page



july 2011

royal doulton collectables australia

royal doulton collectables australia. vol 01 – july 2011

page



Product Manager - Royal Doulton Collectables

Melissa Matheson

from the editor It is with great pleasure that I welcome you to the very first edition of collectors - our new on line publication for Royal Doulton Collectables Australia. It has been on my mind for quite some time to bring to you, our loyal and enthusiastic collector our very own Australian publication . So amid the feedback from many of you the plan was hatched to put together an informative guide to what is happening in the world of Royal Doulton Collectables both locally and across the globe. Throughout the following pages you will not only be introduced to some exciting new products but in this launch issue you will meet Wendy Boyce-Davies our very own Australian Bunnykins designer. Wendy is very humble about the work that she has done for us, however, for many of us Bunnykins collectors, myself included, she is a star. G’Day Mate Bunnykins is in the final stages of the approval process before production commences with stock looking to arrive in December. I have to admit that even I was taken aback at the frenzy created with the announcement of our second Australian Tableau. Even though the stock itself is still several month’s away, the entire edition of 500 was fully subscribed in a matter of a few weeks of Wendy’s initial concept drawing being released. Turn to page 11 to see what is instore after G’Day Mate. Many Royal Doulton collectors amongst us will remember the wonderful Val Baynton. Val was for many years the editor and feature writer for the Royal Doulton ICC club magazine Gallery. I have been fortunate enough to engage Val to share her passion and expertise of Royal Doulton with us in this issue and further issues of collectors. This issue Val shares with us the flourishing tradition of flowers and figures. (page 13) The highlight of my year of course is the Michael Doulton tour. It certainly doesn’t seem 12 months ago that Michael was here. I hope to once again catch up with as many collectors as possible when I accompany Michael to the Victorian, New South Wales and Queensland events. I genuinely enjoy this aspect of my role as Collectables Product Manager. This is your magazine too which will be evolving with every issue so please forward your ideas, stories and photos for consideration in the next issue through to your collectables store or directly to me. Until next time, Melissa

in this issue 03 recent releases Recent additions to Pretty Ladies & Petite Ladies

04 Michael Doulton Tour 2011 Update on this year’s tour and highlights of the 2010 tour.

06 Feature: Australian Flower Ladies Introducing the 3 new figures in this popular range.

08 New Product Sneak Peak This issue we take a sneak peak at Holiday Barbie and Getting Ready for the Ball.

10 Meet the Designer This issue we get behind the scenes with Wendy Boyce-Davies, the Australian Bunnykins designer.

12 language of flowers Flowers have been a popular way of conveying secret messages since Victorian times.

16 the art of florals Val Bayton looks at Royal Doulton’s use of flowers throughout the ages.

page

 recent releases

Amy

pretty ladies Rebecca HN5516 22cm rrp $259.00 2901 310

Rebecca

Sara HN5439 22cm rrp $259.00 2901 307 Amy HN5515 22cm rrp $259.00 2901 309

Sara

petite ladies Lauren HN5514 17cm RRP $159 2913 079

Madeline

Lauren

Megan HN5512 17cm RRP $159 2913 078 Madeline HN5513 17cm RRP $159 2913 080

Megan

Ceramic figurines have a history that stretches back centuries but it was Royal Doulton’s Art Director , Charles Noke, that is credited with modernising the tradition at the beginning of the 20th Century. The exquisite style and decoration that he introduced all those years ago into the subject matter still continues today. The most recent addition to the Pretty Ladies and Petite ranges are richly decorated in colour and adornments including flowers and jewellery. We hope you enjoy our newest releases and that they will soon become a treasured part of your collection. Each figurine is presented in a Royal Doulton gift box.

royal doulton collectables australia. vol 01 – july 2011

page



isabelle HN5432 Exclusive Event Figure 2011 Designed By Neil Faulkner Height 22cm Code 2902 016 RRP $259.00

Isabelle captures the carefree joy that collectors of Royal Doulton figurines have cherished for years.

