an oval undertier, 124cm wide 61cm deep 39cm high £100 - 150

554 Lot 554 A large moulded and textured glass vase, in the style of Whitefrairs, 45cm high £150 - 250 Lot 555 An Italian brass three-light hanging electrolier, with a glass umbrella shade £100 - 150

www.sworder.co.uk173

Post-War and Modern Objects, Furniture and Lighting 367-624

557 556

558

559 chairs only Lot 556 A pair of white wire mesh side chairs, designed by Harry Bertoia, with original cushions, worn (2) £100 - 150 Lot 557 A contemporary Atavola dining table, designed by Paolo Piva, 200cm wide 90cm deep 73cm high £200 - 300

Lot 559 A set of four DKR-2 ‘Bikini’ chairs, designed by Charles and Ray Eames, with original ivory back and seat, worn (4) £400 - 600 Lot 560 A triple colour tubular table lamp, 1970s, with the original three-panel shade, 81cm high £600 - 800

Lot 558 A brass centrepiece, fitted with ten lights on ‘flower’ stems, wall mounted also, 70cm wide 35cm deep £300 - 500

560

174www.sworder.co.uk

367-624 Post-War and Modern Objects, Furniture and Lighting

561

563 562 table only

Lot 561 Ron Arad (b.1951), a ‘Round Rail’ sofa, designed in 1981, Kee-klamp tubular steel with wire mesh, 200cm wide £1,000 - 1,500 Lot 562 An Arkana table, with an elliptical white Formica top, raised on an aluminium stand, 185cm wide 108cm deep £400 - 600

Lot 563 A contemporary marble and aluminium chrome strut coffee table, 135cm wide 70cm deep 38cm high £150 - 250 Lot 564 A five-light red-cased glass, teak and brass ceiling light, Italian, c.1950, 60cm wide 98cm high £350 - 500

564 www.sworder.co.uk175

Post-War and Modern Objects, Furniture and Lighting 367-624 Lot 565 ‘The Trip’ film poster, printed in USA, numbered 67/248 104 x 69cm, linen backed, unframed £250 - 350

565

566

567

568

Lot 567 After Andy Warhol ‘LE CENTO IMMAGINI DI ANDY WARHOL’ Exhibition poster, Genoa 1989, designed by Evelina Laviano 98 x 68cm, unframed £100 - 200

Lot 566 ‘James Bond Dr No’, a film poster, printed in USA, numbered 62/410 104 x 68cm, linen backed, unframed £500 - 700

Lot 568 ‘Olivetti Summera 15’, Lithograph printed in colours, printed in England 73 x 51cm £400 - 600

176www.sworder.co.uk

367-624 Post-War and Modern Objects, Furniture and Lighting

569 Lot 569 ‘Olivetti Lettera 22’, Lithograph printed in colours, for British Olivetti Ltd., printed in England 73 x 51cm £400 - 600 Lot 570 ‘Olivetti 82 Diaspron’, designed by Marcello Nizzoli, lithograph in colours, 1959, printed by N. Moneta, Milano 70 x 50cm £600 - 800

570 Lot 573 Gilbert and George (b.1943 and b.1942) ‘DIRTY WORDS PICTURES’ Two offset lithographic posters for the Serpentine Gallery Exhibition, Stedlijk van Abbemuseum, Eindhoven and the Kunstmuseum Wolfsburg, 2002, signed in silver and gold felt-tip pens sheet 100.3 x 69.5cm, unframed (2) £200 - 300

571

Lot 571 After Jean Tinguely TWELFTH NEW YORK FILM FESTIVAL Offset lithograph, published by List Art Posters, 1974 Sheet 107 x 107cm, unframed £100 - 150 Lot 572 David Hockney (b.1937) ‘XVI RIP ARIES 4 JUILLET - 31 AOUT 1985’ Exhibition poster 108.5 x 72.5cm £300 - 500

572

573

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574 Lot 574 *John Cox, ‘Nineteen’, a bronze sculpture, 80cm high £1,000 - 1,500

178www.sworder.co.uk

367-624 Post-War and Modern Objects, Furniture and Lighting

576

577 Lot 575 *John Cox, ‘Eighteen’, bronze sculpture, 80cm high £1,000 - 1,500 Lot 576 A coffee table, modelled as a nude holding a glass table top, 90cm wide 120cm long £200 - 300

Lot 577 A Pieff leather lounge suite, 1970s, comprising: a three-seater settee, 235cm wide, an armchair, 90cm, and a revolving lounge chair and ottoman (4) £400 - 600

575 www.sworder.co.uk179

Post-War and Modern Objects, Furniture and Lighting 367-624

578

579 Lot 578 *Nadine Collinson, ‘Horse Armour’, mixed media, 126 x 127cm including the frame £2,000 - 3,000

580 Lot 579 A length of ‘Crystalline’ pattern fabric, c.1962, by Alan Reynolds (1926-2014) for Edinburgh Weavers, jacquard woven rayon and linen, 235 x 122cm £600 - 800

Lot 580 An ‘Arundel’ printed fabric design, designed by John Piper for Sandersons, 104 x 120cm £400 - 600

180www.sworder.co.uk

367-624 Post-War and Modern Objects, Furniture and Lighting Lot 581 *Tadek Beutlich (1922-2011), ‘Vibrations II’, a tapestry, signed to the label verso, 100 x 78cm, and ‘The Technique of Woven Tapestry’, B T Batsford Ltd., 1967 (2) £200 - 300 Provenance: W  ith Grabowski Gallery, London 1970.

581

582

Lot 582 Chang Feng, ‘Gallop’, bronze sculpture, signed and numbered ‘54/00’, with Chuan Gallery label, 59cm long £2,000 - 3,000

Lot 583 *Anne Vrielinck, ‘To Glorify’, bronze on a marble plinth, 175.5cm high £1,500 - 2,000

583 www.sworder.co.uk181

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584 Lot 584 *Guy Buseyne, ‘The Flat’, bronze on painted wood, numbered ‘27/75’, signed l.r., 86cm wide 100.5cm high £1,000 - 1,500

586 Lot 585 *Isaac Kahn (b.1950), ‘Acrobat’, bronze, numbered ‘3/4 A.P.’, on a marble plinth, 49cm wide 40cm high £3,000 - 5,000

Lot 586 *Jack Vanroose, ‘Lost in Thought’, bronze, signed with initials and numbered ‘15/75’, 81.5cm high £600 - 800

585

182www.sworder.co.uk

367-624 Post-War and Modern Objects, Furniture and Lighting

587

588

Lot 587 *Mark Atoi, a pair of obelisks, stainless steel, 91.5cm high (2) £300 - 500 Lot 588 *Mark Atoi, an obelisk, stainless steel, 122cm high £300 - 500 Lot 589 ‘Infinity Curve III’, a stainless steel sculpture on a marble plinth, 85cm wide 110cm high £1,200 - 1,800