event figuri exclusive

page



Michael Doulton is the fifth generation descendant of John Doulton who founded the Royal Doulton Company in 1815. Michael joined Royal Doulton in 1969 and initially worked in the Stoke-on-Trent factory under a fictitious name. He was exposed to all aspects of production, but found his talents were more attuned to making figurines, rather than painting them.

rine 2011

Since 1976, Michael has held the role of International Brand Ambassador and with the launch of Royal Doulton International Collectors Club in 1980; he became its honorary President. Michael’s role as International Brand Ambassador sees him travelling the world, launching new ranges, talking to collectors and first time purchasers and hosting in-store presentations and special events. He is the company spokesperson and is regularly interviewed about Royal Doulton and its phenomenal success by the media worldwide Michael is particularly fond of his Australian trips. He thoroughly enjoys the warm welcome extended to him by not only the Australian WWRD team but also from collectors across the country. There is many a laugh and story to tell always adding to the event.

page



2010 tour highlights Here are just a few images that I took during various events last year. Look out for me during this years events to have your photo taken too!

royal doulton collectables australia. vol 01 – july 2011

page



Western Australia Myer Carousel Monday 11th July 12pm - 1.30pm 08 9458 0734 Claremont Collectables Monday 11th July 6pm - 8pm 08 9384 9371 Hay Street Mall Tuesday 12th July 12pm - 1.30pm 08 9210 4199

South Australia

David Jones Glen Waverley Sunday 17th July 12pm - 2pm 03 9518 2849

Tasmania Your Habitat Hobart Monday 18th July 5.30pm - 7pm 03 6214 1555

New South Wales David Jones Kotara Wednesday 20th July 12pm - 1.30pm 02 4923 2469

David Jones Adelaide Wednesday 13th July 12pm - 1.30pm 08 8305 3258

TVSN Live Show Thursday 21st July 10.30am - 12.30pm

Victoria

David Jones Chatswood Thursday 21st July 6pm - 7.30pm 02 9844 4205

Thomas Jewellers Bendigo Thursday 14th July 6pm - 8pm David Jones Bourke St Friday 15th July 12pm - 1.30pm 03 9643 2363 Mcleods Fine China & Collectables Friday 15th July 6pm - 8pm 03 9457 3985

Peter’s of Kensington Saturday 23rd July 11am - 2pm 02 9662 1099

Queensland Townsville Collectables Monday 25th July 6pm - 8pm 07 4755 0077 Pick a Bunch Tuesday 26th July 6pm - 8pm 07 4943 1634 David Jones Queens Plaza Wednesday 27th July 11.30am - 1.30pm 07 3243 9204 David Jones Chermside Thursday 28th July 11.30am - 1.30pm 07 3624 1428 David Jones Mt Gravatt Friday 29th July 11.30am - 1.30pm 07 3243 9421 Myer Toowoomba Saturday 30th July 11.30am - 1.30pm 07 4690 3120

David Jones Civic Sunday 24th July 12pm - 1.30pm 02 6222 6230

Myer Doncaster Saturday 16th July 12pm - 1.30pm 03 8848 3258

royal doulton collectables australia. vol 01 – july 2011

page

 australian

flower

facts: Each flower has been researched to produce a close interpretation on the colourings for the gown and the hand decorating of the flower detailing on each figure. Gold & platinum embellishments, a hall mark of Royal Doulton figures has been used to further accentuate the beauty of each figure. Produced in a strictly Limited Edition of 300, each figure comes with a certificate in a Royal Doulton presentation box.