589 www.sworder.co.uk183

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590

592

591

593

594 Lot 590 A contemporary chrome table, the circular smokey glass top raised on a cruciform base, 139.5cm diameter, together with four brown suede cantilever chairs (5) £200 - 300 Lot 591 A contemporary maple cabinet, designed by Nico Villeneuve, with a slate top over a cupboard with three drawers, on polished aluminium feet, 160cm wide 60cm deep 78cm high £400 - 600

Lot 592 A contemporary aluminium desk, designed by Nico Villeneuve, with a central drawer, signed to plaque in the drawer, 160cm wide 80cm deep 72cm high £400 - 600

Lot 594 A teak long sideboard, in the style of Herbert Hirsch, with a black vinyl top over three pairs of cupboards, 229cm wide 46cm deep 75cm high £300 - 500

Lot 593 An oak coffee table, designed by Hans Wegner for Andreas Tuck, 85cm square 49cm high £200 - 300

184www.sworder.co.uk

367-624 Post-War and Modern Objects, Furniture and Lighting Lot 595 An office chair, designed by Charles and Ray Eames for Herman Miller, dated 1983 £100 - 150 Lot 596 *Sharon Keenan (20th Century) a bronze bust of a black boy, signed and dated 1980 and numbered 9/15, on a marble plinth, 40.5cm high £200 - 300 Lot 597 A Missoni fabric panel design, signed Missoni, 1979, 38 x 38cm £120 - 150

595

Lot 598 A ‘Jangada’ rosewood armchair and ottoman, designed by Jean Gillon (1919-2007), woven cord with black leather, replacement covers (2) £1,500 - 2,000

597

596

598 www.sworder.co.uk185

Post-War and Modern Objects, Furniture and Lighting 367-624 Lot 599 A set of six American diner-style stools, 72cm high (6) £100 - 150 Lot 600 A contemporary steel and aluminium chair, 141.5cm high £100 - 150

599

601

600

603

602

Lot 601 A chrome dining table, 1970s, with a smoked glass top, chamfered end supports and an integral ‘X’ stretcher, 210cm wide 120cm deep 75cm high £400 - 600

Lot 602 An oak low table, probably by Staunton & Henry, Hong Kong, 105 x 120cm £100 - 150

Lot 603 A pair of ‘Bird’ chairs, designed by Preben Fabricius and Jørgen Kastholm, c.1965, in tan leather and aluminum, worn (2) £600 - 800

186www.sworder.co.uk

367-624 Post-War and Modern Objects, Furniture and Lighting

604

605

Lot 604 A stainless steel sculpture, ‘Shaft of Light’, 210cm high £600 - 800

Lot 605 A stainless steel sculpture, ‘Zenith’, 203cm high £600 - 800

www.sworder.co.uk187

Post-War and Modern Objects, Furniture and Lighting 367-624 Lot 606 A pair of oak lounge armchairs, designed by Eric Worst for FDB Møbler, with black leather seats and backs (2) £300 - 500 Lot 607 A Danish black leather lounger and matching ottoman, by Skippers Møbler, black leather upholstery, on revolving stands (2) £300 - 500

606

608

607 Lot 608 A Danish black leather three-seater settee, 1960s, on chrome supports, 190cm wide £500 - 800

609

Lot 609 A leather sofa, designed by Ebbe Gehl and Søren Nissen, 208cm wide £300 - 400 Lot 610 A pair of leather and sueded armchairs, designed by Ebbe Gehl and Søren Nissen (2) £200 - 300

610 188www.sworder.co.uk

367-624 Post-War and Modern Objects, Furniture and Lighting Lot 611 A Danish teak and leather desk chair £200 - 300

Lot 612 A Danish rocking chair, designed by Frank Reenskaug for Bramin, with a cushion back and seat £200 - 400

612

611 Lot 613 A pair of ‘Falcon’ chairs, designed by Sigurd Resell for Vatne Møbler, with black leather back and seats (2) £800 - 1,000

Lot 614 A pair of Norwegian brown leather lounge armchairs, by Vatne Møbler, Norway, labelled, with stitched edging, 87cm wide (2) £400 - 600

613

614 www.sworder.co.uk189

Post-War and Modern Objects, Furniture and Lighting 367-624

615

616 Lot 615 *Martin Scorey, ‘Blue Propeller’ three propellers mounted on a board with lead edging, signed on plate, 137cm wide 31cm high £300 - 500

617

Lot 616 *Martin Scorey, ‘Lobster’, mounted on a driftwood plinth, 64cm wide £800 - 1,200

Lot 617 *Martin Scorey, ‘The Dark Knight’, 2015, a carved wood sculpture, 84cm high £800 - 1,200

190www.sworder.co.uk

367-624 Post-War and Modern Objects, Furniture and Lighting

618 Lot 618 Four ‘Series 7’ chairs, designed by Arne Jacobsen for Fritz Hansen, 1993, labelled, with laminated seats with turquoise pads and chrome supports (4) £100 - 150

619

Lot 619 A Pieff dining suite, comprising: a set of six tan leather armchairs, and a dining table, with a smoke glass top, raised on a tubular frame, 180cm wide 90cm deep 70cm high (7) £500 - 700

Lot 620 § A Danish rosewood desk, in the style Gunni Oman, the rectangular top with a canted edge, with three drawers either side on strut legs, the reverse with an open bookshelf, 160cm wide 80cm deep 72cm high £600 - 800

620

621 Lot 621 A pair of leather settees, designed by Fredrik A Kayser for Vatne Møbler, on chrome supports, 228cm wide (2) £1,000 - 1,500

622 Lot 622 A set of three wicker armchairs, probably by Rohe, Netherlands, with fur skin throws (3) £250 - 350 Lot 623 After Gerrit Rietveld, a ‘Red and Blue’ chair £200 - 300

624 Lot 624 A large globe hanging light, 1970s, with fourteen lights and multiple glass petal shades, 55cm diameter £500 - 700

623

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ABSENTEE BID FORM

ABSENTEE BID FORM

If you are unable to attend the sale we are happy to execute bids on your behalf. This service is free and confidential. If you are unable to attend the sale we are • Indicate your limit for each lot. happy to execute bids on your behalf. This • Your bidsand willconfidential. be executed as cheaply as service is free reserves and other bids allow. • Indicate your limit for each • A buyer’s premium oflot 22% plus VAT is payable on each successful bid. Wine Sales • Your bids will be executed as cheaply as have a buyer’s premium of 15% plus VAT. reserves and other bids allow • If you successfully purchase a lot, or lots, we • Awill buyer’s premium of 20% + VATafter is payable forward an invoice shortly the sale on by each emailsuccessful or withinbid 3 working days by post. We recommend that you check the success of • All purchases must for and collected your bids after the be salepaid on our website. by 5pm on the Friday following the auction. • All purchases must be paid for and collected If you are unable to collect by this time please by 5pmFrank on the Fridayatfollowing theroom auction. contact Barnett the auction so Lots remaining after this time may be removed that storage arrangements can be made. to store at the purchaser’s expense. • If• you successfully lot, or lots,online we PAYMENT can purchase be made amost easily will forward an invoice within 3 working when you receive your invoice or by bank days. We You recommend you telephone transfer. can paythat in person, by debit or the auction to check success We of will credit card room or cash up to the £10,000. your bids on the day following the auction only release goods to a third party upon receiptwe of receive authority from the purchaser • Where more than one bid of theand identifi cation. same value, the one received first will take

DATE OF AUCTION

CLIENT NO.