Lady Wahlenbergia HN 5487

Lady Epacris HN 5486

Lady Swainsona HN 5488

Wahlenbergia gloriosa, Royal Bluebell, floral emblem of Australian Capital Territory

Epacris impressa, Pink Common Heath, state flower of Victoria

Swainsona formosa, Sturt’s Desert Pea, state flower of South Australia

Australian Flower Ladies Height 22cm rrp $259.00 2910 105

Australian Flower Ladies Limited Edition of 300 Height 22cm rrp $259.00 2910 104

Australian Flower Ladies Limited Edition of 300 Height 22cm rrp $259.00 2910 106

royal doulton collectables australia. vol 01 – july 2011

page



ladies

by Val Baynton

In celebration of Royal Doulton’s immense floral heritage, our 2011 Michael Doulton Tour takes the Language of Flowers as its theme. Centre stage is the limited edition Australian Flower Ladies collection, and three glorious studies are launched this year to accompany 2010’s sell out designs. Three more figurines will complete the series in early 2012. Each of these beautiful figurines is inspired by the wildflowers that have been chosen as emblems for our States and for the Capital Territory. Lady Epacris features the soft pink blooms of the Epacris impressa, commonly called the Pink Common Heath, the state flower of Victoria. Lady Epacris holds a single bloom in her hand whilst her shawl is delicately painted with full stems of the Pink Heath flower emphasising its distinctive bell shape. Her pink dress perfectly complements the delicate tones of the flower and golden highlights to the hems of sleeves and skirt add to the elegance of the figurine. Victoria was the first state to adopt a floral emblem in 1951, making this year the 60th anniversary of the connection. Pink Heath can be found in South Australia and is widespread in Tasmania as well as Victoria. Lady Swainsonia is inspired by the deep scarlet tones and striking shape of the Swainsonia formosa, the Sturt’s Desert Pea, the state flower of South Australia. The flower blooms make a stunning border design around the edge of her dress, whilst the dark red bodice and subtle shading through the skirt with golden highlights complement the unusual colours of the flower.

Chris Jackson, WWRD Design studio painting the first prototype of Lady Swainsona.

South Australia adopting the flower as the state emblem. The flower itself is named after Charles Sturt who recorded the flower whilst exploring central Australia in 1844 and in tribute to the pioneering 18th century English botanist Isaac Swainson. The flower thrives in arid parts of Australia and is found in most states except Victoria. Lady Wahlenbergia reflects the glowing violet pink colour of the Wahlenbergia gloriosa, the Royal Bluebell, and the floral emblem of the Australian Capital Territory. Lady Wahlenbergia wears a contemporary styled gown with a gilded belt to a dropped waist and a repeating pattern of bunches of the Royal Bluebell above a gilded hem. Both her belt and her gilded hair band are adorned with a Bluebell bloom revealing the fragile beauty of this small flower. The flower comes from a large genus in the Campanulaceae family, which grows in many countries, but the Royal Bluebell is native to Australia and is particularly found in the Australian Capital Territory where it thrives in alpine and sub-alpine areas, as well as in parts of New South Wales and Eastern Victoria. It became the emblem of the ACT, nearly 30 years ago in 1982.

phase 1 sold out

This year is the 50th anniversary of the State of

royal doulton collectables australia. vol 01 – july 2011

page

 meet the designer

wendy boyce davies An idea takes shape – Coming to life with colour How many Bunnykins have you designed? I have designed at last count 19 bunnykin figurines. What has been your favourite piece so far? Out of all of the Bunnies I’ve designed I will always have a soft spot for the first which was “Waltzing Matilda”. It was great fun to see my drawings become a 3 dimensional object you could pick up. I also love the “Victa Bunny” as I think we managed to capture the era really well. It may sound corny but they all have a special place for me. Are you a collector? If so what do you collect and why? Somehow along the way I have managed to collect bird figurines, which I have placed in sunny spots all over the house. I also collect sculptural insects, which I have placed around the garden. I’m not sure why I collected them I just seem to be attracted to them. Also for my 21st Birthday my Mum’s friend (Noelene Gray) gave me the Royal Albert Old Country Roses teacup and saucer set and I have collected most of the main dinner service and I have collected some of the chintz pieces as well which I think adds that extra flourish to the set. What drew you to becoming a designer? Where did you train? I studied Engineering Drafting at Sydney TAFE & I did a very detailed & shaded drawing of a flange and my teacher suggested I should investigate