DATE OF AUCTION: Decorative Art and Design – 29 & 30 July 2014 NAME NAME: ADDRESS TITLE:

INITIALS:

CLIENT NO.

ADDRESS: POSTCODE

TEL (DAYTIME)

EMAIL POSTCODE: LOT

TEL (DAYTIME) BRIEF DESCRIPTION

LOT

BRIEF DESCRIPTION

LIMIT

(EXC. VAT & PREMIUM)

£LIMIT

(ex. VAT & premium)

precedence • Where we receive more than one bid of the same value, the one received first will take • Where appropriate, your bids will be rounded precedence. down to the nearest amount consistent with • Where appropriate your bids will be rounded the Auctioneer’s bidding increments down to the nearest amount consistent with the Auctioneer’s bidding will increments. • Bids placed by telephone be accepted at your risk and must be confirmed in writing • While Sworders take every care to ensure or by fax that absentee bids are executed correctly, we cannot be held responsible for any errors • Please ourmissed. post is not delivered until made note or bids midday, therefore postal bids need to reach • Please ensure that yourthe bids us on the day preceeding saleare left at the auction office as early as possible. • We draw attention to our full terms and conditions on our website www.sworder.co.uk. • We will process your data in accordance with the Data Protection Act 1998 and will not share your information with any other person or organisation other than when legally FOR OFFICE USE ONLY required to do so. Received Date: Time: FOR OFFICE USE ONLY By: Received Date Entered Date: Time Time: By: By Bid No. Forward to Forward to: Fine Art Auctioneers Sworders SWORDERS FINE ART AUCTIONEERS, Cambridge Road, Stansted Mountfitchet CAMBRIDGE ROAD, STANSTED MOUNTFITCHET, CM24 8GE8GE ESSEX CM24 TEL: 01279 817778 FAX: 01279 817779 www.sworder.co.uk Tel: 01279 817778

Fax: 01279 817779

www.sworder.co.uk

Please bid on my behalf for the above mentioned lots up to the limits shown, without legal obligation to Sworders, its staff or agents, or without prejudice to Sworders standard Terms and Conditions printed in this catalogue.

Signed: Date:

INFORMATION FOR BUYERS Introduction The following notes are intended to assist bidders and buyers, particularly those that are inexperienced or new to our salerooms. All of our auctions are governed by our Conditions of Business incorporating the Terms of Consignment (primarily applicable to sellers), the Terms of Sale (primarily applicable to bidders and buyers) and any notices that are displayed in our salerooms or announced by the auctioneer at the auction. Our Conditions of Business are available for inspection at our salerooms and the Terms of Sale are printed in the back of our auction catalogues. Our staff will be happy to help you if there is anything in our Conditions of Business that you do not fully understand. Please make sure that you read our Terms of Sale set out in this catalogue or on our website carefully before bidding in the auction. If your bid is successful, you will be obliged to comply with our Terms of Sale. Methods of Payment Lots must be paid for before they are collected. For those attending the auction we ask that lots are paid for on the day of the sale. Methods by which we accept payment are detailed on our web site, including online payment upon receipt of your invoice, and these should be paid by 5pm on the Friday following the sale. We accept cash to an upper limit of 15,000 euros equivalent. Usually any cheques will need to be cleared before you can take the goods away. Payments by credit card are subject to a charge of 2% plus VAT. Collection and storage All lots should be paid for and collected by 5pm on the Friday following the sale. Commission bidders should check the success of their bids and arrange payment and collection within this time. Please note what the Terms of Sale say about collection and storage. Items not removed by 5pm on Friday may be removed at the purchaser’s expense and a storage charge of £1 per day may be charged. Dispatch We are rarely able to pack and dispatch purchases. A choice of shippers is detailed on our web site. Agency As auctioneers we usually act on behalf of the seller whose identity, for reasons of confidentiality, is not normally disclosed. If you buy at auction your contract for the goods is with the seller, not with us as auctioneer.

Bidding Bidders will be required to register with us before the auction starts. We reserve the right to impose a deadline prior to the auction by which you must register or by which we must receive a commission bid. If you wish to bid on high value lots this deadline may be several days before the auction in order to allow us sufficient time to carry out the necessary checks. Lots will be invoiced to the name and address on the registration form. You will need to provide us with proof of your identity in a form acceptable to us and such other information as we may require. Please enquire in advance about our arrangements for telephone or online bidding. Please note that we may refuse to register you if you do not provide us with all the information and documentation that we ask for or at our discretion. Commission bidding You may leave commission bids with us indicating the maximum amount to be bid against a lot (excluding the buyers’ premium and/or any applicable VAT). We will execute commission bids as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids we may prefer the first bid received (where this can be reasonably ascertained). We recommend leaving commission bids online via our website, though please contact us about leaving bids by telephone or fax/email. All absentee bids should be received at least 30 minutes before the auction commences; we cannot guarantee to execute commission bids received after this time. Telephone Bidding If you are unable to come to the auction it may be possible to bid on the telephone for higher value lots. Please note that this service is for lots with an estimate of £500 or more. The number of lines is limited so we would urge serious telephone bidding only and ask that you be prepared to bid over the top estimate. It is advisable to leave a maximum covering bid in case we are not able to contact you by telephone. All lines must be booked and confirmed in writing before the day of the auction and preferably some time in advance. Telephone bidding involves many variables and whilst we take every care to ensure the smooth operation of this service, we cannot be held liable if your bids are missed for any reason. Online Bidding Any lots purchased via a live online bidding service will be subject to an additional commission charge on the hammer price payable by the bidder, in accordance with the rates specified by the online service. These charges are 3% plus VAT and will be payable to us on top of the Hammer Price and our buyers commission.

Estimates Estimates are designed to help you gauge what sort of sum might be involved for the purchase of a particular lot. Estimates may change and should not be thought of as the sale price. The lower estimate may represent the reserve price (the minimum price for which a lot may be sold) and will not be below the reserve price. Estimates do not include the buyer’s premium or VAT (where chargeable). Estimates are prepared some time before the auction and may be altered by a saleroom notice or announcement by the auctioneer before the auction of the lot. They are not definitive. Buyer’s Premium The Terms of Sale oblige you to pay a buyer’s premium at 22% on the hammer price of each lot purchased, except for our Fine Wine and Port auctions when it is 15%. In addition, VAT is charged on these premiums (see below). VAT Items in our catalogue may be marked with a dagger † or double dagger ‡, which indicates that VAT is payable by the buyer on the hammer price and the buyer’s premium at either the standard rate (currently 20%) or a reduced rate (currently 5%), depending upon the legal requirements relating to that lot. Lots which do not have either of the above symbols have no VAT payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme. The VAT included within the premium is not recoverable as input tax. Inspection of goods by the buyer As we act on behalf of the seller, we are dependent on information provided by the seller about their goods. We may inspect lots and will act reasonably in taking a general view about them. However, we are normally unable to carry out detailed examinations of lots to check their condition in the way a buyer would do. You will have ample opportunity to inspect the goods. You must inspect and investigate lots that you might wish to bid for. Please note carefully the exclusion of liability for the condition of lots set out in the Terms of Sale at clause 12.4. Condition Reports We may be able to assist buyers unable to view by emailing a condition report, but these are based solely on our own opinion and are for guidance only and no responsibility is accepted for their accuracy. Intending buyers are strongly encouraged to view. Condition reports cannot be prepared on the day of the sale. Electrical goods These are sold as “antiques” only. If you buy electrical goods for use you must ask a qualified electrician to check them for compliance with safety regulations before you use them. Export of goods If you intend to export goods you must find out: a. whether an export licence is needed; and b. if there is a prohibition on importing goods of that character e.g. because the goods contain prohibited materials such as ivory.

IMPORTANT NOTICES Removal of lots ALL lots are to be removed from the premises by 5.00pm at the latest on the Friday following each sale. Sworders retain the right to remove lots remaining after this time into safe storage, for which a charge will be made. Electrical Goods All electrical goods offered in this sale have either been tested and certified safe or unsafe by an appropriately qualified electrician. All electrical goods certified safe mst be re-commissioned by an appropriately qualified electrician and we recommend those certified safe are similarly re-commissioned. Post 1950 Upholstered Furniture All items of furniture included in this sale are offered for sale as works of art. The items may not comply with the Furniture and Furnishings (Fire) Safety Regulations 1988 and for this reason, they should not be used in a private dwelling. Furniture made of Brazilian Rosewood (Dalbergia Negra) To comply with CITES Regulations on Post-1947 furniture made of Brazilian Rosewood, all post-war rosewood furniture items have Article 10 certificates. If you are purchasing rosewood furniture for commercial purposes and not solely for your own use, CITES regulations require you to obtain your own certificate. You would need to contact the Animal Health and Veterinary Laboratories Agency (‘AHVLA’) and, as part of the process of obtaining your document, it is a requirement that you have seen sight of the Sworders’ certificate or are aware of its reference number. It is therefore the responsibility of commercial buyers to ensure that they obtain a copy of the appropriate certificate, or the certificate reference number, after purchase from Sworders Fine Art Auctioneers. Items are marked with this sign §.

TERMS OF CONSIGNMENT TERMS OF CONSIGNMENT Both the sale of goods at our auctions and your

Both the salewith of goods our auctions and yourof relationship us areatgoverned by the Terms relationship us are applicable governed by Terms of Consignmentwith (primarily to the sellers), the Consignment (primarily applicable applicable to to bidders sellers), and the Terms of Sale (primarily Terms ofand Saleany (primarily tothe bidders and buyers) notices applicable displayed in saleroom buyers) and any displayed the saleroom or announced bynotices us at the auctionin (collectively, or announced byof usBusiness”). at the auction the “Conditions The (collectively, Terms of the “Conditions ofTerms Business”). of at Consignment and of SaleThe are Terms available Consignment Terms of Sale are available at our saleroom and on request. our saleroom on request. Please read these Terms of Consignment carefully. Please of another Consignment carefully. Please read note these that ifTerms you (or person acting Please thatprovide if you (or another on yournote behalf) goods to usperson to sell acting on on your behalf) provide goods us to sell onyou your behalf at our auction, thisto signifies that your ourcomply auction, thisthese signifies that agreebehalf to andatwill with Terms of you agree to and will comply with these Terms of Consignment. Consignment. Please note that these Terms of Consignment Please note that these Consignment relate to auctions held Terms at ourof premises only. We relate to auctions held our premises only. We have separate terms foratonline only auctions. have separate terms for online only auctions. 1. Definitions and interpretation 1. andTerms interpretation 1.1Definitions To make these of Consignment easier to 1.1 make of Consignment to read,Towe havethese givenTerms the following words aeasier specific read, we have given the following words a specific meaning: meaning: “Auctioneer” “Auctioneer”

as appropriate; as appropriate; “Bidder” “Bidder” “Buyer” “Buyer”

2. Information that we are required to give to 2. Information that we are required to give to Consumers Consumers 2.1 A description of the main characteristics of the 2.1 A description of the that mainwe characteristics auction-related services are providingoftothe you auction-related services we are providing to you as set out in these Termsthat of Consignment or otherwise as set out in you these of Consignment or otherwise agreed with inTerms writing. agreed with you in writing. 2.2 Our name, address and contact details as set out in 2.2 Our name, address and contact set out in these Terms of Consignment and/or details on ouras Website. these Terms of Consignment and/or on our Website. 2.3 The rate at which we will charge you the 2.3 The rate at which we will charge youthe thesale of the Commission plus any applicable VAT on Commission anyClause applicable Goods as set plus out in 5. VAT on the sale of the Goods as set out in Clause 5. 2.4 The fee that we will charge you plus any applicable 2.4 feeout that will charge you plus any applicable VATThe as set inwe Clause 21 if either the Goods are VAT as set out in Clause if either the Goods by are unsold at auction or the 21 Goods are withdrawn unsold at the auction or the Goods are withdrawn by you from auction after the Goods have been you from the auction after the have been catalogued and/or marketed byGoods us prior to the auction catalogued in any way. and/or marketed by us prior to the auction in any way. 2.5. The arrangements for collection of any unsold 2.5. Theasarrangements for collection ofand any terms unsold Goods set out in Clauses 21 and 23 Goods as set out in of Clauses 21 and 23 terms regarding payment any Proceeds dueand to you set out regarding payment of any Proceeds due to you set out in Clause 20. in Clause 20.