graphic design, I did and studied Graphic Design & post grade studies in illustration at Randwick TAFE and later I did further studies at Enmore Design School and the Australian Film & Television School. One highlight after graduation I was contacted by Phillip Sametz and Maggie Hamilton of the ABC after they had viewed my work in the year book and was asked to submit logo ideas suitable for the then new Ultimo Centre After reviewing the submissions mine was chosen & I won the commission which was really exciting. I have also worked for Walt Disney Animation Australia later renamed Disneytoon Studios as an artist for 4 years working in 2D animation completing 6 film productions. When you are not designing what do you do? Lately I have been trying to get back into painting and I just started to submit my work at various Art Society exhibitions, where I have been fortunate enough to get some awards. My current work doesn’t require much design input but I still do freelance design work as requested. However I would love to do it on a more full-time basis again as I miss the challenges associated to design and I love the satisfaction you get when the client is pleased with the end result. Your best design lesson? If you can get a great brief from a client it does make the job a lot easier. So I think the more you can narrow down what the client wants then the easier it is for the designer to achieved the desired result. It is collaboration between the designer and client and there is nothing more rewarding for a designer than to have a happy client and ongoing work. At what moment in your early years did you realise you had such a creative flair? According to my Mum, I have always been able to draw well, in fact she said she could give me a pencil and some paper and I would be occupied for hours drawing. I remember being completely absorbed in what I was doing when drawing. Previous to designing Bunnykins, had you designed for other ceramics? No, Royal Doulton is the only company I have designed ceramics for. I have always enjoyed coming up with the designs for the bunnies striving to maintain their cuteness but still putting them into believable poses.

royal doulton collectables australia. vol 01 – july 2011

page

 australian bunnykins commission

G’Day Mate DB496 Limited Edition 500 Height 12cm RRP $299.00

G’Day Mate The next edition in the Australian Tableau series is G’Day Mate. Designed by Wendy Boyce-Davies, the theme of the piece centres around two Bunnykins mates greeting each other at the gate to say G’Day. They are accompanied by their friend the emu who has pecked a letter out of the old drum letterbox, a stocky wombat, a kelpie and a couple of friendly kookaburras. Produced in a strictly limited edition of 500, hand numbered to the edition and accompanied with a certificate.

Outdoor Dunny Bunny Limited Edition of 1,000 RRP $149.00* * RRP to be confirmed closer to launch date.

Outdoor Dunny Bunny The next Australian Bunnykins Commission is Outdoor Dunny Bunny. The concept drawing of this Australian Icon as shown here was presented to the WWRD Executive team in England and was met with peals of laughter. The “dunny” or “loo” is derived from the Old English word "hleow" which means a small shelter. In reality, it is the local slang for an outhouse toilet located in the backyard. Together with the Aussie Ute and Victa mower, the “dunny” is part of Aussie heritage. It is usually constructed over a large hole dug into the ground. A timber and iron construction is then placed over the hole to facilitate the moving of the outhouse if required. The humble toilet seat was made from one slab of timber, the centre cut out was used as a bread board! When the hole in the ground filled up, a new hole was dug out. The old one is simply covered up! Imagine finding one in the desert in the heat of summer where the temperature can reach up to 60C. In the remote outback you may still find a “dunny” where septic tanks/water supply is not available).

Outdoor Dunny Bunny Limited Edition 1000 Height 13cm RRP $149.00* * RRP to be confirmed closer to launch date.

How many of our collectors have memories of traipsing to the outhouse in the suburbs as late as the 60’s? $5 from each Dunny Bunny sold will be donated to charity. royal doulton collectables australia. vol 01 – july 2011

page

 the language of flowers

by Val Bayton

The language of flowers developed during Victorian times as a way of communicating secret messages and allowing individuals to express emotions which could not be spoken. Fragrant posies were regularly given as gifts and it was common for elegant ladies to carry these, or to pin a small nosegay to a bodice or ornament a hat as a way of disguising some of the less pleasant smells of the century. Nosegay literally means to keep the nose gay or ornamented! Another charming word for a posy is tussie mussie. Common flowers were given meanings, for example red roses for romantic love, pansy a thought, daffodils respect and primrose eternal love. There are alternative meanings for some flowers and the way they were combined was important too; red and white roses mean united; while yellow and red blooms signify joy , happiness and excitement.