means GES & Sons Ltd trading as Sworders Fine Art Auctioneers, a means GES & Sons Ltd trading as Sworders Fineregistration Art Auctioneers, a company registered in England and Wales with number company England and Wales with registration number 6858916 registered and whoseinregistered office is located at Cambridge Road, 6858916 and whose registered office8GE is located at Cambridge Road, Stansted Mountfitchet, Essex CM24 or its authorised auctioneer, Stansted Mountfitchet, Essex CM24 8GE or its authorised auctioneer,

means a person who places a bid for Goods at our auction; means a person who places a bid for Goods at our auction; means the person who makes the highest bid for the Goods accepted means the person who makes the highest bid for the Goods accepted by the Auctioneer; by the Auctioneer; “Commission” means the commission that we charge you on the sale of the Goods “Commission” means theincommission that we charge you on the sale of the Goods as set out Clause 5 below; as set out in Clause 5 below; “Consumer” means an individual acting for purposes which are wholly or mainly “Consumer” means individual acting for business, purposes craft whichorare wholly or mainly outsidean that individual’s trade, profession; outside that individual’s trade, business, craft or profession; “Consumer Contracts Regulations” means the Consumer Contracts (Information, Cancellation and “Consumer Contracts Regulations” means the Charges) ConsumerRegulations Contracts (Information, Cancellation and Additional 2013; Additional Charges) Regulations 2013; “Deliberate Forgery” means: (a) an imitation made with the intention of deceiving as to “Deliberate Forgery” means: (a) an imitation with theculture intention of deceiving as tois authorship, origin, date,made age, period, or source; (b) which authorship, date, age, period,the culture (b) which is described inorigin, the catalogue as being workor ofsource; a particular creator described in the catalogue as which being the work ofof a particular creator without qualification; and (c) at the date the auction had a without qualification; andit(c) whichhave at the thebeen auction value materially less than would haddate if it of had as had a value materially less than it would have had if it had been as described; described; “FCA” means the Financial Conduct Authority; “FCA” means the Financial Conduct Authority; “Goods” means the goods that you consign to us for sale at our auction; “Goods” means the goods that you consign to us for sale at our auction; “Hammer Price” means the level of the highest bid for the Goods accepted by the “Hammer Price” means the level of fall theof highest bid for the Goods accepted by the Auctioneer by the the hammer; Auctioneer by the fall of the hammer; “Premium” means the premium charged to the Buyer on the sale of the Goods in “Premium” means the premium the Buyer on the sale of the Goods in accordance with the charged Terms ofto Sale; accordance with the Terms of Sale; “Price” means the total of the Hammer Price, Premium and any applicable VAT; “Price” means the total of the Hammer Price, Premium and any applicable VAT; “Proceeds” means the Price less the Commission, the Premium, any expenses “Proceeds” means the Commission, the Premium, incurredthe to Price your less account and any applicable VAT; any expenses incurred to your account and any applicable VAT; “Reserve” means the minimum price at which the Goods may be sold; “Reserve” means the minimum price at which the Goods may be sold; “Seller” means the owner of the Goods and any agent who consigns the “Seller” means owner Goodsbehalf and any agent who consigns the Goods the for sale on of thethe owner’s (if applicable); Goods for sale on the owner’s behalf (if applicable); “Terms of Consignment” means these terms of consignment; “Terms of Consignment” means these terms of consignment; “Terms of Sale” means the terms of sale for bidders or buyers at our auctions; “Terms of Sale” means the terms of sale for bidders or buyers at our auctions; “Trader” means a Seller who is acting for purposes relating to that Seller’s trade, “Trader” means a Seller who is acting for purposes relating to that trade, business, craft or profession, whether acting personally orSeller’s through business, craft oracting profession, whethername actingorpersonally or through another person in the trader’s on the trader’s another person acting in and/or the trader’s name or on the trader’s behalf (such as an agent the Auctioneer); behalf (such as an agent and/or the Auctioneer); “VAT” means any value added tax or equivalent sales tax; and “VAT” means any value added tax or equivalent sales tax; and “Website” means our website available at www.sworders.co.uk. “Website” means our website available at www.sworders.co.uk. 2.6. If you have any complaints, please get in contact 2.6. have complaints, contact In these Terms of Consignment the words “you”, with Ifusyou using theany contact details please set outget on in our In these Terms of Consignment “yours”, etc. refer to the Seller. the Thewords words“you”, “we”, with us using the contact details set out on our website. “yours”, etc. refer to the Seller. The words “we”, “us”, etc. refer to the Auctioneer. If the consignment website. 3. Procedure for consigning Goods for sale at “us”, etc. to refer tomade the Auctioneer. theassume consignment of Goods us is by an agentIfwe that 3. Procedure for consigning Goods for sale at auction of to usof is the made by anhave agentauthorised we assume youGoods (as owner Goods) thethat auction you (as ownerand of the Goods) the haveagent authorised the consignment authorised to contract 3.1. If you consign Goods to us for sale at auction, you consignment and agent toto contract 3.1. If youtoconsign tothe us for sale at information auction, you on your behalf. Allauthorised obligationsthe that apply the Seller will need provideGoods us with following on yourthese behalf. All of obligations that apply to thetoSeller will need toinprovide with the following information under Terms Consignment shall apply about you, a formus acceptable to us: under these Terms of Consignment shall apply to about you, in a form acceptable to us: the owner of the Goods and their agent, jointly and 3.1.1. Your legal name and proof of identity; the owner of the Goods and agent, jointly and of separately. Any reference to atheir ‘Clause’ is to a clause 3.1.1. Your legal name and proof of identity; separately. reference to aunless ‘Clause’ is tootherwise. a clause of these TermsAny of Consignment stated these Terms of Consignment unless stated otherwise.

3.1.2. Information about the Goods (as set out in 3.1.2. about the Goods (as set out in ClauseInformation 15); Clause 15); 3.1.3. Your bank account details; 3.1.3. Your bank account details; 3.1.4. Your address and contact details; and 3.1.4. Your address and contact details; and 3.1.5. Your VAT registration number (if applicable); 3.1.5. Your VAT registration number (if applicable); 3.2. If you do not provide us with, or we are not 3.2. If you do any not of provide us with, or we are we notmay satisfied with the above information, satisfied anyconsignment of the aboveofinformation, refuse towith accept your Goodswe formay sale in refuse to accept consignment of your Goods for sale in our auction. our auction. 3.3. You must provide the Goods to us by any stated 3.3. You must provide the Goods to be us by any deadline (at your expense). We may able to stated assist deadline expense). Weliability may be able toto assist you with (at thisyour process but any incurred a you with process but any liabilityyour incurred to a carrier forthis haulage charges is solely responsibility. carrier for haulage charges is solely your responsibility. 4. The contract between you and the Buyer 4. The youand andthe theBuyer Buyer 4.1. Thecontract contractbetween between you will be 4.1. Thewhen contract you and the Buyer will be formed the between hammer falls accepting the highest formed when the hammer falls accepting the highest bid for the Goods at the auction. bid for the Goods at the auction. 4.2. You may directly enforce any terms in the Terms 4.2. Youagainst may directly termsto inthe theextent Terms of Sale a Buyerenforce and/orany a Bidder of Sale a Buyer damages and/or a Bidder theasextent that youagainst have suffered and/or to loss a result that you haveand/or suffered and/or of lossthe asTerms a result of the Buyer thedamages Bidder’s breach of of the Sale.Buyer and/or the Bidder’s breach of the Terms of Sale. 4.3. If you breach these Terms of Consignment, you 4.3. breach these Terms of and/or Consignment, you may Ifbeyou responsible for damages losses suffered may responsible for damages and/or losses suffered by a be Buyer, Bidder and/ or by us. If we are contacted by a Buyer, Bidder and/ or by us. If we are contacted by a Buyer and/or a Bidder who wishes to bring a claim by a Buyer a Bidder wishesprovide to bring a claim against you,and/or we may in ourwho discretion the Buyer against you, we may in our discretion provideinthe Buyer and/or Bidder with information or assistance relation and/or to that Bidder claim. with information or assistance in relation to that claim. 4.4. We normally act as an agent only and will not have 4.4. We normally for act default as an agent only will not have any responsibility by you or and the Buyer. any responsibility for default by you or the Buyer. 5. Commission 5. WeCommission will charge you a commission on the sale of the We willcalculated charge you the Hammer sale of the Goods asaacommission percentage on of the Price Goods calculated asexcept a percentage the Hammer Price at 17.5% plus VAT, for FineofWines and Spirits at 17.5% VAT, plus except and£250 Spirits which will plus be 12% VATforforFine lotsWines realising or which for lots realising £250 of or below will and be 8%12% plusplus VATVAT for lots realising in excess below and 8% plus VAT for lots realising in excess of £250, unless we agree with you otherwise. There is a £250, unless we agreecharge with you There is lot. a minimum commission of otherwise. £7.50 plus VAT per minimum commission charge of £7.50 plus VAT per lot. 6. Loss and Damage to Goods 6. Loss are andnot Damage to Goods 6.1.We authorised by the FCA to provide 6.1.We aretonot authorised the FCA to to provide insurance you. However,bysubject only Clauses 6.3 insurance to accept you. However, subject only to the Clauses and 6.4, we liability for Goods from time 6.3 and 6.4, possession we accept liability for Goods the time we take of the Goods untilfrom title passes to we possession of the Goods until title passes to the take Buyer. the Buyer. 6.2. Our liability for Goods is limited to our mid pre-sale 6.2. Our liability Goods the is limited toour ourvaluation mid pre-sale estimate for the for lot before sale, or if estimate for has the been lot before theor sale, our valuation if no estimate agreed, theorHammer less our no estimate has agreed, commission if thebeen lot has sold.or the Hammer less our commission if the lot has sold. 6.3. The liability accepted by us in Clause 6.1 does not 6.3. Theany liability accepted in Clause 6.1 Goods does not include liability for lossbyorus damage to the include any liability loss from: or damage the Goods that is caused by or for results (i) anytoinherent vice that is caused by orthe results from: anyofinherent vice or defect affecting Goods; (ii)(i)acts God, flood, or defect affecting the Goods; (ii) acts of God, flood, drought, earthquake or other natural disaster; (iii) drought, earthquake other natural acts of terrorism, civil or commotion, riotsdisaster; or war;(iii) or (iv) acts of terrorism, commotion, riots or war; or (iv) nuclear, chemical civil or biological contamination. nuclear, chemical or biological contamination. 6.4. If you (or your agent) instruct us in writing not to 6.4. If you (or your agent) instruct us inremain writing not toat assume liability for Goods, the Goods entirely assume theGoods Goodspass remain entirely your riskliability unless for andGoods, until the to the Buyerat your unless and until Goods pass toInthe or arerisk collected by you orthe on your behalf. thisBuyer case or are collected younot or apply. on your behalf. In this case Clauses 6.1 - 6.3bywill Clauses 6.1 - 6.3 will not apply. 7. Photographs 7. Photographs You will pay for the cost of any photographs of your You willproduced pay for the of any photographs of your Goods forcost the auction catalogue, our website Goods produced the auction catalogue, our website or online bidding for platform. We reserve the right to or online bidding platform. We reserve the right to photograph all Goods unless you specifically request photograph all Goods unless you specifically request us not to. We reserve the right to make a charge for us to. We the£5 right make charge for thisnot service. A reserve charge of plustoVAT peralot will be this service. charge of £5the plus VAT per lotCollectable will be made on lotsAentered into Antique and made on lots intovary the in Antique andauctions, Collectable auctions. The entered charge will specialist auctions. charge will vary in catalogue specialist auctions, dependingThe upon the size of the illustration. depending upon the size of the catalogue illustration. The copyright in such photographs will be owned by The copyright such willcatalogue. be owned by us, along with in the textphotographs of the auction us, along with the text of the auction catalogue.

8. Minimum bids and our discretion Goods may be offered subject to a Reserve agreed between you and us before the auction in accordance with Clause 9. We may sell Goods below the Reserve provided that we account to you for the same sale proceeds as you would have received had the Reserve been the Hammer Price. If you specifically give us a “discretion” we may accept a bid of up to 10% below the formal Reserve. 9. Reserves 9.1. Reserves must be reasonable and may not exceed our lower pre-sale estimate for that lot. We may decline to offer Goods which, in our opinion, would be subject to an unreasonably high reserve (in which case the Goods carry the storage charge set out in these Terms of Consignment). 9.2. Once we have agreed a Reserve, this cannot be changed except with your and our consent. 9.3. Where a Reserve has been agreed only we may bid on your behalf and only up to one bid below the Reserve (if any) and you may in no circumstances bid personally or ask anyone else to bid on your behalf. 10. Electrical items 10.1. We will test and certify safe or unsafe any electrical items that you wish to consign to us for sale using external contractors, and make a charge to you of £10 plus VAT. 11. Unsafe Goods If in our opinion any of your Goods, in particular those which are soft furnishings, infringe safety regulations, we will not offer these Goods for sale. You must remove such Goods at your expense. If you do not collect such Goods within seven days of our notice to do so, we may dispose of the Goods at your expense. 12. Picture Frames Due to the fragile nature of picture frames, the Auctioneer accepts no responsibility for any damage, however caused, to picture frames whilst in our possession, either in the auction room, in store or in transit. 13. Post 1950 Upholstered Furniture All items of furniture included in this sale are offered for sale as works of art. The items may not comply with the Furniture and Furnishings (Fire) Safety Regulations 1988 and for this reason they should not be used in a private dwelling. 14. Furniture made of Brazilian Rosewood (Dalbergia Negra) 14.1 To comply with CITIES Regulations on post-1947 furniture made of Brazilian Rosewood, all post-war rosewood items will require an Article 10 certificate. If you are purchasing rosewood for commercial purposes and not solely for your own use, CITIES regulations require you to obtain your own certificate. You need to contact the Animal Health and Veterinary Laboratories Agency (AHVLA) and, as part of the process of obtaining your document, it is a requirement that you have seen sight of our certificate or are aware of its reference number. It is therefore the responsibility of commercial buyers to ensure that they obtain a copy of the appropriate certificates, or the certificate reference number. Items are marked §. 15. Warranties and information about the Goods 15.1. You must provide us with all information that you have relating to the provenance, export/import history, condition, attribution and authenticity of the Goods (and any additional information that may be relevant). 15.2. In addition to any warranties implied by law, you warrant to us and the Buyer that: 15.2.1. any information that you provide in relation to the Goods is complete, correct and uptodate; 15.2.2. the Goods will match any description of the Goods that you provide to us; 15.2.3. as far as you are aware, the main characteristics of the Goods set out in the auction catalogue (as amended by any notice displayed in the saleroom or announced by us at the auction) are correct.