The new flower of the month series of twelve distinct figurines have been thoughtfully combined with popular blooms and their symbolism with the months of the year by the Royal Doulton designers. In tribute to a fine Victorian tradition, each of our chic figurines is naturally carrying a beautiful tussie mussie. Flowers have bloomed in Royal Doulton’s masterpieces for more than a century and the colourful theme has inspired talented modellers, designers and artists at both the Lambeth and Burslem factories.

flower of the month

January

February

March

April

May

June

Snowdrop A symbol of hope & consolation

Violet A symbol of modesty, virtue & affection

Daisy A symbol of innocence and purity

RRP $99.95 2957 002

Peony A Symbol of a happy marriage, good health & prosperity

Rose A symbol of love & passion

RRP $99.95 2957 001

Jonquil A Symbol of love, affection, sympathy & desire

July

August

September

October

November

December

Larkspur A symbol of patience, elegance & daintiness

Poppy A Symbol of beauty, magic, fertility & eternal life

Aster A symbol of love & daintiness

Hydrangea A symbol of heartfelt emotions & gratitude

Mistletoe A symbol of affection

RRP $99.95 2957 009

RRP $99.95 2957 010

Chrysanthenum A symbol of optimism, joy, long life, abundance & wealth

RRP $99.95 2957 007

RRP $99.95 2957 008

RRP $99.95 2957 003

RRP $99.95 2957 004

royal doulton collectables australia. vol 01 – july 2011

RRP $99.95 2957 005

RRP $99.95 2957 011

RRP $99.95 2957 006

RRP $99.95 2957 012

page

 the art of florals

by Val Bayton

Royal Doulton has an immense floral heritage. Flowers have bloomed in Royal Doulton’s masterpieces for more than a century and the colourful theme inspired talented modellers, designers and artists at both the Lambeth and Burslem factories. More recently the use of floral embellishments has been a highlight of the Pretty ladies and Petite ladies range.

royal doulton collectables australia. vol 01 – july 2011

page

 the art of florals by Val Bayton

A Flowering Art Royal Doulton had two studios – one in Lambeth, London and the second in Burslem, Stoke on Trent. The artists in each studio may have used different ceramic materials and techniques but one thing they shared was a passion for flowers. The first artists joined the Lambeth studio in the early 1870s and floral designs were produced by the likes of George Tinworth, Arthur Barlow, Frank Butler and Mark Marshall. Working with a stoneware body, they carved and incised their designs into the clay and applied separately modelled motifs. After decorating with coloured glazes the pots were fired, and, as the temperature reached around 1260° centigrade, salt was sprinkled into the kiln. This salt glaze gave the Lambeth stonewares their distinctive look; a soft effect that emphasised the textures and surfaces of each piece and a slightly pitted orange peel like appearance. One of Michael Doulton’s most vivid memories is of the Lambeth factory. ‘As a child I was privileged to visit the Lambeth factory and I can still taste the salty atmosphere – from the salt that was used to glaze the pots. To an eight year old it was a magical place, with the heat of the vast kilns and men in leather aprons hauling great trollies of pottery in the heat. But the

Series Ware plates with floral inspired designs. Majority of designs c.1930-1950

art studios were the highlight of my visit as there I was allowed to model clay. I still have a couple of primitive masks I made and painted but at the time the thrill of making something funny looking teapot Royles Patent self and having it fired was part poring teapot with wild flowers decoration designed by Louis Bilton. c1892 of the magic.’ Artists could paint many subjects but each had their specialities, for example David Dewsberry is famed for his orchid paintings and Percy Curnock for his roses. Another artist, Edward Raby, was said to have a secret palette of colours that he used for his incredible rose designs. Many techniques were used by the Burslem artists including pâte-sur-pâte and decorating with coloured slip (liquid clay), a range, which Charles Noke, who succeeded Slater as art director, called Barbotine. Decorated with stylised floral designs the Barbotine pots were more informal in appeal.