15.2.4. to the best of your knowledge, the Goods have been lawfully imported and lawfully and permanently exported as required by the laws of any country in which the Goods were located; required declarations upon the export and import of the Goods have been properly made; and any duties and taxes on the export and import of the Goods have been paid; and 15.2.5. you will pay all taxes and duties potentially due on the sale of the Goods. 15.3. You must let us know promptly, and in any event before the auction, if you find out that any of the information you have provided to us relating to the Goods is incorrect or incomplete and/or if the Goods do not match the description that you provided to us or the main characteristics of the Goods set out in the auction catalogue. 15.4. Any information that you provide in relation to the Goods may form part of the contract between both of us and the Buyer and you acknowledge that the Buyer may have a statutory right to reject the Goods if the information provided is incorrect. 15.5. If we have to refund the price of any Goods to the Buyer due to the Goods being a Deliberate Forgery, you must promptly, and in any event within seven days, reimburse to us any Proceeds that we have transferred to you for those Goods following receipt of our written notice requesting you to do so. 16. Transfer of ownership of the Goods You warrant and undertake to us and the Buyer that you are the true owner of the Goods (or are properly authorised by the true owner to sell the Goods on the owner’s behalf) and you currently have and will have the right to sell the Goods to the Buyer with good and marketable title free of any third party rights or claims at the time when ownership of the Goods is to be transferred. 17. Indemnity You will indemnify and keep us fully indemnified against any and all liability, loss, damage, costs (including reasonable legal fees and any VAT in relation to such fees) and expenses which we may incur or suffer as a result of any breach of Clauses 15 or 16 by you or anyone acting on your behalf, including without limitation, if we are required to refund the price of any Goods to the Buyer as a result of your breach of these clauses. 18. Terms of Sale You agree that the Goods will be sold to the Buyer in accordance with our Terms of Sale, a copy of which will be displayed in the saleroom and printed in our auction catalogue. 19. Authority to deduct commission and expenses and retain premium and interest You authorise us to deduct our Commission at the stated rate and all expenses incurred on your account from the Hammer Price, plus any applicable VAT. You consent to our right to charge the Buyer and retain beneficially the Premium plus any applicable VAT paid by the Buyer in accordance with our Terms of Sale and any interest earned on the sale proceeds until the date of settlement. 20. Settlement 20.1. Provided that the Buyer has paid for the Goods, we will usually pay the net sum due to you within eight days of the day of the auction for Antique and Collectable auctions and twenty one days of the auction for all other auctions, by BACS transfer direct into the bank account you notified to us in writing or by crossed cheque to the seller. 20.2. If the Buyer has not paid for the Goods, we will not submit payment to you. In this case no settlement will be made. We will however discuss with you the rights that we may exercise under Clause 9 of our Terms of Sale in relation to a Buyer’s failure to pay. We will not release the Goods to the Buyer until we have received payment in full of the Price for the Goods.

20.3. You must notify us in writing if your bank account details change. We will not be responsible for any payments made to the incorrect bank account if this is because you have not provided us with the correct bank account details. 20.4. If we make payments to your bank account in error, we may request reimbursement by sending you an invoice. 20.5. We may deduct any sums that you owe to us from the Proceeds. 21. Unsold and withdrawn items 21.1. If the Goods are unsold at auction, you authorise us to negotiate a sale by private treaty not later than the close of business two days following the last day of the auction. In this case you will pay to us the same charges as if such Goods had been sold at auction and, so far as appropriate, these Terms of Consignment will apply to any such sale. 21.2 In addition to Clause 21.1, we may, with your consent, re-offer unsold Goods at a future auction (or by private treaty thereafter as set out in Clause 21.1 above) but we may recommend a variation in estimates or Reserve. Where, in our opinion, Goods are unsaleable, we will notify you and you must collect such Goods from the saleroom within three business days of the date of our notice to do so. If you fail to collect such Goods promptly, we may charge you reasonable storage charges at a daily rate. 21.3 You will pay us a charge of 30% of the lower estimate plus VAT on any Goods that are withdrawn from the auction after being catalogued and/or marketed by us prior to the auction in any way. 22 Withdrawal of the Goods by us 22.1 We may (acting reasonably) at our discretion at any time withdraw your Goods from our auction: 22.1.1 for legal, reputational or operational reasons (including if you fail to provide evidence to verify your identity or your title to the Goods to our satisfaction); 22.1.2 if we reasonably believe that you may be, or are about to be, in breach of these Terms of Consignment; or 22.1.3 if we reasonably believe the Goods to be a Deliberate Forgery. 23. Warehousing 23.1 We have no liability for Goods that you deliver to our saleroom without sufficient sale instructions. We reserve the right to charge you a minimum warehousing charge of £1 per lot per day plus any applicable VAT. 23.2 We will notify you to ask you to remove any of your unsold or withdrawn Goods. Unsold and withdrawn Goods will be subject to the charges set out in Clause 23.1 above if you do not remove them within three days of the sale in which last offered unless alternative arrangements have been made with the Auctioneer. 23.3 If you do not remove your unsold or withdrawn Goods within thirty days of being offered for sale. we may either: (a) sell such Goods and set off charges from any net proceeds of sale; or (b) at your expense dispose of such Goods. 23.4 In respect of Goods delivered to our saleroom for the agreed specific purpose of their valuation we will notify you when they are ready to be collected. In these circumstances, you will have thirty days to collect the Goods before the charges or remedies above in this section will apply. 24. Our liability to you 24.1 We will not be liable to you for any loss of opportunity or disappointment suffered as a result of participating in our auction. 24.2 In addition, neither we nor the Buyer shall be responsible to you and you shall not be responsible to the Buyer or us for any other loss or damage that any of us suffer that is not a foreseeable result of any of us not complying with the Conditions of Business. Loss or

to you in accordance with our current privacy policy, a copy of which is available on www.sworder.co.uk. 24.3 Subject to Clause 24.4, if we are found to be liable 27. General to you for any reason (including, amongst others, if 27.1 Each of the clauses of these Terms of Consignment we are found to be negligent, in breach of contract or separately. If any court or relevant authority to have made a misrepresentation), liability behappenoperates 26. Data Protection damage is foreseeable if it isour obvious thatwill it will anyand of them are unlawful, the remaining limited to the due if sold We that will hold process any personal data in relation or ifProceeds at the time of for the the sale Goods of the Lot, we, or youthe and the decides clauses willinremain in fullwith force effect. Reserve if unsold. to you accordance ourand current privacy policy, a Seller knew it might happen. Seller knew it might happen.

copy of which is available on www.sworder.co.uk.