page



Australian Influences An international exhibition in Sydney in 1879 marked the start of the Royal Doulton connection with Australia, a connection confirmed when Doulton ware was donated to help the redevelopment of the Sydney museum following a disastrous fire. Art Director, John Slater and the Doulton family established an excellent relationship with the Shorter family, Royal Doulton’s agent in Australia for many decades. When Slater retired his experimental studio collection was acquired by John Shorter who later gave it to the Powerhouse Museum in Sydney. During the 1890s Katherine Smallfield at the Lambeth studio painted Australian flora using designs sent to her by a New South Wales resident, one Miss Rutherford. These included the Bottle Brush, Iris, Sturt’s Desert pea, Kennedia and flannel flowers. Bone china painter Louis Bilton is famous for his designs inspired by Australian wild flowers. He spent several years in Australia painting watercolours for The Picturesque Atlas and upon his return to the UK he used his extensive knowledge of Australian flowers in his work for Royal Doulton. Some of his designs were reproduced and used on series ware and tableware.

The Rose England’s national emblem dates from 1485, when Henry VII ended the War of the Roses, bringing together the two houses of Lancaster and York creating the Tudor Rose – with the white rose superimposed on the red. Since then the rose has become synonymous with English culture, from cottages to castles it dominates the landscape and graceful young women are often described as being ‘as beautiful as an English Rose.’

bridal couple Anniversary HN3625. Valerie Annand 1194-98. Roses proliferate on this figure.

A flourishing tradition The connection between figurines and flowers dates back to the launch of the HN collection in 1913. Flowers featured on the earliest studies such as the Crinoline and the Madonna of the Square was portrayed with a basket of flowers at her feet. The Flower Seller’s Children by Leslie Harradine is iconic within the floral figurine tradition. With this study flowers became a part of the story of the figurine, rather than simple decoration or (as in early 18th and 19th century figurines) a means of supporting the figurine itself. This enchanting study is said to have been based on a young pair of children whom Leslie Harradine spied selling flowers in Covent Garden on his way home one evening. He sketched the pair on his cuff and back in his studio this simple drawing was transformed into an endearingly timeless figurine. It was issued in several colours, with the most popular version remaining in production until 1993.

children - The Flower Sellers children HN1342 modelled by Leslie Harradine 1929 -93.

The Bridal Bouquet The first bride figurine was launched in 1933 and was available in four colours and with a choice of bouquetincluding yellow roses and lilies. The second bridal figurine, Wedding Morn drew inspiration from the bridal gown of Princess Marina, Duchess of Kent who married in 1939. Specific portrait studies of royal brides began with the figure of Diana, Princess of Wales, in 1982. The wedding bouquet was an important element of her ensemble and of the figurine too. Comprising around 50 flowers and leaves such as roses and ivy, it was expertly made petal by petal by Ruth Ford –the leading ceramic floral artist of the 20th century.

The rose blooms on hundreds of Royal Doulton figurines; dainty buds, exquisite red bride - Wedding Morn Since 1982 other royal brides HN1867 modelled by single flowers or colourful have been celebrated including Leslie Harradine 1938-49. nosegays adorn hairstyles, the Duchess of York, Queen bonnets, belts, and skirts. From Victoria in 1997 and the the early Lady with Rose, through Queen and the Duke of the 1930s with designs such as Christine to Edinburgh honouring their this year’s annual collection – Happy Birthday golden wedding anniversary. 2011, Figurine of the Year 2011, Ella and A Loving Touch – the rose proliferates.

princess Di - Princess of Wales HN2887. Limited Edition 1500. Modelled by Eric Griffiths. 1982.

page

 new product

sneak peak Holiday Barbie The Holiday season Barbie Doll brings gifts of joy and a touch of glamour! Decked out in sophisticated, voluminous red velvet, the gown is accented with white faux fur trim, black lace and a classic black Santa belt!

Holiday Barbie Limited Edition of 3,500 Height 22cm rrp $199.00 2901 081

Barbier wil be available in stores from late 2011.

Getting ready for the ball Limited Edition of 17cm (h) x 23cm (w) rrp $499.00 2901 081

Getting Ready for the Ball There is so much detail on this tableau, truly showcasing the talent of Neil Faulkner and all the artisans that contributed their talent and expertise to making Getting Ready for the Ball a truly memorable piece. An ornate Victorian dressing table with a decorative mirror is complete with everything for the two young ladies to carry out their toilette. Each young lady is dressed in a stunning gown making the finishing touches to their appearance. One standing behind admiring herself in a hand held mirror, whilst the other, most likely her sister, sits elegantly perched on a chair afixing her necklace. Beautifully handcrafted and decorated bone china with a colour palette inspired by the British Flowers Violets and Peony.

royal doulton collectables australia. vol 01 – july 2011

page

 catherine

royal wedding day As mentioned in the Art of Florals article, the British Royals have been popular Royal Doulton figurine studies. Catherine Middleton’s, now the Duchess of Cambridge, elegant gown captivated the world. Her bodice, skirt and even shoes were delicately decorated with floral motifs including the shamrock and rose – both traditional in the Carrickmacross lace Catherine chose – and the daffodil and thistle thus combining the four floral national emblems of Great Britain. Princess Catherine’s bouquet was inspired by spring flowers in an English cottage garden and the secret meanings of the flowers chosen seem to have been well considered. They included sweet william (for gallantry and in tribute to her husband to be); lily of the valley (return of happiness, sweetness and humility); hyacinth (constancy of love) and ivy (fidelity). There were two sprigs of myrtle, (security in a happy marriage) one from a shrub planted by Queen Victoria at her royal home in the Isle of Wight in 1845 and the second from a shrub selected by The Queen in her wedding bouquet in 1947. Lily of the valley flowers were also used in the bridesmaids’ hair. Seventeen different flowers decorated the cake, and again each was chosen for its symbolic meaning, as well as many of the above they included oak leaves and acorns for strength and endurance and the white bridal rose simply meaning happiness and eternal love.

prototype First painted sample without the dress pattern artwork. Final bouquet will also have hand made flowers.

Catherine Royal Wedding Day Figurine HN5559 Worldwide Limited Edition of 7,500. Modelled by Neil Welch RRP $199.00 2950 017 Due October 2011. Limited stock available from selected collectables stockists.

When fully developed the dress pattern will be a raised white pattern

Backstamp artwork The floral pattern will be in gold

The image shown above has been mocked up to show how the final lace pattern artwork could look when applied to the dress

prototype

royal doulton collectables australia. vol 01 – july 2011

facebook Follow us on Facebook. Like the Royal Doulton Collectables Australia page to keep up to date on what is happening. Fans will be updated with special offers and information on what’s happening as well as special sneak previews on new products not yet launched.

like ‘Like’ us on Facebook to go in the running to win a pretty lady figurine valued at $259.00 rrp. Spread the word!!!!

win

a set of bunnykins figures!

*

Your chance to win a set of Bunnykins Figures! Q. What was the name of the nun who originally designed Bunnykins? The first correct entry drawn from all received after the closing date will win a set of 6 Bunnykins valued at $419 RRP Submit your answer via email to [email protected] by 1st August, 2011. * Conditions apply

www.royaldoulton.com.au/collectables I Phone: 1300 852 022 I Email: [email protected] © Copyright 2011 WWRD Australia. All Rights Reserved

WWRD Australia Pty Ltd ABN 59 000 078 562

100 Holbeche Road, Arndell Park NSW 2148 All information detailed in collectors, issue 1 has been included in good faith on the basis that it is accurate. A failure by the supplier to deliver in accordance with the samples and descriptions of new products or any other unintentional causes may result in these products being unavailable. Items shown in collectors are available in selected collectables stockists in Australia. Not all items are available in all locations. Limited Edition products are available while stock lasts. Colour of product is represented as closely as printing will allow. Illustrations are not to scale. The publication and the designs illustrated in it are protected by copyright.