24.3 Subject to 24.4, if we are found to be liable27.2 We may change these Terms of Consignment 24.4. Notwithstanding theClause above, nothing in these General to you for anylimits reason (including, amongst others, if from27. time to time, without notice to you. Please read Terms of Consignment the liability of us or our Each the clauses of these Termsasofthey Consignment weagents are found Terms ofofConsignment carefully, may be employees or for:to be negligent, in breach of contract or these27.1 operates separately. If any court or relevant authority to have made a misrepresentation), our liability will be different from the last time you read them. 24.4.1 death or personal injury resulting from decides that any of them are unlawful, the remaining limited to the Proceeds due for the Goods if sold or the in full force in andthese effect. 27.3 clauses Exceptwill as remain otherwise stated Terms of if unsold. negligence Reserve (as defined in the Unfair Contract Terms Act Consignment, each of our rights and (a) are 1977); 27.2 We may change these Terms of remedies: Consignment 24.4. Notwithstanding the above, nothing in these in addition to to and notwithout exclusive of any other rights from time time, notice to you. Please read Terms ofmisrepresentation; Consignment limits the 24.4.2 fraudulent or liability of us or our these Terms of Consignment as they may employees or agents for: or remedies under these Termscarefully, of Consignment orbe 24.4.3 any liability which cannot be excluded by law. different the may last time you readonly them. general law; from and (b) be waived in writing and 24.4.1 death or personal injury resulting from cally. Delay in exercising orinnon-exercise of any 27.3 Except as otherwise stated these Terms of 25. Noticesnegligence (as defined in the Unfair Contract Terms Actspecifi ourConsignment rights and remedies: are 1977);between you and us regarding these rightConsignment, under these each Termsofof is not (a) a waiver 25.1. All notices in addition to andright. not exclusive any other of that or any other Partialofexercise of rights any right Terms of Consignment mustmisrepresentation; be in writing and 24.4.2 fraudulent or signed by or remedies under these Terms of Consignment or or on behalf24.4.3 of theany party giving it. cannot be excluded by law. under these Terms of Consignment will not preclude any liability which general law; and (b) may be waived only in writing and further or other exercise of that right or any other right 25.2. Any notice referred in Clause 25.1 may be given: specifically. Delay in exercising or non-exercise of any 25. Notices under these Terms of Consignment. Waiver of a breach right under these Terms of Consignment is not a waiver 25.1. All notices between you and us regarding these 25.2.1 by delivering it by hand; of any these Terms Consignment not of term that orofany other right.ofPartial exercise of will any right Terms of Consignment must be in writing and signed by operate asthese a waiver of anywill other or any under Termsofofbreach Consignment not term preclude any 25.2.2.by fior rston class pre-paid Recorded Delivery; behalf of the post party or giving it. subsequent breach of that of term. further or other exercise that right or any other right or 25.2. Any notice referred in Clause 25.1 may be given:

under these Terms of Consignment. Waiver of a breach

27.4 These Terms of Consignment are between you 25.2.3 by email, thatit receipt 25.2.1provided by delivering by hand;of the email is of any term of these Terms of Consignment will not and us. No person other than you, the Buyer or us acknowledged by the recipient. operate as a waiver of breach of any other term or any 25.2.2.by first class pre-paid post or Recorded Delivery; will have any rights toof enforce any of these Terms of subsequent breach that term. or must be sent: 25.3. Notices Consignment. 27.4 These Terms of Consignment are between you 25.2.3 by email, provided that receipt of the email is 25.3.1 by hand or registered post: us. Terms No person other than you,and the Buyer or us 27.5 and These of Consignment any dispute acknowledged by the recipient. will have anyout rights any of these a. to us, at our address set out in these Terms of or claim arising of to orenforce in connection withTerms themof 25.3. Notices must be sent: Consignment. Consignment or at our registered office address (including any non-contractual claims or disputes) shall by hand or registered post: 27.5 These of Consignment and any dispute appearing25.3.1 on our Website; and be governed byTerms and construed in accordance with the a. to us, at our address set out in these Terms of arising outthe of or in connection withsubmit them to laws or ofclaim England and parties irrevocably b. to you, at the last postal address that you have Consignment or at our registered office address (including any non-contractual claims or disputes) the exclusive jurisdiction of the English courts. shall given to us appearing as your contact address and in writing. on our Website; be governed by and construed in accordance with the 25.3.2 by email: b. to you, at the last postal address that you have to us as your contact address in writing. a. to us, by given sending the notice to the following email address: 25.3.2 by email: [email protected] a. to us, by sending the notice to the following email address:

b. to you, by sending the notice to any email address [email protected] that you have given to us as your contact email b. to you, by sending the notice to any email address address in writing. that you have given to us as your contact email

25.4. Noticesaddress will beindeemed writing. to have been received:

25.4. Notices will beon deemed to of have been received: 25.4.1. if delivered by hand, the day delivery; or 25.4.1. delivered by hand,post on the of delivery; or 25.4.2. if sent by fiifrst class pre-paid or day Recorded Delivery, two business days posting, exclusive of 25.4.2. if sent by fiafter rst class pre-paid post or Recorded Delivery, two the day of posting; or business days after posting, exclusive of the day of posting; or

25.4.3. if sent by email, at the time of transmission 25.4.3. if sent by email, at the time of transmission unless sent after 17.00 in the place of receipt in which unless sent after 17.00 in the place of receipt in which case they will be deemed to have been received on the case they will be deemed to have been received on the next business day in theday place of receipt that that next business in the place of (provided receipt (provided the receipt is by the recipient). theacknowledged receipt is acknowledged by the recipient). 25.5 Any notice or communication given under 25.5 Any notice or communication given these under these Terms of Consignment willvalidly not begiven validlyifgiven Terms of Consignment will not be sentif sent fax,of any form of messaging social or media by fax, any by form messaging via socialviamedia textor text message. message.

laws of England and the parties irrevocably submit to the exclusive jurisdiction of the English courts.

www.sworder.co.uk Sworders Fine Art Auctioneers Cambridge Road Stansted Mountfitchet Essex CM24 8GE Tel: 01279 817778 Fax: 01279 817779 Email: [email protected] Hertfordshire Office 42 St Andrew Street Hertford SG14 1JA Tel: 01992 583508 Fax: 01992 586074 Email: [email protected]